Posted on 1 October 2008 with categories: Anime Reviews, RD Sennou Chousashitsu


Also happily adding to the theme of “fooling the viewer”, which returned in quite a few series for the past season, is RD Sennou Chousashitsu, or Real Drive. The set-up promised to be awesome, uniting Masamune Shirou, the creator of Ghost in the Shell and Ghost Hound with the director of Chevalier and Rurouni Kenshin – Tsuiokuhen. It promised to be an epic science-fiction action thriller-something. So, what did we get? A series that combines science fiction with slice of life and a few politics here and there. That’s not something you see everyday.

And indeed, Real Drive is probably the most original series to have aired in the past half year. It’s not about action at all. Instead, it just wants to present its image of the future in about sixty years from now. It’s really science fiction in its truest sense: it explores the current technology, and predicts how it’s going to evolve through the course of time, and most importantly: how did people learn to live with these technologies, which is where the slice-of-life part of the series comes in. This series also sets itself apart from most other science-fiction series by presenting a future image that’s overall positive in its message, compared to most other of its kind, which feature some sort of post-apocalyptic setting. Real Drive instead focuses on the creative expressability that people have gained, and highlights the disadvantages that come with these capabilities, instead of the other way around.

You also really have to admire the guts of this series: never have its protagonists been so different from the norm: the two main characters are a slightly overweight girl and an eighty-year-old guy. Normally, characters like them couldn’t even dream of acquiring any important role in anime, due to some strange rule that dictates that every female needs to have the looks of a J-pop idol and ever male needs to look young and hot. It’s taken quite a while, but finally a series comes and shows that you can make characters that don’t have perfect bodies look great. In fact, the entire series looks great: the few fights that appear are well coordinated and realistic, the CG is beautiful at times, and a lot of imagination went into creating the visuals. The soundtrack is also rich and complements the scenes very well.

Alas, this could have easily been a masterpiece if it wasn’t for some problems this series stumbled upon along the way. What we have here is a series with mostly episodic stories, and a large story at the end. That’s fine and all, and the individual stories are really nice to watch, but they’re also very unbalanced. They focus way too much on one character: Minamo, and leave all the others a bit behind in development and background. The result is that Minamo turns into an excellent character, but when everything needs to come together at the finale, this rather fails, because some of the major characters weren’t fleshed out enough. In the end, two unimportant characters that have nothing to do with the story have gotten more screen-time than some of the major actors, and I really feel that the creators should have spent more time into balancing out the topics of the individual episodes.

So, no. A masterpiece this is not. However, it is worth enough watching this series for the huge amounts of imagination that went into creating its setting, because THAT’s where this series stands out. Real Drive has also been the most intelligent series of the past half year, even though it may not show this at times, and thankfully everything does come together at its endings, which I rank among the best of the past year.

Storytelling: 8/10
Characters: 8/10
Production-Values: 9/10
Setting: 10/10
Posted on with categories: RD Sennou Chousashitsu




Short Synopsis: Real Drive’s end, for which I can’t seem to think off a fitting synopsis…
Highlights: Answers! Closure!
Overall Enjoyment Value: 8,75/10
I must say, I’m really impressed by this episode. It most likely was the best ending I’ve seen the past month. Oh, I’m SO glad that this series managed to pull through in the end. It was more than just “find Kushima and bring him back while save the world from the evil nano-machines”. This ending was also one of the most intelligent and creative of the past spring- and summer-season. Himitsu hasn’t finished yet, so I can’t label this definitively as the best ending of the past half year, but its ending has to be really good if it wants to surpass this one (which, however, it has the potential for).

Really, I liked the plan to get rid of the rampaging sea by switching off the power in the entire Asian (“Asean”?) continent a lot. It makes sense, and at the same time it also lead to some great symbolism: because the lights were off everywhere, the stars suddenly became visible, which probably points to how Technology can mean a lot to humans, but at the same time it clouds other parts of our mind: the stars. It’s a really interesting message, that ties in with the setting perfectly.

And after the previous episode, I wondered whether the creators really would be able to close off the subplot between Haru and Kushima, Souta and Holon, Jennie and the Secretary General. I didn’t think that the creators would be able to do that, but as it turns out: I was wrong. The latter two were done very subtly: Jennie realizes that he made a mistake, and instead of pouting he helps trying to fix his own problem. The Secretary General is seen, as she still longs back to Souta, even though he won’t come back to her. Souta also finally gets the courage to give Holon the bracelet he bought her, even though she lost her memory. And he finally acknowledged her as a human being, even considering the things that happened to her. All of this happened on the background, but formed a really fitting closure for this series.

Then there was Haru, who finally managed to find Kushima. He first tried to visit Eliza, and after the power was switched off, he ended up at the red ocean. As it turns out, it’s the memory of the sea, and it’s there where Haru was stuck for fifty years before he awakened. The metal was based on this memory. Kushima also doesn’t return with Haru, and instead he still wants to stay where he is.

And the production-values really knew how to close off this series. There were hardly ANY action-scenes, and yet the graphics looked beautiful in this episode. Especially that shot of earth, with its lights on and off was absolutely gorgeous, just as the star-filled sky with the single comet inside of it. The soundtrack also saved some of its best tracks, without turning them into some sort of strange medley, which is what happened in the ending of Macross Frontier.

Now that I think of it, I think that this ending is a very good contender for the best ending of 2008. It’s really the product of an intelligent setting, because in that way, you really can play without resorting to uninspired stereotypes. Out of the top of my head, my list of favourite endings this year at this point is the following:
1) RD Sennou Chousashitsu
2) Crystal Blaze
3) Mahou Tsukai ni Taisetsu na Koto ~Natsu no Sora~
4) Mokke
5) Clannad

Posted on 24 September 2008 with categories: RD Sennou Chousashitsu



Short Synopsis: A calm-before-the-storm episode, which shows Haru right before he attempts to retrieve Kushima’s consciousness.
Highlights: Finally some focus on Minamo again!
Overall Enjoyment Value: 8,5/10
This was an excellent calm-before-the-storm episode. It did exactly what was needed to prelude the finale for this series, and it also found enough time to finis Minamo’s development. It’s still a pity that she got degraded to side-character when the finale of this series started, so I’m really glad that the creators managed to put a satisfying closure to her story arc. With this episode, her growth feels complete.

The question of course remains: will the creators be able to do the same thing with the subplots between Souta and Holon, Haru and Kushima, Souta and the Secretary General and Kushima and Jennie. That final episode needs to be really fastly paced in order to get everything in there, and this is where the director really has to show what he can do to prevent the ending from getting rushed. I think that his best choice would be a simple straightforward ending, much as with Seirei no Moribito, instead of that chaotic ending of Ghost Hound. He should just focus on providing a satisfying conclusion for all of the above-mentioned subplots.

The plant, breaking down also was really nicely animated, by the way. It shows the promise for a nicely animated finale.

Overall, I’m still glad that I decided to follow this series, and while it isn’t THE best series of the past half year, I’d easily include this series in my top-10 favourite series of the past spring and summer-season, which have overall been rather disappointing for Production IG. They once were my favourite of the big animation producers, but that drastically changed in 2008. I think it was just one big mistake to get affiliated with that small company of Trans Arts, because these guys have just wanted to do way too much in way too little time, and they just don’t fit Production IG’s specific style. Especially with that theatrical announcement for Chocolate Underground, I’m wondering who on the company still finds it a good idea to keep affiliating with Trans Arts. Even Wellber, which I loved when it aired, is starting to get less and less memorable, the more I think back about it.

Posted on 18 September 2008 with categories: RD Sennou Chousashitsu



Short Synopsis: Jennie tries to execute his plans, and I finally found out what the bugger’s trying to do!
Highlights: Nice fight scenes!
Overall Enjoyment Value: 8/10
Okay, so this series blew its chances at being a masterpiece due to some uncoordinated build-up, but it still can end the series with a strong finale, if everything goes right. It started the build-up for the finale thankfully at least a bit in time, and right now it needs to deliver an interesting finale in its final two episodes. This requires the creators to take what they’ve been building up to, and push this into an entirely new or further direction, because I’m not convinced whether a character-based or straightforward ending is going to work for this series. The fact remains that the most fleshed out entity in this series is Minamo, and she never played a central role in the final arc.

Ooh, but I finally found out what the eventual plan of Jennie is, thanks to some very appreciated English words that appeared on the screen. It’s really a shame that this series has stopped being subbed, because the finale was just full of elaborate dialogues. In any case, Jennie has been trying to use the plant he and the secretary general have been developing in order to send nano-machines into the atmosphere, in an attempt to control the weather. And I must say that this is a perfect issue about which differences of opinions could arise. On one hand, think of the possibilities when you can fully control the weather. On the other hand, you’ll be disrupting the eco-system of the entire planet this way. It’s the basic environmentalist vs. progression debate, in a very interesting coat, if I had to say so myself. At least the messages in this series are rock-solid, but I wish I could say the same about the storytelling-technical aspects of the series, but ah well. You can’t change what’s already done, so at least I’ll try to enjoy the finale of this series for what it is.

Another interesting thing is the huge amount of parallels with Nijuu Mensou no Musume that are popping up. In its final arc, Chiko is also trying to prevent a scientist from launching a particle beam, and what’s even more coincidental: both in their latest episodes, these attempts have succeeded. Overall though, RD’s attempt at its particle beam is more interesting, because Jennie still is more of a villain than that scientist of Nijuu Mensou no Musume. At least I’ll grant it that. Jennie at least feels part of the show, rather than him being just another villain. In the end, I do admit that his lack of attention wasn’t as bad as I originally thought it was. I think that the reason that this series has disappointed is simply the fact that it went from character-based to story-based, and that progression wasn’t that smooth. This series is about its setting and characters. When the story takes over, it’s going to feel a bit awkward. That finale just arrived to abrupt. What should have been a time when all the character-development came together turned out to be a time where the characters are ignored in favour of the storyline. And that’s just a pity.

Posted on 11 September 2008 with categories: RD Sennou Chousashitsu



Short Synopsis: The secretary general gets some more background, while the search for Kushima’s consciousness continues.
Highlights: Extra bit of depth about the secretary general was very much appreciated.
Overall Enjoyment Value: 8/10
Okay, so I’m probably the only one who’s still crazy enough to watch this series without subs. Still, this episode featured a lot of interesting things. It’s slowly getting clearer as to what the heck happened, back in episode 21: apparently, Kushima is experiencing the same thing that Haru went to go through for fifty years at the moment. His brains that were found in the previous episode didn’t carry his consciousness, and only a few programs were left on it. One of them is an emergency AI-program he wrote for himself. It’s a really neat idea, to just be able to automate some of your thoughts, in case your consciousness loses it. In this case, humans have really become like machines, and the only thing that separates androids from real humans is that they’re completely mechanical, and their memory programs are designed to be functional, when compared to the whimsical nature of human brains. That’s one thing I really like about this series. It may have screwed up with its characters a bit, but Masamune Shirou’s setting for this series is rock-solid.

In any case, this episode gave some very much needed background to the secretary general, and shows the moment when she met with Souta, and fell in love with him. From here, we can probably guess that they started working together, and at one point she forced herself onto him. She really feels much more as a balanced character after this episode, but the problem is that this should have been a point of character-development. Instead, this episode just showed different sides of her. This shouldn’t be happening THIS LATE in a series, and there’s still that matter of Jennie’s lack of development. there are only three episodes left, but PLEASE give the guy some depth!

I still haven’t figured out what exactly Jennie is planning, but it seems to have to do something with the artificial island that had been built. And whatever it is, it seems to be in the interest of most of the inhabitants of the island. There also seems to be something that’s threatening the artificial island, which I guess is the same thing that Haru encountered.

Posted on 3 September 2008 with categories: RD Sennou Chousashitsu



Short Synopsis: Kushima didn’t only go brain-down, but his entire cyber-brains went missing. This episode shows attempts to recover it.
Highlights: Lots of metal-eye-candy.
Overall Enjoyment Value:8,5/10
This episode was much better than the previous one. Not only because I actually was able to follow what was going on, but also because the focus returned back to the characters. The thing is that RD really is a series about its characters. Most of the episodes had absolutely no plot whatsoever, so any attempts to introduce an overall plot would fall a bit short.

So, basically Kushima was attacked and his brain was removed off-screen, because he posed a threat to Jennie’s plans, whatever those may have been. Souta manages to find this out with the help of the secretary general, who she still turns out to have feelings for. It was pretty brave of Souta to show up in front of her, along with Holon.

In any case, now that this show is about to end, I do have to say that this series has disappointed a bit: it wasn’t the masterpiece you’d expect from such a stellar director. Overall, it’s still a good series, but I expected better (damn those expectations again). Now that the main storyline has started, and this series is done with most of its building up, I realize that this has been a very unbalanced series.

I don’t have a problem with the episodic cases (in fact, I love them), but you have to know how to use them. RD spent way too much of its early episodes on Minamo, which left too little time for the other characters. As the result, Minamo has turned into a downright excellent character. Holon, Souta and Haru also were fleshed out enough throughout the series, and they too are great characters.

Kushima, but especially the secretary general and Jennie needed a lot more screen-time than they actually got. I absolutely feel no connection to Jennie, even though he’s supposed to be the upcoming bad guy. The scuba brothers also are really underused characters. I think that if the creators scrapped the haunted school-building episode, the book episode and perhaps the blind girl episode, and used these episodes to flesh out Jennie and the scuba-brothers a bit more, this series would have greatly improved. The result right now is that two absolutely useless characters are fleshed out more than most of the important ones. As funny as Minamo’s classmates are, they’re really not that important to this series.

In any case, the thing that stood out in this episode was the metal itself. Because the concept of the metal is so original, the artists in this series really could do with it whatever they pleased, which resulted into some very nice eye-candy. Souta, screwing up at the end of the episode and basically erasing Holon’s entire memory also had a lot of impact. Such a tragic love-affair.

Posted on 27 August 2008 with categories: RD Sennou Chousashitsu



Short Synopsis: Souta struggles with his feeling, while the top executives plan to do… something…
Highlights: Talking, talking and more talking. Oh, and some very nice romance.
Overall Enjoyment Value: 7,5/10
Ugh, at times like these I regret being the only raw blogger of this series. Something major definitely got started in this episode, but those top officials are like a bunch of walking dictionaries. Usually, I can pick up enough Japanese to understand an episode, but this was one major exception to that. The online dictionary I use wasn’t of much help either, because the words it suggested kept making no sense in their context… If someone did understand what exactly happened in this episode: care to explain?

In any case, the romance-parts of this episodes were something I did understand, and they were really well done. Even though this is a typical building-up episode, Souta finally decided to buy a gift for Holon and break up from sleeping with his boss. Nothing really happens between him and Holon, but that’s only a matter of time.

Haru can also fully walk again, albeit with the help of a walking-stick. Kushima also seemed really happy with that news. This really was a big episode for him, especially since what happened to the guy at the end of the episode. All “that was revealed was that he was “swept away”, but what exactly that means is up for the next episode.

Posted on 20 August 2008 with categories: RD Sennou Chousashitsu



Short Synopsis: To synopsis this episode would be a bit too spoilerific, but let’s just say that it sheds more light on the concept of cyberbrains.
Highlights: Ooh, the character-development!
Overall Enjoyment Value: 8,5/10
You have to wonder: what the heck are the creators planning for the finale of this series? There’s no bad guy, no approaching apocalypse, there no cast member that’s in danger of losing his/her life, there’s no evil plot to take over the world/organization/town, there’s no goal to overcome, there’s been NOTHING that hinted at a standard conclusion whatsoever. The only thing I can think of is that Souta’s sleeping with his boss, and I can imagine how that would go wrong, but it feels nothing like any other conclusion of a story I’ve seen so far.

This episode too: it was all about Minamo’s and Haru’s character-development, while the next episode seems to go back Souta (whose bracelet was that!?). But then again, there’s absolutely nothing wrong with that. I really like Real Drive’s episodic nature, and this episode really showed that this series is evolving, now that Haru’s got the power in his legs back. He spends the entire episodes, trying to learn to walk again (which obviously takes A LOT of effort after fifty years without walking). He sure does it in an unorthodox way: no crutches, he doesn’t try to hold any solid object around him, nothing. In medical terms, that’s obviously not advisable, but I can imagine how after fifty years, he really wanted to try and walk without any help from other people or things.

Minamo meanwhile also surprised me when she decided to get a cyber-brain in this episode. And oh my god, the transition to a cyber-brain is much more complicated than I expected. I originally thought that they were just going to plant some chips into your brain and stuff, but it looks like your entire brain is getting replaced by a device. I can imagine that Kushima’s adjustments to his body are even bigger, to prevent him from aging and all. Through the entire series, this “cyberbrain” had seemed like some sort of magic, but when this episode showed what’s inside a person’s head, it suddenly got a whole new dimension.

I also loved the random chatter Minamo made with one of the other people who wanted to get a cyber-brain, although it also was a bit disturbing to learn that Minamo has actually fallen for Haru. Now that he’s about to learn to walk again, and might not need Minamo anymore, Minamo seriously started thinking about him, and realized that she felt for him. I really hope that she meant “as a friend”, rather than the other thing. ^^;

Also, I do wonder what’s up with that guy that Minamo talked to. He lied to her about getting a cyberbrain (he already had one), he used a fake name and he looks like Haru when he was younger. Could this be the first hint as to what the creators are planning for that ending?

Posted on 12 August 2008 with categories: RD Sennou Chousashitsu



Short Synopsis: Haru tries to take care of the source of the noise.
Highlights: If the metal wasn’t already deep enough, it just gained some more depth.
Overall Enjoyment Value: 8/10
Okay, what just happened back there? The metal has always been a mysterious existence, but it’s this episode where, just like Dennou Coil in a way, the link between the cyber world and the real world stat to get really fuzzy. I originally thought that this arc was meant to develop the characters some more, but as it turns out, it was all about the setting. Because of that, this episode wasn’t as touching as usual, but it raised a truckload full of questions.

So, as it turns out, something in the jungle was causing this noise. It’s that strange machine (which we actually don’t see in the entire episode, apart from one flashback). But the thing is that it somehow cyber-ified the huge tree it was linked too. We knew that humans and dogs could be cyber-ified, but this was probably the first time I’ve ever seen a cyber-tree. The intriguing thing is that through these cyber-technologies, the tree apparently prevented rain to fall through its leaves, and at the same time plants continue to grow at its bottom, like nothing happened.

The dialogue was very difficult in this episode (note to self: rewatch it once the subs arrive) so I didn’t understand everything, but I doubt that everything that happened in this episode can be explained with logical reasoning. I must say that RD has gone even further than Dennou Coil in this aspect. Dennou Coil was just about whether or not human bodies and souls could remain in cyber-space, and whether computers could break that link that was supposed to be unbreakable. Real Drive has already passed that point, and created a virtual world where human’s consciousnesses can flow freely, depending on their imaginations.

The result? Haru got his legs back in this episode. His freakin’ legs! The legs that were supposed to have been disabled by that very same metal got restored back to normal due to some water-recovery program inside the tree. We’ve yet to get confirmed whether or not they’re back for real, but the preview for the next episode seems to confirm this.

It’s strange to think that this series is already entering its final quarter. And with this show, you’ve got no idea what it’s got in store for its finale. The characters will probably get developed a lot, now that Haru’s legs are back. The cast is already fleshed out excellently, but I have absolutely no idea where the main storyline is going to go now.

I’m also wondering what’s so bad about the lack of overall storyline for this series. I mean, there have been plenty of other series who pulled off the “collection of random stories” properly (xxxHolic, Jigoku Shoujo, Mushishi, etc). And instead the random storylines serve to shape up the setting for this series. Of course, when a lazy writer attempts this, the result is just an incoherent and dull excuse of an anime, but why does everything need an overall storyline that involves saving the world or your loved one, or something? IMHO, both episodic series without much of an overall storyline and continuous series both have their strong and weak points.

Posted on 5 August 2008 with categories: RD Sennou Chousashitsu



Short Synopsis: This episode starts a two-episode arc, centred in the jungle, far away from the civilized and cyberized world.
Highlights: Holon.
Overall Enjoyment Value: 8,5/10
Too… many… shows… air on Tuesday…

In any case, this series continues to surprise me. It’s probably because the cast of characters is the best out of all the series that aired during Spring and Summer (just about the only thing at which Kaiba wasn’t number one). It’s strange, but the characters as Minamo, Souta and Haru feel like real people and Holon feels like a real advanced android, instead of just a bunch of characters. The amount of series that has characters that are this likable is really small, but every series with characters like this is absolutely worth it, even though hardly anything may happen.

While looking at the preview, at some forgotten ruins, I forgot for a moment that this is Real Drive we’re talking about, and expected some epic mystery plot or something similar. In the end, this turned out completely different, and much more focused at Minamo, as she explored the wonders of the jungle. But more importantly, this episode showed an interesting flaw of the technology in this series. In deserted places without much electronics, there’s something called “noise”, which upsets both cyberified humans and especially androids. Poor Holon even collapsed at the end of the series.

Seriously, this episode was just awesome, even if it was only about Minamo, giving her plant too much water, or freaking out over a bunch of large bugs. Seriously, this episode was hardly about anything and yet every minute of it was captivating somehow. Now that Kaiba has ended, Real Drive is well on its way to becoming my favourite series at the moment.

CHANGE USERNAME
Vonter
The Jim Carrey movies.
Vonter
Dorei-ku seems like a Kakegurui. You see one episode you've seen all. It'll be better if it was crazier like Mirai Nikki. Mind control IMO could be a very creepy setup if it's watched through the perspective of the victim rather than the perpetrator. Losing notion or reality and control. Could liar liar and Yes man be considered mind controlled stories?
Vonter
Ore Mahou Shoujo, baffles me, since I had to skip another long musical off key number, which makes me wonder where the budget cut starts and where the trolling begins. Also makes me sad, there aren't a lot of female to male transformations since it'll be interesting watching that perspective. Maybe a love triangle from both genders could apply since females are more accepted to be bi, in media.
Vonter
Megalobox could be something really special, but I hope like with Ashita no Joe, the anime isn't solely boxing. Joe, had social commentary, had a personal struggle do to the protagonist origin, attitude and view of life, since he started very immature and rebellious.
Amagi
Megalo Box, Tiramisu (I find this genuinely funny), S;0, GGO which is so much better than SAO, Wotaku, Hinamatsuri, Cutie Honey, LotGH, Hisone to Masotan and so on
Amagi
I really love this season as well.
Lenlo
Also personally I am enjoying this current season a alot. But I also know/like a good bit of the reboots/sequels
Lenlo
Oh man... 2015 winter was good. Forgot thats when those came out
Anonymous2028818
@SuperMario: Wasn't that Natsume season 5?, pretty sure season 4 was several years earlier.
SuperMario
Another strong anime season for me was 2015 Winter, where we had YuriKuma Arashi, Maria the Virgin Witch, Death Parade, Durarara whatever season, second cour of Shirobako, Parasyte and Your Lie in April
SuperMario
Even so, with this season I'm still willing to give some shows another chance, like Caligula or Cutie Honey Universe(!)
SuperMario
For me, the best season in recent years was Fall 2016 when we had Flip Flappers, Sound Eupho 2, Yuri on Ice, Natsume 4, Fune wo Amu, Drifters and 3-gatsu no Lion. But I know that Aidan would disagree with me on this
SuperMario
@anon2028201: it's me who said this season is a mixed bag. It's like you said, this season is too heavily on sequels/ reboots and only some new anime stand out, the rest of the pack is just meh.
Anonymous2028201
To me this seems like a pretty good seasons, but judging some of the impressions, it's a bit more of a mixed bag for most. Just curious, what were the best seasons for recent anime? This one seems good to me, but to early to tell right now
Anonymous2028201
Lovin this season so far: a lot of reboots/reimaginings and sequels, but I'm enjoying them all. MHA S3, LOGH DNT, S;G 0, Megalobox, Golden Kamuy are what I'm watching right now. I hear Full Metal Panic is good as well, but I haven't gotten around to watching the original series.
Anonymous2028258
so i just recently rewatched fullmetal panic fumoffu and i gotta say that this is easily one of Kyo ani's best works. It's such a surprise that this was their first anime; it's a damn good romance comedy
Kaiser-Eoghan
@Anon: Lol I love B-movie type stuff, because the rules are off.
Kaiser-Eoghan
I was the only person who watched Mazinkaiser skl and shin mazinger and skullman.
Anonymous2026379
@Kaiser Takeshi Koike really wanted to really sell it as a grindhouse feature and I ate that shit up; I really dug the tone he was going for.
Kaiser-Eoghan
@Anon: It was strange seeing that Goemon short, much as I enjoyed it, thats the goriest I seen lupin get.
Anonymous2026379
Megalo box is pure retro while lupin is a mix of old and new...and you're right; people just think they can't jump right into it. But that's why more people should be talking about it; to let the masses know that you don't need a starting point to get into the Lupin franchise
Kaiser-Eoghan
I'm a massive fan of the devilman manga and I thought devilman crybaby was better than it.
Anonymous2026379
90's-esque throwback feeling shows like lupin and megalo box have been giving me
Anonymous2026379
Luoin part 5 is definitely mixing the best of new and old. Honestly, I've been having a blast with it as well as this generally 90
Kaiser-Eoghan
I think the problem is, people see lupin as this long thing they can't get into, when really its so episodic/standalone mostly you can pick up and watch.
Kaiser-Eoghan
And of course getting the best bits out of old and new.
Kaiser-Eoghan
*visual style
Kaiser-Eoghan
I'm a fan of this hybrid old and new style, megalobox does it too, mine fujiko aswell and casshern sins.
Kaiser-Eoghan
I was surprised by how well the Fujiko mine show came together in the end.
Kaiser-Eoghan
I'll be interested in picking up more facts about thrm.
Kaiser-Eoghan
Come think of it, Akira Kurosawa did some old western (eastern?) in Russian, that had an Ainu in it.
Anonymous2026379
Asirpa is sooooo adorable.....almost feels patronizing to say that about her due to how badass she is
Anonymous2026379
What makes Fujiko work so well as this sexy icon is that she isn't just sexy: she's smart as shit and uses that sexiness to dominate and control her opponents (similar to bayonetta) rather than be chained by the objectification of her opponents (and the viewers for that matter)
Anonymous2026379
I wonder what other obscure cameos we may get this season. And yea you're right about some of Lupin's potentially sexist traits being assuaged by his level of cool and the genuine respect he shows a good deal of the women he has encountered throughout the series
Kaiser-Eoghan
@Anon: Yet still a fun film at the same time.
Anonymous2026379
@Kaiser Yea, mamo was a pretty dark element introduced to the lupin franchise; and considering the tone of the gravestone of Jigen, it makes sense he would cameo there
Kaiser-Eoghan
@Mario: Help I want to kidnap Asirpa =<
Kaiser-Eoghan
@Anon: I'm probably as surprised as you, at finding someone to talk to about Lupin on here.
Kaiser-Eoghan
@Anon: And through comparing/contrasting the jigen grave stone and Fujiko mine, with some of the sillier older ones, it shows the Lupin characters are flexible enough to work both in a darker AND sillier context.
Kaiser-Eoghan
*character
Kaiser-Eoghan
@Anon: Fujiko is precisely how a fanservicey character should work and how built in/essential it is to her haracter, without becoming an irritant.
Kaiser-Eoghan
@Anon: By all means Lupin himself shouldn't be a character we like, much like Bond, but like Bond theres a coolness to the character that allows us to love him.
Kaiser-Eoghan
@Anon: Another great thing about Lupin is how it uses its 60s cool to get away with what would normally probably be considered fairly sexist.
Kaiser-Eoghan
@Anon: I had a big smile on my face when Mamo made a cameo appearance at the end of one of the recent ones and thats because I remember the Lupin Mamo movie was one of those first anime that I watched about 20 years aago.
Anonymous2026379
not to mention that its one of the few anime this season that actually knows how to utilize dialogue to explore flesh out its characters rather than exposition or contrivance: looking at you darling in the franxx
Anonymous2026379
@Kaiser-Eoghan Nice fun facts; but yea Lupin III is a series that has always had an amazing sense of pacing and adventure, traits that are definitely on display this season
Kaiser-Eoghan
@Anon: Its a huge franchise too so I'm often never sure where to go next.
Kaiser-Eoghan
@Anon: You may or may not know this, but the voice actor for solid snake voiced Lupin in one of the dubs.
Kaiser-Eoghan
@Anon: I watched a few episodes of the Italy set lupin show too .
Its a fun franchise due to its cast but its something I have to follow irregularly, lest it get repetitive.
Kaiser-Eoghan
@Anon: Fun fact, guy who directed the gold of babylon film was a famous B-movie noir director in the 60s.
Lenlo
Dont trust anything written by the original SAO author. Everything is his fault. Kirito is not in this series.
Lenlo
Even the original SAO author has little to do with it, which is why its actually good
Lenlo
So SAO Alt is basically completely removed from the rest of SAO
Kaiser-Eoghan
@Anon: Lupin is one of those things I dip in and out of, whatever part of the franchise it is. I've seen birdcage kingdom, Mamo, cagliostro, nostradamus, Jigens grave stone, mine fujiko and the recent Goemon centred special.
Anonymous2026379
it's a damn shame not a lot of ppl are talkig about/watching lupin the third this season
Kaiser-Eoghan
But for all I know with that team behind it, its an improvement, but theres probably not much point in me watching as I dropped the first season after less than 10 episodes.
Kaiser-Eoghan
See how he attempts to seduce me into watching something related to sword art.
Lenlo
Huh... I didnt know the writer for SAO Alt was written by the Kino's Journey creator and produced by the Flip Flappers people. Explains a lot
Lenlo
I wish I knew what you meant by shaman girls, and I cant wait
AidanAK47
@Lenlo, Oh I know Leskinen. May he find his Japanese Shaman girls one day. But seeing as I know the story I wanna experience it differently.
Kaiser-Eoghan
@Mario: Its even set in hokkaido, Korean/Japanese director, Japanese cast, Ken Watanabe is in it: https://letterboxd.com/film/unforgiven-2013/
Lenlo
Also, I love the ED. Really, 2 episodes in, I love S;G all over again.
SuperMario
@Kaiser: really? They remade Unforgiven in Japanese?
Lenlo
its*
Lenlo
Like... is good.
Lenlo
But your missing out on the cult of Leskinen. The engrish is actually one of my favorite parts
AidanAK47
@Lenlo, Meanwhile I am happily waiting for the dub.
Lenlo
Dangit... I have to wait another week for Steins;Gate 0 now. I cant do this.
Kaiser-Eoghan
@Mario: The Japanese remake of unforgiven had ainu people in it.
Anonymous2025797
Also I wonder if budget is distributed according to the director, some animes will spend more in the first episode. Some will spend more in the last ones. It's subjective, but if it's like all business it is looking for the better result at the minimum expense. Hence why I believe Berserk was made the way it did.
Anonymous2025797
@Kaiser-Eoghan - Ideally a story should be as long as it needs. But reality seems that a number of episodes is decided before production. And so you either have to stretch or cut material. Kinda like that 300 page manga of Les Miserables, is simply unfeasible translating that book into that few pages.
KTravlos
Oberstein was a great character.
KTravlos
I actually feel Aidan can do a good job on it. Sometimes been too exposed to the material may lead to clouded eyes.
Kaiser-Eoghan
Though I'm surprised by how I unexpectedly laughed at wotaku, I do wonder if later on it will include any slight drama elements to sustain interest.
Kaiser-Eoghan
OMO; OBERsteins; Gate =P
Kaiser-Eoghan
From watching episode 2 of golden kamuy, yeah, the source material definitely is lifting this.
Kaiser-Eoghan
I'm going to have to wait and see on steins; gate 0, it is encouraging to here this might be darker , at the same time I remember having to sit through too much goofy humour in the first one.
Kaiser-Eoghan
I was actually surprised, that, while rare, there were some moments of humour, that lightened it for me.
AidanAK47
Throughout the entire series I expected Oberstein to pull some inevitable double cross. And was shocked when he never did.
Amagi
@Kaiser: Agree with Oberstein. I think antagonists are es important as the mains in fiction and I loved this guy, he's perfect for series like these.
Kaiser-Eoghan
Galactic heroes was an example of where when watching it, when big death scenes occured, I would make noooooo and shouting noises at the screen while clenching my fist.
Kaiser-Eoghan
I love characters like Oberstein, shrewd, clever, but done right to where I can believe it, not characters like, say Lelouch .
Kaiser-Eoghan
I'd be concerned if the new galactic heroes series skimps on the violence, that kind of thing needs to be in there, in most shows/films and shown to be explicit, consequences need to be shown.
Amagi
*about, not with
Amagi
Sadly, most original 2+ cours series I know feel dragged whereas many 1 cours originals could have needed ~3 more episodes. Talking with series that have an actual plot of course.
Amagi
I really like the 13 episodes thingy for originals but I wish there would be more 26 episodes series, especially for adaptions.
Amagi
@Kaiser: I agree. Nothing kills my interest faster than formularic episodes and repetition.
Kaiser-Eoghan
In general I think 50 episodes would be the most I'd watch for an anime, 39 seems ideal.
Amagi
Or worse and the romance drama is the main plot and it's Kiznaiver all over again, while the rest is just flavor to make the romances more forced since they're the MCs are only teens and such. Dunno but I can never bring myself to care about this kind of stuff.
Kaiser-Eoghan
Though better 110 episodes of galactic heroes than a long shounen that just repeats itself.
Amagi
Speaking of recent episodes, I unironically thing that FranXX's world (building) is pretty interesting (although I hope those klaxxosaurusses will be more than just random cannon fodder) but I doubt the series will ever get to the main plot again the next time.
Amagi
Same here. It was really the only time I did this. I am usually exhausted by just thinking about marathoning long series. It's the reason why I won't get into FMP for the new series either. LotGH was an exception since I found it easily to watch for some reason.
SuperMario
Man, just image burning through 110 episodes of it and my spirit fades away
Amagi
Watched that whole series ages ago.
Amagi
Just watched the first three Neue These episodes and I surprinsingly liked it. Thought I would hate it due to being an OVA fan, and I still prefer the old designs by far but overall it's pretty good. I think I might even prefer this version of the first battle, but I have to rewatch the old one I guess.
Kaiser-Eoghan
Also while I can't remember which episode, Yang picks up a book with the author of the series' name on it.
Kaiser-Eoghan
Arslan feels so lightweight by contrast/comparison.
Kaiser-Eoghan
And I think, given your knowledge KTtravlos, that a series review of the new galactic heroes season would probably benefit from you writing it.
Kaiser-Eoghan
I bring up the music in my earlier comment, because I can understand your reservations regarding the music choice in the remake.
Kaiser-Eoghan
And certainly one of those shows, that going back to the first episode after finishing, gives a strong perspective just on how evolving the series was.
Kaiser-Eoghan
*despite me not
Kaiser-Eoghan
Despite not being monarchist , because the characters were human moreso than cartoon characters I couldn't hate on Reinhard.
Kaiser-Eoghan
@Travlos: I suppose by the time it got to Julian's arc, I was surprised they were still bothering to fight but the fact that they were essentially the last bastion of their beliefs made it special.
Kaiser-Eoghan
@Travlos: Sometimes when I just finish a show, its a case where I HAVE to jump online immediately after and excitedly ramble out an essay on it.
niello
ugh democracy
KTravlos
@Kaiser ultimately LOGH for me was a decisive point in my political life, as I think it made the best defense of democracy in any form I have seen. And it worked partly because the opponent was presented in the best possible incarnation (Rienhard). Yang's continued adherence to democracy, despite recongising its flaws, helped me avoid a personal descent into authoritarian politics.
KTravlos
@Kaiser. I am happy you had a good experience. I watched the prequels a while after the main show and I was happy because it was great getting back to those characters. The prequels were also great in fleshing the setting and the characters. So yes, take your time and a break. That way the prequels will be like visiting a place you liked again after a while.
Kaiser-Eoghan
@KTtravlos: I have some other stuff to get through before watching the galactic heroes prequel though =<
Kaiser-Eoghan
YES according to discord poster I'm not a millenial!
Kaiser-Eoghan
Sorry for overposting. I have always always being an incredibly verbose person.
Kaiser-Eoghan
@Vonter; Not that I oppose captilistically made for a buck cinema, it can be entertaining yes, but I set a standard.
Kaiser-Eoghan
@Vonter: As open as I am to trash cinema, I consider the resident evil films, like the superhero ones, anti-art.
Kaiser-Eoghan
I can understand why people don't like Villier, but he did I think work as a device to add extra tension.
Kaiser-Eoghan
I feel some release at finishing but at the same time sadness at saying goodbye to the show and its characters.
Kaiser-Eoghan
, showing its age.
But for something of this length, it kept itself up far better than most long shows and I feel the length its somewhat justified.

On another note….as corny as the third ending theme is, I got the feels listening to it.
Kaiser-Eoghan
But while the first 50 odd episodes were an easy job for me aswell as all of the 4th season and some of the late 3rd season made it difficult for me to pull myself away from it, the dialogue even though often well observed did become difficult to follow at times and somewhere in the middle theres a stretch of episodes, bar some moments that feel a bit of an endurance test and the animation is at
Kaiser-Eoghan
Its attention to detail I felt was at its strongest in the documentary and the series dedication to filling the view in on its world building/fictional history.
Kaiser-Eoghan
I admired the scope, ambition of this series and the battles eventually grew on me and I was surprised by just how visceral the melee combat got which suited me perfectly. At the same time for all the strategy and action, I found myself more in it for the story, characters and intrigue/politicking. Those battles, due in part to their music choices, had an epic feel to them
Kaiser-Eoghan
In the end the characters stood out for me the best were Reinhard, Oberstein (for being essentially the amazing man with the plan), Reuntal, Kircheis and Rubinsky, I warmed up to Julian, Yang and Schenkop. When important deaths occurred, they felt highly dramatic, in four cases emotionally effecting for me .
Kaiser-Eoghan
Also, KTtravlos, thank you for pushing me toward watching the original legend of the galactic heroes, my opinion on the series is largely a mixed one, but by the end I felt I’d watched something rewarding and I’m happy its crossed off my list and I should have gotten round to it sooner.
Kaiser-Eoghan
I'm probably the oldest here, being 32. Which apparently makes me around Yang-wenli's age, which according to someone means I'm middle aged .
Kaiser-Eoghan
To the discord guy who brought it up, its difficult not for me to be political, my father was an activist and is a Marxist , I ended up becoming a contradiction a semi-agnostic, but spiritually inclined/tolerant socialist with internationalist ideology.
Kaiser-Eoghan
@Aidan: Ends in very cliffhanger/abrupt indy way though and the things weakness/how to kill thems too easy.
Kaiser-Eoghan
@Aidan: I liked how it explains nothing also and the creature design and how it visual communicates to the audience.
Kaiser-Eoghan
@Aidan: While I won't say anything, a character death is handled in what I considered a schmaltzy manner. There is a particularly headscratching decision the characters make that you'll either rationalize or hate, but it leads to one of the tenser set pieces later on.
Kaiser-Eoghan
@Aidan: Quiet place has a good idea at its backbone, that they use sign language in the film to communicate and occassional whispers adds to it, it and the silence allows for a mood to be effectively communicated. It does have jump scares, I wasn't annoyed by them, but I never felt the film required them.
Kaiser-Eoghan
@Aidan: I read the discord, if you ever need to ask a question relating to film, come to me about it, I will without fail be able to answer 9 times out of 10.
Kaiser-Eoghan
I was adequately amused by the first episode of wotaku, but found the male lead funnier, which I'm attributing to him be more deadpan.
Lenlo
We found a convient weekend for everyone
Kaiser-Eoghan
*watching
Kaiser-Eoghan
I would also float the idea of recommendation podcasts every now and then.
Kaiser-Eoghan
I will listen to the podcast more in full later. But I was surprised after asking/suggesting it on the discord, that it came so soon.
Kaiser-Eoghan
I am thinking of re-watching gasaraki and ai yori aoshi.
Kaiser-Eoghan
@Niello: Perhaps after a while of watch the anime I will simply jump on to the manga.
Vonter
I watched Resident Evil: Vendetta yesterday. It's incredible dumb but kind of fun. I do wonder if in terms of entertainment are like the best videogame based movies. Since it plays like a videogame, it's based on a videogame and is more or less in line with the tone the series has had for a while.
niello
It's such a shame that Golden Kamuy art direction is such a train wreck.
KTravlos
and for the sake of Clausewitz there is clinical term for what Reinhard did. It is called "defeat in detail". Napoleon was a master of it. Proper way to defeat it , is to order the threatened force to retreat to a point where other allied forces are converging. The enemy will either have to retreat, or fight at a disadvantage. The 1813 and 1814 campaigns against Napoleon are examples of that.
KTravlos
Episode 2 of LOGGH: Der Neue Thesis was much better than the first. The music is still an issue, but Yang was well portrayed. I do think there is lack of the directors in showing the cruelty of war, like the first one did. We will see.
Kaiser-Eoghan
@Mario: Still need to see his short films and black Peter.
Amagi
@Anon: I already know the manga and enjoy it, think the anime is a good adaption so far. Feels good to see a series about video games that are actually just games and romance without tsunderes, tons of blushing or unworldly naive harem girls.
Anonymous2016456
the anime
Anonymous2016456
how do you guys think of wotakoi?
SuperMario
@Kaiser: Hereditary sounds pretty promising here
Kaiser-Eoghan
Forman's an interesting case, when you look at the huge disconnect from his early films from the 60s and then what he went on to make.
Kaiser-Eoghan
Ah, unfortunately I am not a fan of country music so Nashville didn't appeal to me =<
Kaiser-Eoghan
@Mario: And before Jack kept playing the same role over and over.
Kaiser-Eoghan
@Mario: Aside from Courtney Love's presence, Larry Flynt is an excellent film. I love the custom camera tricks Kubrick used in Lyndon , dog day afternoon suceeded for me because it did so much more than being just a bank rob film. I wish Spielberg would return to his pre-90s films .
SuperMario
Cuckoo's Nest reminds me of the great 1975 Oscar Best Picture, which for me was Oscar's greatest line-up. The line-ups for that year were: Cuckoo Nest (winner), Nashville, Barry Landon, Dog Day Afternoon and Jaws
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Featured Posts

Steins;Gate 0 – 2 [Epigraph of the Closed Curve -Closed Epigraph-]

9 years. It has been almost 9 years since the original season of Steins;Gate. Since Okabe overcame received a mysterious video message, which prompted him to finally save the day. Back then it was a rather clever, if thin, plot device to get a happy ending. Steins;Gate 0 is the story of this video message. […]

Legend of the Galactic Heroes Die Neue These – 2/3[The Battle of Astarte/An Indomitable Prodigy]

If I was to judge this adaption based solely on the first three episodes I would declare it a resounding success. For while I do really like the old series, it does have a rather slow start. I say i only truly got invested in it around episode 3 or 4 when the more political […]

Golden Kamuy – 02 [Nopperabo]

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Megalo Box – 2 [The Man Only Dies Once]

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Darling in the Franxx – 13[The Beast and the Prince]

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Fate/Extra Last Encore – 08-10[No Second Strike ― Dead End ― /Golden Theater of the Deranged ― Aestus Domus Aurea ― /Unlimited――― ― Unlimited/ Raise・Dead ―]

It hard to have an opinion on the last three episodes of Fate/Extra when the content has been quite similar to the previous episodes of the cour. For now the series has ended with the remaining episodes coming as a special later. Still unknown if that was the actual special broadcast that was originally considered […]

Darling in the Franxx – 10-12[The City of Eternity/Partner Shuffle/The Garden Where It All Began]

Three episode coverage this week as many things got in the way of my casual blogging, the much late preview being one of them. I must say that the last few episodes of Franxx have been quite strong as we have had a string of character development episodes which have really fleshed out the cast. […]

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Kokkoku – 42.5/100

There are lots of bad anime out there, for one reason or another. Whether it be stilted animation, terrible writing or bad direction, a good portion of each season is simply not worth it. Kokkoku is not a bad anime. It is something much worse. Kokkoku is a mediocre anime. Bad ones get talked about, […]

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