Posted on 1 October 2008 with categories: Anime Reviews, RD Sennou Chousashitsu


Also happily adding to the theme of “fooling the viewer”, which returned in quite a few series for the past season, is RD Sennou Chousashitsu, or Real Drive. The set-up promised to be awesome, uniting Masamune Shirou, the creator of Ghost in the Shell and Ghost Hound with the director of Chevalier and Rurouni Kenshin – Tsuiokuhen. It promised to be an epic science-fiction action thriller-something. So, what did we get? A series that combines science fiction with slice of life and a few politics here and there. That’s not something you see everyday.

And indeed, Real Drive is probably the most original series to have aired in the past half year. It’s not about action at all. Instead, it just wants to present its image of the future in about sixty years from now. It’s really science fiction in its truest sense: it explores the current technology, and predicts how it’s going to evolve through the course of time, and most importantly: how did people learn to live with these technologies, which is where the slice-of-life part of the series comes in. This series also sets itself apart from most other science-fiction series by presenting a future image that’s overall positive in its message, compared to most other of its kind, which feature some sort of post-apocalyptic setting. Real Drive instead focuses on the creative expressability that people have gained, and highlights the disadvantages that come with these capabilities, instead of the other way around.

You also really have to admire the guts of this series: never have its protagonists been so different from the norm: the two main characters are a slightly overweight girl and an eighty-year-old guy. Normally, characters like them couldn’t even dream of acquiring any important role in anime, due to some strange rule that dictates that every female needs to have the looks of a J-pop idol and ever male needs to look young and hot. It’s taken quite a while, but finally a series comes and shows that you can make characters that don’t have perfect bodies look great. In fact, the entire series looks great: the few fights that appear are well coordinated and realistic, the CG is beautiful at times, and a lot of imagination went into creating the visuals. The soundtrack is also rich and complements the scenes very well.

Alas, this could have easily been a masterpiece if it wasn’t for some problems this series stumbled upon along the way. What we have here is a series with mostly episodic stories, and a large story at the end. That’s fine and all, and the individual stories are really nice to watch, but they’re also very unbalanced. They focus way too much on one character: Minamo, and leave all the others a bit behind in development and background. The result is that Minamo turns into an excellent character, but when everything needs to come together at the finale, this rather fails, because some of the major characters weren’t fleshed out enough. In the end, two unimportant characters that have nothing to do with the story have gotten more screen-time than some of the major actors, and I really feel that the creators should have spent more time into balancing out the topics of the individual episodes.

So, no. A masterpiece this is not. However, it is worth enough watching this series for the huge amounts of imagination that went into creating its setting, because THAT’s where this series stands out. Real Drive has also been the most intelligent series of the past half year, even though it may not show this at times, and thankfully everything does come together at its endings, which I rank among the best of the past year.

Storytelling: 8/10
Characters: 8/10
Production-Values: 9/10
Setting: 10/10
Posted on with categories: RD Sennou Chousashitsu




Short Synopsis: Real Drive’s end, for which I can’t seem to think off a fitting synopsis…
Highlights: Answers! Closure!
Overall Enjoyment Value: 8,75/10
I must say, I’m really impressed by this episode. It most likely was the best ending I’ve seen the past month. Oh, I’m SO glad that this series managed to pull through in the end. It was more than just “find Kushima and bring him back while save the world from the evil nano-machines”. This ending was also one of the most intelligent and creative of the past spring- and summer-season. Himitsu hasn’t finished yet, so I can’t label this definitively as the best ending of the past half year, but its ending has to be really good if it wants to surpass this one (which, however, it has the potential for).

Really, I liked the plan to get rid of the rampaging sea by switching off the power in the entire Asian (“Asean”?) continent a lot. It makes sense, and at the same time it also lead to some great symbolism: because the lights were off everywhere, the stars suddenly became visible, which probably points to how Technology can mean a lot to humans, but at the same time it clouds other parts of our mind: the stars. It’s a really interesting message, that ties in with the setting perfectly.

And after the previous episode, I wondered whether the creators really would be able to close off the subplot between Haru and Kushima, Souta and Holon, Jennie and the Secretary General. I didn’t think that the creators would be able to do that, but as it turns out: I was wrong. The latter two were done very subtly: Jennie realizes that he made a mistake, and instead of pouting he helps trying to fix his own problem. The Secretary General is seen, as she still longs back to Souta, even though he won’t come back to her. Souta also finally gets the courage to give Holon the bracelet he bought her, even though she lost her memory. And he finally acknowledged her as a human being, even considering the things that happened to her. All of this happened on the background, but formed a really fitting closure for this series.

Then there was Haru, who finally managed to find Kushima. He first tried to visit Eliza, and after the power was switched off, he ended up at the red ocean. As it turns out, it’s the memory of the sea, and it’s there where Haru was stuck for fifty years before he awakened. The metal was based on this memory. Kushima also doesn’t return with Haru, and instead he still wants to stay where he is.

And the production-values really knew how to close off this series. There were hardly ANY action-scenes, and yet the graphics looked beautiful in this episode. Especially that shot of earth, with its lights on and off was absolutely gorgeous, just as the star-filled sky with the single comet inside of it. The soundtrack also saved some of its best tracks, without turning them into some sort of strange medley, which is what happened in the ending of Macross Frontier.

Now that I think of it, I think that this ending is a very good contender for the best ending of 2008. It’s really the product of an intelligent setting, because in that way, you really can play without resorting to uninspired stereotypes. Out of the top of my head, my list of favourite endings this year at this point is the following:
1) RD Sennou Chousashitsu
2) Crystal Blaze
3) Mahou Tsukai ni Taisetsu na Koto ~Natsu no Sora~
4) Mokke
5) Clannad

Posted on 24 September 2008 with categories: RD Sennou Chousashitsu



Short Synopsis: A calm-before-the-storm episode, which shows Haru right before he attempts to retrieve Kushima’s consciousness.
Highlights: Finally some focus on Minamo again!
Overall Enjoyment Value: 8,5/10
This was an excellent calm-before-the-storm episode. It did exactly what was needed to prelude the finale for this series, and it also found enough time to finis Minamo’s development. It’s still a pity that she got degraded to side-character when the finale of this series started, so I’m really glad that the creators managed to put a satisfying closure to her story arc. With this episode, her growth feels complete.

The question of course remains: will the creators be able to do the same thing with the subplots between Souta and Holon, Haru and Kushima, Souta and the Secretary General and Kushima and Jennie. That final episode needs to be really fastly paced in order to get everything in there, and this is where the director really has to show what he can do to prevent the ending from getting rushed. I think that his best choice would be a simple straightforward ending, much as with Seirei no Moribito, instead of that chaotic ending of Ghost Hound. He should just focus on providing a satisfying conclusion for all of the above-mentioned subplots.

The plant, breaking down also was really nicely animated, by the way. It shows the promise for a nicely animated finale.

Overall, I’m still glad that I decided to follow this series, and while it isn’t THE best series of the past half year, I’d easily include this series in my top-10 favourite series of the past spring and summer-season, which have overall been rather disappointing for Production IG. They once were my favourite of the big animation producers, but that drastically changed in 2008. I think it was just one big mistake to get affiliated with that small company of Trans Arts, because these guys have just wanted to do way too much in way too little time, and they just don’t fit Production IG’s specific style. Especially with that theatrical announcement for Chocolate Underground, I’m wondering who on the company still finds it a good idea to keep affiliating with Trans Arts. Even Wellber, which I loved when it aired, is starting to get less and less memorable, the more I think back about it.

Posted on 18 September 2008 with categories: RD Sennou Chousashitsu



Short Synopsis: Jennie tries to execute his plans, and I finally found out what the bugger’s trying to do!
Highlights: Nice fight scenes!
Overall Enjoyment Value: 8/10
Okay, so this series blew its chances at being a masterpiece due to some uncoordinated build-up, but it still can end the series with a strong finale, if everything goes right. It started the build-up for the finale thankfully at least a bit in time, and right now it needs to deliver an interesting finale in its final two episodes. This requires the creators to take what they’ve been building up to, and push this into an entirely new or further direction, because I’m not convinced whether a character-based or straightforward ending is going to work for this series. The fact remains that the most fleshed out entity in this series is Minamo, and she never played a central role in the final arc.

Ooh, but I finally found out what the eventual plan of Jennie is, thanks to some very appreciated English words that appeared on the screen. It’s really a shame that this series has stopped being subbed, because the finale was just full of elaborate dialogues. In any case, Jennie has been trying to use the plant he and the secretary general have been developing in order to send nano-machines into the atmosphere, in an attempt to control the weather. And I must say that this is a perfect issue about which differences of opinions could arise. On one hand, think of the possibilities when you can fully control the weather. On the other hand, you’ll be disrupting the eco-system of the entire planet this way. It’s the basic environmentalist vs. progression debate, in a very interesting coat, if I had to say so myself. At least the messages in this series are rock-solid, but I wish I could say the same about the storytelling-technical aspects of the series, but ah well. You can’t change what’s already done, so at least I’ll try to enjoy the finale of this series for what it is.

Another interesting thing is the huge amount of parallels with Nijuu Mensou no Musume that are popping up. In its final arc, Chiko is also trying to prevent a scientist from launching a particle beam, and what’s even more coincidental: both in their latest episodes, these attempts have succeeded. Overall though, RD’s attempt at its particle beam is more interesting, because Jennie still is more of a villain than that scientist of Nijuu Mensou no Musume. At least I’ll grant it that. Jennie at least feels part of the show, rather than him being just another villain. In the end, I do admit that his lack of attention wasn’t as bad as I originally thought it was. I think that the reason that this series has disappointed is simply the fact that it went from character-based to story-based, and that progression wasn’t that smooth. This series is about its setting and characters. When the story takes over, it’s going to feel a bit awkward. That finale just arrived to abrupt. What should have been a time when all the character-development came together turned out to be a time where the characters are ignored in favour of the storyline. And that’s just a pity.

Posted on 11 September 2008 with categories: RD Sennou Chousashitsu



Short Synopsis: The secretary general gets some more background, while the search for Kushima’s consciousness continues.
Highlights: Extra bit of depth about the secretary general was very much appreciated.
Overall Enjoyment Value: 8/10
Okay, so I’m probably the only one who’s still crazy enough to watch this series without subs. Still, this episode featured a lot of interesting things. It’s slowly getting clearer as to what the heck happened, back in episode 21: apparently, Kushima is experiencing the same thing that Haru went to go through for fifty years at the moment. His brains that were found in the previous episode didn’t carry his consciousness, and only a few programs were left on it. One of them is an emergency AI-program he wrote for himself. It’s a really neat idea, to just be able to automate some of your thoughts, in case your consciousness loses it. In this case, humans have really become like machines, and the only thing that separates androids from real humans is that they’re completely mechanical, and their memory programs are designed to be functional, when compared to the whimsical nature of human brains. That’s one thing I really like about this series. It may have screwed up with its characters a bit, but Masamune Shirou’s setting for this series is rock-solid.

In any case, this episode gave some very much needed background to the secretary general, and shows the moment when she met with Souta, and fell in love with him. From here, we can probably guess that they started working together, and at one point she forced herself onto him. She really feels much more as a balanced character after this episode, but the problem is that this should have been a point of character-development. Instead, this episode just showed different sides of her. This shouldn’t be happening THIS LATE in a series, and there’s still that matter of Jennie’s lack of development. there are only three episodes left, but PLEASE give the guy some depth!

I still haven’t figured out what exactly Jennie is planning, but it seems to have to do something with the artificial island that had been built. And whatever it is, it seems to be in the interest of most of the inhabitants of the island. There also seems to be something that’s threatening the artificial island, which I guess is the same thing that Haru encountered.

Posted on 3 September 2008 with categories: RD Sennou Chousashitsu



Short Synopsis: Kushima didn’t only go brain-down, but his entire cyber-brains went missing. This episode shows attempts to recover it.
Highlights: Lots of metal-eye-candy.
Overall Enjoyment Value:8,5/10
This episode was much better than the previous one. Not only because I actually was able to follow what was going on, but also because the focus returned back to the characters. The thing is that RD really is a series about its characters. Most of the episodes had absolutely no plot whatsoever, so any attempts to introduce an overall plot would fall a bit short.

So, basically Kushima was attacked and his brain was removed off-screen, because he posed a threat to Jennie’s plans, whatever those may have been. Souta manages to find this out with the help of the secretary general, who she still turns out to have feelings for. It was pretty brave of Souta to show up in front of her, along with Holon.

In any case, now that this show is about to end, I do have to say that this series has disappointed a bit: it wasn’t the masterpiece you’d expect from such a stellar director. Overall, it’s still a good series, but I expected better (damn those expectations again). Now that the main storyline has started, and this series is done with most of its building up, I realize that this has been a very unbalanced series.

I don’t have a problem with the episodic cases (in fact, I love them), but you have to know how to use them. RD spent way too much of its early episodes on Minamo, which left too little time for the other characters. As the result, Minamo has turned into a downright excellent character. Holon, Souta and Haru also were fleshed out enough throughout the series, and they too are great characters.

Kushima, but especially the secretary general and Jennie needed a lot more screen-time than they actually got. I absolutely feel no connection to Jennie, even though he’s supposed to be the upcoming bad guy. The scuba brothers also are really underused characters. I think that if the creators scrapped the haunted school-building episode, the book episode and perhaps the blind girl episode, and used these episodes to flesh out Jennie and the scuba-brothers a bit more, this series would have greatly improved. The result right now is that two absolutely useless characters are fleshed out more than most of the important ones. As funny as Minamo’s classmates are, they’re really not that important to this series.

In any case, the thing that stood out in this episode was the metal itself. Because the concept of the metal is so original, the artists in this series really could do with it whatever they pleased, which resulted into some very nice eye-candy. Souta, screwing up at the end of the episode and basically erasing Holon’s entire memory also had a lot of impact. Such a tragic love-affair.

Posted on 27 August 2008 with categories: RD Sennou Chousashitsu



Short Synopsis: Souta struggles with his feeling, while the top executives plan to do… something…
Highlights: Talking, talking and more talking. Oh, and some very nice romance.
Overall Enjoyment Value: 7,5/10
Ugh, at times like these I regret being the only raw blogger of this series. Something major definitely got started in this episode, but those top officials are like a bunch of walking dictionaries. Usually, I can pick up enough Japanese to understand an episode, but this was one major exception to that. The online dictionary I use wasn’t of much help either, because the words it suggested kept making no sense in their context… If someone did understand what exactly happened in this episode: care to explain?

In any case, the romance-parts of this episodes were something I did understand, and they were really well done. Even though this is a typical building-up episode, Souta finally decided to buy a gift for Holon and break up from sleeping with his boss. Nothing really happens between him and Holon, but that’s only a matter of time.

Haru can also fully walk again, albeit with the help of a walking-stick. Kushima also seemed really happy with that news. This really was a big episode for him, especially since what happened to the guy at the end of the episode. All “that was revealed was that he was “swept away”, but what exactly that means is up for the next episode.

Posted on 20 August 2008 with categories: RD Sennou Chousashitsu



Short Synopsis: To synopsis this episode would be a bit too spoilerific, but let’s just say that it sheds more light on the concept of cyberbrains.
Highlights: Ooh, the character-development!
Overall Enjoyment Value: 8,5/10
You have to wonder: what the heck are the creators planning for the finale of this series? There’s no bad guy, no approaching apocalypse, there no cast member that’s in danger of losing his/her life, there’s no evil plot to take over the world/organization/town, there’s no goal to overcome, there’s been NOTHING that hinted at a standard conclusion whatsoever. The only thing I can think of is that Souta’s sleeping with his boss, and I can imagine how that would go wrong, but it feels nothing like any other conclusion of a story I’ve seen so far.

This episode too: it was all about Minamo’s and Haru’s character-development, while the next episode seems to go back Souta (whose bracelet was that!?). But then again, there’s absolutely nothing wrong with that. I really like Real Drive’s episodic nature, and this episode really showed that this series is evolving, now that Haru’s got the power in his legs back. He spends the entire episodes, trying to learn to walk again (which obviously takes A LOT of effort after fifty years without walking). He sure does it in an unorthodox way: no crutches, he doesn’t try to hold any solid object around him, nothing. In medical terms, that’s obviously not advisable, but I can imagine how after fifty years, he really wanted to try and walk without any help from other people or things.

Minamo meanwhile also surprised me when she decided to get a cyber-brain in this episode. And oh my god, the transition to a cyber-brain is much more complicated than I expected. I originally thought that they were just going to plant some chips into your brain and stuff, but it looks like your entire brain is getting replaced by a device. I can imagine that Kushima’s adjustments to his body are even bigger, to prevent him from aging and all. Through the entire series, this “cyberbrain” had seemed like some sort of magic, but when this episode showed what’s inside a person’s head, it suddenly got a whole new dimension.

I also loved the random chatter Minamo made with one of the other people who wanted to get a cyber-brain, although it also was a bit disturbing to learn that Minamo has actually fallen for Haru. Now that he’s about to learn to walk again, and might not need Minamo anymore, Minamo seriously started thinking about him, and realized that she felt for him. I really hope that she meant “as a friend”, rather than the other thing. ^^;

Also, I do wonder what’s up with that guy that Minamo talked to. He lied to her about getting a cyberbrain (he already had one), he used a fake name and he looks like Haru when he was younger. Could this be the first hint as to what the creators are planning for that ending?

Posted on 12 August 2008 with categories: RD Sennou Chousashitsu



Short Synopsis: Haru tries to take care of the source of the noise.
Highlights: If the metal wasn’t already deep enough, it just gained some more depth.
Overall Enjoyment Value: 8/10
Okay, what just happened back there? The metal has always been a mysterious existence, but it’s this episode where, just like Dennou Coil in a way, the link between the cyber world and the real world stat to get really fuzzy. I originally thought that this arc was meant to develop the characters some more, but as it turns out, it was all about the setting. Because of that, this episode wasn’t as touching as usual, but it raised a truckload full of questions.

So, as it turns out, something in the jungle was causing this noise. It’s that strange machine (which we actually don’t see in the entire episode, apart from one flashback). But the thing is that it somehow cyber-ified the huge tree it was linked too. We knew that humans and dogs could be cyber-ified, but this was probably the first time I’ve ever seen a cyber-tree. The intriguing thing is that through these cyber-technologies, the tree apparently prevented rain to fall through its leaves, and at the same time plants continue to grow at its bottom, like nothing happened.

The dialogue was very difficult in this episode (note to self: rewatch it once the subs arrive) so I didn’t understand everything, but I doubt that everything that happened in this episode can be explained with logical reasoning. I must say that RD has gone even further than Dennou Coil in this aspect. Dennou Coil was just about whether or not human bodies and souls could remain in cyber-space, and whether computers could break that link that was supposed to be unbreakable. Real Drive has already passed that point, and created a virtual world where human’s consciousnesses can flow freely, depending on their imaginations.

The result? Haru got his legs back in this episode. His freakin’ legs! The legs that were supposed to have been disabled by that very same metal got restored back to normal due to some water-recovery program inside the tree. We’ve yet to get confirmed whether or not they’re back for real, but the preview for the next episode seems to confirm this.

It’s strange to think that this series is already entering its final quarter. And with this show, you’ve got no idea what it’s got in store for its finale. The characters will probably get developed a lot, now that Haru’s legs are back. The cast is already fleshed out excellently, but I have absolutely no idea where the main storyline is going to go now.

I’m also wondering what’s so bad about the lack of overall storyline for this series. I mean, there have been plenty of other series who pulled off the “collection of random stories” properly (xxxHolic, Jigoku Shoujo, Mushishi, etc). And instead the random storylines serve to shape up the setting for this series. Of course, when a lazy writer attempts this, the result is just an incoherent and dull excuse of an anime, but why does everything need an overall storyline that involves saving the world or your loved one, or something? IMHO, both episodic series without much of an overall storyline and continuous series both have their strong and weak points.

Posted on 5 August 2008 with categories: RD Sennou Chousashitsu



Short Synopsis: This episode starts a two-episode arc, centred in the jungle, far away from the civilized and cyberized world.
Highlights: Holon.
Overall Enjoyment Value: 8,5/10
Too… many… shows… air on Tuesday…

In any case, this series continues to surprise me. It’s probably because the cast of characters is the best out of all the series that aired during Spring and Summer (just about the only thing at which Kaiba wasn’t number one). It’s strange, but the characters as Minamo, Souta and Haru feel like real people and Holon feels like a real advanced android, instead of just a bunch of characters. The amount of series that has characters that are this likable is really small, but every series with characters like this is absolutely worth it, even though hardly anything may happen.

While looking at the preview, at some forgotten ruins, I forgot for a moment that this is Real Drive we’re talking about, and expected some epic mystery plot or something similar. In the end, this turned out completely different, and much more focused at Minamo, as she explored the wonders of the jungle. But more importantly, this episode showed an interesting flaw of the technology in this series. In deserted places without much electronics, there’s something called “noise”, which upsets both cyberified humans and especially androids. Poor Holon even collapsed at the end of the series.

Seriously, this episode was just awesome, even if it was only about Minamo, giving her plant too much water, or freaking out over a bunch of large bugs. Seriously, this episode was hardly about anything and yet every minute of it was captivating somehow. Now that Kaiba has ended, Real Drive is well on its way to becoming my favourite series at the moment.

CHANGE USERNAME
Lenlo
Rakugo, continues to be great and gets another time skip. Im always surprised by how engrossing it is just listening to these people talk.
Lenlo
Makes me sad, just like Berserk. Got an entire shelf dedicated to it but its just so slow. stupid boat.
Lenlo
Vagabond was phenomenal, but its been on hiatus for years now hasnt it
Kaiser Eoghan
....well without spoiling towards the middle of that rakugo episode and all throughout during that middle part, my opinion on Yotaro's character went far up.
Kaiser Eoghan
Struggling to remember the name of that josei samurai manga from the 90s (or earlier 2000s), had a gender bending theme.
Kaiser Eoghan
I've already read kenshin and vagabond, I loved shigurui death frenzy and sword of the stranger but found samurai champloo uneven. Theres a kagemusha manga but I haven't read it and I've yet to see/read blade of the immortal.
Kaiser Eoghan
At a glance I'll go against the grain and say I think demi-chan is funnier than konosuba, going on one episode of each.
I've been watching a fare share of samurai films in the last two years and lately so I'm open to wathing more anime/reading manga dealing with samurai.
SuperMario
Hand Shakers, how I love to watch it jumping off the cliff. This show contains lines like "I don't understand... even if I did understand... but I don't understand." It isn't a dialogue that we encounter too often I'm sure.
AidanAK47
@Mario, Sounds good to me. With me covering Little Witch Academia, Saga of Tanya the evil and Rakugo this season is well covered.
SuperMario
so I've decided to blog 3-gatsu, Scum's Wish and ACCA this season. A bit worry about the latter as I still don't have much to talk about that. Let's try it and see what happens; I say
SuperMario
Okay, I'm not hot on Onihei this week, as if the main theme about these two episodes were "people can be corrupted" then I'm not buying it. ACCA, on the other hand, was still very solid of building up the world and its big events to come.
AidanAK47
I have played all the big roguelikes and found they have the same problem. I argee on procedural generation. Even if the map is different every time you are essentailly going through the same rooms and doing the same things.
Masky
Though to be honest, I don't like procedural(or designed room and then game connects them randomly) games much. I much enjoy hand designed dungeons since I rarely play games through more than once anyway so roguelike's appeal of "Every time you play it through its different!" doesn't appeal to me much and hand designed dungeons are much more memorable
Masky
Can't really comment further on that since I don't know which roguelikes you have played, and neither I have played gungeon so I don't know if its badly designed to the point you can't do anything if rng says so. Though I guess there is nothing wrong about liking luck based games, if roguelike in question is truly unbeatable if rng says so, well, its really badly designed one if you ask me.
AidanAK47
Take my last run. Made it up to the fourth floor. Got plenty of guns but none were really useful. Even then ran out of ammo for all of them and the game was cheap about giving out ammo. Plenty of money but shops with nothing worth buying. Over 5 heart containers but no goddamn health. Died on the boss because I rolled out of a bullet into another bullet. Pretty much unavoidable.
AidanAK47
@Masky, that's the theory but in pretty much every roguelike I played its not the case. If the RNG decides you are going to have a bad time then you are going to have a bad time. Skill can only bring you so far. I have played this game for 7 hours and I know I could have finished it in 2. Only thing stopping me is a dice roll.
Masky
Like, the thing with roguelikes is that they can get easier/harder depending on luck, but well done one should be completable even without any upgrades at all if you are skilled enough.
Masky
Thats not the really case with roguelikes though, unless game design is bad and includes insta kill traps and such that are unavoidable if you are unlucky
AidanAK47
I hate roguelikes. Been playing enter the Gungeon and I just lost all patience with it. Getting real tired of my victory being decided by a RNG. It never feels satisfying to finish a roguelike because I know my victory was determined by pure luck.
AidanAK47
So we got to rely on fansubs for it when it's airing.
AidanAK47
@Mario, Nope. I think because netflix only puts up full seasons they are only planning to put it up when it's finished airing. Or when it's dubbed.
SuperMario
But how does the Netflix thing work? So of I have a Netflix account I can watch the show weekly?
SuperMario
@Aidan: that's a dumb way to do things really because unless you watch the show weekly, everyone gonna forget that it even exist. Just look at Re-Life last year
Lenlo
thought*. Words are hard.

Eventually found the actual first ep though and enjoyed it.
Lenlo
Was funny. I tried to find the first Ep for Little Witch, found original short made afew years ago, watched it and though "This is very similar to the original... Whats new".
AidanAK47
Little witch is one of the best shows this season and yet I can't get subtitles because Netflix doesn't release shows weekly. Motherf*cker.
Lenlo
Ore Monogatari I enjoyed. It was a nice romance that actually explored what happens after the confession. Also the 2 leads are just precious.
Lenlo
Alright but unmemorable seems like a good summation.
SuperMario
@Lenlo: one good thing about Seiren is if you don't like this romance, the whole thing gonna reset after episode 4 so there's a chance that you might end up like it. Agreed that the comedy wasn't very good. Alright but unmemorable
SuperMario
@Topgavin: I watched like first 3 episodes and stopped because I didn't have much time there, but I enjoyed what I saw. A well-written and endearing show in my book
Topgavin
Has anyone here watched Ore Monogatari before? Because in the 4 years I've watched anime, I've never heard of it (I guess it did come out 2 years ago) and yet it's turning out to be one of my favorite shows. Always great going into a show expecting nothing and getting pleasantly surprised.
AidanAK47
Only one more impression to go. Should have it up tomorrow.
Lenlo
Im really not feeling Seiren. Its "comedy" isnt for me and I just dont find it very enjoyable to watch so far. Im curious if it gets any better but 2 episodes in it just isnt that good.
HelghastKillzone
That ending scene is an entire side-story compressed into that. Don't expect anymore of it from here on out as the it sticks to ruthless military/fantasy pretty well.
LookingForKeys
@Topgavin I think it was good, making it the second episode. That way the first set up the world the story will be in, and showed how much of a monster the "little girl" really is right at the end, and then made ep.2 the explanation. Nothing against Tanya trying to rip "God" a new one.
That after-credits scene, though...
SuperMario
Hmm, as much as I like Seiren's omnibus format, it doesn't turn out really hot this second episode. Demi-chan, on the other hand, still maintains its endearing tone. Might blogging Demi-chan instead
Topgavin
Yeah, that second episode was much better than the first. Dunno why they didn't start with that to be honest, waste of an opportunity for a good hook episode. The voice for the main girl still sounds weird to me though; I get it's supposed to sound weird because it symbolizes 'her' being out of place and her personality and body being a mismatch, but it'll certainly take some getting used to.
AidanAK47
Youjo Senki, now we are talking. Like Helghast said, Did the god scene way better than the LN and manga. Made it less comedic and more intimidating.
Lenlo
Oh man that Rakugo intro. Not sure what to think, but first time seeing it I liked it
Kaiser Eoghan
I sort of like good will hunting because I kind of saw a bit of myself in Damon's character when I watched it ages ago.
Kaiser Eoghan
@Mario: Remaking psycho and ruining the shower scene, for shame van sant, for shame.
Kaiser Eoghan
Its easy to ripoff some obscure thing though and get away with it. The dogtooth director essentially stole an old Mexican film to make that.
SuperMario
@Kaiser: yeah, that following some guys from behind like they were on a RPG games, which I think actually fit with the tones of Elephant. I have such mixed feeling with Gus van Sant too. Don't really think he's a great director.
Kaiser Eoghan
@Mario: Although Istvan Szabo is probably a little more well known for that Mephisto film that updates the Faust story. Zoltan Fabri's the fifth seal is a very thought provoking war movie.
Kaiser Eoghan
@Mario: I remember seeing a film documentary that featured Gus van sant in one section, they showed clips of tarrs films, Sant ripped of the cinematography and stole the style from some British short film to make Elephant.
SuperMario
@Kaiser: agree on the other Hungarian filmmakers, I don't know much about them either.
Kaiser Eoghan
@Mario: Scorsese's Silence was a big comeback. I really really emotionally connect with spiritual crisis stories.
SuperMario
@kaiser: yep, definitely check wreckmeister down. Althought I admit that watching his 2-hour plus films will feel like 5-hour anyways
Kaiser Eoghan
@Mario: I'm more tolerant of darker teenage/coming of age films/stories. Les Demons was a big surprise.
Kaiser Eoghan
@Mario: Though its kind of frustrating, I do think Tarr probably takes attention away from other hungarian filmakers because no-body knows who the hell the others are.
Kaiser Eoghan
@Mario: Man, wreckmeister was so visually arresting I started getting dreams from it.
Kaiser Eoghan
@Mario: I would consider Tarr to be kind of a poor mans Janco, Angelopolus and Tarkvosky rolled into one. I don't entirely "get" wreckmeister and man from London but they are great atmospheric mood piece experiences.
SuperMario
@Kaiser: I had been wanting to watch Belar Tarr's Turin Horse and Werckmeister Harmonies for so long now. Well, Fat Girl is shocking haha, but I'm normally drawn into those kind of films anyway.
SuperMario
@Kaiser: Margaret took like 5,6 years to release because he couldn't cut it down in the way he wanted. The final cut if I remembered correctly was edited by Martin Scorsese
Kaiser Eoghan
@Mario: Only a HDcam for moonlight now.
Kaiser Eoghan
I looks like my lineup is witch academia, rakugo and youjo senki, well the most latter one until I get bored.
Kaiser Eoghan
@Mario: I sense a directors cut for manchester, it feels like it need another 30 minutes.
SuperMario
@Kaiser: right up my valley. Watch Kenneth Lonergan's previous works Magaret and You Can Count on Me. Magaret is very messy but have a raw dialogue and interactions as well
SuperMario
Now the first episodes are over, I will keep on covering 3-gatsu, as for the other twos atm I have 3 options: 1) full romance/anti-romance high school Seiren/Scum's Wish. 2) slice-of-life moe monster girls Demi-chan/Maid Dragon and 3) Mature,dark Onihen/Acca (which although I like them I don't have much to talk about).If you guys have any preference on which shows you like covered then let me know
Kaiser Eoghan
@Helghast: At this point I'm watching youjo senki as an entertaining guilty pleasure.
Kaiser Eoghan
@Mario: Too many reboots upcoming, will wait for the dvds instead. I want to explore more of manchester by the sea's director's work. I also want to finally get more into Bela Tarr's stuff.
Kaiser Eoghan
@Mario: I was rather shocked by A Ma souer/fat girls final act. Scenes with the Italian in the bedroom were initially creepy.
SuperMario
@Kaiser: it's a nice review Kaiser, a bit jealous with you that you've seen those 3 films which are touted as the best films of 2016. Also Fat Girl, haha, I love that movie.
Kaiser Eoghan
Poor yotaro =< you have so much stuff going down on you =<
HelghastKillzone
Youjo Senki episode was so good today. That revamped scene with God just fitted so right.
AidanAK47
A official release of that game in the west is apparently coming but it's been a few years and not much news about it.
Kaiser Eoghan
@Aidan: Ah yes that was the one.
AidanAK47
@Kaiser, Had to think for a moment on that one but I think I was talking about this. https://vndb.org/v3144
Kaiser Eoghan
Now I'd hardly consider myself a studio trigger fan, but I watched the first witch academia episode there, it was actually kind of fun, got the same reaction from me as flipflappers did, that magical, special feeling.
Kaiser Eoghan
@Mario: I also, of interest reviewed Kenneth Lonegrans new film: http://letterboxd.com/shao_liu_ringon/film/manchester-by-the-sea/
Kaiser Eoghan
@Mario: Moonlight got some feels out of me though it could of been more, it ends abruptly and with 20 extra minutes they could have spent a bit more time on each section of his life.
Kaiser Eoghan
@Mario: I checked out lala land, ending was very well executed, one of three scenes in the film that were impressive visually. The whole thing looked pretty and Gosling and Stone had some decent chemistry. Although it didn't resonate emotionally as strongly as the musicals of Jacques Demi did.
Kaiser Eoghan
MOM I want aiyoku no eustia and I want it now.
Kaiser Eoghan
I've never heard of himawari or tokyo babel. The hellsing comparison at least interests me in dies irae. What was the name of that visual novel again that was coming out soon, Aidan you described it as "And Kaiser would love it because its supposed to be really fucked up".
Kaiser Eoghan
I vaguely remember the anime for 11 eyes, it was very forgettable, even the voice acting was poor, hated the childhood friends and the pacing was poor, those black knight things were kind of interesting though.
Kaiser Eoghan
@Aidan: You'll have to add me onto the list of those unsatisfied with the ever 17 writer, I read one of those games and felt it was a bunch of interesting bait that never paid off.
AidanAK47
Anyway I plan on doing a review of 11eyes here when I finish it.
AidanAK47
Can't say I was a fan of Ever17. That was a really good twist but when it came to explaining it their was a lot of contrived development. Generally not a fan of the writer. Looseboy, Ryukishi, Gen and Nasu are more my kinda thing
AidanAK47
@Anon, it is nice that so many VNs are on steam but I wish they wouldn't be stupid with the whole no adult content thing. Not so much for myself but to prevent idiots from writing negitives reviews because the game doesn't have sex. VNs can grip you in a way anime simply can't and while they require pathence and time those can be some pretty powerful stories.
Anonymous678956
@Aidan, I am so happy steam's so VN-friendly now. I think it's a very good type of media. Like anime, it has nice visuals, music and some movement but also the inner monologue and text amount of books. It's the perfect combination. Plus, the routes, which are often puzzle pieces and PoVs you have to go through to understand the whole story. True routes like the one of Ever17 blew my mind.
AidanAK47
Hopefully the two VNs I bought of steam turn out better. Tokyo Babel is supposed to be alright and I heard really good things about Himawari.
AidanAK47
I am about a third of the way through the game and really not much of worth has happened. The concept is interesting but the execution is sorely lacking.
AidanAK47
I went in expecting it to be a mixed bag and it's pretty below my expectations. It's just not really well written and the protagonist is a moron. THere isn't really routes and instead you are pretty much stuck with his childhood friend as the main love interest. Problem with that is her character begins and ends with loving the main.
Anonymous675376
@Aidan, damn. 11Eyes is on my reading list as well. Although I almost expected it to not be as good as I thought it'd be (back then). Guess I would have enjoyed it if I was able to read it while the (shitty) adaption aired, maybe I have seen/read too many series by now. Guess I'll still give it a try some day though.
AidanAK47
@Anon, I haven't heard the OST or watched the intro video. I only know it be reputation and have decided to walk into it as blind as I can. Still slightly worried as I was somewhat looking forward to reading 11Eyes for a couple of years and now that I am reading it it's well...not good.
Anonymous675376
@Aidan, same here. I was waiting years for this, since I saw the intro video for the first time. Also, that OST!
HelghastKillzone
Youjo Senki is already leagues better than Izetta. It's going to be top anime of forever and ever. (maybe not)
AidanAK47
And finally Dies Irae is funded. May actually be able to play and finish the game before the anime airs. If the hype is real behind this baby it could be a new personal favorite Visual Novel of mine. Already looking promising with it being like a cross between Hellsing and Fate/Stay Night. Two things I most certainly like.
Lenlo
@Masky, in regards to style over substance thats where im at with Gurrne Lagann.
Topgavin
Yeah, I'll probably watch the next episode to see whether it can redeem itself. Hopefully it can but considering 1st episodes usually get a lot of budget, there's some severe doubt in there.
AidanAK47
I actually argee with character designs and voices are bad in regards to female characters. Still the next episode might change your mind if we get more into the main characters head.
Anonymous671470
It's boring
Topgavin
Also, it seems I disagree with a lot of people in thinking Youjo Senki will be a massive trainwreck. The character designs are awful, the voice acting is mismatched but most of all the premise just seems so very dumb. If I wanted to watch a badass kill people I'd go watch Hellsing or Drifters, because at least those don't have some op, disproportionate loli as the mc.
AidanAK47
Gets even more complicated when you account for Satire and Parody. You could equally argue all examples listed as being as such.
AidanAK47
Little Witch Academia is a decontruction of Harry Potter....I don't believe that but honestly if I tried I could put some reasoning behind that statement.
Topgavin
In the end, it always comes down to opinion (as with every discussion about anime, for some reason). You could spin any and every series as a "deconstruction", which is why people shy away from using the word. You could argue NGE, Madoka and Re:Zero are all deconstructions yet also argue Gundam, Precure and SAO are depending on what points you weigh more importantly.
Masky
Like, if deconstruction is supposed to be just "break the elements and then play story how it would realistically go down" well I haven't watched NGE, but as far as I know it does have stuff that isn't typical to mecha genre besides the "It would fuck up kids" thing plus "realistically how it would play out" is pretty subjective thing. I mean, its mainly about how cynical bastard the writer is :P
Masky
Like I said, I don't fully agree with it because I find video's speaker's attitude annoying, but I found it semi convincing. Main thing I don't find convincing about it is that I don't think its hard to turn video's own arguments agaisnt it and say that by its own logic NGE isn't deconstruction either, like Aidan just said earlier
Masky
And I don't really have energy for checking out the "correct" one. If there even is one. Anyway, the hipster video I was talking about was titled "What Actually Is A Deconstruction?" if you want to check it out.
Masky
Hmm, well, it does depend on definition you use. Like if you use "realistic" thing, well, Magical Girl shows don't usually have "You turn into monsters" thing going on and reason why NGE's pilots go crazy is from dangerous situations rather than evas making them do so. But honestly, I don't really have strong opinion on matter since word seems to be one of those with several different meaning
SuperMario
for me Madoka IS a deconstruction of Magical girl, and yeah like what Aidan said
SuperMario
I think part of Utena is a deconstruction of "prince riding horse and save the girl" because that notion is just a foundation for Utena to become a prince herself and save other girl. That's breaking it apart and resemble it again in its own way. Don't have to be dark/ don't have to be real either
AidanAK47
@Masky, That's just debating semantics. Besides that difinition would pretty much mean that Neon Genesis Evangelion isn't a decontruction either. Madoka isn't a decontruction because it's dark. It's more in its aspects of criticising why a girl should throw her ordinary life away for something as dangerous as being a magical girl. It does take plenty of the typical tropes and turn them on its head
SuperMario
@Masky: Genre deconstruction is such a tricky word that I normally try to avoid using because there's really no set characteristic about the term and different people have different opinions about what constitute "deconstruction". For me, I disagree that deconstruction have to be dark and real, hmm can't say it well but I will give you an example:
Masky
But yeah, I guess I could try to find the video if you guys are interested, though like I said, I got hipsterish feel from the video and felt rather annoyed through it even though I did get what the point was and found it sort of convincing besides my annoyance
Masky
(not that liking NGE is hipsterish, its just that I find NGE to be more style than substance sort of series <_< Anyway, guy didn't dislike madoka or anything, he just seemed to dislike people using word deconstruction wrong in his opinion)
Masky
(especially with how much they seemed to praise Neon Genesis Evangelion)
Masky
I mean, I think the guy was being somewhat hipsterish, but its true the being darker take on genre isn't same as deconstructing the genre
Masky
@AidanAK47: Some other guy on youtube did video that had actually pretty good point about how Madoka isn't really deconstruction, if you go by definition of "Break it down to parts and then play them straight to show how horrifying it would be in real life"
Anonymous670441
Gente - Ristorante no Hitobito
Kaiser Eoghan
If anything its the hate I have for certain characters that makes it more effective.
Kaiser Eoghan
The obsessional level of attachment is just uncomfortable to me, I don't want to get THAT attached to a non-real character.
Kaiser Eoghan
Its literally just a case of "Okay lets look at this picture of this character, she looks interesting, no feelings or expression from me, apply this fetish, fap, get release, go home. "
Kaiser Eoghan
Or drooling/dribbling/heavy breathing/grinning over the characters. I abhor alot of the anime girls I find attractive or am indifferent, even when looking at ecchi/hentai drawings I'm straight and clinical with it.
Kaiser Eoghan
I mean to each their own. But I really hate the level of emotion/devotion to moe/finding the characters attractive. Such as celebrating their birthdays, going on about how cute/hot they are, how important it is that they're virgins. Or not being being self-aware of how irritating the characters are.
Lenlo
Anime hipster is pretty accurate. His general treatment of the current state of anime is annoying, as is his obsession with moe. Maybe its cause I cant stand moe most of the time, but it bugs me.
Kaiser Eoghan
@Lenlo: Essentially my brothers view on digibro.
Kaiser Eoghan
@Aidan: I don't usually feel the need to correct errors in your reviews as the errors are generally un-important, but I think you meant to say apprentices rather than appearences in the Rakugo review, just bringing that up as it felt like kind of a throw off.
AidanAK47
Which is kinda like saying Madoka wasn't a magical girl deconstruction because Sailor Moon and Nanoha had dark elements too.
AidanAK47
Went and read the reddit comments on it and seems I was right on the money.
AidanAK47
@Lenlo, He's basically a anime hipster. For example, I saw a thumbnail of his which had Saitama on it and below it "Is There Meaning In "Subverting" Shounen Tropes?" and I thought "Okay, he's going to go on about how OPM isn't subversive and then list a bunch of arbitrary examples in an attempt to redefine what is actually subversive"
Lenlo
I have lots of issues with Digibro. Dude has some good points, but other very horrible ones. Some issues he feels strongly about and gets kinda biased on imo.
Anonymous669202
acca looks visually interesting, and I personally really dig this kind of show, but it seems that it's definitely not for everyone
AidanAK47
Time to live up to my word. Four posts incoming.
AidanAK47
Man, Little witch Academia was so good. I disagree with the whole Digibro thing about being able to recognise a great show in it's first episode but watching this makes me think that this really is going to be something special.
AidanAK47
Alright, gonna put in effort today and have 3 or 4 first impressions posts done. That should knock out near half the season.
Kaiser Eoghan
Had a flip through handshakers. Garish is the word I'd use to describe it visually, it takes you out of the show.
Topgavin
ASuperMario From the first minute I can already tell it's by the same people that made K. Those colour filters and the extremely jarring/obvious city CGI is unmistakable.
SuperMario
Hand Shakers, literally makes my hands shaking. It's an abosolute mess. Highly recommended to check it out because it's so terrible it's great to watch
Vonter212
Yeah, and it's also a literal woman in refrigerator plot device, since that the thing that pushes the story forward.
Masky
I'd say that having to hide your sister's body in fridge would count as daaaaaaark and edgy, but when the body is wearing only underwear, and for some reason main character put metal things in fridge to keep body standing(I guess to not knock fridge open from inside?) I think it goes to "exploitation" you are talking about
Vonter212
@Masky - Did someone said doing dark things for drama? That's the bread and butter to get despair. Unless it's for the sake of perversion. Then it's just exploitation.
Kaiser Eoghan
@Masky: His other works dead tube and scumbag go further in the unhinged regard.
Masky
*relies on easy "let's do [x dark thing] for drama!" thing
Masky
Geez, Mayonaka no X Giten is fricking disturbing/disgusting ._. I'm pretty sure that writing relies on e, but I can't help but think mangaka is trying to make corpses sexy.
SuperMario
I found Onihei to be quite good, actually one of the most solid new episode I watched this new season. Guys, check them out
Vonter
I just hope it doesn't fall into the same misstep Kabaneri or Inuyasha or Bleach fall by making a villain so over the top that it crossed the line of not having a satisfying downfall.
Anonymous657941
@Vonter I think they just moved on. I lost interest rather quickly and I guess even the fans did that at some point, like with some other long-running series. There is much more new and more direct "fujo" stuff out there, many of them probably switched. Don't know what happens in the manga but maybe the story got worse or contained things some people didn't like.
Vonter
January will be loli dictator month (for me) :p. World Conquest Zvezda Plot, Youjo Senki: Saga of Tanya the Evil (new), Seraph of the End. For some reason I stumble into three curious series with little power hungry girls. If I can ask, why did Owari Seraph's hype died, I remember back it was mentioned more often. It still has the fujoshi fanart but still, I don't see people bringing it up.
SuperMario
@CATski: well, if you didn't like its first 3 episodes I dont think the rest gonna change your mind. Have you finished Erased then? How did you like it?
SuperMario
But I understand it's difficult to speak in front of camera, get some time to get used to it
SuperMario
@kaiser: I won't commend on poem as I'm terrible at it myself but younneed to work more on presentation Kaiser. Small little things like looking directly at the camera or say "thanks for listening" in the end can connect you to the audience better
Anonymous657071
Ok. I'll give the thing another chance. *clicks torrent* XD. CATski.
Kaiser Eoghan
@Topgavin: You might like centaur no nanami if you like demi-chan.
Kaiser Eoghan
Damn...repeated myself =<
Kaiser Eoghan
There are these things called slam sessions done in bars where people get up and read out stuff in front of a crowd and read stuff out. Actually watching rakugo made me think about practicing for that kind of thing.
Kaiser Eoghan
@Mario: the video I did was of me reading out a short piece of writing I did, a poem. lol I uploaded it to the wrong youtube account too I just realized =P
[link src="https://www.youtube.com/watch?v=ypBZ2hBDBYs&t=11s
I"] was recording this from my mothers laptops inbuilt cam while reading off my desktop.
SuperMario
@Kaiser: I think it's a good idea for you to try out reviewing movies/stuffs in youtube channel. I'll be very interesting to listen to them
SuperMario
@Topgavin: Agree. Demi-chan was so charming. Definately one of my favorite so far this new season
Total users: 38

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