Posted on 2 July 2010 with categories: Anime Reviews, Sarai-ya Goyou




One of the things that made the past spring season awesome was the fact that it didn’t have just one, but two Noitamina series. And boy, it sure came with a couple of amazing series to start off this new feature!

Sarai-ya Goyou is a character-study, set in the Japan of a number of centuries ago, and it unites Manglobe with Tomomi Mochizuki, of Toka Gettan, Porfy no Nagai Tabi, Kimagure Orange Road and a ton of other series. He’s a true veteran in the anime business, and he did an incredible job of bringing these characters to life.

The animation in nearly every scene in this series is full of detail, with a ton of subtle movements. This really allows the creators to put as much meaning into these scenes as possible, giving them a surprising amount of depth and development in only twelve episodes. Even most of the side characters get some development throughout the series that already is short on time and despite this limited length, it never tries to rush through things in order to fit as much as possible into its airtime. There comes a price to this, of course: it’s unfortunately an incomplete series, and stops after animating about half of the manga. The main plot threads are skillfully wrapped up at that point, but it’s clear that the storyline isn’t over at that point.

Airing next to Yojou-han this season, this series faced some incredibly tough competition, but it really shined out there despite this, and is a great recommendation for those who are looking for a short character-focused series. There is one arc that isn’t as good as the others (the Matsu arc), which breaks the flow of this series a bit, but apart from that the stories that it tells about its characters are all incredibly thoughtful and engaging.

Storytelling: 9/10 – Very detailed. Tries to put as much meaning into every scene as possible, and succeeds. Never loses itself in its pacing, though the story itself has plot threads that aren’t wrapped up.
Characters: 9/10 – Deep, well developed and thoughtful.
Production-Values: 9/10 – Manglobe does it again with excellent animation that focus on bringing its characters to life instead of over the top action scenes. Haunting soundtrack.
Setting: 9/10 – Excellent portrayal of Japan at the time, with a great analysis of the types of problems that people faced around these ages.

Suggestions:
Mushishi
Porfy no Nagai Tabi
Seirei no Moribito

Posted on with categories: Sarai-ya Goyou



Okay, so we all know the circumstances of this series: it’s Noitamina, it only got 12 episodes, and so it only had the room to animate the first half of the Sarai-ya Goyou manga. Next week, we’re going to get treated to Shiki and a live action Moyashimon for some reason, so the creators had no choice of wrapping this up right now, with little chance at a sequel, knowing the sales.

With this in mind, I believe that the creators couldn’t have done a better job here. The final episode ranked for me among the most emotionally intensive episodes of the series so far, and I’m really happy with how it turned out. What made it such a wonderful episode was the way it put so much meaning into just one simple revelation: the fact that he was lied to that the first Yaichi was the one who contracted the kidnappers. It brought forth so many emotions in Yaichi, and that’s exactly why I originally fell in love with this series. I also realize that it’s exactly that that felt missing in the Matsu arc. That was the reason why this series fell into a bit of a dip.

Yaichi only had one point at which he really let his emotions go. After that, he was back to his old self immediately, without any sort of attempt to drag that scene on. It was really well portrayed, and typical of Tomomi Mochizuki, the director: Porfy no Nagai Tabi also had quite a few of these moments.

So, how to rate this? Well, let me put it this way: out of all of the series in Noitamina that didn’t get the full time they deserved (Jyu Oh Sei, Moyashimon, Library Wars, Genji Monogatari, Eden of the East), it’s my favourite. It’s consistently well executed, and instead of trying to cram the entire manga into one series, the creators opted to just give the scenes that they wanted to show their full attention, and just end at a given point. The animation by Manglobe was just wonderfully detailed, and Tomomi Mochizuki did a really great job in bringing it alive. Whether it’s better than Porfy no Nagai Tabi, however… I can’t say that. Its fifty-two episodes really allowed it to develop its characters in a way that Sarai-ya Goyou would only be able to beat if it was fully animated.

Either way though, I’m definitely a fan of Natsume Ono now. Her mangas turned out to be very successful as anime, and I really hope that more of it is going to become animated in the future.

This was easily the best final episode I have seen this season so far. Manglobe, you really gained my faith back after Seiken no Blacksmith.
Rating: *** (Awesome)

Posted on 26 June 2010 with categories: Sarai-ya Goyou



A very promising start to the climax of this series. Like expected, it’s all about Yaichi and his past, and the creators did a really good job at building up to it so that they can now start dropping hints as to what exactly caused him to shut off his past. By now, it’s clear that certain things have happened that he has yet to digest, and at this point, there are a ton of people from the past, coming back to bite him. And then there’s also Masa, who is getting closer and closer to him as well.

Yaichi in his teens was… scary. He really had this air around him that didn’t care about anyone or anything. While he killed without remorse in this episode, it’s probably something else caused him to break up with his gang. It’s now interesting to see whether the creators will also be able to give this series a good closure. I mean, I know that the creators are able to do this, but the manga it’s based on complicates things by being way longer than something you can just put in 12 episodes. But still, Ristorante Paradiso did it a year ago, so why shouldn’t this series be able to do it?

Still…. I am missing something here, though. I can’t put my finger to exactly what, but the past number of episodes have lacked a certain something, that prevents it from becoming a masterpiece. I wish I knew what that was, though.
Rating: ** (Excellent)

Posted on 18 June 2010 with categories: Sarai-ya Goyou



Ah, like expected: the series is going to close off with Yagi’s arc. This episode was meant to set everything up, while the final two episodes can really explore this guy.

We also now know why Yagi was so important to this story, as he turns out to have known Yaichi as a child (yeah, the child in the flashback really was him). It all points towards a trauma: the guy witnessed the death of the only adult he looked up to, which is probably what made him turn to become a member of a gang. The beauty is that he already developed a lot in the meantime. Yagi has some weird ideas, and he keeps sticking to his criminal roots with the use of Goyou, but he’s also bright and witty.

It’s interesting how there have been no kidnappings for the past few episodes. It’s probably because of Yagi that he’s not trying to do anything funny; he must have recognized him back there, though it was probably a bit harder for Yagi to lay the link because of how Yaichi grew up and completely changed his appearance. The white hair also could be some sort of hint here: why did he suddenly lose all of the pigmentation there?

In any case, with two episodes left I’m very curious to see whether they can surpass the middle episodes. I think my highlight of this series lies at episode six and seven. The final two episodes have already received a ton of build-up at this point, now it’s up to this series to make optimal use of this.
Rating: ** (Excellent)

Posted on 11 June 2010 with categories: Sarai-ya Goyou



That was an excellent conclusion to the Matsu-kidnapped-arc. Masa did exactly what he needed to do in order to get the guy out, and there wasn’t some kind of last-minute thing that went wrong in order to cheaply increase tension here.

Instead, the final part of this series seems to centre around Yagi, who indeed turns out to be a government official. It’s not sure whether he uses Masa to get to Yaichi, but nevertheless he’s in between two parties who he cares a lot about. This episode very much showed that he has accepted five leaves as friends.

This episode also introduced the dreaded sister with a brother complex. Still, it’s a cliche here that’s handled well: she’s not outright in love with Masa here unlike MANY of her counterparts, and instead the creators portrayed her as a worrying sibling who hasn’t heard anything about her brother for a while. Finally there’s a show that understands that.

Three episodes left, the problem does remain that there still remains a large part of the manga unanimated. I really hope that the creators can create a satisfying ending with what they have. That’s the one disadvantage of this otherwise excellent series.
Rating: ** (Excellent)

Posted on 4 June 2010 with categories: Sarai-ya Goyou



This episode seemed to me like the start of the arc before the finale. You know, the arc that isn’t exactly at the centre of the plot, but rather is meant to develop some of the most prominent side-stories. With this series, that is about Matsu: in this arc we finally get to know him for real, and it’ll probably get resolved in the next episode, before the series can close off with a finale dedicated to Masa and Yaichi. At least, if the creators know what they’re doing and don’t just cut off this show without any conclusion or second season in sight. That’s the ONE disadvantage of this series: it’s an adaptation.

In any case, this episode was as wonderfully paced as usual. The plot is a bit more straightforward, now that Matsu has been captured and all, but the creators really made sure for it to make sense within the story. Matsu is portrayed as the noble thief. He may steal, but he’s doing it all to repay the debts that were paid to him to save his son. by a store owner. Before, we’ve already seen that when he operates alone, he becomes very reckless. He’s only the careful Matsu when guided by Yaichi, and I think that Yaichi knows this very well.

What made this episode for me however were again the tiny things, like the interplay between Masa and Yaich, and how at first sight Masa might be another one of those wimps, though his lines are all surprisingly calculated and sharp. This episode also stressed how important the friendship is in keeping Goyou together. I mean, if Yaichi wasn’t there, there would be no reason to keep doing it. Instead, everyone is acting not just out of loyalty and admiration of Yaichi (which only seems to be the case for Matsu), but also out of loyalty for each other. Masa is indeed very interested about Yaichi, but he has also gotten attached to Ume and Otake. Ume on the other hand actually nearly left, however due to what happened to Matsu he just couldn’t leave.
Rating: ** (Excellent)

Posted on 28 May 2010 with categories: Sarai-ya Goyou



Oh my god… Tomomi Mochizuki might actually be surpassing himself with this series. Within seven episodes, he managed to put as much meaning into its characters as what Porfy no Nagai Tabi took 26. He’s got such a great sense of realism and character-development, and it also really helps that aside from directing he also did the series composition so that he could really put forth his vision of the manga. And on top of that it’s just awesome to see what a great manga he got to adopt. After having seen two of her stories now I really have to say that she’s a genius at characterization.

This episode again: from the outside the scenario was just about a few mundane tasks: Masa running away from a fight, him starting to train under that other older samurai, etc. From just those sentences it looks like a cheap shounen series, but just about every scene in this show was focused on putting as much meaning as possible in these events. A simple plot of Ume gets a ton of extra side-effects: it was his way of getting Yaichi to pay a visit to Masa. Yaichi knew very much that Ume was lying about Masa’s condition, but went anyway. He knew that he would be recognized, but at the same time he knew that it wouldn’t be that big of a problem since the old man wouldn’t tell much. And yet hints about his past were bound to be dropped here. It’s like he’s getting Masa to learn a bit more about him… but only a bit, nothing too much.

The characters here are nowhere near stupid. They’re very observant about each other. Masa himself knew very well that Yaichi had to have some sort of criminal past, and not just as some rogue bandit. You can really see him trying to get through to Yaichi, whether this is out of admiration, fear or something else still remains a bit of a question. Yaichi on the other hand can really notice Masa’s mood change as he gets to know more about him, and thus more afraid.

At the same time this episode was also very much about Masa’s self-loathing, or perhaps that’s a bit too big of a word. Either way, he’s being held back of an interesting career because of his personality, and knows it. The fight in this episode at which he ran away also really showed that he’s a guy who really keeps clinging to the past. As this is in his case a rather bad past (he had to cope being a samurai with that personality of his), he has a ton of anxieties, especially when alone and there being no reason for him to actually be tough.

This episode also gave a very interesting dimension to the older samurai and the graves he visited. The anecdotes he told about the people he lost were interesting yet down to earth, not to mention that that cliff-hanger was an interesting one. It’s obvious that there can be more dogs called Scruffy, but it is one gnawing cliff-hanger nevertheless.
Rating: *** (Awesome)

Posted on 20 May 2010 with categories: Sarai-ya Goyou




This series just continues to amaze me. At first the plot of this series seemed a bit mundane, about the every day lives of a band of criminals, but the situations here just sparkle with creativity here: everything just fits, and it takes full advantage of the fact that the characters here are criminals. They don’t present them as some kind of chivalrous thieves (even though they started out that way), and stress that the creators are fully aware of their actions. This especially shines through Masa, who still isn’t sure about whether or not to turn them down, especially since they treated him so genuinely nice.

I also loved how this episode comes to bite back at Ume, when the creditor of the guy of the previous episode started wondering where the hell he could get all that money from. I really love how the antagonists here aren’t stupid: they can think for themselves, and if it wasn’t for Masa he would have caused a great deal of trouble. By the way, I loved that shot in which Masa pointed his katana to his neck. That was so incredibly well animated.

Then Yaichi. He was a bit absent during the past two episodes, but the end of the episode came with a very interesting revelation: he and the old man knew each other. I suspected that something was fishy when it turned out that Yaichi never even once visited him, but to think that they were so much of an acquaintance. This does explain why he became involved with five leaves, though. Another very sneaky way.

I really like how this episode also forced Ume to think about his commitments to Five Leaves, especially since this indirectly caused so much trouble in this episode. At the same time you can also guess that Yaichi also put a lot of time into thinking whether or not to visit Masa. In this way, nearly every character here is forced to make certain choices.
Rating: *** (Awesome)

Posted on 13 May 2010 with categories: Sarai-ya Goyou




That was… amazing. Seriously, talk about a powerful episode, this series is just getting better and better with every episode.

The pacing was slow… but this really allowed the characters to show their best sides. After only five episodes it’s astounding to see how much the creators have already fleshed out the characters. The conversations here felt natural: it felt like Ume and Matsu talked about their pasts and problems, rather than it just being exposition for the story. It really was a chance for the characters to get to know each other better. It’s really one of the things I love about this series: screw exposition, every sentence is meant to give these people a richer character.

I also love how the creators handled Masa’s sickness. For once it isn’t the dreaded “anime cold” that’s over within a day, and instead of trying to create cheap drama with it, the creators focus on Ume and Matsu and the rest of the cast instead. Yaichi hardly played a role either. Matsu’s part in particular hit me, with how genuine it felt from the otherwise so distant guy that the previous episodes showed him as. Even when he got saved by Yaichi.

What’s also interesting is that Ume has also become a lot kinder to Masa, compared to how cold he was in the first few episodes. And yet Masa himself hasn’t changed yet: perhaps hampered by that sickness of his, he’s still the guy who hardly says anything.

You know, this season I’ve really been hard-pressed to point out my favourite. There are three shows that equally excel for me: Yojou-han, Sarai-ya Goyou and Giant Killing. With this episode however, this series has set the standards really high for the other two. While it has the disadvantage that it’s only got 12 episodes, it’s really not wasting any time to bring life to its characters. And while these two series have their unique points that Goyou doesn’t have, I’m getting more and more confident to say that Sarai-ya Goyou has the best characters of the entire season.
Rating: *** (Awesome)

Posted on 7 May 2010 with categories: Sarai-ya Goyou



This series just surpassed itself. This really was a wonderful episode that wasted no time to get to the bottom of its characters, this episode was all about subtle hints at the background of various characters. We learn about how Matsu met Yaichi, and also that Otake knew him for the longest.

But the best thing about this episode was again the interplay between Masa and Yaichi. The way in which Masa tries to find out more about the Masa who never talks about his past was really well portrayed. Especially when Masa hit the nail on the head: Yaichi doesn’t seem to be doing the kidnappings for the money. The way he throws around money… it’s just as if he’s asking for it to run out faster so that he can do another job.

Then consider what Matsu said: he has really changed. Could it be that this change started when he started the kidnappings? Like Ume said, they haven’t done even 10 of them, and Yaichi was already involved with three of them, so they probably started quite recently. Because of whatever caused him to change, he started getting interested in Masa, and doing stuff that wouldn’t really be important contrary to what he would have done when Matsu first met him. Either that, or Matsu always had the wrong image of him: you never hear the other characters talk about his change.

On another note, it’s a shame that even though Noitamina is currently so well written and produced, with Sarai-ya Goyou and Yojou-han, the tv ratings have reached a depth for the series. 1.7%… that’s even less than Kuchuu Buranko. I have a hard time grasping the cause for this, actually. Noitamina has always been a timeslot that was also popular amongst non-anime fans.

It seems that the best-rated shows of the time-slot play in modern settings. There are exceptions, like the early Honey and Clover and Paradise Kiss, which aired when the time-slot was still young, and Hakaba Kitarou (the best rated Noitamina show ever), which made use of its huge nostalgia factor, but Nodame Cantabile, Moyashimon and Hataraki Man all are about down to earth characters that anyone could relate with. The same with Eden of the East and Tokyo Magnitude: it’s very easy to relate to these characters. And I guess that that’s something that Yojou-han and Sarai-ya Goyou do not have: it’s hard for your average person to sympathize with a bunch of kidnappers, or a ridiculously fast talking loser. This trend is probably going to continue for the next summer. And don’t get me wrong, I’m really looking forward to Shiki, but again: it doesn’t look like the mainstream will have much to relate to there either.

It’s interesting how the people in charge of Noitamina don’t seem to be marketing geniuses. And that’s a shame, because Noitamina is such a great timeslot because it has proven that in order to go mainstream, you can also appeal to adults: instead of trying to win viewers with panty-shots and yelling teenagers, it has shown time and time again that anime is also very appealing for adults. While I love Sarai-ya Goyou and Yojou-han, I’m a bit sad that they’re doing so badly in the ratings, defeating the entire purpose of the timeslot. The thing I’m worried about isn’t exactly Noitamina changing, but rather that the ratings will end up in a downwards spiral, causing it to get cancelled. That’s what I’m most afraid of.
Rating: *** (Awesome)

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K-Off
@anon196168 I'm all ears for suggestions.
Anonymous196168
If youre going to japan maybe you could do something more unique than just taking pictures of locations? Plenty of those already on Google.
Kaiser Eoghan
Noticing a server error showing up on the shoutbox there.
AidanAK47
Good point, normal users generally just stay anono. ke69Vin?...69...really....that's just sad humor right there.
K-Off
That was most definitely little Kevin as well. 9vinke6 is obviously an anagram.
AidanAK47
@9Vinke6, I don't know what you are trying to share but it ain't an image. Deleting your comment as I don't want dodgy files on the site.
Anonymous181098
Are you kidding??!! Tokyo is amazing if you want excitement & you want to experience social life. But I agree go to Osaka. If tokyo is like Quebec then osaka is like toronto. More laid back
Anonymous180231
OPM was a shoe-in. It's showing very good success on Adult Swim on US TV and Viz is throwing big dollars to keep the gravy train rolling
AidanAK47
One Punch Man season 2 was announced. Expected but most certainly welcome.
...now I need Re:Zero season 2.
CJayTiiii
Honestly, if you are going to Kyoto essentially no shrine is worth visiting in Tokyo because none of them are as nice as the ones in Kyoto and they are essentially all tourist traps.
K-Off
If you guys insist I'll give Osaka serious consideration. But again I'd hate to gloss over Kyoto or Tokyo. But anyhow my 4 week stay in Seoul will be eternity compared to the Japan trip.
CJayTiii
Ikebukuro is probably used almost as much as shibuya? Specifically for durarara right around the station (east side) is used a lot. Kabuki-Cho in shinjuku is definitely used a lot but I couldn't tell you in what off the top of my head.
CJayTiii
Also as someone who lived in Kyoto and now lives in Tokyo, I would suggest spending as much time as possible in Kyoto as there is just so much stuff to do there. Tokyo there honestly really isn't that much stuff to do here other than going out to drink I feel. Lol also Osaka is only a 30 min train ride (about 5$ USD) from Kyoto so it's easy to go there for a couple hours
K-Off
@Mario I'll be home by new years unfortunately, I'll have to settle for Christmas in tokyo.
@CJay Thanks, any suggestions for Tokyo? I'm trying to avoid cliché locations for anime-related scenery. Like Shibuya.
CJayTiii
For Kyoto, Tatami Galaxy is probably the best anime for side by side comparisons. Kamogawa river, Kiyamachi street, and shimogamo shrine are famous areas that pretty much constantly make appearances throughout the show.
SuperMario
@K-Off: Disney Tokyo? haha If it was me I've chosen somewhere more... locally. But who I am to judge as I celebrated last New Year Eve in Times Square, the most tourist spot of them all. But I really hope you can spend some time to go to some shrines for the New Year in Tokyo.
K-Off
@Mario The person I'm travelling with wants to spend Christmas at Disney Tokyo, and unsurprisingly nearly all places will still be open, same as NYC. Christ, I'm more worried about my wallet.
SuperMario
@K-Off: Makes sense. I'd say better stick in one place for long days rather than short trips in several places. Even 10 days for those 2 places wouldn't be enough imo, well especially during Xmas since the streets will be busy and many places could be closed (I guess?)
K-Off
@Mario It doesn't seem like I'll go to Osaka, the goal is to explore Kyoto and Tokyo and much as possible for a week and a half. If I can squeeze it in there I will, but that means spending less time in Kyoto and/or Tokyo. The bulk of my trip will be in Tokyo for now.
SuperMario
Yeah, Kenshin had a whole Kyoto act, but it was more historical anw and I feel it didn't explore the city that much (more of a ruined city)
Really, only uchoten Kazoku, tatami galaxy and durarara come to mind. Are you planning to go to Osaka as well? I heard from my friend Osaka is about an hour drive from Kyoto only.
K-Off
@Anon174851 Ah good one.
@Mike Thanks. Durarara is a good suggestion, but I haven't watched Rurouni Kenshin.
Mike
@Kaiser Sure, the story doesn't do anything for me but it's not a waste of time.
@K-Off You can do pretty much anything in Tokyo I'll bet. Anime in general aside from shows like Durarara don't emphasize the setting very much... Kyoto is more interesting, rurouni kenshin is the first thing that comes to mind.
Anonymous174851
uchouten kazoku is a really good one set in kyoto!
K-Off
Haven't heard of it. Anyways, do you guys have any suggestions for favorite anime series set in Kyoto or Tokyo? I'm planning my itinerary and the idea is to take a lot of side by side comparison pictures from their anime depictions to RL. I have YuruYuri, SYD, Detective Conan, and various KyoAni spots in mind, but my brain isn't remembering others.
Kaiser Eoghan
I'm considering finding some War/military manga to read, has anyone read Gunka no balthazar? Is it worthwhile?
AidanAK47
@Anon164960, They announced a second season for it so they ain't done with that trainwreck yet.
Anonymous165129
Gate
Anonymous164960
So Rewrite took the "Bad End" route. Interesting. Their choice, not the show of course which was a freaking mess from start to finish.
Kaiser Eoghan
Ah, reminding me that I have not left Ireland since 2012 when I went to Rome. Although I have floated around the idea of maybe going to Slovakia.
K-Off
@Mario Thanks, although I'll be working the whole time I'm at Seoul with sundays off. Expecting about 40-50 hours of work a week. Sucks that your trip got canned, in the Winter there's no place you'd want to be other than southern California.
SuperMario
Congrats K-Off. Hope you enjoy the trip. I myself originally planned to go to US on this December but now the plan got wrecked. Should be fun spending Xmas in Japan especially
K-Off
Got my international drivers permit from AAA today, and it also looks like I'm stuck with over half the travel fees since I've signed myself off the agency plan. It's now official, I'm going to Seoul and then spending my christmas holidays in Tokyo. Been a long time since I left the country, last time was in 2011.
SuperMario
That was me Mario
Anonymous140274
@Masky: it wasn't, but Gui Niao did mention the pipe has multi-purpose functions: do far he uses the pipe to write, to create a hallucination smoke, to make an actual bushfire, to open the lock, now to be a sword-pipe. What's next? To be a wifi modem? to be a boomerang? to shapeshift into an umbrella?
Masky
So Thunderbolts Fantasy :D Totally called the pipe being a sword (assuming it wasn't shown earlier and I just forgot about it)
AidanAK47
@Anon146321, typos are hard to avoid when you write fast. What's really important to is that the point gets across, which it did.
Anonymous146321
Medium not meduim
Masky
I wonder if trolls consider people explaining why their trolling is bad a successful trolling .-. I mean, my experience is that most of trolls aren't really smartest or most creative of people, I think most of them are happy if people just talk about them.
AidanAK47
@Anon141285, oh come on boy. Put some effort into trolling. You need to get people to actual think you believe what you are saying. Here you have already messed up because you use the old "Chinese cartoons" which is supposed to piss of anime fans because it suggests you are ignorant of the meduim but then you reference the nukes showing full well you know where they are from. You have failed.
Anonymous141285
Chinese cartoons proof that two nukes weren't enough. Or were too much depending on the perspective
SuperMario
oh, talking about teenage horror female movie, make sure to check out Raw whenever its available online. That is one hell of a fun cannibal ride!
SuperMario
my point is we tend to spend our stupid 20s phase feel like its wasted, but really it does help develop our hobby/sense/wisdom, whatever it is.
Kaiser Eoghan
I find myself now that I've grown up wanting to punch kid characters from horror films lol
Kaiser Eoghan
About the watching stories with younger female characters...its starting to feel like I shouldn't be or that it doesn't feel appropriate, actually sort of awkward/skeevy.
SuperMario
True enough. But remember that even Quentin Tarantino had his 20s basically just a movie-clerk, watched movies like a maniac and he made that classic Pulp Fiction when he was like 33
Kaiser Eoghan
Looking back It feels dickish that I laughed reading NHK.
Kaiser Eoghan
I mean look at Re-life, I mean ow, everyone went through that.
Kaiser Eoghan
I think we'll find that stage where we'll get irritated by stories reminding us of our stupid 20s phases eventually just as some teenage focused anime/manga annoyingly remind us of being teens.
Kaiser Eoghan
In terms of anime/manga, much as I'd still see myself liking NHK I could see myself getting more frustrated with the lead character now being in my early 30s.
Kaiser Eoghan
In the past year I've been looking at hentai/ecchi imageboards not as often as I used to.
Kaiser Eoghan
Judy Delphy and Juliette Binoche have aged surprisingly well...
Ah its less fancying/finding them attractive, moreso taking notice of them.
SuperMario
I can understand the others but Meryl Streep too? Man, you're aging I can tell
Kaiser Eoghan
@Mario: Julianne Moore, Isabelle Huppert, Meryl Sreep, Susan Sarandon, Cate Blanchett.
SuperMario
@Kaiser: like whom if I may ask?
SuperMario
But I'm always interested in women issues myself so Mustang just hit me hard
Kaiser Eoghan
Its a sign of me aging I guess too. I'm noticing older actresses too now where I wouldn't have in the past.
SuperMario
Looking forward to Under the Shadow too, also really keen to see how The Bad Batch would turn out to be
SuperMario
Strangely I've become more engaged with teen, coming-of-age films recently (well, Aku no Hana is sort of teen drama as well),but yes, old man's psyche is my thing too
Kaiser Eoghan
@Mario: Synecdoche, the passenger, winter light, anomalisa , wild strawberries , la notte for example.
Kaiser Eoghan
@Mario: The day is coming where drama centred around twentyboppers won't have the same level of effect on me. Had I seen buffalo 66 5 years ago I would have been all over it. Old man/middle age angst is becoming more my thing.
Kaiser Eoghan
@Mario: I'm honestly having a harder time getting into films that focus on young girls/teenagers.
Kaiser Eoghan
@Mario: Theres only a few upcoming films left I'm looking forward to, Elle, Valley violence, whispering star and under the shadow.
Kaiser Eoghan
@Mario: I appreciate mustang for the issue it deals with and addresses but I felt it predictable and the drama didn't hit harshly enough. It feels like an academy/oscars film.
SuperMario
Kaiser: remember I mention about watching those 96 Cannes line-ups? I think I will get to watch them soon, since I downloaded all the movies already
SuperMario
@Kaiser: btw, you hated Mustang? It's also one of my favorite film so far.
SuperMario
but maybe think of it that way will make the manga more entertaining...
SuperMario
You see Aku no Hana as a dark comedy? haha I'm speechless
Kaiser Eoghan
Like you Mario I don't care for heavy infodumping and that took me out of the new world.
Kaiser Eoghan
Bebop had that problem for me in that I saw outlaw star and trigun first.
Kaiser Eoghan
I still feel aku no hana is a guilty pleasure manga, a crazy dark comedy or maybe thats just my humour.
Kaiser Eoghan
Hataraku had me laughing up to episode 7, while Amagi felt stale from the start.
Looking back on Baccano I still like Claire and Russo but the other characters not so much, the main series is enjoyable enough but the extra episodes hold back the score.
I've never watched Habane straight through although I have finished the series. Ghost vs ergo? Ergos final episode wrecked the show.
Topgavin
I thing Hataraku was a lot more consistent, but Amagi had some standout episodes. For me the OVA, the pirate ship episode and the school episode were great. "Simply put, we have to go lewder" is one of my fav quotes
K-Off
How was that by the way? I never bothered to watch Amagi Brilliant Park all the way through because I felt so cynical about it after the first two episodes. Hataraku Mao Sama on the other hand was genuinely refreshing for the first half of the season.
SuperMario
In other news, The Eccentric Family is getting 2nd season. Now I'm filled with joy
SuperMario
Still feel bad to compare an 1-cour series (Baccano) to an 4-cours one. But in this case Baccano would take my cake.
Topgavin
I reckon The Devil is a Part Timer vs Amagi Brilliant Park would be a fun one, and I wouldn't know which would win.
AidanAK47
Baccano vs Durarara might make a good matchup. Baccano is the better one but Durarara does seem to be more popular.
Syndrome
Yeah it is a bit obvious and they dont share much in common anyway. Just that they are two of the most well known anime out there. I enjoyed NGE more than Cowboy Bebop, but I agree on the later beeing overall a better anime.
AidanAK47
Oh look. Berserks Manga is on Haitus again. Muira...just..at this point I ain't even mad. Just disappointed.
SuperMario
Well, new post on Flowers of Evil is out. Come eat it up.
SuperMario
@Syndrome: was thinking about that match-up (NGE vs Cowboy Bebop) but isn't it too obvious? I always intend to pick something that caught you guys off-guard haha
AidanAK47
@Syndrome, no contest. Cowboy Bebop wins outright.
Syndrome
On a serious note, for related anime, I would be curious about something like Ergo Proxy against Ghost in the Shell
Syndrome
Go for NGE vs Cowboy Bebop and watch the world burn
SuperMario
Yeah, I agree it's one of the main factors, but even so From the New World had a higher grade too. But I wouldn't pick Haibane Renmei against From the New World if I didn't think it had a chance to win. Those who loved the former really loved it, while people more appreciate From the New World than actually love it. Well, can't beat the consensus I guess.
Topgavin
I'd say a major reason for that would be the popularity difference. On MAL, Haibane has a following of 110k people, with FTNW having 270k.
SuperMario
I'm personally quite disappointed with the results. Will try harder for a more competitive match-up next time
AidanAK47
@Mario, if you say so. I say by now the victor has been decided.
SuperMario
@Aidan: we don't need to sticky the Versus Show again, as I will put up the Aku no Hana post tomorrow anyway
AidanAK47
Yeah the brightness got a bit much in some places after episode 18.
Topgavin
I thought the brightness was done well in the episode with Rem sitting beside Subaru's bed and her smiling/crying, but yeah this was too much
SuperMario
@anon125687: my thought exactly. While I was watching it I thought to myself that it's too bright!!
Anonymous125687
Why do final episodes overdo the blur effect and fuzzy lighting its literally over dramatic cancer. Just let it end normally ffs
afgm
Well, it's hard, since it doesn't really feel finished, so even if you know it will eventually end well if given a chance, you can't really put your full confidence behind those bets
AidanAK47
Got a bit long winded in that review and yet I feel like I really didn't get across what makes the series so good.
AidanAK47
Well that's the Re:Zero review written up. I will get to work on 91 days next and maybe Prisms Illya maybe after that. Lost all entuasim after they messed up that last episode in Illya. Overall it's been pretty disappointing.
AidanAK47
As for that twist. I think they could work it easily into a first episode. The impact would still be there for people marathoning the thing in the future and it would be a good "Oh Shit!" moment to start the second season. If they jump ahead a bit to a certain moment it would actually make for a great opener.
AidanAK47
I say the only chance of season two not coming would be if White Fox doesn't like money. Considering that the pace which the light novel adaption has sped up from every few months to a release every month I guess that they want to make that second season as badly as we want it. At this pace they could start a second season in maybe a years time. Maybe every half a year depending on cour length.
Syndrome
Also, if season 2 ever come (that would be a surprise if not, and truly annoying), I dont know how they will manage with the "twist", as something this impactful would come way too fast without any kind of setup. Wait and see, I guess.
Syndrome
After seeing the last Re:Zero I couldnt help but spoil myself, and I kind of understand why WhiteFox went with that kind of ending, skipping what would be a giant shtstorm on the internet. Even though, in a sad world where there would be no season 2, Im still a bit disappointed with the ending. Its nice to wrap it up this way but its a stale regarding the plot and there is no food for thought.
SuperMario
@aidan: you sure are fast when it comes to Re:Zero haha. Alrighty, we'll go with that then
AidanAK47
@mario,I am putting up a Re:Zero post. Tommarrow. I will unsticky it for a day and then we can sticky it again.
reaLjustified
@K-Off No worries, it's so messed up. Stay safe.
SuperMario
@Aidan: if you going to post Re:Zero review soon, you can unsticky the Versus Show post, otherwise I will take it down in 2 days
SuperMario
@K-Off: I feel for ya. Glad that there were only minor injuries. I heard a blogger claimed that he did it because of the gay rights. Sound bullsh*t to me
K-Off
Shit ton of manga have gotten updates but I don't feel like talking about them for a while, lost my appetite.
K-Off
@Kaiser Living in NYC all my life I remember 9/11, flight 587 crash in Queens, the Hudson River water landing, and now this.
AidanAK47
So far it seems most of the people calling it disappointing are those who know whats comes after that last scene and were looking forward to how the fanbase reacts to it. But it would have been a pretty terrible as well as evil way to end the series.
Topgavin
Yeah, I thought it gave enough closure for us to be satisfied yet still desperately wanting the next season.
AidanAK47
@Anon120947, I really don't see what's so disappointing about it. I thought it was a pretty solid way to end the series.
Kaiser Eoghan
I think at most the worst thing that happened in my area was two conmen going around and an gangster attack on a nearby hotel.
Kaiser Eoghan
@K-off: Honestly, glad to hear you're safe. And having a bomb go off nearby would make me feel paranoid.
@Anon: I'm waiting, waiting for reviews written after the show ends.
Anonymous120947
Feels like it has been done this way in case of a never happening season 2... to kind of close it.
Anonymous120947
Wow, that last episode of Re:Zero was pure straight disapointment... finishing like this feels is real suffering.
K-Off
Well, we don't know yet. We don't know who did it, if it was connected to the pipe bomb explosion in jersey, etc. But the second device found on 27th street does seem to point the situation towards terrorism.
afgm
Luckily it doesn't seem to be a terror attack
K-Off
Yeah. I was a good 8 blocks away inside a restaurant so I didn't even know until later. It must have been a pretty small bomb since all the injured have apparently already been released from the hospital.
AidanAK47
Damn. Just looked it up. Good thing you weren't at the area when the bomb went off.
K-Off
Fucking hell, transit is so congested I still can't get home. Luckily it seems like there's no fatalities according to the initial reports, there are still a shit ton of people around central for shelter. I didn't hear or feel the explosion at chelsea, and currently I'm at lenox with my bicycle. So congested it looks like I'm going to have to walk my bike a few more miles before I get picked up. L
AidanAK47
Watched The Empire of Corpses. I makes me sad to see a great idea be turned into such a mediocre movie. I think this concept could have been put to much better use but instead it decided to go with the blandest option.
SuperMario
The guy who will direct it is a live-action director who only had Psycho Pass the Movie (not a good one) as an anime director. WTH? Don't know what to think about this new FLCL now
SuperMario
and it will be co-produced by Adult Swim on top of that?
SuperMario
How comes I just noticed this old news that FLCL will get two-seasons sequel...
Masky
And by that I mean "Huh, haven't checked the blog for two days"
Masky
Yay commenting on two days old blog posts
AidanAK47
Finished rewatching Re:Zero and now ready for the finale. Let's see how this goes.
AidanAK47
I will be mourning the now dead hope of a somewhat decent Berserk adaption.
The last few episodes were not bad but purely on the merits of the source material and not the adaption.
SuperMario
@Bam: I'll be mourning indeed.
@Anon 112098: I haven't watched Chef, but it has more to do with me not interested in chef's life whatsoever. Is it good?
Bam
I'm out of town until Sunday evening. The Berserk finale post will hopefully be up early Monday mourning, followed by the overall cour review a bit later in the week.
Anonymous112098
Habe u seen Chef with John Favreau?
AidanAK47
I am quite upset with how Sliver link handled that scene. It was the one scene I wanted done right. Just that one scene...and they screwed it up.
SuperMario
He scored the Prince of Egypt? I didn't know that, but yeah I remember it had a great score. Also "When you believe"
K-Off
Well, a lot of his earlier work is just brilliant. Prince of Egypt in my opinion is his greatest work.
SuperMario
*nothing wrong
SuperMario
Well, Hans Zimmer could do nothing really; but that's a reason why I have a bit of problem with his scores. Everything he made are solid but ultimately sound the same to me.
SuperMario
Agree that the music has been excellent. Not only the soundtrack thou, but the sound editting in general is great (that ringtone during the Great Whale for example).
AidanAK47
@Mario, Understandable. As much as I love this show, I admit that it has elements I am sure could turn off people.
Also I really should have talked about the music in this series more. It really is a phenomenal soundtrack. I hear they were going with a more cinematic approach to it with Hans Zimmer being a primary inspiration.
SuperMario
@Aidan: it has been a fun ride, I'm glad I stick with it till the end; although I'm not as enthusiastic about it as you are. :)
AidanAK47
Re-watching Re:Zero in preparation for the finale. Still is awesome a second time through. In fact the middle part of the series I felt dragged fairs a whole lot better when marathoned though. Noticing a number of things watching the second time. For one Roswell has a really goddamn annoying way of talking. I say I will be giving this on a very favorable review.
Anonymous110962
Hugh Mungus
AidanAK47
@TopGavin, I haven't watched it yet but I hope what you said about the animation isn't too bad because this is where they need to be on top of their game.
Topgavin
So that fate episode was interesting, lotsa stuff happened. Seemed like the animation was worse than usual and my god how could the subs screw up the incantation.
reaLjustified
@Aramus Why would you want to send the picture to your friend? Tell 'em to see it for themselves at the site! lol.
Friend
Most of the time they meant no harm, I think it's always about getting recognition. They quickly take them down after I send them a polite email, and I let them save their ego without smearing them on their page.
afgm
(ok maybe a little fault should go to them lol)
afgm
@Friend: That sucks, but its definitely understandable. People can be pretty thoughtless at times (no fault to them of course).
afgm
tiger mask did make it into the upper quartile though, which is surprising
Friend
@afgm I don't have a large internet presence with my work exactly because I've had situations with theft on Pinterest. For work, I just carry USBs with my portfolio pieces in them :/
Friend
@Aramus Heya, thanks for the inquiry. Unfortunately the fell image won't be available openly unless for commercial purposes, but otherwise feel free to contact me in my business email! :)
afgm
ah you know what? I read the title Time Bokan 24 and thought it had 24 votes x)
Total users: 37

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