Posted on 2 July 2010 with categories: Anime Reviews, Sarai-ya Goyou




One of the things that made the past spring season awesome was the fact that it didn’t have just one, but two Noitamina series. And boy, it sure came with a couple of amazing series to start off this new feature!

Sarai-ya Goyou is a character-study, set in the Japan of a number of centuries ago, and it unites Manglobe with Tomomi Mochizuki, of Toka Gettan, Porfy no Nagai Tabi, Kimagure Orange Road and a ton of other series. He’s a true veteran in the anime business, and he did an incredible job of bringing these characters to life.

The animation in nearly every scene in this series is full of detail, with a ton of subtle movements. This really allows the creators to put as much meaning into these scenes as possible, giving them a surprising amount of depth and development in only twelve episodes. Even most of the side characters get some development throughout the series that already is short on time and despite this limited length, it never tries to rush through things in order to fit as much as possible into its airtime. There comes a price to this, of course: it’s unfortunately an incomplete series, and stops after animating about half of the manga. The main plot threads are skillfully wrapped up at that point, but it’s clear that the storyline isn’t over at that point.

Airing next to Yojou-han this season, this series faced some incredibly tough competition, but it really shined out there despite this, and is a great recommendation for those who are looking for a short character-focused series. There is one arc that isn’t as good as the others (the Matsu arc), which breaks the flow of this series a bit, but apart from that the stories that it tells about its characters are all incredibly thoughtful and engaging.

Storytelling: 9/10 – Very detailed. Tries to put as much meaning into every scene as possible, and succeeds. Never loses itself in its pacing, though the story itself has plot threads that aren’t wrapped up.
Characters: 9/10 – Deep, well developed and thoughtful.
Production-Values: 9/10 – Manglobe does it again with excellent animation that focus on bringing its characters to life instead of over the top action scenes. Haunting soundtrack.
Setting: 9/10 – Excellent portrayal of Japan at the time, with a great analysis of the types of problems that people faced around these ages.

Suggestions:
Mushishi
Porfy no Nagai Tabi
Seirei no Moribito

Posted on with categories: Sarai-ya Goyou



Okay, so we all know the circumstances of this series: it’s Noitamina, it only got 12 episodes, and so it only had the room to animate the first half of the Sarai-ya Goyou manga. Next week, we’re going to get treated to Shiki and a live action Moyashimon for some reason, so the creators had no choice of wrapping this up right now, with little chance at a sequel, knowing the sales.

With this in mind, I believe that the creators couldn’t have done a better job here. The final episode ranked for me among the most emotionally intensive episodes of the series so far, and I’m really happy with how it turned out. What made it such a wonderful episode was the way it put so much meaning into just one simple revelation: the fact that he was lied to that the first Yaichi was the one who contracted the kidnappers. It brought forth so many emotions in Yaichi, and that’s exactly why I originally fell in love with this series. I also realize that it’s exactly that that felt missing in the Matsu arc. That was the reason why this series fell into a bit of a dip.

Yaichi only had one point at which he really let his emotions go. After that, he was back to his old self immediately, without any sort of attempt to drag that scene on. It was really well portrayed, and typical of Tomomi Mochizuki, the director: Porfy no Nagai Tabi also had quite a few of these moments.

So, how to rate this? Well, let me put it this way: out of all of the series in Noitamina that didn’t get the full time they deserved (Jyu Oh Sei, Moyashimon, Library Wars, Genji Monogatari, Eden of the East), it’s my favourite. It’s consistently well executed, and instead of trying to cram the entire manga into one series, the creators opted to just give the scenes that they wanted to show their full attention, and just end at a given point. The animation by Manglobe was just wonderfully detailed, and Tomomi Mochizuki did a really great job in bringing it alive. Whether it’s better than Porfy no Nagai Tabi, however… I can’t say that. Its fifty-two episodes really allowed it to develop its characters in a way that Sarai-ya Goyou would only be able to beat if it was fully animated.

Either way though, I’m definitely a fan of Natsume Ono now. Her mangas turned out to be very successful as anime, and I really hope that more of it is going to become animated in the future.

This was easily the best final episode I have seen this season so far. Manglobe, you really gained my faith back after Seiken no Blacksmith.
Rating: *** (Awesome)

Posted on 26 June 2010 with categories: Sarai-ya Goyou



A very promising start to the climax of this series. Like expected, it’s all about Yaichi and his past, and the creators did a really good job at building up to it so that they can now start dropping hints as to what exactly caused him to shut off his past. By now, it’s clear that certain things have happened that he has yet to digest, and at this point, there are a ton of people from the past, coming back to bite him. And then there’s also Masa, who is getting closer and closer to him as well.

Yaichi in his teens was… scary. He really had this air around him that didn’t care about anyone or anything. While he killed without remorse in this episode, it’s probably something else caused him to break up with his gang. It’s now interesting to see whether the creators will also be able to give this series a good closure. I mean, I know that the creators are able to do this, but the manga it’s based on complicates things by being way longer than something you can just put in 12 episodes. But still, Ristorante Paradiso did it a year ago, so why shouldn’t this series be able to do it?

Still…. I am missing something here, though. I can’t put my finger to exactly what, but the past number of episodes have lacked a certain something, that prevents it from becoming a masterpiece. I wish I knew what that was, though.
Rating: ** (Excellent)

Posted on 18 June 2010 with categories: Sarai-ya Goyou



Ah, like expected: the series is going to close off with Yagi’s arc. This episode was meant to set everything up, while the final two episodes can really explore this guy.

We also now know why Yagi was so important to this story, as he turns out to have known Yaichi as a child (yeah, the child in the flashback really was him). It all points towards a trauma: the guy witnessed the death of the only adult he looked up to, which is probably what made him turn to become a member of a gang. The beauty is that he already developed a lot in the meantime. Yagi has some weird ideas, and he keeps sticking to his criminal roots with the use of Goyou, but he’s also bright and witty.

It’s interesting how there have been no kidnappings for the past few episodes. It’s probably because of Yagi that he’s not trying to do anything funny; he must have recognized him back there, though it was probably a bit harder for Yagi to lay the link because of how Yaichi grew up and completely changed his appearance. The white hair also could be some sort of hint here: why did he suddenly lose all of the pigmentation there?

In any case, with two episodes left I’m very curious to see whether they can surpass the middle episodes. I think my highlight of this series lies at episode six and seven. The final two episodes have already received a ton of build-up at this point, now it’s up to this series to make optimal use of this.
Rating: ** (Excellent)

Posted on 11 June 2010 with categories: Sarai-ya Goyou



That was an excellent conclusion to the Matsu-kidnapped-arc. Masa did exactly what he needed to do in order to get the guy out, and there wasn’t some kind of last-minute thing that went wrong in order to cheaply increase tension here.

Instead, the final part of this series seems to centre around Yagi, who indeed turns out to be a government official. It’s not sure whether he uses Masa to get to Yaichi, but nevertheless he’s in between two parties who he cares a lot about. This episode very much showed that he has accepted five leaves as friends.

This episode also introduced the dreaded sister with a brother complex. Still, it’s a cliche here that’s handled well: she’s not outright in love with Masa here unlike MANY of her counterparts, and instead the creators portrayed her as a worrying sibling who hasn’t heard anything about her brother for a while. Finally there’s a show that understands that.

Three episodes left, the problem does remain that there still remains a large part of the manga unanimated. I really hope that the creators can create a satisfying ending with what they have. That’s the one disadvantage of this otherwise excellent series.
Rating: ** (Excellent)

Posted on 4 June 2010 with categories: Sarai-ya Goyou



This episode seemed to me like the start of the arc before the finale. You know, the arc that isn’t exactly at the centre of the plot, but rather is meant to develop some of the most prominent side-stories. With this series, that is about Matsu: in this arc we finally get to know him for real, and it’ll probably get resolved in the next episode, before the series can close off with a finale dedicated to Masa and Yaichi. At least, if the creators know what they’re doing and don’t just cut off this show without any conclusion or second season in sight. That’s the ONE disadvantage of this series: it’s an adaptation.

In any case, this episode was as wonderfully paced as usual. The plot is a bit more straightforward, now that Matsu has been captured and all, but the creators really made sure for it to make sense within the story. Matsu is portrayed as the noble thief. He may steal, but he’s doing it all to repay the debts that were paid to him to save his son. by a store owner. Before, we’ve already seen that when he operates alone, he becomes very reckless. He’s only the careful Matsu when guided by Yaichi, and I think that Yaichi knows this very well.

What made this episode for me however were again the tiny things, like the interplay between Masa and Yaich, and how at first sight Masa might be another one of those wimps, though his lines are all surprisingly calculated and sharp. This episode also stressed how important the friendship is in keeping Goyou together. I mean, if Yaichi wasn’t there, there would be no reason to keep doing it. Instead, everyone is acting not just out of loyalty and admiration of Yaichi (which only seems to be the case for Matsu), but also out of loyalty for each other. Masa is indeed very interested about Yaichi, but he has also gotten attached to Ume and Otake. Ume on the other hand actually nearly left, however due to what happened to Matsu he just couldn’t leave.
Rating: ** (Excellent)

Posted on 28 May 2010 with categories: Sarai-ya Goyou



Oh my god… Tomomi Mochizuki might actually be surpassing himself with this series. Within seven episodes, he managed to put as much meaning into its characters as what Porfy no Nagai Tabi took 26. He’s got such a great sense of realism and character-development, and it also really helps that aside from directing he also did the series composition so that he could really put forth his vision of the manga. And on top of that it’s just awesome to see what a great manga he got to adopt. After having seen two of her stories now I really have to say that she’s a genius at characterization.

This episode again: from the outside the scenario was just about a few mundane tasks: Masa running away from a fight, him starting to train under that other older samurai, etc. From just those sentences it looks like a cheap shounen series, but just about every scene in this show was focused on putting as much meaning as possible in these events. A simple plot of Ume gets a ton of extra side-effects: it was his way of getting Yaichi to pay a visit to Masa. Yaichi knew very much that Ume was lying about Masa’s condition, but went anyway. He knew that he would be recognized, but at the same time he knew that it wouldn’t be that big of a problem since the old man wouldn’t tell much. And yet hints about his past were bound to be dropped here. It’s like he’s getting Masa to learn a bit more about him… but only a bit, nothing too much.

The characters here are nowhere near stupid. They’re very observant about each other. Masa himself knew very well that Yaichi had to have some sort of criminal past, and not just as some rogue bandit. You can really see him trying to get through to Yaichi, whether this is out of admiration, fear or something else still remains a bit of a question. Yaichi on the other hand can really notice Masa’s mood change as he gets to know more about him, and thus more afraid.

At the same time this episode was also very much about Masa’s self-loathing, or perhaps that’s a bit too big of a word. Either way, he’s being held back of an interesting career because of his personality, and knows it. The fight in this episode at which he ran away also really showed that he’s a guy who really keeps clinging to the past. As this is in his case a rather bad past (he had to cope being a samurai with that personality of his), he has a ton of anxieties, especially when alone and there being no reason for him to actually be tough.

This episode also gave a very interesting dimension to the older samurai and the graves he visited. The anecdotes he told about the people he lost were interesting yet down to earth, not to mention that that cliff-hanger was an interesting one. It’s obvious that there can be more dogs called Scruffy, but it is one gnawing cliff-hanger nevertheless.
Rating: *** (Awesome)

Posted on 20 May 2010 with categories: Sarai-ya Goyou




This series just continues to amaze me. At first the plot of this series seemed a bit mundane, about the every day lives of a band of criminals, but the situations here just sparkle with creativity here: everything just fits, and it takes full advantage of the fact that the characters here are criminals. They don’t present them as some kind of chivalrous thieves (even though they started out that way), and stress that the creators are fully aware of their actions. This especially shines through Masa, who still isn’t sure about whether or not to turn them down, especially since they treated him so genuinely nice.

I also loved how this episode comes to bite back at Ume, when the creditor of the guy of the previous episode started wondering where the hell he could get all that money from. I really love how the antagonists here aren’t stupid: they can think for themselves, and if it wasn’t for Masa he would have caused a great deal of trouble. By the way, I loved that shot in which Masa pointed his katana to his neck. That was so incredibly well animated.

Then Yaichi. He was a bit absent during the past two episodes, but the end of the episode came with a very interesting revelation: he and the old man knew each other. I suspected that something was fishy when it turned out that Yaichi never even once visited him, but to think that they were so much of an acquaintance. This does explain why he became involved with five leaves, though. Another very sneaky way.

I really like how this episode also forced Ume to think about his commitments to Five Leaves, especially since this indirectly caused so much trouble in this episode. At the same time you can also guess that Yaichi also put a lot of time into thinking whether or not to visit Masa. In this way, nearly every character here is forced to make certain choices.
Rating: *** (Awesome)

Posted on 13 May 2010 with categories: Sarai-ya Goyou




That was… amazing. Seriously, talk about a powerful episode, this series is just getting better and better with every episode.

The pacing was slow… but this really allowed the characters to show their best sides. After only five episodes it’s astounding to see how much the creators have already fleshed out the characters. The conversations here felt natural: it felt like Ume and Matsu talked about their pasts and problems, rather than it just being exposition for the story. It really was a chance for the characters to get to know each other better. It’s really one of the things I love about this series: screw exposition, every sentence is meant to give these people a richer character.

I also love how the creators handled Masa’s sickness. For once it isn’t the dreaded “anime cold” that’s over within a day, and instead of trying to create cheap drama with it, the creators focus on Ume and Matsu and the rest of the cast instead. Yaichi hardly played a role either. Matsu’s part in particular hit me, with how genuine it felt from the otherwise so distant guy that the previous episodes showed him as. Even when he got saved by Yaichi.

What’s also interesting is that Ume has also become a lot kinder to Masa, compared to how cold he was in the first few episodes. And yet Masa himself hasn’t changed yet: perhaps hampered by that sickness of his, he’s still the guy who hardly says anything.

You know, this season I’ve really been hard-pressed to point out my favourite. There are three shows that equally excel for me: Yojou-han, Sarai-ya Goyou and Giant Killing. With this episode however, this series has set the standards really high for the other two. While it has the disadvantage that it’s only got 12 episodes, it’s really not wasting any time to bring life to its characters. And while these two series have their unique points that Goyou doesn’t have, I’m getting more and more confident to say that Sarai-ya Goyou has the best characters of the entire season.
Rating: *** (Awesome)

Posted on 7 May 2010 with categories: Sarai-ya Goyou



This series just surpassed itself. This really was a wonderful episode that wasted no time to get to the bottom of its characters, this episode was all about subtle hints at the background of various characters. We learn about how Matsu met Yaichi, and also that Otake knew him for the longest.

But the best thing about this episode was again the interplay between Masa and Yaichi. The way in which Masa tries to find out more about the Masa who never talks about his past was really well portrayed. Especially when Masa hit the nail on the head: Yaichi doesn’t seem to be doing the kidnappings for the money. The way he throws around money… it’s just as if he’s asking for it to run out faster so that he can do another job.

Then consider what Matsu said: he has really changed. Could it be that this change started when he started the kidnappings? Like Ume said, they haven’t done even 10 of them, and Yaichi was already involved with three of them, so they probably started quite recently. Because of whatever caused him to change, he started getting interested in Masa, and doing stuff that wouldn’t really be important contrary to what he would have done when Matsu first met him. Either that, or Matsu always had the wrong image of him: you never hear the other characters talk about his change.

On another note, it’s a shame that even though Noitamina is currently so well written and produced, with Sarai-ya Goyou and Yojou-han, the tv ratings have reached a depth for the series. 1.7%… that’s even less than Kuchuu Buranko. I have a hard time grasping the cause for this, actually. Noitamina has always been a timeslot that was also popular amongst non-anime fans.

It seems that the best-rated shows of the time-slot play in modern settings. There are exceptions, like the early Honey and Clover and Paradise Kiss, which aired when the time-slot was still young, and Hakaba Kitarou (the best rated Noitamina show ever), which made use of its huge nostalgia factor, but Nodame Cantabile, Moyashimon and Hataraki Man all are about down to earth characters that anyone could relate with. The same with Eden of the East and Tokyo Magnitude: it’s very easy to relate to these characters. And I guess that that’s something that Yojou-han and Sarai-ya Goyou do not have: it’s hard for your average person to sympathize with a bunch of kidnappers, or a ridiculously fast talking loser. This trend is probably going to continue for the next summer. And don’t get me wrong, I’m really looking forward to Shiki, but again: it doesn’t look like the mainstream will have much to relate to there either.

It’s interesting how the people in charge of Noitamina don’t seem to be marketing geniuses. And that’s a shame, because Noitamina is such a great timeslot because it has proven that in order to go mainstream, you can also appeal to adults: instead of trying to win viewers with panty-shots and yelling teenagers, it has shown time and time again that anime is also very appealing for adults. While I love Sarai-ya Goyou and Yojou-han, I’m a bit sad that they’re doing so badly in the ratings, defeating the entire purpose of the timeslot. The thing I’m worried about isn’t exactly Noitamina changing, but rather that the ratings will end up in a downwards spiral, causing it to get cancelled. That’s what I’m most afraid of.
Rating: *** (Awesome)

CHANGE USERNAME
SuperMario
@Niello: just caught up with Darling, I think this last episode was a blast. Interesting framing (wonder who was the episode director) and for me overall rich world-building. The characters are still miss or hit for me thou
Anonymous2148050
Tomorrow’s jow
Niello
@KTravlos My experience with Terror too.
KTravlos
The Terror ended weak for me. A great show up to episode 7 and parts of 8, 9 and 10 just went down the path of gore fest. It will work for many, but it soured for me the excellent first 8 ones.
Niello
And that's it for Franxx, an entire episode dedicated to lame world building. Expecting it to be mediocre was correct.
Lenlo
Well, Mikio's gear was upgrading to V5 we saw, so it may not be as easy as we think. That said, I just want Gear to be relevant. It really feels like just a gimmick to me so far and Mikio could maybe change that, since his is so important
AidanAK47
Oh and I got two card drops, both of which were Shanas.
AidanAK47
@Amagi, I still need to grind up the damage points. I am close and planning to get it before Rider day ends. But Banana Oni is the hardest challege this game has ever given. And fighting her is always a gamble.
Amagi
Yeah it was a good move. Really want to see how Mikio will fight without the advantage he had till now.
Kaiser-Eoghan
This weeks episode of megalobox gave an added importance to him being gearless .
Amagi
Now that I got the 300mio damage in FGO I finally get card drops that I don't need anymore
AidanAK47
@Masky, I believe I told you to watch Fate/Zero and apologize.
Masky
@AidanAK47 three days ago: Harsh words :D
Kaiser-Eoghan
I do echo the frustration though with shows you like not getting enough episodes. And then there are of course shows where I wonder, did they really need so many episodes/seasons.
Anonymous2142344
You an always watch the old 160 episode ova of Legend of Galactic Heroes. Differences to date are minor
Kaiser-Eoghan
@Anon: Follow up films coming though.
Anonymous2142275
Galactic Heroes, is starting to grow on me, is a shame, that's only 12 episodes so much potential being wasted. What happened to those times when long animes, could have at least 50 episodes ( Gundam Seed, Code Geass) and still be viable. feeling hopeless
Kaiser-Eoghan
@Mario: A female director you could also look into is Moufida Tlatli , especially silences of the palace.
Kaiser-Eoghan
@Mario: On golden kamuy, from reading on in the manga, there will be a big reveal regarding Asirpa soon. Also I feel the prisoner guys are becoming monster of the week.
Kaiser-Eoghan
@Mario: I'm glad to be reviewing stuff again on letterboxd.
Kaiser-Eoghan
@Mario: ....I...actually momentarily forgot about the PM system.
Kaiser-Eoghan
@Mario: Watch Bombshell, secrets of a hollywood star or calling hedy lamarr, Bombshell is a recent documentary about Lamarr.
Kaiser-Eoghan
@Mario: Von Triers new film looks darkly funny though to a degree and I love the self-indulgent first per3son narration.
Kaiser-Eoghan
@Mario: I have no idea how Stellan Skarsgard (who works alot with Von trier) produced Alexander Skarsgard, the latter is far too attractive to come from that. I feel the same about Asia Argento, I refuse to believe Dario could have produced such a fine creature.
Kaiser-Eoghan
@Mario: I'm rarely about morals or understanding as an importance when it comes to film, I care most about how it hits me on a visceral/emotional level, how daring it is in its imagination, visuals, madness , creativity.
SuperMario
@Kaiser: thanks, received it. God, Von Triers new film is entirely something else. Full-on provocation. And I already think his Nymphomaniac was too much
Kaiser-Eoghan
@Mario: Also I'm dying to see Von Trier and Chang-dongs new films, especially the priors.
Kaiser-Eoghan
@Mario: I sent you a private message.
Lenlo
That said, the key drama scenes were still great. Okabe's VA continues to make me happy. Im just not sure how much of this is nostalgia.
Lenlo
Steins;Gate is at its best in moments of character drama and character interaction. All of its value lies in its characters. Any action, with this muted style, is going to come off stiff and dull. A con of the art-style decision.
Kaiser-Eoghan
@Lenlo: I'm glad you said that, because I felt visually it looked stiff this week and that brief scene in the beginning wasn't much to look at. But Okabes meeting with Baldyguy-san and the cliffhanger and after credits bit were good scenes.
Lenlo
So yeah, this was probably the weakest week of Steins;Gate so far. Its pretty clear its not an action series and that its style doesnt suit itself well to combat scenes
SuperMario
... watching and reading many shounen titles (Dragon Ball, Dragon Quest, Bleach and the likes), shounen isn't my cup of tea at all
SuperMario
While I grow up
Lenlo
@Anon, I love Shounen. BnHA is one of my favorites every season its on. Doesnt mean I like Black Clover though
Kaiser-Eoghan
Thank you for that anon, when I watched the episode earlier I wasn't aware there was a post credits scene.
Anonymous2141254
oh well, we still are early on in S;G 0 too. Plus, there seems to be a huge development at the end of the episode
Anonymous2141254
idk, i can't help but feel that besides the amadeus plotline, everything else feels "fillery"
Anonymous2141254
I must say though that I'm still waiting for it to get good, idk maybe my expectations are too high because the original was great after the first few episodes
Anonymous2141254
Don't forget to watch end credits fo Steins Gate 0
KTravlos
I like some shonen. I just think that they are popular enough as not to be worth reviewing ihmo.
Vonter
@Anon2140150 - I do. Though Shounen do have the issue of being derivative in certain aspects like power scales and several doing the FMA Brotherhood climax (of what I've watched). Also they're made to be endless. It can be intimidating jumping to one that has several seasons.
Anonymous2140150
Does everyone here don't like shonen anime?
Amagi
Really, if there is one piece of information (aside from otome maybe) that makes me ignore a series forever it's a LN about a LN author or illustrator. The selfinert wish fulfillment couldn't be more obvious.
Amagi
Another LN greenlit for an anime production and the synopsis starts with "* is a light novel illustrator and..".
Amagi
@KTravlos: I don't know why modern anime hate curly- and/or wild hair so much. The old hair style gave Reinhard a more royal look, whereas he looks like a normal highschool boy now. Not that I am complaining about the anime as a whole. Also, I like some of the new designs.
KTravlos
and a part of me things it is indeed the hair. It comes to low, giving Reinhard a slovenly, lazy feel. When Yang feels more energetic you know there was a mistake.
KTravlos
and yes, this Reinhard fares poorly in comparison to the OVA one. He is dull. I need more Yang :p
KTravlos
ai vay vay. The Castrop Rebellion remains waste of time. And this time it was worse. The older depiction was tacky but at least it showed Kircheis ability in a logical manner. This time I had no idea what the hell happened. It felt cheap.

The rest of the episode was ok. Not completely sold on all the renditions of imp. admirals though I still love the uniforms.
Kaiser-Eoghan
*those
Kaiser-Eoghan
Hearing these , I find myself much more tolerant of anime voice acting even if the dub might only be okay.
Kaiser-Eoghan
Its actually less of a sync issue, as I'm talking about 60s dubs , alot of people think the voices in old anime English dubs from the 90s are dated, but the old sixties kungfu and western dubs are shocking, far worse.
Kaiser-Eoghan
I don't mind sometimes satirical dubbing like on tiger lily , dialectics break bricks and kung pow however.
Kaiser-Eoghan
And those can be difficult to acquire sometimes in Italian or Chinese.
Kaiser-Eoghan
@Anon: Live action films, this is especially annoying sometimes because I love Spaghetti westerns and Chinese martial arts films and old Italian cop thrillers.
Anonymous2137430
@Kaiser-Eoghan Are you referring to foreign animated films of foreign live action films because dubbing live action is a different beast as I'm sure you're aware. The idiosyncratic nature of watching moves and facial expressions not properly match voices really pulls the viewer out of the experience
SuperWooper
LoGH is airing a special next week because of scheduling delays, so that's one less thing to do.
AidanAK47
Well to those whom it might concern, expect my posts to be later than usual this week. Work is hell at the moment.
Kaiser-Eoghan
I have to say, this is probably a bit hypocritical, but while I enjoy dubs of anime I really really can't stand dubs of foreign films.
Lenlo
Simo Hayha would make a pretty crazy Archer.
Kaiser-Eoghan
I imagine a fate strange fake adaptation will materialize eventually.
Kaiser-Eoghan
But everyone seems to want that Finnish sniper as a Fate servant .
Kaiser-Eoghan
Still no Mao, still mad.
Kaiser-Eoghan
....I have lost track of the historical characters in the fate lineup.
AidanAK47
@Lenlo, to expand on that point the following historical figures are now female: Nero Claudius, Leonardo da Vinci, Frankenstein's Monster, Xuanzang, Jing Ke, Quetzalcoatl, Minamoto no Yoshitsune, Miyamoto Musashi, Okita Souji and many more to come.
AidanAK47
@Anon, I find it's an enjoyable watch though flawed. If you can get past some odd fanservice around the first ten episodes then I say it's worth watching.
Anonymous2133468
So i was thinking if i start watching, darling in the franxx, is worth it? or is just another 6/10 anime?
Lenlo
God damnit. Why Nasu. Just why.
AidanAK47
@Kaiser, that ain't even Lewd.
Kaiser-Eoghan
In all seriousness its ridiculous, the Japanese will make a cute/moe girl out of anything.
AidanAK47
....Should I also mention that Francis Drake is a big boobed pirate queen?
Kaiser-Eoghan
@Aidan: Posting lewd images on a respectable chatbox.
AidanAK47
@Lenlo, But none of these characters are in the anime adaptions. Well besides Jack and Saber.
Lenlo
Aidan, all this conversation did was prove that my decision to only ever watch the Ufotable adaptions was the correct decision.
AidanAK47
@Lenlo, you can blame Extella for the Attlia the Hun thing. I wasn't too fond of it myself. Also should mention Attila is female as well.
https://pm1.narvii.com/6414/528599445b739909c02993cfdbfc9f277d088cf2_hq.jpg
AidanAK47
Also Masky I will be the first to admit to the ridiculous aspects of the Fate Franchise but do take note that you are commenting on something you know literally nothing about. Which is the very definition of ignorance and is quite annoying. Fate/Zero nails the themes it's going for. So go watch Fate/Zero, come back and apologize.
AidanAK47
@Masky, Give it time. Genghis is getting in there eventually with Grand Order. We just had Anastasia and Salieri introduced after all. And it's not as if this story introduces Servants willy nilly, they need actual story purpose. Genghis Khan wouldn't have fit the Narrative that Fate/Zero was going for.
Lenlo
Wait Attila is an Alien and Edison is a Lion? God damnit Fate. Why are you doing this to me. I was already annoyed at your treatment of Musashi
Masky
(aliens existing in the show is good example of that missing on themes part xP)
Masky
*most successful conqueror
Masky
Honestly was just amused most conqueror of all time not being featured in the show :D But wait, whats this about aliens?
AidanAK47
Anyway the important thing to take into account is that in the Fate universe, King Arthur is a woman, Attila the Hun is an Alien, Thomas Edison is a lion and Jack the Ripper is a little girl in a dominatrix outfit. Any questions?
AidanAK47
And while you don't need to watch something to be given divine right to comment on ideas or themes, it does leave you ignorant of how that show handles those ideas and themes.
AidanAK47
As for the Historical Alexander, he wasn't given the title of King of Couquerors. Fate/Zeros interpretation of him was. As generally accurate Fates interpretation of Servents history can be, they can make changes to suit the narrative.
AidanAK47
In that Regard Alexander was doing the conquest thing before Ghengus did. Ghengus likely has some other title. Hell he may only have the title because public consciousness was is more familiar with Alexander than Ghengus.
AidanAK47
Yeah, looking it up seems the King Title lost quite a lot of meaning in the Nasuverse. Though the King Title is rather flimsy. I mean Arthur is the King of Knights cause of the Knights of the round table. Gil is king of heroes because his tale was the first Heroic myth.
Lenlo
I think Alexander was just the first one they thought of, and they couldnt retroactively give it to someone else.

That said, Broskander deserves it <3
Masky
(And no, you don't need to watch something to be given divine right to comment on ideas or themes of it.)
Masky
(just to note in case I need to note, I do tend to do at least cursory research when I make comments on stuff I don't watch)
Masky
That first part is semantics as Fate gives title "King" to historical figures who weren't kings already :D Also, you can make that argument about historical Alexander the Great? Since that seriously sounds like kind of weak reason.
AidanAK47
Also sees Rider as deserving of title of "King of Conquerors" because that which he strives to conquer most is not lands or material wealth, but the hearts of people, the toughest conquest that can be undertaken by anyone.
AidanAK47
@Masky, Ghengis Khan wasn't a king. He was a Khan.
Lenlo
Ghengis is always a Rider in my mind.
Kaiser-Eoghan
But in all seriousness, Ghengis would be an appropriate beserker servant.
Kaiser-Eoghan
@Masky: I know, it feels so wrong I'm still mad I can't summon Karl Marx or Stalin.
Masky
So wait, Fate series is about historical figures with super powers, but "King of Conquerors" title isn't given to Ghengis Khan? :D Seriously? Thats just so wrong
Kaiser-Eoghan
I don't feel any point in finishing it, it feels like something that I'd just randomly drop , not because its a bad show, but because I got my fill of it.
AidanAK47
I am actually going to drop blogging it.
AidanAK47
@Sash, indeed. I have been watching it but not blogging it for the last few episodes because it just hasn't givne me anything to say. I don't think it's a bad show but I have pointed out the flaws and strengths of it already so there is truly nothing more to say on it.
Sash
I think wotakoi is starting to feel repetitive..
Kaiser-Eoghan
You are now aware Shana and Batman Ninja Harelequinn are both voiced by Rie kugimiya.
Lenlo
I did. It was... It was a thing.
Kaiser-Eoghan
@Lenlo: Did you end up watching Batman ninja by the way?
Lenlo
Music is great, yeah. When the music is on point, everything goes up. Everytime the sync the fight/punches to the music I just get hyped. Like the rotating shot with Aragaki or the first fight in episode 1.
Lenlo
Ill do my best to be clearer in the future on that front. Yeah, I dont mind twists like this. Makes the inevitable Mikio fight, narratively, even better.
Kaiser-Eoghan
I feel the music does alot of the lifting.
Kaiser-Eoghan
Oh, so that was it.
Lenlo
Sorry if I never made that clear.
Lenlo
I would rather have fewer, amazing, fights than a lot of low-quality fights. This is a one cour show, the more meaning/impact they can give each fight the better.

Like Aragaki, narratively, was great. Loved it. Its just in animation/choreography that it falls flat.
Lenlo
Im disappointed with the animation of the fights. Narratively, I think they are quite good.
Kaiser-Eoghan
*disappointed with the fights in past episodes
Kaiser-Eoghan
@Lenlo: Pretty much what I said I thought of the episode. Although I was surprised how took the episodes ending, I expected you to see it as a slap in the face after being disappointed with the fights.
Lenlo
Also, @Kaiser, I thought Megalo Box did something unique this episode. I wasn't expecting Joe to *not* fight. And the Mikio/Yukiko proxy war is an interesting character motivation. Im betting Yukiko will get Joe a full citizenship, effectively getting her on his side.
Lenlo
I wish I was physically capable of watching Megalo Box without thinking of Hajime no Ippo. I really do. But everytime I watch it, it makes me want to watch Ippo again to.
Anonymous2120908
I watched some more of the Chimera family chinese anime. (Wasn't aware it was monthly released). And geez, I like the concept, the background art is very pretty and contrasts with settings that have become tired in other anime. Yet sadly the animation and script are WEAK. I haven't grasped the quality of what's expected of these types of production but I want to believe, they're trying.
Kaiser-Eoghan
Not much in the way of action in megalobox this week, but I did like the focus on Yukkiko getting a small character moment and then the big moment at episodes end .
AidanAK47
@Anon, That's some lazy ass trolling buddy. Should have stopped before the hashtags.
Kaiser-Eoghan
I'm even sort of looking forward to supposedly less respectable stuff like Goblin slayer and happy sugar life.
Vonter
Also E3 is almost here. And I can't wait. I think Nintendo will have a good show considering they're revealing the new Smash with a tournament. There's rumors of the new game by Retro Studios (Metroid Prime and Donkey Kong) and maybe they'll reveal something about how Pokemon will be on the Switch.
Vonter
Also there's always the chance of something new being discovered. Not everything needs expectations behind. Sometimes great things come out of nowhere.
Kaiser-Eoghan
So yes, there are some at least decent shows coming out.
Kaiser-Eoghan
@Anon: Muh Baki, Muh Bananna fish, muh made in abyss season 2, muh Vinland.
Anonymous2119906
The rest of this year looks like shit for anime and 2019 doesn't look great either #fuckmoe #makeanimegreatagain
Anonymous2119214
@Kaiser yeah it happened in half the amount of eps this time around for steins gate 0; which i expected considering there's a lot of ground to cover
Anonymous2119106
@Supermario Something like Fate or the LOTR films are a different case. I get where you're coming from about your preference, but I'm arguing that if a large story is going to be split into 3 films, it helps that the 3 films feel cleanly cut. Infinity war, even though we know there's a second part to the story, feels like it has that cohesive narrative structure with a beginning, middle, and end
Anonymous2119106
@Super Mario yea but the marvel movies are a different situation so i don't think the comparison is as appropriate. Marvel movies are "episodic" in nature rather than a continuous narrative. The films are largely isolated stories that are happening in a similar universe that only happen to "congeal" narratively because of a few overarching details shared between films.
Kaiser-Eoghan
@Lenlo: I remember when the original series suddenly shifted and got going and it was a really depressing episode.
Lenlo
Oh baby. The storm has finally come in Steins;Gate. Let the true suffering commence
SuperMario
@anon2118276: that's why I don't like LoTR trilogy. It's still a whole body chopped up in 3 parts, despite how clean the cut is. Whereas for me it works better if it was like a branch in a tree. The Marvel movies (despite my disinterest on those) are a good example of this.
Kaiser-Eoghan
While I did feel some of this weeks steins gate felt fillery, I do like see these characters interact and given the episodes conclusion, this episode acted as a calm before the storm.
Lenlo
Ill agree with you on King Kong. As for the Ralph Bakshi LotR, I have. I am still to this day impressed by the overlay of 2D art onto real/overexposed footage. It makes for shockingly fluid animation in places and has its own distinct style
Anonymous2118208
@Lenlo - Have you watched the old Ralph Bakshi adaptation of the first two books? It's uneven, but it's interesting comparing and contrasting certain decisions. As good as Peter Jackson is, I feel he makes very longwinded films, I like his version of King Kong a lot, but it is too long.
Anonymous2118276
@supermario i disagree; the point is that even though the LOTH films have cliffhanger endings, they still feel like fils. they have a defined first second and third act with well paced tension and release throughout them. They follow a storytelling macrostructure necessary for films to feel like cohesive narratives even if they are to end on a cliffhanger
Lenlo
I quite liked the individual LOTR movie just fyi
Vonter
Marvel surprisingly has kept their movies simple enough, that while you might miss details nowadays, you can tell what's happening.
Vonter
Another bad case is like with Assassin's Creed, which like Lost, just tried to tease a lot of things, then it grew tired of trying to piece them together and let the last games work more standalone, with little hints of a larger lore.
Vonter
Metroid does both, it has a standalone story and a hint to what a sequel might bring. Though that hint rarely matters by the time the new game is released.
Vonter
@SuperMario - Some videogames trilogies also do that. Gears of War and God of War had good standalone beginnings but by the second game they put cliffhanging endings. Kingdom Hearts does that and I expect 3 to also do it. Megaman Legends and Half Life had incomplete stories, which might be the worse case in regards to trying to make a continuous story.
SuperMario
It ruins the appetite
SuperMario
I actually think Lord of the Rings' trilogy is a bad example to follow. These films are meant to be viewed as a whole, so each film doesn't hold much as an individual story. I just can't digest films that have "to be continued" sign at the end. Imagine having a first course meal and then have to wait for few days for second course
Kaiser-Eoghan
On the current topic, I would be well for the production of a long running, ambitious ova series.
Anonymous2116425
then again, i don't take too much issue with these films feeling like movie-sized eps...the wait just sucks is all
Anonymous2116425
clearly the films need each other to tell the whole story, yet they can be taken for what they are in isolation as well
Anonymous2116425
I don't mind the trilogy trend at all; like Aidan said, when everything is said and done, all the films will be available to watch. I just think a stronger attempt should be made to make them feel like complete films. Something like the lord of the rings trilogy is a great example of how to do this
Kaiser-Eoghan
I am in full confidence that neither I nor Miura will survive to the end of berserk.
Kaiser-Eoghan
Of course maybe they won't have a future , think about it that way, then they'd never see it, life has that weird way of being unpredictable like that =P
Kaiser-Eoghan
You can always rewatch them just before watching the one after.
AidanAK47
Of course not. But that's the thing. The wait is only a temporary problem. Anyone in the future will have all movies ready to view.
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Featured Posts

Steins;Gate 0 – 7 [Eclipse of Vibronic Transition -Vibronic Transition-]

Oh boy, Steins;Gate 0 was definitely a thing this week, whatever that means. This time we have clashing styles, interesting plot twists and one hell of a cliffhanger. Lets jump in! To start off, lets get the obvious out of the way. Steins;Gate 0 is not an action series and it shows. The opening “combat” […]

Golden Kamuy – 07 [Complication]

This week ties up one plot thread that is Nihei and Tanigaki and their quest for hunting down the wise wolf and overall it does a decent job at that. Continuing from where the last episode left of, this final confrontation works for me because everyone has a moment to shine. Sugimoto proves that he […]

Hisone to Masotan – 06 [I’ll Shout Your Name]

At one point during this episode I almost felt that Hoshino was just too overboard. Being stubborn is one thing, but when you’re too stubborn you outright hurt others’ feeling without backing down, it’s irritating to watch. The issue with Hoshino, as we come to learn during the flashback, is that piloting an F2 has […]

Megalo Box – 7 [The Road to Death]

Hello everyone, and welcome to the most surprising episode of Megalo Box yet. This week we have family drama, Joe’s declining health and a shocker of an ending. Lets jump in! So starting from the top, lets talk about this ending. I never thought Megalo Box would pull something like this, with its limited number […]

Hinamatsuri – 07 [Anzu Is a Greeter Now]

At this halfway mark, I want point out that the comedy of Hinamatsuri isn’t as sharp as the first few episodes (except for the segment including Hitomi’s classmates). There’s still absurdist sense of humor, sure, but it doesn’t make me laugh out lout or even make me chuckle. That is to say I come to […]

Legend of the Galactic Heroes Die Neue These – 7[The Capture of Iserlohn (Part 2)]

The majority of this episode was detailing the plan and execution of Yangs takeover of Iserlohn which does seem rather simplistic when you think about it. This is a point where LOGH shows its age a bit and while they tried to bump it up by throwing in a body scanner, there is still the […]

Steins;Gate 0 – 6 [Eclipse of Orbital Ordering -The Orbital Eclipse-]

Ladies and Gentleman, Boys and Girls, Steins;Gate 0 has stomped the throttle and cut the breaks. Lets skip the intro and just get right to it. Early on I thought this episode was going to be slow, we were going to focus on our characters and relax a bit. I thought it would be drama […]

Golden Kamuy – 06 [Hunter’s Soul]

Well, (animal) shit. Golden Kamuy starts slow this week and ends with a bang. This episode presents many of Golden Kamuy’s ups and downs so it’s best to dissect them one by one. For the negative part, the pacing is still off. This episode spends too much time on Sugimoto and Asirpa hunting that poor […]

Hisone no Masotan – 05 [Do You Really Think That There’s Anybody Who Likes Being Disliked?]

There’s one thing you can count on original shows, you can never know for sure what the plot is going next. Sometimes, it surprises you with its sheer originality and sometimes, it could go to weird places. HisoMaso falls into the latter this week, literally where it’s taking us to an uninhabited island for the […]

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