Posted on 2 July 2010 with categories: Anime Reviews, Sarai-ya Goyou




One of the things that made the past spring season awesome was the fact that it didn’t have just one, but two Noitamina series. And boy, it sure came with a couple of amazing series to start off this new feature!

Sarai-ya Goyou is a character-study, set in the Japan of a number of centuries ago, and it unites Manglobe with Tomomi Mochizuki, of Toka Gettan, Porfy no Nagai Tabi, Kimagure Orange Road and a ton of other series. He’s a true veteran in the anime business, and he did an incredible job of bringing these characters to life.

The animation in nearly every scene in this series is full of detail, with a ton of subtle movements. This really allows the creators to put as much meaning into these scenes as possible, giving them a surprising amount of depth and development in only twelve episodes. Even most of the side characters get some development throughout the series that already is short on time and despite this limited length, it never tries to rush through things in order to fit as much as possible into its airtime. There comes a price to this, of course: it’s unfortunately an incomplete series, and stops after animating about half of the manga. The main plot threads are skillfully wrapped up at that point, but it’s clear that the storyline isn’t over at that point.

Airing next to Yojou-han this season, this series faced some incredibly tough competition, but it really shined out there despite this, and is a great recommendation for those who are looking for a short character-focused series. There is one arc that isn’t as good as the others (the Matsu arc), which breaks the flow of this series a bit, but apart from that the stories that it tells about its characters are all incredibly thoughtful and engaging.

Storytelling: 9/10 – Very detailed. Tries to put as much meaning into every scene as possible, and succeeds. Never loses itself in its pacing, though the story itself has plot threads that aren’t wrapped up.
Characters: 9/10 – Deep, well developed and thoughtful.
Production-Values: 9/10 – Manglobe does it again with excellent animation that focus on bringing its characters to life instead of over the top action scenes. Haunting soundtrack.
Setting: 9/10 – Excellent portrayal of Japan at the time, with a great analysis of the types of problems that people faced around these ages.

Suggestions:
Mushishi
Porfy no Nagai Tabi
Seirei no Moribito

Posted on with categories: Sarai-ya Goyou



Okay, so we all know the circumstances of this series: it’s Noitamina, it only got 12 episodes, and so it only had the room to animate the first half of the Sarai-ya Goyou manga. Next week, we’re going to get treated to Shiki and a live action Moyashimon for some reason, so the creators had no choice of wrapping this up right now, with little chance at a sequel, knowing the sales.

With this in mind, I believe that the creators couldn’t have done a better job here. The final episode ranked for me among the most emotionally intensive episodes of the series so far, and I’m really happy with how it turned out. What made it such a wonderful episode was the way it put so much meaning into just one simple revelation: the fact that he was lied to that the first Yaichi was the one who contracted the kidnappers. It brought forth so many emotions in Yaichi, and that’s exactly why I originally fell in love with this series. I also realize that it’s exactly that that felt missing in the Matsu arc. That was the reason why this series fell into a bit of a dip.

Yaichi only had one point at which he really let his emotions go. After that, he was back to his old self immediately, without any sort of attempt to drag that scene on. It was really well portrayed, and typical of Tomomi Mochizuki, the director: Porfy no Nagai Tabi also had quite a few of these moments.

So, how to rate this? Well, let me put it this way: out of all of the series in Noitamina that didn’t get the full time they deserved (Jyu Oh Sei, Moyashimon, Library Wars, Genji Monogatari, Eden of the East), it’s my favourite. It’s consistently well executed, and instead of trying to cram the entire manga into one series, the creators opted to just give the scenes that they wanted to show their full attention, and just end at a given point. The animation by Manglobe was just wonderfully detailed, and Tomomi Mochizuki did a really great job in bringing it alive. Whether it’s better than Porfy no Nagai Tabi, however… I can’t say that. Its fifty-two episodes really allowed it to develop its characters in a way that Sarai-ya Goyou would only be able to beat if it was fully animated.

Either way though, I’m definitely a fan of Natsume Ono now. Her mangas turned out to be very successful as anime, and I really hope that more of it is going to become animated in the future.

This was easily the best final episode I have seen this season so far. Manglobe, you really gained my faith back after Seiken no Blacksmith.
Rating: *** (Awesome)

Posted on 26 June 2010 with categories: Sarai-ya Goyou



A very promising start to the climax of this series. Like expected, it’s all about Yaichi and his past, and the creators did a really good job at building up to it so that they can now start dropping hints as to what exactly caused him to shut off his past. By now, it’s clear that certain things have happened that he has yet to digest, and at this point, there are a ton of people from the past, coming back to bite him. And then there’s also Masa, who is getting closer and closer to him as well.

Yaichi in his teens was… scary. He really had this air around him that didn’t care about anyone or anything. While he killed without remorse in this episode, it’s probably something else caused him to break up with his gang. It’s now interesting to see whether the creators will also be able to give this series a good closure. I mean, I know that the creators are able to do this, but the manga it’s based on complicates things by being way longer than something you can just put in 12 episodes. But still, Ristorante Paradiso did it a year ago, so why shouldn’t this series be able to do it?

Still…. I am missing something here, though. I can’t put my finger to exactly what, but the past number of episodes have lacked a certain something, that prevents it from becoming a masterpiece. I wish I knew what that was, though.
Rating: ** (Excellent)

Posted on 18 June 2010 with categories: Sarai-ya Goyou



Ah, like expected: the series is going to close off with Yagi’s arc. This episode was meant to set everything up, while the final two episodes can really explore this guy.

We also now know why Yagi was so important to this story, as he turns out to have known Yaichi as a child (yeah, the child in the flashback really was him). It all points towards a trauma: the guy witnessed the death of the only adult he looked up to, which is probably what made him turn to become a member of a gang. The beauty is that he already developed a lot in the meantime. Yagi has some weird ideas, and he keeps sticking to his criminal roots with the use of Goyou, but he’s also bright and witty.

It’s interesting how there have been no kidnappings for the past few episodes. It’s probably because of Yagi that he’s not trying to do anything funny; he must have recognized him back there, though it was probably a bit harder for Yagi to lay the link because of how Yaichi grew up and completely changed his appearance. The white hair also could be some sort of hint here: why did he suddenly lose all of the pigmentation there?

In any case, with two episodes left I’m very curious to see whether they can surpass the middle episodes. I think my highlight of this series lies at episode six and seven. The final two episodes have already received a ton of build-up at this point, now it’s up to this series to make optimal use of this.
Rating: ** (Excellent)

Posted on 11 June 2010 with categories: Sarai-ya Goyou



That was an excellent conclusion to the Matsu-kidnapped-arc. Masa did exactly what he needed to do in order to get the guy out, and there wasn’t some kind of last-minute thing that went wrong in order to cheaply increase tension here.

Instead, the final part of this series seems to centre around Yagi, who indeed turns out to be a government official. It’s not sure whether he uses Masa to get to Yaichi, but nevertheless he’s in between two parties who he cares a lot about. This episode very much showed that he has accepted five leaves as friends.

This episode also introduced the dreaded sister with a brother complex. Still, it’s a cliche here that’s handled well: she’s not outright in love with Masa here unlike MANY of her counterparts, and instead the creators portrayed her as a worrying sibling who hasn’t heard anything about her brother for a while. Finally there’s a show that understands that.

Three episodes left, the problem does remain that there still remains a large part of the manga unanimated. I really hope that the creators can create a satisfying ending with what they have. That’s the one disadvantage of this otherwise excellent series.
Rating: ** (Excellent)

Posted on 4 June 2010 with categories: Sarai-ya Goyou



This episode seemed to me like the start of the arc before the finale. You know, the arc that isn’t exactly at the centre of the plot, but rather is meant to develop some of the most prominent side-stories. With this series, that is about Matsu: in this arc we finally get to know him for real, and it’ll probably get resolved in the next episode, before the series can close off with a finale dedicated to Masa and Yaichi. At least, if the creators know what they’re doing and don’t just cut off this show without any conclusion or second season in sight. That’s the ONE disadvantage of this series: it’s an adaptation.

In any case, this episode was as wonderfully paced as usual. The plot is a bit more straightforward, now that Matsu has been captured and all, but the creators really made sure for it to make sense within the story. Matsu is portrayed as the noble thief. He may steal, but he’s doing it all to repay the debts that were paid to him to save his son. by a store owner. Before, we’ve already seen that when he operates alone, he becomes very reckless. He’s only the careful Matsu when guided by Yaichi, and I think that Yaichi knows this very well.

What made this episode for me however were again the tiny things, like the interplay between Masa and Yaich, and how at first sight Masa might be another one of those wimps, though his lines are all surprisingly calculated and sharp. This episode also stressed how important the friendship is in keeping Goyou together. I mean, if Yaichi wasn’t there, there would be no reason to keep doing it. Instead, everyone is acting not just out of loyalty and admiration of Yaichi (which only seems to be the case for Matsu), but also out of loyalty for each other. Masa is indeed very interested about Yaichi, but he has also gotten attached to Ume and Otake. Ume on the other hand actually nearly left, however due to what happened to Matsu he just couldn’t leave.
Rating: ** (Excellent)

Posted on 28 May 2010 with categories: Sarai-ya Goyou



Oh my god… Tomomi Mochizuki might actually be surpassing himself with this series. Within seven episodes, he managed to put as much meaning into its characters as what Porfy no Nagai Tabi took 26. He’s got such a great sense of realism and character-development, and it also really helps that aside from directing he also did the series composition so that he could really put forth his vision of the manga. And on top of that it’s just awesome to see what a great manga he got to adopt. After having seen two of her stories now I really have to say that she’s a genius at characterization.

This episode again: from the outside the scenario was just about a few mundane tasks: Masa running away from a fight, him starting to train under that other older samurai, etc. From just those sentences it looks like a cheap shounen series, but just about every scene in this show was focused on putting as much meaning as possible in these events. A simple plot of Ume gets a ton of extra side-effects: it was his way of getting Yaichi to pay a visit to Masa. Yaichi knew very much that Ume was lying about Masa’s condition, but went anyway. He knew that he would be recognized, but at the same time he knew that it wouldn’t be that big of a problem since the old man wouldn’t tell much. And yet hints about his past were bound to be dropped here. It’s like he’s getting Masa to learn a bit more about him… but only a bit, nothing too much.

The characters here are nowhere near stupid. They’re very observant about each other. Masa himself knew very well that Yaichi had to have some sort of criminal past, and not just as some rogue bandit. You can really see him trying to get through to Yaichi, whether this is out of admiration, fear or something else still remains a bit of a question. Yaichi on the other hand can really notice Masa’s mood change as he gets to know more about him, and thus more afraid.

At the same time this episode was also very much about Masa’s self-loathing, or perhaps that’s a bit too big of a word. Either way, he’s being held back of an interesting career because of his personality, and knows it. The fight in this episode at which he ran away also really showed that he’s a guy who really keeps clinging to the past. As this is in his case a rather bad past (he had to cope being a samurai with that personality of his), he has a ton of anxieties, especially when alone and there being no reason for him to actually be tough.

This episode also gave a very interesting dimension to the older samurai and the graves he visited. The anecdotes he told about the people he lost were interesting yet down to earth, not to mention that that cliff-hanger was an interesting one. It’s obvious that there can be more dogs called Scruffy, but it is one gnawing cliff-hanger nevertheless.
Rating: *** (Awesome)

Posted on 20 May 2010 with categories: Sarai-ya Goyou




This series just continues to amaze me. At first the plot of this series seemed a bit mundane, about the every day lives of a band of criminals, but the situations here just sparkle with creativity here: everything just fits, and it takes full advantage of the fact that the characters here are criminals. They don’t present them as some kind of chivalrous thieves (even though they started out that way), and stress that the creators are fully aware of their actions. This especially shines through Masa, who still isn’t sure about whether or not to turn them down, especially since they treated him so genuinely nice.

I also loved how this episode comes to bite back at Ume, when the creditor of the guy of the previous episode started wondering where the hell he could get all that money from. I really love how the antagonists here aren’t stupid: they can think for themselves, and if it wasn’t for Masa he would have caused a great deal of trouble. By the way, I loved that shot in which Masa pointed his katana to his neck. That was so incredibly well animated.

Then Yaichi. He was a bit absent during the past two episodes, but the end of the episode came with a very interesting revelation: he and the old man knew each other. I suspected that something was fishy when it turned out that Yaichi never even once visited him, but to think that they were so much of an acquaintance. This does explain why he became involved with five leaves, though. Another very sneaky way.

I really like how this episode also forced Ume to think about his commitments to Five Leaves, especially since this indirectly caused so much trouble in this episode. At the same time you can also guess that Yaichi also put a lot of time into thinking whether or not to visit Masa. In this way, nearly every character here is forced to make certain choices.
Rating: *** (Awesome)

Posted on 13 May 2010 with categories: Sarai-ya Goyou




That was… amazing. Seriously, talk about a powerful episode, this series is just getting better and better with every episode.

The pacing was slow… but this really allowed the characters to show their best sides. After only five episodes it’s astounding to see how much the creators have already fleshed out the characters. The conversations here felt natural: it felt like Ume and Matsu talked about their pasts and problems, rather than it just being exposition for the story. It really was a chance for the characters to get to know each other better. It’s really one of the things I love about this series: screw exposition, every sentence is meant to give these people a richer character.

I also love how the creators handled Masa’s sickness. For once it isn’t the dreaded “anime cold” that’s over within a day, and instead of trying to create cheap drama with it, the creators focus on Ume and Matsu and the rest of the cast instead. Yaichi hardly played a role either. Matsu’s part in particular hit me, with how genuine it felt from the otherwise so distant guy that the previous episodes showed him as. Even when he got saved by Yaichi.

What’s also interesting is that Ume has also become a lot kinder to Masa, compared to how cold he was in the first few episodes. And yet Masa himself hasn’t changed yet: perhaps hampered by that sickness of his, he’s still the guy who hardly says anything.

You know, this season I’ve really been hard-pressed to point out my favourite. There are three shows that equally excel for me: Yojou-han, Sarai-ya Goyou and Giant Killing. With this episode however, this series has set the standards really high for the other two. While it has the disadvantage that it’s only got 12 episodes, it’s really not wasting any time to bring life to its characters. And while these two series have their unique points that Goyou doesn’t have, I’m getting more and more confident to say that Sarai-ya Goyou has the best characters of the entire season.
Rating: *** (Awesome)

Posted on 7 May 2010 with categories: Sarai-ya Goyou



This series just surpassed itself. This really was a wonderful episode that wasted no time to get to the bottom of its characters, this episode was all about subtle hints at the background of various characters. We learn about how Matsu met Yaichi, and also that Otake knew him for the longest.

But the best thing about this episode was again the interplay between Masa and Yaichi. The way in which Masa tries to find out more about the Masa who never talks about his past was really well portrayed. Especially when Masa hit the nail on the head: Yaichi doesn’t seem to be doing the kidnappings for the money. The way he throws around money… it’s just as if he’s asking for it to run out faster so that he can do another job.

Then consider what Matsu said: he has really changed. Could it be that this change started when he started the kidnappings? Like Ume said, they haven’t done even 10 of them, and Yaichi was already involved with three of them, so they probably started quite recently. Because of whatever caused him to change, he started getting interested in Masa, and doing stuff that wouldn’t really be important contrary to what he would have done when Matsu first met him. Either that, or Matsu always had the wrong image of him: you never hear the other characters talk about his change.

On another note, it’s a shame that even though Noitamina is currently so well written and produced, with Sarai-ya Goyou and Yojou-han, the tv ratings have reached a depth for the series. 1.7%… that’s even less than Kuchuu Buranko. I have a hard time grasping the cause for this, actually. Noitamina has always been a timeslot that was also popular amongst non-anime fans.

It seems that the best-rated shows of the time-slot play in modern settings. There are exceptions, like the early Honey and Clover and Paradise Kiss, which aired when the time-slot was still young, and Hakaba Kitarou (the best rated Noitamina show ever), which made use of its huge nostalgia factor, but Nodame Cantabile, Moyashimon and Hataraki Man all are about down to earth characters that anyone could relate with. The same with Eden of the East and Tokyo Magnitude: it’s very easy to relate to these characters. And I guess that that’s something that Yojou-han and Sarai-ya Goyou do not have: it’s hard for your average person to sympathize with a bunch of kidnappers, or a ridiculously fast talking loser. This trend is probably going to continue for the next summer. And don’t get me wrong, I’m really looking forward to Shiki, but again: it doesn’t look like the mainstream will have much to relate to there either.

It’s interesting how the people in charge of Noitamina don’t seem to be marketing geniuses. And that’s a shame, because Noitamina is such a great timeslot because it has proven that in order to go mainstream, you can also appeal to adults: instead of trying to win viewers with panty-shots and yelling teenagers, it has shown time and time again that anime is also very appealing for adults. While I love Sarai-ya Goyou and Yojou-han, I’m a bit sad that they’re doing so badly in the ratings, defeating the entire purpose of the timeslot. The thing I’m worried about isn’t exactly Noitamina changing, but rather that the ratings will end up in a downwards spiral, causing it to get cancelled. That’s what I’m most afraid of.
Rating: *** (Awesome)

CHANGE USERNAME
SuperMario
@anon877854: just finished ACCA episode and I agree that everything getting really interesting now. Review will come up soon.
Anonymous877854
Well I thought ACCA would dance around the truth for a few more eps but they had a bunch of big reveals this ep. Will be interesting to see where it goes from here.
AidanAK47
@Kaiser, Not too fond of really old vn games like those. They put up a presence of being point and click adventures. I have a hard time enjoying the stories when the "Gameplay" keeps killing the pacing. Big offender was Eve Burst error. Really couldn't enjoy that one at all.
Kaiser Eoghan
@Aidan: And policenauts, how about that one?
Kaiser Eoghan
Honestly I really don't mind all the side drama/romance in rakugo...in the longest time its been an anime that gave me feelings worth feeling.
Kaiser Eoghan
@Aidan: Would you in any way recommend snatcher (I think that counts as a visual novel) or is it a dated product of its time. On a side note I love the soundtrack.
Kaiser Eoghan
Case in this point I was blown away by utawerumono and chaos head when I was a less experienced viewer, nostalgia keeps poking at me to watch the sequels, but I just know chaos;child will be awful as will utawerumono 2.
Kaiser Eoghan
Hate when this happens, keep getting this itch to watch the followup to something I liked in the past but no full well I'd hate if I went back to it.
Kaiser Eoghan
Hopefully I'll make time for Irae and subahibi, don't know anything about clockwork. Ended up getting involved in what will likely turn into a business course soon.
AidanAK47
Some really great Visual Novels localised this year. Muv Luv Alternative, Sharin no Kuni, Dies Irae, SubaHibi and clockwork key line. It's good year to be a VN fan. Now I just need an update about Baldr Sky.
AidanAK47
Subarashiki Hibi is getting published by Front Wing. Hell goddamn yes. Finally I can read it and be traumatised for life.
Anonymous870083
mm okay thanks!
AidanAK47
@Anon1, Think you might just have to go with a torrent. It's pretty hard to find direct download anime these days.
Anonymous870541
the latest episode of rakugo just made my heart sank. i didn't think it would get better than it already is. i thank god that i didn't read ahead
Anonymous870083
does anyone know where I can download the remastered version of the Utena series? without torrent?
SuperMario
the same very thought here Lenlo. What I considered the weakest part turned out to be so layered. Sorry for ever doubting you, Rakugo.
Lenlo
And that smirk at the end, beautiful
Lenlo
The weakest plot point of S1 has just become the best part ever.
Lenlo
OOH MAN. I was not ready. The entire first season was all a setup. I cant. What. HOW DOES IT GET BETTER
Lenlo
Cant wait to watch Rakugo tonight, just got home and im lookin forward to it,.
AidanAK47
I think before grabbing the protest signs it might be worth considering if the thing you are demanding be uncensored is even worth it. Oh yeah, now you can see genitalia in crap sex scenes that were crow bared into the plot. No more need to use your imagination.
AidanAK47
Some protest because they want there porn. That I suppose I can understand even if I think they would be better off buying some nukige. But then there are those who demand it just for the sake of standing against censorship. They don't give a crap about the game or the fact we are getting the exact same thing the japanese got. What? Censorship of sexual organs? DOWN WITH CENSORSHIP!
AidanAK47
There are people actively proclaiming they won't buy the game, because they can't see dicks. That is not hyperbole. This is literally exactly whats happening here. And they just act so goddamn self righteous about it. Porn is not the goddamn point of these games. Shouldn't even be in them in the first place.
AidanAK47
So another Sekai Kickstarter is up for a trilogy of Visual novels called A Clockwork Ley-Line. Chipped in my bit as I am going to be buying this regardless but like goddamn clockwork you get the idiots yelling for Mosaic removal. No matter how I try to rationalize it, this just sounds stupid.
Kaiser Eoghan
Just whenever I think Rakugo may be dragging its feet it comes out a gives me three big strong moments in this weeks episode, you will know them when you come to them.
K-Off
Dubbing in more subdued performances work fine. It just becomes unbearable when it involves shouty dialogue, which idescribes most of the Japanese games I play.
Kaiser Eoghan
@Aidan: I think at the time it allowed Bagel (where did he go?) to find some exploit/gap in the sites security too.
SuperMario
I mean the spoiler code in the comment section. ^^. Like I don't mind if readers give (potential) spoilers but I don't want to ruin the fun of other readers as well
AidanAK47
After all it wasn't a intended feature of the old shoutbox. We were pretty much hacking the thing.
Kaiser Eoghan
I seem to remember all those old html codes stopped working on the old shoutbox too at one point.
Kaiser Eoghan
There was also originally an ability to animate text too of the shoutbox and have gifs appear in the message box but not as links.
AidanAK47
I remember some HTML code worked with the old shoutbox but nope. But I suppose you could change the colour of text to white...though that would effect everything you write.
SuperMario
Btw, do we have spoiler tag here Aidan?
SuperMario
@anon861679: Agreed. They have big ambitions, but they seems unsure on what to do next. I mean engaging your readers to give their thoughts is good, but if it is a mean for you to get inspiration to write essay about isn't that great. Well, give them say 6 months until they can settle down (they just launched this site for 3,4 months only)
Kaiser Eoghan
Despite being fine with anime in English, I've almost always felt that voice acting in videogames isn't as good.
Anonymous861679
Hey mario, that anime feminist blog was well, kind of awful. While they're well intentioned, it felt like they were pushing tumblr stuff onto chan stuff and that always ends up in a smoking mess.
SuperMario
Okay I'm going to erase my memories right now
SuperMario
I swear I'll stay off reddit for good. Have been spoiled by the development of ACCA by one of their "theory". As soon as I realized it's freaking spoiler I stopped but what done is done. Ahhhhhhhhhh
K-Off
Christ Fire Emblem Heroes is pretty addicting, micro transactions are not necessary at all. Though it irks me that I can't get Japanese voices. Dubs just make me cringe every time.
SuperMario
@ckspike: Hand Shakers, the very quality that makes you brain cells die while watching it. Well, I actually think the music is one of the best part of the show, now that you mention it like that...well...*slap my forehead*
ckspike
... my roommate just told me the background music when I'm watching Hand Shakers sounds like a bad porno... Now I can't unhear it. Fuck!
Lenlo
I havnt kept up with Academia, for some reason it just didnt catch me as well as the movie first did.
AidanAK47
You know what's funny? I thought little Witch Academia would be the hardest one to blog. Yet halfway into the current season and it's the one I write the most about.
Lenlo
I actually dont read many blogs. Mostly just this place and the occasional pop on reddit
Anonymous859067
I'd like to present to one of my favorite blogs, A work I just created: Greed Island! https://play.google.com/store/apps/details?id=com.tc2r.greedisland
AidanAK47
I go to Reddit anime myself but I don't really like the upvote system. Basically the majority rule opinions get put to the top which more often than not are jokes.
HelghastKillzone
I listen to podcasts on youtube and others places as well as going on Reddit Anime to hear a thousand people yammering away.
Kaiser Eoghan
I irregularly follow the episode reviews on ANN and sometimes read standing on my neck. I fell out of the habit of following random curiousity.
SuperMario
Anime Feminist (animefeminist.com), while sounds ambitious on paper, hasn't been too hot unfortunately. I know they aim to be "big" so they're still figuring out how to do it best. Well, good luck for them!
SuperMario
Oh, I know I've mentioned this site before but you guys should read it (blog.sakugabooru.com), this site is one of the only few blogs that I actively subscribed to read their post. They have some insights to the anime industry that is very informative and inspiring
SuperMario
I also think that this chatbox here plays a great role to keep a fair amount of readers for the site, as many sometimes just come here to give their two cents on certain anime.
SuperMario
I just checked out rabujoi blof for the first time, (https://rabujoi.wordpress.com) and I think they're in pretty good shape. Content-wise are solid (as far as I read), and they update their post pretty regularly (comparing their amount of posts last month (80) to ours (28), ouch)
SuperMario
Just really wonder, what are other anime sites that you guys follow beside this? Well, ANN and RandomC are a given, but I found myself haven't bothered to read ANN's episodic reviews lately (mostly due to time constraint)
AidanAK47
Don't tell me this is gonna be a regular thing.
Lenlo
There we go
Lenlo
Oh god JSON objects. I thought that nightmare was over
SuperMario
Mine is working probably as well. Thanks a bunch K-Off and glad to hear back from you.
K-Off
No problem.
K-Off
I really need to figure out how to get those damn tooltips working again on the sidebar thumbnails. It'd be useful to have the descriptions popup.
AidanAK47
Cleared my cache and it looks to be fixed. Thanks as always K-Off. I would be completely screwed without you around.
K-Off
Alright I think that did it. Let me know if it pops up again. If you still see it, clear your browser cache and let me know if its still there.
AidanAK47
Messages still get sent. You just might have to reload the page. We are working on getting it fixed.
Vonter
AidanAK47 I can't get into Fate since like with Nanoha there's a lot of stuff with those names in it. Zero was the most straightforward, yet the buildup was very dragout but the payoffs where very worthy.
HelghastKillzone
testing message.
AidanAK47
This is what I get for updating the bloody plugin.....
AidanAK47
He finished it and was telling me what he thought of Saber defeating Gilgamesh. Minute he said that I was like "OH GOD..." He watched the Deen 2006 adaption. Sadly it loos like he's not going to bother watching UBW TV despite me showing him part of the berserker fight. With Fate/Extra, Fate/Grand Order, Fate/Apocrypha, Fate/Oath under the snow and all the rest this problem will happen again.
AidanAK47
You know I wish the Fate series did a better job naming it's series. I was introducing a newbie so I gave him Fate/Zero first. He loved it so I specifically told him to watch the UBW TV Series and don't mistake it for the movie. He then went and watched the movie. I told him to watch the TV series regardless and brought up the MAL page to show him which one.
Kaiser Eoghan
Ah, there's definately no harm in doing further reading on more arthouse stuff before reviewing it/watching/after watching, it extends our understanding and is pretty much required.
Kaiser Eoghan
@Aidan: Go for it, you might sell me on reading it.
Kaiser Eoghan
Yeah, I generally only write reviews every now and then, and they tend to be kept simple and to 200-300 words. My writing ability only really works when I write in stream of consciousness.
Anonymous855550
Zestiria is such a feast for the eyes... The colors and backgrounds are so vivid and magnificent. Story has improved on the game's weaknesses too!
Lenlo
Given enough time, im sure I could write something, but as I writer I tend towards quick, decisive statements of what I think and why. Engineer, so technical documents are like the only thing I know how to write.
Topgavin
@Supermario ah, I'd say I'm the opposite in that I sometimes don't know why I like something so much, and when I read a review about it I can relate my own experiences and put it in my own words pretty well. Can thank Highschool eco for that
SuperMario
But to tell you guys the truth, I never think that I'm cut out as a reviewer (even now), because I'm a type of viewer who more perceive (I know why I like/ don't like stuffs) than express (just can't never explain stuffs well)
SuperMario
@Topgavin: it's depending on what grabbing you really; as I always find shows with heavy symbolisms like Penguindrum or Flip Flappers the easiest to dig deeper. But those are always my kind of show to begin with
Topgavin
I'd find it really hard to write something about a show without reading about it first; watching it one time by myself I usually only notice the big things. Stuff like Flip Flappers I had no clue what half the episode's hidden meanings were, can't imagine reviewing a show like NGE or penguindrum.
SuperMario
that's exactly how I write my reviews anyways
Lenlo
I cant imagine writing a review, id just repeat myself with different words but the same intended meaning over and over again
AidanAK47
Wonder if I should write a review of this. Might be hard without giving too much away.
AidanAK47
(Finishes Sweetest monster Visual novel)
.....well....fuck.
(Buys all authors visual novels on steam.)
Lenlo
Sadly, I doubt Nioh will get a PC port. Sony is pretty stingy on their exclusives, like Bloodborne. But I am so very happy with Nioh. I love technical combat like this
Kaiser Eoghan
I suppose this means I'm looking into this rpg maker game thing now isn't it? Might aswell.
Kaiser Eoghan
I remember the word animerican used to describe things like avatar last airbender. Filthy word =P
Anonymous853606
God no. Jiro Taniguchi died.
AidanAK47
@Lenlo, I have been hearing very good things about Nioh. Really hoping it gets a PC port.
@Topgavin, No real surprises there.
Topgavin
I'm sure most of you have heard, but looks like New Game is getting a season 2 out of all things. Apparently they had good sales, and I can certainly see why. CGDCT with yuri undertones and clean animation is hard to get wrong, let alone not sell.
Lenlo
Just started with Nioh, and oh my goodness do I love it.
Anonymous852887
anyone play resident evil 7? its so good.
AidanAK47
Thought that's because the term American Anime just feels wrong to me on all levels.
AidanAK47
@Anon, they do not. They are cartoons.
Anonymous852775
DO people call D.C. Comics animated movies American anime?
AidanAK47
@Anon, I am certainly interested in seeing the next episode. Those minisodes were pretty good too. One thing I thought the writting faltered on though was the comedy. It really was a little too slapstick considering how serious the drama was.
SuperMario
@Lenlo: ah remind me the time I went to Texas (Corpus Christy) before X-mas time and I was wearing short pants and thongs (nice!!!), then went all the way up to Niagara Falls and I was almost freezing there.
Lenlo
See, I love winter, but its almost non-existent in Texas
Anonymous852268
@Aidan: I agree. I loved To the Moon. It's so good seeing emotional drama that isn't centered around high-school kids. Seeing the ups and downs of a whole long life of a person gives everything that happens way more impact.
Kaiser Eoghan
@Mario: An Australian friend put it as "A sunbaked rock in summer, a giant zoo, that actively tries to kill its population"
SuperMario
Not that I'm enjoying the winter either. Why autumn always go so fast?
SuperMario
Believe me but summer here is way too much. When it's too hot and dry it starts bushfiring really badly. And it's too hot that even a big fan straight in front of you don't do you any good
Kaiser Eoghan
What is this mysterious creature known as summer you refer to? =P My country is grey as a black and white film =P
SuperMario
I'm wondering how freezing you guys have to endure right now, but the place I came today in Aussie just reached 50 degree celsius this noon. So hot I felt myself burning
Lenlo
I think the part I liked the most, was just how satisfying those mud splatter sounds were. I dont know why, but its in my head
HelghastKillzone
Youjo Senki 6 subs came out at 11pm PST.
Lenlo
Atleast Rakugo didnt get held up. Still amazing as ever
AidanAK47
Well I spent my time waiting for it to come out by playing and finishing To the Moon. Got to say, it takes some real skill to make a game in RPGmaker that can make you really feel something. But maybe I am just a sucker for this kind of story.
SuperMario
Hey, I would be very frustrating if Hand shakers got delayed. But I agree this delay is caused by Being X. And Scum's Wish, haizzz, this is the show we love to get pissed at. Haha
Anonymous850298
I blame Being X.
AidanAK47
Sigh, Youjo Senki 6 is delayed. Why is it always the best shows that get delayed? If an episode of hand Shakers was delayed no one would give a crap but nope. Gotta be the show you want to watch right away.
AidanAK47
@Anon, in both anime and manga I never liked that character much.
Anonymous849783
Meh, dropped Masamune-kun. Seriously why do they always have to shove in these one dimensional characters with a crush out of f* nowhere. It never made any of these shows more interesting, it's always the opposite.
Vonter
@Kaiser Eoghan - I find it weird having the teacher being so unashamedly evil. In a way I like that, but at the same time I can't relate to the notion of people like that existing IRL.
Kaiser Eoghan
As I continue to watch scums wish, it becomes an anger inducing as much as it is engrossing experience.
AidanAK47
Or the UBW movie over the TV series. You just don't do that.
AidanAK47
That's like recommending someone to watch NGE death and rebirth instead of the TV series.
Kaiser Eoghan
Meh, I just got fed up with the padding in the tv version.
AidanAK47
Jojo has the kind of entertainment that clicks with you or doesn't so I understand if you didn't get into it. Though to give it a fair chance I would recommend trying the first episodes of Battle Tendency. It starts at episode 10 of the first season, you can jump to it. If that doesn't catch you then Jojos really isn't for you.
AidanAK47
Don't listen to Kaiser. The OVA is bad.
Kaiser Eoghan
....found out where a friend had been off to lately, making a movie and he ended up actually making and finishing and I got first dibs. Had a hard time commenting on it as I know the guy personally.
Kaiser Eoghan
@Mario: Totally with you on the academy thing.
@Lenlo: If you ever try jojo again and get onto part three go for the ova instead as it trims down an overly bloated arc.
Lenlo
For JoJos, I couldnt get through the first season. It just didnt hook me
Lenlo
What I dont understand is how anything other than Mob Psycho won best animation, cause my god.
Lenlo
I think Erased lost not because of the libido, but because Yuri was "gay" and "progressive" and most important of all, recent. Yuri had just finished airing so it was stuck in everyones heads. Of course it was going to win everything
AidanAK47
Erased truly deserved to win that category and it only lost because people voted with their libido instead of their head.
AidanAK47
If there's one thing that really makes me angry about these awards it's Yuri on Ice winning most heartwarming moment for "The Kiss". Because A) It wasn't a fucking kiss and B) Even if it was that isn't heartwarming. Oh I am sure something is getting warm but it sure as hell isn't your heart.
AidanAK47
Likely the main reason Kira didn't win main villain because Jojo has grown to a episode count which makes people hesitant to pick it up. Not to mention many would lose interest by Stardust crusaders midpoint.
AidanAK47
When it comes to judging quality you have to leave it to the people who have experienced enough of the medium to truly be able to critical judge it. Pretty darn sure most who voted didn't even bother watching everything worthwhile each season and just gravitated towards whatever they were exposed to.
AidanAK47
Lets not forget someone voting multiple times and bot voting. Because yes, people really do that. As you two pointed out, a public vote was never truly going to be a accurate gauge of quality. For you are not only opening the vote to anime lovers but also newbies and those who simply haven't refined their tastes yet.
SuperMario
so they either abstained their votes (which actually was reasonable); voted for something popular or even voted based on what their kids liked the most (which was flat out unforgivable).
SuperMario
This from my own frustration mostly when it comes to awards like this. But I've been following the Academy Awards for way too long now and every now and then you heard something that really disheartened about their voting process. Like for example many of the Academy members admitted that they don't care to watch anything animated because... it's kiddy stuff
SuperMario
TL;DR: my point is I have mixed feeling about the whole Crunchyroll awards. One more thing that I noticed about the nomination is that the pool was dominated by shows from the first half of last year.
Lenlo
I dont think public voting is the way to go is the thing. Popularity contests are horrible. With popularity contests moe is going to be near the top every time, while shows like Rakugo never really have a chance. And I think there is little doubt that Rakugo was one of the best shows last season
SuperMario
@Lenlo: there is an issue with the first thou, because reviewers like us don't actually represent the whole public opinions. So it's all come down to the very reason they create an award in a 1st place (your second point). But with voting we can't really reason why the winners win the trophy, right?
Lenlo
The problem with awards like that is for them to mean anything they need 2 things. 1) A board of voters who are actual reviewers who have watched a large portion of what was on shelf that season. 2) Reasons for why each thing won its award. An award without reasons means nothing
SuperMario
Other issue about voting for these awards is that the nominating body and the voting body aren't always the same. Usually the voting body is broader and more generic in taste, so I'm not at all surprised when shows like Rakugo couldn't win. Too art-house for their liking. Well, at least it got nominated which for me is good enough.
SuperMario
That's the thing. When it comes to awards, they are more 'popularity' contest than actual quality, since people tend to vote for the safer choice (the one that are both popular and mildly critical success), YOI fits the bill here.
Lenlo
Those awards were not the best and little more then a popularity contest imo.
SuperMario
Actually with that line-up I had no problems with YOI taking the top spot
SuperMario
I actually forgot about the Crunchyroll Anime Awards so I came to check the winner. Guess which show won AOTY huh? Alright, at least it wasn't Kabaneri or Jokers Game
Kaiser Eoghan
But the best one was Mask of Phantasm.
Kaiser Eoghan
@Aidan: And return of the joker also.
Kaiser Eoghan
It has aged admittedly very poorly, but I always got a great kick out of that old 1994 spiderman cartoon.
Kaiser Eoghan
@Mario: I think its fair to use the term K-anime or C-anime for the Korean and Chinese influenced stuff, or maybe just anime would be just as appropriate. If some Argentinian guy can write/draw a manga for a Japanese manga magazine (big comic superior thats the magazines name) and have it actually be called a manga, it should be the same for China/Korea.
Lenlo
Mhmm. Marvel had the movies, but DC had the animated series
AidanAK47
Man, I loved the villains of Batman Beyond. Inque and Shriek had such interesting powers. The DC animated shows tended to be the one that didn't treat you like a kid while watching.
Lenlo
Well, they released a trailer for Samurai Jack S5, so its coming. Batman Beyond I also enjoyed
AidanAK47
Ah Samurai Jack. Wonder how that Adult swim revival is going? Batman the Animated Series as well didn't need Batman to crack off jokes every minute to be great.
Lenlo
Agreed. Samurai Jack was one of my favorite cartoons for that very reason. It ran the gamut of genres, each episode being something different.
Also I used Nichijou cause it was the first to come to my mind as a "Kids Show", though Love-Ru works as well
AidanAK47
One thing I think Cartoons could do to move away from the stigma of being for kids is having more genres than Comedy and Action adventure. Or at least stop putting comedy in everything.
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