Posted on 2 July 2010 with categories: Anime Reviews, Sarai-ya Goyou




One of the things that made the past spring season awesome was the fact that it didn’t have just one, but two Noitamina series. And boy, it sure came with a couple of amazing series to start off this new feature!

Sarai-ya Goyou is a character-study, set in the Japan of a number of centuries ago, and it unites Manglobe with Tomomi Mochizuki, of Toka Gettan, Porfy no Nagai Tabi, Kimagure Orange Road and a ton of other series. He’s a true veteran in the anime business, and he did an incredible job of bringing these characters to life.

The animation in nearly every scene in this series is full of detail, with a ton of subtle movements. This really allows the creators to put as much meaning into these scenes as possible, giving them a surprising amount of depth and development in only twelve episodes. Even most of the side characters get some development throughout the series that already is short on time and despite this limited length, it never tries to rush through things in order to fit as much as possible into its airtime. There comes a price to this, of course: it’s unfortunately an incomplete series, and stops after animating about half of the manga. The main plot threads are skillfully wrapped up at that point, but it’s clear that the storyline isn’t over at that point.

Airing next to Yojou-han this season, this series faced some incredibly tough competition, but it really shined out there despite this, and is a great recommendation for those who are looking for a short character-focused series. There is one arc that isn’t as good as the others (the Matsu arc), which breaks the flow of this series a bit, but apart from that the stories that it tells about its characters are all incredibly thoughtful and engaging.

Storytelling: 9/10 – Very detailed. Tries to put as much meaning into every scene as possible, and succeeds. Never loses itself in its pacing, though the story itself has plot threads that aren’t wrapped up.
Characters: 9/10 – Deep, well developed and thoughtful.
Production-Values: 9/10 – Manglobe does it again with excellent animation that focus on bringing its characters to life instead of over the top action scenes. Haunting soundtrack.
Setting: 9/10 – Excellent portrayal of Japan at the time, with a great analysis of the types of problems that people faced around these ages.

Suggestions:
Mushishi
Porfy no Nagai Tabi
Seirei no Moribito

Posted on with categories: Sarai-ya Goyou



Okay, so we all know the circumstances of this series: it’s Noitamina, it only got 12 episodes, and so it only had the room to animate the first half of the Sarai-ya Goyou manga. Next week, we’re going to get treated to Shiki and a live action Moyashimon for some reason, so the creators had no choice of wrapping this up right now, with little chance at a sequel, knowing the sales.

With this in mind, I believe that the creators couldn’t have done a better job here. The final episode ranked for me among the most emotionally intensive episodes of the series so far, and I’m really happy with how it turned out. What made it such a wonderful episode was the way it put so much meaning into just one simple revelation: the fact that he was lied to that the first Yaichi was the one who contracted the kidnappers. It brought forth so many emotions in Yaichi, and that’s exactly why I originally fell in love with this series. I also realize that it’s exactly that that felt missing in the Matsu arc. That was the reason why this series fell into a bit of a dip.

Yaichi only had one point at which he really let his emotions go. After that, he was back to his old self immediately, without any sort of attempt to drag that scene on. It was really well portrayed, and typical of Tomomi Mochizuki, the director: Porfy no Nagai Tabi also had quite a few of these moments.

So, how to rate this? Well, let me put it this way: out of all of the series in Noitamina that didn’t get the full time they deserved (Jyu Oh Sei, Moyashimon, Library Wars, Genji Monogatari, Eden of the East), it’s my favourite. It’s consistently well executed, and instead of trying to cram the entire manga into one series, the creators opted to just give the scenes that they wanted to show their full attention, and just end at a given point. The animation by Manglobe was just wonderfully detailed, and Tomomi Mochizuki did a really great job in bringing it alive. Whether it’s better than Porfy no Nagai Tabi, however… I can’t say that. Its fifty-two episodes really allowed it to develop its characters in a way that Sarai-ya Goyou would only be able to beat if it was fully animated.

Either way though, I’m definitely a fan of Natsume Ono now. Her mangas turned out to be very successful as anime, and I really hope that more of it is going to become animated in the future.

This was easily the best final episode I have seen this season so far. Manglobe, you really gained my faith back after Seiken no Blacksmith.
Rating: *** (Awesome)

Posted on 26 June 2010 with categories: Sarai-ya Goyou



A very promising start to the climax of this series. Like expected, it’s all about Yaichi and his past, and the creators did a really good job at building up to it so that they can now start dropping hints as to what exactly caused him to shut off his past. By now, it’s clear that certain things have happened that he has yet to digest, and at this point, there are a ton of people from the past, coming back to bite him. And then there’s also Masa, who is getting closer and closer to him as well.

Yaichi in his teens was… scary. He really had this air around him that didn’t care about anyone or anything. While he killed without remorse in this episode, it’s probably something else caused him to break up with his gang. It’s now interesting to see whether the creators will also be able to give this series a good closure. I mean, I know that the creators are able to do this, but the manga it’s based on complicates things by being way longer than something you can just put in 12 episodes. But still, Ristorante Paradiso did it a year ago, so why shouldn’t this series be able to do it?

Still…. I am missing something here, though. I can’t put my finger to exactly what, but the past number of episodes have lacked a certain something, that prevents it from becoming a masterpiece. I wish I knew what that was, though.
Rating: ** (Excellent)

Posted on 18 June 2010 with categories: Sarai-ya Goyou



Ah, like expected: the series is going to close off with Yagi’s arc. This episode was meant to set everything up, while the final two episodes can really explore this guy.

We also now know why Yagi was so important to this story, as he turns out to have known Yaichi as a child (yeah, the child in the flashback really was him). It all points towards a trauma: the guy witnessed the death of the only adult he looked up to, which is probably what made him turn to become a member of a gang. The beauty is that he already developed a lot in the meantime. Yagi has some weird ideas, and he keeps sticking to his criminal roots with the use of Goyou, but he’s also bright and witty.

It’s interesting how there have been no kidnappings for the past few episodes. It’s probably because of Yagi that he’s not trying to do anything funny; he must have recognized him back there, though it was probably a bit harder for Yagi to lay the link because of how Yaichi grew up and completely changed his appearance. The white hair also could be some sort of hint here: why did he suddenly lose all of the pigmentation there?

In any case, with two episodes left I’m very curious to see whether they can surpass the middle episodes. I think my highlight of this series lies at episode six and seven. The final two episodes have already received a ton of build-up at this point, now it’s up to this series to make optimal use of this.
Rating: ** (Excellent)

Posted on 11 June 2010 with categories: Sarai-ya Goyou



That was an excellent conclusion to the Matsu-kidnapped-arc. Masa did exactly what he needed to do in order to get the guy out, and there wasn’t some kind of last-minute thing that went wrong in order to cheaply increase tension here.

Instead, the final part of this series seems to centre around Yagi, who indeed turns out to be a government official. It’s not sure whether he uses Masa to get to Yaichi, but nevertheless he’s in between two parties who he cares a lot about. This episode very much showed that he has accepted five leaves as friends.

This episode also introduced the dreaded sister with a brother complex. Still, it’s a cliche here that’s handled well: she’s not outright in love with Masa here unlike MANY of her counterparts, and instead the creators portrayed her as a worrying sibling who hasn’t heard anything about her brother for a while. Finally there’s a show that understands that.

Three episodes left, the problem does remain that there still remains a large part of the manga unanimated. I really hope that the creators can create a satisfying ending with what they have. That’s the one disadvantage of this otherwise excellent series.
Rating: ** (Excellent)

Posted on 4 June 2010 with categories: Sarai-ya Goyou



This episode seemed to me like the start of the arc before the finale. You know, the arc that isn’t exactly at the centre of the plot, but rather is meant to develop some of the most prominent side-stories. With this series, that is about Matsu: in this arc we finally get to know him for real, and it’ll probably get resolved in the next episode, before the series can close off with a finale dedicated to Masa and Yaichi. At least, if the creators know what they’re doing and don’t just cut off this show without any conclusion or second season in sight. That’s the ONE disadvantage of this series: it’s an adaptation.

In any case, this episode was as wonderfully paced as usual. The plot is a bit more straightforward, now that Matsu has been captured and all, but the creators really made sure for it to make sense within the story. Matsu is portrayed as the noble thief. He may steal, but he’s doing it all to repay the debts that were paid to him to save his son. by a store owner. Before, we’ve already seen that when he operates alone, he becomes very reckless. He’s only the careful Matsu when guided by Yaichi, and I think that Yaichi knows this very well.

What made this episode for me however were again the tiny things, like the interplay between Masa and Yaich, and how at first sight Masa might be another one of those wimps, though his lines are all surprisingly calculated and sharp. This episode also stressed how important the friendship is in keeping Goyou together. I mean, if Yaichi wasn’t there, there would be no reason to keep doing it. Instead, everyone is acting not just out of loyalty and admiration of Yaichi (which only seems to be the case for Matsu), but also out of loyalty for each other. Masa is indeed very interested about Yaichi, but he has also gotten attached to Ume and Otake. Ume on the other hand actually nearly left, however due to what happened to Matsu he just couldn’t leave.
Rating: ** (Excellent)

Posted on 28 May 2010 with categories: Sarai-ya Goyou



Oh my god… Tomomi Mochizuki might actually be surpassing himself with this series. Within seven episodes, he managed to put as much meaning into its characters as what Porfy no Nagai Tabi took 26. He’s got such a great sense of realism and character-development, and it also really helps that aside from directing he also did the series composition so that he could really put forth his vision of the manga. And on top of that it’s just awesome to see what a great manga he got to adopt. After having seen two of her stories now I really have to say that she’s a genius at characterization.

This episode again: from the outside the scenario was just about a few mundane tasks: Masa running away from a fight, him starting to train under that other older samurai, etc. From just those sentences it looks like a cheap shounen series, but just about every scene in this show was focused on putting as much meaning as possible in these events. A simple plot of Ume gets a ton of extra side-effects: it was his way of getting Yaichi to pay a visit to Masa. Yaichi knew very much that Ume was lying about Masa’s condition, but went anyway. He knew that he would be recognized, but at the same time he knew that it wouldn’t be that big of a problem since the old man wouldn’t tell much. And yet hints about his past were bound to be dropped here. It’s like he’s getting Masa to learn a bit more about him… but only a bit, nothing too much.

The characters here are nowhere near stupid. They’re very observant about each other. Masa himself knew very well that Yaichi had to have some sort of criminal past, and not just as some rogue bandit. You can really see him trying to get through to Yaichi, whether this is out of admiration, fear or something else still remains a bit of a question. Yaichi on the other hand can really notice Masa’s mood change as he gets to know more about him, and thus more afraid.

At the same time this episode was also very much about Masa’s self-loathing, or perhaps that’s a bit too big of a word. Either way, he’s being held back of an interesting career because of his personality, and knows it. The fight in this episode at which he ran away also really showed that he’s a guy who really keeps clinging to the past. As this is in his case a rather bad past (he had to cope being a samurai with that personality of his), he has a ton of anxieties, especially when alone and there being no reason for him to actually be tough.

This episode also gave a very interesting dimension to the older samurai and the graves he visited. The anecdotes he told about the people he lost were interesting yet down to earth, not to mention that that cliff-hanger was an interesting one. It’s obvious that there can be more dogs called Scruffy, but it is one gnawing cliff-hanger nevertheless.
Rating: *** (Awesome)

Posted on 20 May 2010 with categories: Sarai-ya Goyou




This series just continues to amaze me. At first the plot of this series seemed a bit mundane, about the every day lives of a band of criminals, but the situations here just sparkle with creativity here: everything just fits, and it takes full advantage of the fact that the characters here are criminals. They don’t present them as some kind of chivalrous thieves (even though they started out that way), and stress that the creators are fully aware of their actions. This especially shines through Masa, who still isn’t sure about whether or not to turn them down, especially since they treated him so genuinely nice.

I also loved how this episode comes to bite back at Ume, when the creditor of the guy of the previous episode started wondering where the hell he could get all that money from. I really love how the antagonists here aren’t stupid: they can think for themselves, and if it wasn’t for Masa he would have caused a great deal of trouble. By the way, I loved that shot in which Masa pointed his katana to his neck. That was so incredibly well animated.

Then Yaichi. He was a bit absent during the past two episodes, but the end of the episode came with a very interesting revelation: he and the old man knew each other. I suspected that something was fishy when it turned out that Yaichi never even once visited him, but to think that they were so much of an acquaintance. This does explain why he became involved with five leaves, though. Another very sneaky way.

I really like how this episode also forced Ume to think about his commitments to Five Leaves, especially since this indirectly caused so much trouble in this episode. At the same time you can also guess that Yaichi also put a lot of time into thinking whether or not to visit Masa. In this way, nearly every character here is forced to make certain choices.
Rating: *** (Awesome)

Posted on 13 May 2010 with categories: Sarai-ya Goyou




That was… amazing. Seriously, talk about a powerful episode, this series is just getting better and better with every episode.

The pacing was slow… but this really allowed the characters to show their best sides. After only five episodes it’s astounding to see how much the creators have already fleshed out the characters. The conversations here felt natural: it felt like Ume and Matsu talked about their pasts and problems, rather than it just being exposition for the story. It really was a chance for the characters to get to know each other better. It’s really one of the things I love about this series: screw exposition, every sentence is meant to give these people a richer character.

I also love how the creators handled Masa’s sickness. For once it isn’t the dreaded “anime cold” that’s over within a day, and instead of trying to create cheap drama with it, the creators focus on Ume and Matsu and the rest of the cast instead. Yaichi hardly played a role either. Matsu’s part in particular hit me, with how genuine it felt from the otherwise so distant guy that the previous episodes showed him as. Even when he got saved by Yaichi.

What’s also interesting is that Ume has also become a lot kinder to Masa, compared to how cold he was in the first few episodes. And yet Masa himself hasn’t changed yet: perhaps hampered by that sickness of his, he’s still the guy who hardly says anything.

You know, this season I’ve really been hard-pressed to point out my favourite. There are three shows that equally excel for me: Yojou-han, Sarai-ya Goyou and Giant Killing. With this episode however, this series has set the standards really high for the other two. While it has the disadvantage that it’s only got 12 episodes, it’s really not wasting any time to bring life to its characters. And while these two series have their unique points that Goyou doesn’t have, I’m getting more and more confident to say that Sarai-ya Goyou has the best characters of the entire season.
Rating: *** (Awesome)

Posted on 7 May 2010 with categories: Sarai-ya Goyou



This series just surpassed itself. This really was a wonderful episode that wasted no time to get to the bottom of its characters, this episode was all about subtle hints at the background of various characters. We learn about how Matsu met Yaichi, and also that Otake knew him for the longest.

But the best thing about this episode was again the interplay between Masa and Yaichi. The way in which Masa tries to find out more about the Masa who never talks about his past was really well portrayed. Especially when Masa hit the nail on the head: Yaichi doesn’t seem to be doing the kidnappings for the money. The way he throws around money… it’s just as if he’s asking for it to run out faster so that he can do another job.

Then consider what Matsu said: he has really changed. Could it be that this change started when he started the kidnappings? Like Ume said, they haven’t done even 10 of them, and Yaichi was already involved with three of them, so they probably started quite recently. Because of whatever caused him to change, he started getting interested in Masa, and doing stuff that wouldn’t really be important contrary to what he would have done when Matsu first met him. Either that, or Matsu always had the wrong image of him: you never hear the other characters talk about his change.

On another note, it’s a shame that even though Noitamina is currently so well written and produced, with Sarai-ya Goyou and Yojou-han, the tv ratings have reached a depth for the series. 1.7%… that’s even less than Kuchuu Buranko. I have a hard time grasping the cause for this, actually. Noitamina has always been a timeslot that was also popular amongst non-anime fans.

It seems that the best-rated shows of the time-slot play in modern settings. There are exceptions, like the early Honey and Clover and Paradise Kiss, which aired when the time-slot was still young, and Hakaba Kitarou (the best rated Noitamina show ever), which made use of its huge nostalgia factor, but Nodame Cantabile, Moyashimon and Hataraki Man all are about down to earth characters that anyone could relate with. The same with Eden of the East and Tokyo Magnitude: it’s very easy to relate to these characters. And I guess that that’s something that Yojou-han and Sarai-ya Goyou do not have: it’s hard for your average person to sympathize with a bunch of kidnappers, or a ridiculously fast talking loser. This trend is probably going to continue for the next summer. And don’t get me wrong, I’m really looking forward to Shiki, but again: it doesn’t look like the mainstream will have much to relate to there either.

It’s interesting how the people in charge of Noitamina don’t seem to be marketing geniuses. And that’s a shame, because Noitamina is such a great timeslot because it has proven that in order to go mainstream, you can also appeal to adults: instead of trying to win viewers with panty-shots and yelling teenagers, it has shown time and time again that anime is also very appealing for adults. While I love Sarai-ya Goyou and Yojou-han, I’m a bit sad that they’re doing so badly in the ratings, defeating the entire purpose of the timeslot. The thing I’m worried about isn’t exactly Noitamina changing, but rather that the ratings will end up in a downwards spiral, causing it to get cancelled. That’s what I’m most afraid of.
Rating: *** (Awesome)

CHANGE USERNAME
Anonymous1637770
Also it can be tricky selecting a season sequel since some old series had like 50 to 100 episodes, what counted as a season then?
Anonymous1637770
@Kaiser-Eoghan - It's more common in videogames (especially Capcom) than in other mediums. Megaman 2, RE 2, Street Fighter 2, Dino Crisis 2, Marvel vs. Capcom 2, etc.
Kaiser-Eoghan
Actually in a rarity, a sequel season is better than the first.
Kaiser-Eoghan
Which makes my enjoyment of sangatsu so strange.
Kaiser-Eoghan
And I generally do not like game/sports orientated shows.
Kaiser-Eoghan
That you slightlySuper-erMario and superwooper!
Kaiser-Eoghan
And my reaction to the show is such, that I enjoyed it enough to make such a huge pot about it.
Kaiser-Eoghan
Also I want Akari to be my mom and Hina is adorable without being annoyingly so and Kana Hanazawa is doing a good job voicing her.

And whoever said it is right, the op/ed songs are worth listening to, for once I’m not skipping them.
Kaiser-Eoghan
At this point it feels as if by the end of the series I’ll come off it thinking that I don’t want to say goodbye to these characters.
I don’t think as of just yet it complete lives up to honey and clovers legacy though.
Kaiser-Eoghan
I never cared about Harunobu initially, but recent episodes have changed this.
Dull parts of the manga are easier to get through for me in the anime due to Shaft elevating the material with one of the better uses of their visual gimmicks.
Giving the series another chance, even though I won’t fully embrace the humour, it does now and then manage to make me laugh a little.
Kaiser-Eoghan
The bullying arc centering on Hina and the shows treatment of it is better than most anime bullying stories and has provided the most emotionally rewarding aspect of the show.
Characters that are assholes like Kyouko’s boyfriend, Kyouko herself I’m finding somewhat more sympathetic and want to see more to their personal drama.
Kaiser-Eoghan
However I do genuinely think that the series does a good job of allowing dramatic moments to creep up on the viewer, that early scene of Hina crying over her mother, Rei’s family flashbacks, Akari’s concerns about Hina/the stuff with her dad, all the scenes with Kyouko do carry an effective and solid dramatic weight to them.
Kaiser-Eoghan
I feel it starts very strong, making a great first impression, then kind of has these dull moments that make it sort of a slog at times to get through, unfortunately I have no interest in chess/shougi and no knowledge the show tries to give me is going to stick or allow me to embrace that.
Kaiser-Eoghan
Through jumping back and forth between the anime and manga, I can say I have no caught up to where I will now watch March comes like a lion on a weekly basis.
Anonymous1636224
The blood of the innocent will flow without end, mmmmmm this is why I love Inuyashiki
Anonymous1636224
Mmmmmm the suffering of all those innocent people feeding his God boner, this is why I love Inuyashiki
Lenlo
Oh yeah, thats not a knock against it. Just noting they dont *need* much animation
SuperMario
Well, the nature of Mahoutsukai is slow-burned, so it makes sense they focus more on static, quiet moments
Lenlo
Was that blade 2022 thing supposed to be an example? Because I wasnt a fan. It was stylish sure, but difficult to follow.
Lenlo
Maho is a good looking show, I wouldnt call it a great animated show.
Lenlo
The issue for me is, theres just not alot being animated most of the time. Usually its a pretty slow moving anime, so most of its time is talking and still shots. It doesnt need alot of animation, so it doesnt have it.
Lenlo
@Niel, I think Mahoutsukai can have good animation when it wants to. Like the water viel in episode 10 looked good (Though im not sure how much of that was after effects)
Anonymous1635607
uhhh creepy
Anonymous1635589
the blood of the innocent will flow without end, mmmm this is why I love Inuyashiki so much
Amagi
I think the security is the same as here, it's just that Japanese people are less likely to rip stuff (correct me if I am wrong). It seems like ripped anime, manga and so on are basically always uploaded by Americans, Chinese people or someone else.
Kaiser-Eoghan
I was surprised heavens feel was camripped I thought security in japanese theatres was stronger.
Amagi
Yeah it's also screening in Germany, I will watch it in February, together with Heaven's Feel, Mutafukaz, Kimikoe and a few others.
Kaiser-Eoghan
*on Europa cinema
Kaiser-Eoghan
Nanoha new film to screen next February in the US, come in Europa license it for over here dammit....
Kaiser-Eoghan
Did have some down moments though.
Kaiser-Eoghan
And I guess contrasting Luke with his old self goes some way.
Kaiser-Eoghan
Saw the preview screening of the new star wars, still feel the new trilogy stands inbetween the originals and prequels, fufills its duty as a *** star blockbuster , some genuinely hilarious high camp moments, awful tokenism, Snoke is a shit villain, but two scenes with Luke actually have a pathos to them and I liked the chase/action scenes when they happened. Nobody cares about the acting/dialogue
AidanAK47
But there are times when it goes way too far and you can barely make out what is even supposed to be happening. Or characters go so off model that they are unrecognizable. It can be immersion breaking. Much like uncanny CGI.
AidanAK47
@Niel, I do agree that it's annoying to see people complain about animation when they clearly have no idea what they are talking about. Like those inbetween frame screenshot people. But I will say I appreciate on model characters more so than chaotic movement. When the off model stuff suits the tone of the scene like that blade runner part, then it's fine.
niel
I also don't want to see someone imply visual=animation for the hundredth time. Are people really that ignorant of the technical/artistic aspect of the media they consumed?
niel
It just depends on what works best in given scene and the aesthetic they want to go for. People can complain all they want about off-model stuff, but if they really only want that the they won't be getting nearly as much of those impactful scenes as there are now. So many of the ways people complain about it is really irking to me.
niel
normal/low action scenes is different from being on-model during the action sequences and just the ones that need some extra impact in general. https://youtu.be/rrZk9sSgRyQ?t=6m45s
niel
But that depends on the situation though. And I'd argue that being consistent and on-model during
Kaiser-Eoghan
@Vonter/Niello/Mario: Ideally I want it both ways, fluid animation AND consistent model visuals, all the while never sacrificing choreography.
SuperMario
But really, who am I to say. I'm the dude who prefer beautiful shot composition myself
SuperMario
The same can be said with Shinkai's movies since he always prefers static, beautiful shot that people tend to overlook that his animation is quite poorly handled
Vonter
You're right, but art direction does alleviate limited animation, I mean the old Berserk anime, kinda has a lot of slideshow moments. MahoYome has nice backgrounds, and despite the samey faces, at the very least doesn't come from the same mold as other series. Still cutting corners with chibi segments is was a mistake.
SuperWooper
Is it any wonder that people prefer things to be static/on-model? They want to see characters who look consistent and familiar so they can relate to them.
Nie
MahoYome being the biggest offender of people getting triggered to any kind of statement about the show's animation not being good. And it's absurd because the show's animation really isn't great at all. It's good with distracting people with pretty pictures, but animation-wise it's still mediocre.
Nie
@SuperMario: Not much. Just stuff like "Art is part of the animation weather it's beautiful backgrounds or just amazing looking characters. It's not all about how they move. If it was, CG would be considered great animation" multiple times. I've just been finding myself being replied with these kinds of comment non-stop since the start of the season.
SuperMario
@Niello: What happened exactly, if you don't me asking?
Nielllo
If I hear someone says AMB has good animation one more tie I might actually lose it. It's amazing how people who apparently know nothing about it try to defend this and other people who don't know anything are actually supporting the guy.
Niello
So with Fate Apocrypha episode 22 out, I'm just now learning that people think webgen style is horrible and they prefer static scenes with pretty visual over actual quality animation. WTF. I can't comprehend this. Are casual people who watch animation in general really that oblivious to the art they have been watching?
Lenlo
Berserks Dynasty Warriors style game looked better. Also, Mahoutsukai should be up tonight/tomorrow. Turns out, Christmas is a busy time of year at this job.
Amagi
*worse
Amagi
Especially when you consider how good CGI can be by now, look at Houseki or Kado. But Berserk was the worst thing I saw in years, many scenes felt worst than sequences of PSX games
Amagi
@SuperMario: Same. I love Kon and also consider Paprika's OST as the best. @Lenlo: Me too. I honestly even enjoyed the movies but the new series was atrocious
Lenlo
HIRASAWAAAA! HAAAAAI YOOOOO.
I miss the 90s Berserk.
Kaiser-Eoghan
I was also quite fond of his soundtracks for Berserk. AIIIIIYE FORCES : https://www.youtube.com/watch?v=NkYYYew8CUI
SuperMario
@Amagi: I'm a big fan of Kon so I've watched everything from his. Even bought a book about his works. About the soundtrack, I listened to them as well but not regularly, compare to pprika OST which I downloaded and listen to a lot
Kaiser-Eoghan
Although not completely a manga, Usagi yojimbo also has an anthro character.
Kaiser-Eoghan
Millennium actress is partially inspired by the actress Setsuko Hara.
Amagi
@Kaiser-Eoghan: The anthro-animal manga is even a topseller as far as I know. Haven't looked into it yet, though. Maybe I will do so.
Amagi
Speaking of it, I am still hoping Dream Machine will happen some day. Kon died believing it would happen
Amagi
@SuperMario: Have you tried the other Kon movies like Millennium Actress once? Thought they were really good and Hirasawa is responsible for the OST there too. Or Paranoia Agent which was (IMO) very good as well https://www.youtube.com/watch?v=0nttSKBJ38k (OP)
Niello
Eoghan: Enjoy... ;)
Kaiser-Eoghan
While I haven't read this, its very strange to see a manga about full anthro animal characters: http://kissmanga.com/Manga/Beastars
Kaiser-Eoghan
@Vonter: So based on that I will try devil lady. Thanks.
Kaiser-Eoghan
@Vonter: That'd be me who made that post. I thought dororon enma-kun was wonderfully ridiculous and Devilman gorishly entertaining, Shin Mazinger Z was probably some of the most fun I had with an anime, but violence jack took it way too far though so I guess I'm aquainted with nagai's work
Vonter
I don't remember who was looking for something noir in anime. I was looking among several series from Go Nagai. And watched some Devil Lady. I don't remember if noir is exclusively detective stories, but this anime, has those high contrast shadows, eerie music and is shot like some japanese horror movies I've seen. I don't know if it changes along the road but so far it's very suspenseful.
SuperMario
I only know him through his works in Berserk and Paprika but his music never fails to amaze me
Anonymous1626471
@Amagi: Ghost Bridge is my favourite. I just find it very calming. https://www.youtube.com/watch?v=aeh5aJsxlbw
Amagi
Susumu Hirasawa is one of my favorite musicians/composers. I don't even know what kind of subgenre this is. There aren't any other music groups I know who do similar stuff
Nielllo
@Mario, Already saw that video before.
SuperMario
Check this out... I don't even know what the freaking instrument he's playing, but it's spellbound https://www.youtube.com/watch?v=PjalQjAomH0
Niello
Just when I thought Houseki no Kuni took the prize for best animation I was treated with Apocrypha. This week is amazing.
Niello
Big name animators all over. They really threw everything they've got here.
Niello
Woooooah! OMG Apocrypha ep 22 animation is sick! So that's why the animation in the first half of the show is so lackluster and basically just darn awful.
Kaiser-Eoghan
Its not entirely odd to bring up Heydrich in relation to the occult either, apparently he was said to be part of some whackjob order.
Kaiser-Eoghan
Hmmm, that girl from Dies irae, Anna Schwegln is aptly named, also shares her name with the last executed person for witchcraft, who was Bavarian German, which i'm told by an Austrian friend were particular right-est leaning politically.
Kaiser-Eoghan
Of course unfortunately its often the opposite that happens, nothing is worse than an ending that ruins everything.
Kaiser-Eoghan
Ah, how I love being surprised by something. That feeling where you''re watching something shakily held together, simply okay or good, then suddenly in the second half or last stretch your score of it goes massively up.
Kaiser-Eoghan
I can kind of understand the wanting to go home and watch something easy mentality instead of challenging but even though I'm guilty of escapism, I'm tired somewhat of "sillier" stuff, its often enjoyable but its get overly reptitive and I wish I could find more philosophical/political/imaginative things.
Amagi
Yeah the show is great because of its theme, the setting and chemistry girls have as well as their (lack of) knowledge about basic human things. Each episode thematizes this in a different way but there isn't much you can talk or say about it when you already explained the topic in detail.
SuperMario
On the other hand, I don't have much to talk about Girls' Last Tour this week. It's still good, but with this episode I feel that I'm running out of concrete thig to say about the show
SuperMario
Haha both Houseki and 3-gatsu have a good showing this week. I have a lot of things to talk about Houseki in particular
Amagi
This week's Houseki is jurassic park
Amagi
*-ati - I think Netflix and so are at least giving a few new impulses which isn't too bad. I don't think the typical anime series will disappear because of that.
Amagi
At least in comparisation
Amagi
I think it's just sad how often I see wonderful series selling 500 BD/DVD or maybe even less. Most series don't sell more than 1500 or so and the rest is usually at ~3000-5000 which is still pretty low.
Amagi
Yeah, it's one of my pro-Netflix arguments as well. Another problem is that anime (not counting manga) only make money through dvd/bd sales since they air at night, whereas Netflix or daytime tv series don't depend on the latter so much and since anime BDs are so expensive the only ones who buy them are the more extreme fans.
AidanAK47
Might be in part due to the workaholic nature of their society that makes escapist fantasy and empty entertainment more appealing than usual. Ultimately these are the people anime is made for so opening up the markets gives more deserving shows a fighting chance.
Though that isn't to say that western taste is perfect either.
AidanAK47
@Amagi, That's part of the reason I think some westernation might be a good thing as from what I seen the Japanese have truly terrible taste in anime. Sales charts from Japan just make me shake my head.
Amagi
God, the preorder anime lists are atricious. The only one that seems to sell acceptable (around 6k) is Mahoyome. Series like Inuyashiki have 80 pre-orders so far, Shuumatsu Shoujo 977. Idol shows sell good of course, including that male/bishounen Idolmaster
AidanAK47
@Anon, I read it but kinda fell out due to it's releases being slow.
Kaiser-Eoghan
@Anon: Actually if you check the manga recommendations section, you'll see there is a post about it here.
Kaiser-Eoghan
@Anon: Yes, it was interesting to follow a story that dealt with a characters homosexuallity that was outside of the yaoi/yuri mould.
Anonymous1620968
Out of curiosity, has anyone on here read Shimanami Tasogare?
Niello
Where are we up to with Inuyashiki?
Lenlo
Well alright then. Episode 9 out of 11 and that happens. Was not expecting that
Lenlo
Ooo something happen this week? Im about to watch it
Kaiser-Eoghan
It feels just as rushed and awkward in the manga.
Amagi
I noticed this too
AidanAK47
Inuyashiki has balls of steel to pull that in this particular episode number.
Nielllo
Finally got around to reading Helck, and it looks like it's going to go into that pile of good-shounen-that-won't-ever-get-animated right alongside Psyren.
Kaiser-Eoghan
@Aidan: Imagine trying to buy the dvds of the show in public.
Kaiser-Eoghan
@Aidan: Gentle remind that the prism ilya movie is out and subbed.
AidanAK47
Still surprised the second and third seasons got dubbed.
AidanAK47
@Angel, I replied to one of your comments before but the rundown is no official word yet but maybe next year.
Angel
Or no? Someone please tell me!!
Angel
Going to happen?
Angel
Is fate/kaleid liner prisma☆illya 3rei dub
Amagi
I dislike it when manga bait me into reading due to the first chapter and end up being some very generic stuff afterwards. Nobody stays for B if he started something for A, authours should expect that.
Lenlo
Really, Juuni should stick with the 3D. That fight in ep 9 looked pretty good. 3D is clearly what they are good at
AidanAK47
@Niello, It's not Chatango. It's a plugin for wordpress called Wisechat.
SuperMario
@Niello: yeah, Juuni caught me off guard this week. The production of Juuni is unfortunately shaky, but well, strong writing can save the day
Niello
Btw is this chat still Chatango?
Niello
This week episode of Juini is surprisingly good compared to how the show usually is with its backstory. Although the part where Ox tries to explain to Tiger could definitely use some visual buff.
SuperWooper
in the future*
SuperWooper
Pretty cool that Juuni Taisen had that kind of emotional heft this week, though. Might be one of the 2017 shows I sample the in the future.
SuperWooper
I think the occasional comments with an episode title and nothing more come from people who mistake the shoutbox for a search bar.
SuperMario
@Anon1614688: juuni taisen... made me tearing up this week. Honestly didn't expect that. Damn you, Tiger
Anonymous1614688
juuni taisen
Amagi
Had some complaints regarding Children of Whales but the latest two episodes were pretty good.
Amagi
@Anon: You explained it better than me.
Anonymous1614307
Kaiser: I actually have the exact same opinion of Natsume and Mushishi. Both are excellent, but Natsume just does a great job with a small core cast and a very simple premise
Anonymous1614456
who likes naruto
Kaiser-Eoghan
Mushishi does have good stories, but it was always a manga I'd dip in and out of, on and off for years, never marathoning it, wheras Natsume was easier to read several chapters of in one go.
Kaiser-Eoghan
I think its because Natsume has more pathos.
Kaiser-Eoghan
*more than
Natsume weirdly ended up becoming this comfort manga for me with a higher consistency rate .
Kaiser-Eoghan
I will state that I hold the terrible opinion that I like Natsume Yujinchou than Mushishi but at the same time completely recognize that Mushishi is probably the more ambitious, better show.
Niello
So it becomes a cycle of "this is an interesting set up" (except that the new Kino isn't even good at that) and then they fucked up or Kino/Shizu fucked them up even more, then move on. Without the emphasis on philosophical nature of the set up they present like in the original Kino, there really isn't that much point to it.
Niello
With the new Kino it's more about messing people up, occassionally observing and hardly ever improving. The anwsers or solutions to the problem they present is never really talked about in a rational way.
SuperMario
@Anon1614318: maybe you should give the old Kino a try. What I don't like most about the new version of Kino is that both Kino and the new guy are sketched as hero. The old Kino manages the tone right as well. There were some really dark tales and most of them thought-provoking. Can't say the same for say...Country of Cooking
Anonymous1614318
I don't know, it might be interesting to actually dig deep into the differences between episodic series with this kind of style to see what works and what doesn't.
Anonymous1614318
I guess it's a matter of the chapter they chose to adapt were not really the better ones but the ones where the protagonist is more of an active role. Not totally against that, but it feels like the protagonist is just OP all the time. At least with Mushishi Ginko isn't able to save everyone all the time.
Anonymous1614318
I guess it's supposed to be more allegorical, but most of the time the allegory is not really meaningful enough. I thought it would be more along the lines of Mushishi, which is kind of similar in setup, but better in most other ways.
Anonymous1614318
What keeps me sticking around are some of the nice background arts and generally pleasant use of color, but admittedly most of the episodes aren't really engaging in a meaningful way. Most of the time its just Kino/Shizu show up, find out town's gimmick, then save the day. I prefer the episodes where the townspeople are more than just flat background characters.
Anonymous1614318
It's interesting to see how this new Kino season is being received from folks who've already watched the original. This is my first real exposure to Kino, and I kind of like it, but even without watching the original, I share many of the same complaints Aidan and most of the others have.
Amagi
I am also kinda sad he's just some 2* servant in fgo, but his power is special and he's physically weak, so it's understandable.
Amagi
And again, Shakespeare is just great but the character is, sadly, kinda wasted here considering how much screentime he has.
Amagi
@Aidan: Yes. Plus, maybe more characterization or background for some servants. The anime would have that time without Sieg and his romance sub plot.
AidanAK47
@Amagi, Those being remove Sieg and more Shakespeare?
Amagi
And man Apocrypha is pretty good but it would be twice as good if it had those two changes Aidan always mentions in the reviews..
Amagi
@Kaiser: I think the male in Kino was a mistake. Having two PoV sounds good, but he's basically just a male Kino, he even looks like her. Someone vastly different would have been way more interesting.
Kaiser-Eoghan
I'd guarantee that sangatsu no lion would be high up, but FINALLY this weekend I'll be catching up.
Niello
@Kaiser, Ugh my phone gitched. What I meant to say was that background was unexpected. Now I see why you're enjoying CotW though.
Niello
@Kaiser, That's unexpected.
Kaiser-Eoghan
I enjoyed how outright surreal Arakawa was.
Kaiser-Eoghan
@Amagi: It bothers me that they're stuffing multiple tales into single episodes.
Kaiser-Eoghan
Ah, excel saga, I wonder what I would think of it now, its been years.
Kaiser-Eoghan
@Amagi: I actually respect Aidan's coverage of it.
Kaiser-Eoghan
@Niello: Yes that edgy villain kid in COTWs was annoying though.
Kaiser-Eoghan
@Amagi: I don't care much for the male character that leads some of the episodes in this new adaptation.
@Niello: Its a non-mainstream shoujo that isn't set in a school, moves at a quick enough pace and has some nice background art/chara design, I grew up on shoujo fantasy manga also so theres that.
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Featured Posts

Juuni Taisen – 11 [To Treat a Man to Beef From His Own Cow]

To the surprise of no one, Rat wins the race by breaking in the right place at the right time with the right weapon. This is by no mean a coincidence, because later on we learn about Rat’s real power: “Hundred Paths of Nezumi-chan”, in which he can see 100 various outcomes and thus picking […]

Mahoutsukai no Yome – 10 [We Live and Learn]

Welcome to week 10 of Mahoutsukai! Finally, oh so finally, we have are given some backstory on Elias! Our mysterious male(?) lead gets some explanation. We also get the start of a Chise only arc and finally some more information on Lindel. Lets jump in! As the main focus of this weeks episode, naturally I […]

Dies Irae – 09[A Mother’s Sins]

DIes Irae isn’t making this easy for the anime only watcher, as we get confused montages of Lisa’s backstory and oddly of a character whose relevance doesn’t come till a much later date. I would say it’s rather spoiler-ish if the info wasn’t presented in such a haphazard way that no one could really decode […]

Girls’ Last Tour – 10 [Train – Wavelength – Capture]

Girls’ Last Tour examines the concept of time and space this week, as the girls riding on a lonely moving train. The train design fits right in with this world: a long metal box that functions all by itself and contains many now-dysfunctional robots – corpses of the machines. Since last week we learnt that […]

Kino’s Journey -The Beautiful World- – 10[Kind Country]

Another remake of a story from the old series and while this one is adapted quite well, maybe even arguably better than the old version, it unfortunately lacks the same impact. The main problem comes back to the thing which ultimately holds back this season as a whole, story choice. For you see in the […]

Houseki no Kuni – 10 [Shiro]

This week proves to be the most action-packed episode Houseki has been offering so far and unconventionally, it’s Dia who takes the central stage at facing the most ridiculously overpowered Lunarian Titan to date. Well, I said “unconventionally”, but when the narration and the execution (the camera work, in particular) come together in such neat […]

Fate/Apocrypha – 22[Reunion and Farewell]

Breaking my usual routine today just to give an opinion on this episode but this episode made me feel compelled to get out my opinion. We have another action packed episode with three contestants out of the war and boy did they go out with a bang. Many will notice that the animation for this […]

Inuyashiki – 9 [Shihjuku People]

Welcome to another week of Inuyashiki! This week we have incredible sequences of terror, fearless Directors and death flags! Lets jump in. Obviously, the first thing we need to talk about this week is Hiro. A lot has happened in the few hours since Hiro attacked the Station. Interestingly, yet weirdly, Hiro has garnered a […]

Fate/Apocrypha – 21[Antares Snipe]

When Apocrypha slows down, it’s story shows it’s cracks. But when it’s an action showcase it actually becomes quite entertaining. The characters don’t have the time to be developed but they shine in combat when they clash, sometimes showing parts of themselves the series otherwise doesn’t allow for. Astolfo for one was actually useful for […]

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The Reflection Review – 45/100

The superhero genre has been undergoing a surge in popularity in recent years. From the Marvel movies in the West to anime series like My Hero Academia in the East, super heroes are everywhere.  As such, for good or ill, it was inevitable that we would get a merging of the two. The Reflection is […]

Made in Abyss Review – 91/100

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Classroom of the Elite (Summer 2017) Review – 54/100

Here’s a perfect example of a Light Novel adaptation schlock that has some interesting concept but terrible presentation. Youkoso usually starts the episode with a thought-provoking philosophical quote, and then (in one episode in particular) they followed up with a boob shot. It sums up exactly how I feel about this show. In service for […]

18if (Summer 2017) Review – 68/100

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Every Anime season we the viewers are shown a number of adaptations, often made after Light or Visual Novels. It’s an already written story with an established base, a smart business decision. In recent years studios have also begun pulling from the Video Game market for their shows. Pieces like the Idolmaster series, Kantai Collection […]

Kakegurui Review – 61/100

This show is one that makes conventional reviewing difficult as your enjoyment of your series will likely determine on highly subjective factors. For if I was to put this under scrutiny on matters of f-plot, setting and characters then it will end up lacking in all categories. The plot is just watching Yumeko face members […]

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