Posted on 2 July 2010 with categories: Anime Reviews, Sarai-ya Goyou




One of the things that made the past spring season awesome was the fact that it didn’t have just one, but two Noitamina series. And boy, it sure came with a couple of amazing series to start off this new feature!

Sarai-ya Goyou is a character-study, set in the Japan of a number of centuries ago, and it unites Manglobe with Tomomi Mochizuki, of Toka Gettan, Porfy no Nagai Tabi, Kimagure Orange Road and a ton of other series. He’s a true veteran in the anime business, and he did an incredible job of bringing these characters to life.

The animation in nearly every scene in this series is full of detail, with a ton of subtle movements. This really allows the creators to put as much meaning into these scenes as possible, giving them a surprising amount of depth and development in only twelve episodes. Even most of the side characters get some development throughout the series that already is short on time and despite this limited length, it never tries to rush through things in order to fit as much as possible into its airtime. There comes a price to this, of course: it’s unfortunately an incomplete series, and stops after animating about half of the manga. The main plot threads are skillfully wrapped up at that point, but it’s clear that the storyline isn’t over at that point.

Airing next to Yojou-han this season, this series faced some incredibly tough competition, but it really shined out there despite this, and is a great recommendation for those who are looking for a short character-focused series. There is one arc that isn’t as good as the others (the Matsu arc), which breaks the flow of this series a bit, but apart from that the stories that it tells about its characters are all incredibly thoughtful and engaging.

Storytelling: 9/10 – Very detailed. Tries to put as much meaning into every scene as possible, and succeeds. Never loses itself in its pacing, though the story itself has plot threads that aren’t wrapped up.
Characters: 9/10 – Deep, well developed and thoughtful.
Production-Values: 9/10 – Manglobe does it again with excellent animation that focus on bringing its characters to life instead of over the top action scenes. Haunting soundtrack.
Setting: 9/10 – Excellent portrayal of Japan at the time, with a great analysis of the types of problems that people faced around these ages.

Suggestions:
Mushishi
Porfy no Nagai Tabi
Seirei no Moribito

Posted on with categories: Sarai-ya Goyou



Okay, so we all know the circumstances of this series: it’s Noitamina, it only got 12 episodes, and so it only had the room to animate the first half of the Sarai-ya Goyou manga. Next week, we’re going to get treated to Shiki and a live action Moyashimon for some reason, so the creators had no choice of wrapping this up right now, with little chance at a sequel, knowing the sales.

With this in mind, I believe that the creators couldn’t have done a better job here. The final episode ranked for me among the most emotionally intensive episodes of the series so far, and I’m really happy with how it turned out. What made it such a wonderful episode was the way it put so much meaning into just one simple revelation: the fact that he was lied to that the first Yaichi was the one who contracted the kidnappers. It brought forth so many emotions in Yaichi, and that’s exactly why I originally fell in love with this series. I also realize that it’s exactly that that felt missing in the Matsu arc. That was the reason why this series fell into a bit of a dip.

Yaichi only had one point at which he really let his emotions go. After that, he was back to his old self immediately, without any sort of attempt to drag that scene on. It was really well portrayed, and typical of Tomomi Mochizuki, the director: Porfy no Nagai Tabi also had quite a few of these moments.

So, how to rate this? Well, let me put it this way: out of all of the series in Noitamina that didn’t get the full time they deserved (Jyu Oh Sei, Moyashimon, Library Wars, Genji Monogatari, Eden of the East), it’s my favourite. It’s consistently well executed, and instead of trying to cram the entire manga into one series, the creators opted to just give the scenes that they wanted to show their full attention, and just end at a given point. The animation by Manglobe was just wonderfully detailed, and Tomomi Mochizuki did a really great job in bringing it alive. Whether it’s better than Porfy no Nagai Tabi, however… I can’t say that. Its fifty-two episodes really allowed it to develop its characters in a way that Sarai-ya Goyou would only be able to beat if it was fully animated.

Either way though, I’m definitely a fan of Natsume Ono now. Her mangas turned out to be very successful as anime, and I really hope that more of it is going to become animated in the future.

This was easily the best final episode I have seen this season so far. Manglobe, you really gained my faith back after Seiken no Blacksmith.
Rating: *** (Awesome)

Posted on 26 June 2010 with categories: Sarai-ya Goyou



A very promising start to the climax of this series. Like expected, it’s all about Yaichi and his past, and the creators did a really good job at building up to it so that they can now start dropping hints as to what exactly caused him to shut off his past. By now, it’s clear that certain things have happened that he has yet to digest, and at this point, there are a ton of people from the past, coming back to bite him. And then there’s also Masa, who is getting closer and closer to him as well.

Yaichi in his teens was… scary. He really had this air around him that didn’t care about anyone or anything. While he killed without remorse in this episode, it’s probably something else caused him to break up with his gang. It’s now interesting to see whether the creators will also be able to give this series a good closure. I mean, I know that the creators are able to do this, but the manga it’s based on complicates things by being way longer than something you can just put in 12 episodes. But still, Ristorante Paradiso did it a year ago, so why shouldn’t this series be able to do it?

Still…. I am missing something here, though. I can’t put my finger to exactly what, but the past number of episodes have lacked a certain something, that prevents it from becoming a masterpiece. I wish I knew what that was, though.
Rating: ** (Excellent)

Posted on 18 June 2010 with categories: Sarai-ya Goyou



Ah, like expected: the series is going to close off with Yagi’s arc. This episode was meant to set everything up, while the final two episodes can really explore this guy.

We also now know why Yagi was so important to this story, as he turns out to have known Yaichi as a child (yeah, the child in the flashback really was him). It all points towards a trauma: the guy witnessed the death of the only adult he looked up to, which is probably what made him turn to become a member of a gang. The beauty is that he already developed a lot in the meantime. Yagi has some weird ideas, and he keeps sticking to his criminal roots with the use of Goyou, but he’s also bright and witty.

It’s interesting how there have been no kidnappings for the past few episodes. It’s probably because of Yagi that he’s not trying to do anything funny; he must have recognized him back there, though it was probably a bit harder for Yagi to lay the link because of how Yaichi grew up and completely changed his appearance. The white hair also could be some sort of hint here: why did he suddenly lose all of the pigmentation there?

In any case, with two episodes left I’m very curious to see whether they can surpass the middle episodes. I think my highlight of this series lies at episode six and seven. The final two episodes have already received a ton of build-up at this point, now it’s up to this series to make optimal use of this.
Rating: ** (Excellent)

Posted on 11 June 2010 with categories: Sarai-ya Goyou



That was an excellent conclusion to the Matsu-kidnapped-arc. Masa did exactly what he needed to do in order to get the guy out, and there wasn’t some kind of last-minute thing that went wrong in order to cheaply increase tension here.

Instead, the final part of this series seems to centre around Yagi, who indeed turns out to be a government official. It’s not sure whether he uses Masa to get to Yaichi, but nevertheless he’s in between two parties who he cares a lot about. This episode very much showed that he has accepted five leaves as friends.

This episode also introduced the dreaded sister with a brother complex. Still, it’s a cliche here that’s handled well: she’s not outright in love with Masa here unlike MANY of her counterparts, and instead the creators portrayed her as a worrying sibling who hasn’t heard anything about her brother for a while. Finally there’s a show that understands that.

Three episodes left, the problem does remain that there still remains a large part of the manga unanimated. I really hope that the creators can create a satisfying ending with what they have. That’s the one disadvantage of this otherwise excellent series.
Rating: ** (Excellent)

Posted on 4 June 2010 with categories: Sarai-ya Goyou



This episode seemed to me like the start of the arc before the finale. You know, the arc that isn’t exactly at the centre of the plot, but rather is meant to develop some of the most prominent side-stories. With this series, that is about Matsu: in this arc we finally get to know him for real, and it’ll probably get resolved in the next episode, before the series can close off with a finale dedicated to Masa and Yaichi. At least, if the creators know what they’re doing and don’t just cut off this show without any conclusion or second season in sight. That’s the ONE disadvantage of this series: it’s an adaptation.

In any case, this episode was as wonderfully paced as usual. The plot is a bit more straightforward, now that Matsu has been captured and all, but the creators really made sure for it to make sense within the story. Matsu is portrayed as the noble thief. He may steal, but he’s doing it all to repay the debts that were paid to him to save his son. by a store owner. Before, we’ve already seen that when he operates alone, he becomes very reckless. He’s only the careful Matsu when guided by Yaichi, and I think that Yaichi knows this very well.

What made this episode for me however were again the tiny things, like the interplay between Masa and Yaich, and how at first sight Masa might be another one of those wimps, though his lines are all surprisingly calculated and sharp. This episode also stressed how important the friendship is in keeping Goyou together. I mean, if Yaichi wasn’t there, there would be no reason to keep doing it. Instead, everyone is acting not just out of loyalty and admiration of Yaichi (which only seems to be the case for Matsu), but also out of loyalty for each other. Masa is indeed very interested about Yaichi, but he has also gotten attached to Ume and Otake. Ume on the other hand actually nearly left, however due to what happened to Matsu he just couldn’t leave.
Rating: ** (Excellent)

Posted on 28 May 2010 with categories: Sarai-ya Goyou



Oh my god… Tomomi Mochizuki might actually be surpassing himself with this series. Within seven episodes, he managed to put as much meaning into its characters as what Porfy no Nagai Tabi took 26. He’s got such a great sense of realism and character-development, and it also really helps that aside from directing he also did the series composition so that he could really put forth his vision of the manga. And on top of that it’s just awesome to see what a great manga he got to adopt. After having seen two of her stories now I really have to say that she’s a genius at characterization.

This episode again: from the outside the scenario was just about a few mundane tasks: Masa running away from a fight, him starting to train under that other older samurai, etc. From just those sentences it looks like a cheap shounen series, but just about every scene in this show was focused on putting as much meaning as possible in these events. A simple plot of Ume gets a ton of extra side-effects: it was his way of getting Yaichi to pay a visit to Masa. Yaichi knew very much that Ume was lying about Masa’s condition, but went anyway. He knew that he would be recognized, but at the same time he knew that it wouldn’t be that big of a problem since the old man wouldn’t tell much. And yet hints about his past were bound to be dropped here. It’s like he’s getting Masa to learn a bit more about him… but only a bit, nothing too much.

The characters here are nowhere near stupid. They’re very observant about each other. Masa himself knew very well that Yaichi had to have some sort of criminal past, and not just as some rogue bandit. You can really see him trying to get through to Yaichi, whether this is out of admiration, fear or something else still remains a bit of a question. Yaichi on the other hand can really notice Masa’s mood change as he gets to know more about him, and thus more afraid.

At the same time this episode was also very much about Masa’s self-loathing, or perhaps that’s a bit too big of a word. Either way, he’s being held back of an interesting career because of his personality, and knows it. The fight in this episode at which he ran away also really showed that he’s a guy who really keeps clinging to the past. As this is in his case a rather bad past (he had to cope being a samurai with that personality of his), he has a ton of anxieties, especially when alone and there being no reason for him to actually be tough.

This episode also gave a very interesting dimension to the older samurai and the graves he visited. The anecdotes he told about the people he lost were interesting yet down to earth, not to mention that that cliff-hanger was an interesting one. It’s obvious that there can be more dogs called Scruffy, but it is one gnawing cliff-hanger nevertheless.
Rating: *** (Awesome)

Posted on 20 May 2010 with categories: Sarai-ya Goyou




This series just continues to amaze me. At first the plot of this series seemed a bit mundane, about the every day lives of a band of criminals, but the situations here just sparkle with creativity here: everything just fits, and it takes full advantage of the fact that the characters here are criminals. They don’t present them as some kind of chivalrous thieves (even though they started out that way), and stress that the creators are fully aware of their actions. This especially shines through Masa, who still isn’t sure about whether or not to turn them down, especially since they treated him so genuinely nice.

I also loved how this episode comes to bite back at Ume, when the creditor of the guy of the previous episode started wondering where the hell he could get all that money from. I really love how the antagonists here aren’t stupid: they can think for themselves, and if it wasn’t for Masa he would have caused a great deal of trouble. By the way, I loved that shot in which Masa pointed his katana to his neck. That was so incredibly well animated.

Then Yaichi. He was a bit absent during the past two episodes, but the end of the episode came with a very interesting revelation: he and the old man knew each other. I suspected that something was fishy when it turned out that Yaichi never even once visited him, but to think that they were so much of an acquaintance. This does explain why he became involved with five leaves, though. Another very sneaky way.

I really like how this episode also forced Ume to think about his commitments to Five Leaves, especially since this indirectly caused so much trouble in this episode. At the same time you can also guess that Yaichi also put a lot of time into thinking whether or not to visit Masa. In this way, nearly every character here is forced to make certain choices.
Rating: *** (Awesome)

Posted on 13 May 2010 with categories: Sarai-ya Goyou




That was… amazing. Seriously, talk about a powerful episode, this series is just getting better and better with every episode.

The pacing was slow… but this really allowed the characters to show their best sides. After only five episodes it’s astounding to see how much the creators have already fleshed out the characters. The conversations here felt natural: it felt like Ume and Matsu talked about their pasts and problems, rather than it just being exposition for the story. It really was a chance for the characters to get to know each other better. It’s really one of the things I love about this series: screw exposition, every sentence is meant to give these people a richer character.

I also love how the creators handled Masa’s sickness. For once it isn’t the dreaded “anime cold” that’s over within a day, and instead of trying to create cheap drama with it, the creators focus on Ume and Matsu and the rest of the cast instead. Yaichi hardly played a role either. Matsu’s part in particular hit me, with how genuine it felt from the otherwise so distant guy that the previous episodes showed him as. Even when he got saved by Yaichi.

What’s also interesting is that Ume has also become a lot kinder to Masa, compared to how cold he was in the first few episodes. And yet Masa himself hasn’t changed yet: perhaps hampered by that sickness of his, he’s still the guy who hardly says anything.

You know, this season I’ve really been hard-pressed to point out my favourite. There are three shows that equally excel for me: Yojou-han, Sarai-ya Goyou and Giant Killing. With this episode however, this series has set the standards really high for the other two. While it has the disadvantage that it’s only got 12 episodes, it’s really not wasting any time to bring life to its characters. And while these two series have their unique points that Goyou doesn’t have, I’m getting more and more confident to say that Sarai-ya Goyou has the best characters of the entire season.
Rating: *** (Awesome)

Posted on 7 May 2010 with categories: Sarai-ya Goyou



This series just surpassed itself. This really was a wonderful episode that wasted no time to get to the bottom of its characters, this episode was all about subtle hints at the background of various characters. We learn about how Matsu met Yaichi, and also that Otake knew him for the longest.

But the best thing about this episode was again the interplay between Masa and Yaichi. The way in which Masa tries to find out more about the Masa who never talks about his past was really well portrayed. Especially when Masa hit the nail on the head: Yaichi doesn’t seem to be doing the kidnappings for the money. The way he throws around money… it’s just as if he’s asking for it to run out faster so that he can do another job.

Then consider what Matsu said: he has really changed. Could it be that this change started when he started the kidnappings? Like Ume said, they haven’t done even 10 of them, and Yaichi was already involved with three of them, so they probably started quite recently. Because of whatever caused him to change, he started getting interested in Masa, and doing stuff that wouldn’t really be important contrary to what he would have done when Matsu first met him. Either that, or Matsu always had the wrong image of him: you never hear the other characters talk about his change.

On another note, it’s a shame that even though Noitamina is currently so well written and produced, with Sarai-ya Goyou and Yojou-han, the tv ratings have reached a depth for the series. 1.7%… that’s even less than Kuchuu Buranko. I have a hard time grasping the cause for this, actually. Noitamina has always been a timeslot that was also popular amongst non-anime fans.

It seems that the best-rated shows of the time-slot play in modern settings. There are exceptions, like the early Honey and Clover and Paradise Kiss, which aired when the time-slot was still young, and Hakaba Kitarou (the best rated Noitamina show ever), which made use of its huge nostalgia factor, but Nodame Cantabile, Moyashimon and Hataraki Man all are about down to earth characters that anyone could relate with. The same with Eden of the East and Tokyo Magnitude: it’s very easy to relate to these characters. And I guess that that’s something that Yojou-han and Sarai-ya Goyou do not have: it’s hard for your average person to sympathize with a bunch of kidnappers, or a ridiculously fast talking loser. This trend is probably going to continue for the next summer. And don’t get me wrong, I’m really looking forward to Shiki, but again: it doesn’t look like the mainstream will have much to relate to there either.

It’s interesting how the people in charge of Noitamina don’t seem to be marketing geniuses. And that’s a shame, because Noitamina is such a great timeslot because it has proven that in order to go mainstream, you can also appeal to adults: instead of trying to win viewers with panty-shots and yelling teenagers, it has shown time and time again that anime is also very appealing for adults. While I love Sarai-ya Goyou and Yojou-han, I’m a bit sad that they’re doing so badly in the ratings, defeating the entire purpose of the timeslot. The thing I’m worried about isn’t exactly Noitamina changing, but rather that the ratings will end up in a downwards spiral, causing it to get cancelled. That’s what I’m most afraid of.
Rating: *** (Awesome)

CHANGE USERNAME
Kaiser-Eoghan
@Aidan: I saw that there were some profoundly stupid people ignoring the warnings, some guy even decided to go out swimming despite it.
AidanAK47
I am in some ways both relieved and disappointed.
AidanAK47
Well I got the day off work and the only thing that happened was that it was a bit windy. Wasn't really a big deal to be honest.
Kaiser-Eoghan
Whats the word on your end Aidan with regards to the Hurricane?
Kaiser-Eoghan
And of course raging bull, a rare case where I watched a film twice.
Kaiser-Eoghan
Y'know I've always, apart from Creed, ignored the Rocky sequels despite enjoying the first one, not really into watching a billion followups to a film. Films about fighters seem to connect with me, I got alot out of warrior, southpaw and Rocky.
KTravlos
I was surprised by how well Ancient Magus Bride was able to sell to me the naturalness of Elia's skull head, and the falseness of his conjured human head. Well done.
Lenlo
I do love a good boxing anime. Both Ashita no Joe and Hajime no Ippo are great, though for different reasons.
Vonter
Simply put, unlike Hajime no Ippo. Ashita no Joe, also was mainly about Joe, living in a poor rural town, struggling to make a living, and boxing came out as something that gave him meaning. Instead of the typical shounen of "becoming the best".
Vonter
I think it's bold when someone announced they want to make something like "the next Rocky". Since that's apparently what I get from this announcement. https://manga.tokyo/news/original-anime-megalo-box-inspired-by-ashita-no-joe-announced-for-spring-2018/
CJayTiii
Just watched Heaven's Feel Part 1 at the movie theater last night. DEAR LORD the animation was flawless. I honestly thought they nailed the calmer scenes a lot better than UBW as well. The wait for part 2 is gonna be brutal...
Amagi
Isekai isn't even bad, it's just that it became the worst case of formularic wish fulfillment masturbation nowadays. I actually wish we would get more proper isekai anime again, especially if it's some scifi or time travel stuff for once
AidanAK47
You know thinking about it, Muv Luv Alternative could be considered a deconstruction of Isekai before Isekai was even a thing. After all it actually has the elements of of Isekai.
AidanAK47
Gonna do up a review of the trilogy. Though first I need to post that Subahibi review I have had sitting in my Google docs. Twas waiting till we got the impressions done with.
AidanAK47
@Amagi, I remember checking out Muv Luv and not being too impressed about it. When i cheeked out Alternative years ago I was blown away by how good it was. Usually VNs have moments of downtime where it can get boring no matter how good they are. But Alternative just had you from start to finish.
Amagi
@Aidan: Muv Luv Alt is one of the best VNs I've read. I am happy I always avoided spoilers before. The only thing I knew was that it gets heavy around chapter 6 or 7.
Kaiser-Eoghan
@Mario: Thanks for letting me know before I bothered booking for it.
SuperMario
@Kaiser: the plot doesn't make sense. As the story progresses, it gets weirder, the visual goes wilder and the ending doesn't wrap up much. I might need to watch the live-action version
Kaiser-Eoghan
@Mario: See you rated fireworks 3 1/2, what did you think of it?
Kaiser-Eoghan
@Aidan: I suppose, same to you, hopefully you'll be alright.
Kaiser-Eoghan
@Anon: It was designed by Marta Akermann : https://friendist.deviantart.com/
Anonymous1482176
Can I get where the banner is from?
Kaiser-Eoghan
I know there were 18 deaths back in the mid eighties when a storm struck here back then.
Kaiser-Eoghan
Seems that it will be at its worst in the west, that said I'm living in Dublin in the east so I'll probably get away with a power cut for a while. Thankfully I'm not back in work until Thursday and I won't be going anywhere tomorrow.
AidanAK47
Also Careful Kaiser, I hear we got a hurricane heading our way tomorrow.
AidanAK47
@Kaiser, Can't say I do. I got into anime around the time it was getting put on the internet. And I only started buying anime when I got a job. Now I got a whole bookcase of Blu-rays.
Kaiser-Eoghan
@Aidan: Remember back in the 90s when we didn't have all region dvd players and everything got released on region 1?
AidanAK47
@Kaiser, I checked though. Seems the screenings are strictly US for Heavens Feel. Sort of like how Grand Order isn't released for Europe either. Also took goddamn ages to get the Blu-Rays of UBW too. Aniplex just seems to hate us for some reason.
Kaiser-Eoghan
Dublin city university has/had an anime club.
Kaiser-Eoghan
These are all one time only things though.
Kaiser-Eoghan
@Aidan: Eh....on rare occasions the Eye cinema in Galway and the Lighthouse in Dublin do screenings . Eiretakon has re-formed as J-con in Dublin and they do screenings.
AidanAK47
Playing Muv Luv Alternative and I just made it pass a certain infamous scene. Honestly...I thought seeing as I knew it was coming that it wouldn't hit that hard. But even after all these years...it still gives me chills.
AidanAK47
@Amagi, Could be worse. There are no screenings in Ireland so the wait is a hell of a lot longer for me.
Kaiser-Eoghan
I'll likely be checking out Lu over the wall in early December.
Amagi
I am really looking forward to that new movie from the Tekkonkinkreet guy and Heaven's Feel but both screenings only happen in February so this will sadly still take a while.
SuperMario
Aah, I just missed the only screening of In the Corner of the World at my local cinema (it comes as part of a film festival, guess I will watch the pirated version then). Thankfully they screened Firework anime so I'm going to watch it. Now
SuperMario
I intend to still give Dies Irea another chance. don't know if it's worth it thou
SuperMario
Maybe those kidscheated half of the way because no one can WALK faster than me :)
Kaiser-Eoghan
The animation continues to be quite poor and its only getting 15 episodes.
Kaiser-Eoghan
Though I could definitely have seen my German Ex offended by it.
Kaiser-Eoghan
Y'know I never even cared enough to think that people would be this offended by Dies Irae, it would be like being offended by the Naziploitation elements in hellsing . I find both far too silly to be in anyway offensive.
Kaiser-Eoghan
But in all seriousness, good that you keep up the exercise. I walk pretty much everywhere.
Kaiser-Eoghan
@Mario: Little fiends likely taking performance enhancing drugs, know to poison them next beforehand =P
SuperMario
Still finished in a first half but 35 minutes for 5km is something I wasn't to proud of. Damnit.
SuperMario
Well, just finished a running event. The race was just 5 kilometer so I was aiming to run all the way. Ended up walking 1/3 of the way and lose to some 12 year old kids... I'm getting old, really!
AidanAK47
@Anon, That was a stupid move on their part. Still I prefer to judge a game based on the quality of the product and not outside circumstances.
Anonymous1479322
yooka laylee is okay but i hate it because they removed jontrons voice
KTravlos
new Altair OP is better than old Altair OP. But old ED is better than new. Man I really am sad Altair cannot have the 100_ episodes of LOGH. Because of that they really have to rush the story to make the politics work, but at same time rushing it undermines the story integrity. Which is a pity. I really think if Altair had the LOGH treatment, it would be a stupendous tale of politics.
AidanAK47
I got that with Yooka Laylee which I thought was a decent fun game. However the internet has determined it to be a flaming trash pile of a game. I even have a friend who never played the game but bashes it purely because it's so hated.
KTravlos
While I understand the point, and have indeed watched stuff both psgel and the current writers have not given a high score too, generally speaking our tastes are complimentary. In a world of scarce time and quite a lot of stress over things like work or relationships, I will take the cognitive short-cuts I can for my hobbies, and FOMO be damned! :)
AidanAK47
That may actually be quite the common occurrence as internet opinion tends to veer to extremely positive or extremely negative. Something can't simply be good, it most be amazing. Somehting can't be passable either, it has to be garbage.
AidanAK47
@Anon, I agree with that. In truth you can only really judge something when you have seen it yourself. I will even admit that mine and likely the others reviews of Imouto are a bit of Hyperbole. It's really not the most terrible thing I have ever seen. Actually I would say Dynamic cord was worse.
Anonymous1478520
(i already found some nice things i would have neglected otherwise or deemed worthless based on reviews/seasonal previews etc)
Anonymous1478520
So i concluded that even if those people were writing good reviews and had somewhat compatible tastes with me, were nice and intelligent people overall in the end it did not mattered that much. while others' opinions are helpful, my own taste is the only thing i can really trust. so watching everything it is
Anonymous1478520
I used to chose my shows based on reviews from people i trust, this site included, but then i just started trying out everything and - shocking, i know - suddenly i liked things others did not. or vice versa, which were a possibility even before.
Lenlo
Thats why I only really watch/checked out things that piqued my interest. Was gonna do it anyways, so why not write about i
SuperWooper
Comprehensive sampling does have its benefits, though. Animegataris is a show I wouldn't have touched on my own, but it was quite watchable.
SuperWooper
@Kaiser, I agree that only the better-looking shows need to be previewed, but being a new recruit, I can't exactly influence the long-standing Star Crossed policy of giving everything a shot.
SuperMario
@anon1477190: that moment you mentioned about Kino losing her cool was good, but then they followed up on the obvious exposition about the couple which I felt was heavy-handed.
Kaiser-Eoghan
I bring that up mainly because I don't want to see any of the writers getting burned out/demotivated/having their time wasted.
Kaiser-Eoghan
Guys it must be incredibly time consuming to watch some of these obviously from the outset bottom of the barrel shows you know will be awful and you'll never cover, I doubt anyone would have complained if you didn't mention Imouto Ireba.
Lenlo
The ending was good, but leading up to it was sort of dull
Lenlo
Agreed on how Kino felt this week. What really got me though was how she held the gun. That bugged me in those pov shots
Kaiser-Eoghan
Eh, I'm not keen to go over old material, I'll just watch the new Kino stories.
Kaiser-Eoghan
@Mario: I get claustrophobic sometimes, so Haze by Tsukamoto Shinya was fucking un-comfortable =P
Kaiser-Eoghan
@Mario: Ganja and hess, Die Farbe, Texas chainsaw 2, shop of horrors and AM 1200 stood out best.
Anonymous1477190
*I will admit that I enjoyed the ending bit a little more though. Something about Kino throwing that big rock was moving somehow, especially with how stoic she normally is, haha.
Anonymous1477190
I was a bit disappointed by Kino this week. I actually enjoyed the original Colosseum, but more for some of the individual fights rather than the conflict with the main antagonist. So the speed with which they went through them wasn't my favorite thing.
SuperMario
@Kaiser: haha, sounds fun. Any good horror worth reccomending?
Kaiser-Eoghan
Tried doing that horror 30 horror movies in Autumn challenge thing, fun times but bloody exhausting.
Kaiser-Eoghan
I will finally be getting on to magus bride SOON.
Kaiser-Eoghan
Just try not to compare any of his works to yi yi and you'll be fine. Pity we lost him too soon.
SuperMario
I'm meaning to watch Terrorizers for quite a while now. You beat me to it again. So it's that good huh??
Kaiser-Eoghan
@Mario: I did end up re-watching terrorizers and finishing it this time, never ever have I bee so wrong to initially under-estimate a director or film, the second half massively improves the film and comes together perfectly.
Kaiser-Eoghan
@Mario: ...conditions are very hard to get right on screen, it almost ends up being horribly sappy. This is why when I saw Moon-so-ri's performance in Oasis I was so surprised by how excellent she depicted her characters disability, to where if I didn't know better I'd have sworn it was for real.
SuperMario
@Kaiser: and sometimes they take an "artistic liberty" to change the real stories to make it more dramatic. Case in point, I was so moved by A Beautiful Mind until I read it that the main guy doesn't have those issues in real life. Felt deeply manipulated
Kaiser-Eoghan
@Mario: Largely due to and not helped by the fact most biopics are over two hours long.
SuperMario
@Kaiser: glad you enjoyed Loving Vincent. I'm a bit worried about its story to be honest since it's a biopic and sometimes biopic can be so dry like a powerpoint presentation about someone's life
SuperMario
WE DEMAND THE 20 MINUTES BACK
Kaiser-Eoghan
Stupid imouto anime....bullying Aidan and Mario.
Kaiser-Eoghan
*their
Kaiser-Eoghan
Why must all artistic/creative be so out of there minds =<
Kaiser-Eoghan
@Mario: I saw Loving Vincent, I knew very little about the man himself before seeing, but this did an alright job of introducing the viewer to who he was, the voice acting/script is slightly stilted but in the end it works as a vehicle to get from one nicely rendered/animated scene to the next and its worth looking at for 90 minutes .
SuperMario
@Puran: that story from Kino was one of my least favorite from 2003 version. This week they changed quite a bit of details, most notably they speed through the gladiator fights. The result... well... average for me
Kaiser-Eoghan
That book seems to have a tv show adaptation.
AidanAK47
I actually have been meaning to read Jonathan Strange an Mr.Norrel.. Might put it next on my reading list.
Puran
(and, I thought the old one handled the story much better...)
Puran
New Kino ep was a remake of a story in the old anime... It's really not helping me in trying to avoid comparing the two series.
SuperWooper
@KTravlos, you like Jonathan Strange? Good taste, my man.
KTravlos
I watched the Ancient Magus Bride OVA after your suggestions. It was very nice. A mix of Howl's Moving Castle and Jonathan Strange an Mr.Norrel. I will definitely follow this series. Thank you.
Kaiser-Eoghan
@Mario: lol I go once a week if I can.
Kaiser-Eoghan
@Mario: I suppose it would be more sand on glass animation: [link src="https://letterboxd.com/director/caroline-leaf/
https://letterboxd.com/film/carmen-habanera/"]
SuperMario
@Travlos: I liked the Dragon Dentist. Loved its art but yeah the story is unfocused and the characters aren't those that I consider deep
SuperMario
@Kaiser: well, yep animation techniques can be really diverse and I did a good deal of research about them. For sand animation, do you refer to the sand performing art? I would love to see that type have a proper animation but there is a debate of whether or not it can be considered as "animation"
SuperMario
@Kaiser: haha you're lucky. Now that when I think about that, despite considered myself a film fan I haven't stepped to the cinema for 6 months now. Shame on me!
Kaiser-Eoghan
@Aidan: Is it possible to make it so we can alter our profile pages on the site, so as to be able to add a short bio or top ten list of our favourite shows/manga?
Kaiser-Eoghan
Ah, excellent loving vincent is showing tomorrow at my local cinema.
Kaiser-Eoghan
When you think about it, I love how varied animation can actually be....I've even come across salt and sand animation.
Kaiser-Eoghan
Nuuuu I missed my chance to see body and soul. I am very much looking forward to Kim-ki-duks new film.
SuperMario
@Kaiser: to be more exact, Petrov uses painting on glass. Loving Vincent will be painting on paper. But yeah, no real difference there
SuperMario
My god. Typo here.Russia is very *quick*. Yep, I'm looking forward for Loveless, despite its grim premise
Kaiser-Eoghan
@Mario: Aleksandr Petrov uses similar animation techniques.
SuperMario
@Kaiser: In the end of this month I will get around to watch On Body and Soul (which have great hype no matter where I read) and an infamous Chinese adult animation Have a Nice Day
SuperMario
@Kaiser: I swear Russia is really weak when it comes to their movies availabled in the high sea. Yep, if you can, watch Loving Vincent. At least the painting animation is a can't miss
SuperMario
@Vonter: i am looking for the Junti Itou's adaptations as well. But I think it most likely will be inconsistent. Just hope they manage to get the creepy feeling right
Kaiser-Eoghan
@Aidan: Itou has also worked on a non-horror manga called Yuukoku no Rasputin.
AidanAK47
@Vonter, The thing that needs to be perfected is getting Junti Itou's artstyle animated. The thing that truly makes his works shine is the art. Still it would be nice to see an animated version of The Enigma of Amigara Fault.
Kaiser-Eoghan
@Mario: been delving further into Edward Yang, next is the terrorizers, Taipei story is a bit difficult to get into at first and it does feel like a trial run but it come into itself much better by its second half.
Kaiser-Eoghan
@Mario: There is a Russian torrent of The Loveless (2017) floating around, we may see this sooner than expected if it gets subbed. Also remind me, was it you that recommended me to see the animated film Loving Vincent?
Kaiser-Eoghan
@Vonter: I really hope they properly animate them as 20 minute episodes and not as 8-10 minute shorts with picture show animation.
Vonter
There's gonna be an anime of Junji Itou's short stories. Hopefully since there's gonna be several instead of one story, one or two of those are done well. The CGI really took from the atmosphere in Gyo, maybe stories with less scope can be crafted with more care. http://www.crunchyroll.com/anime-news/2017/08/09-1/teaser-site-for-tv-anime-junji-ito-collection-opens-for-winter-2018-premiere
KTravlos
I saw the Dragon Dentist. Interesting but weird. I felt like there were two shows in there. A great magic show and a great war shows, but forcing them together denied each its full potential.
Anonymous1473154
KT here. Since Aidan is not the state, accusations of violating freedom of speech are meaningless. You have no right to his time or tolerance. You are giving too many chances Aidan IMHO. Ban and be done with it.
AidanAK47
@Anon(FakePsgels), the only reason you can post again is because I only gave you a day ban. But believe me, I can make it much longer. Three strikes, try impersonating Psgels again and you will get a week ban. Strike three is a permanent ban. So just try it. Test me.
Lordish_Kvadratish
Somehow the site is good again :D. I had been visiting daily when Psgels was writing, and when he left I felt disappointed and stopped. And now I like it again for some reason. Good place on the internet. Thank You.
SuperMario
It's not like we need this site to survive mate, so get off his case
Anonymous1471881
Aidan-kun....stop whining. You should be grateful you even get to use this site at all. Threatening to ban someone just because your mad is pure fascism.
Amagi
That's something I wondered about as well. It would have been a good opportunity to change her costume a bunch of times. I am not a fan of characters always wearing the same stuff, especially if there is no concrete reason for doing so.
SuperMario
And I assume that everytime Nina transforms, she loses her clothes, right? So why the hell does she still wear the same costume afterwards?? Someone picked up for her no matter where she goes?????
SuperMario
The kill-arc makes sense narratively, but makes no damn sense logically (all the badass characters were there for Christ sake). Kaisar... don't even know what to feel.
SuperMario
Okay, trying to sum up how I feel about Virgin Soul now: I liked both Nina and Amira, the screwed up Charioce's character (remember he was a devil-hating fasscist who kills demons at sights or pit them against each others gladiator-wise). The cost of Nina's boice got me, not so much for Charioce's eyesight. My fav girl Rita doesn't have enough development
Amagi
@Kaiser: Newer CG looks pretty good and I once hated CG. But Kado showed how good it can be and anime are constantly improving. Houseki has a lot of issues but the facial expressions are more than I usually see in anime. Can't wait to see how Inuyashiki is.
Amagi
Yeah same here. I actually think they used this guy well, most anime don't have the balls to make someone evil for real and even kill him if he was a somewhat good guy at first. It's why that one scene surprised me and the death too. I was sure it was just one of these silly development episodes at first.
Kaiser-Eoghan
Likely due to not having to deal with bad art and framing of the manga I felt houseki was comparatively easier to watch.
Lenlo
Ah yes, Assland. Hated him. But I loved his relationship with Dias. Nina was great though.
Amagi
Also that sudden kill-arc kinda got me (you know who I mean) - there are a bunch of story related things I could complain about but I wish more anime had the quality of that series regarding action, pacing and characters. I really loved almots everybody there except of those we weren't supposed to love (expecially that damn blonde knight guy)
Amagi
I have to admit that I liked Nina way more than Amira and I prefered the chemistry between most characters in s2 of Bahamut, especially Kaisar and Favaro.
Lenlo
Eh. Blindness is a small price to pay for what he did, though his eyes and Nina's voice made an interesting communication problem between the two of them.
KTravlos
I am sure Nina will give it. But I felt ok with how things turned out.
KTravlos
@Super. Let us see in December for the Altair review. And yes both shows proved rather ok, but also pedestrian.

@Lenlo. I thought it would happen but for some reason saw it as a cope-out. With Charioce. He did not get a happy ending. Politically it made sense , and the reforms made sense, but I mean his personal cost is not exactly small. Dont get me wrong. I think he deserved some more drubbing.
Lenlo
I thought Kaisars ending was appropriate to him. Not sure how I feel about Charioce getting a happy ending though
SuperMario
hmmm, Virgin Soul and Re:Creators sadly are the 2 shows that I watched in completion but have virtually nothing to say about them. They're good enough that I didn't drop it but never raised above something that I find myself emerge to
SuperMario
@Travlos: I won't turn down the generous offer that you might give Altair a full review if you still follow it. So make sure you manage to finish it ^^
KTravlos
indeed. But I felt the ending was not too bad. I am iffy about the Kaisar thing, but I felt the political ending, and the result for our two love-birds was fair.
Lenlo
Had lots of issues, but I still liked it
Lenlo
Finally finished Virgin Soul. Loved that ending
SuperMario
@Kaiser: yeah, the thing is... I'm kinda into the handheld action set piece in Bourne franchise
Kaiser-Eoghan
Granted Garo and Juni still do appeal alot to me both because they remind me of exploitative trash I love =P
Kaiser-Eoghan
Ah I see wooper is of the same patrician opinion on Garo =P
SuperMario
@kaiser: haha. I don't mind the fight choreography in Garo. The second episode of Juuni Taisen is still pretty good
Kaiser-Eoghan
*better edited than the fights in Garo
Kaiser-Eoghan
I feel the fights are better edited in juni taisen , largely because of her backstory Inounoshishi stands out for me most, although the rabbit guy currently has my attention predominantly due to having the best powers.
KTravlos
that is not the case in IBO. Zeta and ZZ are both during Tomino's "weird" phase. They are thus acquired tastes. IBO is free of Tomino.
Kaiser-Eoghan
@KT: a distinct lack of Brightslapping in Gundam unicorn =<
Kaiser-Eoghan
@KT: While I did complete Zeta, I did skim it, Kamille was not a likeble character.
AidanAK47
@FakePsgels, Funny how you showed back up when Kevin returned. Anyway seeing as you are so obviously the real thing I am sure you will have no trouble getting around being banned.
Total users: 26

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