Posted on 4 April 2017 with categories: Anime Reviews, Currently Watching:, Reviews by AidanAK47, Shouwa Genroku Rakugo Shinjuu

When you have watched a large amount of anime you can come to assume that you have learned a lot about Japanese culture. Though I think it’s testament to how limited it is to view Japan through anime when you come to realize that despite watching so much, you have never heard of Rakugo. Rakugo is a time of performance art that involves a man sitting on stage and telling a story. Sometimes a funny story, other times a heartwarming story or sometimes even a horror story. The man is given no props and much convey each actor and event in the story with his voice and mannerisms alone. Rakugo is the art of the storyteller and Shouwa Genroku Rakugo Shinjuu is a story about those storytellers. Truthfully it’s difficult for me to explain exactly why this series is so great. It could be considered a landmark in character drama and a true mature anime for those tired of superpowered teenagers fighting monsters. Rakugo is a story about tragedy, about the harshness of time, about the stories that lie within stories. It follows the tale of a young boy entering the art to his final days performing in old age. In a way this story isn’t about Rakugo but instead how it affects those involved with it and their passion to perform.

Admittedly though this isn’t the show for everyone. For one a large amount of the show is dedicated to Rakugo performances. While you can admire the skill of the voice actors emoting and the general outline of the story, it’s clear that a lot is lost on ears that cannot understand Japanese. This is a character driven story and the characters are driven by Rakugo so if the Rakugo itself doesn’t quite appeal to you then admittedly that’s a large chuck of the show you won’t enjoy. Even for those that do enjoy it there is the issue that while the first season is near perfect, the second drags out it’s conclusion which can be a detriment if it isn’t tugging your heartstrings as much as it wants to. Through if Rakugo hits that sweet spot for you then it will likely be a series you hold close to your heart. The characters are great with Yakumo being center stage for most of the story. We see him go from an insecure young man to a confident performer to an old tired professional in the span of a single season. Sukeroku is the lovable mooch whose passion for what he does is unmatched. Likewise you have Yotaro who is a man that’s loud and straightforward, but delightfully genuine. With Konatsu being the snarky girl with a heart of gold. What truly makes these characters special is that they lack the common anime tropes which seem to invest each anime character nowadays. The characters of Rakugo are genuine in personality and that’s what makes the drama so strong.

Animation and art wise the series is relatively subdued and a lot of the effort goes into the emotions during  Rakugo performance. This series isn’t a visual tour de force but frankly that’s not the point. Music again is suitable but not really all that memorable. If you happen to have an interest in Japanese culture and feel worn out by the modern cliches of anime then Rakugo is a breath of fresh air for you. It will take you on a ride with twists and turns before ending with a conclusion that leaves no loose ends. By its very nature I think Rakugo will be a niche gem of the anime medium. Through however niche, it will truly beloved. Much like the art of Rakugo itself.

Posted on 29 March 2017 with categories: Currently Watching:, Shouwa Genroku Rakugo Shinjuu

Thus Rakugo draws to it’s final conclusion and it is rather refreshing to see a genuine conclusive ending in anime, This is a lot rarer than it should be as most anime leave you hanging for another season that may never come or just wrap up things haphazardly leaving it with a unsatisfying conclusion. However the end of Rakugo may have taken it’s sweet time but it’s nonetheless a great close to a great series. In a way the last episode was an emotional epilogue and this was an epilogue for the future of Rakugo. I am a little miffed that all the problems Rakugo faced are all resolved offscreen after a time skip. I would have liked more of a focus on how they helped rebuild the art after the burning down of the theatre. Looking over the series I find that while Rakugo was at the forefront of developments, it was more character drama that the story specifically focused on. While it brought up concerns of Rakugo becoming outdated in modern times I find that the series tended to only give vague indications of what was happening with the medium as a whole. Regardless it’s hard to deny that his is one of the finest character drama’s in anime.

That’s that then, Rakugo had a beautiful ending and there’s really not much else to say…unless of course we bring up that surprising detail revealed in this episode. I do find it amusing that Rakugo, a show so very close to perfectly executed would happen to throw something like this in at the last minute. Like a painter making a beautiful portrait and then slapping a small bit of mud on it. When the words were spoken I literally paused the video, let out a huge sigh and said out loud “They cannot possibly be doing this.” But indeed they did. For you see the father of Konastu’s first child….is Yakumo. Oh god this is Batman the Killing Joke animation all over again. Now from what I see a large amount of people are assuming that the writer was wrong in his accusation and that Konatsu was just humoring him. Of course, as no one wants to have a story twist like this. Sadly the fact that Shin looks strikingly like a young Yakumo and Matsuda being the one to clue the writer in speak that this is the truth. You could still claim otherwise but the final nail in the coffin is that apparently the writer himself confirmed it in side material. Look I get what is being done here, the blood of Yakumo and Sukeroku coming together in a new age of Rakugo but isn’t that just against the nature of succession in Rakugo itself? In Rakugo you don’t have to be related to your teacher to carry his name and his spirit. Having Yakumo spiritually live on through how he influenced Shin is a much more powerful representation of the ties of the art. A genetic tie only succeeds in allowing Yakumo’s bloodline to continue but in turn comes at the cost of respect we had for him.

I just cannot for the life of me fathom how these two could possibly engage in intercourse. Konatsu hated Yakumo and fully believes him to be the cause of her parents death. Yakumo was torturing himself over the deaths of the two so the very idea of him adding yet another sin to the bundle is just asinine. Taking this as fact this makes Konatsu a serious hypocritic and Yakumo someone who angsted over the death of his friends but still thought that getting his best friends daughter pregnant was fair game. The afterlife episode makes even less sense now. Maybe Sukeroku could get over it but Miyokichi? Like hell. The more I think about this the more it just darkens my view of Yakumo and Konatsu. When he collapses and said “My beloved” to Konastu, was he literally talking to Konatsu? Was he using her as a substitute for MIyokichi? Or against previous conceptions is he just a horny old fart? Is Konatsu really shallow enough to put aside personal vendetta’s for the chance to bang a suave older man? Because I don’t buy that “Wanting to carry his legacy” bullshit at all. Now I am really mad that we spent the last few episodes sending the Yakumo off like he was a saint.  Ladies and gentlemen, this is a situation where I believe we should invoke death of the author. In my mind the Yakusa leader is the father of Konatsu’s child. That’s my head canon because the story is the better for it and or god’s sake it makes much more sense. I suggest you do the same.

Somehow I knew that the majority of this post would be dedicated to that twist when I seen it. But let me move away from that. It’s nice to see that Konatsu has become the first female Rakugo performer(There does seem to be records of female Rakugo performers before her though) but it is a shame the final episode didn’t spare some time to show her performance. What we did get however was Yotaro performing Shinigami and I got to say I didn’t think he could pull off such a dark story considering his usual optimistic nature. Yakumo popping in for the afterlife to pitch in only made the performance all the more intense. The writer always makes assertions to make the audience think but it’s often Yotaro who happens to throw out the real words of wisdom. Ending the series with his final line that “Something this good could never go away” is a somewhat poetic end to this series. After all he is right in that regard. Even if something is old, outdated or niche, as long as it can touch the hearts of people there will be those who ensue it will never die out. That is as true for Rakugo as it is with anything in the world.

Posted on 23 March 2017 with categories: Currently Watching:, Shouwa Genroku Rakugo Shinjuu

When I started this season of Rakugo I was under the impression that this would be Konatsu’s and Yotaro’s story seeing as Yakumo’s had reached it’s end. However to my dismay it appeared that halfway through the season Yakumo has hijacked the series. I previously stated that the story of Rakugo has already ended with the last episode and nowhere is this more apparent than this episode. In a rather odd supernatural twist this episode took place entirely in the afterlife with Yakumo meeting Sukeroku and Miyokichi. Overall this episode confirmed one thing, that Yakumo is 100% dead and unfortunately after the previous fake out’s I don’t have any real strong feelings about that. I love the guy for sure but him dying has essentially been the only story going for the last couple of episodes. I don’t think removing this episode would have a major impact on the series and in some cases it would be a good thing seeing as this episode makes it out that the ghost apparitions Yakumo was seeing were indeed real. This show has always been fairly grounded in reality so it’s odd that I now know everything about the afterlife of this world. Of course you could write it off as some sort of fever dream before Yakumo died but in that case it would make this episode a rather sad delusion of his subconscious absolving him of guilt.

From what I see this episode hit a lot of people hard as it certainly was pushing for the so called “feels”. Being the heartless monster I am, I found myself rather unmoved. I will admit to having a soft fuzzy feeling when Yakumo and Sukeroku did a pinky promise on the river zanza but I think this episode was trying a little too hard to that effect. Having Masuda show up as Yakumo’s boatman was an outright sign for “Cry now please” I can’t say I hated this episode but I also can’t deny what it is. Pointless. None of this was really needed and I actually really hate that they tried to explain away Sukeroku’s stabbing as a joke that turned into a horrible accident. Oh she used to wave around a knife and just so happened to trip…bullshit. Where the hell did the knife come from in that hotel room? In a way it sort of cheapens the whole tragedy by showing the two in the afterlife as it makes their death have far less gravitas. Looking back at the first season there won’t be any real emotion in that scene anymore because here they are laughing it up in the afterlife.

That just really bugs me. I am somewhat reminded of the ending of Infinite Regius which attempted to turn the horrible experience the children went through into some fondly loved adventure. It paints the suffering the characters went through as something minor and insignificant. Yakumo gets his emotional sendoff but none of the emotional drama over death has any real meaning anymore. Makes Yakumo’s suicidal thoughts seem almost comical with him getting all worked up over death when it was his big afterlife surprise party I must reiterate that I didn’t hate this episode and still enjoyed it but this show truly has run out of steam. I honestly think it would have been better off giving Rakugo a ten episode run and giving the remaining episodes over to KonoSuba which could have made much more out of them. Next episode has us seeing Yotaro’s and Konatsu’s children grown up and I find myself not really caring all that much. The extended epilogue continues when the majority of the cast has left the stage.

Posted on 16 March 2017 with categories: Currently Watching:, Shouwa Genroku Rakugo Shinjuu

The extended epilogue continues as Yakumo returns home after the theatre burns down. Some are signifying the burning down of the theatre as the death of Rakugo while others are speaking of it as a new beginning. After all Rakugo can be performed anywhere as long as someone is willing to listen. The members of the theatre seem well aware that Yakumo was the one to start the fire but considering that the theatre was due for renovation regardless and that they owe Yakumo for keeping the place in business, are willing to write it off as an unfortunate accident. Konatsu tells Yotaro that she is pregnant when has me almost as happy as he is. Though I think I missed the point where Yotaro and Konatsu got more romantically intimate. I certainly saw them getting more cosy with each other but I guess I am just annoyed that I didn’t get to see the big kiss moment between the two of them. It’s silly, I know but one thing that bugs me to no end about Clannad is that not once in the two seasons of the shows runtime are Tomoya and Nagisa shown kissing. A kiss almost seems like a final confirmation of a relationship in fiction and to not have it is somewhat unsatisfying.

With the way this episode was conducted I was beginning to think that Rakugo was only going to have a ten episode run as everything in this episode screamed final. Yotaro in a strange twist of fate looks to be carrying on Yakumo’s legacy instead of promoting the writers new works and from the sound of things Yotaro instead wants him to write Rakugo that Konatsu could perform. With Konatsu asking Yakumo to let her be his apprentice it looks like she will be the one to bring change to Rakugo. The final moments with Konatsu finally forgiving Yakumo for what happened to her parents and thanking him for raising her was truly a beautiful moment. In a way Yotaro is to thanked for this as he broke down her walls so well that she can finally be honest with him.

Then when all this fluffy emotion which could just as well serve as a great final episode to cap off the series, we once again see Yakumo’s death being insinuated. Look, it’s the third time already. Fool me once, shame on you. Fool me twice, shame on me. Fool me three times, then go to hell. After having this happen two times already I just won’t accept it until Yakumo is in that coffin. It wouldn’t be all that bad for him to die here when all his grievances have been resolved and Konatsu has reconciled with him. It’s somewhat cruel for Konatsu after he agreed to take her on as an apprentice but if they pull a bait and switch with Yakumo’s death yet again then I will really start getting annoyed. For it seems whenever this show is ready to end we once again foreshadow Yakumo’s death to extend it. Look at this episode, shows over. There is literally nothing left to resolve. Unless we are doing some sort of flash forward I don’t really see the point in continuing. We have two more episodes left and there is nothing to fill them with. This is of course a great show but there comes a time when all things must end. Dragging out the final closing of the curtains only degrades the performance.

Posted on 7 March 2017 with categories: Currently Watching:, Shouwa Genroku Rakugo Shinjuu

Now I really do feel like Rakugo is dragging it’s feet as we have an episode focused on Yakumo which by all accounts feels like a retread of the last episode. But I admit that I am rather irritated more with how the episode ended rather than how the episode was. For you see dear readers, I hate fake deaths. It is one storytelling device which I utterly despise for its artificiality and how it renders drama worthless. A death in a show is a game changer, it can change the very nature of a show. A single character death can affect the characters and push the show in new directions. It takes a lot to build the personality of a character over a show’s runtime and decide that they shall never more feature in the tale.

I respect that even if it means my favorite character will be no more and nothing is greater than them getting the end that paid respect to the legacy of that character. This episode did that for Yakumo, it set up his death in a manner that was downright perfect. The passing of the fan to Yotaro, the last performance at the prison and finally performing his signature Shinigami in an empty theatre. There was no better way for the Rakugo master to die than that, it was beautifully poetic and it just infuriates me to no end that it was all a fake out.

This is why fake deaths are such a pain, why it spits in the face of the viewer. For having saved Yakumo’s life, that build up to his death means absolutely nothing. A fake death is akin to deciding to go bungee jumping and once you have the rope around you and you are ready to jump, you just decide to go home instead. All that build up for an anti-climax. After that there is no longer any tension for if you try to build up for a death once again it won’t have the same tension. Because we have been through this same song and dance before. This is why I came to hate Key works, for they want all the drama that comes with foreshadowing death but don’t have the guts to actually go through with the consequences.

So what did this episode accomplish? Well Yakumo attempted to kill himself again, only to be stopped yet again. Am I supposed to be believe that he had a change of heart? I thought he had a change of heart last episode but he switched right back to suicide watch. Who’s to say he won’t try again? And when he does die it won’t ever match this. I feel like I watched a Romeo and Juliet play that ended with the two coming back from the death and getting married. It’s just so..so very annoying. Otherwise I don’t have much to add, up until the last minute or so I was ready to call this a great episode but now more than ever it seems that Rakugo doesn’t have enough story left to fill the remainder of it’s runtime.

Posted on 28 February 2017 with categories: Currently Watching:, Shouwa Genroku Rakugo Shinjuu

Allow me to be honest for a moment, my dear readers. Recently, I’m having a hard time sitting down to watching Rakugo. This is not due to a lack of enjoyment and I found myself to have this strange apprehension to starting to watch it. Youjo Senki and Little Witch Academia are shows that I can’t wait to watch and usually do so at the first chance I get. Rakugo, however, I find myself putting off for reasons I can’t quite fathom. Perhaps, it’s due to not having a lot to say about it in my blog posts as the slow pace of revelations leaves little room for interpretation or opinion. Another reason could be that a large amount of the series is already tied up. Yotaro has gotten over his problems as a performer, Konatsu and him now have a rather loving relationship, and Yakumo’s past has been laid out to bare. Really, there isn’t much left to this story and the plot now focuses on Yakumo getting back into Rakugo after his health taking a nosedive. Truthfully, I find everyone’s attempts to force him back on the stage to be rather cruel. He’s past his prime and the accident took away his ability to perform well, so if there was a point to retire, this would be certainly it.

I can understand what Yotaro is trying to achieve in performing Sukeroku Rakugo in front of Yakumo as it ss made clear that he wants his master to have fun performing again. In a way, it’s similar to how Yakumo pushed Sukeroku back into performing before his death. Though, the big reason to get Yakumo to perform is to make the yakuza boss happy as he and Yakumo have some shared history that I don’t believe was explored in the anime. Actually, on that note, there has been a disconnect between episodes in regards to time. Each time I start up an episode it feels like a significant amount of time has passed but not many clear indicators of it having done so. Maybe there is a date shown at the beginning of the episode but it’s mentally taxing for me to keep track of the timeline week after week. Either way, Yakumo’s problem looks to be wrapping up if it wasn’t for the police to have picked the worst timing to arrest the Yakuza leader. From the next episode preview, it looks like

Yakumo will be giving him that performance in prison is what’s in the future for this series. The only thing left isn’t essentially saving the art of Rakugo but how that is going to happen is a mystery. We have the writer working on new Rakugo stories and preserving the art but other than that, there hasn’t been much effort to shake up the art. I do still like this show but I admit my interest is waning a bit. In truth, Rakugo was never usually my kind of show as I tend to not go for series set within reality. I often prefer to escape the mundanity of real life, which makes slice of life such a bore for me. Rakugo to me looks to have reached a premature conclusion and now needs to bring up a new struggle to deal with in its final episodes.

Posted on 21 February 2017 with categories: Currently Watching:, Shouwa Genroku Rakugo Shinjuu

Looking over my old review of episode 12, I find that I didn’t really cover the episode decently. I gave a brief summery but I don’t think I really articulated my feelings on the episode as well as I could. I do remember finding it to be a big heel turn when it came to Sukeroku’s and Miyokichi’s final moments but I was willing to give it a pass. Now this episode comes along and reveals that was all a fabrication. Thinking on it, I believe Yakumo incorporated part of the last Rakugo story Sukeroku told into his version of the events as it detailed a story involving a deadbeat husband changing his ways. However now so many things make sense. Konastu’s hatred for Yakumo and why she calls him a murderer and why Yakumo is so beaten down in his old age. All this time her lied to protect Konatsu from the horrible truth. The truth that she was inadvertently caused the death of her parents.

While I do find this version of events quite interesting, it does hold a level of contrivance like the last version. It makes sense for Konatsu to lash out at her mother after she stabbed her father but I find her pushing her mother back into the balcony and the balcony collapsing at that exact moment to be too calculated. Konatsu and her mother were fairly far from the balcony so Konatsu pushing her that far seems a little unrealistic. Still the thematic implications are strong and it certainly is heartbreaking to have Yotaru embrace Konatsu while crying. All the while Konatsu being ignorant of the fact that those tears were for her. So the question is, will Konatsu ever learn of this truth before season’s end or will Yotaru and Yakumo take it to the grave. After all these years learning the truth would break Konatsu, it would utterly destroy her.

Other than that we have Yotaru watching the old videos of Yakumo and Sukeroku and remarking at the difference. Yakumo in particular did seem much more cheerful in the past when doing Rakugo, a point Yotaru notices easily. Seeing Sukeroku after all this time was oddly nostalgic and I felt a connection with Matsuda in that it really felt like the return of an old friend. In other events the writer looks to have had a crush on Miyokichi which does explain the level of antagonism he has for Yakumo. Though in turn that seems to be the origin of his love for Rakugo. On top of all that Yakumo says he’s done with Rakugo, this may be why his vision when he fell unconscious features Sukeroku strangling him. To Yakumo, Sukeroku took his voice and without Rakugo he only has to wait for the reaper. The rest of the cast is reluctant to let him leave the Rakugo world but perhaps this truly is the end of his carreer.

Posted on 15 February 2017 with categories: Currently Watching:, Shouwa Genroku Rakugo Shinjuu

The Rakugo breakthroughs in this show always come from unexpected places. Yakumo had his breakthrough while crossdressing as a woman for a play. A second breakthrough with his shinigami story after the death of his dear friends. Meanwhile Yotaro has his breakthrough due to his Master collapsing and having to perform under pressure. Strangely this was the perfect way for Yotaro to work his Rakugo as he previously mentioned about wanting the characters of the stories to come alive instead of placing himself within the characters. Thus comes the moment when Yotaro literally cannot put himself into the performance. For Yotaro at this point in time is a complete nervous wreck over Yakumo’s condition. So against all odds, Yotaro not only manages to perform Inokori but does it magnificently. I like that he left out the introduction as you could tell he wanted to get through this performance so he could check on Yakumo. So he jumped right into it without pause. I was originally worried that Yotaro was going to tank this due to his mental state but it became clear as he continued that he was getting in the zone. Afterwards he even lamented that his master couldn’t see him give one of his best performances since becoming a storyteller.

With Yakumo unconscious for a week, Yotaro finds himself filling in for all his gigs and performing quite admirably. He proclaims that Yakumo will be back on his feet but truthfully this is a big wake up call to just how fragile he really is. Rakugo is in a dire state and already a gaping hole is left with Yakumo out of the picture temporarily. The future of an art could very well live or die and it rests in the hands of someone far past his due date. It’s clear what must happen, Rakugo must change and evolve with the times. But as the theatre owner laments how he must rebuild the theatre to meet new building standards for withstanding earthquakes, he does point out something important. Even if the theatre was flawed in many ways, it still holds a history that will disappear when it’s rebuild. This seems to mirror the very state of Rakugo, for to change Rakugo is to challenge that history and potentially replace it. Unlike a Theatre however, replacing Rakugo is no simple task. The rakugo world needs a Yakumo, it needs a Yotaro, it even needs a Sokuroku. None of these men can carry the art by themselves so we need new blood and their lies the paradox. To make Rakugo relevant again it needs new blood but to get new blood Rakugo needs to be relevant again. Perhaps this is the tragedy alluded to in the title Shouwa Genroku Rakugo Shinjuu.

Posted on 8 February 2017 with categories: Currently Watching:, Shouwa Genroku Rakugo Shinjuu

The opening of this episode starts us off with an ominous note as Sukuroka’s eyes are shown with a deep blood red. Perhaps it is a sign that the reaper has come for Yakumo, but I think it’s too early for that yet. On Yotaro’s side of things, something I previously suspected was brought up as Yotaro still hasn’t found his Rakugo and I think that until the writer gives him some new material, he won’t. One thing he did realize was that s and his and Yakumo’s approach to Rakugo are different. Yakumo tends to push his style as a performer onto all the characters he portrays while Yotaro wishes to become the characters themselves. It’s an important step for Yotaro as it means that he is moving away from simply copying his master to developing his own style. Considering the events at the end of the episode, I hope he doesn’t regress back from this step forward. It was indeed a very unfortunate timing for Yotaro to have this revelation.

The final scene reminds me of a moment during the first season, when Miyokichi claimed that she would haunt Yakumo in episode 9. In a way she has done just that, so perhaps it gives her joy in the afterlife. Is this truly the ghost of Miyokichi come back to torment Yakumo or simply a hallucination due to his failing health? It really is up to the viewer, but it is rather interesting that Yakumo was telling a story about a man meeting his loved one by lighting incense and making the story more dynamic by having Konatsu light the incense. For the ghost of Miyokichi to appear from incense lit by her daughter, who just so happens to still hold a grudge against Yakumo is rather intriguing. As I stated in the title, I don’t think this is the end for Yakumo. Things may look grim but he still hasn’t hit the apex of this character arc yet. He is essentially the main opposition for Yotaro and for the writer to kill him off now would leave a gaping hole in the narrative. I think this near death experience should give him some perspective though. One thing that really caught my eye was in how Yakumo reacted to Yotaro calling Rakugo fun. Once upon a time Yakumo found Rakugo fun, but it seems after Sukoroku died, that event killed Yakumo’s enthusiasm for it. Rakugo is just a job for Yakumo now and I think this marks a turning point for him to regain that love he once had.

One thing that threw me through a loop this episode was before Yakumo collapsed, he looked at Konatsu and repeated “My Beloved, My beloved.” I personally saw the relationship between Yakumo and Miyokichi to be one sided. Unless that flashback was Yakumo playing unreliable narrator I don’t think Yakumo truly loved Miyokichi. He may have cared for her but often his more intimate moments with her felt like he was just indulging her. Of course time is a fickle beast and it’s possible that looking back over his past that Yakumo’s affection for Miyokichi could have grown into love. It was a long time ago and she was clearly the woman who made the greatest impact on his life. But perhaps there is something more to this. Perhaps Yakumo was hiding something that he didn’t tell Yotaro and Konatsu. What that could be is anyone’s guess. As a nice bit of symmetry this episode is the fifth episode of the second season which could potentially be Yakumo’s end as a Rakugo performer. The fifth episode of the first season was where Yakumo crossdressed for a play and discovered his talent with could be considered his beginning in Rakugo. In that regard this could be the beginning of great change.

Posted on 1 February 2017 with categories: Currently Watching:, Shouwa Genroku Rakugo Shinjuu

Another time skip? That caught me off guard but it does seem like Yotaro has not quite gotten over the problem of not being able to find his own Rakugo but has gotten popular enough to be featured on TV and expand his fandom. As a fan put it, it’s not so much that Yotaro being consistently good but having moments of brilliance. So in that regard, I am glad Yotaro didn’t solve his problems offscreen. Konastu’s son, Shin, has grown up a bit and knows how to use his cuteness to his advantage. He gains a love of Rakugo just like his parents and even Yakumo can’t help but fawn over the kid. This was more or less Konatsu’s episode, and the biggest smile came across my face upon seeing her reaction to Shin performing Rakugo. Yotaro still hasn’t pushed their relationship further from what I can tell but the two have gotten more lax around each other. They understand each other so well and despite not really lusting after each other I would honestly vote them as couple of the year.

Konatsu’s Rakugo for the children really warmed my heart in just how much she enjoyed it. This seems to suggest that Kontasu would be entering the profession of Rakugo and Yotaro wholeheartedly wants her to do it. I somewhat agree with Konatsu’s assessment that she would be rattling the cage so to speak. Rakugo is something mired in tradition and any change, be it for better or worse, will be met with hostility and I even think that Yotaru creating new Rakugo is bound to stir up some anger. Throwing Konatsu on a stage just seems like a bad idea no matter how you see it and could be devastating for her as a performer.  If she really wants to become a Rakugo performer then it would be better to start with smaller gigs and then slowly gain a fanbase. Of course, before any of this can happen, she would need Yakumo to remove the ban on female performers so that she can become accredited and considering the character of Yakumo, it would be a monumental task indeed. He’s already getting crabby about people having fun in the green room so getting him to agree to this will take some far more convincing. Assuming that Konatsu wishes to go through with it. Which I honestly think she should, she would really light up the stage when performing Rakugo.

It’s nice to see that Yakumo isn’t cold to Shin but he’s certainly cold to the writer and his attempts to write new Rakugo. These two seem in direct opposition as the writer sees Yakumo his enemy in regards to keeping Rakugo alive. It’s possible that he holds a grudge over him rejecting him as an apprentice in the past. Or how he considers Yakumo one the of the main reasons for the decline of the art. Personally I see it as Yakumo keeping to his promise to Sukeroku. As Sukeroku said in the previous seasonj, it would be Yakumo’s job to keep old traditional Rakugo from dying out and Sukuroku’s job to reinvent Rakugo for the new age. This I believe is Yakumo’s main reason for tearing up the writers Rakugo stories. Yakumo is not the one to ask when it comes to developing Rakugo for the modern era. That job should be left to the man who inherited Sukeroku’s title. I admit however that this really could just be Yakumo being difficult and stubborn. However I find it hard to see Yakumo being purposefully spiteful as it’s more likely just his awkwardness with interacting with people. Which is something he never truly got rid off throughout his life.

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Kimetsu no Yaiba – 7 [Muzan Kibutsuji]

Hello all, and welcome to a big week for Kimetsu no Yaiba. This is the week where I move it up from a “Competent” Shounen to a “Good/Great” Shounen. You see, Yaiba finishes up another arc, Nezuko kicks some butt and Tanjiro meets the big bad 8 episodes in. So let’s jump into it! Starting […]

Mix – 07 [Worried?]

What’s with all the A-list seiyuu in Mix? The four main characters are voiced by some of the biggest names in the industry right now: Yuki Kaji, the Uchida siblings, and Kana Hanazawa as new character Haruka. I tend to dodge a lot of the shounen and harem series that feature Mr. Kaji, and the […]

Serial Experiments Lain – 3 [Psyche] – Throwback Thursday

Starting off, let me apologize for the lateness of this weeks Lain post. I tend to try and digest an episode before writing, and Lain makes that… difficult. As this week we get into the human psyche, the line between reality and the Wired blurs and Lain becomes multiple people. Lets hop right in! Starting […]

One Punch Man S2 – 6 [The Uprising of the Monsters]

Sigh Welcome once again to the sinking ship that is OPM S2. This week we see a fantastic character done dirty, botched pacing, and more boob shots than you can swing a stick at. Lets dive in. As always, production, and oof. OOF. JC Staff screwed the pooch this week. I won’t even talk animation, […]

Dororo – 18 [The Story of the Cape of No Mercy]

Welcome one and all to Dororo’s redemption, the episode that takes us back to first cour quality. We have demons, sword fights, and poignant character moments. Maybe, just maybe, I won’t be disappointed in 2 months. Lets jump in! First up, thank you MAPPA, for getting production right this week. Every aspect was, at the […]

Kimetsu no Yaiba – 6 [Swordsman Accompanying a Demon]

Welcome everyone to another episode of Yaiba! We are 1/4th of the way through now and Yaiba is 3 arcs in, with no plans of slowing. We arrive at the town, a hunt ensues and combat begins with our first super powered Demon. Lets jump in! As always, production first. I could go on and […]

Mix – 05/06 [You’re a Pitcher, Right?/When Spring Arrives]

Two weeks ago, I wondered how long Mix’s middle school arc would stretch, given that its ultimate destination was the Koushien tournament. Apparently the show had a similar question on its mind, as these two episodes pushed through an entire year’s worth of story. In fact, it was episode 6 that did the majority of […]

Serial Experiments Lain – 2 [Girls] – Throwback Thursday

Welcome to week 2 of Serial Experiments Lain, or as I like to call it, Screw With Lenlo. This week 4 friends walk into a club with drugs and a gun. Sounds like a good time, so let’s jump in! Starting off, I really need to remember when Lain was made. I got half-way through […]

One Punch Man S2 – 5 [Martial Arts Tournament]

God damnit OPM. I thought we were past this, I thought we could get along. It was my hope, after these last two episodes, that you could make it. I was wrong. This week OPM disappoints me, and I once again get to go on a rant. Jump in if you dare. Right off the […]

Latest Reviews

[Star Crossed Anime Exclusive] Code Geass: Lelouch of the Resurrection Review – 80/100

I was lucky enough to be at Sakura-con in Seattle on 20 April 2019 for the Funimation’s movie premiere of Code Geass’ third movie with the Director himself, Gorō Taniguchi, along with his senior staff in attendance inside a room full of raving fans. Was it was worth the decade-long wait to have a worthy […]

Paranoia Agent Anime Review – 67/100

In an era of the mundane, where every series is the same moe blob, the weird sticks out. Even the most mediocre series can get attention just by being weird. Paranoia Agent is not mediocre, and it is far beyond simply “weird”. Written and Directed by Satoshi Kon, Paranoia Agent is one of his last […]

Boogiepop wa Warawanai (2019) (Winter 2019) Anime Review – 78/100

Just like the titular character, Boogiepop Phantom the series has become some sort of urban legend itself in this medium. Its Light Novels are amongst the first Light Novel ever released, dating back to mid-90s. Moreover, the franchise has endured the test of time, as it inspires anime, live-action adaptations and Boogiepop is a well-known […]

Kouya no Kotobuki Hikoutai (2019 Winter) Anime Review – 77/100

Coming to Kotobuki, there are lots of aspect that catch my attention: it’s from a famed director Tsutomu Mizushima who can turn the most trashable and genre-able concepts into something intriguing; it’s an CG show about air pilots: it has extended aerial combat set-pieces. Watching it till the end, I have to tip my hat […]

Kemurikusa (2019 Winter) Anime Review – 79/100

Kemurikusa is your very definition of an overlooked gem, one that never really gain much discussion anywhere, but one that has a distinctive style from an up-and-coming auteur who has full control of his projects. Coming to Kemurikusa, all the attention it has came from the fact that it is created by TATSUKI, a mastermind […]

Mob Psycho 100 S2 Anime Review – 87/100

Upon finishing this series, the only question on my mind was how many animators did Bones sacrifice on ONE’s altar to achieve this. Following their prior season, Mob Psycho 100 Season 2 continues Bones adaptation of webcomic and manga author ONE’s 4th work, Mob Psycho 100. ONE has also authored the critically acclaimed One Punch […]

Kaguya-sama wa Kokurasetai Review – 84/100

Anime draws on many different media types in its endless search for properties to adapt, but manga is still the king of the bunch. And why not? It’s a distinctly Japanese art form, their main demographics have significant overlap, and manga’s panel-based layout means that some of the anime staff’s work is already done. Plenty […]

Kaze ga Tsuyoku Fuiteiru Anime Review – 93/100

Recently, sports anime have become a bit of a dying breed. Falling into the same hole as Mecha, aside from a passionate base audience, most are overlooked. There are the occasional hits like Haikyuu, Yuri on Ice, or Darling in the Franxx for Mecha, but those are few and far between, often taking years. Even […]

A quick and dirty review of Garo: Vanishing Line

What it claims to be about: A secret order of knights and alchemists, the Makai Knights and Alchemists, fight horrifying creatures called Hollows who prey on human weakness .Part of the media franchise spanning anime and live action shows, this iteration is set in modern metropolis and concerns the attempts of Sword, the strongest Makai […]