Posted on 3 August 2011 with categories: Anime Reviews, Showa Monogatari




Anime is dying? Hah. As long as series like Showa Monogatari keep getting released, I refuse to believe something like that. Showa Monogatary may have a few production issues, but I just have to praise the guts that the producers had to actually dare and release it. Here we have a series wit no moe, no bishies, zero fanservice, no pandering and no overblown action. Instead of aiming at teenagers, kids or otaku, Showa Monogatari is aimed at a 50+ audience, portraying the life of an ordinary family in 1964.

Now, this is a slice of life series, so it obviously isn’t for everyone, but I do have to warn people that it’s not what it seems at first sight, because this show has something very misleading about its premise: Kouhei, the rather annoying 9-year-old lead character. Because of him, this show will at first seem like a kids’ series where we see yet another coming of age story of a young boy growing up somewhere. This is not what this series is about, though.

Kouhei is just a member of the cast here. There are a number of episodes that revolve around him, but there are also plenty of episodes that don’t, and instead develop the rest of the cast: his older brother, sister, parents and grandmother. All of them together end up as a charming and down to earth family with real problems, challenges and characteristics. Every character in this series is flawed and this show actually does quite a good job to develop everyone.

This series does have its production issues, though. The animation is quite poor and the direction feels rather mellow throughout the entire series. The worst is Kouhei’s voice actor, though: this guy can’t act for the life of him, and will ruin any dramatic scene he’s involved in. It overall is a series that feels like the production was rushed, and that the creators didn’t get time to make everything click and mesh together, and present things well, because it’s very rough around the edges.

The problems that the cast face are very realistic, but at the same time the creators do force their drama. It’s again one of those cases that has a lot of flaws, yet does a number of other things right, because the cast here remains well developed. In the end though, it does lack a bit of staying power.

Storytelling: 8/10 – The direction could have been stronger, but this one is well balanced and very realistic.
Characters: 8/10 – Well developed cast, but sometimes very badly acted.
Production-Values: 8/10 – The animation is really jerky, but the background art is very accurate. It really feels like 50 years ago.
Setting: 8/10 – Very interesting premise, historically accurate and realistic. Very authentic.

Suggestions:
Furusato Japan
Rail of the Star
Ushiro no Shoumen Dare

Posted on with categories: Showa Monogatari



Okay, so it turns out that the final episode of Showa Monogatari aired quite a while ago. Nobody just bothered to release it aside from a random upload on Megavideo. the long wait wasn’t really good for my appreciation of this series: looking back, the previous episode actually left a lot to be desired due to both Kouhei’s acting and pulling a sickness bomb for the final climax.

This episode meanwhile didn’t really feel like a climax. It was interesting though, because of how it forced some of the characters to think about their futures. Ironically though, Kouhei still is a pretty flat character, but thankfully he didn’t play the biggest part in this episode.

Overall, the biggest flaw of this series is the way it presented itself: the script is good, but the way in which the characters are presented, and acted lacks ways that catch your attention and end up memorable. This is indeed tricky to do with a slice of life series, but also probably the biggest reason for why this series got ignored so badly, aside from the chronic lack of moe.

Overall, Showa Monogatari was good, but not up to the standards of Wao World. Their other movies, helmed by their flagship director, did have a strong direction and focus, starting off slow and continuing to build up to a great climax where not drama stood central, but performances. Furusato Japan still was the best at this.

Now all that’s left is the movie, and do note that that one’s being created by a different staff compared to the TV-series. The director is someone who normally does just special effects or producing, so who knows what kind of things will result from a director like that
Rating: * (Good)

Posted on 8 July 2011 with categories: Showa Monogatari



So here too we’re nearly at the end. Unlike what I expected, it’ll focus on Kouhei’s father. It makes sense: it’s what this entire series has been building up for, but that does mean that his brother did not really get the time to show off his character. I really thought that he too would get an arc like Yuuko’s, but it pretty much stopped after his date failed.

This episode was build-up to that finale, along with Kouhei’s best friend suddenly announcing that he’s moving far away. That’s the thing with this series: every character’s story is linear, apart from Kouhei, whose is episodic. The stories around him are the least coherent. It’s an interesting mix, that would have worked if the acting was better.

The same acting also got in the way of this episode. I mean, having a friend move far away again is a situation that a lot of people can relate to. The acting during the goodbye scene though was just really bad. Especially Kouhei hammed it up, but the other kids also delivered cringe-worthy performances, and this is both in terms of the voice acting and the animation. What was meant to be a tearful goodbye ended up looking rather silly.

This episode also may have dropped the sickness bomb a bit too often when it kept hinting to both Kouhe’s father AND grandmother’s health. His father was the first to collapse, but I’m not sure what Grandmother’s health is really going to add at this point. I do like how this series keeps fleshing out all of its characters while building up to the finale, though: this episode again left no character really ignored. That’s pretty good, especially since it has been doing this consistently.

Father’s sickness has potential, though. It’s obviously a bit forced, but with the right character development it can make for a nice finale. But do give Kouhei a small role. That yell at the end of this episode felt so disinterested that I’m pretty sure that his voice actor is being forced by his parents to perform this and would rather be doing something completely different.
Rating: * (Good)

Posted on 29 June 2011 with categories: Showa Monogatari



Okay, so I know that this isn’t getting subbed and all, and the fact that it has only one cute girl and no hot guys were bound to make it ridiculously ignored, but seriously: someone sub this. I know the acting isn’t at its best, but I keep seeing more and more people who want realism in anime. This is by far the most realistic series of the season!

It’s surprising how few anime seem to focus on bad boyfriends, the only recent one that I can think of right now is Colorful. Are moe girls really that pure that they only attract guys with no personality or something? While previous episodes of this show may have been a bit overacted, this episode hit all of the right notes: it never was too dramatic, and yet it revealed that the guy that Yuuko had a crush on was both a criminal and cheating on her. It’s not like these problems resolved themselves in 50 years time in Japan, right?

This was a pretty great portrayal of the teenaged years. It had angst, but this didn’t come with the cliches that you usually see in anime and it really was about problems that anyone could have had. I really liked this conclusion to Yuuko’s arc. I imagine that the final two episodes will be about Kouhei’s brother. He’s been strangely ignored during the past few episodes.
Rating: ** (Excellent)

Posted on 14 June 2011 with categories: Showa Monogatari



And with this we’re finally done with the preview episodes, and it’s finally time for this series to wrap itself up. The big focus on this episode was Yuuko. My memory may be a bit fuzzy on this point, but I’m surprised that she still stuck with that guy after he failed to take her to that love hotel. It’s a major episode that shows her getting in trouble by stealing something from a store.

Seriously though: the drama in this series is really down to earth. First of all the big drama of this episode didn’t revolve around the world getting destroyed or somebody dying, but instead on someone stealing a record from the Beatles. This show actually succeeds in creating good drama from that, but what’s even better is that this episode also succeeded in delivering some good drama on something even more mundane: Kouhei’s father having a terrible day at work. Whereas the foreshadowing of Yuuko’s adventures could have been a bit more subtle, her father’s bad temper has been around the entire series and this episode showed really nicely the troubles he has controlling this, alongside raising a teenaged daughter at a difficult age and a son as he hit the bratty age.

Speaking of which: Kouhei was in the background again with his tasks mainly reduced as a narrator, foreshadowing for other characters and trying to draw his father for homework. This is where he fits best. The drama around him has by far been the least interesting of the entire series, so it’s always good to see the focus on the rest of the cast.

Also, it’s been five months since this show debuted, with only one episode subbed. With Hyouge Mono I can understand the delay: it is really complex to understand. But seriously: the dialogue in Showa Monogatari is not difficult and quite easy to understand.
Rating: ** (Excellent)

Posted on 25 May 2011 with categories: Showa Monogatari



I still think that the EDs for this series are a very nice touch: showing a different classic song from those days really makes this series even more authentic than it already was. It’s one of the few EDs this season that actually tries to add something to its series.

In any case, I really liked this episode. Half of it was about Kouhei, and the other half about Yuuko. Kouhei surprisingly had his best episode so far, which probably had a lot to do with the fact that he wasn’t alone in this episode: his part was about his entire baseball team. The story about bullying was surprisingly well done here, and it was worth seeing all those kids together. As a group, these kids really are a great character here.

Also, it was a nice touch to show an earthquake there. I suspect that this series was talking about the 1964 Niigata Earthquake, of a magnitude of 7.5. Yet again: it’s impressive to see how well the creators are trying to make this series blend in with the actual history, not to mention that it also was a nice touch to show all this through the eyes of a child, who couldn’t grasp the consequences of such a thing yet.

The next two weeks meanwhile will be the remaining two preview episodes, and with this episode everything nicely falls into place. First of all, this episode really shows the events that lead up to Yuuko’s date going wrong. Also, the fact that within two episodes we’re going to skip to the summer holidays really point to the fact that the creators are intending the 1964 Olympics as the finale of this series. A great idea. It’s especially going to be good for Kouhei’s brother: his storyline can’t be wrapped up that quickly, and something tells me that the creators were intending to put more of Yuuko in the first half, and more of him in the second half of this series.

Also, this episode had a slightly different animation style than usual. The drawings were messier, but at the same time there was more movement and the camera angles were much better than usual. I’ve always found that movement and details have a higher priority than consistency, so this is a change that I liked quite a bit. Ideally you’d of course want animation to both have a lot of movement and be crisp at the same time, but Wao World unfortunately doesn’t have the best animators.

On a side-note: that pool! It’s hard to imagine, but were pools in those days always that filthy?
Rating: ** (Excellent)

Posted on 16 May 2011 with categories: Showa Monogatari



Okay, so as it turns out episode four did not take forever to show up as a raw. It was just on a hiatus for a week. Then, the fifth episode that aired a week ago was one of the four preview episodes and now we finally can get to some more new content with episode six. Seriously, I have never seen a show with such a complicated airing schedule since the time where one of our Dutch television stations suddenly decided to air the final episode of Medabots’ Second season in the middle of its run…

In any case, half of this episode was about Kouhei destroying windows while playing baseball. Aside from being about Kouhei, it was also one of those “been there done that”-scenarios. The only fresh thing is that he just kept on going even after things went wrong two times. It’s typical and I can understand the nostalgic reasons for putting this in, but I was already bored by the “broken window-plot” when I was a kid myself. It’s probably because I couldn’t relate to it at all (I grew up in a small village, so there always was enough room to play and not bother adults).

The rest of this episode was really good though. This time it was about the business of Kouhei’s father taking a nasty hit when they get conned. They lost a lot of money with it and therefore really needed to put in effort in order to prevent to not fall down into debts, and at the same time it was nothing major: it’s a thing that could have happened to anyone; both today and back in those days. It’s also here where Kouhei’s antics made the most impact (heck, he’d been destroying windows at such a stressful time).

I think that Kouhei is at his best when he’s in the background, pretty much like what his sister was in this episode. She had this nice subplot about reading a sad novel ad popped up twice or trice, was nice to see, got fleshed out a bit, and then disappeared a bit. Kouhei also had these kinds of episodes for him, and that’s where he really works as this nice annoying brat. The stories around him though… they just don’t feel as interesting as the rest of the cast.
Rating: * (Good)

Posted on 4 May 2011 with categories: Showa Monogatari



Ah, finally this thing appeared. It’s about bloody time. Seriously, I have been blogging anime for a long time, but I’ve only encountered one show where the raws took even longer to show up (some of the episodes of Porfy no Nagai Tabi). This series is not a kiddie show! It actually has very good characters!

In any case, this episode mostly shed lights on what would happen to Kanako in later episodes. In terms of romance, it was actually pretty good here. I mean, in this episode she fails, but she does actively try to ask him out. It’s not like she’s in denial about her feelings. It’s refreshing to see a romance that is more about the question “when will he/she grab the courage to confess”, rather than “when will they realize they’re into each other”. It’s also interesting how in the future episodes, she still is struggling with her feelings later on with the series.

Also, in this episode Kouhei wanted to watch a show called 8 Man. Yeah, that 8 Man. Heh, I nearly forgot that this took place in the year after the debut of Astro Boy.

On a side-note: it’s ironic that Kouhei’s friends have better voice actors than him.
Rating: * (Good)

Posted on 12 April 2011 with categories: Showa Monogatari



So, just to make sure I went back to the episode 01 that aired a week ago. It’s completely new again. Stop being so confusing with your episode numbers!

So, to recap:
– The episodes 03, 05, 08 and 09 that aired during the past week are the same as episodes 01, 02, 03 and 04 that were released as preview episodes back in January and February.
– The episodes 01 and 02 that aired during the past two weeks have new content.
– Do not ask me why the creators found it a good idea to just randomly select four episodes and reshuffle them into preview episodes.

It feels a bit weird to watch this opening episode while already having seen five other episodes, but it does fit as an opening much better than the “fake” first episode, which did bring in a lot of random drama around Kouhei and his father. This episode introduced all of the characters, it established Kouhei’s father as someone with anger management problems despite his good intentions, we finally see Kouhei’s sister’s crush formally introduced. And to my surprise that bearded guy from episode two is a recurring character. Seriously, he looks a bit like a rapist or something…

Strangely enough, this episode had exactly three shots where the animation was much, much better than the rest of this series. It’s really obvious that this was meant to be the first episode, which baffles me even more that they didn’t use that animation for the first preview episode. I mean, isn’t the entire point of spending a lot of the animation budget on the first episode the fact that it’s supposed to improve the FIRST impressions? It defeats the purpose a bit to use this as a fifth impression…

Now, because it was meant to introduce everything, this episode probably established the least in comparison to all of the other episodes. Most of the things introduced were already established in the episodes that preceded it, and it never really got to look at the characters in-depth. The previous episodes were all wonderfully varied and all had their own focus, so this episode wasn’t among the best of this series.
Rating: * (Good)

Posted on with categories: Showa Monogatari



Um… yeah. Can someone explain the bizarre airing schedule of this series?

I mean, I don’t get it anymore. Showa Monogatari aired its first four episodes back in January and February. First episode 01 was released, then episode 03 followed, then 02 and then 04. That already was confusing in itself, but I just assumed that this series would just air normally during this spring season. I was planning to just pick it back up as soon as episode 05 aired.

And yet, this week baffled me when suddenly episodes 5, 8 and 9 popped up from nowhere. Those turned out to be episodes 2, 3 and 4 of earlier. Here we meanwhile have episode 2, which turned out to be a completely new episode. Then the day before yesterday we also suddenly got treated to episode 3. I haven’t checked it out yet (too busy!) but what the heck is that one going to be? Showa Monogatari has by far the weirdest airing schedule I’ve ever seen. Never have I seen an airing schedule that was so much over the place.

This episode by the way was really good. Again, this show isn’t about Kouhei, the young kid. He may get a lot of airtime, but this episode was much more about his brother and his sister. Even his father showed something new about himself. Especially his brother got a great episode. Being outright rejected on his first date, that’s really something you don’t see often in anima that highly adheres to the concept of “true love”. And yet at the same time this series has a lot of different romances here: Kouhei’s parents’ marriage was really traditional, while his sister seems to be in a completely different situation with that guy she likes.

I also like how this show isn’t afraid to get a bit corny when it comes to the entertainment of that era. That dance party for example looked really silly when looked at with a modern eye, and the same goes for when everyone suddenly started singing. And yet, those things probably were the most normal things of entertainment in the eras before mass communication.

Oh, and the reunion also explained quite a bit of something that happened in episode four surrounding Kouhei’s brother’s friends. This was the episode that was meant to set that up, and I really suspect that there will be more episodes that are going to focus around him, trying to find a place in society. This episode also gave a lot of meaning to that particular episode as well. The production values may not be good, but it knows how to tell a story.

One thing that I don’t agree with is to have Kouhei’s parent’s background episode air after this episode. I especially liked how this episode told more about Kouhei’s father and how he grew up. I really like the idea of first showing him in his late teens, only to go for him in his early teens afterwards.
Rating: ** (Excellent)
EDIT: I just watched that mysterious episode 03 that popped up the day before yesterday. It’s episode 01 again. What the…?

CHANGE USERNAME
silver
I actually have only watched one or two episodes of this season of 3-gatsu, but its rising scores and rave reviews are making me really excited! I've only put it off because it's somewhat emotionally tiring for me
SuperMario
@Kaiser: Well, after the first season of 3-gatsu ended, I did skim ahead to this bullying arc so I already know this is going to be powerful, yet the anime still wow me over and over
Anonymous1637770
Also it can be tricky selecting a season sequel since some old series had like 50 to 100 episodes, what counted as a season then?
Anonymous1637770
@Kaiser-Eoghan - It's more common in videogames (especially Capcom) than in other mediums. Megaman 2, RE 2, Street Fighter 2, Dino Crisis 2, Marvel vs. Capcom 2, etc.
Kaiser-Eoghan
Actually in a rarity, a sequel season is better than the first.
Kaiser-Eoghan
Which makes my enjoyment of sangatsu so strange.
Kaiser-Eoghan
And I generally do not like game/sports orientated shows.
Kaiser-Eoghan
That you slightlySuper-erMario and superwooper!
Kaiser-Eoghan
And my reaction to the show is such, that I enjoyed it enough to make such a huge pot about it.
Kaiser-Eoghan
Also I want Akari to be my mom and Hina is adorable without being annoyingly so and Kana Hanazawa is doing a good job voicing her.

And whoever said it is right, the op/ed songs are worth listening to, for once I’m not skipping them.
Kaiser-Eoghan
At this point it feels as if by the end of the series I’ll come off it thinking that I don’t want to say goodbye to these characters.
I don’t think as of just yet it complete lives up to honey and clovers legacy though.
Kaiser-Eoghan
I never cared about Harunobu initially, but recent episodes have changed this.
Dull parts of the manga are easier to get through for me in the anime due to Shaft elevating the material with one of the better uses of their visual gimmicks.
Giving the series another chance, even though I won’t fully embrace the humour, it does now and then manage to make me laugh a little.
Kaiser-Eoghan
The bullying arc centering on Hina and the shows treatment of it is better than most anime bullying stories and has provided the most emotionally rewarding aspect of the show.
Characters that are assholes like Kyouko’s boyfriend, Kyouko herself I’m finding somewhat more sympathetic and want to see more to their personal drama.
Kaiser-Eoghan
However I do genuinely think that the series does a good job of allowing dramatic moments to creep up on the viewer, that early scene of Hina crying over her mother, Rei’s family flashbacks, Akari’s concerns about Hina/the stuff with her dad, all the scenes with Kyouko do carry an effective and solid dramatic weight to them.
Kaiser-Eoghan
I feel it starts very strong, making a great first impression, then kind of has these dull moments that make it sort of a slog at times to get through, unfortunately I have no interest in chess/shougi and no knowledge the show tries to give me is going to stick or allow me to embrace that.
Kaiser-Eoghan
Through jumping back and forth between the anime and manga, I can say I have no caught up to where I will now watch March comes like a lion on a weekly basis.
Anonymous1636224
The blood of the innocent will flow without end, mmmmmm this is why I love Inuyashiki
Anonymous1636224
Mmmmmm the suffering of all those innocent people feeding his God boner, this is why I love Inuyashiki
Lenlo
Oh yeah, thats not a knock against it. Just noting they dont *need* much animation
SuperMario
Well, the nature of Mahoutsukai is slow-burned, so it makes sense they focus more on static, quiet moments
Lenlo
Was that blade 2022 thing supposed to be an example? Because I wasnt a fan. It was stylish sure, but difficult to follow.
Lenlo
Maho is a good looking show, I wouldnt call it a great animated show.
Lenlo
The issue for me is, theres just not alot being animated most of the time. Usually its a pretty slow moving anime, so most of its time is talking and still shots. It doesnt need alot of animation, so it doesnt have it.
Lenlo
@Niel, I think Mahoutsukai can have good animation when it wants to. Like the water viel in episode 10 looked good (Though im not sure how much of that was after effects)
Anonymous1635607
uhhh creepy
Anonymous1635589
the blood of the innocent will flow without end, mmmm this is why I love Inuyashiki so much
Amagi
I think the security is the same as here, it's just that Japanese people are less likely to rip stuff (correct me if I am wrong). It seems like ripped anime, manga and so on are basically always uploaded by Americans, Chinese people or someone else.
Kaiser-Eoghan
I was surprised heavens feel was camripped I thought security in japanese theatres was stronger.
Amagi
Yeah it's also screening in Germany, I will watch it in February, together with Heaven's Feel, Mutafukaz, Kimikoe and a few others.
Kaiser-Eoghan
*on Europa cinema
Kaiser-Eoghan
Nanoha new film to screen next February in the US, come in Europa license it for over here dammit....
Kaiser-Eoghan
Did have some down moments though.
Kaiser-Eoghan
And I guess contrasting Luke with his old self goes some way.
Kaiser-Eoghan
Saw the preview screening of the new star wars, still feel the new trilogy stands inbetween the originals and prequels, fufills its duty as a *** star blockbuster , some genuinely hilarious high camp moments, awful tokenism, Snoke is a shit villain, but two scenes with Luke actually have a pathos to them and I liked the chase/action scenes when they happened. Nobody cares about the acting/dialogue
AidanAK47
But there are times when it goes way too far and you can barely make out what is even supposed to be happening. Or characters go so off model that they are unrecognizable. It can be immersion breaking. Much like uncanny CGI.
AidanAK47
@Niel, I do agree that it's annoying to see people complain about animation when they clearly have no idea what they are talking about. Like those inbetween frame screenshot people. But I will say I appreciate on model characters more so than chaotic movement. When the off model stuff suits the tone of the scene like that blade runner part, then it's fine.
niel
I also don't want to see someone imply visual=animation for the hundredth time. Are people really that ignorant of the technical/artistic aspect of the media they consumed?
niel
It just depends on what works best in given scene and the aesthetic they want to go for. People can complain all they want about off-model stuff, but if they really only want that the they won't be getting nearly as much of those impactful scenes as there are now. So many of the ways people complain about it is really irking to me.
niel
normal/low action scenes is different from being on-model during the action sequences and just the ones that need some extra impact in general. https://youtu.be/rrZk9sSgRyQ?t=6m45s
niel
But that depends on the situation though. And I'd argue that being consistent and on-model during
Kaiser-Eoghan
@Vonter/Niello/Mario: Ideally I want it both ways, fluid animation AND consistent model visuals, all the while never sacrificing choreography.
SuperMario
But really, who am I to say. I'm the dude who prefer beautiful shot composition myself
SuperMario
The same can be said with Shinkai's movies since he always prefers static, beautiful shot that people tend to overlook that his animation is quite poorly handled
Vonter
You're right, but art direction does alleviate limited animation, I mean the old Berserk anime, kinda has a lot of slideshow moments. MahoYome has nice backgrounds, and despite the samey faces, at the very least doesn't come from the same mold as other series. Still cutting corners with chibi segments is was a mistake.
SuperWooper
Is it any wonder that people prefer things to be static/on-model? They want to see characters who look consistent and familiar so they can relate to them.
Nie
MahoYome being the biggest offender of people getting triggered to any kind of statement about the show's animation not being good. And it's absurd because the show's animation really isn't great at all. It's good with distracting people with pretty pictures, but animation-wise it's still mediocre.
Nie
@SuperMario: Not much. Just stuff like "Art is part of the animation weather it's beautiful backgrounds or just amazing looking characters. It's not all about how they move. If it was, CG would be considered great animation" multiple times. I've just been finding myself being replied with these kinds of comment non-stop since the start of the season.
SuperMario
@Niello: What happened exactly, if you don't me asking?
Nielllo
If I hear someone says AMB has good animation one more tie I might actually lose it. It's amazing how people who apparently know nothing about it try to defend this and other people who don't know anything are actually supporting the guy.
Niello
So with Fate Apocrypha episode 22 out, I'm just now learning that people think webgen style is horrible and they prefer static scenes with pretty visual over actual quality animation. WTF. I can't comprehend this. Are casual people who watch animation in general really that oblivious to the art they have been watching?
Lenlo
Berserks Dynasty Warriors style game looked better. Also, Mahoutsukai should be up tonight/tomorrow. Turns out, Christmas is a busy time of year at this job.
Amagi
*worse
Amagi
Especially when you consider how good CGI can be by now, look at Houseki or Kado. But Berserk was the worst thing I saw in years, many scenes felt worst than sequences of PSX games
Amagi
@SuperMario: Same. I love Kon and also consider Paprika's OST as the best. @Lenlo: Me too. I honestly even enjoyed the movies but the new series was atrocious
Lenlo
HIRASAWAAAA! HAAAAAI YOOOOO.
I miss the 90s Berserk.
Kaiser-Eoghan
I was also quite fond of his soundtracks for Berserk. AIIIIIYE FORCES : https://www.youtube.com/watch?v=NkYYYew8CUI
SuperMario
@Amagi: I'm a big fan of Kon so I've watched everything from his. Even bought a book about his works. About the soundtrack, I listened to them as well but not regularly, compare to pprika OST which I downloaded and listen to a lot
Kaiser-Eoghan
Although not completely a manga, Usagi yojimbo also has an anthro character.
Kaiser-Eoghan
Millennium actress is partially inspired by the actress Setsuko Hara.
Amagi
@Kaiser-Eoghan: The anthro-animal manga is even a topseller as far as I know. Haven't looked into it yet, though. Maybe I will do so.
Amagi
Speaking of it, I am still hoping Dream Machine will happen some day. Kon died believing it would happen
Amagi
@SuperMario: Have you tried the other Kon movies like Millennium Actress once? Thought they were really good and Hirasawa is responsible for the OST there too. Or Paranoia Agent which was (IMO) very good as well https://www.youtube.com/watch?v=0nttSKBJ38k (OP)
Niello
Eoghan: Enjoy... ;)
Kaiser-Eoghan
While I haven't read this, its very strange to see a manga about full anthro animal characters: http://kissmanga.com/Manga/Beastars
Kaiser-Eoghan
@Vonter: So based on that I will try devil lady. Thanks.
Kaiser-Eoghan
@Vonter: That'd be me who made that post. I thought dororon enma-kun was wonderfully ridiculous and Devilman gorishly entertaining, Shin Mazinger Z was probably some of the most fun I had with an anime, but violence jack took it way too far though so I guess I'm aquainted with nagai's work
Vonter
I don't remember who was looking for something noir in anime. I was looking among several series from Go Nagai. And watched some Devil Lady. I don't remember if noir is exclusively detective stories, but this anime, has those high contrast shadows, eerie music and is shot like some japanese horror movies I've seen. I don't know if it changes along the road but so far it's very suspenseful.
SuperMario
I only know him through his works in Berserk and Paprika but his music never fails to amaze me
Anonymous1626471
@Amagi: Ghost Bridge is my favourite. I just find it very calming. https://www.youtube.com/watch?v=aeh5aJsxlbw
Amagi
Susumu Hirasawa is one of my favorite musicians/composers. I don't even know what kind of subgenre this is. There aren't any other music groups I know who do similar stuff
Nielllo
@Mario, Already saw that video before.
SuperMario
Check this out... I don't even know what the freaking instrument he's playing, but it's spellbound https://www.youtube.com/watch?v=PjalQjAomH0
Niello
Just when I thought Houseki no Kuni took the prize for best animation I was treated with Apocrypha. This week is amazing.
Niello
Big name animators all over. They really threw everything they've got here.
Niello
Woooooah! OMG Apocrypha ep 22 animation is sick! So that's why the animation in the first half of the show is so lackluster and basically just darn awful.
Kaiser-Eoghan
Its not entirely odd to bring up Heydrich in relation to the occult either, apparently he was said to be part of some whackjob order.
Kaiser-Eoghan
Hmmm, that girl from Dies irae, Anna Schwegln is aptly named, also shares her name with the last executed person for witchcraft, who was Bavarian German, which i'm told by an Austrian friend were particular right-est leaning politically.
Kaiser-Eoghan
Of course unfortunately its often the opposite that happens, nothing is worse than an ending that ruins everything.
Kaiser-Eoghan
Ah, how I love being surprised by something. That feeling where you''re watching something shakily held together, simply okay or good, then suddenly in the second half or last stretch your score of it goes massively up.
Kaiser-Eoghan
I can kind of understand the wanting to go home and watch something easy mentality instead of challenging but even though I'm guilty of escapism, I'm tired somewhat of "sillier" stuff, its often enjoyable but its get overly reptitive and I wish I could find more philosophical/political/imaginative things.
Amagi
Yeah the show is great because of its theme, the setting and chemistry girls have as well as their (lack of) knowledge about basic human things. Each episode thematizes this in a different way but there isn't much you can talk or say about it when you already explained the topic in detail.
SuperMario
On the other hand, I don't have much to talk about Girls' Last Tour this week. It's still good, but with this episode I feel that I'm running out of concrete thig to say about the show
SuperMario
Haha both Houseki and 3-gatsu have a good showing this week. I have a lot of things to talk about Houseki in particular
Amagi
This week's Houseki is jurassic park
Amagi
*-ati - I think Netflix and so are at least giving a few new impulses which isn't too bad. I don't think the typical anime series will disappear because of that.
Amagi
At least in comparisation
Amagi
I think it's just sad how often I see wonderful series selling 500 BD/DVD or maybe even less. Most series don't sell more than 1500 or so and the rest is usually at ~3000-5000 which is still pretty low.
Amagi
Yeah, it's one of my pro-Netflix arguments as well. Another problem is that anime (not counting manga) only make money through dvd/bd sales since they air at night, whereas Netflix or daytime tv series don't depend on the latter so much and since anime BDs are so expensive the only ones who buy them are the more extreme fans.
AidanAK47
Might be in part due to the workaholic nature of their society that makes escapist fantasy and empty entertainment more appealing than usual. Ultimately these are the people anime is made for so opening up the markets gives more deserving shows a fighting chance.
Though that isn't to say that western taste is perfect either.
AidanAK47
@Amagi, That's part of the reason I think some westernation might be a good thing as from what I seen the Japanese have truly terrible taste in anime. Sales charts from Japan just make me shake my head.
Amagi
God, the preorder anime lists are atricious. The only one that seems to sell acceptable (around 6k) is Mahoyome. Series like Inuyashiki have 80 pre-orders so far, Shuumatsu Shoujo 977. Idol shows sell good of course, including that male/bishounen Idolmaster
AidanAK47
@Anon, I read it but kinda fell out due to it's releases being slow.
Kaiser-Eoghan
@Anon: Actually if you check the manga recommendations section, you'll see there is a post about it here.
Kaiser-Eoghan
@Anon: Yes, it was interesting to follow a story that dealt with a characters homosexuallity that was outside of the yaoi/yuri mould.
Anonymous1620968
Out of curiosity, has anyone on here read Shimanami Tasogare?
Niello
Where are we up to with Inuyashiki?
Lenlo
Well alright then. Episode 9 out of 11 and that happens. Was not expecting that
Lenlo
Ooo something happen this week? Im about to watch it
Kaiser-Eoghan
It feels just as rushed and awkward in the manga.
Amagi
I noticed this too
AidanAK47
Inuyashiki has balls of steel to pull that in this particular episode number.
Nielllo
Finally got around to reading Helck, and it looks like it's going to go into that pile of good-shounen-that-won't-ever-get-animated right alongside Psyren.
Kaiser-Eoghan
@Aidan: Imagine trying to buy the dvds of the show in public.
Kaiser-Eoghan
@Aidan: Gentle remind that the prism ilya movie is out and subbed.
AidanAK47
Still surprised the second and third seasons got dubbed.
AidanAK47
@Angel, I replied to one of your comments before but the rundown is no official word yet but maybe next year.
Angel
Or no? Someone please tell me!!
Angel
Going to happen?
Angel
Is fate/kaleid liner prisma☆illya 3rei dub
Amagi
I dislike it when manga bait me into reading due to the first chapter and end up being some very generic stuff afterwards. Nobody stays for B if he started something for A, authours should expect that.
Lenlo
Really, Juuni should stick with the 3D. That fight in ep 9 looked pretty good. 3D is clearly what they are good at
AidanAK47
@Niello, It's not Chatango. It's a plugin for wordpress called Wisechat.
SuperMario
@Niello: yeah, Juuni caught me off guard this week. The production of Juuni is unfortunately shaky, but well, strong writing can save the day
Niello
Btw is this chat still Chatango?
Niello
This week episode of Juini is surprisingly good compared to how the show usually is with its backstory. Although the part where Ox tries to explain to Tiger could definitely use some visual buff.
SuperWooper
in the future*
SuperWooper
Pretty cool that Juuni Taisen had that kind of emotional heft this week, though. Might be one of the 2017 shows I sample the in the future.
SuperWooper
I think the occasional comments with an episode title and nothing more come from people who mistake the shoutbox for a search bar.
SuperMario
@Anon1614688: juuni taisen... made me tearing up this week. Honestly didn't expect that. Damn you, Tiger
Anonymous1614688
juuni taisen
Amagi
Had some complaints regarding Children of Whales but the latest two episodes were pretty good.
Amagi
@Anon: You explained it better than me.
Anonymous1614307
Kaiser: I actually have the exact same opinion of Natsume and Mushishi. Both are excellent, but Natsume just does a great job with a small core cast and a very simple premise
Anonymous1614456
who likes naruto
Kaiser-Eoghan
Mushishi does have good stories, but it was always a manga I'd dip in and out of, on and off for years, never marathoning it, wheras Natsume was easier to read several chapters of in one go.
Kaiser-Eoghan
I think its because Natsume has more pathos.
Kaiser-Eoghan
*more than
Natsume weirdly ended up becoming this comfort manga for me with a higher consistency rate .
Kaiser-Eoghan
I will state that I hold the terrible opinion that I like Natsume Yujinchou than Mushishi but at the same time completely recognize that Mushishi is probably the more ambitious, better show.
Niello
So it becomes a cycle of "this is an interesting set up" (except that the new Kino isn't even good at that) and then they fucked up or Kino/Shizu fucked them up even more, then move on. Without the emphasis on philosophical nature of the set up they present like in the original Kino, there really isn't that much point to it.
Niello
With the new Kino it's more about messing people up, occassionally observing and hardly ever improving. The anwsers or solutions to the problem they present is never really talked about in a rational way.
SuperMario
@Anon1614318: maybe you should give the old Kino a try. What I don't like most about the new version of Kino is that both Kino and the new guy are sketched as hero. The old Kino manages the tone right as well. There were some really dark tales and most of them thought-provoking. Can't say the same for say...Country of Cooking
Anonymous1614318
I don't know, it might be interesting to actually dig deep into the differences between episodic series with this kind of style to see what works and what doesn't.
Anonymous1614318
I guess it's a matter of the chapter they chose to adapt were not really the better ones but the ones where the protagonist is more of an active role. Not totally against that, but it feels like the protagonist is just OP all the time. At least with Mushishi Ginko isn't able to save everyone all the time.
Anonymous1614318
I guess it's supposed to be more allegorical, but most of the time the allegory is not really meaningful enough. I thought it would be more along the lines of Mushishi, which is kind of similar in setup, but better in most other ways.
Anonymous1614318
What keeps me sticking around are some of the nice background arts and generally pleasant use of color, but admittedly most of the episodes aren't really engaging in a meaningful way. Most of the time its just Kino/Shizu show up, find out town's gimmick, then save the day. I prefer the episodes where the townspeople are more than just flat background characters.
Anonymous1614318
It's interesting to see how this new Kino season is being received from folks who've already watched the original. This is my first real exposure to Kino, and I kind of like it, but even without watching the original, I share many of the same complaints Aidan and most of the others have.
Amagi
I am also kinda sad he's just some 2* servant in fgo, but his power is special and he's physically weak, so it's understandable.
Amagi
And again, Shakespeare is just great but the character is, sadly, kinda wasted here considering how much screentime he has.
Amagi
@Aidan: Yes. Plus, maybe more characterization or background for some servants. The anime would have that time without Sieg and his romance sub plot.
AidanAK47
@Amagi, Those being remove Sieg and more Shakespeare?
Amagi
And man Apocrypha is pretty good but it would be twice as good if it had those two changes Aidan always mentions in the reviews..
Amagi
@Kaiser: I think the male in Kino was a mistake. Having two PoV sounds good, but he's basically just a male Kino, he even looks like her. Someone vastly different would have been way more interesting.
Kaiser-Eoghan
I'd guarantee that sangatsu no lion would be high up, but FINALLY this weekend I'll be catching up.
Niello
@Kaiser, Ugh my phone gitched. What I meant to say was that background was unexpected. Now I see why you're enjoying CotW though.
Niello
@Kaiser, That's unexpected.
Kaiser-Eoghan
I enjoyed how outright surreal Arakawa was.
Kaiser-Eoghan
@Amagi: It bothers me that they're stuffing multiple tales into single episodes.
Kaiser-Eoghan
Ah, excel saga, I wonder what I would think of it now, its been years.
Kaiser-Eoghan
@Amagi: I actually respect Aidan's coverage of it.
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Featured Posts

Juuni Taisen – 11 [To Treat a Man to Beef From His Own Cow]

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