Posted on 27 September 2013 with categories: Anime Reviews, Tamayura


I’m not going to dedicate a post for my impression for the final three episodes of this series. It was just too boring to write much about. I guess that that gives a pretty accurate indication of what I think about this series.

Right at the start of Tamayura’s second season, I asked one question: why did this series, of all shows, get a second seaso? What can it add to the OVA and the first series? The big problem with this show is that now that it’s ended, I still haven’t gotten an answer to that question. Yeah.

So what does this second season end up doing? Well, in terms of characters… Potte starts a photography club. You’d think that that would train her leadership skills, but in the end only one girl ends up joining it. That one girl gets the most character-development out of the entire series, but it’s surprisingly similar to the development that Potte went through in the first season. The best part was probably the attention to Potte’s dead father. Again most of it was already done in the first season, but there was one particular episode that brought something new to the table.

And as for the side-characters… oh dear god. They were definitely the worst part of this sequel, because all of them have been reduced to simple stereotypes. In the first season they were diverse character. Here however, they eitehr are neutral, or force their quirk way too much, with hardly anything else. This series seems to think that once you have developed your characters, you can just leave them as they are and they’ll keep magically working. Quite a misguided idea!

As for the stuff that the characters do in this season… it’s okay. It’s still a good show to relax with and all, but everything they do is again so surprisingly similar to the first season: they go on random trips with Character A, they go to visit Character B;s house, they drop by Character C. Everything just strikes me as if the creators had no idea what to really do with this series once it started, and then just settled with some vague idea that just kept the status quo.

Tamayura was supposed to be the spiritual successor to Aria. Aria’s second season took its characters and developed them to actual characters. Tamayura’s second season likes to repeat itself. Perhaps those with more patience than me will appreciate it for what it is, but I’m quite a bit disappointed.

Oh and if you want to know why the second season has such a weird subtitle: ‘More Aggressive’ is just a bad translation to which the creators got the contextual meaning completely wrong. Sortof like that guy who got a Chinese tattoo on his arm.
One-Sentence Review: It’s not really necessary to watch this: it doesn’t really add anything to Tamayura, nor its characters.
Suggestions:
Aria
Kaze no Shoujo Emily
Maria-Sama ga Miteru

Posted on 3 September 2013 with categories: Tamayura

Yeah, the second season of Tamayura is all about Potte. The rest of the cast, with the exception of perhaps that new girl, don’t get to stand in the spotlights unlike what they did in the first episode. It’s about her coming to terms with her father, and further pursuing photography. The rest… is mere details. The question’s whether that alone is good enough. Up till now, this series left things to be desired. I was really waiting for this show to come with something really good.

That came with episode 9, which showed Potte meeting the other best friend of her father. I love this guy and how he thinks back to who used to be his best friend. The creators nailed this workaholic who has long since grown up and who gave up his passion for photography in order to pursue other things, and yet his old personality is still there. He’s still got the interest in photography, and the memories he made in his past.

For me this was the best episode of the second season so far. It got Potte thinking, it was heart-warming and genuine, and what also was very important was that it didn’t repeat itself.

The rest of the episodes need to be more like this. Obviously not the same, but Potte really needs to significantly develop (given how much buildup she’s gotten) and the show needs to take its concepts further in some way. I’m not sure how they’re going or planning to do that though.
Rating: 5.5/8 (Excellent)

Posted on 21 August 2013 with categories: Tamayura

Something weird happened. Like, I watched these three episodes over the course of multiple days (time issues), and now that I’m sitting down and writing an entry after watching episode 07, I realize that I have no clue anymore about what episodes 05 and 06 were about. Seriously, I remember dreaming away a bit and all, and they went on a trip… thingy… but apart from that I’m blank.

Now, there are two possible reasons for this:
1) My memory is degrading really badly.
2) Nothing worth remembering happened in these two episodes.

While I fully admit that my memory isn’t perfect, it’s time to give a bit of a critical eye to this second season of Tamayura, and mostly the big picture: what exactly is the point of this sequel? At the beginning, this seemed to be about Potte starting her own club, and taking her passions further by standing out of her comfort zone. Beyond that though… what else?

We have this new selection of characters… who are there but have yet to make a lasting impression. The cast beyond Potte made no development whatsoever so far; like, has anything been added to their characters, AT ALL in this second season?

In the meantime I’m still dreaming away with that awesome soundtrack, but what were the characters doing in this episode for example? Potte entered a competition, they attended a festival, they went to Potte’s childhood friend… haven’t we seen this in some way before or am I going crazy? To me it really seems like this show is just repeating itself. Though granted, the ending wwas charming.

Why did I originally like this series? It’s because it did more than most slice of life series about a bunch of random girls: it had strucuture, and characters who felt charming and had depth. I feel like that depth and energy is missing in this sequel. Or more like, it lacks: it’s not completely absent, but not fully there either.

Comparing this to Aria The Natural, Aria’s second season: that series was rather tough to get through due to how slow it was, but it was varied, and it continued to add to its cast. And it didn’t do this just by introducing a bunch of new characters, but also slowly building further upon the main cast. When is More Aggressive going to do that?
Rating: 4/8 (Nice)

Posted on 30 July 2013 with categories: Tamayura

Seriously. This is one of the cutest anime that I have seen in a long, long while. I mean, over these entire two episodes, I just kept going “d’awwwwww” at just about everything the characters did. That is very rare for me: usually I hate series that aim to be cute. The big reason for that is that 90% of those characters are not characters: they’re either cardboard cut-outs, they try to play up their cuteness too much, plain stupid, contrived, and just plain underdeveloped. Tamayura has something that makes the entire cast different from that.

What Potte is trying to do: that really invoked empathy from me. Perhaps my own shyness connected with her, or perhaps it was because of how much development she already has. These two episodes really were about overcoming shyness, and they really did that well. Even beyond Potte, that one teacher was a very nice touch, about how it took him like, 20 tries to ask what he wanted. And the whole performance. It was so bad, yet so adorable!

The new character already feels right at home after four episodes, and the great thing is that she doesn’t feel forced in, but it was more than logical for her to appear. The rest of the cast, Potte’s friends, they’re close to her and all, but most of them don’t share her passion for photographing,and the ones that do are either much older or younger. Here she managed to find someone of her own age and experiences to connect with.
Rating: 5.5/8 (Excellent)

Posted on 12 July 2013 with categories: Tamayura

Hell yeah, Tamayura! Let’s get more aggressive! Rawr!!!

On a serious note, I’m glad that this series has returned now, and it hasn’t lost its touch of making me just dream away while watching an episode. The last time there was a series that did this so well was last year with Natsume Yuujinchou Shi. The very misleading title of this series seems to refer to Potte’s growth: her taking her hobbies further, and starting a photography club at school. It’s time for the characters to explore all of the things they can do.

And that’s actually very good, because the one thing I want from this sequel is progression. At this moment, this sequel can’t just do the same thing that the first season did: it needs to be like Aria: continue in the same style, but bring in heaps of character-development. I mean Im glad and all that this show got a second season, but the main reason for it is so that it could get a chance to exploit its potential. Not pander with random slice of life again. A pointless sequel is just a waste of a good budget.

Whether this really paid off will obviously take a few months to really become apparent. So far, the first steps have been made though, with Potte starting the photography club, and the introduction of this new character. But there needs to be more. Potte already had a sempai to look up to, and the first season was all about realizing your dreams. Come on, Tamayura! Be ambitious!

Also, I’m not sure whether or not this is because it’s been a while since I watched the first season. But I actually found Norie funny, along with her antics around Potte’s little brother.
Rating: 5.5/8 (Excellent)

Posted on 20 December 2011 with categories: Anime Reviews, Tamayura




It’s a common premise: you have a series that’s about a bunch of high school girls and you follow their daily lives; it’s that simple. It’s far from my preferred genre though, and I find myself bored with most of them. There are, however, exceptions. Having the guy who directed all of the Aria series behind this also helps.

The cast does need a bit of time to warm up (especially if you haven’t watched the prequel OVAs), but for me, this was one major step above the usual series in this genre. For one: it spends a lot of time on fleshing out and developing its characters. Every episode is dedicated to showing different sides of the cast, or having them develop as a character. This is all very subtly done, ad the characters themselves are all very believably acted, with some very impressive and fluid animation that remains very consistent throughout the entire series.

Sato Junichi also uses this one trick that also worked really well with Aria: well written dialogue and voice overs, containing subtle morals that all of the characters can relate to. It again works very well, and all of this leads to a very heart-warming series with a genuine cast of characters.

It’s definitely a series that needs to grow on you, because the characters definitely do not show themselves off right from the start. This does lead to a few annoyances that you just need to sit through, like a really big crybaby, or a character who does nothing but whistle. Plus Sato Junichi’s habit to go with the weirdest looking cats imaginable.

Nevertheless, if you’re looking for a heart-warming slice of life series then this is a very solid choice. This is very relaxing and heart-warming, and it’s short and to the point with only 12 episodes and 4 ovas.

Storytelling: 8/10 – It’s slice of life, yet things happen here. Excellent at creating a heart-warming atmosphere.
Characters: 9/10 – Well developed in a short time, excellent acting, although you do need to get used to the cast.
Production-Values: 8/10 – Lots of animation, fluid and consistent, and a very good soundtrack.
Setting: 8/10 – The town in which this all takes place is actually very detailed and fleshed out.

Suggestions:
Aria the Animation
Windy Tales
Hitohira

Posted on with categories: Tamayura

The first part of this episode was pretty much what we expected: celebrating the end of the year by organizing a large exhibition, restaurant, shop and theater for the lead characters. Although it still was weird to see people celebrate the end of the year in a completely different way from what I’m used to. (What I’m used to is mostly staying inside, watching random television and everyone massively igniting fireworks all at the same time after the clock hits 12).

What this episode showed me was that Japanese really treat the end of the year as another festival, where you can informally visit a lot of places, hosted by all kinds of different people. Is that true, or was that an exaggeration by this series? Last episode there were perhaps a bit too many people who came to just view Maon’s performance, and this episode too had the characters acting like magnets for other people.

And then, this episode suddenly closed off with Sayomi taking them on another trip, and her car getting stuck. I must say, that was quite a creative way to end this series with. It was fully on-topic, giving Potte a reason to remember her father again, but at the same time it was so random and whimsical that it’s definitely going to be memorable, rather than the usual carefully built up ending or aftermath. I like it.

The past half year, Sato Junichi has really delivered. First with Ikoku Meiro no Croisee, and then with Tamayura. They filled in for each other perfectly: Tamayura didn’t have an as interesting setting as Croisee, it on its turn did not have the forced drama and had much better acting. I’d count neither among the best slice of life series I’ve seen, but at the same time both were really solid and interesting.

I tried following other slice of life series this year, but that didn’t work as well as here. I’m still not exactly sure why, but these two series did not try to be funny: they just let their characters speak for themselves. Nichijou could have been nice if its jokes weren’t so hit and miss. A Channel just degenerated into boob jokes, while Yuruyuri went down even faster with its lesbian jokes. Those just aren’t the shows I want to watch. These two series however had characters who knew who they were, a solid setting to back it up, meaningful dialogue. That kept my attention.
Rating: ** (Excellent)

Posted on 13 December 2011 with categories: Tamayura

“Oh yes, today is christmas”.

I find this a very typical line here. Christmas stands synonymous for a warm-hearted feeling, so I pretty much expected this show to fully use it. And then this episode came, and it actually showed that it doesn’t need it. This episode was charming beyond belief, even without the Christmas feeling.

I think that out of all of the characters in this series, the best developed one is actually Maon, and not Potte. Every character is of course very well rounded here, but Maon has this extra edge, where she actually managed to crawl out of her shell very believably. The whistling really shows this: in the second half, she only used it when feeling down. What once was the start of her development now has turned in this reminder to herself of how she should try out many different things.

As a writer, I could really relate to this episode, and what it means to keep living up to everyone’s expectations. A writer’s block is inevitable sometimes, and while at first it seems like just simply putting your mind to it, in practice things don’t go as easily. Personally I’ve found that looking at your work from a different angle works best, with the challenge being finding that angle. This episode portrayed it wonderfully. It was also a very un-typical story, and yet it was exactly something that you’d expect a high school girl to write.

And holy crap, this thing will end next week! Overall, I’ll be content if it ends there though. That makes this series short and sweet, unlike Aria, which requires a lot more effort to fully watch. If you add these 12 episodes to the four episodes of the OVA, you pretty much get the perfect length: 16 episodes. This is something that a lot of other producers should realize. Sure, it’ll probably be a bit harder with continuous stories and all, but what I’m saying: producers, be creative. You’re working in the anime industry, so it shouldn’t be that hard to find inspiration.
Rating: ** (Excellent)

Posted on 6 December 2011 with categories: Tamayura


Once again: what a heart-warming episode. Finally it’s Kaoru’s turn to get an episode, and this may just have been the best of the character focused episodes so far. If anything, this episode stood out because of how well acted it was. Not just Kaoru (who was wonderfully portrayed, by the way), but the entire cast really shined in this episode. To me, this was the episode where the cast managed to reach a new level.

It’s not just that Kaoru’s development and place with the series as the one who isn’t sure what she wants to do has been grounded. It’s also how this reflected to the rest of the cast. Potte admitting that she sometimes doubts whether she really wants to continue with photography for the rest of her life. It’s small, but THAT was a terrific addition to her character. Or take Maon: she’s now miles away from the girl who only whistled at the beginning of the series. Norie’s puke story was also both hilarious and adorable, but also the way in which she said it was very natural, compared to how over the top she was when we first started out with her.

Ten episodes in, and I really have to say: the creators succeeded in creating an absolutely wonderful cast. I dislike the type of slice of life shows where just nothing interesting happens, but this show struck a terrific balance. It was a bit weak at the beginning with the one-sided characters and a bit too much crying, but all of these flaws pretty much went away as this show solidified.

At the start of this series, I kept hoping for this show to deliver that final “oomph” in the end. It’s tie to see whether this show can set itself apart even more. This isn’t a manga adaptation, so the creators can fully plan in an ending of theirs, rather than this show just ending on a random story.
Rating: ** (Excellent)

Posted on 28 November 2011 with categories: Tamayura



Sato Junichi. Do yourself a favor. Get a cat.

Remember the episode from Aria? The one which was entirely devoted to President Aria? Well, for a moment, it actually looked like this episode would in its entirety follow around the big white blob that is Momoneko-sama. It got surreal at times, turning into this bizarre parody of the silent movie to narrate what he was saying.

THANK GOD though, the second half of this episode was about something completely different. And it was wonderful. It’s been a while since I watched such a down to earth portrayal of love sickness. The character it centred around only appeared in one scene before, but her characterization was already terrific.

With three or four episodes left, I do hope that the creators will use this time to do something special. I mean, this episode was a step into the right direction, but I want more. This show already has excellent characterization for just about every of its characters. Now use that.

Also, I’m not sure if I’m the only one in this, but I always really feel sorry for the voice actors who are tasked with voicing simple animals. This episode thankfully wasn’t as bad (seriously at least these cats had some really good voice acting, even though there was absolutely nothing feline about these… things), but it’s especially bad when a voice actor is called in to voice a cow in the background… doing exactly one “mooo”. Do these people feel any pride in their work?
Rating: ** (Excellent)

CHANGE USERNAME
Lenlo
That was an interesting comparison. Cool to see how far anime has come.
Lenlo
I cant wait to watch Kaze Fui tonight to answer those questions Kazier!
Kaiser-Eoghan
@Lenlo: Someone has done a comparison video for Dororo for a scene in the new one, comparing it with the old one: https://www.youtube.com/watch?v=j38anJY3BtA
Kaiser-Eoghan
Maybe some people found the flashback scenes too dramatic, but I didn't mind, they worked for me.
Kaiser-Eoghan
@Lenlo:One thing that has come to mind, how would it go if he encountered the coach again, but in the present?
Kaiser-Eoghan
@Lenlo:I also liked how the flashback was done in a grainy looking style.
If I found someone who was finding it hard to get into this show, I think that this episode would win them over and it’s the episode I found myself feeling the most.
Kaiser-Eoghan
@Lenlo: Episode 13 of Kaze ga tsuyoku is the fitting and perfect culmination of what has come before it and all is now essentially out on the table dramatically and all the better for it because of how well this series has built itself up.
Animosh
In essence it is still a battle shounen though: even if the fights always have narrative weight (it's not just fighting for the sake of fighting), the characters are to a significant extent developed through fights. So if that's not your thing it might be a hard sell even with its amazing animation and sympathetic cast.
Animosh
@Lenlo/Kaiser: the problem with Mob though is that its first two episodes are by far the worst of the series. So if you give it a try you should watch at least until the third episode, and possibly even episode 4/5 (since it's the first really good arc of the series imo).
Animosh
Yeah, it must be tough to blog three shows in the span of two days, especially with how long your posts tend to be. I find it hard enough already just to keep up with everything!
Lenlo
Ugh. Didnt get to Kaze Fui tonight. A shame. This whole Dororo/MobPsycho then Kaze Fui air schedule is gonna be a pain. You can expect Kaze Fui's maybe... Thurs? Not sure yet. Busy night
Kaiser-Eoghan
*newer not old
Kaiser-Eoghan
Some additional things I always notice in certain things, sometimes in these old medieval films or shows, in the American ones the characters occassionally don't look earthy enough.
Kaiser-Eoghan
Koyomi from clannad i mean
Kaiser-Eoghan
Somewhere in my head Koyomi is this weird anime take on an autist.
Amagi
All she did what stupid, but everyone was saying that she was a genius that would probably soon develope the theory of eversthing so it must be real even if she's only ever smart when the plots needs her to do some sudden computer hack or something.
Amagi
Smart characters can only be written by smart writers. So sometimes writers just tell that the characters are smart but you don't actually witness it. It's either shown by using such wise one liners or just because someone else is telling the audience they're smart. Reminds me of that one Kyoani genius girl.
Kaiser-Eoghan
Can't do the walk, don't do the talk.
Kaiser-Eoghan
I can buy it more for a tough old dude.
Kaiser-Eoghan
On more thought, alot of it has to do with who is saying them. Men who look like children with no charisma.
Amagi
I absolutely hate these one liners too. Especially when you can already hear them in the trailer.
Kaiser-Eoghan
I hate it when scripts coverup for awful characters by spamming quips at you.
Amagi
It's why I dislike so much stuff that gets released today. All these run-of-the-mills, copies, clones, alternative universes, sequels and so on.
Kaiser-Eoghan
But, beyond cgi, its the modern take wise-ass stuff that drives me nuts.
Amagi
Even if you're just drawing a landscape you need creativity. Where are the shadows, the lighting, what atmosphere should it trigger and so on. Maybe even a hidden motif.
Kaiser-Eoghan
ANARCHY KINO-MACHE!
Amagi
Yeah creativity is, well, should be among the most important things out there. I mean movies, anime, etc are actual art, art is meaningless without creativity. At least the narrating type of art.
Amagi
Kinda miss these anime. They're rare to begin with but I can't imagine anyone creating such a thing nowadays. Like Blame/Ergo/Texhno, even Lain. They never sold though, so I can even kind of understand it.
Kaiser-Eoghan
Ergo worked for me up until the ending.
Kaiser-Eoghan
I think clever is too often a miused word by people when they describe things. They reduce it to being "Just a smart storyline", when really it is more suited a word to something in tune with its creative side.
Amagi
Ergo Proxy even had a dense/heavy plot that was developing while you're busy figuring the setting out. And many things were shown indirectly. It was one of the rare anime I had to watch twice to get it. Texhnolyze is also such a thing but more bizarre in my opinion, less logical than Ergo, but still great.
Kaiser-Eoghan
@Amagi: Its really really nice knowing that I can talk to someone like you about this on my level .
Amagi
It's why I love series with strong settings so much. See Blame for example. Even Made in Abyss. You never know what kind of landscape you will see next and in Blame everything is fucked to behin with.
Amagi
Yeah. Well we do watch movies to feel excitement, and you can't really feel that if you can guess what happens next.
Kaiser-Eoghan
Now obviously these types of things can end up a coin toss of it either works or it doesn't, but I appreciate the risk taken.
Amagi
I tolerate it for games because whereas I still don't like it there, at least the game as an additional value which is the gameplay. So even with weak atmosphere I am still enjoying it for being a good game. But when I watch a movie I want get sucked in to some degree instead of being aware that I am just the audience (or the player).
Kaiser-Eoghan
I like that feeling of I don't know whats going to happen next.
Kaiser-Eoghan
I like the idea of a madman getting to do a movie and running with his imagination.
Amagi
It's like dreaming and suddently hearing your real life cat meowing and realising that it's just a dream, you're in the bed and about to wake up. And yes this is exactly why I dislike CGI
Kaiser-Eoghan
But sometimes people cry pretentious wrongly, when there wasn't really any intended thing to get.
Amagi
It's why I am so easily angered over little errors or writing problems. Because they destroy the atmosphere more than anything else.
Kaiser-Eoghan
I mean, I do like themes, characters etc, but my favourite experience is nightmare/dreamscapes.
Amagi
If the atmosphere is missing it doesn't matter what story you are telling, everything feels kinda hollow. Doesn't mean that show with weak atmo and great plot is bad, but it would be ten times better with the proper atmosphere.
Kaiser-Eoghan
I hate this modern idea of "It HAS to be coherent or mean something or follow some kind of linear or logical thing or some kind of rules"
Amagi
@Kaiser: Yeah it's why I often say that atmosphere is the most important part of a story, actually.
Kaiser-Eoghan
With cgi I am constantly reminded I am watching a film.
Amagi
Don't know all of the titles you mentioned, will probably look into a few of those I don't know.
Kaiser-Eoghan
What I love about these old slavic art films, is no longer being aware of the world around me when I watch them. They use actual crafted cinematography so they can still feel like you're living it, despite being so unreal.
Amagi
Technobabylon and Gemini Rue are my favorites. These games capture this fucked up feeling of noir-punk and dark cyberpunk perfectly and have a bunch of great twists and character arcs.
Amagi
I like this type of darkness somehow, as well as trash punk and noir stuff. I do enjoy the Wadjet Eyes games for that reason.
Kaiser-Eoghan
Naturally I loved both
Kaiser-Eoghan
Hard to be God and On the silver globe are insane, there's this sense of what the utter hell am I watching? But you feel like you've been transported someone else entirely.
Amagi
"We" (Мы) is also a Russian dystopia novel, it shared a bunch of similarities with 1984 but was written long before Orwell had had even started with 1984.
Amagi
STALKER has also made me check out a bunch of Russian/Ukrainian novels. I love their ideas. Their dystopias and everything.
Amagi
Slavs are doing good games right now. Looking forward playing this Russia Fallout clone.
Kaiser-Eoghan
I can't remember the name of the Soviet animation with the robot that keeps on working after everyone's dead.
Kaiser-Eoghan
But crappy puns aside. Dead mans letters, letters never sent, Ivan's child hood, Andreii Rublev, Cranes are flying and I am Cuba have amazing cinematography.
Kaiser-Eoghan
I wanna b a Potemkin master....
....like no-one ever was =P
Kaiser-Eoghan
Dead mans letters is up there with Threads as being one of the best apocalypse films.
Kaiser-Eoghan
*evangelion
Kaiser-Eoghan
Or would that be Nyguen genesis Evagelion =)
Kaiser-Eoghan
@Mario: You'll always be my ho chi main man minh Mario =)
SuperMario
I love Soviet cinema. Yeah the Mirror has that monochrome part. And they aren’t that big as they used to be but Soviet animation has great history
Kaiser-Eoghan
Stalker is an excellent science fiction film and not neccesarily because of need to anaylze it, but because it works of a visual-psychic level.
Kaiser-Eoghan
@Amagi: Zerkalo/mirror is a great example of this, just a stream of the directors thoughts, all visual impressionism, there might be a scene where I couldn't tell you the why or the what, but it'd make me feel something.
Kaiser-Eoghan
@Amagi: Basically where to understand, is simply to feel.
Kaiser-Eoghan
@Amagi: Its always fascinating that some filmakers have the ability to just let the film wash over you and move you with intricately crafted arthouse visuals. That they can do that, without character arcs/intellectual message/monologues.
Amagi
Speaking of soviet stuff I kinda want another movie or maybe even a cartoon like some of these old soviet movies that were partly monochrome and partly colored during important scenes. Didn't solaris have that too? - I know the monochrome parts were done to save money, but it was kinda impressive seeing colorless movies turning colorful ones during emotional scenes.
Kaiser-Eoghan
@Lenlo: Definately something that would appeal to me in terms of alternate style of animation. I'm actually quite a fan of different, out there animation styles.
Lenlo
Heres the ED
Lenlo
Yup, paint on glass. The entire ED for the first season was done in that style. Mob loves to use obscure or generally unusual art styles to sell the other worldlyness of its spirits.
Kaiser-Eoghan
That sounds pretty cool.
Kaiser-Eoghan
Excuse me....paint on glass effects in Mob? There was a Soviet animator that used that style.
Kaiser-Eoghan
*earlier
Kaiser-Eoghan
@Amagi: Again you psychically read my mind =P I was just thinking that about Farnese arlier.
Kaiser-Eoghan
@Amagi: I think I've accepted there are some manga I need to wait until they're finished before go back to them either due to slow scans or because they've gone on so long or go on hiatus.
Amagi
I think the later half as well as the hiatus killed it for me. Can't deal with that two chapters per year policy.
Lenlo
I, however, am still a rabid Berserk fanboy. :D
Amagi
I am also never a fan of characters completely changing personalities once they're redeemed. Farnese was an interesting villain and while I agree that she needed to overcome her trauma the current Farnese is just some soulless helpful big sister type. She only exists to care for Cjaskar and at some point even Cjaskar's eternal problem was starting to get on my nerves.
Amagi
@Kaiser: Same opinion on Berserk again. The arc before that with the inquisition tower was one of the highpoints of the manga, everything went downhill once Schierke had joined which is kinda sad since it was one of my favorite series before that.
Lenlo
Mob is much more character focused than OPM. OPM riffs on Shounen, while Mob is a much more character driven drama kinda series, with shounen elements. I would give it a shot for an episode or two.
Kaiser-Eoghan
@Amagi: Berserk started losing me when he started travelling around with those kids.
@Amagi/Animosh: Do you believe that Mob has better choreography than onepunch?
Kaiser-Eoghan
@Amagi:I will give exceptions to magical elements if a show can produce an adventure narrative worthwhile or if it’s a magical girl show.
If magic is featured in an occult horror fashion or in an exploitative way, I will also lean toward allowing it.
Kaiser-Eoghan
@Amagi: While I very much doubt Mob would be my thing, given how I generally felt indifferent to onepunch man and bias against shounen action, yes the art for Mob, when elevated by an anime adaptation lends itself to something unique looking and I can praise that.
Lenlo
I think ONE's style fits Mob better, and Murata's style fits OPM better. So yeah, Bones chose well on that front
Amagi
Not only are overdesigned characters really bad for movement which is actually needed to make a series and their characters feel alive but they also often look really bad in my opinion and there is a limit on how overdesigned a character can be until I stop taking them seriously at all.
Amagi
Yeah. I also honestly think that many anime are suffering from overdesigning.
Animosh
And I like Mob's artstyle a lot as well. It gives the series a unique look, and it gives the animators all the freedom they could wish for to play around with the characters (and basically everything else) as they see fit. Add Bones to the mix, and you have one of the best-looking series out there.
Animosh
I prefer the full ONE experience too. It's part of the reason why I slightly prefer Mob Psycho. OPM looks great and all, but there's way too much meaningless fighting going on in the manga lately. I prefer the tighter and more consistently subversive storytelling of the webcomic, although I still enjoy the manga a lot as well (and the story climaxes in particular tend to look freaking amazing).
Amagi
Different example since this is actual fantasy but I also prefered the early Berserk series over the later parts. When the supernatural horror stuff was more of a hidden thing appearing around Guts and otherwise just on special occasions, while most people didn't even believe such things exist. I prefer that over the high (dark) fantasy we have now although I get what Miura is aiming at.
Amagi
I guess I just have a thing for this secret-club mentality. I prefer it over worlds with blatan magical powers everyone uses and knows about.
Amagi
It's weird but I almost always hate anime with and about magic, the more fantasy it is the less I like it (usually, not always), but then again occult stuff is always totally my thing.
Amagi
I am quite happy they stick with the original Mob Psycho designs from ONE for this series. The OPM manga is probably one of the best looking things out there but ONE's artstyle has a lot of charme and makes characters more unique, especially if looks as polished as in the anime adaption.
Lenlo
Mmm cant wait to watch it. Kaze Fui, still great
Anonymous3309336
I really like how Kurahana admitted that he let his emotions get to him when he threw that punch at the coach back then. Now he feels remorseful about that day and how he made enemies from his former teammates.
Anonymous3309336
Meanwhile, looks like the next episode will focus on Prince again and his attempts to further improve his time.
Anonymous3309336
Meanwhile, his new teammates understand the pain he's been going through and want him to move on from that. Definitely as some of the best writing of this season.
Anonymous3309336
That punch he threw at the coach was certainly well-deserved, but I can see why the other teammates including Sakaki would come to despise him.
Anonymous3309336
This episode of Kaze ga... was great as always, as we see more of Kurahana's past and how his awful coach made Sakaki and the rest of his former team turn on him.
Kaiser-Eoghan
I wouldn't have minded reading several volumes of seeing Satou on the run.
Animosh
Thanks! That's good to know. An alternate ending could have been fun, but I suppose the ending of the anime was fitting, and if it ain't broke don't fix it.
Amagi
Looks like it's going to end. I guess it ends the same but we can't say for sure yet.
Animosh
For those of you still reading Happy Sugar Life: is the manga continuing past the anime? Or does it look like it's going to end in the same way? If it takes a different path it might be worth checking it out.
Anonymous3307077
children of the whales
Lenlo
Holy crap. Mob Psycho 100 is the best thing since sliced bread. BONES thank you.

And thanks Kaiser!
Amagi
well we have a döner kebab ship at least.
Amagi
I am from Frankfurt, another one of the biggest German cities but there isn't much to see here aside from skyscrapers and banks.
Kaiser-Eoghan
*had **taught
Kaiser-Eoghan
I hah had some notion that the Japanese didn't really know English or it wasn't well thought over there?
Kaiser-Eoghan
Lenlo's taste continues to be impeccably based.
Kaiser-Eoghan
lol I thought coolass47 was covering Kaguya.
Kaiser-Eoghan
Germany, both Koln and Berlin, especially Koln felt like a home to me and felt the less alienating/foreign.
Kaiser-Eoghan
.....probably embarassing but, I think I'd be put off sleeping on the floor in a futon or using one of those weird Japanese toilets.
Kaiser-Eoghan
Truly I am the Kaiser Eoghan.
Kaiser-Eoghan
Beyond that I've been to Belgium, Spain, France, Italy, Northern Ireland and Wales.
Kaiser-Eoghan
I've never been outside of Europe. I didn't have problems getting around Germany though when I went because my then girlfriend was from there and I knew enough to cope on a Holiday.
Amagi
also no matter which country I visited till now people were always friendly
Amagi
Yeah, now thinking about it, I could even find everything in Iran so I guess Japan should work too. Most people knew enough random English or German words to somehow lead you to the place and you want to visit unless it's some really weird relief or a small town that's difficult to reach but tourists usually stick with the big stuff.
SuperMario
... years ago and Japan is pretty safe and the signs are easy to follow in general. Even the locals who don’t speak English they are pretty friendly and help you the best they can. You don’t need to be worry on that front
SuperMario
I did it alone few
Amagi
Not sure how he did it (he went completely alone too) but it seems to be possible somehow. Not sure if I would make it though.
Amagi
Someone I know managed it alone and he isn't even that good in English.
Lenlo
I think I can manage. Lots of English signage in places like the rail systems and such. That plus the small amount I am learning in preparation and how much english they teach them over there, I should be ok
Kaiser-Eoghan
@Lenlo: Do you feel you'd be able to get by in Japan? As far as I know you don't speak any Japanese.
Animosh
Mob was great again too. The adaptation is really knocking it out of the park. And looks like we'll be getting one of my favorite side stories next week.
Animosh
I love how upbeat Slime continues to be. If only all wars were resolved like this. And then he goes on to improve everyone's lives by building homes, infrastructure, and coalitions based on common interests? Rimuru for president!
Anonymous3303364
I retired from the force in middle school enjoying my retirement, I still see the faces of the comrades we lost when we defeated the big bad and saved the world, I haven't seen my cute marketable mascot in 3 years, but I like this new life I'm living, I thought I found peace but the battlefield always calls out to me, why? Because war never changes.
Anonymous3303364
I love this comment since it's more well put on what this dark magical girls show really is:
Vonter
Perhaps in ten years when the next trope comes. I wonder if some will look back to the tropes from now with different eyes. Like they say, you don't know what you have until you lose it.
Vonter
Yeah, maybe I could watch some of that schlock. In a way some of it has become more endearing over time. Since times have changed.
Kaiser-Eoghan
Vampire wars was fantastic though, used shitfuck as a word from what I remember.
Kaiser-Eoghan
Yes! Finally they're saying it.
Kaiser-Eoghan
Watching a compiliation of dub cursings for angel cop, not enough F-bombs yet.
Kaiser-Eoghan
I always wish some of these old ovas got to go on for longer, especially AD police and bubblegum crisis. I'd have loved a full gunsmith cats or riding bean show.
Kaiser-Eoghan
I have to watch Angel cop some day I really do.
Kaiser-Eoghan
And I think vonter, if magical girl ops can't achieve the exploi angle then it has failed all the further. We'll have to see.
Kaiser-Eoghan
@Vonter: I was disappointed when I saw the more modern anime! Because it didn't have the art I liked in the ovas.
Vonter
I do remember now. Did you watched the Birdy The Mighty OVA (not the series, the OVA). That one I remember liking because it was cheesy, visceral, had IMO better designs for the aliens than the ones in the TV series and I digged the dynamic of the two leads. However it was cut short. Perhaps it was too derivative for the time.
Kaiser-Eoghan
Sometimes I can actually take ridiculousness much better when its a live action exploitation thing if it happens to fail in animated form. That Jeanne d'arc anime and maybe magical girl spec ops would have made hilarious 60s/70s Eurotrash films.
Kaiser-Eoghan
One of the only modern anime to do the exploitation angle right was Freezing.
Vonter
I want to believe there's something like that already out. But I'm blocked. I can only mention that I now want to rewatch some of Devilman Lady. It does have a female lead battling monsters with an 80s sci fi horror vibe, I don't know it reminds me for some reason to movies like Godzilla 1985 or King Kong Lives.
Kaiser-Eoghan
@Vonter: Or go mental.
Kaiser-Eoghan
@Vonter: Thats one I still need to get around to. If I have to have a darker magical thing, it either has to be camp and goofy enough while taking itself dead seriously or keep some of the fun .
Vonter
@Kaiser-Eoghan - If you haven't check a couple of episodes of Lady Devilman. Despite being formulaic, the monsters on that anime are really well made and feel creative, morbid and creepy.
Kaiser-Eoghan
@Vonter: lol Damn, now I want to see Go Nagai's take of Magical girl ops.
Kaiser-Eoghan
And I love how some old ovas would sometimes take place in America, but in this IDEA of it, getting it wrong.
Kaiser-Eoghan
@Vonter: I love how they added in those stupid curse words every few minutes aswell, wonderfully incompotent.
Kaiser-Eoghan
@Vonter: Mad bull 34 was lovingly perverse , like a Japanese equivalent to those wonderful Italian police things.
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Featured Posts

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