Posted on 18 September 2009 with categories: Anime Reviews, Tokyo Magnitude 8.0



One thing I love about watching anime is that sometimes, there are these series that come from absolutely nowhere and blow you away. Tokyo Magnitude is one of those series. It’s based on a “what-if” scenario: what if modern-day Tokyo were to be hit by a massive earthquake? This actually is a very likely scenario: it turns out that there is a 70% chance that Tokyo will be hit by an earthquake of magnitude 7.0 in the next 30 years.

Tokyo Magnitude shows that even in the city that is probably the most well-prepared city for an earthquake, it would still be plunged into chaos if an major earthquake actually were to take place. Tons of people would end up either dead or injured, even more people would lose their homes. The creators end up portraying this sense of chaos and despair incredibly well.

The series follows three people in particular: two siblings Mirai and Yuki and an adult called Mari, however that doesn’t stop the creators from showing how everyone else is doing. They make really well use of their budget to create an identity for every single passer-by: they take care in emphasizing that every single person in the background was also just a regular person who also was hit by the earthquake, who also may or may not have lost someone, or might be separated from his or her loved ones. This series really managed to create a setting that feels real, in which just about everything is filled with details that make the setting come alive. Figuratively, of course.

The first half of the series is mainly this, while the second half, in which the chaos tones down a bit, changes the direction of the setting in a character-study of the lead characters. I’m not going to spoil exactly what happens, but both halves are equally bittersweet. You do need to know that the second half does this at the sacrifice of a bit of realism, though. The second half is much quieter in comparison to the chaotic first half, but that really allows the plot to be very subtly developed, and the emotions to sink in.

The biggest flaw of this series is a little disclaimer at the start of each episode, which claims that this series is as realistic as possible. While this series is indeed very realistic (more realistic than like, 98% of all other anime out there), there are points that could not have happened in real life. Besides, it’s a rather pretentious disclaimer anyway: instead of telling us it’s realistic, we’d rather like to be able to judge ourselves.

Nevertheless, at this point Tokyo Magnitude has the potential to remain a classic in anime. It’s believable, depressing, but also uplifting, fresh and inspired. There’s been a lot of discussion going on whether or not this series took the right turns along the way, but personally for me, it has been an amazing series. Most people who know this blog will know that I’m already a big fan of the Noitamina timeslot. Aside from Honey and Clover, I’ve seen every single show that came out of it, and Tokyo Magnitude has become my favourite series out of all of them.

Storytelling: 9/10
Characters: 9/10
Production-Values: 9/10
Setting: 10/10
Posted on with categories: Tokyo Magnitude 8.0



Haha! Another show with a very satisfying ending. This episode was bittersweet, and I think that everyone who managed to keep his/her suspense of disbelief is going to find it an excellent conclusion. In this episode, Mirai comes to terms with what happened to Yuki, she meets her parents, and attempts to continue her life. While most conclusions in anime are a bit lackluster, this episode was in no way inferior to the rest of this amazing series.

But damn, I don’t think that I’ve ever had such a heated discussion going on as for the past few episodes. Personally though, I wasn’t bothered by Mirai’s hallucinations. Instead, I just see this series as fiction, with a very high degree of believability. For me, there were only three points that seemed forced: Mari who just happened to run into her co-worker as she collapsed, the point where Mirai was trying to save the trapped robot and nearly died herself, and the point at which Tokyo Tower nearly collapsed on Mirai but Yuki managed to save her. Nevertheless, in any other show this would just be anal nitpicking.

Thinking back though, the whole Yuki vs. Mirai relationship seems to be much deeper than I originally thought. I mean, we all thought that this would be a series in which the initially bratty Mirai would grow up and take care of her brother. However, this happened already in the second episode. After that, these whole themes reversed, and it was actually Yuki who took care of Mirai; it could be seen as his way to repay Mirai for saving him, he kept her out of danger, he saved her from the Tokyo Tower and the accident with the falling robot. He was the one who tried to cheer her up when she was feeling down.

And even when he died, his hallucination continued this trend: he safely guided her back home, and slowly tried to make her understand that he died. The question remains of course, what the real intention from the creators was. Was the Yuki meant to be taken as symbolism, something like a guardian angel, or did Mirai subconsciously create something that would guide her back home safely until she would be out of danger? Are those options realistic? Nah, not really. Are they believable? For me, they are.

It’s always a bit of a gamble for a series to go into a different direction. The first half of this series was clearly different from the second, as this series changed from a detailed look at how a major city reacts after being hit by a major earthquake, to a character-study of Mirai. In my opinion, these changes can work as long as the new direction has enough to offer, which was definitely the case with this series for me. It was a nice gamble in any case: if the creators would just have continued with the same direction as the first half, we definitely would have gotten a more realistic end, but at the same time, I don’t think that it would have been as memorable of an ending as right now.

Also, on a side-note: I love how the creators actually spent time in creating distinct character-designs for Mirai and her family throughout the years, rather than simply being lazy and just creating a bunch of mini-versions of their characters, like a lot of anime seem to do. Very nice.

Overall, Tokyo Magnitude, as amazing as it was, didn’t end up being my favourite series of 2009. Birdy the Mighty Decode in the end was better for me. It however has a good chance of showing up in my top 5 for this year, unless a lot of really good shows shows happen to air in the upcoming Autumn Season. But for now, let’s just assume that that won’t happen.
Rating: *** (Awesome)

Posted on 12 September 2009 with categories: Tokyo Magnitude 8.0



Oh my god. This episode was just… incredible. It’s because of episodes like this that I still remain a fan of anime, even after watching hundreds of series. It’s series as this one that just keep me coming back, and make it all worth it.

The way this episode played out… it just allowed for the best way to show Mirai coming to understand that her brother is actually dead. We knew this for a few episodes by now, so it wasn’t the revelation or shock of his death that made this episode so powerful, but instead it was just Mirai’s character who carried this entire episode. Yuki’s illusion started to waver when Mirai met Yuki’s best friend. I think that at first, she was unconsciously confusing the two boys with each other, and therefore didn’t see the two of them at the same time at first, but eventually she did start talking to Yuki once she got used to his friend being there.

The sad thing wasn’t just Mirai realizing the death of her brother, but rather the subtle differences between the dead Yuki and the remains of the real Yuki: the things he wrote and did when he was still alive. It was really heart-wrenching to see how Mirai unconsciously tried to fit in her image of Yuki with the things he did, still refusing to admit that he was dead.

Whether or not this is realistic, I don’t know. I’m not a psychiatrist, I can only relate to what sounds plausible to me. Still, at the same time that doesn’t mean that there’s no gray area. Anime for me has always been a combination between fiction and realism, with the more realistic, or I guess that “believable” is the better word, usually being the most enjoyable for me.

A slightly spoilerific example, but excellent to illustrate the decision of the creators to insert a not-so-realistic plot twist in this series is Porfy no Nagai Tabi. It’s in many areas similar to Tokyo Magnitude: both feature two siblings, caught up in an earthquake, both feature a lot of realism, both involve travelling to get back to a family member you’ve been torn apart from, and both have females who were left with mental illnesses after the quake (in Porfy’s case, Mina loses all of her personality and memory).

Anyway, Porfy no Nagai Tabi was also incredibly realistic. Perhaps even more than Tokyo Magnitude because its length is nearly five times larger. However, when the final arc starts, a plot twist happens that’s in no single way realistic. There’s no way for something that convenient to happen. Does it ruin the anime, however? No. Instead, it really allowed the characters to get the best out of their development. With Tokyo Magnitude it’s the same: sure, we may not often see perfectly realistic illusions of our dead ones around us. But does that make this series any less incredible? For me, it absolutely doesn’t!
Rating: **** (Fantastic)

Posted on 4 September 2009 with categories: Tokyo Magnitude 8.0



Oh my god. I’m just… at a loss for words after this episode. This episode was just beyond sad. I’ve been a huge fan of Noitamina for years now, and I have watched every single of its shows aside from Honey and Clover. But damn, this series has a good chance to be the best thing that Noitamina ever brought forth…

Now that we’ve finally arrived at the last part of the story, it’s time for all of the build-up to pay off. IE: it’s time for this series to get back to the amazing quality of the first five episodes. Mari gets home this time, and starts looking for her mother and daughter. At first sight, they appear dead, but eventually they turn out to have survived in one of the most heart-wrenching reunions. Usually when anime try to play around with “is he dead or not”, this feels rather cheap, but within the context of this series it becomes downright scary. With so many people dead, and at the same time so many survivors left not knowing what happened. There’s no way of telling who might have survived or not. Heck, are we even sure that Mirai’s parents survived?

Speaking of which: OMG at the cliff-hanger at the end. Mirai and Yuuki have actually decided to travel to their homes ALONE!? Taken into account what happened to Yuuki in the previous episode… how the heck are the creators going to end this?! Probably the most evil thing of this episode was that even though Yuuki is most likely SPOILER just about everything kept Red Herringing around him.

I now see why I was so disappointed with episode 6 and 7: with such an amazing start, I expected the rest of the series to be also this consistent in quality, while in fact they were meant as a calm before the storm: they were meant to build up, and take it easy a bit for the finale. I’ve indeed been incredibly stupid thinking that this series was going to jump the shark in its second half. This episode was utterly amazing, and the final two episodes… wow… just wow.
Rating: **** (Fantastic)

Posted on 28 August 2009 with categories: Tokyo Magnitude 8.0



The past two episodes of this series made me think a lot about the nature of criticism. Especially after the previous episode, which I slammed down for having Yuki supposedly collapse for cheap drama, even though it’s not that weird for people to get sick in these situations. I also remember people who weren’t happy with that episode because it included robots. But yeah, then you have things as this: is it still unrealistic and unbelievable when it’s being used in real life?

I think that a lot of people (including myself; I’ve caught myself doing this plenty of times), whenever they are turned off they start looking for reasons why. These seeming logic flaws are then very easy targets for these criticisms. Ignoring the obvious cases in which a plot twist becomes so stupid or unbelievable that it destroys the entire suspension of disbelief, these things often aren’t the real reasons for these declines in quality, and in the case of very realistic shows as Tokyo Magnitude, you can see people who start blaming things that turn out to be perfectly normal.

In the end, the only thing that I can really criticize this series for is that I don’t like the OP. I’m one of those people who is too lazy to skip through OPs (aside from perhaps marathons), but at the same time I’ve never been a big fan of neither j-pop or j-rock, and Abington Boy’s School is no exception to this rule, and the song they used for this series’ OP is getting more and more on my nerves.

I think the thing with this series is that episodes 2-5 were utterly amazing, and the past episodes, instead of building up to a great climax at the end, instead went to go for a much quieter aftermath. It’s not exactly the same as Eden of the East, where it became clear along the way that the creators just took too much on their plate and badly paced the series after its initial episodes. With Tokyo Magnitude, I think it’s obvious that the past few episodes lacked the same emotional impact of the first five episodes. The question however is: does it need to be?

I’m getting more and more convinced that this show indeed doesn’t really need to be. I’ve become so used to anime, which nearly all have the general pattern of a build-up that gets increasingly full of tension, but here we have an entire subversion of this trope. During an earthquake, the biggest emotional shock comes right after it happens, and after that the tension, while it’s still there, fades as more and more people regain their sensibilities. The more I think about it, the more realistic it becomes.

Anyway, about this episode, aside from the total chaos in the hospital it was a very quiet one. Yuki turns out to be fine for now, while Mirai has visibly grown up while Mari becomes more and more worried as to what happened to her children. It’s a role reversal here: the reason Mirai managed to grow wasn’t just because she had to look after Yuki, but also because Mari, who started out as a mother figure, started to show more and more of her weaknesses. And that was the strength of episode six: its purpose wasn’t to insert some random illness, but instead show that Mari instead was just a human being, and at that point Mirai realized that her whining wasn’t going to help at all to solve the situation, especially since you can really see that she wants Mari to be reunited with her daughter.

As for the reason why Mari refused to take the scooter in episode: she might actually be running away. Take a look at this episode: instead of walking fast, like what I would do when I was worried about someone, she often walks way behind Mirai and Yuki. It’s as if she’s scared to find out that her daughter died.
Rating: ** (Excellent)
Edit: I rewatched this episode, based on your comments, and you’re right: they’ve given this episode a completely different meaning, and what I believed was a rather quiet episode has now become incredibly sad instead. I really have to give thumbs up for the creators for having the guts to go this far.
Rating: *** (Awesome)

Posted on 22 August 2009 with categories: Tokyo Magnitude 8.0



Aah, I hate this effect. Do not get me wrong with this entry: this episode still was a really good one, but at the same time I do believe that the creators have jumped the shark a bit and moved away from what made the first five episodes so incredibly good. This effect started at the last episode, but back then I was focusing too much on details that didn’t really matter.

But let me first start with the good parts: it really was a good lesson for Yuki and Mirai this time that they shouldn’t be wandering off at every occasion. Now that they’ve gotten a good night sleep and the initial shocks are gone, they’re starting to get a bit more of their energy back, and so they start to act more child-like. The rain was also nicely preluded with the dark clouds coming up.

As for the robots, they’re an interesting idea, but they could have been made more practical in my opinion. If they were made to scout around for survivors, they should have been made faster and smaller. Otherwise they could have just been replaced by a rescue worker on a bike. Still, it does seem logical to use robots like these if they’ve been sufficiently tested and fail-proof: this way the rescue workers can act more efficiently and don’t have to waste unnecessary energy to search around for survivors, and instead can concentrate on rescuing.

Anyway, my “problem” with this episode was that the creators are trying a bit too hard, which takes away a bit from this series’ realism. And really, Yuki’s sunstroke would have been a great ordeal for the characters to overcome, but it just feels cheap right after Mari succumbed to anemia. It’s nearly like the characters are taking turns in getting sick here. The creators instead should have just focused at the three of them trying to get home.

I realize I’m complaining a lot, but I’m just rather unhappy that the past two episodes didn’t manage to uphold the amazing standards that were set by the first five episodes. It’s in a way like Now and Then, Here and There: the second half there was still really good, but it wasn’t as gut-wrenchingly sad as the first half. This episode also took the focus away from everyone else, in the favour of focusing more on Mirai and Yuki, and while it would have been an excellent episode for most other shows, I just know that the creators could have done better here. The boy with his fascination of robots was also nice and all, but it felt too much like he was reading a script rather than telling about his life.
Rating: * (Good)

Posted on 14 August 2009 with categories: Tokyo Magnitude 8.0



Well, this episode unfortunately wasn’t as impressive as the previous ones. It still was amazing for any regular series, but this is Tokyo Magnitude we’re talking about, which had been consistently awesome up to this point and it’s a shame that this episode broke its flow a bit. This episode was a bit too… “anime”, for a lack of a better description. It was the only episodic episode of this show so far, but especially the animation budget was considerably lower.

The creators thankfully kept trying to animate all of the on-lookers around, characters still are very much animated, but the faces in this episode were sometimes too distorted to take seriously. It works in some series that go with this all the way, like Birdy the Mighty, but here it doesn’t really work, unfortunately.

In this episode, Mari also catches a cold from sleeping without a blanket. She collapses a bunch of hours later, sleeps for some more hours, takes a few pills and after that is completely fine again.

That is not how colds work.

This really was my major beef with this episode. I’m not sure about others, but when I catch a cold I don’t immediately notice this. Of course it’s annoying and I feel terrible while having the cold, but is it really enough for people to pass out on? Where does the heavy breathing come from, and why do they disappear that often? I’ve seen this often in anime: people catch colds and nearly always pass out afterwards for dramatic effects. Or do the Japanese have different colds than the Western world or something? Especially in a show as realistic as this one, it stands out.

But apart from that, there was a lot to like in this episode and it really allowed us to show a different side of Mari. The aftershocks made as much of an impact as ever, especially when Mari, Mirai and Yuki, especially since they were inside a building (the building where Mari works, actually). We learn that a bunch of accidents have taken place at the place where Mari lives, and she suddenly becomes a completely different person as she tries to find out more about what happened back there. All we know from this episode is that there’s some sort of fire going on, but nothing on her daughter yet. We do get to see another bunch of pictures of her daughter and her husband though, along with a small flashback of how she and her husband fell for each other.

So a major part of this episode was spent on Mari, trying to decide whether or not to abandon Mirai and Yuki in order to check up on her daughter. Mirai and Yuki even go as far as borrowing a scooter from a person who managed to survive the earthquake without any major casualties (I loved that scene in which they tried to steer that scooter. So realistic). In the end, she just decides to take her time and go along with the two children.
Rating: ** (Excellent)

Posted on 7 August 2009 with categories: Tokyo Magnitude 8.0



This series is seriously tearing me up as I watch it. I remember wondering at the end of Birdy the Mighty Decode 2 whether or not the rest of 2009 would premiere a series that would match its brilliance. I’ve finally managed to find a contender. It’s amazing considering how much this series has already done in only FIVE EPISODES so far. This episode lacked any action and didn’t have a rebellious Mirai, but it left me as an emotional wreck afterwards.

This episode first showed Mirai’s old elementary school (she seemed to have had to travel quite a distance to reach it), which leads to an anecdote in which Mirai tells about how her mother embarrassed her at her graduation ceremony. The rest of the episode shows the three lead characters as they spend the evening and the night in the shelter camp that has been set up at the school.

I loved how this episode didn’t just tell the story of Mirai, Yuki and Mari, but also that of the school, the people who lost their loved ones, the old couple who lost their grandsons, the girl who had a mental breakdown due to the aftershocks, the guy who seems to have suffered from a sunstroke, Megu, one of Mirai’s classmates and heck: even that couple sitting next to each other and staring at the wall that only appear in one frame. Seriously, you don’t see many series in which the creators just pull out a random classmate, give her less than a minute of airtime and yet manage to make you sympathize with her with a believable back-story.

But yeah, this was the episode in which the chaos settles down a bit and the emotions pop up even more. It’s in a way similar of getting an injury during sports or something else: in the beginning the adrenaline is still rushing through your body and you’re still too bewildered to really get what’s going on. Then a few minutes later, the seemingly endless pain really starts. In this episode, it really starts to sink in that people have died here.

Really, while watching this episode, I kept wondering whether this really was only the fifth episode of this series. It feels like much more episodes have passed for this series, and yet there seems to be no end to how amazing this series can be. It’s really going to rank among my favourites of 2009 if the creators can keep this pacing up throughout the final six episodes.
Rating: *** (Awesome)

Posted on 31 July 2009 with categories: Tokyo Magnitude 8.0



Four episodes in, and this series still hasn’t show any signs of dulling in. This episode yet again was amazing and heart-wrenching. I was already suspecting that the creators were going to crash Tokyo Tower at one point. That happened here. Interestingly enough though, it was far from the highlight and main focus of this episode.

Media coverage on such disasters like Earthquakes and the like always tend to be rather one-sided: they always focus on the people who have been hit the worst. These disaster documentaries like the ones you see on National Geographic Channel always tend to pick out the ones with the most spectacular cases and all. That’s why it’s incredibly refreshing to see that this series picked out a bunch of random people who got caught up in the earthquake. This brings things surprisingly close to home: “it could happen to you”. And I think that that’s what makes this so engaging.

The first half of this episode was about… Mirai trying to go to the toilet. Perhaps it’s not the most appealing of side-plots, but for a child her age to suddenly get bothered by a bad stomach… it indeed could happen and this episode showed that even that proves to be full of troubles in such a situation in which millions are stranded.

What struck me also here was that scene in which Mirai and the others tried to get some food. The way Mirai judged that person who walked away with two cups instead of one is exactly what’s going on in just about everyone’s mind in such a situation. We have no idea whether this guy took advantage of the situation or whether he really had a good reason to be carrying two cups, but that single scene said so much about the situation everyone’s in.

The second half of this episode showed Mari leaving the two kids alone as she tried to get information on where to go, at which point Mirai and Yuki get into a fight. At that point, Mirai really felt miserable because of everything that happened to her, not to mention that at that age, you really find your little brother’s whining annoying no matter how good he means it. In the end they both have a good cry and make up.

I’ve always been a fan of realism in anime, so I really love the touches of realism in this series. Yuki may be a bit too nice for a boy his age, but I definitely could see a character like his in real life. And besides, I don’t think that he’s ever seen his sister in so much distress as here, so I don’t think that he had any time to panic for himself. I think that that’s why his tantrum in this episode was so good for him, because it finally allowed him to blow off some steam.
Rating: *** (Awesome)

Posted on 24 July 2009 with categories: Tokyo Magnitude 8.0



To those who found the second episode a bit too mild and unspectacular: watch A Spirit of the Sun. It’s a two-episode OVA about an earthquake that is so powerful that it splits the entire Japanese mainland in half. That’s destruction for you. I however, prefer series as Tokyo Magnitude much, much better. After all, what makes more impact? An atom bomb dropped onto some sort of major city that wipes out millions of people, or a section of a highway that crushes some people who were worrying about their loved ones and tried to get home, dying right before the protagonist’s eyes?

Anyway, this episode showed what I have been suspecting: the real disaster hasn’t even started yet. Mirai and Yuki are miles away from their house, a distance that’s very hard to walk for a bunch of kids, and the two of them are going to have to try and reach it inside a city in which millions of people are trying to do the same.

And then there are the aftershocks, which may not have been able to cause destruction on a large scale, but definitely on a small scale. Take buildings that have been well designed, but caught fire in the big earthquake. Through an extra push of an earthquake of size 5.0, they can still collapse, which is what happened to the bridge in this episode.

There is no doubt in my mind that this is an amazing series. This episode did so well in bringing across Yuki’s fears of being abandoned and separated from Mari, even though she often bitches at her. The blisters on her feet due to her sandals was also a very nice touch. Because the weather is so hot, I doubt that a lot of people there are wearing shoes fit for long walks.

As for the typical Bones endings, I can actually see little that can go wrong there: if the series is just going to be about Mirai and Yuki trying to get home, this will make for a very charming conclusion to the series if the creators end it at their reunion. The only problem I can see is that they might force in a conclusion to Mari’s storyline about her kid.
Rating: *** (Awesome)

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Masky
This is why generalized statements are annoying, because someone always take them too seriously and nitpicks "but it doesn't happen that often" or "when you say always it isn't always" xD
Masky
I dunno why I bother sometimes, since its not like you want to understand what I mean anyway : D
Masky
@Aidan: Bah, meanie~
afgm
the technology isn't super refined yet, but it definitely has the potential to make drawn animation obselete
afgm
The setting is especially enriched by the CGI
afgm
Berserk is amaaaziiing! Oh my god! The animation is so detailed, movement wise! You can't get that with drawings.
afgm
@SuperMario: lol yeah
AidanAK47
@Mario, That sucks. Though I often find realistionships too troublesome to bother with.
AidanAK47
@Masky, no you often don't. You tend to make random generalized statements. Hence why I assumed this was also a generalisation based on small cases. And it still is.
SuperMario
But Flowers of Evil is a great series, I agree
SuperMario
@afgm: you talking 'bout the anime, right? Because the events after the anime are when sh!ts just got real.
afgm
It's one of my favorite series
afgm
@SuperMario: Flowers of Evil is anti-romance, but it is a celebration of love apart from it. Nothing makes me more hopeful than to watch a protagonist recover from a prolonged and debilitating manic episode.
Masky
So I guess technically she does have Finnish name even though it doesn't really sound like it to my ears...
Masky
Just to note Luvia is tiny municipiality here, never heard of it before though. Edelfelt sounds like it has Swedish origin, but it is name that is name of apparently somewhat famous Finnish painter. I haven't heard of that guy, but I don't really know many Finnish painters because I'm not into art history.
Masky
Joking aside, like I said, Finland is mostly mentioned in otaku pandering material for some bizarre reason. For example, I once saw review of game that is about stripping vampires(not hentai game, can't remember name though) and I noticed it had one random Finnish character who actually did have Finnish name.
Masky
@Aidan: Hah, take that for being arrogant "its on your head" : D I know what I'm talking about most of the time
SuperMario
But isn't it fitting that the anime/manga I'm currently following is Flowers of Evil, a pretty much anti-romance manga. Well, might as well write a reflection on the manga if I feel up to it :)
SuperMario
@Kaiser: I wish I were joking, but it's okay. I don't want to bring the atmostphere of the shoutbox down by my personal affairs.
@afgm: thanks man. Well I'm just keep moving on, no use thinking back too much on that.
Kaiser Eoghan
Oh. whoa whoa, I thought Mario was taking the piss/joking with that post...thought wrong.
afgm
@SuperMario: That sucks man. How are you holding up? I know long distance relationships can be hard to maintain -- it gets pretty lonely.
Kaiser Eoghan
Really glad to see that Vinland saga has gotten properly good again, it was starting to get back on track slowly but surely, now it, with this new chapters revelation fully has,
Kaiser Eoghan
Ireland was mentioned in Nabari no ou and an episode of original gundam, two of gundam 00s characters are Irish.
Kaiser Eoghan
I don't like generalized statements, much prefer Colonelized ones actually.
Kaiser Eoghan
There was a dating sim adaptation by studio deen in 2003 that did a girl of the week format, one of the girls was finnish.
SuperMario
Just broke up with my girl after 3 years. Figure that it never works out for a long-term relationship... (That's a generalized statement right there)
AidanAK47
So that's one. Can't say I remember seeing Finland elsewhere besides that show where all the countries are turned into anime characters.
AidanAK47
Luvia Edelfelt is from Finland?! Well damn you learn something new every day.
AidanAK47
And now I find a screenshot of them saying Miyu is from Finland. Which is weird because nothing of the sort was mentioned in the manga.
AidanAK47
Most I seen was anime characters saying Norway which was generally used as a means of saying NO WAY.
AidanAK47
@Anon48363, its sad that when I see a comment like this my first reaction is suspecting its a Bot. Thanks though.
@Masky, nope. No they didn't. I think this may be in your head.
Anonymous48363
Been enjoying the site for 7-8 years, if not longer. Thank you for your efforts in keeping the editorial line intact wrt reviews and happy to discover new content in the process. Keep up the good work!
Masky
Anyway, speaks of your "high taste" I guess. Finland gets brought up in some of otaku fanservice material for some bizarre reason. I'm weirded out by that since Finland is most obscure backwater place I've seen mentioned most out of other obscure countries xD
Masky
Of course it is possible I'm remembering wrong too(and did read wrong) and they did mention it only once :P
Masky
How funny you say that and then mention that weird magical girl spinoff right after wards xD The part where they introduce Miyu to rest of class has teacher saying she is transfer student from Finland, unless I read subtitles wrong
AidanAK47
Gonna wait on the Prisma Illya episode post. Figure I cover two episodes in one considering the slow pace isn't giving me much to work with.
Got to say I thought this would give me much more to talk about.
AidanAK47
I don't remember Finland ever being brought up in anime. Or video games. Or anything for that matter.
Speaking of the preview I have at least checked the source material. Just need to buckle down and start writing it.
Masky
@Bam: I know right? :D
Bam
I agree with K-off regarding keep the business end of stuff off the shoutbox- I just have no means of communicating with all of ya'll. We can Skype, but I suggest Google hangouts for conferencing. That way we may be able to record special podcasts, and now's probably a good time to get this to the next level.
Bam
I also volunteer to help with the workload for the season preview. I would be down to cover two series, but they have to appeal to me, cause there's no way I can be fair and PG-13 with the reviews of aweful shows.
Bam
@Masky: "Generalized statements are in general rather annoying". Hehe, that awefully sounds woefully like a generalized statement to me m8.
Bam
First Dark Souls III DLC titled Ashes of Ariandel just confirmed for an Oct 25th release. Thankfully this time, all regions and platforms are getting the expnasion on the same day. Here is a reveal trailer to launch the Hype Zeppelin:
https://www.youtube.com/watch?v=iu1NCPMC7D0
Bam
Friend: please send me, or post, the finished banner once you have it complete. I would like to take a gander. Thank you.
Masky
...Espicially since characters supposedly from there rarely have names that sound Finnish.
Masky
So anyhoo, so why is Finland one of countries that tends to get name dropped a lot in anime/manga/japanese video games? As Finnish person that weirds me out
K-Off
@Friend Damn, kind of surprised to see how abstract some of those concept art are for Mulan. But generalizations are just easier to make if all they care about is validation.
Masky
Generalized statements are in general rather annoying, but everyone loves to make them anyway for some reason :D
Friend
I'm nearing completion with our banner, in terms of work-hours Id say 3 hours? But in real life that equates to about 4 days because of stuff.
Friend
Something that annoys me: when a fellow artist makes a generalized statement about the industry by saying something silly like "japanese animated films have more creative input involved." Uggh Google "Alex Nino Mulan Concept" and tell me if you still think that. Sorry about that X/
SuperMario
And it might sound weird to you guys, especially majority of you are in one of the hottest days of summer, but I'm gonna head off to snow mountain for skiing this coming weekend. So expect the weekly posts will be a bit later than usual.
SuperMario
I don't know if that guy @Bond is still lurking around here, but I'm still interested In doing that thing with him
SuperMario
@Aidan: imho, those numbers don't really mean if we have nothing to compare them to. I'll say the ratio between original/ all anime for particular seasons would tell us a lot better
AidanAK47
But it does counter the point of "We don't get enough original anime anymore" which in itself was a pretty silly statement.
AidanAK47
Of course just because they are original doesn't automatically qualify them as good.
AidanAK47
@Anon44887, that logic would apply if it was an exception. 9 original shows last season, 14 original shows this season. 20 in the next. Are they three seasons all an exception?
Anonymous44887
@AidanAK47: An exception that proves the rule
Vonter
Just to ask does any of the shows being reviewed have a great soundtrack. Just asking for asking.
Kaiser Eoghan
@Aidan: I recall he posted under the name Bold/bond, the same poster who made the chart.
AidanAK47
Who was it again bemoaning that we don't get enough original(Not adaption) anime anymore? Cause there are 20 original shows next season. Great for anime but hard for me cause what am I gonna write in the preview?
AidanAK47
I am a bit too stubborn to burnout.
@afgm, I didn't change a thing.
Anonymous38539
I hope AidanAK47 would not suffer an Anime Burnout. I love this site and it pains to think that one day, no one will be writing the seasonal previews and yearly summary.
SuperMario
@Aidan: you have 91 days's episode as 9 instead of 7
AidanAK47
Bloody hell, even the spambots are referencing Pokemon Go now.
K-Off
For future reference, let's direct admin dialogue to email, apart from direct feedback.
@Mario We're working on allowing users to set up accounts.
SuperMario
And the constant anonymous names just keep bugging me. Can we make it back to the old shoutbox, where you have to put down your name in order to write message?
SuperMario
I think it's one thing leads to another. he's getting too burnout that he doesn't know what to write anymore.
AidanAK47
@Anon36049, pretty much what he said. Though it seems to be a combination of anime burnout and writers block.
Anonymous36271
He suffered from anime burnout and is getting on with real life.
Anonymous36049
Hi guys I havent been around for a long time. Does anyone know what happened to psgels? I see that the new posts are not his.
AidanAK47
Disgaea 2 coming to steam. Sweet.
Gotta finish Disgaea 1 and hope they don't screw up the port on release day again.
AidanAK47
Illuminati are everywhere, regardless of wherther it's anime or not. Sword Art Online was the work of the illuminati. All in the name of the gaint magic eyeball triange god do they rule the landscape of entertainment medium.
Also Magic Eyeball-kun also argees that Rem is best girl. And none shall dare denounce that claim.
SuperMario
@Anony35181: never thought they're that much interested in anime thou
Anonymous35181
@supermario, illuminati confirmed
SuperMario
Is it just me or couple of messages from the shoutbox just gone missing?
Topgavin
Haven't been watching it myself, but apparently in Taboo Tattoo, that large-chested high school girl died while running *onto a live battlefield* to check on her boyfriend with a shirt that said "flag". 10/10
K-Off
@afgm Sent you a message.
@Friend Looks good, I'd be interested in seeing multiple witches as well.
Anonymous32745
Chemotherapy is a cause of cancer rather than a cure.
Anonymous32745
If you know someone dying of cancer, immediately inform them that allopathic medicine will kill them and turn them to natural remedies which often work.
Anonymous32745
"Medicine and science are powerfully institutionalized, but no institution or profession has existed for the purpose of encouraging people to act reasonably." - Ray Peat
afgm
.
afgm
@Friend: yeah it's a problem
@Koff: I emailed you a while back. did you get it?
Fri3nd
Huh, I can't use my username.
@Bam You're right, I'll work on it.
Bam
@K-off: It's moments like these that really remind you of mortality. People pull thru tho. medical science has come far in that field; but definitely not far enough.
Bam
@Friend: It's looks pretty good. I like Mario's suggestion of a series of witches, but a solitary one is more in-tune with the current banner. I would say however that there is too much dark in the negative space to the right. Could be just me tho.
Bam
@Kaiser: a series of consecutive 'yes'. I was really into Laloux, but FP is the one I liked the most. I've been watching Mr. Robot since season 1, and it's well worth your time. Not really all that cyberpunkish tho; mostly just cyber. And anybody who hasn't read Gibson's masterpiece is a fool of a Took.
Kaiser Eoghan
@Bam: Have you been looking into that Mr Robot series? I heard its meant to be some kind of cyber thriller, it could be our thing. Also have you read Neuromancer?
Kaiser Eoghan
And I suppose that brings me to that stranger things show then, I love horror so I guess that caught my eye, but apparently its a family/kids thing =< don't know whether to bother.
Kaiser Eoghan
I still say it takes me that extra bit of convincing to watch a childrens animated film.
Kaiser Eoghan
@Friend: The banner is in good hands I see.
AidanAK47
Well Coraline wasn't written by Laika. It was written by Neil Gaiman. Laika just adapted it. Still I would like to check out Kubo to see what all the hype is about.
SuperMario
@anony29442: I will watch Kubo this coming week so I will comment on the movie then. But I'm not that surprise if Kubo has a weak writing. Laika never really great at story development: I mean Coraline is exellent, ParaNorman is just okay and Boxstrolls writing is just so underdeveloped and full of plotholes
SuperMario
@friend: wow. It looks awesome. But why only one witch? ^^
Friend
Hey everyone! Just an update on our new banner, here's my WIP up to now: [link src="https://i.imgur.com/0QSv6IK.png
I'm"] trying a witch as a tribute to one of psgel's favorite anime maho shojotai. Feedback is welcome, I have a lot left to do. A 5:1 aspect ratio is the weirdest dimension I've ever painted in
Anonymous29442
I just saw Kubo and the 2 strings and im really shocked at all the praise its receiving. People calling it an instant masterpiece on looks alone but not enough are talking about how underdeveloped the characters and story were. It felt as if they made the whole thing up as they went along to the point where I couldnt suspend my disbelief any longer and got irritated.
Anonymous29415
qualidea code's characters havent become better in terms of how they are written; only that they have been fleshed out in the most generic and trivial of ways as to sympathize with them; and sure, they have become some what likeable in the same way you'd like a person who you heard nothing but kind things about but that does not save the characters from being boring. QC is still a bad show
AidanAK47
@Anon27511, even if the animation was kept consistent the story still can't really escape the done to death aspect of it's story. I agree that the writing has gotten better but despite that the show just feels...meh.
Anonymous27511
Fucking Qualidea Code, as the story and characters become more interesting, the animation and drawing proportionately decreases. Sad they simply do not have the budget to pull off what seems like a potentially very good story
K-Off
@Mike I'm sure you already heard but for some reason I didn't keep up to date. I thought it was strange that releases stopped in March after chapter 68,.
K-Off
Just learned that the writer of my favorite webtoon is battling terminal cancer, but despite it she hopes to finish it someday. God damn I would've never expected this.
Kaiser Eoghan
@Mario: Once spilled hot microwaved food over my hand by mistake, hurt for a day.
Kaiser Eoghan
*remaining
Kaiser Eoghan
@Bam: The story and ideas however were better in gandahar I felt. Time masters while good was a bit stop and start in its pace and animation.
I’m definitely interested in Laloux’s other, short animations and Mobius’ comic book work.
Kaiser Eoghan
@Bam: I watched Rene Laloux's remain animated films, Gandahar and time masters, I enjoyed both but not as much as Fantastic planet. I remember we talked about fantastic planet two years ago. Did you see the other two I mentioned. I liked the big moments and the ending to time masters, especially those angel things.
Anonymous27024
Ok. I beat Federation Force. I think the main positive is that the levels were playable despite the lack of voice chat. The bosses took a lot of damage and the beginning and end are relevant to the Prime continuity.
SuperMario
@K-Off: I did it once just like you did, and once when I put a metal bowl into a microwave. So yeah, boys will always be boys.
Bam
I tried my best not to half-ass either of them tho. Any oddity you guys see just write it off as mental exhaustion.
Bam
Okay, I'm officially beat. These two reviews should be considered companion pieces, as some material from one flew into the other. Thank god that episode 08 was not a heavy one, or I'd be completely depleted.
K-Off
Shit, I'm a damn idiot at baking, slightly burnt my hand a minute ago grabbing a hot tray with a wet towl. Why do I even try.
K-Off
@afgm Alright, send me a message at fightthepowwa@gmail.com and we'll work it out.
Bam
*cinematography
Bam
@K-off: I second that, as although the Poirot series has very well-done choreography, casting and music, there is still a little more of that unquantifiable magic sprinkled on the Granada series. But keep watching and I'll guarantee that Suchet will become the quintessential Poirot in your mind as well.
K-Off
I said that while I liked the performance and the direction, I didn't think that it did for Poirot what Granada did for Holmes.
K-Off
@Bam Yeah it is, and generally when I camp I like to stay for 1-2 weeks, places like Niagara or Yellowstone I can pretty much see everything I want to see in a few days so I don't find much value going to those places. The Adirons on the other hand is diverse as hell.
Bam
@K-off: I'm not sure if you mentioned it while I was gone: but did you get to watch any of the Poirot series with David Suchet? And if so, what are your thoughts?
Bam
I generally go to either the Muir Woods north of SF, or the forests around Big Sur. It doesn't take much to please me really.
Bam
@K-ff: is that by Lake Champlain? Cuz I've been there once and loved it.
Bam
@K-off: I thought of a combined post, but my OCD wouldn't allow a skip in the episodic order of the reviews.
K-Off
Usually when you go camping in Yellowstone or Yosemite the tourist industry kills those places, like I'd be on a rowboat and see cars, cabins, and people from a long ways offshore. The Adirondacks are nice because their building codes mandate construction to be hidden behind trees.
K-Off
@Bam My favorite camping spot is the Adirondacks in upstate NY, I went there probably 4-7 times and never get tired of the place. No, I don't have any posts for now, but for future reference consider combining episodic reviews when you get behind. I.E. Episode 6-8 Review
Bam
Also there's a reader in the comment section of Berserk 07 who wants to know if we have a notification system. I vaguely remember a widget that links the site to a FaceBook page. If anybody knows how that works, or if it's still functional, please shed some light on the matter for him/her. Thx.
Bam
@Aidan @K-off @Mario either one of y'all has any post near completion? I'm almost done with Berserk 08 and as previously mentioned, really prefer not to put two reviews up back to back. I think the length of them is already a hassle for some to get thru, let alone two right after eachother. I think it hurts the viewership, but if nothing's on hand then I'll guess I'll just finish up and post mine.
Bam
@Kaiser: I was actually camping near a mountain, but aren't all mountains somewhat holy? That could be my bias tho, since I was raised on the Alborz mountain range, and for me there is something therapeutic about the mountain air.
Kaiser Eoghan
Yes! Looks like the shoutbox is fixed and not deleting posts after 24 hours anymore!
Kaiser Eoghan
lol Or you could live in the shitty suburb where I do and spend your time just waiting for when your internet connection randomly cuts out twice a month or as it has the past few days two-three times a day.
Kaiser Eoghan
Basically bam went up the Holy mountain .
Kaiser Eoghan
@Mario: ....guy I know who loves war films and I've ended up inadvertedly/un-intentionally gotten him to buy some fucked up Polish horror film that just happens to be set in WW2. lol he's going to be pretty freaked out when he watches it.
Bam
Everything been cool here? Hehe ... looks like I conveniently missed all the hard parts.
Bam
@Mario: thx m8. I wish I could just make it down to Rio on a whim, but then again, I took a much-needed vacation, so I ain't complaining.
SuperMario
Welcome back Bam, I was already convinced that you went to Rio for screwing around. Lol
Bam
Also I apologize for the absence. I was gone somewhere without reliable internet access, and looking back I should've gave a notification.
Either way, I'm back now, and will be jumping on getting those Berserk reviews out as soon as possible.
Bam
Man looky here with the renovations; I like it.
SuperMario
@Vyse: wow. So how was the sites then back from 2005?
SuperMario
@Kaiser: and what is that sh!te you're talking about?
VyseLegendaire
<— fixed
VyseLegendaire
<— me
VyseLegendaire
Ive been a reader since 2005
Kaiser Eoghan
Haha, this'll be fun lol
Kaiser Eoghan
.....that feeling when you keep going on about a show or film but fail to give all the details...and someone goes out and buys it not knowing the full extent of the mad shit their in for...s--t lol
Anonymous24840
any reader from 2005 here....
Kaiser Eoghan
@Mario: This guy seems interesting: https://letterboxd.com/director/tsai-ming-liang/
Kaiser Eoghan
@Mario: Hmm, not familiar with him.
I really really loved in the mood for love, alot, it emotionally effected me. I even watched it three times.
Kaiser Eoghan
@Mario: I couldn't seem to enjoy any of Zimou yangs films apart from Hero, which had some pretty creative fight scenes. I've seen the story of Ricky and some of John-woos films but they were more just silly entertaining exploitation films.
SuperMario
Don't know if you know the Vietnamese-French Tran Anh Hung. His works are stunning too. If you want to check out East-Asian cinema don't forget to check him out.
SuperMario
@Kaiser: Yeah, but Park Chan Wood changed the ending, so the author insisted that the Handmaiden is more "inspired" than "based". The third chapter is the weakest part for me
Kaiser Eoghan
@Mario: Of interest, The handmaiden was based on some British book/tv show.
Kaiser Eoghan
I need to completely re-evaluate/get into more Chinese cinema.
Kaiser Eoghan
Doesn't look like I've seen anything by Hong-sang-so.
My favourite Korean actor is song-kang-ho.
Kaiser Eoghan
Theres an anime convention over here in Dublin in three months. Although I haven't been to one in years.
Total users: 35

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