Posted on 18 September 2009 with categories: Anime Reviews, Tokyo Magnitude 8.0



One thing I love about watching anime is that sometimes, there are these series that come from absolutely nowhere and blow you away. Tokyo Magnitude is one of those series. It’s based on a “what-if” scenario: what if modern-day Tokyo were to be hit by a massive earthquake? This actually is a very likely scenario: it turns out that there is a 70% chance that Tokyo will be hit by an earthquake of magnitude 7.0 in the next 30 years.

Tokyo Magnitude shows that even in the city that is probably the most well-prepared city for an earthquake, it would still be plunged into chaos if an major earthquake actually were to take place. Tons of people would end up either dead or injured, even more people would lose their homes. The creators end up portraying this sense of chaos and despair incredibly well.

The series follows three people in particular: two siblings Mirai and Yuki and an adult called Mari, however that doesn’t stop the creators from showing how everyone else is doing. They make really well use of their budget to create an identity for every single passer-by: they take care in emphasizing that every single person in the background was also just a regular person who also was hit by the earthquake, who also may or may not have lost someone, or might be separated from his or her loved ones. This series really managed to create a setting that feels real, in which just about everything is filled with details that make the setting come alive. Figuratively, of course.

The first half of the series is mainly this, while the second half, in which the chaos tones down a bit, changes the direction of the setting in a character-study of the lead characters. I’m not going to spoil exactly what happens, but both halves are equally bittersweet. You do need to know that the second half does this at the sacrifice of a bit of realism, though. The second half is much quieter in comparison to the chaotic first half, but that really allows the plot to be very subtly developed, and the emotions to sink in.

The biggest flaw of this series is a little disclaimer at the start of each episode, which claims that this series is as realistic as possible. While this series is indeed very realistic (more realistic than like, 98% of all other anime out there), there are points that could not have happened in real life. Besides, it’s a rather pretentious disclaimer anyway: instead of telling us it’s realistic, we’d rather like to be able to judge ourselves.

Nevertheless, at this point Tokyo Magnitude has the potential to remain a classic in anime. It’s believable, depressing, but also uplifting, fresh and inspired. There’s been a lot of discussion going on whether or not this series took the right turns along the way, but personally for me, it has been an amazing series. Most people who know this blog will know that I’m already a big fan of the Noitamina timeslot. Aside from Honey and Clover, I’ve seen every single show that came out of it, and Tokyo Magnitude has become my favourite series out of all of them.

Storytelling: 9/10
Characters: 9/10
Production-Values: 9/10
Setting: 10/10
Posted on with categories: Tokyo Magnitude 8.0



Haha! Another show with a very satisfying ending. This episode was bittersweet, and I think that everyone who managed to keep his/her suspense of disbelief is going to find it an excellent conclusion. In this episode, Mirai comes to terms with what happened to Yuki, she meets her parents, and attempts to continue her life. While most conclusions in anime are a bit lackluster, this episode was in no way inferior to the rest of this amazing series.

But damn, I don’t think that I’ve ever had such a heated discussion going on as for the past few episodes. Personally though, I wasn’t bothered by Mirai’s hallucinations. Instead, I just see this series as fiction, with a very high degree of believability. For me, there were only three points that seemed forced: Mari who just happened to run into her co-worker as she collapsed, the point where Mirai was trying to save the trapped robot and nearly died herself, and the point at which Tokyo Tower nearly collapsed on Mirai but Yuki managed to save her. Nevertheless, in any other show this would just be anal nitpicking.

Thinking back though, the whole Yuki vs. Mirai relationship seems to be much deeper than I originally thought. I mean, we all thought that this would be a series in which the initially bratty Mirai would grow up and take care of her brother. However, this happened already in the second episode. After that, these whole themes reversed, and it was actually Yuki who took care of Mirai; it could be seen as his way to repay Mirai for saving him, he kept her out of danger, he saved her from the Tokyo Tower and the accident with the falling robot. He was the one who tried to cheer her up when she was feeling down.

And even when he died, his hallucination continued this trend: he safely guided her back home, and slowly tried to make her understand that he died. The question remains of course, what the real intention from the creators was. Was the Yuki meant to be taken as symbolism, something like a guardian angel, or did Mirai subconsciously create something that would guide her back home safely until she would be out of danger? Are those options realistic? Nah, not really. Are they believable? For me, they are.

It’s always a bit of a gamble for a series to go into a different direction. The first half of this series was clearly different from the second, as this series changed from a detailed look at how a major city reacts after being hit by a major earthquake, to a character-study of Mirai. In my opinion, these changes can work as long as the new direction has enough to offer, which was definitely the case with this series for me. It was a nice gamble in any case: if the creators would just have continued with the same direction as the first half, we definitely would have gotten a more realistic end, but at the same time, I don’t think that it would have been as memorable of an ending as right now.

Also, on a side-note: I love how the creators actually spent time in creating distinct character-designs for Mirai and her family throughout the years, rather than simply being lazy and just creating a bunch of mini-versions of their characters, like a lot of anime seem to do. Very nice.

Overall, Tokyo Magnitude, as amazing as it was, didn’t end up being my favourite series of 2009. Birdy the Mighty Decode in the end was better for me. It however has a good chance of showing up in my top 5 for this year, unless a lot of really good shows shows happen to air in the upcoming Autumn Season. But for now, let’s just assume that that won’t happen.
Rating: *** (Awesome)

Posted on 12 September 2009 with categories: Tokyo Magnitude 8.0



Oh my god. This episode was just… incredible. It’s because of episodes like this that I still remain a fan of anime, even after watching hundreds of series. It’s series as this one that just keep me coming back, and make it all worth it.

The way this episode played out… it just allowed for the best way to show Mirai coming to understand that her brother is actually dead. We knew this for a few episodes by now, so it wasn’t the revelation or shock of his death that made this episode so powerful, but instead it was just Mirai’s character who carried this entire episode. Yuki’s illusion started to waver when Mirai met Yuki’s best friend. I think that at first, she was unconsciously confusing the two boys with each other, and therefore didn’t see the two of them at the same time at first, but eventually she did start talking to Yuki once she got used to his friend being there.

The sad thing wasn’t just Mirai realizing the death of her brother, but rather the subtle differences between the dead Yuki and the remains of the real Yuki: the things he wrote and did when he was still alive. It was really heart-wrenching to see how Mirai unconsciously tried to fit in her image of Yuki with the things he did, still refusing to admit that he was dead.

Whether or not this is realistic, I don’t know. I’m not a psychiatrist, I can only relate to what sounds plausible to me. Still, at the same time that doesn’t mean that there’s no gray area. Anime for me has always been a combination between fiction and realism, with the more realistic, or I guess that “believable” is the better word, usually being the most enjoyable for me.

A slightly spoilerific example, but excellent to illustrate the decision of the creators to insert a not-so-realistic plot twist in this series is Porfy no Nagai Tabi. It’s in many areas similar to Tokyo Magnitude: both feature two siblings, caught up in an earthquake, both feature a lot of realism, both involve travelling to get back to a family member you’ve been torn apart from, and both have females who were left with mental illnesses after the quake (in Porfy’s case, Mina loses all of her personality and memory).

Anyway, Porfy no Nagai Tabi was also incredibly realistic. Perhaps even more than Tokyo Magnitude because its length is nearly five times larger. However, when the final arc starts, a plot twist happens that’s in no single way realistic. There’s no way for something that convenient to happen. Does it ruin the anime, however? No. Instead, it really allowed the characters to get the best out of their development. With Tokyo Magnitude it’s the same: sure, we may not often see perfectly realistic illusions of our dead ones around us. But does that make this series any less incredible? For me, it absolutely doesn’t!
Rating: **** (Fantastic)

Posted on 4 September 2009 with categories: Tokyo Magnitude 8.0



Oh my god. I’m just… at a loss for words after this episode. This episode was just beyond sad. I’ve been a huge fan of Noitamina for years now, and I have watched every single of its shows aside from Honey and Clover. But damn, this series has a good chance to be the best thing that Noitamina ever brought forth…

Now that we’ve finally arrived at the last part of the story, it’s time for all of the build-up to pay off. IE: it’s time for this series to get back to the amazing quality of the first five episodes. Mari gets home this time, and starts looking for her mother and daughter. At first sight, they appear dead, but eventually they turn out to have survived in one of the most heart-wrenching reunions. Usually when anime try to play around with “is he dead or not”, this feels rather cheap, but within the context of this series it becomes downright scary. With so many people dead, and at the same time so many survivors left not knowing what happened. There’s no way of telling who might have survived or not. Heck, are we even sure that Mirai’s parents survived?

Speaking of which: OMG at the cliff-hanger at the end. Mirai and Yuuki have actually decided to travel to their homes ALONE!? Taken into account what happened to Yuuki in the previous episode… how the heck are the creators going to end this?! Probably the most evil thing of this episode was that even though Yuuki is most likely SPOILER just about everything kept Red Herringing around him.

I now see why I was so disappointed with episode 6 and 7: with such an amazing start, I expected the rest of the series to be also this consistent in quality, while in fact they were meant as a calm before the storm: they were meant to build up, and take it easy a bit for the finale. I’ve indeed been incredibly stupid thinking that this series was going to jump the shark in its second half. This episode was utterly amazing, and the final two episodes… wow… just wow.
Rating: **** (Fantastic)

Posted on 28 August 2009 with categories: Tokyo Magnitude 8.0



The past two episodes of this series made me think a lot about the nature of criticism. Especially after the previous episode, which I slammed down for having Yuki supposedly collapse for cheap drama, even though it’s not that weird for people to get sick in these situations. I also remember people who weren’t happy with that episode because it included robots. But yeah, then you have things as this: is it still unrealistic and unbelievable when it’s being used in real life?

I think that a lot of people (including myself; I’ve caught myself doing this plenty of times), whenever they are turned off they start looking for reasons why. These seeming logic flaws are then very easy targets for these criticisms. Ignoring the obvious cases in which a plot twist becomes so stupid or unbelievable that it destroys the entire suspension of disbelief, these things often aren’t the real reasons for these declines in quality, and in the case of very realistic shows as Tokyo Magnitude, you can see people who start blaming things that turn out to be perfectly normal.

In the end, the only thing that I can really criticize this series for is that I don’t like the OP. I’m one of those people who is too lazy to skip through OPs (aside from perhaps marathons), but at the same time I’ve never been a big fan of neither j-pop or j-rock, and Abington Boy’s School is no exception to this rule, and the song they used for this series’ OP is getting more and more on my nerves.

I think the thing with this series is that episodes 2-5 were utterly amazing, and the past episodes, instead of building up to a great climax at the end, instead went to go for a much quieter aftermath. It’s not exactly the same as Eden of the East, where it became clear along the way that the creators just took too much on their plate and badly paced the series after its initial episodes. With Tokyo Magnitude, I think it’s obvious that the past few episodes lacked the same emotional impact of the first five episodes. The question however is: does it need to be?

I’m getting more and more convinced that this show indeed doesn’t really need to be. I’ve become so used to anime, which nearly all have the general pattern of a build-up that gets increasingly full of tension, but here we have an entire subversion of this trope. During an earthquake, the biggest emotional shock comes right after it happens, and after that the tension, while it’s still there, fades as more and more people regain their sensibilities. The more I think about it, the more realistic it becomes.

Anyway, about this episode, aside from the total chaos in the hospital it was a very quiet one. Yuki turns out to be fine for now, while Mirai has visibly grown up while Mari becomes more and more worried as to what happened to her children. It’s a role reversal here: the reason Mirai managed to grow wasn’t just because she had to look after Yuki, but also because Mari, who started out as a mother figure, started to show more and more of her weaknesses. And that was the strength of episode six: its purpose wasn’t to insert some random illness, but instead show that Mari instead was just a human being, and at that point Mirai realized that her whining wasn’t going to help at all to solve the situation, especially since you can really see that she wants Mari to be reunited with her daughter.

As for the reason why Mari refused to take the scooter in episode: she might actually be running away. Take a look at this episode: instead of walking fast, like what I would do when I was worried about someone, she often walks way behind Mirai and Yuki. It’s as if she’s scared to find out that her daughter died.
Rating: ** (Excellent)
Edit: I rewatched this episode, based on your comments, and you’re right: they’ve given this episode a completely different meaning, and what I believed was a rather quiet episode has now become incredibly sad instead. I really have to give thumbs up for the creators for having the guts to go this far.
Rating: *** (Awesome)

Posted on 22 August 2009 with categories: Tokyo Magnitude 8.0



Aah, I hate this effect. Do not get me wrong with this entry: this episode still was a really good one, but at the same time I do believe that the creators have jumped the shark a bit and moved away from what made the first five episodes so incredibly good. This effect started at the last episode, but back then I was focusing too much on details that didn’t really matter.

But let me first start with the good parts: it really was a good lesson for Yuki and Mirai this time that they shouldn’t be wandering off at every occasion. Now that they’ve gotten a good night sleep and the initial shocks are gone, they’re starting to get a bit more of their energy back, and so they start to act more child-like. The rain was also nicely preluded with the dark clouds coming up.

As for the robots, they’re an interesting idea, but they could have been made more practical in my opinion. If they were made to scout around for survivors, they should have been made faster and smaller. Otherwise they could have just been replaced by a rescue worker on a bike. Still, it does seem logical to use robots like these if they’ve been sufficiently tested and fail-proof: this way the rescue workers can act more efficiently and don’t have to waste unnecessary energy to search around for survivors, and instead can concentrate on rescuing.

Anyway, my “problem” with this episode was that the creators are trying a bit too hard, which takes away a bit from this series’ realism. And really, Yuki’s sunstroke would have been a great ordeal for the characters to overcome, but it just feels cheap right after Mari succumbed to anemia. It’s nearly like the characters are taking turns in getting sick here. The creators instead should have just focused at the three of them trying to get home.

I realize I’m complaining a lot, but I’m just rather unhappy that the past two episodes didn’t manage to uphold the amazing standards that were set by the first five episodes. It’s in a way like Now and Then, Here and There: the second half there was still really good, but it wasn’t as gut-wrenchingly sad as the first half. This episode also took the focus away from everyone else, in the favour of focusing more on Mirai and Yuki, and while it would have been an excellent episode for most other shows, I just know that the creators could have done better here. The boy with his fascination of robots was also nice and all, but it felt too much like he was reading a script rather than telling about his life.
Rating: * (Good)

Posted on 14 August 2009 with categories: Tokyo Magnitude 8.0



Well, this episode unfortunately wasn’t as impressive as the previous ones. It still was amazing for any regular series, but this is Tokyo Magnitude we’re talking about, which had been consistently awesome up to this point and it’s a shame that this episode broke its flow a bit. This episode was a bit too… “anime”, for a lack of a better description. It was the only episodic episode of this show so far, but especially the animation budget was considerably lower.

The creators thankfully kept trying to animate all of the on-lookers around, characters still are very much animated, but the faces in this episode were sometimes too distorted to take seriously. It works in some series that go with this all the way, like Birdy the Mighty, but here it doesn’t really work, unfortunately.

In this episode, Mari also catches a cold from sleeping without a blanket. She collapses a bunch of hours later, sleeps for some more hours, takes a few pills and after that is completely fine again.

That is not how colds work.

This really was my major beef with this episode. I’m not sure about others, but when I catch a cold I don’t immediately notice this. Of course it’s annoying and I feel terrible while having the cold, but is it really enough for people to pass out on? Where does the heavy breathing come from, and why do they disappear that often? I’ve seen this often in anime: people catch colds and nearly always pass out afterwards for dramatic effects. Or do the Japanese have different colds than the Western world or something? Especially in a show as realistic as this one, it stands out.

But apart from that, there was a lot to like in this episode and it really allowed us to show a different side of Mari. The aftershocks made as much of an impact as ever, especially when Mari, Mirai and Yuki, especially since they were inside a building (the building where Mari works, actually). We learn that a bunch of accidents have taken place at the place where Mari lives, and she suddenly becomes a completely different person as she tries to find out more about what happened back there. All we know from this episode is that there’s some sort of fire going on, but nothing on her daughter yet. We do get to see another bunch of pictures of her daughter and her husband though, along with a small flashback of how she and her husband fell for each other.

So a major part of this episode was spent on Mari, trying to decide whether or not to abandon Mirai and Yuki in order to check up on her daughter. Mirai and Yuki even go as far as borrowing a scooter from a person who managed to survive the earthquake without any major casualties (I loved that scene in which they tried to steer that scooter. So realistic). In the end, she just decides to take her time and go along with the two children.
Rating: ** (Excellent)

Posted on 7 August 2009 with categories: Tokyo Magnitude 8.0



This series is seriously tearing me up as I watch it. I remember wondering at the end of Birdy the Mighty Decode 2 whether or not the rest of 2009 would premiere a series that would match its brilliance. I’ve finally managed to find a contender. It’s amazing considering how much this series has already done in only FIVE EPISODES so far. This episode lacked any action and didn’t have a rebellious Mirai, but it left me as an emotional wreck afterwards.

This episode first showed Mirai’s old elementary school (she seemed to have had to travel quite a distance to reach it), which leads to an anecdote in which Mirai tells about how her mother embarrassed her at her graduation ceremony. The rest of the episode shows the three lead characters as they spend the evening and the night in the shelter camp that has been set up at the school.

I loved how this episode didn’t just tell the story of Mirai, Yuki and Mari, but also that of the school, the people who lost their loved ones, the old couple who lost their grandsons, the girl who had a mental breakdown due to the aftershocks, the guy who seems to have suffered from a sunstroke, Megu, one of Mirai’s classmates and heck: even that couple sitting next to each other and staring at the wall that only appear in one frame. Seriously, you don’t see many series in which the creators just pull out a random classmate, give her less than a minute of airtime and yet manage to make you sympathize with her with a believable back-story.

But yeah, this was the episode in which the chaos settles down a bit and the emotions pop up even more. It’s in a way similar of getting an injury during sports or something else: in the beginning the adrenaline is still rushing through your body and you’re still too bewildered to really get what’s going on. Then a few minutes later, the seemingly endless pain really starts. In this episode, it really starts to sink in that people have died here.

Really, while watching this episode, I kept wondering whether this really was only the fifth episode of this series. It feels like much more episodes have passed for this series, and yet there seems to be no end to how amazing this series can be. It’s really going to rank among my favourites of 2009 if the creators can keep this pacing up throughout the final six episodes.
Rating: *** (Awesome)

Posted on 31 July 2009 with categories: Tokyo Magnitude 8.0



Four episodes in, and this series still hasn’t show any signs of dulling in. This episode yet again was amazing and heart-wrenching. I was already suspecting that the creators were going to crash Tokyo Tower at one point. That happened here. Interestingly enough though, it was far from the highlight and main focus of this episode.

Media coverage on such disasters like Earthquakes and the like always tend to be rather one-sided: they always focus on the people who have been hit the worst. These disaster documentaries like the ones you see on National Geographic Channel always tend to pick out the ones with the most spectacular cases and all. That’s why it’s incredibly refreshing to see that this series picked out a bunch of random people who got caught up in the earthquake. This brings things surprisingly close to home: “it could happen to you”. And I think that that’s what makes this so engaging.

The first half of this episode was about… Mirai trying to go to the toilet. Perhaps it’s not the most appealing of side-plots, but for a child her age to suddenly get bothered by a bad stomach… it indeed could happen and this episode showed that even that proves to be full of troubles in such a situation in which millions are stranded.

What struck me also here was that scene in which Mirai and the others tried to get some food. The way Mirai judged that person who walked away with two cups instead of one is exactly what’s going on in just about everyone’s mind in such a situation. We have no idea whether this guy took advantage of the situation or whether he really had a good reason to be carrying two cups, but that single scene said so much about the situation everyone’s in.

The second half of this episode showed Mari leaving the two kids alone as she tried to get information on where to go, at which point Mirai and Yuki get into a fight. At that point, Mirai really felt miserable because of everything that happened to her, not to mention that at that age, you really find your little brother’s whining annoying no matter how good he means it. In the end they both have a good cry and make up.

I’ve always been a fan of realism in anime, so I really love the touches of realism in this series. Yuki may be a bit too nice for a boy his age, but I definitely could see a character like his in real life. And besides, I don’t think that he’s ever seen his sister in so much distress as here, so I don’t think that he had any time to panic for himself. I think that that’s why his tantrum in this episode was so good for him, because it finally allowed him to blow off some steam.
Rating: *** (Awesome)

Posted on 24 July 2009 with categories: Tokyo Magnitude 8.0



To those who found the second episode a bit too mild and unspectacular: watch A Spirit of the Sun. It’s a two-episode OVA about an earthquake that is so powerful that it splits the entire Japanese mainland in half. That’s destruction for you. I however, prefer series as Tokyo Magnitude much, much better. After all, what makes more impact? An atom bomb dropped onto some sort of major city that wipes out millions of people, or a section of a highway that crushes some people who were worrying about their loved ones and tried to get home, dying right before the protagonist’s eyes?

Anyway, this episode showed what I have been suspecting: the real disaster hasn’t even started yet. Mirai and Yuki are miles away from their house, a distance that’s very hard to walk for a bunch of kids, and the two of them are going to have to try and reach it inside a city in which millions of people are trying to do the same.

And then there are the aftershocks, which may not have been able to cause destruction on a large scale, but definitely on a small scale. Take buildings that have been well designed, but caught fire in the big earthquake. Through an extra push of an earthquake of size 5.0, they can still collapse, which is what happened to the bridge in this episode.

There is no doubt in my mind that this is an amazing series. This episode did so well in bringing across Yuki’s fears of being abandoned and separated from Mari, even though she often bitches at her. The blisters on her feet due to her sandals was also a very nice touch. Because the weather is so hot, I doubt that a lot of people there are wearing shoes fit for long walks.

As for the typical Bones endings, I can actually see little that can go wrong there: if the series is just going to be about Mirai and Yuki trying to get home, this will make for a very charming conclusion to the series if the creators end it at their reunion. The only problem I can see is that they might force in a conclusion to Mari’s storyline about her kid.
Rating: *** (Awesome)

CHANGE USERNAME
Kaiser-Eoghan
@Alonaria: Shin Godzilla had the evolving godzilla thing and that freaky ass final shot too, it also justified itself quite well i think by showing how relevent he is today, given the nuclear thing and that it drew on the Fukushima incident essentially.
Kaiser-Eoghan
@Alonaria: Thats a far better and shorter way of putting it than I.
Alonaria
I wish I'd just waited for the other parts of the Godzilla movie trilogy to be released. As it is, I'm just going to remember it as "that incomplete movie." And the character designs kind of blurred together for me, which was really disorienting.
Anonymous1746949
Oh psgels is back
Kaiser-Eoghan
But I've seen other Godzilla things so I pretty much was supposed to see this anyway.
Kaiser-Eoghan
Or you know you could always take what I said with a pinch of salt, because you know....I don't get on with Urobutcher.
Kaiser-Eoghan
The idea behind it is definately cool and a different spin for the franchise though.
Kaiser-Eoghan
Maybe I was held back a bit by the cgi or the mediorce voice acting.
Kaiser-Eoghan
But I'd need to see its followup before properly assessing it.
Kaiser-Eoghan
Godzilla often makes for silly films, but lke alot of silly older films the silliness and seriousness combine without clashing, this one is too Poe faced .
Kaiser-Eoghan
I saw that Godzilla anime film, I'd describe it as watchable in parts but far too caught up in setup mode and an unlikeable protaganist , it could go somewhere with what it raised at the start but this is an example of a first film in a trilogy that suffers from being unable to currently stand on its own.
Kaiser-Eoghan
I generally feel that Itou's stories have a winning track record but theres exceptions, Uzumaki and Gyo in manga form struggle toward the end and the first episode story the anime chose to adapt is, while fun one of the weaker offerings.
Alonaria
Honestly, the shorter stories have been more effective at getting a reaction out of me, though. I actually didn't really enjoy the first episode's first story, mostly because I found the MC too obnoxious. :.D Maybe because my younger brother chased me with a bug once and it was really unpleasant. XD
Kaiser-Eoghan
@Anon: It wasn't just it coming out of her mouth, but when they were stamping on them too.
Anonymous1743747
@Kaiser: Yah, I was horrified for like 5 seconds but the other characters made me crack up. :.D
Kaiser-Eoghan
Although it was mixed in with laughing my ass of eventually.
Kaiser-Eoghan
Of all the Itou stories to be un-nerved by, its the second half of this third episode oddly that does it for me and I never get uncomfortable during anything .
AidanAK47
@Anon, We are working on it.
Anonymous1742736
Are you planning on making a top anime of 2017 list?
Amagi
Yeah Mash is one of the few good ones it seems.
Amagi
Oh damn, good that you remind me, I didn't pick anything yet. But I guess I will go with Altera, considering that some of them don't look that good and I own her anyway. Would have wanted the Scat one but the drawing looks weird.
AidanAK47
Which Bond CE did you pick for the 2 mill? I went with the Mash one. Only only whose artwork I liked.
AidanAK47
Might settle for making Bryn my endgame lancer though.
AidanAK47
As I said in my Apocrypha post, I have no interest in any version of Jeanne. My top priorities for my endgame team is Isekander, Scathach and assassin Shiki. And Shiki is a welfare so only need to worry about the other two.
Amagi
Yeah, I was considering to keep rolling for the new 4* at first but I really want Jeanne Alter and she's coming soon.
AidanAK47
@Amagi, I tried rolling for Karna and got nothing. Though I think Bryn is better. I plan on rolling one more time with the saint quartz we are getting to try for NP2. Though we do have the valintines event coming.
Amagi
@Aidan: Same here, just got Brynhildr. Even though I already got Karna last month. But I wanted her, nice design, finally a single-targed 5* and she's even one of the few servants related to my country.
KTravlos
@SuperMario. The contemplation of the death of humanity, and the loneliness, both were very disturbing to me. Kinda like thinking of my grave.
AidanAK47
YANDERE GET. Bryn's mine baby.
AidanAK47
Gonna try rolling for Brynhildr tomorrow. Bit annoyed they chose to translate it as Brynhild. I mean it's not incorrect but her name is far more recognisable as Brynhildr
AidanAK47
@Amagi, The grind wasn't that bad for me. Mordred carried me for it. Though I managed to get Siegfried in the gacha despite not being on rate up. I admit that the event was rather lackluster. Story wasn't that fun and the whole saber restriction was a pain. Also gonna take me a while to readjust to regular damage.
Amagi
Man that FGO Saber Wars event was annoying. I am happy finally I have 2 mio. altrium now and am done with it.
Kaiser-Eoghan
Reminder that netflix Godzilla anime is later today.
Amagi
Damn I didn't noticed that ankle band of the little demon from the intro scene of FranXX 01, now I feel stupid.
Lenlo
Yuasa is great! Ping pong and Tatami Galaxy are still some of my favorites
SuperMario
Oh fuck, the lead singer of the Cranberries passed away. I literally just listened to their music yesterday. Damnn, sad news
SuperMario
@Kaiser; thanks for considering me but I believe Wooper is much more a Yuasa's fan than I am
SuperMario
Far out!!!
SuperWooper
Yuasa will be answering questions on Reddit's anime board on the 20th.
SuperMario
@Niello: what do you mean regarding Yuasa?
SuperMario
@Travlos: I agree that Girls Last Tour is a special little gem, but in what ways it's disturbing?
Niello
Holy cow, Masaaki Yuasa AMA!! What magic is this?
Niello
Meawhile, Japan took a different approach and we ends up with a bunch of .hack rehash and diving more and more into escapism. Until we eventually got isekai and then it just spiraled into a sea of mediocrity.
Niello
While that opened its own can of worms, at least it opens up element about making ends meet, managing irl relationships, earning extra income for a poor family, getting cheated etc.
Niello
in the characters real life just fine. Something more a long the line of Net-juu but more technologically advanced. And I would say that plenty of those have been superior to Japanese online game and isekai story shenanigans. That said, it doesn't mean that those don't have their own kind of traps they usually fall in. A bunch of those instead focus on the aspect of making money off of games.
Niello
...Getting stuck in a virtual reality game and being transport to another world that happens to be like a game are completely different though. I don't know what is it with Japan and getting stuck in game plots considering that there are loads of other game-base Asian novels that came before it that manage story lines where they manage to tell compelling stories in game while balancing what happen
KTravlos
I finally finished Girls Last Tour. What a profound, fluffy and disturbing masterpiece. Bravo.
Amagi
Yeah. I feel the world swap is pretty much pointless when real life isn't relevant anymore. It's just a stupid as hell excuse to combine fantasy wish fullfilment with self-inserts, which is why these main characters tend to be 29 by now, just like the big part of the otaku community.
Lenlo
Of those you listed, no, I dont think they get explained? I mean, SAO did, but I dont think that falls into your category.

Thats why I liked .hack//sign over alot of more modern game Isekai. Also .hack//sign did explain what happened to Tsukasa.
Amagi
Considering how bad most of these are I wouldn't wonder if they wouldn't even bother with an explanation and just end it with the characters being happy in that game world and that's it. Or magic and the whole harem gets transported into reality at the end because power of love and such.
Amagi
I have no problem with a sci-fi fantasy mix, I liked .hack//sign for example, but it annoys me that such an incredibly bizarre situation gets never explained. Or maybe it will but it never happened so far because none of these LNs was ever finished and concluded yet. I just wish to know how they explain that.
Amagi
I mean all those shows in which the character just finds himself stuck in a real world that's (coincidentally?) the same as the game he recently played. Be it Overlord, Death March, Log Horizon or the 300 other series with that premise.
Amagi
Some thing that always bothered me about game isekai for which I never got an answer so far: did any of those series ever end and/or explain how the warp has happened and why the MC is in the game? - Not talking about .hack, SAO and such where the action of getting trapped is part of the premise
Niel
@Eoghan - Btw, Kokkoku isn't a time travel. it's stasis, apparently. Looks very promising so far. Though if I am to trust the manga score, it's shit.
Niel
But is Toradora really slice of life? As far as I can see it's straight up romance.
Lenlo
And Mario, ill rag on SOL all I want! :P

Wooper, its true good shows transcend genre, as there are still some like Toradora I like, but those are exceptions that prove the rule so to speak.
Lenlo
@Niel, yeah I base my potential % on the odds something gets/stays good.
AidanAK47
I am of similar mindset about Franxx. I want it to get better but I don't really see it doing so. Unless the other characters get a majority personality boost or the MC stops being a plank.
Niel
XD
Kaiser-Eoghan
I confess....I only sat through just over half an episode of aldonoah.
Niel
Since it's Trigger, I will give the benefit of the doubt. I'm just very skeptical about this whole formula.
Niel
The way I can see this series improving is through world building. And if other aspects are going to improve too, it's going to revolve around that.
Niel
It leaves about as much impression on me as much as the first episode of Aldnoah did, and I dropped that one straight away. The character chemistry doesn't look like it will go places that's not cliche. The gimmick doesn't seem like it has much potential either.
Niel
So you're all betting it on "this is going to get better". I mean, I hope it gets better. Though right now this feels more Kiznaiver than Kill la Kill or LWA.
Kaiser-Eoghan
I'd nominate Mario to do the devilman review as he's the most immediate Yuasa fan to do it and Bam is too awol to write it.
Kaiser-Eoghan
The cute girl shows just bleed and blend in my mind now, same with the isekai shows.
Kaiser-Eoghan
Devilman, my show of the season, unless after the rain ends up having some emotional wallop.
Kaiser-Eoghan
So for me its looking like: Junji itou, Cardcaptor sakura, keeping up with sangatsu, wait and see on amegari . Not watching a time travel or trigger show and I remain unable to sit through Mahoutsukai .
Amagi
The story itself is generic so far but so are most Trigger series at the beginning so not sure. Maybe it will stay weak, but in general I prefer series that start with the weaker episodes and get better and better over time over the many series that use up all of their budget and trump cards in the first episode and drag on after that.
Amagi
I really love Trigger's esthetics and their characters. I am happy they're more often involved in non-trigger-only productions because I honestly think that most of the stuff I enjoyed about FranXX was heavily influenced by them.
SuperMario
@Nielo: Franxx's first ep was stellar for me. Storywise, it's lackluster (and I see the similar in tropes between this and Beatless) but production-wise it's excellent
SuperMario
I think I just keep watching it on a weekly basis. Still trippy as hell
SuperMario
Okay, I just watched second episode of Devilman Crybaby and it's still pretty good.
Nielo
By the way, what's up with Darling in the Franxx? I thought it's a very weak first episode.
Nielo
@Lenlo: Slice of life isn't my thing either, and I usually avoid series set in high school.
Nielo
@SuperMario: Takagi-san is cute, I'll admit that, but since I already read the manga it's not new to me. Sora Yori is good, but it's not particularly cute. I found Hakumei to Mikochi and Yuru Camp very boring. Haven't got the chance to watch Mitsuboshi Colors or Gakuen Babysisters but I don't think they could be more cute than Mii-kun.
SuperWooper
HOT TAKE: Genre is irrelevant. What matters is whether a show is good.
SuperMario
Don't knock off MY genre Lenlo. It's one of the reason I got into anime in the first place :)
Lenlo
Im not saying it doesn't do what it sets out to. I just don't think what it sets out to do is all that... great.
Lenlo
@Niello, Slice of Life was never my Genre in the first place :/ I typically avoid them. I have my own life to deal with and already graduated high school, why would I want to deal with a melodramatic anime highschool, is my line of thought.
SuperMario
@Niello: okay, let's see:Takagi-san (the titular character), Mitsuboshi Colors, Gakuen Babysisters (Toddlers!!), Hakumei to Milochi (tiny girls) and two more slightly more mature but equally cute: Sora Yori and Yuru Camp's casts
Nielllo
@SuperMario: I'm sure this is where our definition of "cute" parts way, but I'll ask anyway, what are those 5 shows?
SuperMario
@Niello: seems so because I can eaisily pick 5 more shows that are cuter, and better than Mummy this season ;)
Nielllo
...So I suppose I'm the only one who's kinda bored out by a lot of the slice of life shows that's trying to be cute this season and only perked up by the Mummy anime because it's actually do what it's meant to do and be legit cute.
Lenlo
I am interested in Koi, but still have concern about the relationship itself.

@Vonter, the mummy anime would be better as short vignettes together I feel.
Kaiser-Eoghan
Koi amegari is surprisingly tasteful, subdued and pretty.
Kaiser-Eoghan
*to where
Kaiser-Eoghan
Try as I might, my love of kyoani tv anime has largely evaporated did where I no longer want to bother at this stage, I'll just wait and see. I'll just stay quiet on the franxx anime, theres little value in me trying to get through a trigger work at this point.
SuperMario
I get the exact same feeling with Takagi-san. It's pretty good on what it does but 20 minutes of the same thing for a whole season doesn't sound that promising
Vonter
The chibi mummy anime
Vonter
It's a shame it isn't a shorter 10 or 5 minute series, I think that format would make it shine more, since it does what it's trying to do.
Amagi
Speaking of it, I liked the second episode of Kokkuko or whatever the name is even more than the first one.
Amagi
I really have a problem with all these shows that rely on one single thing, joke, shenanigan or whatever. Be it something cute, some certain kind of interactiong or whatever. It doesn't matter how good it is it will bore me with episode 2.
Lenlo
Like, yeah, the mummy was cute. But the cute became rote/bland really quick. There has to be more than "cute" to be worth watching for more than a single episode to me.
Lenlo
@Niello, I was harsh because its not aimed at me. I wanted to drop it 5 minutes in, kept up for the post, then was thankful it was over. There wasnt anything overtly bad about it. Its just there was nothing good either.
AidanAK47
To be fair it's not as if we are lacking cute in this season.
In fact it's in danger of inflation.
SuperMario
@Niello: yes, the mummy is cute, the show is cute but beside that it's pretty mediocre. That show in particular is the only show that I have the damnest time to give it a potential rating.
Niello
It's not even down because of legal reasons, since the site pull down contents that are lincensed. It's down cause it's too much for the site owner to manage. Much of it also have to do with too many bots, which comes back to how a lot of other sites are relying on batoto.
Niello
@Masky: Not enough manga titles are getting translated. Batoto is the site scanlation groups basically rely on, and where other aggregation sites pull their content from. No batoto no obscure titles, a big blow to small scantation groups and one big manga/scanlator community down.
Niello
Why are you guys so harsh on the mummy show? It's so darn cute. Give it some credit. If a comedy show can be good because it does comedy well I don't see why a show ike Mummy can't be good if it can make people go "aww".
Masky
I don't really know why that is the case, maybe marketing budget and UI friendliness when done right? :P
Masky
Eh, wouldn't say it will kill manga industry. I mean, more and more official methods of reading manga online is starting to pop up and legit channels to pay to get access to manga can surprisingly enough harm free channels to get manga.
Masky
Anyway, I do find it funny how how the isekai character dies can be so meaningless that is joke in most of them
Niello
Batoto is going down, how this affect the manga reading is going to be interesting. Hope it's not slowly dying.
Masky
(at least that one, besides forgetting to introduce what the heck is gimmick besides generickness, acknowledged how most of otaku mcs shouldn't erally want to get transferred to fantasy world since they never get to see how their favourite mangas end :P )
Masky
Anyhoo, it gets annoying since its not just isekai being cliche, sometimes is just them being kind of badly written(or at least adapted to manga). Like, I found one new isekai today, but I have no idea what its gimmick is(from what I understood, its that "cute companion" that character gets is hideously op because mc didn't spefy cute girl when he asked god manager dude for cute companion)
Masky
Slime one is one of better from the more generic ones weirdly enough :P I mean I still wouldn't call it good, but at least MC character isn't god tier, just top tier and it has sort of village building simulation feel to it. Plus at least naming things giving monsters more powers is something funny regarding jrpg mechanics
Kaiser-Eoghan
Or alternatively the car was on a boat with the character or parents in it and the boat and car were hit by a falling plane lol
Kaiser-Eoghan
Its always "car accident" that sends the characters to another world or in harem cases "Lost parents due to car crash", for christs sake doesn't anyone die in out of control plane or speedboat crashes anymore, at least make it a motorbike....
Nayrael
Ah sorry, should probably not have touched the colors...
Nayrael
Trust me, Isekai is better when it doesn't try to be imaginative. When it tries to be original then... Isekai with a Smartphone... Isekai where the MC turns into a Slime... and my favorite: Isekai where the MC became a Hot Spring popular with sexy girls.
Masky
Assuming "new" things can happen under the sun
Masky
Anyhoo, I do wonder what the heck will be next "popular genre trope that will become so overused cliche that everyone groans whenever show uses it even if its actually good show"
Masky
Like, seriously you could do really interesting story variant on isekai with that if done right. Suddenly becoming characters you have roleplayed would be trippy as hell espicially if one of characters went really into detail with backstory while one of them is just "Bob the fighter, he likes fighting" and has to deal with what happens when you assume life of such a person
Masky
But I wouldn't honestly be surprised because of my anger issues related to amount of unimaginative isekai :P Though I guess trpg based one would be more imaginative in comparison
Masky
I'd assume not since I assume tabletop rpgs are much more niche than jrpgs in japan
Masky
So has anyone yet done isekai where guys getting transferred were playing trpg? :P
KTravlos
quite happy with most recent Attack of Titan manga chapter.
SuperMario
Alright, one more impression post to go before we really get on to new season
SuperMario
@Kaiser: yep, I just fixed it. Thank you
Kaiser-Eoghan
*than just the reviewers names
Kaiser-Eoghan
A slight problem with the coding there in the newest impression, showing code gobbledeegook rather than the reviewers names above their impressions.
Kaiser-Eoghan
@Mario: I'm seeing it on 2nd of February.
Kaiser-Eoghan
@Mario: Late screeners generally leak shortly after the uk release, so maybe early Febbruary it'll be online?
SuperMario
@Kaiser: yep, Phantom Thread. Could be Daniel Day Lewis's final performance. Is it available online already?
Kaiser-Eoghan
@Mario: Did you know that Paul Thomas Anderso8n has a new film coming out? Also I found out there is a Polish semi-knockoff of purple rose of cairo.
Kaiser-Eoghan
Awesome, just got myself an invite to a secret private torrent site =)
K-Off
@Kaiser When I was in University, I was a waiter at a Korean-owned Japanese Sushi restaurant with a kitchen staff of entirely Mexicans with poor English. The owner, while he provided the rest of his staff with small meals during our lunch or dinner shifts, never game any to the kitchen staff. The guy even ranted to a customer about how "lazy" or "ignorant" they were.
K-Off
Buses are pretty common in America, even outside the major super-cities like LA, NYC, or Chicago. It's public rail you're thinking of that we don't have much of outside the cities.
Kaiser-Eoghan
I brought up the racisim/aunt story wondering if anyone had any horror stories about where they worked?
Kaiser-Eoghan
@Bokusen: Buses don't seem to be a thing in America, meanwhile over here, despite traffic, public transport is much more of a thing, couldn't imagine not getting a train or bus somewhere.
Kaiser-Eoghan
@Amagi. I must say you changed my positive view of the German education system.
Kaiser-Eoghan
@Amagi: And yet Austria gets the far right party in power and Israel also has a far right apartheid leader.
Kaiser-Eoghan
If any good came from it, her boss got banned from facebook .
Amagi
Two years ago the alt/new right hold a rally here since they're successful elsewhere with their anti-immigrant/PoC speeches. In the end it was 35 nazis vs 29.000 counter-demonstrators. The joke: when they had to leave with police protection they shouted "We are the people". Yes 35 hated bigots are surely the people, not the 29k. I laughed.
Amagi
@Kaiser-Eoghan: That aunt story is pretty shit. I am kinda happy about smartphones nowadays, you can often make photos or record speech if you are witnessing something. Also, thank God the racists in my city are very rare since antifa and leftwingers took hold of it decades ago - now 70% of people are immigrants so racists don't even tend to show up anymore.
Nielllo
Great. I don't think most of what I wrote actually appeared in the chat.
Niello
what I'm going to do in the long run.
Niello
While Liberal art colleges are really good for developing writing and reading skills, the truth is in science classes you still don't do much of that. it's also limited by general lack of equipments that you get at bigger Uni. My college don't even have engineering.
Bokusen
@Kaiser Darn it, I hate it when racists try to justify their beliefs. That guy sounds like a major jerk!
Bokusen
@Niello Ah, yeah I think I might have preferred the UK system too if they give a month to study for exams! Wow...That sounds much nicer. Oh, and yeah, I wish the US had better public transport too... After seeing Japan's public transport system, I wish the US's could be more like it.
Kaiser-Eoghan
The landlords love to kickout people through unfair prices a stick their friends in instead.
Kaiser-Eoghan
Since we're on careers, it reminds me, one of my aunts telling me what a bastard her boss was, guy was a racist, she complained about it then he got rid of all the evidence linking him to it and made it seem as if she was the rascist and humiliated her in front of her Arab friends.
Kaiser-Eoghan
I think we all end up getting this huge kick in the ass moment where we learn andget it together.
Kaiser-Eoghan
It gets better thankfully, grew up and am happy with this postal clerk job.
Kaiser-Eoghan
The landlord story is a common one, they still think themselves feudal lords.
Amagi
And yeah, all this neet time. Although not moving out isn't that uncommon here anymore, considering how the rent increases, especially in my region (European bank city). And if I look at my friends it seems like they've the same problems. Even those who have found their dream jobs are otherwise living a nerdy life, going to pubs at night and so on. I think a part of us will always stay twenty.
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Featured Posts

Violet Evergarden – 02 [Never Coming Back]

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