Posted on 18 September 2009 with categories: Anime Reviews, Tokyo Magnitude 8.0



One thing I love about watching anime is that sometimes, there are these series that come from absolutely nowhere and blow you away. Tokyo Magnitude is one of those series. It’s based on a “what-if” scenario: what if modern-day Tokyo were to be hit by a massive earthquake? This actually is a very likely scenario: it turns out that there is a 70% chance that Tokyo will be hit by an earthquake of magnitude 7.0 in the next 30 years.

Tokyo Magnitude shows that even in the city that is probably the most well-prepared city for an earthquake, it would still be plunged into chaos if an major earthquake actually were to take place. Tons of people would end up either dead or injured, even more people would lose their homes. The creators end up portraying this sense of chaos and despair incredibly well.

The series follows three people in particular: two siblings Mirai and Yuki and an adult called Mari, however that doesn’t stop the creators from showing how everyone else is doing. They make really well use of their budget to create an identity for every single passer-by: they take care in emphasizing that every single person in the background was also just a regular person who also was hit by the earthquake, who also may or may not have lost someone, or might be separated from his or her loved ones. This series really managed to create a setting that feels real, in which just about everything is filled with details that make the setting come alive. Figuratively, of course.

The first half of the series is mainly this, while the second half, in which the chaos tones down a bit, changes the direction of the setting in a character-study of the lead characters. I’m not going to spoil exactly what happens, but both halves are equally bittersweet. You do need to know that the second half does this at the sacrifice of a bit of realism, though. The second half is much quieter in comparison to the chaotic first half, but that really allows the plot to be very subtly developed, and the emotions to sink in.

The biggest flaw of this series is a little disclaimer at the start of each episode, which claims that this series is as realistic as possible. While this series is indeed very realistic (more realistic than like, 98% of all other anime out there), there are points that could not have happened in real life. Besides, it’s a rather pretentious disclaimer anyway: instead of telling us it’s realistic, we’d rather like to be able to judge ourselves.

Nevertheless, at this point Tokyo Magnitude has the potential to remain a classic in anime. It’s believable, depressing, but also uplifting, fresh and inspired. There’s been a lot of discussion going on whether or not this series took the right turns along the way, but personally for me, it has been an amazing series. Most people who know this blog will know that I’m already a big fan of the Noitamina timeslot. Aside from Honey and Clover, I’ve seen every single show that came out of it, and Tokyo Magnitude has become my favourite series out of all of them.

Storytelling: 9/10
Characters: 9/10
Production-Values: 9/10
Setting: 10/10
Posted on with categories: Tokyo Magnitude 8.0



Haha! Another show with a very satisfying ending. This episode was bittersweet, and I think that everyone who managed to keep his/her suspense of disbelief is going to find it an excellent conclusion. In this episode, Mirai comes to terms with what happened to Yuki, she meets her parents, and attempts to continue her life. While most conclusions in anime are a bit lackluster, this episode was in no way inferior to the rest of this amazing series.

But damn, I don’t think that I’ve ever had such a heated discussion going on as for the past few episodes. Personally though, I wasn’t bothered by Mirai’s hallucinations. Instead, I just see this series as fiction, with a very high degree of believability. For me, there were only three points that seemed forced: Mari who just happened to run into her co-worker as she collapsed, the point where Mirai was trying to save the trapped robot and nearly died herself, and the point at which Tokyo Tower nearly collapsed on Mirai but Yuki managed to save her. Nevertheless, in any other show this would just be anal nitpicking.

Thinking back though, the whole Yuki vs. Mirai relationship seems to be much deeper than I originally thought. I mean, we all thought that this would be a series in which the initially bratty Mirai would grow up and take care of her brother. However, this happened already in the second episode. After that, these whole themes reversed, and it was actually Yuki who took care of Mirai; it could be seen as his way to repay Mirai for saving him, he kept her out of danger, he saved her from the Tokyo Tower and the accident with the falling robot. He was the one who tried to cheer her up when she was feeling down.

And even when he died, his hallucination continued this trend: he safely guided her back home, and slowly tried to make her understand that he died. The question remains of course, what the real intention from the creators was. Was the Yuki meant to be taken as symbolism, something like a guardian angel, or did Mirai subconsciously create something that would guide her back home safely until she would be out of danger? Are those options realistic? Nah, not really. Are they believable? For me, they are.

It’s always a bit of a gamble for a series to go into a different direction. The first half of this series was clearly different from the second, as this series changed from a detailed look at how a major city reacts after being hit by a major earthquake, to a character-study of Mirai. In my opinion, these changes can work as long as the new direction has enough to offer, which was definitely the case with this series for me. It was a nice gamble in any case: if the creators would just have continued with the same direction as the first half, we definitely would have gotten a more realistic end, but at the same time, I don’t think that it would have been as memorable of an ending as right now.

Also, on a side-note: I love how the creators actually spent time in creating distinct character-designs for Mirai and her family throughout the years, rather than simply being lazy and just creating a bunch of mini-versions of their characters, like a lot of anime seem to do. Very nice.

Overall, Tokyo Magnitude, as amazing as it was, didn’t end up being my favourite series of 2009. Birdy the Mighty Decode in the end was better for me. It however has a good chance of showing up in my top 5 for this year, unless a lot of really good shows shows happen to air in the upcoming Autumn Season. But for now, let’s just assume that that won’t happen.
Rating: *** (Awesome)

Posted on 12 September 2009 with categories: Tokyo Magnitude 8.0



Oh my god. This episode was just… incredible. It’s because of episodes like this that I still remain a fan of anime, even after watching hundreds of series. It’s series as this one that just keep me coming back, and make it all worth it.

The way this episode played out… it just allowed for the best way to show Mirai coming to understand that her brother is actually dead. We knew this for a few episodes by now, so it wasn’t the revelation or shock of his death that made this episode so powerful, but instead it was just Mirai’s character who carried this entire episode. Yuki’s illusion started to waver when Mirai met Yuki’s best friend. I think that at first, she was unconsciously confusing the two boys with each other, and therefore didn’t see the two of them at the same time at first, but eventually she did start talking to Yuki once she got used to his friend being there.

The sad thing wasn’t just Mirai realizing the death of her brother, but rather the subtle differences between the dead Yuki and the remains of the real Yuki: the things he wrote and did when he was still alive. It was really heart-wrenching to see how Mirai unconsciously tried to fit in her image of Yuki with the things he did, still refusing to admit that he was dead.

Whether or not this is realistic, I don’t know. I’m not a psychiatrist, I can only relate to what sounds plausible to me. Still, at the same time that doesn’t mean that there’s no gray area. Anime for me has always been a combination between fiction and realism, with the more realistic, or I guess that “believable” is the better word, usually being the most enjoyable for me.

A slightly spoilerific example, but excellent to illustrate the decision of the creators to insert a not-so-realistic plot twist in this series is Porfy no Nagai Tabi. It’s in many areas similar to Tokyo Magnitude: both feature two siblings, caught up in an earthquake, both feature a lot of realism, both involve travelling to get back to a family member you’ve been torn apart from, and both have females who were left with mental illnesses after the quake (in Porfy’s case, Mina loses all of her personality and memory).

Anyway, Porfy no Nagai Tabi was also incredibly realistic. Perhaps even more than Tokyo Magnitude because its length is nearly five times larger. However, when the final arc starts, a plot twist happens that’s in no single way realistic. There’s no way for something that convenient to happen. Does it ruin the anime, however? No. Instead, it really allowed the characters to get the best out of their development. With Tokyo Magnitude it’s the same: sure, we may not often see perfectly realistic illusions of our dead ones around us. But does that make this series any less incredible? For me, it absolutely doesn’t!
Rating: **** (Fantastic)

Posted on 4 September 2009 with categories: Tokyo Magnitude 8.0



Oh my god. I’m just… at a loss for words after this episode. This episode was just beyond sad. I’ve been a huge fan of Noitamina for years now, and I have watched every single of its shows aside from Honey and Clover. But damn, this series has a good chance to be the best thing that Noitamina ever brought forth…

Now that we’ve finally arrived at the last part of the story, it’s time for all of the build-up to pay off. IE: it’s time for this series to get back to the amazing quality of the first five episodes. Mari gets home this time, and starts looking for her mother and daughter. At first sight, they appear dead, but eventually they turn out to have survived in one of the most heart-wrenching reunions. Usually when anime try to play around with “is he dead or not”, this feels rather cheap, but within the context of this series it becomes downright scary. With so many people dead, and at the same time so many survivors left not knowing what happened. There’s no way of telling who might have survived or not. Heck, are we even sure that Mirai’s parents survived?

Speaking of which: OMG at the cliff-hanger at the end. Mirai and Yuuki have actually decided to travel to their homes ALONE!? Taken into account what happened to Yuuki in the previous episode… how the heck are the creators going to end this?! Probably the most evil thing of this episode was that even though Yuuki is most likely SPOILER just about everything kept Red Herringing around him.

I now see why I was so disappointed with episode 6 and 7: with such an amazing start, I expected the rest of the series to be also this consistent in quality, while in fact they were meant as a calm before the storm: they were meant to build up, and take it easy a bit for the finale. I’ve indeed been incredibly stupid thinking that this series was going to jump the shark in its second half. This episode was utterly amazing, and the final two episodes… wow… just wow.
Rating: **** (Fantastic)

Posted on 28 August 2009 with categories: Tokyo Magnitude 8.0



The past two episodes of this series made me think a lot about the nature of criticism. Especially after the previous episode, which I slammed down for having Yuki supposedly collapse for cheap drama, even though it’s not that weird for people to get sick in these situations. I also remember people who weren’t happy with that episode because it included robots. But yeah, then you have things as this: is it still unrealistic and unbelievable when it’s being used in real life?

I think that a lot of people (including myself; I’ve caught myself doing this plenty of times), whenever they are turned off they start looking for reasons why. These seeming logic flaws are then very easy targets for these criticisms. Ignoring the obvious cases in which a plot twist becomes so stupid or unbelievable that it destroys the entire suspension of disbelief, these things often aren’t the real reasons for these declines in quality, and in the case of very realistic shows as Tokyo Magnitude, you can see people who start blaming things that turn out to be perfectly normal.

In the end, the only thing that I can really criticize this series for is that I don’t like the OP. I’m one of those people who is too lazy to skip through OPs (aside from perhaps marathons), but at the same time I’ve never been a big fan of neither j-pop or j-rock, and Abington Boy’s School is no exception to this rule, and the song they used for this series’ OP is getting more and more on my nerves.

I think the thing with this series is that episodes 2-5 were utterly amazing, and the past episodes, instead of building up to a great climax at the end, instead went to go for a much quieter aftermath. It’s not exactly the same as Eden of the East, where it became clear along the way that the creators just took too much on their plate and badly paced the series after its initial episodes. With Tokyo Magnitude, I think it’s obvious that the past few episodes lacked the same emotional impact of the first five episodes. The question however is: does it need to be?

I’m getting more and more convinced that this show indeed doesn’t really need to be. I’ve become so used to anime, which nearly all have the general pattern of a build-up that gets increasingly full of tension, but here we have an entire subversion of this trope. During an earthquake, the biggest emotional shock comes right after it happens, and after that the tension, while it’s still there, fades as more and more people regain their sensibilities. The more I think about it, the more realistic it becomes.

Anyway, about this episode, aside from the total chaos in the hospital it was a very quiet one. Yuki turns out to be fine for now, while Mirai has visibly grown up while Mari becomes more and more worried as to what happened to her children. It’s a role reversal here: the reason Mirai managed to grow wasn’t just because she had to look after Yuki, but also because Mari, who started out as a mother figure, started to show more and more of her weaknesses. And that was the strength of episode six: its purpose wasn’t to insert some random illness, but instead show that Mari instead was just a human being, and at that point Mirai realized that her whining wasn’t going to help at all to solve the situation, especially since you can really see that she wants Mari to be reunited with her daughter.

As for the reason why Mari refused to take the scooter in episode: she might actually be running away. Take a look at this episode: instead of walking fast, like what I would do when I was worried about someone, she often walks way behind Mirai and Yuki. It’s as if she’s scared to find out that her daughter died.
Rating: ** (Excellent)
Edit: I rewatched this episode, based on your comments, and you’re right: they’ve given this episode a completely different meaning, and what I believed was a rather quiet episode has now become incredibly sad instead. I really have to give thumbs up for the creators for having the guts to go this far.
Rating: *** (Awesome)

Posted on 22 August 2009 with categories: Tokyo Magnitude 8.0



Aah, I hate this effect. Do not get me wrong with this entry: this episode still was a really good one, but at the same time I do believe that the creators have jumped the shark a bit and moved away from what made the first five episodes so incredibly good. This effect started at the last episode, but back then I was focusing too much on details that didn’t really matter.

But let me first start with the good parts: it really was a good lesson for Yuki and Mirai this time that they shouldn’t be wandering off at every occasion. Now that they’ve gotten a good night sleep and the initial shocks are gone, they’re starting to get a bit more of their energy back, and so they start to act more child-like. The rain was also nicely preluded with the dark clouds coming up.

As for the robots, they’re an interesting idea, but they could have been made more practical in my opinion. If they were made to scout around for survivors, they should have been made faster and smaller. Otherwise they could have just been replaced by a rescue worker on a bike. Still, it does seem logical to use robots like these if they’ve been sufficiently tested and fail-proof: this way the rescue workers can act more efficiently and don’t have to waste unnecessary energy to search around for survivors, and instead can concentrate on rescuing.

Anyway, my “problem” with this episode was that the creators are trying a bit too hard, which takes away a bit from this series’ realism. And really, Yuki’s sunstroke would have been a great ordeal for the characters to overcome, but it just feels cheap right after Mari succumbed to anemia. It’s nearly like the characters are taking turns in getting sick here. The creators instead should have just focused at the three of them trying to get home.

I realize I’m complaining a lot, but I’m just rather unhappy that the past two episodes didn’t manage to uphold the amazing standards that were set by the first five episodes. It’s in a way like Now and Then, Here and There: the second half there was still really good, but it wasn’t as gut-wrenchingly sad as the first half. This episode also took the focus away from everyone else, in the favour of focusing more on Mirai and Yuki, and while it would have been an excellent episode for most other shows, I just know that the creators could have done better here. The boy with his fascination of robots was also nice and all, but it felt too much like he was reading a script rather than telling about his life.
Rating: * (Good)

Posted on 14 August 2009 with categories: Tokyo Magnitude 8.0



Well, this episode unfortunately wasn’t as impressive as the previous ones. It still was amazing for any regular series, but this is Tokyo Magnitude we’re talking about, which had been consistently awesome up to this point and it’s a shame that this episode broke its flow a bit. This episode was a bit too… “anime”, for a lack of a better description. It was the only episodic episode of this show so far, but especially the animation budget was considerably lower.

The creators thankfully kept trying to animate all of the on-lookers around, characters still are very much animated, but the faces in this episode were sometimes too distorted to take seriously. It works in some series that go with this all the way, like Birdy the Mighty, but here it doesn’t really work, unfortunately.

In this episode, Mari also catches a cold from sleeping without a blanket. She collapses a bunch of hours later, sleeps for some more hours, takes a few pills and after that is completely fine again.

That is not how colds work.

This really was my major beef with this episode. I’m not sure about others, but when I catch a cold I don’t immediately notice this. Of course it’s annoying and I feel terrible while having the cold, but is it really enough for people to pass out on? Where does the heavy breathing come from, and why do they disappear that often? I’ve seen this often in anime: people catch colds and nearly always pass out afterwards for dramatic effects. Or do the Japanese have different colds than the Western world or something? Especially in a show as realistic as this one, it stands out.

But apart from that, there was a lot to like in this episode and it really allowed us to show a different side of Mari. The aftershocks made as much of an impact as ever, especially when Mari, Mirai and Yuki, especially since they were inside a building (the building where Mari works, actually). We learn that a bunch of accidents have taken place at the place where Mari lives, and she suddenly becomes a completely different person as she tries to find out more about what happened back there. All we know from this episode is that there’s some sort of fire going on, but nothing on her daughter yet. We do get to see another bunch of pictures of her daughter and her husband though, along with a small flashback of how she and her husband fell for each other.

So a major part of this episode was spent on Mari, trying to decide whether or not to abandon Mirai and Yuki in order to check up on her daughter. Mirai and Yuki even go as far as borrowing a scooter from a person who managed to survive the earthquake without any major casualties (I loved that scene in which they tried to steer that scooter. So realistic). In the end, she just decides to take her time and go along with the two children.
Rating: ** (Excellent)

Posted on 7 August 2009 with categories: Tokyo Magnitude 8.0



This series is seriously tearing me up as I watch it. I remember wondering at the end of Birdy the Mighty Decode 2 whether or not the rest of 2009 would premiere a series that would match its brilliance. I’ve finally managed to find a contender. It’s amazing considering how much this series has already done in only FIVE EPISODES so far. This episode lacked any action and didn’t have a rebellious Mirai, but it left me as an emotional wreck afterwards.

This episode first showed Mirai’s old elementary school (she seemed to have had to travel quite a distance to reach it), which leads to an anecdote in which Mirai tells about how her mother embarrassed her at her graduation ceremony. The rest of the episode shows the three lead characters as they spend the evening and the night in the shelter camp that has been set up at the school.

I loved how this episode didn’t just tell the story of Mirai, Yuki and Mari, but also that of the school, the people who lost their loved ones, the old couple who lost their grandsons, the girl who had a mental breakdown due to the aftershocks, the guy who seems to have suffered from a sunstroke, Megu, one of Mirai’s classmates and heck: even that couple sitting next to each other and staring at the wall that only appear in one frame. Seriously, you don’t see many series in which the creators just pull out a random classmate, give her less than a minute of airtime and yet manage to make you sympathize with her with a believable back-story.

But yeah, this was the episode in which the chaos settles down a bit and the emotions pop up even more. It’s in a way similar of getting an injury during sports or something else: in the beginning the adrenaline is still rushing through your body and you’re still too bewildered to really get what’s going on. Then a few minutes later, the seemingly endless pain really starts. In this episode, it really starts to sink in that people have died here.

Really, while watching this episode, I kept wondering whether this really was only the fifth episode of this series. It feels like much more episodes have passed for this series, and yet there seems to be no end to how amazing this series can be. It’s really going to rank among my favourites of 2009 if the creators can keep this pacing up throughout the final six episodes.
Rating: *** (Awesome)

Posted on 31 July 2009 with categories: Tokyo Magnitude 8.0



Four episodes in, and this series still hasn’t show any signs of dulling in. This episode yet again was amazing and heart-wrenching. I was already suspecting that the creators were going to crash Tokyo Tower at one point. That happened here. Interestingly enough though, it was far from the highlight and main focus of this episode.

Media coverage on such disasters like Earthquakes and the like always tend to be rather one-sided: they always focus on the people who have been hit the worst. These disaster documentaries like the ones you see on National Geographic Channel always tend to pick out the ones with the most spectacular cases and all. That’s why it’s incredibly refreshing to see that this series picked out a bunch of random people who got caught up in the earthquake. This brings things surprisingly close to home: “it could happen to you”. And I think that that’s what makes this so engaging.

The first half of this episode was about… Mirai trying to go to the toilet. Perhaps it’s not the most appealing of side-plots, but for a child her age to suddenly get bothered by a bad stomach… it indeed could happen and this episode showed that even that proves to be full of troubles in such a situation in which millions are stranded.

What struck me also here was that scene in which Mirai and the others tried to get some food. The way Mirai judged that person who walked away with two cups instead of one is exactly what’s going on in just about everyone’s mind in such a situation. We have no idea whether this guy took advantage of the situation or whether he really had a good reason to be carrying two cups, but that single scene said so much about the situation everyone’s in.

The second half of this episode showed Mari leaving the two kids alone as she tried to get information on where to go, at which point Mirai and Yuki get into a fight. At that point, Mirai really felt miserable because of everything that happened to her, not to mention that at that age, you really find your little brother’s whining annoying no matter how good he means it. In the end they both have a good cry and make up.

I’ve always been a fan of realism in anime, so I really love the touches of realism in this series. Yuki may be a bit too nice for a boy his age, but I definitely could see a character like his in real life. And besides, I don’t think that he’s ever seen his sister in so much distress as here, so I don’t think that he had any time to panic for himself. I think that that’s why his tantrum in this episode was so good for him, because it finally allowed him to blow off some steam.
Rating: *** (Awesome)

Posted on 24 July 2009 with categories: Tokyo Magnitude 8.0



To those who found the second episode a bit too mild and unspectacular: watch A Spirit of the Sun. It’s a two-episode OVA about an earthquake that is so powerful that it splits the entire Japanese mainland in half. That’s destruction for you. I however, prefer series as Tokyo Magnitude much, much better. After all, what makes more impact? An atom bomb dropped onto some sort of major city that wipes out millions of people, or a section of a highway that crushes some people who were worrying about their loved ones and tried to get home, dying right before the protagonist’s eyes?

Anyway, this episode showed what I have been suspecting: the real disaster hasn’t even started yet. Mirai and Yuki are miles away from their house, a distance that’s very hard to walk for a bunch of kids, and the two of them are going to have to try and reach it inside a city in which millions of people are trying to do the same.

And then there are the aftershocks, which may not have been able to cause destruction on a large scale, but definitely on a small scale. Take buildings that have been well designed, but caught fire in the big earthquake. Through an extra push of an earthquake of size 5.0, they can still collapse, which is what happened to the bridge in this episode.

There is no doubt in my mind that this is an amazing series. This episode did so well in bringing across Yuki’s fears of being abandoned and separated from Mari, even though she often bitches at her. The blisters on her feet due to her sandals was also a very nice touch. Because the weather is so hot, I doubt that a lot of people there are wearing shoes fit for long walks.

As for the typical Bones endings, I can actually see little that can go wrong there: if the series is just going to be about Mirai and Yuki trying to get home, this will make for a very charming conclusion to the series if the creators end it at their reunion. The only problem I can see is that they might force in a conclusion to Mari’s storyline about her kid.
Rating: *** (Awesome)

CHANGE USERNAME
AidanAK47
One would think it was hard to top Coppelion and K in utter terrible but GoHands finds a way.
SuperMario
I might hold back on reviewing Hand Shakers, as at this moment I can't get pass its episode 8. Fallen asleep twice during the first few minutes of that episode. Overall I don't reall hate Hand shakers, but the show failed miserably.
Lenlo
Its attention getting, if nothing else.
AidanAK47
@Anon, That Yellow is blinding.
Anonymous972195
I doubt we'll see anything like ACCA 13 for a long time. It's so dang unique in every way: art style, world-building, subdued story telling, etc. It was kind of an anomaly to have an anime like this to begin with. Happy we got to enjoy it though, I really liked it.
SuperMario
@KTravlos: it ends well, doesn't it? My, my, can't wait to watch it tonight :)
AidanAK47
Just finished Nier Automata myself.
Little confused as to what exactly I should be feeling.
KTravlos
And thus ACCA 13 comes to an end. A truly exceptional series imho.
AidanAK47
@Kaiser, Horriblesubs do direct downloads.
http://horriblesubs.info/
Kaiser-Eoghan
Animefans ftw is dead, animetake doesn't do direct downloads =< Have to find new direct download site now =<
SuperMario
Just finished Rage of Bahamut and I have to say I didn't expect an emotional climax. Also Rita is the best in show here. But really I don't see the prospect of sequel, especially a 24-episodes one.
Anonymous967177
Evidently so. That still feels just wrong. He's sort of her father. Ehhhh
Anonymous967177
"I am a slave to my own blood" -Konatsu.
Anonymous965463
Aldnoah needed actually interesting characters and character arcs instead of boring assholes. Why does it need more time on the lore when it's just generic scifi jib
SuperMario
One minor thing that baffled me beside *that* in Rakugo was they don't show Konatsu's rakugo in the end. It makes more sense if we can see her perform, but I understand that the show have to put new rakugo material and that was impposible.
SuperMario
@Aidan: I think *that twist* is sweet (not). Points for the show for having a balls to address that, but...
AidanAK47
And that's Rakugo finished. A delayed finale but non the less a satisfying one....Though on the matter of *that* I am going full head canon and pretending it didn't happen. Because HELL FUCKING NO.
HelghastKillzone
Troyca's Aldnoah.Zero was 24 eps long but it really needed 50 to flesh out concepts and lore.
HelghastKillzone
*Virgin Soul
HelghastKillzone
Apparently, Virgin is going to be 24 episodes and Re:creators is 22 eps long. I don't know how to feel about that.
SuperMario
Catching up with Rage of Bahamoth myself. Say I really enjoy what I see so far. Characters are its weakest part and pacing is uneven, but everything else work quite well
SuperMario
... Feherlofia is Hungarian one. But I have a really fond feeling towards Soviet and those ex-communist animation. Movies as well
SuperMario
@Kaiser: yep, know both of them. Actually
SuperMario
@Topgavin: wuah your love with Madoka. I was like watching that show for 3 times, but Rebellion just once. I still think that Rebellion adds up to the series narratively. Shaft (be themselves) put a lots of extra background details to the Bluray version, so I'm sure you can't go wrong watching Madoka on Bluray.
Kaiser-Eoghan
Guess I'm just in the mood for some comfycore anime. =)
Kaiser-Eoghan
There's really stuff I need to get round to watching like alderman and chain chronicle, giving utawerumono's s2 another chance, watching those dumb old golgo ovas, catching up on Shamo and city hunter where I left off.
Kaiser-Eoghan
@Mario: If you are looking for something to review for the world animation project, I recommend Fehérlófia , a Soviet era psychadelic folktale animation. Also look into the available short animations by Alexander Petrov (he uses a style of animation which mixes oil painting on glass).
Konstantinos Travlos
Finished watching Chain Chronicle :Light of Hacchetias (TV version). While not something to write home about it was not bad. It did a tried old recipe well.
Lenlo
@SuperMario, we dont have to, but its fun to try and pinpoint the real-world timeline to the shows timeline.

@Topgavin, oh yeah. Madoka is amazing.
Topgavin
Just finished watching the Madoka Magica series, 4th rewatch but 1st time on blurays. The show is such a work of art, and I was surprised by the sheer quality of the backgrounds in the blurays. It looked 3x as expensive to make as the normal show, Shaft must've poured a lot of money into post-screening editing.
SuperMario
They are all just average shows to be honest, but at least they're deserved to have full reviews.
SuperMario
and just an update for readers, I intend to give full reviews on shows that I followed but haven't covered here, starting from this seasons. The verdicts are: Seiren, Demi-chan, Dragon Maid and Hand Shakers
SuperMario
Do we really need to know all the historical context to enjoy/ appreciate Tanya? I think making a comparison does have influence in your expectation of the show in later events.
Lenlo
But this is all from wiki articles, since the last time I actually studied WW1 & 2 was in highschool. So im alittle rough on the subject :P
Lenlo
I thought, time-wise, we were past WW1, but this was in reference to how Germany at the end of WW1 was defeated, but not destroyed, which allowed them to rebuild enough to start WW2. You know, that famous quote "This is not peace, this is an Armstice for 20 years".

Thought it was a reversal of that.
Kaiser-Eoghan
@Mario: Just one more note on silent voice, only one of those three omitted subplots I felt worth taking issue with, they leave out a couple scenes that flesh out Shoko's mother more.
AidanAK47
@Helgast, while that fairly obviously hinted at, don't spoil future events.
HelghastKillzone
@Lenlo We are way past the stalemate of WW1 and onto this anime's interpretation of the Battle of Dunkirk. Season Two is gonna be fighting against the Brits, Americans, the French Resistance and the Soviets.
Lenlo
I did some reading up, since WW1 & 2 arnt the points in history im really into, and I get her anger now. If they get a second season, possible time skip to WW2 because of it?

The episode was great btw, she just seemed to come out relatively unscathed for what she went through
AidanAK47
@Lenlo, It annoyed me that she got injured but then magically healed within the next scene but otherwise I loved the episode. It may be difficult to grasp in the show but if you know your history then you would realise just why Tanya was so bent out of shape. In truth this was Tanya's first major loss. One that renders her previous victories utterly worthless.
AidanAK47
@Anon, Your gonna have to elaborate on that "Most." When it comes to the three shows I was covering this season I thought I was praising them quite a bit. Only thing really bothering me is Rakugo stretching out it's ending. Otherwise this is one of the best seasons of anime I have seen in quite a while.
SuperMario
Hell yeahh, OwariMonogatari will air next Summer season. I'm hyped. Thank you Shaft
SuperMario
But it's good to hear your opinions on that. Like you said, honest opinion is good so I hope to hear more from reader's comments
SuperMario
@Anon958618: We writers are here to give you readers our personal impressions, and of course if we don't like a show we'd give the reasons why we don't like it, we can't really say otherwise if we found an episode to be sub-par. Personally, I have nothing but praise on my posts to the point I think I have to be stricter :)
Anonymous958618
I used to like reading this blog, but I find that most of the posts now are overly negative. Although I think honest opinion is good, it's a bit of a turn off in my opinion for readers...
Lenlo
Its nice to see everyone grown up in Rakugo. Old Yotaro and Konatsu. Also, how in the heck is Matsuda stil alive. That man was old when Yakumo was young. Finally, people need to stop telling that story if its gonna haunt everyone, I mean jeez.
SuperMario
It's Tanya for me next ^^
SuperMario
It ends happily. But go and see the twist. They make it like the most natural thing of all
Lenlo
Watchin Rakugo next. It end well?
Lenlo
Tanya disappointed me alittle. There was a change to actually hurt Tanya, but nope, she still comes out of it unharmed. She hurt herself more when she blew herself up than when someone else blew her up. Least shes seemingly drunk on war.
SuperMario
so sad to see Rakugo end... And that little twist. How can they make that twist so poetic?
SuperMario
@Lenlo: me & Kaiser? We were talking about the movie Koe to Katachi/ A Silent Voice
Lenlo
I must have missed something, because I have no idea idea what is being talked about.
SuperMario
@Kaiser: I purposely put off the manga so I could watch the movie with fresh perspective. 2 weeks until we have a screening here
SuperMario
@kaiser: woah, thanks Kaiser. I know packaging a 6-volume manga into a feature film means they have to cut quite a lot of subplots, I just hope the main plot is going to be rewarding
Kaiser-Eoghan
Actually, there aren't that many manga that portray disabled characters, not even hentai.
Kaiser-Eoghan
@Mario: One of the people I got talking to after the film talked about Clannad and we both laughed about "what if Lars van Trier worked at Key"
Kaiser-Eoghan
Rakugo you are now on hold again until you end.
Kaiser-Eoghan
@Mario: I look forward to your review of it.
Kaiser-Eoghan
@Mario: There were, because I talked to the audience afterwards and looked around, people who weren’t familiar with anime there, so it does have a wider appeal.
While cheesy/melodramatic obviously its nonetheless heartfelt and well executed.
Kaiser-Eoghan
The voice actress for Shoko is required to well, I can only call it deaf-voice-talk and she pulls it off quite well, it’s never cringy or forced.
Comparatively to other anime dealing at any point with bullying this does fare better and because it’s animated by kyoani, visually it’ll catch interest. The protaganists regret and redemption story still remains a very watchable one/theme.
Kaiser-Eoghan
@Mario: Putting a voice on Kawai and Ueno will make you rage at them more.
While I didn’t think it was too bad/overly used, you’re going to have to do with the maudlin piano score Kyoani gives it.
Kaiser-Eoghan
@Mario: At 130 minutes it’s a little lengthy, especially for an anime film, there is the feeling of attempting to stuff in the manga, three subplots at least have been removed/shortened yet at the same time despite the skipping in parts it does still feel long/aimless. Based on that I did feel it flows better in manga format.
Kaiser-Eoghan
@Mario: @Mario: I just came home from seeing koe to katachi/silent voice. Can't really say enough to fill a review, but it gets the general 3 1/2 out of 5 from me.
Kaiser-Eoghan
Warning the next few posts contain words words words:
Kaiser-Eoghan
But I can take or leave Kaiju stuff.
Kaiser-Eoghan
Wheras Mothra was the most fun.
Kaiser-Eoghan
Aside from that, I've seen a few Godzilla films, Mothra vs Godzilla, shin Godzilla, Garth Edwards Godzilla, 90s American Godzilla and original 50s, the 90s one has aged horribly, the recent American one felt more faithful, the 50s one and the new Japanese one feel most socially relevent.
Kaiser-Eoghan
Wait...whah, why'd I get logged out I registered =<
AidanAK47
I previously had no interest in a Godzilla Anime film. But after reading the concept here I am now very very interested: http://www.animenewsnetwork.com/news/2017-03-24/godzilla-anime-film-reveals-full-title-story-new-visual-november-premiere/.113863
SuperMario
@Kaiser: they are still around. And believe it or not the actual band members are Damon Albarn (former lead singer of Blur) taking care of all the music and Jamie Hewlett who taking of the animation. I love alternative music, I can enjoy hip-hop music and I'm a fan of animation => this band basically has everything I personally love
Anonymous956164
@Mario: Kaiser here, posting from public computer. I had no idea the gorillaz were still around, many years ago I would have listened to their Clint Eastwood song, aswell as dirty harry and feel good inc, I also remember the artstyle of their videos catching my attention.
SuperMario
Anyone here listen to Gorillaz? They're one of my favorite band and their new song Saturnz Barz is great. Excited for their coming album now
Kaiser-Eoghan
I guess I'm considering blood blockade also because I'm burnt out o demanding and old films to some extent.
SuperMario
@Kaiser: I really enjoyed the first season of Blockade. It's one of those cases where I think the delayed of the last episode killed all the exciment regarding the show. I actually fall behind and then catched up again as soon as the last episode was out so I enjoyed everything so much more
SuperMario
@Aidan: makes me really wonder why some of the studios are very uptight about their show's details. Like, they have to know if it is a short series or not, right.
Kaiser-Eoghan
Yet its not exactly a show that fits into being my thing.
Kaiser-Eoghan
Blood blockade battlefront is one of those shows that is always in the back of my head, despite negative biasI managed to at least enjoy some of gungrave, I grew up, sort of with trigun, so with blockade having Yuji Nightow involved theres always that part of me that says to watch blood blockade battlefront.
AidanAK47
This is one of the annoying things about previews. You got o the trouble of looking it up and writing on it only for it to get delayed or turn out to be a short series.
SuperMario
ohh, Blood Blockade Battlefront moves back to October airing. I might have a chance to cover it after all. Though look at how it gets delay and the change of director, it yells more concerns than optimism
AidanAK47
Yep, Manga is completed at 6 Volumes. But it's kinda weird that the series managed to cover 6 volumes when it's so slow paced. I normally thought that 5 to 6 episodes was needed to cover a manga volume on average.
SuperMario
@anon954341: ACCA will finish in 1 cour, as the manga is already completed and from what I heard episode 11 & 12 cover the last 5 chapters of the manga.
Anonymous954341
is Acca 13's story going to finish in 1 cour, or is it still ongoing?
Kaiser-Eoghan
Honestly do wonder how much longer anime blogging will be a thing and how much they have to compete with popular youtuber's channels.
Kaiser-Eoghan
I once had some idea of doing a forum with a friend, it never went anywhere.
Kaiser-Eoghan
Aidan gave good advice anon, I still found old posts from when I was teenager archived somewhere online and it made me facepalm.
Kaiser-Eoghan
Eh, I wanted to throw myself into Mario and your conversation about personalities by talking about myself, force of habit.
AidanAK47
@Kaiser, Not sure what this rambling is about but good for you...I guess?
AidanAK47
@Anon, Blogs take a lot of work for very little in return. I wouldn't try starting one unless you are ready to make a huge commitment. Besides at your age(Based on that comment) it would be best to not put too much on the internet. The internet never forgets and it can come back to haunt you later in life.
Kaiser-Eoghan
The reason I bring some of this up is because I think that even if someone isn't the most emotional person out there, they shouldn't ignore/bash on certain shows/genres because of that, even if you don't get feelings out of it, the story/drama/characters could still be worthwhile.
Kaiser-Eoghan
I do think getting pissed off though is much easier irl than doing it online where it doesn't bother me as much.
Kaiser-Eoghan
And it surprises me alot that I followed so many romance manga years ago, enjoyed them, but I've never been a romantic person irl at all.
Kaiser-Eoghan
I also hate incompetence/failure and am generally not especially patient.
Kaiser-Eoghan
I care about others and appearances mainly to extent it either is of benefit, if I have to or it avoids hassle.
Kaiser-Eoghan
People tend to think I'm cold, articulate, blunt irl too.
Kaiser-Eoghan
I'm not a sentimental or passionette/emotional person irl, I don't like wasting time with other peoples shit and don't bother with it, avoid looking at people or touching them physically, talk in long dry speeches and in general come off as a quiet, reserved but snarky/cynical person.
Kaiser-Eoghan
I probably unknowingly come off as different on this site than I would irl.
Kaiser-Eoghan
Honestly I'd veer towards depressing or surreal/strange/messed up work more out of just wanting to see weird and depressing stuff happen and little else, just interests me, I can't remember the last time I cried.
Anonymous953782
um i wanted to make my own blog but it wants a email but i dont want my parents finding out
AidanAK47
It is weird how we never clash on what we want to cover on each season. Anyway I need someone to contrast my egotisical self so it's all good.
SuperMario
haha, Aidan: heartless grumpy monster & Mario: sentimental sappy bloke. Readers, you got yourself quite an odd combination of writers here.
Anonymous951955
We'll see; trailers can give false impressions
Anonymous951955
Not that all changes from source adaptations are terrible, but in this case, at least the trailer makes it look pretty bad.
Anonymous951955
It looks not great; I understand the need to change it a bit to suit the format/audience, but at what point does it turn from adaption to "loosely based on"?
HelghastKillzone
I'm glad we're past the phase of moe club shows.
AidanAK47
@Helghast, now that's something I never thought I would hear.
HelghastKillzone
Hell ya. We are in a golden age of anime that is filled with options and quality.
Anonymous951809
What a great week! Iron Blooded Orphans, Onihei, Little Witch Academia and ACCA 13 all had great episodes! I am spoiled!
Anonymous950847
@Anon and @Aikan

The LoGH manga remake has been out. It did not work for me.

I hope he anime goes its own way. I do trust Production IG, so I hope. I think it might not be this year. No lgoic, just a hunch.
AidanAK47
@Anon, Only info I can find is that it's coming out this year and it will be by Production IG. But I think you are right in that if it;s coming this year it will definitely be winter.
Feeling rather cautious about the remake myself. LoGH is dated visually but in a way it is a product of it's time and things you could forgive in the old version wouldn't be so forgivable in the new.
Anonymous949997
Does anybody know when that LoGH readaptation is coming? It's supposed to be this year right? Probably winter right?
SuperMario
But I will give it a full review anyways because all the amount of time I spent in that series should be paid off somehow, right?
Kaiser-Eoghan
But serious Gohands is a studio that had potential its just a shame its wasted on rubbish writers. Although I did like mardock scramble, because cyberpunk =)
Kaiser-Eoghan
If I met handshakers in public I'd refuse to shake its hand =D
SuperMario
Oh, it's actually just an extra Hand Shakers episode that serves as a prequel story. Not that bad then
SuperMario
Not to disregard Hand Shakers, but the best way to describe how I feel about that series is mind-numbing
Kaiser-Eoghan
They tried with that Military guy and his daughter but not by much.
Kaiser-Eoghan
But I do agree that there needs to be more to the characters, right now its JUST Tanya.
Kaiser-Eoghan
As for Tanya, having caught up with it, its a nice trashy guilty pleasure, especially due to the protagonist and I enjoy the setting because I'm a war film fan and like some of the action/politicking. I still do wish it was aesthetically a bit better. The dub isn't that bad and I'd welcome a second season.
Kaiser-Eoghan
In an ideal world Kino's journey would have been a good model for what light novel adaptations can be and SHOULD be.
Kaiser-Eoghan
If we must have more light novel adaptations, I would prefer them to be like Tanya, Muvluv, okay hardly breathtaking, but still better than that thing Aidan linked.
Lenlo
*Sigh* It looks exactly how I imagined it would and its terrible.
Lenlo
Please dont tell me thats an actual title.
AidanAK47
In another world with my smart phone light novel to get an anime.

Oh my god...This literally sounds like a joke title you would see within an anime. Tried giving it an honest chance by reading it and it's just shit. Just pure terrible.
AidanAK47
If people in Japan are actually buying blurays thinking its a good show then something is seriously wrong with the world.
AidanAK47
@Topgavin, maybe too many people watched it because it was so terrible. I haven't watched past episode 1 but it doesn't sound like it improved.
Topgavin
Just incase you guys were avidly waiting for the announcement, Hand Shakers is getting a prequel season because it's apparently selling well......
SuperMario
Should be happy for it, though I'm a bit disappointed that I can't be able to cover it
SuperMario
Inside Mari gets live-action series adaptation. Why not anime?? Duh
Spike
Little Witch Academia finally tips it's hand on the overall plot! I'm pretty pleased and think some direction might help bump it up from just being 'good' overall.
HelghastKillzone
@KTravlos Still watching it week by week and I'll write up a review on the second season of Iron-Blooded when it ends.
Kaiser-Eoghan
@Mario: It is however the kind of anime film that would have the wide audience appeal though, as in anime for people who don't watch anime.
SuperMario
@Kaiser: just prove that people has paid attention to anime. That's an encouraging sign actually
Kaiser-Eoghan
Feck, silent voice was booked out when I got there just now....should have booked in advance, showing at 7:00 on Friday booking it now.
SuperMario
@KTravlos: I haven't, but that more because I'm not a big fan of Mecha genre. I believe one of our writer HelghastKillzone still follow the series
KTravlos
No idea, if you are all still watching MS Gundam: Iron Blooded Orphans. I am, and while the 2nd Season toned down some of the elements that made the 1st Season good, it is still pretty good with the last episode doing a great job. If it keeps it, it definitely is head to head with Turn A Gundam for my favorite long-form Gundam Series (I am doing Gundam Origins for the original story)
Lenlo
Mhmm. It was one of those shows it weave adult themes into a kids show, so it had something for both. Now I can also appreciate the artstyle that doesnt use hard black outlines for everything.
AidanAK47
If anything I get so much more out of Samurai Jack now than when I watched it as a kid.
Lenlo
Love that dude Aidan. And yes Kaiser, I think anyone get enjoy it now. I love that its back, but even without that its easily standing on its own
Kaiser-Eoghan
How much of this love of samurai jack is a nostalgia driven thing? I'm not knocking that nostalgia but would it be possible to get something out of the show now if I never watched it when I was younger?
Lenlo
Yeah, that conversation was great. Really shows you how messed up hes become. Its also amazing when you realize that was the last set of spoken dialogue in the episode. There was not a single word uttered in the second half.
Kaiser-Eoghan
The audience who enjoyed samurai Jack has grown up, them bringing up seppuku and blood is possibly a part of that.
AidanAK47
Scene with the coffins was awesome as was the fight in the dark. My personal favorite part of the episode though was Jack arguing with his old design self. And young jack suggesting committing seppuku made my eyebrows raise. I mean..damn.
Lenlo
I agree Aidan. That quick shot of Jack vs the Daughter, with the sudden blood, suprised me as much as it did Jack. I really loved the scene with the coffins. The music nad sound was just great there.
AidanAK47
@Lenlo, It was a really great episode. I love the meta of Jack being worn down by the wait and the wait the viewers had to endure for the new season. I is rather odd seeing blood in Samurai Jack though but it does make that particular moment have so much more impact.
Topgavin
April 16th for NZ. It is a lesser known movie than Kimi no na wa though, so I do wonder how available it's going to be in cinemas
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