Posted on 2 July 2010 with categories: Anime Reviews, Yojou-han Shinwa Taikei




The Noitamina time-slot surely rocked beyond belief this season. Alongside Sarai-ya Goyou aired the possibly even better Yojou-han Shinwa Taikei, the latest product of Masaaki Yuasa of Kaiba-fame. This time, he went for a ton-of-dialogue artsy character-study slash college life series, in which we follow the lead character as he explores a wide variety of different clubs and lifestyles during his years in college throughout many parallel dimensions. And it works out wonderfully.

At first sight, the way in which this series keeps resetting itself after every episode may seem weird at first, but it actually was a brilliant method to flesh out its different characters. Because of its very frequent resets, this stands out even more than series that did similar things in the past, like Higurashi and Umineko. Because of this, we get to see a ton of different sides of the characters that would never have been able to been shown without these resets, and the most important part is that we see Watashi develop in many different ways throughout each episode. The different side-characters all have their own parts to play in Watashi (the lead character)’s world and everything comes together wonderfully in the final episodes.

All of this is accompanied by some truly excellent dialogue. This series is based on an actual novel, rather than a manga or light novel, and it really shows. The dialogue is incredibly fast and you really need to pay attention to keep up with it, but as a narration it offers very detailed descriptions of the situations that Watashi finds himself in, which is nearly always very imaginative in the ways that it does so, with quite a number of witty remarks.

One potential pitfall could have been for the series to lose itself in either its dialogue and visuals, but neither happens. There are a ton of details stuffed into this series in order to make all episodes stand out, but in the same way the main message and characters remain deceptively simple on the outside. In comparison, while Kuchuu Buranko felt a bit like a loose cannon at times, every moment of Yojou-han is instead meant to bring colour to the life in which Watashi is living, and build up for the episodes that are still to come. Because the huge amount of building up, the first half of this series is decidedly less impressive than the second half, but the build-up is definitely worth it.

It’s a series that doesn’t try to provoke the biggest emotional response, but as a character-study it really stands out as a minor masterpiece here, in the way that it very subtly manages to flesh out and characterize its entire cast. Especially after the final episodes, it stands out as my favourite show of the series that premiered during the past spring season.

Storytelling: 10/10 – Fresh, and varied, skillfully combining repetition with new ideas to flesh itself out. Top notch narration.
Characters: 9/10 – The formula really allows the characters to come alive and show many different sides of themselves.
Production-Values: 9/10 – It’s Masaaki Yuasa. Do I need to say anything more?
Setting: 9/10 – Spoilerific to go in detail here but yeah: this one rocks too.

Suggestions:
Mind Game (another one of those movies that I’d review entirely different if I were to watch it today)
Amatsuki
Revolutionary Girl Utena

Posted on with categories: Yojou-han Shinwa Taikei



Well, so here it finally is: the ending I’ve been looking forward to the most this season. And indeed: this really was the best ending of the season for me. It was a wonderful wrap up of all of the build-up that this series has done.

So in this episode, Watashi continues to wander through all of the parallel worlds of his own life that he’s been trapped in, but the big difference with the previous episode was that he finally starts piecing everything together in an attempt to get out of that maze in which he can only eat castella and fish burgers that are lying around.

Most of this episode actually was a summary of what happened in the previous episodes, but by finally thinking about them and piecing everything together, Watashi finally started to notice that Mochigumo that kept hanging above him. Like expected, that was indeed the opportunity that kept dangling in front of him. That part really was the only potential pitfall of this episode: many shows have failed with such a cheesy romantic conclusion, but the way in which Watashi finally realized that he developed a crush over Akashi was well portrayed, and subtle. In fact, his entire confession was wonderfully different from what you usually see. It wasn’t dramatic at all, and instead just felt very natural. Or as natural as you can get a guy to act, wearing nothing but a scarf and talking about disappearing underpants.

Instead, the dramatic climax was… about Oz. Watashi finally came to terms with Oz as a character, and accepted him for who he was. Interestingly, Oz’s facial expression also completely changed here. It shows even more that we see all of this from the perspective of Watashi, in which he’s this evil bastard and therefore also has this continuous grin on his face. the same goes for the fortune teller: she also looks totally different now.

Overall though, it’s awesome to see that Masaaki Yuasa is constantly trying to improve himself. The big weakness of Kaiba was its rushed ending, so here instead he comes with a perfectly planned out series across eleven episodes, in which the final episode is really meant to give closure to everything. Whether Yojou-han surpassed Kaiba… nah. The rest of Kaiba was just that good. Nevertheless, Yojou-han was a really well written character-study that has a good chance of becoming the most unique series of 2010.
Rating: *** (Awesome)

Posted on 26 June 2010 with categories: Yojou-han Shinwa Taikei



This episode was brilliant, there’s no other way to it. it’s THE proof that this very much was a series that was building up to its conclusion right from the beginning, and now that everything is coming together, it has just surpassed itself. It’s without a doubt my favourite episode of Yojou-han so far. Really, out of all the endings this season, I’m looking forward to the final episode of this series the most.

So in this episode we were promised that finally Watashi would break through the tradition of joining random clubs and pushing reset buttons, but I’m very pleasantly surprised with how he actually did it. Instead of running after a whimsical dream, he just gives up. He spends god knows how long in his own room, and eventually he ends up trapped in a maze full of endless parallel worlds of this room.

I loved how the creators portrayed Watashi and his confusion as he tried to make sense of his situation. It’s interesting how he just doesn’t speak in this episode aside from just one line: all we hear are just some grunts and his inner monologues, which seemed to be wittier and more descriptive than ever here. Especially the scenes in which he just tried to waste time were priceless in how down to earth they were.

In the end, this indeed is a series about parallel worlds: worlds that can change depending on even the slightest decisions that you can make different. Even in the current world, there were aspects that returned in other worlds, like the Castella. Oh, and the cockroach trick “backfired” with some hilarious result. What’s also interesting is that Watashi usually hardly ever was at home. In all of the rooms that the Watashi of this episode crossed, he only came across himself once (also explaining why that weird man with a beard appeared: it wasn’t exactly an older version, just a version of Watashi who refused to shave).

It’s also interesting how Oz doesn’t seem to be the main bad guy of this series after all. This also could be expected after the previous episode, but it seems that Oz is just another characters in all of the universes that Watashi takes place in. This anime really is a journey of self-discovery for Watashi. The main concept wouldn’t be that different if Oz weren’t there, and the biggest difference is that Watashi didn’t have someone to put him down to earth by reminding him what an idiot he is.

Now, this really is a series that’s perfect for the short airtime of 11 episodes: it’s short but focused, and knows what it’s building up to. Those are often the most successful short series, compared to the ones that either just cut off, or try to do just too much in too little time. That will make for enjoyable series, but not the masterpieces like Yojou-han and Kaiba because it can never get really in-depth about its characters.
Rating: *** (Awesome)

Posted on 19 June 2010 with categories: Yojou-han Shinwa Taikei



This was just awesome, the way in which everything came together in this episode, and there still are two episodes left for Yojou-han’s conclusion. This episode took events from all of the previous episodes and wove them masterfully into one.

Very different from usual, Watashi ended up being a bad guy here, rather than joining a regular club. It was some sort of evil society that was responsible for the rounding up of bikes in episode three. I think that this was the first time he really made Akashi angry here. In fact, we get confirmation that she’s still a member of the same clubs as she’s ever been in, and we get more and more a confirmation that every episode is the same, aside from which club Watashi decides to enter. The previous three episodes were special in the way that he wasn’t too involved in these clubs (an English club and reading club… yeah), which allowed him to explore love a bit more, instead of getting all caught up with these clubs here.

In all of these episodes, he met Akashi in different ways, because they pretty much were in the same campus, and she happened to live next to Ozu. Ozu on the meantime… I really begin to suspect that he was involved in everything here, from the tennis club to being Higuchi’s disciple to being the captain of the lucky cat Chinese restaurant. The reason he was involved in the cult in episode five was because his girlfriend was that raven-haired maiden that Watashi was chasing after back then; that’s why he crashed that airship. This episode finally revealed all of his motivations.

There was one big difference here though, that doesn’t really fit into the canon of the other episodes: Watashi did NOT find Akashi’s Mochiguman, but instead Ozu went after it. Could this be a hint that Watashi is getting further and further away from her, and that he’s just failing to notice what’s right in front of him? This episode does show that now that he finally found wealth and power he still feels like he’s missing something, which was pretty much the first time he acknowledged this.

Also, this episode did NOT feature a rewind. Instead we just have Watashi sulking in his room. I think that out of all the conclusions this season, Yojou-han is the one I’m looking forward to the most. There are just so many ways in which it can go, and I really feel like the creators have been carefully building up towards that ending.
Rating: *** (Awesome)

Posted on 12 June 2010 with categories: Yojou-han Shinwa Taikei



What am amazing conclusion to the love triangle arc. Seriously, Sarai-ya Goyou has really gotten some serious competition for my favourite series of the season, I really love the way in which Masaaki Yuasa has been delivering this series so far. This episode was nearly again the exact same as the previous two, only with the focus on Keiko, Watashi’s pen-pal, and a different conclusion.

The past arc has been brilliant in making everything spiral out of control. It’s THE proof that repetition doesn’t need to be bad, provided that you use it well. There have been tons of series who did amazing things with it (Utena, Higurashi, Jigoku Shoujo and Umineko, and it’s very interesting to see Yojou-han joining them.

I think we all knew that Keiko was actually Oz, the moment he handed Watashi that magazine, in which he found Keiko’s address. Part of what made this episode so much fun though was the way in which he was so genuinely enamoured with her. The look on his face (and especially the dialogue that went on inside his head) at the moment he found out that he had been exchanging love letters with Oz was priceless.

Akaishi’s role in everything also turned out to be very interesting in the past arc. The big difference with the previous arcs is that Watashi actually did something nice for her, instead of ignoring her (that was probably the meaning of the promise-scene of the earlier episodes: it’s to show that the two actually fit each other quite well, but because Watashi is so incredibly dense he never made any advances on her and forgot about his promises to her). Also, she’s living next to Oz.

Seriously, now that prediction that Higuchi made back into that first episode gets a new dimension with this. Who knows how often they hooked up with each other while Watashi was messed up in his umpth weird idea? We’ve heard of Oz’s girlfriend before, but have we actually seen her once? And again: Johnny was no use in this episode, and Watashi again left her. But then again, he really was in love with the image of Keiko he created. That’s the really weird part here: his love for Hanuki felt a bit shallow. Instead however, he has been genuinely in love with two women who didn’t exist. In fact, Watashi is a guy who just keeps chasing after these abstracts that don’t really exist, instead of looking what’s right in front of him: something concrete that can make him happy. Johnny turned out to be the complete opposite of this: not looking far away, but instead just trying to go after what’s right in front of him.

I really wonder what those final episodes will be about: how will they put everything to a conclusion? This is Masaaki Yuasa. For the sake of spoilers I’ll be vague in this, but ‘certain’ series of his have had really… ‘interesting’ endings.
Rating: *** (Awesome)

Posted on 4 June 2010 with categories: Yojou-han Shinwa Taikei



Awesome, this is exactly as I hoped: this show just continues to get better and better. Screw the repetition, every episode manages to add ten new things for everything it recaps. I was a bit fearful of the prospect of having an episode more similar to its predecessor than ever (who knows, perhaps it might even have pulled a “Seraphim Call”), but this episode very skillfully took the the previous episode, and built further upon it.

The overall scenario is pretty much the same as in the previous episode, it’s just the focus and ending are different. Instead we gloss over Hanuki and the pen pal, and instead this episode is about the love triangle around between Watashi, Jougasaki and the love doll. Oh, and Johnny. He has gotten way more extreme with this episode.

This episode really was masterfully written, not just how Watashi’s feelings kept spiralling out of control, but also that Jougasaki kept entrusting Kaori more and more to Watashi in a surprisingly similar way as how we’ve seen him in the second episode. On top of that there were also a ton of parallels with that proxy proxy war of episode four. Seriously, it felt like Ozu kept pestering him even without Watashi’s help. That could explain why he’s been so relatively absent in the past few episodes. It would be pretty awesome if he was some kind of ever-present prankster.

The next episode will be about the pen pal. the end of this episode even hinted at that. But what about episode 10 and 11? Especially Akashi had a really weird role in these episodes, as she was supposed to be the female love interest and instead Watashi has chosen three other girls to fall in love with. Will episode 10 actually be the same as these past two episodes, but on the perspective of Akashi?

It makes me think about the one oddball episode about this series: the one about Higuchi’s disciple. All of the other episodes were about portraying Watashi as some sort of socially awkward loser: the past two episodes were all about his desire to remain pure, and the other episodes really all stressed what a social dork he is. That episode was different, though. His life was miserable there not because of his own actions, but rather only because he ended up choosing the wrong club at the beginning of his university life. That proxy-proxy war was completely different from Watashi’s other struggles, not to mention that really weird scene in which Higuchi suddenly started riding a giant whale.
Rating: *** (Awesome)

Posted on 28 May 2010 with categories: Yojou-han Shinwa Taikei




This episode finally introduces that strange cowboy we’ve been seeing in the OP. Guess what his name is? I really thought that it was some kind of Euphemism that Eden of the East came up with, but here we’ve got another show that comes up with that strange nickname.

In any case, this episode was just awesome, by far the best of Yojou-han yet. It was a masterfully written romance that felt incredibly refreshing when compared to all of the uninspired high school romances out there. It’s the episode that finally gets a close look at Hanuki, the dentist assistant. Watashi meanwhile is in the middle of a really weird love polygon in which he often hangs out with her after club activities (this time it’s the English Club, at which for once he doesn’t suck… or at least feel out of place at), exchanges letters with a mysterious girlfriend whose identity we never really learn and somehow ended up taking care of Jougasaki. Hanuki in the meantime also hangs out with Jougasaki and it’s heavily implied that Master is her boyfriend.

The reason this episode rocked so much was how well it got into Watashi’s head for this episode. Especially when the liquor popped up everything kept spiralling out of control masterfully. I’m not exactly a fan of Johnny’s voice actor, but nevertheless it shows what a genius Masaaki Yuawa is at portraying chaos.

Ozu this time was interesting again, in the way that he was very much out of the picture for the biggest part of this episode. He’s still causing trouble, but it’s affecting Watashi less and less: he actually got close to three girls other than Watashi here. Speaking of which: she never made an appearance at all. This was a very interesting episode of Watashi, experimenting with other women than what this series made out to be his “true love”; very refreshing.
Rating: *** (Awesome)

Posted on 21 May 2010 with categories: Yojou-han Shinwa Taikei



It’s of course easy to immediately start comparing this show to Kaiba, however I opted not to do this for the first four episodes. Simply, because that would not be fair. Kaiba was a stellar series, and amongst my favourites. Expecting the same would just be unrealistic. The interesting thing about anime is that beforehand you almost never know which shows will turn out to be the best. Even more, Kaiba had a stellar first episode. Yojou-han instead was completely focused on building up. Kaiba sold me with its incredibly creative back-story and its gripping narrative. Yojou-han instead has its dialogue, repetition and wit. With a series as Durarara, you can see that it tried to look like Baccano at times, however Yojou-han makes no attempt at trying to catch in on Kaiba’s… um… popularity.

This show is weird: we’re still stuck in those random campus life stories. In this episode, Watashi ends up in a hippie-cult full of peace-loving flower-children that look a lot like scienology. It’s another story of how he completely throws away his first two years at college, just in an attempt to fit in. It’s actually very similar to the third episode in which he couldn’t fit into the cyclist club because he wasn’t athletic, here too he couldn’t fit into the softball club because he wasn’t one of those people who always look at the bright side of life. Here things got carried way more out of control though, because Ozu was surprisingly absent here. He for once only caused trouble that helped Watashi.

What’s also interesting is that Akashi still is Higuchi’s disciple. Her role seems to be all over the place, it seems. Sometimes she ends up joining the same club as Watashi, sometimes she doesn’t. Sometimes she’s straight-up his love interest, but this episode has him chasing after someone completely different. I think a key is also that she’s a year younger than him, so by the time that she gets to join college he’s also completely involved in whatever stupid club he’s involved in. I think a major theme in this show has been the contrast between Watashi’s image of romance, between the types of girls that he’s actually interested in. Watashi ends up in such a huge mess every time because his expectations of college life are completely different, and instead of choosing a club that fits him he instead keeps choosing clubs that fits the romantic image that he has in his head. He just is an anti-social character, and I’m beginning to think that Ozu and Akashi always end up with him because they too aren’t fond of socializing and doing regular college stuff.

I also labelled Watashi as a loser once, but that also doesn’t quite turn out to be the truth. He can be quite successful when he wants to: he can train and become very muscular, he can make a lot of money through jobs, he can put together an entire movie on his own. It’s not like he’s not good at anything, he just doesn’t use his energy at the right places and instead wastes it on stupid stuff that only make his life miserable.

In any case, what I’m trying to say here is that Yojou-han episodes have this weird effect. Especially this one. Overall this episode was enjoyable, though nothing special when you get past the styles. There were a number of interesting jokes, plus the critique at scientology also had its moments, but it’s nothing that I would label amongst Giant Killing and Sarai-ya Goyou as my favourite of this season. However the final few minutes in a Yojou-han episode are very often the best ones. We get to see the point at which Watashi snaps and turns back time, but the whole episode also comes together surprisingly clever. This episode even added to the previous episode (explaining that the 20000 leagues under sea novel and the globe actually were from Watashi and he thought that Ozu stole them).

The weirdest thing here was this future version of Watashi suddenly popping up. Was this just symbolism, or is this going to continue more often? In any case I must say that I was right in not expecting too much from the first few episodes of this, because after a few episodes that may not have been the most exciting I’m getting more and more excited about this series.
Rating: ** (Excellent)

Posted on 13 May 2010 with categories: Yojou-han Shinwa Taikei



This series was already a bit surreal at times, but this episode took it even farther. The visual symbolism in this episode was just all over the place, and it loved pulling all kinds of weird visual references to events that were happening, the most obvious being the point at which Higuchi started singing.

It was a really weird episode, and probably the hardest one to understand so far due to all of the things that were thrown at us, ranging from the scavenger hunt for the weird brush to the rock-paper-scissors match at the end.

Watashi wasn’t exactly a loser here, as much as a devout follower of Higuchi and his weird ideas. Ozu this time was the bastard in the way that he was playing a bit of a double spy. They’re far less extreme than in the previous episodes, but I think that that’s because of Higuchi’s influence at work, who kept them at bay. Ozu could only be a small bastard, because for some reason it seemed impossible to really make Higuchi’s life bad.

I’m also very curious about the next episode. Wasn’t this series supposed to be just about four stories? Could that mean that we’re going to revisit the tennis club again in the next episode? Overall, the status quo in this series seems to be two deaths of Watashi, one life in hiding, and one life wasted on some weird guy.
Rating: ** (Excellent)

Posted on 6 May 2010 with categories: Yojou-han Shinwa Taikei




This series really is why I love episodic series. The bad ones obviously suck beyond belief, but when shows like this one make optimal use of them they can really turn into something unique, and the short stories can allow for ideas that would normally not fit within a linear storyline. A lot of things have to be done right in order to get a good episodic series, though, but to me the key seems to be creativity, along with somehow finding a way to build-up: connecting the different episodes together. I believe that if these aren’t present, you’re just better off with a linear storyline in order to get the best out of your characters. But Yojou-han has both of them.

This seems to me a study of all types of losers. Watashi is socially inept throughout all the episodes, but every time it is in a different way. In the previous episodes he created his own problems by his pranks, but in this episode he just was another one of those losers who didn’t fit in because he had no athletic skills. Ozu instead of trying to get him into his pranks instead left him completely out of it for once. Interestingly though, I do believe that Watashi’s character has remained the same throughout the first three episodes: what we just see is him, reacting to different situations in a different way. That definitely is one interesting way of character-development. You can see his reckless parts in the way that he flew into his death at the end of this episode: it’s exactly those parts that we saw in episode two when he created that crazy video.

Whether Akashi and Ozu are the same… I’m not sure yet. This episode showed that Yojou-han is a show in which Watashi, Akashi and Ozu hop between different clubs, all three with their own agendas, while the rest remains constant. The actor of the previous episode still is an actor here. Akashi in this episode proves that she’s actually a very good cyclist. In this episode she loses her strap again, but there’s no promise scene. The cake is also gone. She’s a lot less cold than what she was in the first two episodes as well, it seems. As for Ozu, if he indeed also is the same character in every episode, then he strikes me as a guy who always grabs every opportunity to make someone’s life miserable, finding the right allies to accompany him. In this episode there probably already was some sort of bike-stealing club, which is why he didn’t really need Watashi. The second episode in contrast only needed him to show what a guy that actor really was: Watashi himself just did the rest.

Either way, I love the concept of this series: showing how the same people in different settings can be so different.
Rating: ** (Excellent)

CHANGE USERNAME
Lenlo
Also personally I am enjoying this current season a alot. But I also know/like a good bit of the reboots/sequels
Lenlo
Oh man... 2015 winter was good. Forgot thats when those came out
Anonymous2028818
@SuperMario: Wasn't that Natsume season 5?, pretty sure season 4 was several years earlier.
SuperMario
Another strong anime season for me was 2015 Winter, where we had YuriKuma Arashi, Maria the Virgin Witch, Death Parade, Durarara whatever season, second cour of Shirobako, Parasyte and Your Lie in April
SuperMario
Even so, with this season I'm still willing to give some shows another chance, like Caligula or Cutie Honey Universe(!)
SuperMario
For me, the best season in recent years was Fall 2016 when we had Flip Flappers, Sound Eupho 2, Yuri on Ice, Natsume 4, Fune wo Amu, Drifters and 3-gatsu no Lion. But I know that Aidan would disagree with me on this
SuperMario
@anon2028201: it's me who said this season is a mixed bag. It's like you said, this season is too heavily on sequels/ reboots and only some new anime stand out, the rest of the pack is just meh.
Anonymous2028201
To me this seems like a pretty good seasons, but judging some of the impressions, it's a bit more of a mixed bag for most. Just curious, what were the best seasons for recent anime? This one seems good to me, but to early to tell right now
Anonymous2028201
Lovin this season so far: a lot of reboots/reimaginings and sequels, but I'm enjoying them all. MHA S3, LOGH DNT, S;G 0, Megalobox, Golden Kamuy are what I'm watching right now. I hear Full Metal Panic is good as well, but I haven't gotten around to watching the original series.
Anonymous2028258
so i just recently rewatched fullmetal panic fumoffu and i gotta say that this is easily one of Kyo ani's best works. It's such a surprise that this was their first anime; it's a damn good romance comedy
Kaiser-Eoghan
@Anon: Lol I love B-movie type stuff, because the rules are off.
Kaiser-Eoghan
I was the only person who watched Mazinkaiser skl and shin mazinger and skullman.
Anonymous2026379
@Kaiser Takeshi Koike really wanted to really sell it as a grindhouse feature and I ate that shit up; I really dug the tone he was going for.
Kaiser-Eoghan
@Anon: It was strange seeing that Goemon short, much as I enjoyed it, thats the goriest I seen lupin get.
Anonymous2026379
Megalo box is pure retro while lupin is a mix of old and new...and you're right; people just think they can't jump right into it. But that's why more people should be talking about it; to let the masses know that you don't need a starting point to get into the Lupin franchise
Kaiser-Eoghan
I'm a massive fan of the devilman manga and I thought devilman crybaby was better than it.
Anonymous2026379
90's-esque throwback feeling shows like lupin and megalo box have been giving me
Anonymous2026379
Luoin part 5 is definitely mixing the best of new and old. Honestly, I've been having a blast with it as well as this generally 90
Kaiser-Eoghan
I think the problem is, people see lupin as this long thing they can't get into, when really its so episodic/standalone mostly you can pick up and watch.
Kaiser-Eoghan
And of course getting the best bits out of old and new.
Kaiser-Eoghan
*visual style
Kaiser-Eoghan
I'm a fan of this hybrid old and new style, megalobox does it too, mine fujiko aswell and casshern sins.
Kaiser-Eoghan
I was surprised by how well the Fujiko mine show came together in the end.
Kaiser-Eoghan
I'll be interested in picking up more facts about thrm.
Kaiser-Eoghan
Come think of it, Akira Kurosawa did some old western (eastern?) in Russian, that had an Ainu in it.
Anonymous2026379
Asirpa is sooooo adorable.....almost feels patronizing to say that about her due to how badass she is
Anonymous2026379
What makes Fujiko work so well as this sexy icon is that she isn't just sexy: she's smart as shit and uses that sexiness to dominate and control her opponents (similar to bayonetta) rather than be chained by the objectification of her opponents (and the viewers for that matter)
Anonymous2026379
I wonder what other obscure cameos we may get this season. And yea you're right about some of Lupin's potentially sexist traits being assuaged by his level of cool and the genuine respect he shows a good deal of the women he has encountered throughout the series
Kaiser-Eoghan
@Anon: Yet still a fun film at the same time.
Anonymous2026379
@Kaiser Yea, mamo was a pretty dark element introduced to the lupin franchise; and considering the tone of the gravestone of Jigen, it makes sense he would cameo there
Kaiser-Eoghan
@Mario: Help I want to kidnap Asirpa =<
Kaiser-Eoghan
@Anon: I'm probably as surprised as you, at finding someone to talk to about Lupin on here.
Kaiser-Eoghan
@Anon: And through comparing/contrasting the jigen grave stone and Fujiko mine, with some of the sillier older ones, it shows the Lupin characters are flexible enough to work both in a darker AND sillier context.
Kaiser-Eoghan
*character
Kaiser-Eoghan
@Anon: Fujiko is precisely how a fanservicey character should work and how built in/essential it is to her haracter, without becoming an irritant.
Kaiser-Eoghan
@Anon: By all means Lupin himself shouldn't be a character we like, much like Bond, but like Bond theres a coolness to the character that allows us to love him.
Kaiser-Eoghan
@Anon: Another great thing about Lupin is how it uses its 60s cool to get away with what would normally probably be considered fairly sexist.
Kaiser-Eoghan
@Anon: I had a big smile on my face when Mamo made a cameo appearance at the end of one of the recent ones and thats because I remember the Lupin Mamo movie was one of those first anime that I watched about 20 years aago.
Anonymous2026379
not to mention that its one of the few anime this season that actually knows how to utilize dialogue to explore flesh out its characters rather than exposition or contrivance: looking at you darling in the franxx
Anonymous2026379
@Kaiser-Eoghan Nice fun facts; but yea Lupin III is a series that has always had an amazing sense of pacing and adventure, traits that are definitely on display this season
Kaiser-Eoghan
@Anon: Its a huge franchise too so I'm often never sure where to go next.
Kaiser-Eoghan
@Anon: You may or may not know this, but the voice actor for solid snake voiced Lupin in one of the dubs.
Kaiser-Eoghan
@Anon: I watched a few episodes of the Italy set lupin show too .
Its a fun franchise due to its cast but its something I have to follow irregularly, lest it get repetitive.
Kaiser-Eoghan
@Anon: Fun fact, guy who directed the gold of babylon film was a famous B-movie noir director in the 60s.
Lenlo
Dont trust anything written by the original SAO author. Everything is his fault. Kirito is not in this series.
Lenlo
Even the original SAO author has little to do with it, which is why its actually good
Lenlo
So SAO Alt is basically completely removed from the rest of SAO
Kaiser-Eoghan
@Anon: Lupin is one of those things I dip in and out of, whatever part of the franchise it is. I've seen birdcage kingdom, Mamo, cagliostro, nostradamus, Jigens grave stone, mine fujiko and the recent Goemon centred special.
Anonymous2026379
it's a damn shame not a lot of ppl are talkig about/watching lupin the third this season
Kaiser-Eoghan
But for all I know with that team behind it, its an improvement, but theres probably not much point in me watching as I dropped the first season after less than 10 episodes.
Kaiser-Eoghan
See how he attempts to seduce me into watching something related to sword art.
Lenlo
Huh... I didnt know the writer for SAO Alt was written by the Kino's Journey creator and produced by the Flip Flappers people. Explains a lot
Lenlo
I wish I knew what you meant by shaman girls, and I cant wait
AidanAK47
@Lenlo, Oh I know Leskinen. May he find his Japanese Shaman girls one day. But seeing as I know the story I wanna experience it differently.
Kaiser-Eoghan
@Mario: Its even set in hokkaido, Korean/Japanese director, Japanese cast, Ken Watanabe is in it: https://letterboxd.com/film/unforgiven-2013/
Lenlo
Also, I love the ED. Really, 2 episodes in, I love S;G all over again.
SuperMario
@Kaiser: really? They remade Unforgiven in Japanese?
Lenlo
its*
Lenlo
Like... is good.
Lenlo
But your missing out on the cult of Leskinen. The engrish is actually one of my favorite parts
AidanAK47
@Lenlo, Meanwhile I am happily waiting for the dub.
Lenlo
Dangit... I have to wait another week for Steins;Gate 0 now. I cant do this.
Kaiser-Eoghan
@Mario: The Japanese remake of unforgiven had ainu people in it.
Anonymous2025797
Also I wonder if budget is distributed according to the director, some animes will spend more in the first episode. Some will spend more in the last ones. It's subjective, but if it's like all business it is looking for the better result at the minimum expense. Hence why I believe Berserk was made the way it did.
Anonymous2025797
@Kaiser-Eoghan - Ideally a story should be as long as it needs. But reality seems that a number of episodes is decided before production. And so you either have to stretch or cut material. Kinda like that 300 page manga of Les Miserables, is simply unfeasible translating that book into that few pages.
KTravlos
Oberstein was a great character.
KTravlos
I actually feel Aidan can do a good job on it. Sometimes been too exposed to the material may lead to clouded eyes.
Kaiser-Eoghan
Though I'm surprised by how I unexpectedly laughed at wotaku, I do wonder if later on it will include any slight drama elements to sustain interest.
Kaiser-Eoghan
OMO; OBERsteins; Gate =P
Kaiser-Eoghan
From watching episode 2 of golden kamuy, yeah, the source material definitely is lifting this.
Kaiser-Eoghan
I'm going to have to wait and see on steins; gate 0, it is encouraging to here this might be darker , at the same time I remember having to sit through too much goofy humour in the first one.
Kaiser-Eoghan
I was actually surprised, that, while rare, there were some moments of humour, that lightened it for me.
AidanAK47
Throughout the entire series I expected Oberstein to pull some inevitable double cross. And was shocked when he never did.
Amagi
@Kaiser: Agree with Oberstein. I think antagonists are es important as the mains in fiction and I loved this guy, he's perfect for series like these.
Kaiser-Eoghan
Galactic heroes was an example of where when watching it, when big death scenes occured, I would make noooooo and shouting noises at the screen while clenching my fist.
Kaiser-Eoghan
I love characters like Oberstein, shrewd, clever, but done right to where I can believe it, not characters like, say Lelouch .
Kaiser-Eoghan
I'd be concerned if the new galactic heroes series skimps on the violence, that kind of thing needs to be in there, in most shows/films and shown to be explicit, consequences need to be shown.
Amagi
*about, not with
Amagi
Sadly, most original 2+ cours series I know feel dragged whereas many 1 cours originals could have needed ~3 more episodes. Talking with series that have an actual plot of course.
Amagi
I really like the 13 episodes thingy for originals but I wish there would be more 26 episodes series, especially for adaptions.
Amagi
@Kaiser: I agree. Nothing kills my interest faster than formularic episodes and repetition.
Kaiser-Eoghan
In general I think 50 episodes would be the most I'd watch for an anime, 39 seems ideal.
Amagi
Or worse and the romance drama is the main plot and it's Kiznaiver all over again, while the rest is just flavor to make the romances more forced since they're the MCs are only teens and such. Dunno but I can never bring myself to care about this kind of stuff.
Kaiser-Eoghan
Though better 110 episodes of galactic heroes than a long shounen that just repeats itself.
Amagi
Speaking of recent episodes, I unironically thing that FranXX's world (building) is pretty interesting (although I hope those klaxxosaurusses will be more than just random cannon fodder) but I doubt the series will ever get to the main plot again the next time.
Amagi
Same here. It was really the only time I did this. I am usually exhausted by just thinking about marathoning long series. It's the reason why I won't get into FMP for the new series either. LotGH was an exception since I found it easily to watch for some reason.
SuperMario
Man, just image burning through 110 episodes of it and my spirit fades away
Amagi
Watched that whole series ages ago.
Amagi
Just watched the first three Neue These episodes and I surprinsingly liked it. Thought I would hate it due to being an OVA fan, and I still prefer the old designs by far but overall it's pretty good. I think I might even prefer this version of the first battle, but I have to rewatch the old one I guess.
Kaiser-Eoghan
Also while I can't remember which episode, Yang picks up a book with the author of the series' name on it.
Kaiser-Eoghan
Arslan feels so lightweight by contrast/comparison.
Kaiser-Eoghan
And I think, given your knowledge KTtravlos, that a series review of the new galactic heroes season would probably benefit from you writing it.
Kaiser-Eoghan
I bring up the music in my earlier comment, because I can understand your reservations regarding the music choice in the remake.
Kaiser-Eoghan
And certainly one of those shows, that going back to the first episode after finishing, gives a strong perspective just on how evolving the series was.
Kaiser-Eoghan
*despite me not
Kaiser-Eoghan
Despite not being monarchist , because the characters were human moreso than cartoon characters I couldn't hate on Reinhard.
Kaiser-Eoghan
@Travlos: I suppose by the time it got to Julian's arc, I was surprised they were still bothering to fight but the fact that they were essentially the last bastion of their beliefs made it special.
Kaiser-Eoghan
@Travlos: Sometimes when I just finish a show, its a case where I HAVE to jump online immediately after and excitedly ramble out an essay on it.
niello
ugh democracy
KTravlos
@Kaiser ultimately LOGH for me was a decisive point in my political life, as I think it made the best defense of democracy in any form I have seen. And it worked partly because the opponent was presented in the best possible incarnation (Rienhard). Yang's continued adherence to democracy, despite recongising its flaws, helped me avoid a personal descent into authoritarian politics.
KTravlos
@Kaiser. I am happy you had a good experience. I watched the prequels a while after the main show and I was happy because it was great getting back to those characters. The prequels were also great in fleshing the setting and the characters. So yes, take your time and a break. That way the prequels will be like visiting a place you liked again after a while.
Kaiser-Eoghan
@KTtravlos: I have some other stuff to get through before watching the galactic heroes prequel though =<
Kaiser-Eoghan
YES according to discord poster I'm not a millenial!
Kaiser-Eoghan
Sorry for overposting. I have always always being an incredibly verbose person.
Kaiser-Eoghan
@Vonter; Not that I oppose captilistically made for a buck cinema, it can be entertaining yes, but I set a standard.
Kaiser-Eoghan
@Vonter: As open as I am to trash cinema, I consider the resident evil films, like the superhero ones, anti-art.
Kaiser-Eoghan
I can understand why people don't like Villier, but he did I think work as a device to add extra tension.
Kaiser-Eoghan
I feel some release at finishing but at the same time sadness at saying goodbye to the show and its characters.
Kaiser-Eoghan
, showing its age.
But for something of this length, it kept itself up far better than most long shows and I feel the length its somewhat justified.

On another note….as corny as the third ending theme is, I got the feels listening to it.
Kaiser-Eoghan
But while the first 50 odd episodes were an easy job for me aswell as all of the 4th season and some of the late 3rd season made it difficult for me to pull myself away from it, the dialogue even though often well observed did become difficult to follow at times and somewhere in the middle theres a stretch of episodes, bar some moments that feel a bit of an endurance test and the animation is at
Kaiser-Eoghan
Its attention to detail I felt was at its strongest in the documentary and the series dedication to filling the view in on its world building/fictional history.
Kaiser-Eoghan
I admired the scope, ambition of this series and the battles eventually grew on me and I was surprised by just how visceral the melee combat got which suited me perfectly. At the same time for all the strategy and action, I found myself more in it for the story, characters and intrigue/politicking. Those battles, due in part to their music choices, had an epic feel to them
Kaiser-Eoghan
In the end the characters stood out for me the best were Reinhard, Oberstein (for being essentially the amazing man with the plan), Reuntal, Kircheis and Rubinsky, I warmed up to Julian, Yang and Schenkop. When important deaths occurred, they felt highly dramatic, in four cases emotionally effecting for me .
Kaiser-Eoghan
Also, KTtravlos, thank you for pushing me toward watching the original legend of the galactic heroes, my opinion on the series is largely a mixed one, but by the end I felt I’d watched something rewarding and I’m happy its crossed off my list and I should have gotten round to it sooner.
Kaiser-Eoghan
I'm probably the oldest here, being 32. Which apparently makes me around Yang-wenli's age, which according to someone means I'm middle aged .
Kaiser-Eoghan
To the discord guy who brought it up, its difficult not for me to be political, my father was an activist and is a Marxist , I ended up becoming a contradiction a semi-agnostic, but spiritually inclined/tolerant socialist with internationalist ideology.
Kaiser-Eoghan
@Aidan: Ends in very cliffhanger/abrupt indy way though and the things weakness/how to kill thems too easy.
Kaiser-Eoghan
@Aidan: I liked how it explains nothing also and the creature design and how it visual communicates to the audience.
Kaiser-Eoghan
@Aidan: While I won't say anything, a character death is handled in what I considered a schmaltzy manner. There is a particularly headscratching decision the characters make that you'll either rationalize or hate, but it leads to one of the tenser set pieces later on.
Kaiser-Eoghan
@Aidan: Quiet place has a good idea at its backbone, that they use sign language in the film to communicate and occassional whispers adds to it, it and the silence allows for a mood to be effectively communicated. It does have jump scares, I wasn't annoyed by them, but I never felt the film required them.
Kaiser-Eoghan
@Aidan: I read the discord, if you ever need to ask a question relating to film, come to me about it, I will without fail be able to answer 9 times out of 10.
Kaiser-Eoghan
I was adequately amused by the first episode of wotaku, but found the male lead funnier, which I'm attributing to him be more deadpan.
Lenlo
We found a convient weekend for everyone
Kaiser-Eoghan
*watching
Kaiser-Eoghan
I would also float the idea of recommendation podcasts every now and then.
Kaiser-Eoghan
I will listen to the podcast more in full later. But I was surprised after asking/suggesting it on the discord, that it came so soon.
Kaiser-Eoghan
I am thinking of re-watching gasaraki and ai yori aoshi.
Kaiser-Eoghan
@Niello: Perhaps after a while of watch the anime I will simply jump on to the manga.
Vonter
I watched Resident Evil: Vendetta yesterday. It's incredible dumb but kind of fun. I do wonder if in terms of entertainment are like the best videogame based movies. Since it plays like a videogame, it's based on a videogame and is more or less in line with the tone the series has had for a while.
niello
It's such a shame that Golden Kamuy art direction is such a train wreck.
KTravlos
and for the sake of Clausewitz there is clinical term for what Reinhard did. It is called "defeat in detail". Napoleon was a master of it. Proper way to defeat it , is to order the threatened force to retreat to a point where other allied forces are converging. The enemy will either have to retreat, or fight at a disadvantage. The 1813 and 1814 campaigns against Napoleon are examples of that.
KTravlos
Episode 2 of LOGGH: Der Neue Thesis was much better than the first. The music is still an issue, but Yang was well portrayed. I do think there is lack of the directors in showing the cruelty of war, like the first one did. We will see.
Kaiser-Eoghan
@Mario: Still need to see his short films and black Peter.
Amagi
@Anon: I already know the manga and enjoy it, think the anime is a good adaption so far. Feels good to see a series about video games that are actually just games and romance without tsunderes, tons of blushing or unworldly naive harem girls.
Anonymous2016456
the anime
Anonymous2016456
how do you guys think of wotakoi?
SuperMario
@Kaiser: Hereditary sounds pretty promising here
Kaiser-Eoghan
Forman's an interesting case, when you look at the huge disconnect from his early films from the 60s and then what he went on to make.
Kaiser-Eoghan
Ah, unfortunately I am not a fan of country music so Nashville didn't appeal to me =<
Kaiser-Eoghan
@Mario: And before Jack kept playing the same role over and over.
Kaiser-Eoghan
@Mario: Aside from Courtney Love's presence, Larry Flynt is an excellent film. I love the custom camera tricks Kubrick used in Lyndon , dog day afternoon suceeded for me because it did so much more than being just a bank rob film. I wish Spielberg would return to his pre-90s films .
SuperMario
Cuckoo's Nest reminds me of the great 1975 Oscar Best Picture, which for me was Oscar's greatest line-up. The line-ups for that year were: Cuckoo Nest (winner), Nashville, Barry Landon, Dog Day Afternoon and Jaws
SuperMario
@Kaiser: RIP the man. I've seen 2 of his, Amadeus and Cuckoo Nest. Both great but they were more because of the strength of the source
Kaiser-Eoghan
@Mario: Milos forman has died =<
Kaiser-Eoghan
Indeed the character designs in steins; gate have seen changes....shockingly mayuri's chest is larger than Daru's ;)
KTravlos
I can live with that. Interested to see what made you reserved.
SuperMario
@KTravlos: you won't agree with my series review then. I have a lot of reservations on VE
KTravlos
Also I finished Violet Evergarden. This was an exceptional series in my book.
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Featured Posts

Steins;Gate 0 – 2 [Epigraph of the Closed Curve -Closed Epigraph-]

9 years. It has been almost 9 years since the original season of Steins;Gate. Since Okabe overcame received a mysterious video message, which prompted him to finally save the day. Back then it was a rather clever, if thin, plot device to get a happy ending. Steins;Gate 0 is the story of this video message. […]

Legend of the Galactic Heroes Die Neue These – 2/3[The Battle of Astarte/An Indomitable Prodigy]

If I was to judge this adaption based solely on the first three episodes I would declare it a resounding success. For while I do really like the old series, it does have a rather slow start. I say i only truly got invested in it around episode 3 or 4 when the more political […]

Golden Kamuy – 02 [Nopperabo]

Leave it to Japanese cartoon that done the Western genre better than the Westerners, at least from what we have seen so far (note: despite my pun, Western the genre doesn’t refer to the Western culture, but to the American Old West). Granted, Japanese cinema and literature has a strong tradition of samurai genre, which […]

Hinamatsuri – 02 [This Is How You Have a ESP Battle!]

Welcome to THE comedy gold of the season. Before I get into anything specific, let’s me discuss about what make this little show about a psychic girl and a yakuza hilarious in the first place. The main source of humor in Hinamatsuri largely comes from situation-based weirdness. Putting these characters out of their comfort zones […]

Darling in the Franxx – 14[Punishment and Confession]

Last time Darling and the Franxx had it’s best episode yet which raised my opinion of the series and gave me hopes for greater things moving forward. So it’s sad that they follow this up with the worst episode of the series to date. This episode was pure frustration to watch because you knew exactly […]

Megalo Box – 2 [The Man Only Dies Once]

Welcome to the Spring 2018 anime season! I am proud to present to you the Ashita no Joe 50th Anniversary project, Megalo Box. Easily the most stylish anime of the season. Lets jump in! With just 2 episodes, Megalo Box has become my favorite for the season. Everything about it feels like it comes from […]

Darling in the Franxx – 13[The Beast and the Prince]

That was the best episode of Darling in the Franxx to date. Truly I am impressed with this though it may be perhaps because the fanservice aspects of the show were not present at all during this episode. Todays episode was spent entirely on the past of Hiro and Zero Two. When this episode is […]

Fate/Extra Last Encore – 08-10[No Second Strike ― Dead End ― /Golden Theater of the Deranged ― Aestus Domus Aurea ― /Unlimited――― ― Unlimited/ Raise・Dead ―]

It hard to have an opinion on the last three episodes of Fate/Extra when the content has been quite similar to the previous episodes of the cour. For now the series has ended with the remaining episodes coming as a special later. Still unknown if that was the actual special broadcast that was originally considered […]

Darling in the Franxx – 10-12[The City of Eternity/Partner Shuffle/The Garden Where It All Began]

Three episode coverage this week as many things got in the way of my casual blogging, the much late preview being one of them. I must say that the last few episodes of Franxx have been quite strong as we have had a string of character development episodes which have really fleshed out the cast. […]

Latest Reviews

Kokkoku – 42.5/100

There are lots of bad anime out there, for one reason or another. Whether it be stilted animation, terrible writing or bad direction, a good portion of each season is simply not worth it. Kokkoku is not a bad anime. It is something much worse. Kokkoku is a mediocre anime. Bad ones get talked about, […]

Junji Ito Collection Anime Review – 40/100

In the realm of manga there is a man whose name is inescapable when the genre of horror is brought up. That man is Junji Ito and his work is considered legendary for its artistic detail, mastery of manga paneling and it’s outlandish imaginative concepts. Up till now his work has yet to have an […]

Yuru Camp (Winter 2018) Review – 74/100

I admit that I underestimated Yuru Camp back in its first few episodes. I took it as a standard, run-on-the-mill slice of life show and I fully expected to give it 3 episodes at max before throwing it into the deep sea of forgotten anime. But as time pass, I can certainly see many good […]

Neo Yokio – 96/100

This may be half a year overdue but I simply can’t accept that none of the writing staff of Star Crossed Anime have cover the the biggest development in anime where Netflix took a hand in producing anime in the form of Neo Yokio. Taking place in the metropolis of Neo Yokio, a mashup between […]

Devilman Crybaby – 83/100

It’s an exciting time to be an anime fan where new business models and players are making big waves within the animation industry. After debuting with the original and excellently-produced Neo Yokio, the juggernaut streaming service of Netflix has decided to revive the classic series of Devilman and gives it the full adaption treatment. By […]

Mahoutsukai no Yome – 69/100

Fantasy is a rather prolific genre in anime, with a vast majority of Isekai and Shounen fitting snugly into it. Most take place in their own unique setting, either Amestris of Full Metal Alchemist or the made of world of the latest Isekai trash. Few however try to set themselves in our world. To peel […]

Mary and the Witch’s Flower – 73/100 (Joint Review)

Wooper: Mary and the Witch’s Flower is the first feature film from Studio Ponoc, which spun off from Studio Ghibli in early 2015. Given Ghibli’s towering reputation, the bar was high for this inaugural flick, which recently made its way to U.S. theaters, giving Lenlo and I a chance to see it on the big […]

In This Corner of the World (2016) Movie Review – 90/100

In this Corner of the World (for the purpose of this review, I’ll refer it as “Corner”), is the truest slice of life drama if you ever encounter one, in that it’s a slice into an ordinary life of an ordinary girl during the War period. That speaks into the very first strength of Corner, […]

Houseki no Kuni (Fall 2017) Review – 92/100

Make no mistake, Houseki no Kuni is the most ambitious anime project of the year. Not only because it’s an entirely CG project (and make a damn good use of it, mind you), or because of its narrative scope that at once strange, grand and beauty, but also in its very conception in their production […]