Posted on 2 July 2010 with categories: Anime Reviews, Yojou-han Shinwa Taikei




The Noitamina time-slot surely rocked beyond belief this season. Alongside Sarai-ya Goyou aired the possibly even better Yojou-han Shinwa Taikei, the latest product of Masaaki Yuasa of Kaiba-fame. This time, he went for a ton-of-dialogue artsy character-study slash college life series, in which we follow the lead character as he explores a wide variety of different clubs and lifestyles during his years in college throughout many parallel dimensions. And it works out wonderfully.

At first sight, the way in which this series keeps resetting itself after every episode may seem weird at first, but it actually was a brilliant method to flesh out its different characters. Because of its very frequent resets, this stands out even more than series that did similar things in the past, like Higurashi and Umineko. Because of this, we get to see a ton of different sides of the characters that would never have been able to been shown without these resets, and the most important part is that we see Watashi develop in many different ways throughout each episode. The different side-characters all have their own parts to play in Watashi (the lead character)’s world and everything comes together wonderfully in the final episodes.

All of this is accompanied by some truly excellent dialogue. This series is based on an actual novel, rather than a manga or light novel, and it really shows. The dialogue is incredibly fast and you really need to pay attention to keep up with it, but as a narration it offers very detailed descriptions of the situations that Watashi finds himself in, which is nearly always very imaginative in the ways that it does so, with quite a number of witty remarks.

One potential pitfall could have been for the series to lose itself in either its dialogue and visuals, but neither happens. There are a ton of details stuffed into this series in order to make all episodes stand out, but in the same way the main message and characters remain deceptively simple on the outside. In comparison, while Kuchuu Buranko felt a bit like a loose cannon at times, every moment of Yojou-han is instead meant to bring colour to the life in which Watashi is living, and build up for the episodes that are still to come. Because the huge amount of building up, the first half of this series is decidedly less impressive than the second half, but the build-up is definitely worth it.

It’s a series that doesn’t try to provoke the biggest emotional response, but as a character-study it really stands out as a minor masterpiece here, in the way that it very subtly manages to flesh out and characterize its entire cast. Especially after the final episodes, it stands out as my favourite show of the series that premiered during the past spring season.

Storytelling: 10/10 – Fresh, and varied, skillfully combining repetition with new ideas to flesh itself out. Top notch narration.
Characters: 9/10 – The formula really allows the characters to come alive and show many different sides of themselves.
Production-Values: 9/10 – It’s Masaaki Yuasa. Do I need to say anything more?
Setting: 9/10 – Spoilerific to go in detail here but yeah: this one rocks too.

Suggestions:
Mind Game (another one of those movies that I’d review entirely different if I were to watch it today)
Amatsuki
Revolutionary Girl Utena

Posted on with categories: Yojou-han Shinwa Taikei



Well, so here it finally is: the ending I’ve been looking forward to the most this season. And indeed: this really was the best ending of the season for me. It was a wonderful wrap up of all of the build-up that this series has done.

So in this episode, Watashi continues to wander through all of the parallel worlds of his own life that he’s been trapped in, but the big difference with the previous episode was that he finally starts piecing everything together in an attempt to get out of that maze in which he can only eat castella and fish burgers that are lying around.

Most of this episode actually was a summary of what happened in the previous episodes, but by finally thinking about them and piecing everything together, Watashi finally started to notice that Mochigumo that kept hanging above him. Like expected, that was indeed the opportunity that kept dangling in front of him. That part really was the only potential pitfall of this episode: many shows have failed with such a cheesy romantic conclusion, but the way in which Watashi finally realized that he developed a crush over Akashi was well portrayed, and subtle. In fact, his entire confession was wonderfully different from what you usually see. It wasn’t dramatic at all, and instead just felt very natural. Or as natural as you can get a guy to act, wearing nothing but a scarf and talking about disappearing underpants.

Instead, the dramatic climax was… about Oz. Watashi finally came to terms with Oz as a character, and accepted him for who he was. Interestingly, Oz’s facial expression also completely changed here. It shows even more that we see all of this from the perspective of Watashi, in which he’s this evil bastard and therefore also has this continuous grin on his face. the same goes for the fortune teller: she also looks totally different now.

Overall though, it’s awesome to see that Masaaki Yuasa is constantly trying to improve himself. The big weakness of Kaiba was its rushed ending, so here instead he comes with a perfectly planned out series across eleven episodes, in which the final episode is really meant to give closure to everything. Whether Yojou-han surpassed Kaiba… nah. The rest of Kaiba was just that good. Nevertheless, Yojou-han was a really well written character-study that has a good chance of becoming the most unique series of 2010.
Rating: *** (Awesome)

Posted on 26 June 2010 with categories: Yojou-han Shinwa Taikei



This episode was brilliant, there’s no other way to it. it’s THE proof that this very much was a series that was building up to its conclusion right from the beginning, and now that everything is coming together, it has just surpassed itself. It’s without a doubt my favourite episode of Yojou-han so far. Really, out of all the endings this season, I’m looking forward to the final episode of this series the most.

So in this episode we were promised that finally Watashi would break through the tradition of joining random clubs and pushing reset buttons, but I’m very pleasantly surprised with how he actually did it. Instead of running after a whimsical dream, he just gives up. He spends god knows how long in his own room, and eventually he ends up trapped in a maze full of endless parallel worlds of this room.

I loved how the creators portrayed Watashi and his confusion as he tried to make sense of his situation. It’s interesting how he just doesn’t speak in this episode aside from just one line: all we hear are just some grunts and his inner monologues, which seemed to be wittier and more descriptive than ever here. Especially the scenes in which he just tried to waste time were priceless in how down to earth they were.

In the end, this indeed is a series about parallel worlds: worlds that can change depending on even the slightest decisions that you can make different. Even in the current world, there were aspects that returned in other worlds, like the Castella. Oh, and the cockroach trick “backfired” with some hilarious result. What’s also interesting is that Watashi usually hardly ever was at home. In all of the rooms that the Watashi of this episode crossed, he only came across himself once (also explaining why that weird man with a beard appeared: it wasn’t exactly an older version, just a version of Watashi who refused to shave).

It’s also interesting how Oz doesn’t seem to be the main bad guy of this series after all. This also could be expected after the previous episode, but it seems that Oz is just another characters in all of the universes that Watashi takes place in. This anime really is a journey of self-discovery for Watashi. The main concept wouldn’t be that different if Oz weren’t there, and the biggest difference is that Watashi didn’t have someone to put him down to earth by reminding him what an idiot he is.

Now, this really is a series that’s perfect for the short airtime of 11 episodes: it’s short but focused, and knows what it’s building up to. Those are often the most successful short series, compared to the ones that either just cut off, or try to do just too much in too little time. That will make for enjoyable series, but not the masterpieces like Yojou-han and Kaiba because it can never get really in-depth about its characters.
Rating: *** (Awesome)

Posted on 19 June 2010 with categories: Yojou-han Shinwa Taikei



This was just awesome, the way in which everything came together in this episode, and there still are two episodes left for Yojou-han’s conclusion. This episode took events from all of the previous episodes and wove them masterfully into one.

Very different from usual, Watashi ended up being a bad guy here, rather than joining a regular club. It was some sort of evil society that was responsible for the rounding up of bikes in episode three. I think that this was the first time he really made Akashi angry here. In fact, we get confirmation that she’s still a member of the same clubs as she’s ever been in, and we get more and more a confirmation that every episode is the same, aside from which club Watashi decides to enter. The previous three episodes were special in the way that he wasn’t too involved in these clubs (an English club and reading club… yeah), which allowed him to explore love a bit more, instead of getting all caught up with these clubs here.

In all of these episodes, he met Akashi in different ways, because they pretty much were in the same campus, and she happened to live next to Ozu. Ozu on the meantime… I really begin to suspect that he was involved in everything here, from the tennis club to being Higuchi’s disciple to being the captain of the lucky cat Chinese restaurant. The reason he was involved in the cult in episode five was because his girlfriend was that raven-haired maiden that Watashi was chasing after back then; that’s why he crashed that airship. This episode finally revealed all of his motivations.

There was one big difference here though, that doesn’t really fit into the canon of the other episodes: Watashi did NOT find Akashi’s Mochiguman, but instead Ozu went after it. Could this be a hint that Watashi is getting further and further away from her, and that he’s just failing to notice what’s right in front of him? This episode does show that now that he finally found wealth and power he still feels like he’s missing something, which was pretty much the first time he acknowledged this.

Also, this episode did NOT feature a rewind. Instead we just have Watashi sulking in his room. I think that out of all the conclusions this season, Yojou-han is the one I’m looking forward to the most. There are just so many ways in which it can go, and I really feel like the creators have been carefully building up towards that ending.
Rating: *** (Awesome)

Posted on 12 June 2010 with categories: Yojou-han Shinwa Taikei



What am amazing conclusion to the love triangle arc. Seriously, Sarai-ya Goyou has really gotten some serious competition for my favourite series of the season, I really love the way in which Masaaki Yuasa has been delivering this series so far. This episode was nearly again the exact same as the previous two, only with the focus on Keiko, Watashi’s pen-pal, and a different conclusion.

The past arc has been brilliant in making everything spiral out of control. It’s THE proof that repetition doesn’t need to be bad, provided that you use it well. There have been tons of series who did amazing things with it (Utena, Higurashi, Jigoku Shoujo and Umineko, and it’s very interesting to see Yojou-han joining them.

I think we all knew that Keiko was actually Oz, the moment he handed Watashi that magazine, in which he found Keiko’s address. Part of what made this episode so much fun though was the way in which he was so genuinely enamoured with her. The look on his face (and especially the dialogue that went on inside his head) at the moment he found out that he had been exchanging love letters with Oz was priceless.

Akaishi’s role in everything also turned out to be very interesting in the past arc. The big difference with the previous arcs is that Watashi actually did something nice for her, instead of ignoring her (that was probably the meaning of the promise-scene of the earlier episodes: it’s to show that the two actually fit each other quite well, but because Watashi is so incredibly dense he never made any advances on her and forgot about his promises to her). Also, she’s living next to Oz.

Seriously, now that prediction that Higuchi made back into that first episode gets a new dimension with this. Who knows how often they hooked up with each other while Watashi was messed up in his umpth weird idea? We’ve heard of Oz’s girlfriend before, but have we actually seen her once? And again: Johnny was no use in this episode, and Watashi again left her. But then again, he really was in love with the image of Keiko he created. That’s the really weird part here: his love for Hanuki felt a bit shallow. Instead however, he has been genuinely in love with two women who didn’t exist. In fact, Watashi is a guy who just keeps chasing after these abstracts that don’t really exist, instead of looking what’s right in front of him: something concrete that can make him happy. Johnny turned out to be the complete opposite of this: not looking far away, but instead just trying to go after what’s right in front of him.

I really wonder what those final episodes will be about: how will they put everything to a conclusion? This is Masaaki Yuasa. For the sake of spoilers I’ll be vague in this, but ‘certain’ series of his have had really… ‘interesting’ endings.
Rating: *** (Awesome)

Posted on 4 June 2010 with categories: Yojou-han Shinwa Taikei



Awesome, this is exactly as I hoped: this show just continues to get better and better. Screw the repetition, every episode manages to add ten new things for everything it recaps. I was a bit fearful of the prospect of having an episode more similar to its predecessor than ever (who knows, perhaps it might even have pulled a “Seraphim Call”), but this episode very skillfully took the the previous episode, and built further upon it.

The overall scenario is pretty much the same as in the previous episode, it’s just the focus and ending are different. Instead we gloss over Hanuki and the pen pal, and instead this episode is about the love triangle around between Watashi, Jougasaki and the love doll. Oh, and Johnny. He has gotten way more extreme with this episode.

This episode really was masterfully written, not just how Watashi’s feelings kept spiralling out of control, but also that Jougasaki kept entrusting Kaori more and more to Watashi in a surprisingly similar way as how we’ve seen him in the second episode. On top of that there were also a ton of parallels with that proxy proxy war of episode four. Seriously, it felt like Ozu kept pestering him even without Watashi’s help. That could explain why he’s been so relatively absent in the past few episodes. It would be pretty awesome if he was some kind of ever-present prankster.

The next episode will be about the pen pal. the end of this episode even hinted at that. But what about episode 10 and 11? Especially Akashi had a really weird role in these episodes, as she was supposed to be the female love interest and instead Watashi has chosen three other girls to fall in love with. Will episode 10 actually be the same as these past two episodes, but on the perspective of Akashi?

It makes me think about the one oddball episode about this series: the one about Higuchi’s disciple. All of the other episodes were about portraying Watashi as some sort of socially awkward loser: the past two episodes were all about his desire to remain pure, and the other episodes really all stressed what a social dork he is. That episode was different, though. His life was miserable there not because of his own actions, but rather only because he ended up choosing the wrong club at the beginning of his university life. That proxy-proxy war was completely different from Watashi’s other struggles, not to mention that really weird scene in which Higuchi suddenly started riding a giant whale.
Rating: *** (Awesome)

Posted on 28 May 2010 with categories: Yojou-han Shinwa Taikei




This episode finally introduces that strange cowboy we’ve been seeing in the OP. Guess what his name is? I really thought that it was some kind of Euphemism that Eden of the East came up with, but here we’ve got another show that comes up with that strange nickname.

In any case, this episode was just awesome, by far the best of Yojou-han yet. It was a masterfully written romance that felt incredibly refreshing when compared to all of the uninspired high school romances out there. It’s the episode that finally gets a close look at Hanuki, the dentist assistant. Watashi meanwhile is in the middle of a really weird love polygon in which he often hangs out with her after club activities (this time it’s the English Club, at which for once he doesn’t suck… or at least feel out of place at), exchanges letters with a mysterious girlfriend whose identity we never really learn and somehow ended up taking care of Jougasaki. Hanuki in the meantime also hangs out with Jougasaki and it’s heavily implied that Master is her boyfriend.

The reason this episode rocked so much was how well it got into Watashi’s head for this episode. Especially when the liquor popped up everything kept spiralling out of control masterfully. I’m not exactly a fan of Johnny’s voice actor, but nevertheless it shows what a genius Masaaki Yuawa is at portraying chaos.

Ozu this time was interesting again, in the way that he was very much out of the picture for the biggest part of this episode. He’s still causing trouble, but it’s affecting Watashi less and less: he actually got close to three girls other than Watashi here. Speaking of which: she never made an appearance at all. This was a very interesting episode of Watashi, experimenting with other women than what this series made out to be his “true love”; very refreshing.
Rating: *** (Awesome)

Posted on 21 May 2010 with categories: Yojou-han Shinwa Taikei



It’s of course easy to immediately start comparing this show to Kaiba, however I opted not to do this for the first four episodes. Simply, because that would not be fair. Kaiba was a stellar series, and amongst my favourites. Expecting the same would just be unrealistic. The interesting thing about anime is that beforehand you almost never know which shows will turn out to be the best. Even more, Kaiba had a stellar first episode. Yojou-han instead was completely focused on building up. Kaiba sold me with its incredibly creative back-story and its gripping narrative. Yojou-han instead has its dialogue, repetition and wit. With a series as Durarara, you can see that it tried to look like Baccano at times, however Yojou-han makes no attempt at trying to catch in on Kaiba’s… um… popularity.

This show is weird: we’re still stuck in those random campus life stories. In this episode, Watashi ends up in a hippie-cult full of peace-loving flower-children that look a lot like scienology. It’s another story of how he completely throws away his first two years at college, just in an attempt to fit in. It’s actually very similar to the third episode in which he couldn’t fit into the cyclist club because he wasn’t athletic, here too he couldn’t fit into the softball club because he wasn’t one of those people who always look at the bright side of life. Here things got carried way more out of control though, because Ozu was surprisingly absent here. He for once only caused trouble that helped Watashi.

What’s also interesting is that Akashi still is Higuchi’s disciple. Her role seems to be all over the place, it seems. Sometimes she ends up joining the same club as Watashi, sometimes she doesn’t. Sometimes she’s straight-up his love interest, but this episode has him chasing after someone completely different. I think a key is also that she’s a year younger than him, so by the time that she gets to join college he’s also completely involved in whatever stupid club he’s involved in. I think a major theme in this show has been the contrast between Watashi’s image of romance, between the types of girls that he’s actually interested in. Watashi ends up in such a huge mess every time because his expectations of college life are completely different, and instead of choosing a club that fits him he instead keeps choosing clubs that fits the romantic image that he has in his head. He just is an anti-social character, and I’m beginning to think that Ozu and Akashi always end up with him because they too aren’t fond of socializing and doing regular college stuff.

I also labelled Watashi as a loser once, but that also doesn’t quite turn out to be the truth. He can be quite successful when he wants to: he can train and become very muscular, he can make a lot of money through jobs, he can put together an entire movie on his own. It’s not like he’s not good at anything, he just doesn’t use his energy at the right places and instead wastes it on stupid stuff that only make his life miserable.

In any case, what I’m trying to say here is that Yojou-han episodes have this weird effect. Especially this one. Overall this episode was enjoyable, though nothing special when you get past the styles. There were a number of interesting jokes, plus the critique at scientology also had its moments, but it’s nothing that I would label amongst Giant Killing and Sarai-ya Goyou as my favourite of this season. However the final few minutes in a Yojou-han episode are very often the best ones. We get to see the point at which Watashi snaps and turns back time, but the whole episode also comes together surprisingly clever. This episode even added to the previous episode (explaining that the 20000 leagues under sea novel and the globe actually were from Watashi and he thought that Ozu stole them).

The weirdest thing here was this future version of Watashi suddenly popping up. Was this just symbolism, or is this going to continue more often? In any case I must say that I was right in not expecting too much from the first few episodes of this, because after a few episodes that may not have been the most exciting I’m getting more and more excited about this series.
Rating: ** (Excellent)

Posted on 13 May 2010 with categories: Yojou-han Shinwa Taikei



This series was already a bit surreal at times, but this episode took it even farther. The visual symbolism in this episode was just all over the place, and it loved pulling all kinds of weird visual references to events that were happening, the most obvious being the point at which Higuchi started singing.

It was a really weird episode, and probably the hardest one to understand so far due to all of the things that were thrown at us, ranging from the scavenger hunt for the weird brush to the rock-paper-scissors match at the end.

Watashi wasn’t exactly a loser here, as much as a devout follower of Higuchi and his weird ideas. Ozu this time was the bastard in the way that he was playing a bit of a double spy. They’re far less extreme than in the previous episodes, but I think that that’s because of Higuchi’s influence at work, who kept them at bay. Ozu could only be a small bastard, because for some reason it seemed impossible to really make Higuchi’s life bad.

I’m also very curious about the next episode. Wasn’t this series supposed to be just about four stories? Could that mean that we’re going to revisit the tennis club again in the next episode? Overall, the status quo in this series seems to be two deaths of Watashi, one life in hiding, and one life wasted on some weird guy.
Rating: ** (Excellent)

Posted on 6 May 2010 with categories: Yojou-han Shinwa Taikei




This series really is why I love episodic series. The bad ones obviously suck beyond belief, but when shows like this one make optimal use of them they can really turn into something unique, and the short stories can allow for ideas that would normally not fit within a linear storyline. A lot of things have to be done right in order to get a good episodic series, though, but to me the key seems to be creativity, along with somehow finding a way to build-up: connecting the different episodes together. I believe that if these aren’t present, you’re just better off with a linear storyline in order to get the best out of your characters. But Yojou-han has both of them.

This seems to me a study of all types of losers. Watashi is socially inept throughout all the episodes, but every time it is in a different way. In the previous episodes he created his own problems by his pranks, but in this episode he just was another one of those losers who didn’t fit in because he had no athletic skills. Ozu instead of trying to get him into his pranks instead left him completely out of it for once. Interestingly though, I do believe that Watashi’s character has remained the same throughout the first three episodes: what we just see is him, reacting to different situations in a different way. That definitely is one interesting way of character-development. You can see his reckless parts in the way that he flew into his death at the end of this episode: it’s exactly those parts that we saw in episode two when he created that crazy video.

Whether Akashi and Ozu are the same… I’m not sure yet. This episode showed that Yojou-han is a show in which Watashi, Akashi and Ozu hop between different clubs, all three with their own agendas, while the rest remains constant. The actor of the previous episode still is an actor here. Akashi in this episode proves that she’s actually a very good cyclist. In this episode she loses her strap again, but there’s no promise scene. The cake is also gone. She’s a lot less cold than what she was in the first two episodes as well, it seems. As for Ozu, if he indeed also is the same character in every episode, then he strikes me as a guy who always grabs every opportunity to make someone’s life miserable, finding the right allies to accompany him. In this episode there probably already was some sort of bike-stealing club, which is why he didn’t really need Watashi. The second episode in contrast only needed him to show what a guy that actor really was: Watashi himself just did the rest.

Either way, I love the concept of this series: showing how the same people in different settings can be so different.
Rating: ** (Excellent)

CHANGE USERNAME
Kaiser-Eoghan
And that extends to action scenes, don't just slap old songs over your trailer thoughtlessly/carelessly or dump a generic pop song over your mecha battle or generic rock song over a fight scene.
Kaiser-Eoghan
Scenes would be better served by subtely or sinister sound design or less/no music in most cases.
Amagi
@Niello: Same here. It annoyed me to no end. I was curious so I watched the live stream. It was much better/less bad with subs, most of the first episode was nothing but shousa shousa and casually a "violetto chan..".
AidanAK47
@Amagi, I would disagree on music. The soundtrack is far too bombastic and overbearing for the nature of the series.
Niello
Watching the first episode raw was a mistake imo. I actually cringed when I heard chuusa for the 10th time in the hospital room scene. At least the subtitle would serve as a distraction.
Amagi
It's kinda sad because the execution of scenes, music and animation are awesome and I think that its depiction of characters and their behaviour is pretty good too, the problem is that the MC is a bad/illogical character to begin with and that they want to attract a larger fanbase through certain pandering. Still enjoy it overall, though.
SuperMario
We share the exact same thoughts about Violet's issues then. I think the story isn't that great and the characterisation so far is weak. But count on me to blog it to see if it can improve itself
Amagi
Yeah, the idea of some unworldy girl learning about emotions through ghost writing is great and I love the setting. But the war part makes no sense in that context, and I wish they'd tone down that "I'm mayor's dog" stuff. It's pretty common for these type of people being clingy to one specific person, but they should totally leave out the waifu pandering. Ep 2 was better in that regard though.
Niello
How come Violet went through war and back and still doesn't even recognise, in the slightest, the grim emotions humans sometimes feel such as pain, worry, distrust, anger, hate etc. Then the premise set up that she's going to learn love and all the other emotions, good and bad, though ghost writing and empathise with people. I call bull.
Niello
@Mario: The writing is disappointing and underwhelming, especially the characterisation. I would rant, but I'd rather not. It's just, if this show doesn't have the amazing visual or Kyoani name attached you can just imagine that its fate would be rather bleak.
Kaiser-Eoghan
@Mario: hhhmmm, I have good news, the French dvd of that film let the corpses tan is coming out in March, well before the vod release, so it'll probably get fansubbed or something before we have to wait for an official English web-dl/cast.
Kaiser-Eoghan
Was never much of an on stage/presentation man really, I was always rubbish at it, to quiet an introverted person really to get up in front of a crowd and give a lecture/speech.
Kaiser-Eoghan
@Travlos: And this would be the part where I say it would be great if I even had half your presentation ability or sounded that clever.
Your voice is as imagined it, though I'd pictured you younger looking in my head.
KTravlos
fianlly done with the academic meeting I was organizing. Should get back to some anime watching. Also if you want to see my presentation go here

https://youtu.be/GNjtuf-nJ-s?list=PL7qM1ZYRwV_DbcW31vF_Codobpq7u6ffS
SuperMario
@Niello: Aside from your #1 (which ưe'll agree to disagree here), it's a nice set of shows you're follwing this season. Did you watch Violet Evergarden first episode thou and how did you think about it?
SuperMario
Great. Now I can't even send message here through my laptop.
SuperMario
@Kaiser: i think it's the same issue with kisscartoon. The original site was shut down sometimes ago, and now there are plenty of Kisscartoon's fake domains that are annoying as hell
Kaiser-Eoghan
@Mario: its back up now though.
Kaiser-Eoghan
@Mario: Its front page has server issues from time to time sometimes for hours.
SuperMario
I just read some manga on kissmanga a week ago, is the site down already?
Niello
Well to be fair batoto is down because of the site owner personal reason.
Kaiser-Eoghan
So Mangahere, mangachapter, baoto, animea seem to be gone and kissmangas front page is down , mangafox is slow, whats next to go down....
Niello
I don't currently see an anime this season that really stands out from the others. Right now if I have to rank them
1) Miira no kaikata
2) Kokkoku
3) Sora yori mo tooi basho
4) Koi wa ameagari no you ni
5) Takagi-san.
Not counting Devilman Crybaby since it's already finished.
Niello
@Eoghan I love Urobuchi and still find the Godzilla film weak.
SuperMario
I just looked through the nominations for the Crunchyroll Anime Awards and to my surprise, it's a pretty solid lineups. Find myself agreeing with most of their choices there
AidanAK47
Actually forgot about it.
Kaiser-Eoghan
I don't know why you don't just read kara no shoujo 2 instead.
AidanAK47
And Himawari is actually boring me. It's proving difficult to push myself though just to see where the point that makes it highly regarded comes in.
Kaiser-Eoghan
@Aidan: In the end I was pretty much curious about it.
AidanAK47
Yep, that's it. Gonna stop discord displaying what I play from now on. It's weird when people comment on it.
Kaiser-Eoghan
Now my current rankings: 1. Devilman
2.Junji itou
3. sangatsu
4. Cardcaptor sakura
5. Pop team
6. Evergarden.
Kaiser-Eoghan
*Aidan
Kaiser-Eoghan
I'm joking obviously, but I am surprised to see you playing Himawari Aiden.
Kaiser-Eoghan
Oh Aidan you and your lolicon visual novel you =P
Kaiser-Eoghan
@Alonaria: Shin Godzilla had the evolving godzilla thing and that freaky ass final shot too, it also justified itself quite well i think by showing how relevent he is today, given the nuclear thing and that it drew on the Fukushima incident essentially.
Kaiser-Eoghan
@Alonaria: Thats a far better and shorter way of putting it than I.
Alonaria
I wish I'd just waited for the other parts of the Godzilla movie trilogy to be released. As it is, I'm just going to remember it as "that incomplete movie." And the character designs kind of blurred together for me, which was really disorienting.
Anonymous1746949
Oh psgels is back
Kaiser-Eoghan
But I've seen other Godzilla things so I pretty much was supposed to see this anyway.
Kaiser-Eoghan
Or you know you could always take what I said with a pinch of salt, because you know....I don't get on with Urobutcher.
Kaiser-Eoghan
The idea behind it is definately cool and a different spin for the franchise though.
Kaiser-Eoghan
Maybe I was held back a bit by the cgi or the mediorce voice acting.
Kaiser-Eoghan
But I'd need to see its followup before properly assessing it.
Kaiser-Eoghan
Godzilla often makes for silly films, but lke alot of silly older films the silliness and seriousness combine without clashing, this one is too Poe faced .
Kaiser-Eoghan
I saw that Godzilla anime film, I'd describe it as watchable in parts but far too caught up in setup mode and an unlikeable protaganist , it could go somewhere with what it raised at the start but this is an example of a first film in a trilogy that suffers from being unable to currently stand on its own.
Kaiser-Eoghan
I generally feel that Itou's stories have a winning track record but theres exceptions, Uzumaki and Gyo in manga form struggle toward the end and the first episode story the anime chose to adapt is, while fun one of the weaker offerings.
Alonaria
Honestly, the shorter stories have been more effective at getting a reaction out of me, though. I actually didn't really enjoy the first episode's first story, mostly because I found the MC too obnoxious. :.D Maybe because my younger brother chased me with a bug once and it was really unpleasant. XD
Kaiser-Eoghan
@Anon: It wasn't just it coming out of her mouth, but when they were stamping on them too.
Anonymous1743747
@Kaiser: Yah, I was horrified for like 5 seconds but the other characters made me crack up. :.D
Kaiser-Eoghan
Although it was mixed in with laughing my ass of eventually.
Kaiser-Eoghan
Of all the Itou stories to be un-nerved by, its the second half of this third episode oddly that does it for me and I never get uncomfortable during anything .
AidanAK47
@Anon, We are working on it.
Anonymous1742736
Are you planning on making a top anime of 2017 list?
Amagi
Yeah Mash is one of the few good ones it seems.
Amagi
Oh damn, good that you remind me, I didn't pick anything yet. But I guess I will go with Altera, considering that some of them don't look that good and I own her anyway. Would have wanted the Scat one but the drawing looks weird.
AidanAK47
Which Bond CE did you pick for the 2 mill? I went with the Mash one. Only only whose artwork I liked.
AidanAK47
Might settle for making Bryn my endgame lancer though.
AidanAK47
As I said in my Apocrypha post, I have no interest in any version of Jeanne. My top priorities for my endgame team is Isekander, Scathach and assassin Shiki. And Shiki is a welfare so only need to worry about the other two.
Amagi
Yeah, I was considering to keep rolling for the new 4* at first but I really want Jeanne Alter and she's coming soon.
AidanAK47
@Amagi, I tried rolling for Karna and got nothing. Though I think Bryn is better. I plan on rolling one more time with the saint quartz we are getting to try for NP2. Though we do have the valintines event coming.
Amagi
@Aidan: Same here, just got Brynhildr. Even though I already got Karna last month. But I wanted her, nice design, finally a single-targed 5* and she's even one of the few servants related to my country.
KTravlos
@SuperMario. The contemplation of the death of humanity, and the loneliness, both were very disturbing to me. Kinda like thinking of my grave.
AidanAK47
YANDERE GET. Bryn's mine baby.
AidanAK47
Gonna try rolling for Brynhildr tomorrow. Bit annoyed they chose to translate it as Brynhild. I mean it's not incorrect but her name is far more recognisable as Brynhildr
AidanAK47
@Amagi, The grind wasn't that bad for me. Mordred carried me for it. Though I managed to get Siegfried in the gacha despite not being on rate up. I admit that the event was rather lackluster. Story wasn't that fun and the whole saber restriction was a pain. Also gonna take me a while to readjust to regular damage.
Amagi
Man that FGO Saber Wars event was annoying. I am happy finally I have 2 mio. altrium now and am done with it.
Kaiser-Eoghan
Reminder that netflix Godzilla anime is later today.
Amagi
Damn I didn't noticed that ankle band of the little demon from the intro scene of FranXX 01, now I feel stupid.
Lenlo
Yuasa is great! Ping pong and Tatami Galaxy are still some of my favorites
SuperMario
Oh fuck, the lead singer of the Cranberries passed away. I literally just listened to their music yesterday. Damnn, sad news
SuperMario
@Kaiser; thanks for considering me but I believe Wooper is much more a Yuasa's fan than I am
SuperMario
Far out!!!
SuperWooper
Yuasa will be answering questions on Reddit's anime board on the 20th.
SuperMario
@Niello: what do you mean regarding Yuasa?
SuperMario
@Travlos: I agree that Girls Last Tour is a special little gem, but in what ways it's disturbing?
Niello
Holy cow, Masaaki Yuasa AMA!! What magic is this?
Niello
Meawhile, Japan took a different approach and we ends up with a bunch of .hack rehash and diving more and more into escapism. Until we eventually got isekai and then it just spiraled into a sea of mediocrity.
Niello
While that opened its own can of worms, at least it opens up element about making ends meet, managing irl relationships, earning extra income for a poor family, getting cheated etc.
Niello
in the characters real life just fine. Something more a long the line of Net-juu but more technologically advanced. And I would say that plenty of those have been superior to Japanese online game and isekai story shenanigans. That said, it doesn't mean that those don't have their own kind of traps they usually fall in. A bunch of those instead focus on the aspect of making money off of games.
Niello
...Getting stuck in a virtual reality game and being transport to another world that happens to be like a game are completely different though. I don't know what is it with Japan and getting stuck in game plots considering that there are loads of other game-base Asian novels that came before it that manage story lines where they manage to tell compelling stories in game while balancing what happen
KTravlos
I finally finished Girls Last Tour. What a profound, fluffy and disturbing masterpiece. Bravo.
Amagi
Yeah. I feel the world swap is pretty much pointless when real life isn't relevant anymore. It's just a stupid as hell excuse to combine fantasy wish fullfilment with self-inserts, which is why these main characters tend to be 29 by now, just like the big part of the otaku community.
Lenlo
Of those you listed, no, I dont think they get explained? I mean, SAO did, but I dont think that falls into your category.

Thats why I liked .hack//sign over alot of more modern game Isekai. Also .hack//sign did explain what happened to Tsukasa.
Amagi
Considering how bad most of these are I wouldn't wonder if they wouldn't even bother with an explanation and just end it with the characters being happy in that game world and that's it. Or magic and the whole harem gets transported into reality at the end because power of love and such.
Amagi
I have no problem with a sci-fi fantasy mix, I liked .hack//sign for example, but it annoys me that such an incredibly bizarre situation gets never explained. Or maybe it will but it never happened so far because none of these LNs was ever finished and concluded yet. I just wish to know how they explain that.
Amagi
I mean all those shows in which the character just finds himself stuck in a real world that's (coincidentally?) the same as the game he recently played. Be it Overlord, Death March, Log Horizon or the 300 other series with that premise.
Amagi
Some thing that always bothered me about game isekai for which I never got an answer so far: did any of those series ever end and/or explain how the warp has happened and why the MC is in the game? - Not talking about .hack, SAO and such where the action of getting trapped is part of the premise
Niel
@Eoghan - Btw, Kokkoku isn't a time travel. it's stasis, apparently. Looks very promising so far. Though if I am to trust the manga score, it's shit.
Niel
But is Toradora really slice of life? As far as I can see it's straight up romance.
Lenlo
And Mario, ill rag on SOL all I want! :P

Wooper, its true good shows transcend genre, as there are still some like Toradora I like, but those are exceptions that prove the rule so to speak.
Lenlo
@Niel, yeah I base my potential % on the odds something gets/stays good.
AidanAK47
I am of similar mindset about Franxx. I want it to get better but I don't really see it doing so. Unless the other characters get a majority personality boost or the MC stops being a plank.
Niel
XD
Kaiser-Eoghan
I confess....I only sat through just over half an episode of aldonoah.
Niel
Since it's Trigger, I will give the benefit of the doubt. I'm just very skeptical about this whole formula.
Niel
The way I can see this series improving is through world building. And if other aspects are going to improve too, it's going to revolve around that.
Niel
It leaves about as much impression on me as much as the first episode of Aldnoah did, and I dropped that one straight away. The character chemistry doesn't look like it will go places that's not cliche. The gimmick doesn't seem like it has much potential either.
Niel
So you're all betting it on "this is going to get better". I mean, I hope it gets better. Though right now this feels more Kiznaiver than Kill la Kill or LWA.
Kaiser-Eoghan
I'd nominate Mario to do the devilman review as he's the most immediate Yuasa fan to do it and Bam is too awol to write it.
Kaiser-Eoghan
The cute girl shows just bleed and blend in my mind now, same with the isekai shows.
Kaiser-Eoghan
Devilman, my show of the season, unless after the rain ends up having some emotional wallop.
Kaiser-Eoghan
So for me its looking like: Junji itou, Cardcaptor sakura, keeping up with sangatsu, wait and see on amegari . Not watching a time travel or trigger show and I remain unable to sit through Mahoutsukai .
Amagi
The story itself is generic so far but so are most Trigger series at the beginning so not sure. Maybe it will stay weak, but in general I prefer series that start with the weaker episodes and get better and better over time over the many series that use up all of their budget and trump cards in the first episode and drag on after that.
Amagi
I really love Trigger's esthetics and their characters. I am happy they're more often involved in non-trigger-only productions because I honestly think that most of the stuff I enjoyed about FranXX was heavily influenced by them.
SuperMario
@Nielo: Franxx's first ep was stellar for me. Storywise, it's lackluster (and I see the similar in tropes between this and Beatless) but production-wise it's excellent
SuperMario
I think I just keep watching it on a weekly basis. Still trippy as hell
SuperMario
Okay, I just watched second episode of Devilman Crybaby and it's still pretty good.
Nielo
By the way, what's up with Darling in the Franxx? I thought it's a very weak first episode.
Nielo
@Lenlo: Slice of life isn't my thing either, and I usually avoid series set in high school.
Nielo
@SuperMario: Takagi-san is cute, I'll admit that, but since I already read the manga it's not new to me. Sora Yori is good, but it's not particularly cute. I found Hakumei to Mikochi and Yuru Camp very boring. Haven't got the chance to watch Mitsuboshi Colors or Gakuen Babysisters but I don't think they could be more cute than Mii-kun.
SuperWooper
HOT TAKE: Genre is irrelevant. What matters is whether a show is good.
SuperMario
Don't knock off MY genre Lenlo. It's one of the reason I got into anime in the first place :)
Lenlo
Im not saying it doesn't do what it sets out to. I just don't think what it sets out to do is all that... great.
Lenlo
@Niello, Slice of Life was never my Genre in the first place :/ I typically avoid them. I have my own life to deal with and already graduated high school, why would I want to deal with a melodramatic anime highschool, is my line of thought.
SuperMario
@Niello: okay, let's see:Takagi-san (the titular character), Mitsuboshi Colors, Gakuen Babysisters (Toddlers!!), Hakumei to Milochi (tiny girls) and two more slightly more mature but equally cute: Sora Yori and Yuru Camp's casts
Nielllo
@SuperMario: I'm sure this is where our definition of "cute" parts way, but I'll ask anyway, what are those 5 shows?
SuperMario
@Niello: seems so because I can eaisily pick 5 more shows that are cuter, and better than Mummy this season ;)
Nielllo
...So I suppose I'm the only one who's kinda bored out by a lot of the slice of life shows that's trying to be cute this season and only perked up by the Mummy anime because it's actually do what it's meant to do and be legit cute.
Lenlo
I am interested in Koi, but still have concern about the relationship itself.

@Vonter, the mummy anime would be better as short vignettes together I feel.
Kaiser-Eoghan
Koi amegari is surprisingly tasteful, subdued and pretty.
Kaiser-Eoghan
*to where
Kaiser-Eoghan
Try as I might, my love of kyoani tv anime has largely evaporated did where I no longer want to bother at this stage, I'll just wait and see. I'll just stay quiet on the franxx anime, theres little value in me trying to get through a trigger work at this point.
SuperMario
I get the exact same feeling with Takagi-san. It's pretty good on what it does but 20 minutes of the same thing for a whole season doesn't sound that promising
Vonter
The chibi mummy anime
Vonter
It's a shame it isn't a shorter 10 or 5 minute series, I think that format would make it shine more, since it does what it's trying to do.
Amagi
Speaking of it, I liked the second episode of Kokkuko or whatever the name is even more than the first one.
Amagi
I really have a problem with all these shows that rely on one single thing, joke, shenanigan or whatever. Be it something cute, some certain kind of interactiong or whatever. It doesn't matter how good it is it will bore me with episode 2.
Lenlo
Like, yeah, the mummy was cute. But the cute became rote/bland really quick. There has to be more than "cute" to be worth watching for more than a single episode to me.
Lenlo
@Niello, I was harsh because its not aimed at me. I wanted to drop it 5 minutes in, kept up for the post, then was thankful it was over. There wasnt anything overtly bad about it. Its just there was nothing good either.
AidanAK47
To be fair it's not as if we are lacking cute in this season.
In fact it's in danger of inflation.
SuperMario
@Niello: yes, the mummy is cute, the show is cute but beside that it's pretty mediocre. That show in particular is the only show that I have the damnest time to give it a potential rating.
Niello
It's not even down because of legal reasons, since the site pull down contents that are lincensed. It's down cause it's too much for the site owner to manage. Much of it also have to do with too many bots, which comes back to how a lot of other sites are relying on batoto.
Niello
@Masky: Not enough manga titles are getting translated. Batoto is the site scanlation groups basically rely on, and where other aggregation sites pull their content from. No batoto no obscure titles, a big blow to small scantation groups and one big manga/scanlator community down.
Niello
Why are you guys so harsh on the mummy show? It's so darn cute. Give it some credit. If a comedy show can be good because it does comedy well I don't see why a show ike Mummy can't be good if it can make people go "aww".
Masky
I don't really know why that is the case, maybe marketing budget and UI friendliness when done right? :P
Masky
Eh, wouldn't say it will kill manga industry. I mean, more and more official methods of reading manga online is starting to pop up and legit channels to pay to get access to manga can surprisingly enough harm free channels to get manga.
Masky
Anyway, I do find it funny how how the isekai character dies can be so meaningless that is joke in most of them
Niello
Batoto is going down, how this affect the manga reading is going to be interesting. Hope it's not slowly dying.
Masky
(at least that one, besides forgetting to introduce what the heck is gimmick besides generickness, acknowledged how most of otaku mcs shouldn't erally want to get transferred to fantasy world since they never get to see how their favourite mangas end :P )
Masky
Anyhoo, it gets annoying since its not just isekai being cliche, sometimes is just them being kind of badly written(or at least adapted to manga). Like, I found one new isekai today, but I have no idea what its gimmick is(from what I understood, its that "cute companion" that character gets is hideously op because mc didn't spefy cute girl when he asked god manager dude for cute companion)
Masky
Slime one is one of better from the more generic ones weirdly enough :P I mean I still wouldn't call it good, but at least MC character isn't god tier, just top tier and it has sort of village building simulation feel to it. Plus at least naming things giving monsters more powers is something funny regarding jrpg mechanics
Kaiser-Eoghan
Or alternatively the car was on a boat with the character or parents in it and the boat and car were hit by a falling plane lol
Kaiser-Eoghan
Its always "car accident" that sends the characters to another world or in harem cases "Lost parents due to car crash", for christs sake doesn't anyone die in out of control plane or speedboat crashes anymore, at least make it a motorbike....
Nayrael
Ah sorry, should probably not have touched the colors...
Nayrael
Trust me, Isekai is better when it doesn't try to be imaginative. When it tries to be original then... Isekai with a Smartphone... Isekai where the MC turns into a Slime... and my favorite: Isekai where the MC became a Hot Spring popular with sexy girls.
Masky
Assuming "new" things can happen under the sun
Masky
Anyhoo, I do wonder what the heck will be next "popular genre trope that will become so overused cliche that everyone groans whenever show uses it even if its actually good show"
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Featured Posts

Darling in the Franxx – 02[What it means to connect]

As it stands now, this is essentially an animated version of a double entendre. Each line is laced with a double meaning so heavy that you can postface lines with the words “That’s what she said.” and it would fit perfectly. I find my stance on this to be rather mixed as while the fanservice […]

Junji Ito Collection – 03[The Crossroads Pretty boy – The lovesick dead, Slug Girl]

Our two stories today regard the handsome man at the crossroads and slug girl. The handsome man story was given the most screen time and it is a decent story, albeit unfinished. What was presented here was only the first part of the story and I believe it will be continued in later episodes. But […]

Mahoutsukai no Yome – 15 [There is no place like home]

Welcome to another week of Mahoutsukai no Yome. This week continues Chise’s bad relationship with water, Elias’s with Fae and gives Silky a history. Lets jump in! To start off, I want to talk about the best part of this episode, that being Silky’s history and alone time. For the longest time Silky was a […]

After the Rain – 02 [Rain Drops on Green Leaves]

It has been exactly a year since I last blogged you, noitaminA shows, and this time again it’s another romance drama. Unlike Scum’s Wish last year, however, Ameagari has one simple premise, but it executes the idea with such grace. This second episode is even stronger than the first, setting the stepping stone for Tachibana […]

Violet Evergarden – 02 [Never Coming Back]

I’m thankful that this second episode plays out much quieter and more subtle than the first, because I’m not a fan at all with the grandeur approach of the first episode. This makes the second week of Violet slightly better than last week, but I still find myself not totally satisfied with the whole experience. […]

Kokkoku – 2 [The Second Moment]

Hello and welcome to the 2018 Winter season! This time, we have an interesting little time-based drama called Kokkoku. It has mystery, it has cults, it has dead-beat parents and apparent god-like beings. Lets jump in! To start, a quick blurb about our characters. Personally, I like them so far. They are all flawed and imperfect […]

A Place Further than the Universe – 03 [The Follow Backs Don’t Stop]

“I could just die right now” That line, spoken by our new member, Yuzuki, bookends this week’s Universe. It marks the shift in the new girl’s character growth. Last week, the Expedition girls mentioned they have a plan to raise fund, right? Turns out it’s not the mother, but the young girl herself, is used […]

Junji Ito Collection – 02[Fashion Model, Long Dreams]

After the first episode started off as a black comedy, I was worried that this series may suffer the same problem as Kino’s Journey in that the weaker stories in his work would be chosen for adaption. Lucky this does not appear to be the case but there is another problem which is not quite […]

Mahoutsukai no Yome – 13/14 [East, West, Homes Best]/[Looks breed love]

Hello and welcome to the new year! New Year, a new Cour for Mahoutsukai no Yome, this time with slightly more plot. These past two weeks have been a bumpy ride of Mahoutsukai, with plenty to talk about. So let’s jump in! To start off, the new OP is terrible. The music isn’t as good […]

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In This Corner of the World (2016) Movie Review – 90/100

In this Corner of the World (for the purpose of this review, I’ll refer it as “Corner”), is the truest slice of life drama if you ever encounter one, in that it’s a slice into an ordinary life of an ordinary girl during the War period. That speaks into the very first strength of Corner, […]

Houseki no Kuni (Fall 2017) Review – 92/100

Make no mistake, Houseki no Kuni is the most ambitious anime project of the year. Not only because it’s an entirely CG project (and make a damn good use of it, mind you), or because of its narrative scope that at once strange, grand and beauty, but also in its very conception in their production […]

Fate/Apocrypha Anime Review – 64/100

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One of the surprises of the year was to see the return of Kino’s Journey, a very well regarded and more unique anime among those deemed classic. Many, myself included, were very much looking forward to the return of Kino and her talking Motorrad. Though due to some factors this series doesn’t quite live up […]

Girls’ Last Tour (Fall 2017) Review – 86/100

Girls’ Last Tour falls within my favorite new trend that emerging the anime medium over the last decade: a dark moe anime. Set in a post-apocalyptic world where the human race has almost extinct, our two girls wandering around the world in their kettenkrad looking for food and shelter. If it sounds a bit bleak […]

Two tales of War: Reviewing The Heroic Legend of Arslan and Altair: A Record of Battles

It would not be an exaggeration to say that my favorite type of anime is the political-military epic. This comes partly out of my profession, I study war and politics, but also my hobby, as military and political history is something I enjoy. When it comes to anime there is a clear sub-category that can […]

The Night is Short, Walk On Girl (2017) Movie Review – 92.5/100

“How many decades have passed since our drinking contest?” “It hasn’t been that long. It was only a few hours ago, this very night!” That gap in time perceiving plays a significant role in Night is Short. For you see, it all depends on how our perception of the surroundings and time itself can affect […]

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In the weeks leading up to the summer 2017 season, Ballroom e Youkoso was one of the most buzzed-about new series. Produced by the Production I.G. team responsible for the smash hit Haikyuu!!, and set to air on Amazon’s brand new Anime Strike service, the series had no shortage of promotion or hype behind it. […]

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