Posted on 23 March 2008 with categories: Anime Reviews, Shion no Ou


I doubt that I can write a review to do this series justice, but here it goes. Shion no Ou is an anime about shougi, the Japanese form of chess. The rules are quite complicated, but you don’t need to be able understand them if you want to enjoy this series. What’s much more important for Shion no Ou is the general strategies, and the mind-games that get played between the two players.

And don’t ask me how they did it, but the writers are true masters in terms of storytelling. While this series does take place mostly in a tournament-arc, they take everything that gets handed to them to spice things up. Every single character has his or her own style of playing that gradually evolves throughout the series. The police and the press often play a big role, as they support the main storyline and the main cast of characters.

And let me say that the story and characters are nothing short of incredible. The heroine, Shion, is one of the strongest female characters I’ve ever seen. Every single character is well-defined and developed. Every single episode pushes the plot forwards, without any exceptions. The original manga was also written by a woman who used to be a female shougi-player as well, and she made sure to show all the ins and outs of a shougi-tournaments.

The animation definitely is different from usual. You’ll either love it or hate it, and it does fluctuate from incredibly bad to incredibly good, due to a limited budget. But in exchange, everything looks unique, and you can see that the animators are trying everything they can to make the art stand out. The animation itself is messy, but the poses and camera-angles are creative and yet incredibly life-like, that turned this series into a visual feast for me.

Great anime usually have one or two aspects that turn out very polished, like a cast of terrific characters, or an engaging storyline, but the outstanding anime really deliver in every single department. Shion no Ou has it all: terrific storytelling, a great storyline, a cast of deep and amazing characters (both the villains, main and side-characters) that really comes to life in the second half, a terrific art-style and animation, excellent music and a good sense of realism, although you should note that Shougi is serious business in this series, and at times the characters do tend to take Shougi a bit too seriously. ^^;

Posted on with categories: Shion no Ou


God… this series is over at last. Endings like this one always have a certain air of predictability. Shion was bound to win, Hani-meijin would definitely end up arrested, and there’d also be a pretty good chance that Shion would get her voice back in the end.

And THAT’s exactly where the creators of this series come into play, and their mysterious talent to make this series awesome, no matter what happens. I can’t believe that these guys really know what it takes to create an excellent series. I’ve heard that the manga continues on beyond this point, but there are absolutely not threads left hanging, and everything is somehow carefully wrapped up in this episode.

This is exactly why I love Studio Deen. Their series either reek of mediocrity, like Hatenkou Yuugi, Touka Gettan, Ginga Densetsu Weed or some of Hiroshi Watanabe’s works, and yet they’ve managed to churn out a number of true classics. These guys are not afraid to experiment and go with their own style, which becomes apparent in masterpieces as Jigoku Shoujo, The Law of Ueki, Higurashi no Naku Koro ni, Simoun and of course this one. They’re looking to be busy yet again for the upcoming spring-season, with Vampire Knight, Amatsuki, Kyou Kara Maou and Junjo Romantica (incidentally, all four are shoujo), so perhaps another potential classic is amongst these four.

So in the end, Hani-meijin indeed was and still is obsessed with Shougi. He basically killed off everyone dear to Shion, in order to make her more focused at getting better at Shougi, after the recommendations he heard about her. Even Kasumi had to die because of this. Oh, and I absolutely loved it when Satoru punched his brother in the face. That scene was simple, but so effective.

The animation was yet again excellent in this episode. And here’s an interesting bit I found out: the chief animation director (Seiya Numata) also did the key animation of the fourth episode of Tengen Toppa Gurren Lagann, which was the one that spawned the outrage. The episode itself was pretty bad, it was directed and written by a supposedly good friend of the director (called Osamu Kobayashi if I’m not mistaken). But this does explain why that episode looked so strange when compared to the other episodes. Osamu Kobayashi must have been heavily influenced by the unique style of Seiya Numata.

The problem with that episode was however that it didn’t fit in with the consistency of that series at all. Like with The Third, such a different animation-style breaks flow. Arusu the Adventure has thus far been the only series where a change of animation-style has really worked, simply because it consistently changes its animation-style with every single episode. If there are one or two episodes where the characters look totally different from usual, it just feels like bad planning.

That’s why it’s great to see that in this series, Seiya Numata was in charge for the animation of all the episodes, so he could really go all out. And I really like how he made use of the clearly limited budget that this series ended up with. This series is the perfect example of how you can look great, even without the big budgets you see in series as Seirei no Moribito and Macross Frontier. Especially that punch from Satoru looked terrific.

In any case, it’s sad to see that this series is finally over. This has without a doubt been the best series of the past half year. I’m hoping that the upcoming spring-season features at least one more series with the same calibre as this one. A series that comes from nowhere, grabs you and never lets go until after it’s finished.

Posted on 15 March 2008 with categories: Shion no Ou


This episode was… beyond incredible. Oh my god… I can still hardly believe how this turned out to be by far the best episode of this series yet. And with Shion no Ou, this has to say something! Every single part about this episode was just outstanding, and this episode turned out better than I could have ever imagined. It’s episodes like this one that only appear once every half a year. These episodes really are the true masterpieces, and showcase the best of the best for anime.

Okay, so it was sortof to be expected that this was the episode where Shion would find out that Hani-meijin was the one who killed her parents, but the real strength of this episode was the fact that the series had built her character into a truly memorable one. In the end, what happened was that Hani-meijin and Shion played a game of Shougi, after the murder. Shion just was too young to immediately realize what happened to her parents, so she just went along with the game, in an attempt to protect them. Because of this, she tried everything, to prevent Hani-meijin from taking her king. Hani-meijin then took the king from her, and placed it on her father’s forehead, explaining why it was so drenched in blood, after which he left, leaving Shion to finally realize what that total bastard had done to her parents!!!

As it turns out, Hani-meijin left his mother’s necklace with Shion on purpose. He wanted her to have something to constantly remind her of her parent’s murder, so that she wouldn’t just forget it, and a necklace is the perfect thing for that. And you just have to love Shion when she finally realizes that. Instead of cowering in fear, she quickly pushes them aside, rips off the necklace and puts Ayumi’s necklace on instead. That was so AWESOME.

And really, the animators were on FIRE for this episode. It’s not like the episode was extremely smooth or anything, but there were so many different angles, so many different poses. I really love the sense of style that this series has. Most series try to use some extra budget for flashy CG, or extra smooth frame-rates. But this series is different, and instead it’s more interested in different poses and viewpoints. Heck, it has this even more than Hakaba Kitarou. This is really what anime should be: an art-form.

It’s such a shame that there’s just one episode left. This series is really too awesome to end, but on the other hand, it also needs a conclusion. The next episode should be perfect for that, because all that’s left is for Shion to bust up Hani-meijin, Hani-meijin to reveal his reasons and the reason why he ended up killing Kazumi as well.

Posted on 10 March 2008 with categories: Shion no Ou


And the finale has begun! This episode mainly builds up for the two final episodes, but we already see some interesting events. Finally the murderer himself shows a bit of himself, and it’s like I guessed: this guy is obsessed with good shougi. His match against Shion has just only started, and he already is giddy with excitement over Shion’s wit.

The question remains, though: why Shion? Did Hani-Meijin already notice the talents of Shion when he first met her, and therefore decided to turn her into some kind of shougi-machine, or is there a deeper reason beneath it? Satoru believes that Kamizono knows more about it, so he decides to go and visit him this episode. Apparently, Hani-meijin held a match with Kamizono at the time of Shion’s death, providing him for an alibi that day.

And Ayumi, you idiot! How dare you listen to Hani-meijin at such a time and stay away from Shion’s match, right when she needs you the most!? Ah well, at least it looks like he’ll arrive before the match is over, but that might as well be too late for her. I must say that the creators have used the tournament extremely well to set up Shion’s encounter with her murderer. It makes perfect sense, and it’s definitely among de best tournament-arcs I’ve seen.

Posted on 1 March 2008 with categories: Shion no Ou


Heh, and I thought that Satoru would be out of the picture now that he lost. Heh, it’s far from that. Basically in this episode, he confirms the suspicions that were raised in the previous episode, and it’s now pretty clear who the murderer is. Really, only now that this information is revealed, I realize how much sense it makes.

Why did I never question why Shion and Satoru had the same kind of necklace? I just assumed that it was chance, but that was FAR FROM THE CASE. In fact, these two necklaces belonged to Satoru and Hani’s mother! Each of them took one of the necklaces, and I think that this is the first thing that raised Satoru’s suspicions. It must’ve been quite a shock when he first saw it. I also now realize why he was toying with Shion so much: he was trying to figure out how she got the necklace, and because of that, she reminded him of Kasumi. Still, why was Hani-Meijin stupid enough to leave his necklace at such a place?

Also, Shion’s style of playing shougi turns out to be the same style as that of Hani-meijin, according to Satoru. Of course that’s the case! From what I gathered, Shion and Hani spent quite a bit of time together between the time of the murder and the arrival of the police. We already know that he was the reason why she continued to play shougi, so he might as well have given her a few pointers on how to improve her game. The interesting thing is that ever since, Shion did try to change from her usual tactics. I wonder whether the creators will use that in the final episodes.

And thank god Ayumi didn’t turn into a helpless pawn of Hani-meijin. He really shines when he does something for Shion and yet again there are so many possibilities at how the creators can use him against Hani-meijin for the final episodes. Three episodes is just enough to give Hani-meijin some more development (now that we finally know that he did it, it’s time to delve into the reasons as to why he did it). Satoru has already proved to be an extremely versatile character, and it would be a shame to see this series end without Hani-meijin getting the same treatment.

Posted on 24 February 2008 with categories: Shion no Ou


Well, it’s four episodes left, and we finally get a question that has been asked through the entire series confirmed. It wasn’t the most exciting episode that this series had to offer, but it was a perfect build-up to the grand finale of this anime. The next line is going to be a spoiler, so this line is there to prevent it to appear on the blog-aggregators like animeblogger antenna.

So, yes: Satoru was just one big red herring; he never killed Shion’s parents in the first place. The real killer also has to be Hani-meijin, all signs point to him:
– He will be playing against Shion for the finale
– He recruited Ayumi to be his student.
– He entered a world so dangerous that he had to abandon his brother.

In the end, all Satoru was, was another one of the guy’s victims. Satoru looked up to his brother, and he was deserted because of Shougi. In addition to that, Satoru lost his mother, father and lover, and it turns out that he was just clinging to get back to the only one of his loved ones who is still alive. His sadistic actions were just mere pranks, in order to get noticed. I think that the reason why he revealed Ayumi’s identity to Saori just was a subtle cry for attention. I must say that now that I love his character, and the depth of it, and it makes me hate Hani-meijin even more.

Throughout the first two thirds of the series, we were all made to hate Satoru, while the real bastard is actually Hani-meijin. I remember how I didn’t like the guy, but this hatred disappeared when the even worse Satoru appeared. Still, it now turns out that the guy loves to play with other people as if they were toys. Saori, another person that’s been dying for his attention just got shamelessly put aside during this episode, in favour of the “stronger” Ayumi, just because she didn’t make it to the finals because she had the bad luck to face an old shougi-master!

And really, what’s he planning with Shion? I think it’s clear now that he’s after strong players and has no need for the weak ones. Was the reason he committed the murder a twisted experiment to get Shion entirely devoted to Shougi, so that he could harvest her once her talents developed? Is the fact that Kaminozo accepted him really the only reason why he took on Ayumi as his new student? Or was this yet another part of his plans with Shion. The guy definitely had a bad history with Shion’s parents, but what exactly is it?

It’s really been a while since I watched such an episode, but this is one of the rare ones that gets better and better after you finish watching it. It wasn’t the most exciting of the shougi-matches, but it’s been ages since one episode made me think so much as this one. It’s series like this one that remind me why I fell in love with anime in the first place.

Posted on 17 February 2008 with categories: Shion no Ou


This episode was meant to build up for the next one. But with Shion no Ou, this isn’t a bad thing at all. This episode was yet again awesome, and now that this series is nearing its finish it’s getting more amazing by the minute! Seriously, this series has some of the best character-studies in a long while, and at the moment, I’m certain that it’ll end up being one of my favourite series of 2008, even though we’re only half past February.

And really, the animators were on fire for this episode, after the really weird shots of the previous one. It’s really interesting to see that the creators too have realized that the animation needs to be better, and they’re actually improving themselves. I’ve only seen this phenomena in one other series: Mahou Shoujotai. I don’t think I need to say anything more. It’s not like the animation this episode was really crisp or smooth. It’s even messier than usual, but it’s detailed and imaginative. Those were some really interesting poses, where you can see that the animators put some thoughts into them. Some were exaggerated, but others looked SO natural, like how Satoru tilted his head when Shion approached him.

And boy, the story. I’m getting more and more the feeling that Satoru is some kind of huge red herring, standing in front of the real killer. The amount of depth that he and Shion got in this episode is almost unbelievable. This episode starts with Hani-meijin winning over Hisatani, and the second half of the episode is dedicated to the match between Shion and Satoru.

It actually turns out that Shion met Kazuki, when her parents were alive. She hears this from Satoru, during the match. In exchange, she starts crying for her, wondering who it was that handed her her first shougi-pieces at such a young age. I don’t think that Satoru could have expected that other people cared about Kazuki apart from him.

That’s not the only thing that Satoru tells her. He also tells him that she actually once convinced him to stop playing Shougi, and that because of her, he organized the tournament in the first place. It also seems that she died, the day after Shion’s real parents died. Also, for some reason, Satoru also tries to make her remember the incident, and because of this he also shows her his memorial, the same as Shion’s.

Shion then recalls another part of her memory, where she’s playing shougi with her father as a child, where he actually inspires her to keep playing shougi. Shion then realizes that that was the reason why she became a pro in the first place. After the match progresses a while, Satoru leaves the room to eat a bit of lunch. Before he leaves the room, he asks Shion about the night of the murder. Apparently, it took a while before the police arrived, but Shion never screamed for help. She just cried for her parents, if I understood things correctly.

This makes Shion recall that night a bit more clearly, and the night with her father as well. Guess what? It turns out that these two nights were the exact same night. The reason why Shion kept playing shougi was BECAUSE OF WHAT THE KILLER SAID to her! In her mind, she changed this image to be her foster-father. One interesting detail is that Shion held the other king in her hand that time, and she didn’t want to give it up.

Seriously, the potential for the finale for this series is overwhelming. Hands down, Shion no Ou has become my favourite series of the Autumn-season, and Ghost Hound is going to have to be amazing if it wants to have any chance to change this.

Posted on 10 February 2008 with categories: Shion no Ou


Oh my god. This episode was absolutely amazing, and quite probably the best of the entire series yet. And with Shion no Ou, that has to say something! Obviously with that, there are major spoilers following, because this episode turned so many tables around. You don’t want to read this entry without having seen the episode, and I’m serious about this. This sentence is meant to fill up space on the blog aggregators.

Now, the biggest shock was definitely the very first sentence on the first scene. From out of NOWHERE, we just learn that Ayumi’s mother freaking DIED. I hardly could believe my ears when I heard this, and how it came so incredibly suddenly. The first sentence was the last place I’d ever expect a twist so major as that.

Unfortunately, the only thing that wasn’t freaking awesome about this episode was the animation. Something went terribly wrong with the outsourcing this time, and some shots looked really off, even more than usual for this series. Thankfully though, the rest of the episode MORE than made up for it. Shion’s face when she found out about Ayumi’s mother was heart-wrenching. And yes, I admit that I cried a lot during this episode.

The thing also remains that Ayumi has now lost his main reason to play Shougi. Hani-meijin then comes into the picture, when he basically offers to make Ayumi his successor. With his loss against Satoru this episode, the female Ayumi has also died, and the episode ends with Hani-meijin, actually cutting off Ayumi’s hair!

And on top of that, Satoru also receives a truckload full of development. We see him this time at the apartment of a newly introduced friend of his. We receive the first clue that perhaps he wasn’t the one who killed Shion’s parents. It turns out Kazumi was indeed his lover, whom he met in high-school. She died, however, at the same time that Shion’s parents got killed. In this episode, we see how Satoru has actually asked this friend of his to investigate on the real facts of the death of Shion’s parents. Now why would he do that if he was the murderer?

We also learn why Hani-meijin and Satoru split up. Hani-meijin basically forced Satoru to stop playing Shougi, while he himself would pursue a professional carreer in Shougi. This had a major impact on Satoru, and he secretly kept playing Shougi with himself. It turns out that his ultimate goal is to have a real match with his brother, which is probably why he organized the tournament in the first place. Where Shion fits in this isn’t clear yet. But Hani-meijin is indeed the weak point for Satoru. When he finds out that Hani-meijin was late for his own match, his own game against Ayumi got a lot weaker. When the guy showed up at last, he easily won.

Seriously, this episode was all kinds of awesomeness, and to think that the creators haven’t even begun to reveal all of their trump-cards. Right now, only Shion, Hisatani, Satoru and Hani-meijin are left in the tournament. Quite an interesting line-up, if you ask me. If I understood things correctly, then Hisatani will end up against Hani-meijin if he wins his next match. Shion then has also has a match against an unknown opponent (I suspect that this is going to be the guy who beat Saori), after which she yet again has to play against Satoru, who of course wants to go to the finale where he can play against his brother (who’ll likely beat Hisatani). It turns out that there will be 22 episodes for this series, just as with Ghost Hound, and this should provide enough time to close off this series.

Posted on 2 February 2008 with categories: Shion no Ou


Shion versus Yasuoka. How could this episode not turn awesome? It was probably the longest match of the entire series (a bit less than one episode, to be exact). As always, the match was awesome, but what went on around the match was even more interesting! Sure, Shion managed to win, but that’s not what this match was about. It was a nostalgic trip for both Shion and Yasuoka, seeing as this was their first real match. Shion was SO adorable when she was four, and first got into contact with Shougi. I can’t believe that she actually played her first match at that young age, and it’s even more adorable how even then Yasuoka didn’t hold back.

Hisatani and Saori also have quite an interesting relationship. Hisatani has been nervous ever since he realized what he was up against, and Saori just keeps yelling at him to get him back to earth. He’s got his own match to prepare, so he can’t check up on Shion. I also like how Shion ended up winning. The usual spectators have written her down, at that point, and then Satoru suddenly reveals a fail-proof way for Shion to win that everybody else didn’t see. Of course, Yasuoka did see it, and he forfeits.

The episode also ended with a great scene between Satoru and Yasuoka. As usual, Satoru starts taunting, though Yasuoka retorts that Shion’s parents must be proud at how she grew to adulthood. After that, we see a bit more of Satoru’s past: it seems that he actually SAW his father die in the accident that killed him. After that, he shows what could very well be the nicest face that we’ve ever seen from him…

Posted on 26 January 2008 with categories: Shion no Ou


Really, Shion no Ou is one of these few series that’s just as awesome during its climaxes as during the building-up scenes. I don’t care anymore whether we get some exciting Shougi-matches or just their set-up: they’ll be awesome either way! Even though this episode just built up for the eight-finals of the shougi-tournament, it easy was able to remind me why this is my favourite series at the moment.

Like expected, Saori doesn’t get angry at Ayumi after finding out his secret. Instead, she and Ayumi get much closer now. Like Shion, she offers to pay for the operation on Ayumi’s mother, but yet again he refuses. What’s also interesting is how Saori too noticed that Ayumi started to get other reasons to play shougi, other than paying for his mother’s hospital bills. It also turns out that Ayumi has been keeping his shougi-adventures away from his mother as well. This was to be expected, of course. Ayumi really is a person who doesn’t want others to worry about himself, and likes to keep information about himself from others.

I’m still not sure what Satoru’s up to. First, he brought Saori and Ayumi closer together, and now he arranged behind the scenes with the help of the reporter that Shion’s first match in the eighth-finals would be against her foster-father. Instead, he keeps dropping hints how he was the one who killed Shion’s parents. What did seem interesting was the way he talked to Shion was much more different than usual, and it almost felt like he was emotionally involved with the things he said to Shion, how he too lost his parents at an early age. And really, Ayumi was too cute when he tried to protect Shion.

Interestingly enough, Hisatani also made it through the preliminaries. I loved how nervous he was at all the professional-looking shougi-players that he was amongst. It’ll be interesting to see what the underdog has up his sleeve. And I had to laugh at the way that Yasuoka picked up his phone that told him his place in the eight-finals. From his overdramatic movements, to him not knowing how to use a cell-phone.

The media also got developed a bit through this episode. Now that the tournament is progressing, the coverage of the media is also going to increase. Especially on the only two high-school “girls” who made it through the preliminaries. It really felt like they looked at Shion and Ayumi as they were a bunch of cheap idols, and it’s quite a change from the usual reporter, who always was really involved with the matches.

CHANGE USERNAME
SuperMario
It was just 3 years ago. I think I MUST review everything as soon as I finish, otherwise I will forget. Getting old now. Dang it
SuperMario
It was a great review, Kaiser. I also feel comparing Black Coal to Memories of Murders don't do this film justice too (although to be hinest I don't see the comparison). Your review just reminds me that I did review that film on Letterboxd, thou for the life of me, when I read ny own review I had no clue that i did write it
Kaiser-Eoghan
@K-off: Constantine was really the only reason I would have considered seeing the film, as I enjoyed some of the comics he appeared in.
Lenlo
Yaaay! Favaro is back!
Kaiser-Eoghan
@Mario: Ah, now I remember, I stopped watching ghost hound at around episode 14 or 15 years ago.
K-Off
Justice League Dark ended up being one of the weakest among the recent animated dc films. The opening was intriguing but it drops the ball as soon as it focuses on Zatanna and Constantine...The demonic manipulation of people isn't tied well enough to the villain, so that premise ends up feeling pointless, everything is inconsequential by the end. Why was this even made?
SuperMario
And for once, I feel that developing the characters isn't a appropriate choice for this type of show. The main cast need to develop, yes, but most of the supporting cast was presented as ambiguous and mysterious, thus making them change in the end feel just wrong
SuperMario
The main kidnapping was never addressed thoroughly, and it should be the main overarching arc, instead of this ending.
SuperMario
So... I've just binged through Ghost Hound. It starts as a compelling psychological mystery series, and ends up being... thriller of sort? The first half, building up stage was its best, and then unfortunately it run out of steam
KTravlos
Hey Favoro is like a good whiskey. You gotta drink it slow and enjoy it :)

I liked Predators.
Spike
8 episodes in we finally get to see who we were all waiting for in Bahamut! ...for 2 seconds.
Vonter
I did watch the version with the alien coming out of the ox. I haven't watched Predators, AVP1 was ok, like the newer movies its just the human element that has consistently gotten worse and unmemorable. I think that element in particular made me enjoy watching Alien 3 now, than if I had watched it in order, considering how it begins.
Kaiser-Eoghan
Thankfully the franchise can never fall as low as the predator reboot or alien vs predator.
Kaiser-Eoghan
@Vonter: Be sure you're watching the extended version.
Vonter
I liked 3/4s of this film, as the plans to kill the alien got more cumbersome the film got more tiring. And I think it was obligated to annihilate the cast considering they take the time to take out a whole bunch of them. I also think it's very noticeable the tiring production this had, and while people praise practical effects now, this movie sadly didn't integrate well the alien puppet.
Vonter
I've just watched Alien 3, the only Alien movie I hadn't seen do to the diviseness towards it. I think I went with the best expectations considering now on hindsight newer movies have made it look more competent, having more weight. This movie has characters, integrates the religious motiffs better, the Alien more than a closet monster is a formidable force of nature.
Kaiser-Eoghan
.....It just dawn on me looking through my letterboxd account...I have never seen afro samurai...
SuperMario
@Kaiser: I'm on hold with SukaSuka as well after 5 episodes. Ejoyable so far but its LN's tendencies hurt the show
SuperMario
@Kaiser: yeah, like I said in one of my weekly post, Tsuki ga Kirei is simple, but isn't easily obtained. At this point, I'm truly invested in these kids that it makes me tense just to see how they keep up with their relationship, haha.
Kaiser-Eoghan
I have yet to catch up with sukasuka and don't care about bahamut all that much.
Kaiser-Eoghan
I feel its sweet and sensitive approach has a rhythm to it that I started going along with.
It’s obviously slow but I began not noticing the time go by as I watched more.
The art makes me think of Shimura Takako’s and makes me wonder what the series might have been like if she wrote it.
The dub is mediocre so after 3 episodes I switched to subs.
Kaiser-Eoghan
The relative quietness and how scaled back in comparison to other anime romances is welcome and it never becomes dramatically or comedically obnoxious which I think is in its favour.
Kaiser-Eoghan
I decided to catch up on tsuki ga kirei. We said this before, but that scene where he meets the publisher about his writing is a stand out one.
For the show overall so far itself, above all I see it as something simple, un-demanding to watch, its good a break from all those old/art films I have to concentrate on harder to follow.
Kaiser-Eoghan
Maybe Goth would count but its more o a mystery manga.
Kaiser-Eoghan
Not familiar with shibito or sugar life. May as well recommend everything by Kazuo Umezu and Junji ito. 6000 ended disappointingly, I fell behind in dead tube. Does sugar dark count?
Lenlo
I am a Hero is a personal favorite of mine
AidanAK47
@Anon: Uzumaki, Shibito no Koe o Kiku ga Yoi, Happy Suger Life, 6000 and Dead Tube. I suppose.
Anonymous1116992
What is some good horror manga
K-Off
@Mario I also noticed that korean thrillers are way too obnoxious with shakycam.
Lenlo
@Mario, about LWA, that was how I felt. Its just not as magical, as special, as the original OVA was to me. I suppose thats to much to ask for a 25 ep series, but it turned me off
AidanAK47
@Mario, TV Diana has some charm points but I think OVA Diana provided a better dynamic. I mean sure, She was essentially female Draco Malfoy but her attitude made reveals like her being a secret Chariot fan more impactful. Plus her tsundere act torwards Akko was rather adorable.
SuperMario
about LWA again, unlike Aidan I actually enjoy this version of Diana. I know she's one note, too perfect but she's charming. Too charming haha which serves well as a contrast to Akko
SuperMario
...just pop one random film from him. His films are not without its bad side thou, in particular I find the dialogues shapeless and dragging. But well it does add to the naturalness of his films
KTravlos
on LWA I would also recommended it. It is a fluffy show, with a sense of wonder. Some episodes are better, some are more flat, and the over-arching storyline leaves me bored. But it does have that sense of childlike wonder, which I had missed among all the "grim" shows.
SuperMario
@Kaiser: I have a bit of problems with Korean movies lately as now they're heavily thriller style-over-substance films, so films that have very simple style like Hong-Sang-Soo's joints are the welcome change of air. One thing about his films thou, If you watched one of his film, you've watched them all. They're so similar in tones and concepts that I reckon if you feel like watching his films...
SuperMario
So I say it's still worth finishing. It's good but I don't feel the sparks that made it so great from the OVAs anymore
SuperMario
@Lenlo: about LWA. Plus side: Those hijinks. I mean the show is fun and magical. Negative side: I wish the show's storytelling is a bit tighter, each episode feels so loose it doesn't add up much and more like different variations of Akko + one member of the cast's hijink. Doesn't help either that the other casts just disappeared until they have an episode for 2 for themselves
SuperMario
@Anon1113829: I "enjoyed" Beyond the Boundary, but that show was a mess. The episode 10 was stand out for me, and the ending was kinda... a wreck. Certainly interesting but quality-wise I wouldn't reccommend it
Anonymous1113829
@SuperMario KyoAni fan? What did you think of Kyoukai no Kanata? I really wanted to like it, I thought it had some potential, but IMO nothing worked right.
AidanAK47
@Lenlo, It's good. Fun to watch certainly. Though sadly it falls short of being great.
Lenlo
So question: Is Little Witch Academia worth finishing atm? I started it last season, but for some reason it just fell off my radar
Kaiser-Eoghan
@Mario: Thankfully, while not entirely satisfying, day he arrives is just the Korean film I've been looking for, refreshingly more low key, quieter and I enjoyed the new wavy combined with raw style, making it all feel very natural.
Kaiser-Eoghan
@Mario: Well then, thanks for the rec on Hong-sang-so, I looked at The day he arrives. Y'know the reason I sometimes dread going into films featuring romance is because I'm conditioned from seeing the bad ones.
Kaiser-Eoghan
....I may actually read this, the last time I read a manga steeped in politics was Sanctuary: https://en.wikipedia.org/wiki/Eagle:_The_Making_of_an_Asian-American_President
Kaiser-Eoghan
@Aidan: I actually have very limited experience with Ellis as a comic book writer, only read Transmetropolitan, I know he's writing the Castlevania adaptation.
SuperMario
@Aidan: I heard the same thing; can't help being a completist though so I'll eventually get to them
AidanAK47
@Mario, From what I heard, it doesn't get better.
SuperMario
@Kaiser: that scene from the 1st episode of Phantom world lost me... but even then I'm willing to give the show another chance. That's how far I would go ^^ https://mobile.twitter.com/aaapodcast/status/687148875052892160/photo/2
AidanAK47
@Kaiser, Looks like they are putting some real effort into it. May actually turn out pretty good after all.
@K-Off, Under the Red hood is a damn fine movie. Likely one of the best of the DC animated universe. Though try Superman vs the elite out. It's pretty good.
Kaiser-Eoghan
Even phantom world Mario...even phantom world ? =)
Kaiser-Eoghan
Just the teaser trailer, not much to go on, but heres a short preview of that netflix castlevania thing that got mentioned on here a while back, up the quality to 360p:
SuperMario
At this stage, I'm pretty much KyoAni fanboy now so with every new material, I'll hype it up to the sky ^^
Kaiser-Eoghan
@Mario: I did follow it up with The spy who loved me though to cheer myself up =P Given that Rodger Moore just died =)
SuperMario
@Kaiser: just looked through what Short Men Behind the Sun is about: "human experiments carried out by Japanese army during WW2?" Already sound grim and too real. Then "a graphic depiction of the human experiments" haha no wonder you felt unsettled Kaiser
VyseLegendaire
My favorite Exploitation Flick is An Inconvenient Truth 2.0
Kaiser-Eoghan
@Mario: Long story short men behind the sun is finally the exploitation flick that defeated me and actually made me unsettled.
Kaiser-Eoghan
@Mario: I remember you talking about how Salo really affected you as an exploitation film, generally exploitation films don't shock or disturb me, but I just watched the cantonese dubbed version of Men behind the sun.
Kaiser-Eoghan
And the worst thing about beyond the boundry and phantom world, it discolours my opinion of kyoani as a whole, making me negatively reflect on older work they did .
AidanAK47
Yep, that's the new KyoAni one. Like Puran I don't have any expectations of it. The premise certainly seems like the closest they have come to breaking out of there usual format but I am sure they will find a way to shove in Moe antics. Though based on what is seen so far it looks like they are trying to emulate Key.
Puran
Is that a new KyoAni anime?.. I have lost faith in them a long time ago. Last Anime from them that I cared about was probably Hyouka
SuperMario
Bring you some news, Violet Evergarden will be aired as an anime TV. Though many sources saying it gonna air this year, it has a better possibility to air next year
SuperMario
Well, aesthetically, he's pretty much on par with Yang and Wong. It's just that his films are often emotionally distant, feel more like watching the paint dry hahaa
Kaiser-Eoghan
@Mario: I connect more emotionally with Yang and Wong.
Kaiser-Eoghan
@Mario: I went in expecting Edward Yang and Kar-wong-wai levels of quality, which may have been quite unfair standards to put him up against.
SuperMario
I myself find his films difficult to watch, but when the films end they usually hold up very very well. Both The Assassin and 3 Times in particular are my favorite of the year
SuperMario
@Kaiser: I completely understand your reaction because his films are demanding as hell. I remembered watching The Assassin in big screen, 3 people next to me fall asleep, one of them snoring and the other one fall asleep within the first 10 mins. That Hou Hsiao's movies for you
Kaiser-Eoghan
@Mario: Its such a shame because he makes gorgeous cinema and City of sadness is actually pretty informative account of the times....I just can't jive with him and I actually like "slow cinema" but watching his work is insanity inducingly boring for me.
Kaiser-Eoghan
@Mario: ....I'm really sorry, I don't mind long slow even spiritual, talky, non-narrative, old, complex,meditative , art films but I'm really really finding it hard to watch Hou Hsiao's work, I've tried time to live and the Assassin and I just bailed after 2 out of 3 hours on city of sadness.
KTravlos
I have to say Akko is developing nicely as a character in LWA. Also Magane in Re:Creators reminds me of Hannibal as palyed by Mads Mikkelsen. There is that same est for life married to sociopath that is a bit charming :) Mamika's character is also just cool. Beyond that AofT and Bahamut both delivered competent episodes, with Bahamut a good mix between comedy and tragedy.
K-Off
@Aidan Assault on Arkham was fantastic. Between that and Under the Red Hood, a classic.
SuperMario
@Kaiser: I have a lot to say in this week's Eccentric Family. Review will come up later tonight when I get back home from work.
AidanAK47
Seen Assault on Arkham or what it should be called, The animated Suicide Squad movie. Thinking of checking out Dark.
Kaiser-Eoghan
@Aidan: Have you seen assault on Arkham or the justice league dark film?
Kaiser-Eoghan
@Aidan: It isn't so much because its Talia x Batman, moreso that it feels odd shipping Batman with anyone.
Kaiser-Eoghan
While kind of amusing, initially I wasn't too into Uchouten this week, the hot spring part got me groaning, but then someway through dramatically it really picked up.
Kaiser-Eoghan
From reading comics a few years back, I still feel that they adapt better to animation.
Kaiser-Eoghan
@Vonter: And I say this as someone who was able to defend Alien 3 and Ressurection.
Kaiser-Eoghan
Covenent felt like an Infantilized version of Alien.
Kaiser-Eoghan
I wouldn't call either John Wick film or free fire amazing or anything but they had great fight scenes that were actually visually coherent , of course they weren't given a proper release.
Kaiser-Eoghan
I'm not watching/paying for anymore of these reboots/remakes/shakey cam pg rated action films anymore. I'll stick with my balls to the wall Hong-Kong/Chinese ones.
Kaiser-Eoghan
@Vonter: It also had really uneven pacing aswell.
Kaiser-Eoghan
@Vonter: ....The dialogue is so embarassing, they don't do enough with this backstory, they just keep teasing, none of the new characters have the same charisma , the editting in the action scenes shakes all overtheplace.
Kaiser-Eoghan
@Vonter: I gave Covenent a fair chance, I thought it would be an exception to the reboot thing. I'll admit theres the sets, the atmosphere, Fassbenders performance , the idea to expand on the franchises mythos is cool but....
Kaiser-Eoghan
It really really hurts as a film fan, trying to find older, genuinely quality foreign films , finding that no-one is seeding them and theres no proper/in print dvd release anymore. Then finding some awful shakey cam modern American superhero film with billions of seeds and a bluray release.
AidanAK47
@K-Off, I don't know. Todd was more the imperfect son always aiming for batmans approval. Damian is more an assasin wondering why the hell he can't just kill his enemies. I hear that Comic Damian works better than Animated Damian. I do think that if given a personality he could work but as he is currently you are right that he's essentially a mishmash of past robins.
Vonter
I watched Alien Covenant and I don't know if it improves by being more dumb and less pretentious or if it os the final nail in the Alien franchise coffin. Not since the StarWats prequels there has been a retcon that changes your view of the original movies.
Kaiser-Eoghan
I can recall enjoying a certain Jason Todd centered story called Batman:death in the family.
K-Off
Well, even when Damian does completely cross the line and become a villain, he's not even that interesting, i.e Injustice. Yup, Jason Todd already covered everything, but better.
AidanAK47
Problem is that he's an edge lord cocky piece of shit that just doesn't have enough likeable traits for this to be compelling. What really pushed him over the edge was mocking Nightwing over his parents deaths. That shit is not on.
AidanAK47
@K-Off, I like the contrast that Batman refuses to cross the line and kill but Damian has crossed that line. As well as his potentail to become a villain. Tim and Dick didn't really have that though Jason sort of did. Damian's arc is more about teaching him the morality of a hero.
K-Off
@Aidan I'm not sure I like Damian's concept to begin with. The Bat-son dilemma's inherently addressed by the Robins for all intents and purposes. Damian just goes through the same motion, only difference being he's biologically related.
K-Off
Yup. Wonderwoman either doesn't need to have a love interest, or it needs to be with Steve Trevor, the two have a solid backstory that the movies unnecessarily removed.
AidanAK47
@Kaiser, I don't mind the Taila X batman pairing. Makes more sense than Batman and Batgirl. But if there's one pairing pushed in the new movies that I just find wrong is the Superman X wonder woman. I just don't get that one.
AidanAK47
@K-Off, I like the concept of Damian as a character. But it's executed so badly.
Anonymous1105941
Teen titans needs one more season to wrap up all the loose ends. Such as what happens to Slade, and Blackfires revenge. The creators clearly wanted to explore those plot lines but got cut short.
K-Off
Teen Titans hasn't aged very well, but one thing I still do like about it is how contained and local the setting and cast were for the first half of that show. When godly superpowers are involved, that appeals to me. Much of the same reason why I like Logan and Raimi's Spiderman so much.
Kaiser-Eoghan
Very rarely watched teen titans when I was younger, I was vaguely interested in slade, stopped watching around when Terra appeared. I actively avoided comics where Damien appeared, never liked that Talia x Batman pairing much, I can only imagine how much worse it is to listen to Damien than read him.
K-Off
@Aidan, I like some aspects of those movies, but I'm not a big fan of the new continuity and art style in general...and yeah it doesn't help that Damian is irredeemably unlikable.
AidanAK47
@K-Off, There is also the DC animated Teen Titans movies like Teen Titans vs Justice Leage and Teen titans the Judus contract. Though it's not the same as the the TV series and Damian is such a dick.
K-Off
@Anon I don't think Teen Titans needs another season. The last season wasn't that good, but the movie ended the series on a high note and Young Justice pretty much rebooted everything, at least in terms of replacing people's want for a more mature DC cartoon about the Titans.
K-Off
Yeah it's become more of a hassel (for myself and my friends) to set aside time to go to a theater.
SuperMario
I guess in the end it all comes down to how easily it reaches the viewers. Give us a hard time and we don't give a damn to check the new movie/show out
SuperMario
... otherwise have to wait for a year, even more before it reaches Australia. But many companies will raise in the wake of Netflix and that will be where problems arise
SuperMario
This trend isn't happening within the anime industry, but it's happening in the movie world as well. In the past 2 years, Netflix starts to exclusively distribute many films, meaning that they won't have theatrical release, but straight to Video on Demand which caused quite a stir in the industry. Personally, I actually don't have much problem with it as now I will get a chance to see a film that
SuperMario
Dive!! , a series that will air next season on noitaminA slot will stream exclusively on Amazon Prime Video. Not that I'm eagerly looking forward to Dive, but that news again makes me frustrated. No one will watch it and then all the hypes it might have will die down eventually.
Anonymous1105394
Considering I didn't even expect a season 5 it's more than I could've evr wanted. Now if only if only Teen Titans could get the same chance.
Lenlo
Oh yeah, it turned out well. Didnt mean to say it didnt.
AidanAK47
@Lenlo, Considering that the ratio of great to alright episodes is 8 to 2 I say that it turned out pretty well.
Lenlo
I have to say, the Samurai Jack season started stronger than it ended imo
AidanAK47
So this is how Samurai Jack ends. 16 years in the making. Honestly considering how much needed to get wrapped up I knew the ending would be a bit flawed. Really think Gen should have givin it one more episode to flesh out the ending and then it wouldn't feel so rushed. Overall despite it's flaws, it's a decent ending. Not prefect by any means but it will do the job.
Kaiser-Eoghan
Lol theres a surprise, seriously, Black Lagoons manga is updating again.
KTravlos
worst recap ever for me? Gangsta. That was a stupid recap episode. Really like a Public Announcement. Useless, stupid, and ruining atmosphere. Utter stupidity. There I got it our of me :p
Kaiser-Eoghan
@Masky: Unfortunately too far behind in the sequel manga to catch up, I did take a look at THAT in the latest chapter though.
Masky
Huh, for some reason thought Tokyo Ghoul was under shonen when its seinen. Welp now that makes more sense, I was thinking story about cannibalism would be kinda absurd for shonen.
Spike
They serve no purpose except to fill airtime when production gets fucked up. They have 2 bad choices - run a recap or run an unfinished episode. Recap is generally the less dogshit choice. I've seen a few anime that ran the episodes with unfinished animations and still frames.... the backlash was about 100x what a recap is.
SuperMario
I'm about to say that to you as well Kaiser, maybe watch the recap and then continue on. The only thing I kind of take from the recap episode is the editting: how they chop off the fat of 6 episodes to still give you important developments. But as a way to catch up/ to reintroduce the series, it's freaking useless
Anonymous1104087
I don't think anyone should start from the recap episode. Unless there was a long hiatus, a recap in between episodes is unnecessary for new viewers and old
Lenlo
I mean, aside from whatever happens with Mugaro.
Lenlo
Next episode seems early, out of 24 episodes, for Nina to learn the Prince is Chris, yet that seems to be what the confrontation is leading towards, and then she freaks out and he learns shes the dragon. Becomes the conflict for the rest of the season?
Lenlo
Seems I was right, Azazel didnt predict that Nina might not be so easily riled up as she once was. To bad so sad Azazel, she has someone she loves now.
Kaiser-Eoghan
How useful are these recap episodes anyway/actually? Hypothetically lets say I was feeling lazy and decided to watch tsuki ga kirei starting from the recap episode.
Kaiser-Eoghan
[link src="https://www.anirena.com/?s=blame

http://anilinkz.io/blame-movie"]
Lenlo
So long as there are consequences for how hes acting, then I am ok with it. I just dont want him to turn into some MC hero when hes acting like this.
AidanAK47
And in Re:Creators Sota is still being a goddamn pussy. Now that the exposition has gone down I am really starting to hate this kid.
SuperMario
It's the presentation that they differ. Ghost Hound focuses more on the atmosphere, so those details I mentioned before work for their benefits; whereas Sagrada Reset focus on plots (and confusing themes) so those stick out like sore thumb.
SuperMario
4 episodes into Ghost Hound so far. This show also reminds me a bit of Sagrada Reset this season- the way they both emotional distant, complex plots; keep viewers away at arm's length, and feature characters that have robotic facial expressions. Yet I enjoyed Ghost Hound so far and couldn't engage in Sagrada Reset at all.
SuperMario
@Spike: I was like... "tsuki ga kirei has a recap episode, so let's move on to Kado"... another recap. Tsuki ga kirei I'm not too worry as it confirmed that it'll have 12 episodes, but I'm not confident on Kado
SuperMario
@lenlo: in a sense you have to suffer it all alone. No worries thou as I intend to binge watch it when this season's over
Spike
Kado team crumbled under the pressure. Recap this week.
Lenlo
@SuperMario, im happy I dont have to compete with anyone to cover Berserk :P Got it all to myself to whine about, though its been ever so slowly improving.
Anonymous1100725
Ranka is ranka in any verse.
Anonymous1100725
Bahmut no spoilers. Ranka Lee. She just doesn't get it so everyone dies. As she stands around wondering.
SuperMario
In fact, Okja will play in the Sydney film festival next month, but seeing that it will stream in Netflix at the end of June I think it's best to wait until then
SuperMario
@Kaiser: great, I'm super hyped to watch Okja. Always enjoy Boon's movies. The critic's reviews from Cannes on Okja should come up soon I believe.
SuperMario
@Kaiser: I watched Lain many times over as well but I'm sure that I didn't pick up everything. That show required multiple-viewing anyways.
Kaiser-Eoghan
@Mario: Good news, netflix will stream Okja at the end of this June.
Kaiser-Eoghan
@Mario: Its not often that I rewatch things, but years ago I've seen Lain at least three times, its also one of those few anime series where I felt to look up deeper analysis into it. It had a tremendous atmosphere and was ahead of its time.
SuperMario
@Kaiser: watching Ghost Hound made me want to revisit Serial Experiment Lain and give my episodic thoughts on that. Not gonna happen soon as I have my hand full right now but I swear I'll get to that one day.
Kaiser-Eoghan
@Mario: I actually am planning to rewatch ghost hound soon, so I'll give you my new thoughts on it then.
Kaiser-Eoghan
I always avoided Altair mostly based on it being a shounen action series. Kakeguruis premise involves gambling games, which I don't find interesting.
KTravlos
Kakegurui is on my list. I thought it would be crap (terrible setting etc), but the manga won me over. Princess Principal will be given a chance, so will Shoukouko no Altair.and perhaps Reflection. We shall see. Also Twilight Axis Gundam, as I love the manga team.
AidanAK47
@Anon, Recap episodes exist because of production troubles. Sometimes shit happens when you make an anime.
You are being a bit overally argressive but I do agree with the statement that Ntr is pathetic power fantasy. It really is.
Anonymous1099236
Ntr is a pathetic power fantasy for pathetic people
Anonymous1099236
Why the hell do recap episodes exist. Do they think we're that autistic
SuperMario
I honestly don't even what NTR is so I had to look it up. Interesting
SuperMario
Just a quick remaider that Tsuki ga Kirei has a recap episode this week. And yep, after watching this week's Sakura Quest I think I'm gonna stick with it
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Featured Posts

Tsuki ga Kirei – 07 [Hold Back Nothing When Taking Love]

With this episode Tsuki ga Kirei marches on its impressive run. If there is one thing that I’m still impressed about Tsuki ga Kirei, it’s that despite its slow-pacing, the story never stands still. Each episode is a steady step-forward, clearly mark-out stage from its main couple’s relationship. I wasn’t at all expecting that much […]

Sakura Quest – 08 [The Fairy’s Recipe]

This was a solid episode from Sakura Quest. This week is the first of the two-parter (probably) about the Queen and her team making a special dish for Manoyama town that could attract tourists. Now I see the formula the show’s currently employing: the first three episodes focus on Yoshino and her coming to term with […]

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Little Witch Academia – 20[Sense and Sensibility]

This episode has really nailed home for me just how defanging Diana has been a bad choice. In the OVA episodes Diana was bratty and stuck up but at least then she had character. In the TV series she’s more or less a mary sue through and through which is sadly a much more boring […]

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For a show that has a knack for little moments, this episode is one of the rare times that Eccentric Family goes for big dramatic emotional route, and manages to knock it out of the park. Soun, in the end, serves no more purpose than a pawn in a chess. Wicked all the way, but […]

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ID-0 – 06 [The Observer]

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