Posted on 23 March 2010 with categories: Anime Reviews, Kobato




Kobato is one of those series that at first sight isn’t anything special. It starts with a premise, and repeats that for a bunch of episodes with a number of questionable results. In Kobato’s case, she has to heal a number of people’s hearts. I too wasn’t that much interested by this premise, having seen a few too many series with similar premises that never really went anywhere in the end. Kobato however, did.

The people that Kobato heals in the first half of this series range from nice enough to mediocre, so it’s understandable to get turned off at first. But oh, the character-development in the second half more than makes up for it. This is one of those series which is greater than the sum of its part. Through its entire airtime, it never forgets what it’s supposed to be, and what it’s supposed to build-up for. Every of the early episodes spends time to flesh out the characters, while the later episodes use this build-up to deliver with an excellent emotional impact, resulting in a heart-warming series.

Kobato truly stands out in how incredibly genuine she is. I found her an airhead at first, but her personality and innocence turned out to be so addictive that I couldn’t help but root for her. And true, the story in the second half can get pretty soppy at times, but this isn’t the show that tries to pull deus ex machina for extra drama, and instead carefully builds it up.

Madhouse has done the animation, and despite that you can easily see that this wasn’t the series that their best artists were working on, they still delivered great graphics, allowing Clamp’s character-designs to shine, along with a few episodes that look absolutely gorgeous.

Kobato’s story is very simple, but it has really proven that it’s in no way a disadvantage. Due to its simple plot it had all of the time it needed to properly tell the story that it wanted to do. the ending is wonderfully un-rushed, and provides an amazing conclusion to the series that made optimal use of the time it spent on building up. This isn’t a series for people who dislike overdramatic-ish series due to the soppy parts, but this series’ second half hit all of the right buttons for me.

Storytelling: 9/10 – Never forgets the meaning of build-up. Simple, but very effective.
Characters: 9/10 – Excellent character-development, though the drama can get a bit soppy at times.
Production-Values: 9/10 – Madhouse rocks, even in their less-budgetted series.
Setting: 8/10 – Good attention to detail to the series’ small surroundings, plus some Clamp references that don’t feel forced or rushed.
Posted on with categories: Kobato

This is going to be a really short entry because I also still need to write this series’ review and get up early tomorrow as usual so I’m sorry but there’ll also be no screenshots for this one because I watched it streamed. I had to watch too much awesome stuff today in too little time…

Hell yeah! Kobato! Best ending this season! That was so adorable!

Rating: *** (Awesome)

Posted on with categories: Kobato



Aww. What a wonderful episode. It was perhaps a bit too dramatic, but I love this kind of stuff. It’s awesome to see a series which has entirely been building up to its final episode, and having that final episode actually pay off. This series did not try to be too epic. Instead, it remained true to itself and based on its simple premise. And while it may have been simple, this episode proved that it ended up way more effective than I could have expected.

What made this such an awesome episode wasn’t exactly because it was a bad ending. Rather, I absolutely loved this episode because of what it meant to the characters: here Kobato was, with the decision to either try and raise more konpeito (which may have not been enough at that point), or spend the rest of her time with Fujimoto. While at first it seemed a bit weird for her to spend time with him for an entire month (and seriously: Fujimoto’s still injured. that’s something you hardly see in anime, especially with such small wounds), it all made sense once we found out her secret. She’s dead.

The first part of this episode was slice of life, and the reason Kobato shined so brightly in this episode was because she knew that she was spending her last time and wanted to make the best out of it. It’s not far-fetched, and actually an adorable premise. The fate of the world was never involved, and instead this episode really was all about its characters, allowing it to really get the best out of them. I have just found my contender for the best ending of the season right now.

As for that final episode, I really wonder what it’s about. I mean, the main character has just died and we still have one episode left (let me by the way praise the creators for doing such a thing. I don’t recall any other show in which the lead character dies before the final episode), but my guess is that it’s going to close off the story of Fujimoto and Ioryogi. I especially want to see the latter. By the way, wasn’t this week supposed to air a double episode? I’m not seeing episode 24 yet…
Rating: **** (Incredible)

Posted on 16 March 2010 with categories: Kobato



It’s beautiful episodes like this one that totally restore my faith in anime. What a wonderful example of how to write a touching story without the biggest budget, epic backstory or over the top plot twists. The character-development in this episode was all worth the wait and the first half, and a heart-warming prelude to that finale. I laugh at articles like this one (well, the ‘anime sucks’-section anyway), which paint a completely biased and one-sided picture of the current state of anime.

I love it when a series changes my perception of things, and for me, Kobato restored my faith in these simple series that might not amount to much at first. Despite its mediocre start, I’m emotionally connecting to this series, more than just about every other series this season. This is really what a drama should be.

I also think that this is one of the few good uses of the “crash before the ending”-trope. Just like with White Album’s second season, Fujimoto’s crash was nothing serious, and instead more meant as a wake-up call, rather than creating some cheap drama by placing someone in the hospital. On top of that, it was also well built up: in his state of mind, it’s not surprising that Fujimoto wouldn’t pay attention to the road.

To be honest, out of all the series that are about to end in the upcoming weeks, Kobato’s is the one that I’m looking forward to the most. It’s really been building up to that final episode through its entire airtime, and out of all the endings, it’s this one that I feel has the most chance of actually turning out great. It’s the kind of ending where the creators have to really screw up big time to ruin it. Especially considering how the creators wrecked the kindergarten in this episode, it shows that they’re not going to force down a happy ending if it doesn’t make sense within the story.
Rating: *** (Awesome)

Posted on 9 March 2010 with categories: Kobato



Aw, what a heart-warming episode.

I’m really glad that Kobato managed to get exactly the time it needed in order to tell its full story. I’ve said this many times before, but there are too few series that try to go beyond 13 episodes, and it’s series like this that show the heights you can reach with a little character-development. This episode wasn’t exactly the most realistic… but hey. It’s not what I expected from the episode that would wrap up the kindergarten storyline.

So, if I understood things correctly, Okiura, unable to protect Sayaka instead tried to do the only thing he could: play the bad guy, in order to prevent other bad guys from causing even more trouble for her. I remember noting how the kindergarten would certainly get its happy end… and it didn’t. It closed off in this episode, and all of the kids are away now, at other schools. It’s the price Sayaka had to pay for her father’s debts, and while everyone tried to buy her time and money, it just wasn’t enough. At least, I’m glad that Kobato managed to help her move on from that. Meddling or not, but without Kobato there would have been no way in which the two would have made up with each other, and Kobato did what you’d expect her to do, without forcing everyone to go out of character just for the sake of a happy ending. Even Okiura stayed in character, simply because we hadn’t seen so much of him yet.

Now, three episodes left… I’m getting very curious as to what Kobato’s wish is. This episode right now closed off about half of the plot, so we can expect the final three episodes to really focus on Kobato herself. I personally love it when a series wraps up one of the main plots before the start of the major climax. It makes the series more dynamic than trying to end everything at the same time. It especially works well with inspired series as Kobato , which manage to make something heart-warming out of each conclusion.
Rating: ** (Excellent)

Posted on 2 March 2010 with categories: Kobato



You know what this episode reminds me of? That one episode of Touka Gettan: the Lost Episode of Yami to Boushi to Hon no Tabibito. The Tsubasa Chronicle cast drops by, they have nothing to do with the story, and at the end they just say goodbye and leave again to go back to their own story when there don’t seem to be any feathers here (or whatever they’re searching for at this point in the story, since Sakura was absent and all…). At the start of this series, when I found out that this kind of an episode would pop up I was very afraid that they would hog up all the screentime, but this was a really good episode, which made them more than Clamp’s usual cameos, and yet didn’t overdo it.

On top of that, the few revelations that their visit brought was interesting. It was a nice way to hint at Ioryogi’s original form. Who knew that he was his world’s Kurogane. I never realized that they had the same voice actor, and exactly for that reason. I also love the way in which Fye wished Ioryogi good luck with Kobato. He clearly seemed to know what was up with her.

In any case, this episode skips about a month and a half forward to Valentine. Predictable, but at this point I don’t care. For me, this show has reached the point where the creators can stuff their characters in any sort of setting, and make it utterly enjoyable. The valentine episode also was surprisingly good for the romance in this series, without going too obvious. You can see that Kiyokazu has grown a lot closer to Kobato during the past months that weren’t shown, and the valentine’s episode wasn’t used as a cheap knock-off getting the two of them together. Speaking of which: I very much approve of series that keep track of their own time: that’s an awesome way of showing the development between the characters, and making it less sudden.

And that ending was very powerful. That’s some great build-up there: this moment was bound to come: Kobato was bound to run short on time because of how easily distracted she can be. As a kid at heart, she constantly needed to be pushed by Ioryogi and yet you can see that she genuinely wants to go to some place. We have no idea why, all we know is that it’s something very important for her and that she’ll never have any more chances after the deadline passes. With four episodes left, I hope she gets there.
strong>Rating: ** (Excellent)
ED: Really weird place for a new ED, but better than the first one and a solid ballad.

Posted on 23 February 2010 with categories: Kobato



Oh, how I love Madhouse. Kobato has never been among their big-budgeted series, but in episodes like this they just go all out, and produce an absolutely gorgeous episode that has among the best eye-candy I’ve seen this season. The way they handle their CG is miles above most other animation companies.

And about this episode… I can only say how adorable it was. It was all about Kobato and Kiyokazu, and the development between the two was basic, but very heart-warming. Show this as a random episode and it’ll probably fall short. The reason why I enjoyed this episode so much was because of how the characters were already developed at this point. Kobato is the kind of series that doesn’t offer much in the short term, however it’s a gem on the long term.

Also, while he played just a very small part in this episode, I loved Ioryogi. He was just adorable, both in the way at which he kept reminding Kobato (who is more and more trying to avoid that matter) of the konpeito-bottle, and the way that he ended up celebrating Christmas. I really thought that that white creature didn’t want to talk to him anymore, but here this episode proved me wrong. This will offer even more opportunity for the creators to get the finale right. The main focus is going to be on two things:
– What will happen off the nursery?
– What will happen to Kobato?

The former will probably result in a good ending, but I don’t care about that: I’m only interested in the role that every single character will have in it. The latter however has been built up extremely well. It’s about the reverse of Chobits: in there the main storyline started off incredibly intriguing but became less and less interesting as the show went on. Here, I’m looking more and more forward to that ending. I blame Kobato: she’s become such an adorable character at this point.

(Not that I consider Chobits to be bad or anything, of course, but what made Chobits stand out was its collection of themes and subject matters, not the main characters).
Rating: ** (Excellent)

Posted on 17 February 2010 with categories: Kobato



Well, I’ve got to hand it to Clamp: they did it again. Kobato is a great example of why an anime doesn’t necessarily need huge production-values or incredibly solid direction, in order to have a soul. Wonderful characters can be written with any kind of budget, and while it definitely helps, it’s definitely not a necessary.

Because really: at this point I’ve been completely captured by Kobato’s charms. This isn’t exactly like Letter Bee, in which the characters have enough charms for me to keep watching, this is something more: at this point I consider Kobato to be a genuinely good series and I really admire how well the creators managed to flesh out Kobato and make her such a likable lead.

When it first appeared, the debt-problem sure seemed cheesy. But here’s the thing: it was cheesy, if it just was introduced and resolved within one episode. At this point the debt problems have evolved in a great driving force for the drama among the characters. It ain’t gonna destroy the world, we’re not stuck in a cheesy love triangle. Instead we have a bunch of people who try to protect something that they truly care for, even though the odds slowly stack up against them.

This kind of character-development was really what I was hoping for when I gave this series a chance.
Rating: ** (Excellent)

Posted on 10 February 2010 with categories: Kobato



Oh, what a surprise. It turns out that the previous episode wasn’t finished telling its story yet. It needed about five more minutes, which appeared in this episode. So, what was the rest of the episode spent on? A hilarious Iyoryorgi adventure and xxxHolic references. This was like, what? The fourth different version of Watanuki that exists now?

So yeah, overall this episode was a lot of fun, it only to see Iyoryogi suffer so much. Episodes like these are all about creativity and how much you’re interested in the involved characters, and that worked like a charm for me. His fire-breathing technique to avoid the pond was especially awesome. On a more serious note it also built up the main storyline a bit, though subtly.

As for the bazaar, what was obviously missing from the previous episode was Kobato seeing her hard work pay off. At this point, she knows very much that she’s a klutz and that helping people isn’t that easy. She should be proud of what she did here, though. It’s not like her healing of a troubled person, but she put in real effort. Apart from the mysterious penguin/duck/rabbit/thingies, of course.
Rating: ** (Excellent)

Posted on 2 February 2010 with categories: Kobato



PL notified me of something interesting yesterday, which I had not realized yet: Kobato has grown more on me than I had realized. I was surprised when I first read that, but after watching this episode I’m sure of it: I’ve given this show way too little credit thus far. Kobato shows that you can achieve depth with simplicity, and you don’t need world-changing or epicness to deliver great characters. Thank GOD we finally have another show to remind ourselves of this.

I guess it was impatience that lead me to condemn this series early on, and opt not to blog it. After all, this series had nothing to set itself apart in the beginning. I really thought that it would end up as another one of those series with just shallow characters, where 24 episodes would just pass without anything happened. At this point, I’m not sure what was up with me: here we have a show that for once is scheduled for 24 episodes right from the start. It’s produced by Clamp, who after Tsubasa Chronicles know better than any other manga creators how to keep track of their series’ adaptations, so this series is planned in perfectly inside its time-frame, as opposed to those tons of other series that are just way too short.

My guess that it’s my pessimism that turned me off at the start. Around three years ago I probably would have jumped on this series, but ever since I’ve been disappointed a bit too often by series that started of slow and simple… and never really went anywhere in the end. I think the most recent example at the time of Kobato’s debut was Saki: I basically gave it a bit of a chance because I was hoping for that same development, but the show just turned into a huge disappointment for me. And then there are all those romantic comedies out there that thrive on showing cute girls. And really, I’ve tried to give them a chance for the past few years, but I hardly ever found one I really liked. Kobato reminds me of El Cazador de la Bruja. I’ve seen it constantly criticised for its simple story and bad action. But who cares?! The characters were damn awesome! Seriously though, especially in its second half when the characters came together it turned into a very memorable series for me.

In any case, this episode of Kobato really showed me its character-development. Would it have worked to anyone who hasn’t seen the rest of the series? Probably not. It’s all about showing not exactly how Kobato has matured, but instead how her desire to protect the kindergarten has grown and how she does everything in her power to help out. Would she have done the same at the start of the series? I doubt that. And yet her development feels natural and it doesn’t look like she just changed character. Same with just about5 everyone else: they all have gotten a passion to protect that kindergarten.

My big dilemma right now is how to recognize series like Kobato from random shows that never get anywhere. At the time of this series’ debut, I was beginning to think that I’ve gotten pretty good at evaluating the potential of a series based on its first episode, and this was a good wake-up call. There are of course those series that are obviously going to be awesome (Aoi Bungaku) or erm… not to my tastes (Ladies Versus Butlers), but what about Kiddy Girl-And? Looking back I’m glad to have dropped it, hearing the stories about it, but what if it did turn out good? Was I also wrong in dropping Railgun?
Rating: ** (Excellent)

CHANGE USERNAME
Kaiser-Eoghan
*kind of
Kaiser-Eoghan
While its very much in the shadow of the first and the protaganist started out kind annoying, I kind of got caught up in the spectacle and sentimentality of gunbuster 2.
KTravlos
Urasawa is preparing a new manga
KTravlos
yes the episode where Julian watched the documentary was fun. The Caligula like character comes from one of the lesser episodes of the series, when Kircheis beats up some rebelling third rate noble in the Empire.
Kaiser-Eoghan
Goddammit, fail, it just changed the colour of the login name...
Kaiser-Eoghan
I declare in the red truth that the next anime I shall watch is Diebuster.
Kaiser-Eoghan
From what little I saw, I remember a Caligula like character in one episode.
Anonymous1409409
I remember there's an episode where Julian just goes on Space Netflix and just watches a documentary. I actually liked that lol
KTravlos
yup, a LOGH that run like the Altair anime would be bad. It needs to show the sweep of history
AidanAK47
@Anon, I actually liked that aspect. It made the history of the world feel real.
Anonymous1409027
It's compressible, as there are many episodes of buildup, but that's where so many of the interesting details and depth of planning become evident. Some of those episodes read like a history textbook though, so we'll see how the new adaptation handles them,
Anonymous1409027
*pleasantly
KTravlos
Tytania was ok.
Kaiser-Eoghan
On the Amakusa Shiro reference in the fate review, I've seen a film about him from the 50s , theres also an old josei manga where the protagonist ends up becoming essentially regarded as him.
KTravlos
Hi Kaiser. Supposedly this is a re-imagining of the original story. Thus independent of the OVAs (old serieis). What exactly re-imagining means is something I and you do not know. We shall see. But it does mean that you do not need to watch the old series to enjoy this one. The OVA was definetly more expansive than the novels. So my guess is they will stick to the novels.
Kaiser-Eoghan
There's another anime, called Tytania based on his novels but I haven't seen that series.
Kaiser-Eoghan
As in condensable in the way nothing much is lost? I assume there are fillers in the original?
Kaiser-Eoghan
I'm indifferent to the aesthetics of the new version. What I'm hoping for is that it will be accessible to newcomers and that I'll be able to jump on to the old series where the new one leaves off. I've seen very little of the original and it was a long time ago, is there any way the story is condensable?
KTravlos
The fact that they stayed away from the disgusting new manga is great. I am not too keen on the CGI ships, but they also did not rankle. It looks like it will honor the spirit of the old series, and I cannot ask for more. I am a massive LOGH fan. And the new video out gives me hope of revisiting one of the greatest sci-fi/historical settings out there. I am happy.
AidanAK47
I hope they are using the old anime as a base and not the new Manga adaption. As that Manga adaption is seriously lacking.
AidanAK47
@Anon, I like that they blinged up the space battles which is good because those things could get tiresome. But I really hate the design of Yang Wenli. They made him look so much younger and bishi. I don't think i could take this guy seriously if he started one of Wenli's signature hypothesis.
Anonymous1408919
Thoughts on that new LOGH PV? My expectations were low, so I'm presently surprised. Obviously they made everybody pretty boys, and Mamoro Miyano is voicing Reinhard I believe. But art and animation actually looks pretty decent overall. It's a PV, and LOGH's best quality is it's story and characters, so we'll have to see if they remain faithful or not. But it's nice to see it get a visual overhaul.
AidanAK47
By the way this site has the first chapters but check the other versions to find them.
http://mangapark.me/manga/tsurezure-children-wakabayashi-toshiya
AidanAK47
@Mario, Indeed. It's also a pity that over half the couples in the manga were not featured. We only got a small taste of Patricia.
SuperMario
Or maybe I'll try to read the manga. The last time I checked it online, the site doesn't have its first few chapters
SuperMario
@Aidan: man, Tsurezure Children sure is sweet. Really sad to see it ends
AidanAK47
So that's the end of Tsurezure Children.
....I'm gonna need a second season. Now.
....NOW GODDAMNIT! NOW!
KTravlos
As I said I understand the criticisms to RE:Creator, but ultimately I enjoyed most of the show. It could had been better, and it is a missed chance. But I have seen worse.
Kaiser-Eoghan
I gave up halfway through, there weren't even enough action scenes and those that were didn't justify waiting around for.
AidanAK47
Could have at least delivered on the action but that was rendered pointless due to the majority of the cast turning good and Altair being a complete cheat character.
AidanAK47
It would have been really fun to see characters discuss their stories with their creators or indulge in what our world has to offer but they really glossed over that part.
AidanAK47
It really should have gone deeper into the whole meta aspect introducing anime characters to the real world. Like they did with Mamika's powers being ridiculously destructive when outside a kid friendly setting.
AidanAK47
@Puran, I at least like the message of the final episode. But as for the show itself it was just missed potential on a lot of levels. I wanted Anime Genre battle royale and instead got a secondhand Shirobako with a crap shounen anime attached.
Kaiser-Eoghan
I have been forgiving of Anno as I've gotten older.
Kaiser-Eoghan
I also just re-watched gunbuster, I'd previously dismissed the ova after a few episodes when I was a teenager, I'd found it too slow, didn't have that issue with the 90 minute version I just finished. I've never see the sequels.
Lenlo
Ill have to finish Creators... at some point
Kaiser-Eoghan
I've been dipping back into the Lupin franchise, Gold of babylon was particularly screwball, kind of ridiculous comedy caper/adventure thing you just have to run with....turns out it was directed by a live action filmaker I especially like who made bizzare noir films in the 60s.
Puran
So that explains why Meteora had so much air time in Re:Creators. It's her story....

I hated the ending and I disliked the anime overall.
Kaiser-Eoghan
@Mario: It was a genuine surprise to see that Assayas decided to make a film framed around hentai =P
Kaiser-Eoghan
@Mario: I loved how incoherent demonlover was.
Kaiser-Eoghan
@Mario: The criticisms I'll give wind river, is a slight inconsistent performance from Renner and that very awkwardly inserted flashback scene.
SuperMario
@Kaiser: on Wind River, I agree it's a well-executed case of the week drama, although there are some plot pregressions that I don't get (how did they find out about the man's corspe again?). About Demonlover, man, the film gives me a chill down my spine. Heartless. And a bit misogynist.
SuperMario
@Kaiser: as much as I loved Wong (yeah I too prefer him over Malick), sometimes I do think Western cinema give him too much praise that sadly overshadow other Asian directors.
Kaiser-Eoghan
@Mario: Wong is important to me as a hong-kong filmaker, he offers something entirely different from the whole Woo/Lam Hong komg movies.
Kaiser-Eoghan
@Mario: On a more positive note Maggie Cheung did mention that she felt her early work with Wong was when she first truly became a proper actress.
Kaiser-Eoghan
@Mario: ....I had no idea he had such a sad background.
Kaiser-Eoghan
*investigation drama
SuperMario
@Kaiser: that film also marked/ signified a rather sad period of Hongkong showbiz. Leslie Cheung badically lived the live of the protagonist and commited suicide in 1997. His girlfriend on screen, during the filming, was kidnaped, raped and taken topless picture. The damnest thing is that everyone knowed the culprit but did nothing, and in the press it was just deemed as "kipnapped and assaulted"
Kaiser-Eoghan
@Mario: Wind river was a big surprise for me, just goes to show that with the right execution an ordinary police drama movie can be elevated higher.
Kaiser-Eoghan
@Mario: Thats the interesting thing, tracking a directors career.
Kaiser-Eoghan
Just binge watched the new dominion tank police ovas , admittedly these are kind of reptitive and extremely silly but its hard to hate on something so shamelessly fun that made me feel like a child again.
SuperMario
@Kaiser: you said it there. DoBW is rather raw and unpolished but that's one of the reason why I am drawn to it more compare to his other works.
AidanAK47
In all honesty, it would be nice to finally see a continuation after fusion as all games after that have just been adding chapters in-between.
Vonter
Finally I wonder, if Metroid Prime 4 will definitely branch out of the main Metroid's continuity. It's curious how an interquel subseries is still going to add things in between the first and the second entries in the main franchise.
Vonter
AidanAK47 - I think is nice we can see both takes. Especially since neither one despite a few qualms are still very solid entries for this franchise. I just hope Metroid moves forward, as IMO this is the only game that really needed a facelift do to the heavy limitations of the gameboy. And I hope the secret gallery at the end is teasing how the producer plans to move the plot forward.
AidanAK47
I thought it might be like that but it's good to know they are at least on a close level. I didn't really want Samus Returns to replace AM2R as the "Definitive" version of Metroid 2. Mostly because a lot of love was put into AM2R andit came at a point when it felt Nintendo didn't give a crap about Metroid.
Vonter
Like Zero Mission there's something added to Samus Returns but I'll just leave it at that.
Vonter
I think both have strong points. Samus Returns have better boss battles, gameplay mechanics and more intense action pieces. AM2R IMO has more atmosphere, takes advantage of elements Nintendo don't even try like the Federation subplot, and the ending portion narratively has more heart in AM2R, while in Samus Returns it feels mostly like "the final level".
Vonter
I also did got lost a couple of times in Samus Returns and aside from the big water section in AM2R, the latter is more linear game.
Vonter
I think the controls in Samus Returns bring more to the table though. The 360 aiming makes for better ways to shoot enemies and some of the bosses take advantage of that. If it weren't for the 3DS giving hand cramps because you're holding L and R at several points it'll be completely the most ideal way to play.
Vonter
AidanAK47 - AM2R is very good, I think it has the advantage that because it uses sprites IMO backgrounds and enemies are more vibrant and easier to appreciate. The Federation soldiers are better executed in AM2R and that secret section with the ship is very eery.
AidanAK47
@Vonter, How does it stack up to AM2R? I bought it and am still waiting on it to be delivered but I have the feeling that AM2R would be the better game when comparing.
Vonter
I took me 12 hours to 100% and I've heard the best ending is beating it in less than 4 hours. I think unlike Zero Mission item percentage don't matter, it's mainly to unlock an art gallery.
Vonter
My main criticism is this being a 3DS game. Small enemies can be hard to see or appreciate. And I think the 3DS wasn't made for heavy action packed games like this or Smash Bros. I got the rubber from the circle pad come off in two occasions. Also unless there was something big in the background, several areas felt lacking in detail. Still Samus and the bosses look good.
Vonter
In terms of difficulty, the game has the enemies packing more damage than in other 2D Metroids. Is difficult in the sense than you can't tank damage as in other iterations, you have to be aware of enemy behavior and bosses mainly get easier do to familiarizing with their patterns, since I did die a lot each time I faced a new boss. And got used to kill them faster as I went along.
Vonter
Ok, so I beat Samus Returns. It's quite good. Unlike Fusion that had dialogue at midst the gameplay. Samus Returns only has a prologue of exposition and any cutscenes mainly accentuate the reactions of Samus confronting a new enemy. The level design is dense, despite having isolated areas like in Fusion and the original Samus Returns, each area is very mazelike.
Kaiser-Eoghan
@Mario: =< Awww I kind of like demonlover actually despite all its flaws, it had great sound design and had this cold, clinical, un-nerving mood to it.
Kaiser-Eoghan
@Mario: Days of being wild does feel a bit un-realized/un-polished/rough compared to his other work definitely but its probably the rawest I've seen from him and that has its appeal.
Kaiser-Eoghan
@Mario: Haven't seen farewell my concubine come to think of it. Regarding the scifi element I felt I embraced it more further into the film when it started to intermingle more.
While I am more forgiving toward Malick's recent films than most, that decline in quality means I have to pick Wong.
KTravlos
by the way in RE:Creators we probably will be getting a future series focusing on the hunt for Magane :p Meteora probably playing the role of detective. I also bet her novel will be wordy and heavy in exposition :p
KTravlos
i.e his end game might had been a cross-species revolution against him anyway. We will see
KTravlos
In Bahamut Chris proves to not be totally evil, but he is totally crazy. That said I am seeing one of my hunches getting supported, the hunch was that his cruelty towards daemons was with the purpose of bringing them down enough that they would be willing to work with humans as euals (As they are in Jean's army) and thus via that create a more unified world. I
KTravlos
RE: Creators has come to its end. I know the problems everyone has with it, and while it failed to raise to the level of exceptional show, I loved it. As I said, it had been years since a show kept me so excited episode after episode. They blew it at some point, but ultimately for me this is an en-joyful show, and one I would happily binge watch in the future again.
SuperMario
@Kaiser: question for you though, between these two directors, which one do you prefer: Wong Kar-Wai or Terrance Malick?
SuperMario
@Kaiser: if you enjoyed both 2046 and In the Mood for Love, by all mean check out Days of Being Wild. The trio forms a loose trilogy and Days of Being Wild was the first film that Wong began his unique unconventional style. It's one of my personal favorite of Wong and it's a chance for you to watch the late Leslie Cheung acted (you might watch him already in Farewell My Concubine)
SuperMario
@Kaiser: 2046 is indeed a passionate film, and one of his best looking film. He tried something different in 2046 too, experimented with scifi (one of the best part in the film for me)
SuperMario
@Kaiser: it's stritcly Wong Kar Wai's romance we're talking about, since I don't find the rest of Chinese take on romance that interesting. Romance or melodrama is one of his main theme throughout his career
Kaiser-Eoghan
@Mario: It was slightly overly long however.
I've also seen chungking express, in the mood for love and fallen angels. I think this Chinese take on romance is really clicking with me.
Kaiser-Eoghan
@Mario: I also thought it was a very passionette film and I love how Kar-wong-wai uses the music in it. I also think its one of his best looking films.
Kaiser-Eoghan
@Mario: I had a look at that Chinese film 2046, very effectively melancholic take on fleeting relationships while also successfully being quite sensual while staying classy and without ever showing too much. Tony Leung and Maggie Cheung are two beautiful people =P
SuperMario
for those who still want to catch up with 18if, episode 11 has a huge recap, while wrapping up the show with a new overarching plot. Hopefully they don't pull another Matrix here
SuperWooper
It's shounen-y for sure. The competitions have been my least favorite parts of the show so far. If you're still watching, you might appreciate it more once the Tenpei Cup is over.
Anonymous1399692
Damn Ballroom looks so good. But I really can't enjoy it despite that I want to. It has too many of these typical shounen moments and plot points I can't stand.
Anonymous1399684
Omae wa mou shindeiru
Lenlo
Mononoke is actually what made me find Ayakashi. Also a good show.
SuperMario
Regarding Ayakashi, I only watched the Mononoke segment
SuperMario
"It was a long, long trip, and we're coming finally to the end of the journey. Thank you, Manoyama and Chupacabra. And thank you, 5 EURO" - Sandal-san.
Lenlo
Ayakashi was great for me Kaiser. I enjoyed my time with it
Vonter212
@AidanAK47 - The hard aspect has been commented in several reviews with bosses being able to easily kill you. (Although in my experience it might be just getting a pattern). In terms of length most 2D games can be beaten under 3 hours. This one seems to clock at at least 6 to 15 if you want to collect everything. Then again, we'll see in subsequent playthroughs.
AidanAK47
`@Vonter. It's out now but I don't remember seeing anyone claim it's the longest hardest entry 2D wise.
Kaiser-Eoghan
Going to watch new dominion tank police next and read violence action and Oddman 11.
Kaiser-Eoghan
It took me years to get round to it, but I finally watched Ayakashi and as expected like most anthologies, again its mixed, the first is a solid ghost story that improves after a weak start, but that third one with the cat spirit was great, really liked how experimental that looked.
Vonter
Soo a new Metroid comes out this week. It is said, it's the longest, hardest entry in regards to the 2D iterations. Still not as great as Super, and depending on your fanaticism it might or not be as good as Zero Mission.
SuperMario
But they didn't pull that scene off too well. It's just... unmemorable. In fact the whole show is very unremarkable. Now only 1 episode left I might as well finish it but I won't give it a full review
SuperMario
Koi to Uso has been disappointing so far. Episode 10 featured the sequence that i was looking forward the most in the manga: the former classmate tells the one sided crush of the main girl from her POV. For a romance that contrived and manipulated like this one, hearing this from the third person's perspective prove to be more powerful
Vonter
@HelghastKillzone - Good luck with that. I almost had my car's engine damaged since it has been raining heavily where I live. Had to ask for help the next day to pull it out of mud. Still not as bad as the other three cars that did get stuck in the water.
HelghastKillzone
Dealing with work and the total loss of my car really sucks at the moment so I'm quite tied up for this week.
KTravlos
I do agree to a point, but to be frank all the episodes of Princess Principal to date have been so solid I have a hard time deciding. Episode 5 though was still the best from a holistic point (action, direction, music etc) was the one introducing Chise
SuperMario
Agree. Dorothy has the biggest heart out of all the spy girls. Also "help" that her episodes are all melodramatic.
Amagi
This episode of PrinPrin showed again that Dorothy is the best character by far. Not just herself but her episodes as well are better written than the rest if you ask me.
KTravlos
It just hit me. The characters in Princess Principal may be very well working for IngSoc :p
AidanAK47
@Kaiser, in the seven chapters it's only really two of them that contain dark shocking content. Chapter three being the biggest one in that regard.
Kaiser-Eoghan
@Aidan: I read a comment where someone said subahibi shocked them more than saya no uta. While I haven't played it yet, I have seen some of a letsplay...it lleft me thinking....how many hours until this actually gets good/truly unhinged .
AidanAK47
After Reading SubaHibi, Made in Abyss's dark turn didn't shock me too much. Maybe I just got desensitised. I will have a review of SubaHibi hopefully up in a week though to clarify my feelings on it after just finishing it, It was interesting but disappointing.
KTravlos
well, well. Both Made in the Abyss and Virgin Soul do not hold back. Grim! RE:Creators is warping up. Comparing with these other shows I can fully appreciate the problems people have with it. But still I am glad I am sticking to the end. Altair's voice actor by the way did great.
AidanAK47
@Helghast, And Kings Field was the Demon Souls before Demon Souls came out.
KTravlos
having binge watched several of this season's shows I would say Princess Principal is the most rounded. Made in Abyss is good. Kakegurui and The Reflection as SuperMario said will depend on your tastes. There is also Shouko no Altair. You will like it if you liked Tanya Saga of Evil, or Legend of Galactic Heroes, or Arslan Senki or manga like Vinland Saga, Gunka no Baltzar, and especially Historie
Anonymous1385641
Jesus...me watching this weeks Made in Abyss https://www.youtube.com/watch?v=0ogzsWhZcmM
HelghastKillzone
So... Demon Souls was the Dark Souls before Dark Souls came out.
SuperMario
@anon1385426: the safest bets aside from Made in Abyss are Welcome to the Ballroom and Princess Principal. Kakegurui and the Refection are for more acqurired taste
Anonymous1385426
Aside from Made in Abyss, what's the best anime this season?
Lenlo
@KT, the pacing and the framerate early on are my two biggest issues. Later on the story starts to get abit more engaging, and they start doin things I didnt expect, but the pacing is still there. Some akward pauses.
Lenlo
Look, Berserk and Dark Souls are both amazing. But I only have 3 Dark Souls games, and 38 Berserk volumes. Im clearly biased
KTravlos
I sat down and watched the first 4 episodes of The Reflection. It is an interesting attempt, and I can see the people making it having fun doing so. But I did notice a pacing issue. For some reason the episodes felt like they dragged a bit too long.
AidanAK47
Dark Souls is the Berserk of Video Games.
Amagi
Dark Souls really went all Berserk if you ask me
AidanAK47
I am not one for putting down law but can we never ever compare anything to Dark Souls ever again? Cause it's actually become really tiresome how everything is the dark souls of something.
Lenlo
No other sentence has made me want to watch Made in Abyss more
HelghastKillzone
I guess we're finally at the point where Made in Abyss goes all Dark Souls/Bloodborne.
Amagi
Apo's Jack the Ripper had at least a nice idea behind it, it's just the clothes that are a bad choice. But there are just too many lolis for the sake of fanservice in that game. I accept it if there is at least a reason for this but it's usually just random.
Amagi
@Aidan: Same here. I was never a fan of genderbendings and turning historical people into lolis. The first one I can accept with people like Arthuria because it added a lot to her character, but most of them are just plain and generic. I just see no reason why pirates, grown up men or Blavatsky would ever appear as little girls. Especially since popular beliefs should influence their appearance.
SuperMario
On Altair, one commenter did an excellent job of poiting out the appeal of that show; and frankly the show is wearing on me now.
SuperMario
@Travlos: I'm glad you enjoy Princess Principal. I'm quite surprised myself that in the latter half the show slowed its pace down which mean the focus is switched from action to more characters interactions; which I greatly enjoy
KTravlos
Well I binge watched Princess Principal. That is a very good show. I was surprised. Good animation, good music, the art is good, hell I even did not mind the protagonist art. But what I really like is the stories. All the episode were pretty solid and interesting.
AidanAK47
Just won a fight by the skin of my teeth thanks to my Lancer, Cu Chulainn. You the man Cu!
AidanAK47
@Amagi, Been playing Grand Order myself. It's rather fun. There are some good original character in it but I notice with Quantity certain figures designs were pretty terrible. I thought Assassins of black was the worst but some Grand Order servents manage to top it in terrible. Why all the bikini's?
Amagi
Fate/GO has quite some interesting original characters there. Wish we'd see them in some actual manga or anime series with more backstory someday. - I also like that we finally have an overpowered, interesting and competent Hassan with King Hassan for once. His design is metal AF too.
KTravlos
Binge watched Altair. The pacing of the show is a problem, but in general the raw material is good. Altair is sympathetic, and the world is interesting. But I do feel this is the kind of show that would had gained by a Monster or LOGH type treatment. Also, man it is scary how accurate they got some of the traits of Greeks (Phoenicians in the show). I am a Greek, I should know! :p
KTravlos
forgot to mention. I saw the 91 Days special. Three side stories that give some depth to the events in the main anime, but nothing that goes beyond it's end. Still they were in general ok to good.
SuperWooper
It's got Jude Law playing "this kind of huge robot butler called Charles, who is also a rocket ship." What could possibly go wrong?
AidanAK47
Anime with Jaden Smith? Um..I don't know about this.
SuperMario
@Kaiser: one of the good thing about SoL shows like Centaur and even 18if is that their episodes are self-contained, so you can just jump right in to watch the good ones and ignore the rest
SuperMario
I just love Chise's presence so I might enjoy the last episode more than anyone else. But yeah I'm quite satisfied with Princess Principal right now
AidanAK47
Actually I am quite surprised Princess Principal hasn't gone off the rails yet. Might even turn out to be a fun show in the end. If the man can make it to the finish line without a misstep.
AidanAK47
Hey I am having fun with my Shows. Made in Abyss is still quite excellent and Fate/Apoc is picking up. Even started playing Fate/Grand Order.
Lenlo
Man, sounds like I was the only one to have a good week with their show. Reflection really stepped it up this week in pretty much every category. Not sure it will last, but hey. Ill take one
Kaiser-Eoghan
I'm so disappointed in 18...if. Perfect opportunity to capitalize on something with a dreamlike feel to it and be creative only it ends up getting held back.
Kaiser-Eoghan
And I see Vonter and Mario are seducing me into watching Centaur.
Kaiser-Eoghan
*can't
Kaiser-Eoghan
I can'y see myself giving re creators a second chance, and from skimming these conversations, why should the show only get going at the end? It just sounds like too little too late.
AidanAK47
Honestly that's what Re:Creators biggest issue is. It builds up these great interesting idea's and then refuses to capitalize on them.
AidanAK47
Then it would be a battle to win over the audience and he who entertains them the most would get the most power. Just think of how many interesting ways that would take the fight. Like Altair could lose power and have to win over the crowd with her backstory and theatrics. A hero could purposefully get beaten to hell just so they can get a powerup from saying a boastful speech about kicking ass.
AidanAK47
@Anon, Exactly. Now there is an interesting fighting element. Imagine if both Altair and the heroes had to fight with the limitation of keeping the audience entertained. Altair couldn't pull out overpowered nonsense because the audience wouldn't approve and her power would drop. Same goes for the heroes.
Anonymous1378112
On the other hand I am not a fan of this whole final arc. It's just not believable to me to gather such a big audience who will do nothing but watch and accept everything you show them. Not to mention that the show is technically live acting to them. Considering how much anime fanbases already hate the DN movie and stuff I doubt many would sit there and accept that
Anonymous1378112
@Aidan: This made me pretty angry. like, they wasted a ton of screentime with these boring info dumps and now they're just irrelevant and the enemy just fucks over it
AidanAK47
Actually the last development was actually a screw the rules moment as well. So the only way to beat Altair is to just chuck aside the rules established with the last 20 episodes.
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