Posted on 23 March 2010 with categories: Anime Reviews, Kobato




Kobato is one of those series that at first sight isn’t anything special. It starts with a premise, and repeats that for a bunch of episodes with a number of questionable results. In Kobato’s case, she has to heal a number of people’s hearts. I too wasn’t that much interested by this premise, having seen a few too many series with similar premises that never really went anywhere in the end. Kobato however, did.

The people that Kobato heals in the first half of this series range from nice enough to mediocre, so it’s understandable to get turned off at first. But oh, the character-development in the second half more than makes up for it. This is one of those series which is greater than the sum of its part. Through its entire airtime, it never forgets what it’s supposed to be, and what it’s supposed to build-up for. Every of the early episodes spends time to flesh out the characters, while the later episodes use this build-up to deliver with an excellent emotional impact, resulting in a heart-warming series.

Kobato truly stands out in how incredibly genuine she is. I found her an airhead at first, but her personality and innocence turned out to be so addictive that I couldn’t help but root for her. And true, the story in the second half can get pretty soppy at times, but this isn’t the show that tries to pull deus ex machina for extra drama, and instead carefully builds it up.

Madhouse has done the animation, and despite that you can easily see that this wasn’t the series that their best artists were working on, they still delivered great graphics, allowing Clamp’s character-designs to shine, along with a few episodes that look absolutely gorgeous.

Kobato’s story is very simple, but it has really proven that it’s in no way a disadvantage. Due to its simple plot it had all of the time it needed to properly tell the story that it wanted to do. the ending is wonderfully un-rushed, and provides an amazing conclusion to the series that made optimal use of the time it spent on building up. This isn’t a series for people who dislike overdramatic-ish series due to the soppy parts, but this series’ second half hit all of the right buttons for me.

Storytelling: 9/10 – Never forgets the meaning of build-up. Simple, but very effective.
Characters: 9/10 – Excellent character-development, though the drama can get a bit soppy at times.
Production-Values: 9/10 – Madhouse rocks, even in their less-budgetted series.
Setting: 8/10 – Good attention to detail to the series’ small surroundings, plus some Clamp references that don’t feel forced or rushed.
Posted on with categories: Kobato

This is going to be a really short entry because I also still need to write this series’ review and get up early tomorrow as usual so I’m sorry but there’ll also be no screenshots for this one because I watched it streamed. I had to watch too much awesome stuff today in too little time…

Hell yeah! Kobato! Best ending this season! That was so adorable!

Rating: *** (Awesome)

Posted on with categories: Kobato



Aww. What a wonderful episode. It was perhaps a bit too dramatic, but I love this kind of stuff. It’s awesome to see a series which has entirely been building up to its final episode, and having that final episode actually pay off. This series did not try to be too epic. Instead, it remained true to itself and based on its simple premise. And while it may have been simple, this episode proved that it ended up way more effective than I could have expected.

What made this such an awesome episode wasn’t exactly because it was a bad ending. Rather, I absolutely loved this episode because of what it meant to the characters: here Kobato was, with the decision to either try and raise more konpeito (which may have not been enough at that point), or spend the rest of her time with Fujimoto. While at first it seemed a bit weird for her to spend time with him for an entire month (and seriously: Fujimoto’s still injured. that’s something you hardly see in anime, especially with such small wounds), it all made sense once we found out her secret. She’s dead.

The first part of this episode was slice of life, and the reason Kobato shined so brightly in this episode was because she knew that she was spending her last time and wanted to make the best out of it. It’s not far-fetched, and actually an adorable premise. The fate of the world was never involved, and instead this episode really was all about its characters, allowing it to really get the best out of them. I have just found my contender for the best ending of the season right now.

As for that final episode, I really wonder what it’s about. I mean, the main character has just died and we still have one episode left (let me by the way praise the creators for doing such a thing. I don’t recall any other show in which the lead character dies before the final episode), but my guess is that it’s going to close off the story of Fujimoto and Ioryogi. I especially want to see the latter. By the way, wasn’t this week supposed to air a double episode? I’m not seeing episode 24 yet…
Rating: **** (Incredible)

Posted on 16 March 2010 with categories: Kobato



It’s beautiful episodes like this one that totally restore my faith in anime. What a wonderful example of how to write a touching story without the biggest budget, epic backstory or over the top plot twists. The character-development in this episode was all worth the wait and the first half, and a heart-warming prelude to that finale. I laugh at articles like this one (well, the ‘anime sucks’-section anyway), which paint a completely biased and one-sided picture of the current state of anime.

I love it when a series changes my perception of things, and for me, Kobato restored my faith in these simple series that might not amount to much at first. Despite its mediocre start, I’m emotionally connecting to this series, more than just about every other series this season. This is really what a drama should be.

I also think that this is one of the few good uses of the “crash before the ending”-trope. Just like with White Album’s second season, Fujimoto’s crash was nothing serious, and instead more meant as a wake-up call, rather than creating some cheap drama by placing someone in the hospital. On top of that, it was also well built up: in his state of mind, it’s not surprising that Fujimoto wouldn’t pay attention to the road.

To be honest, out of all the series that are about to end in the upcoming weeks, Kobato’s is the one that I’m looking forward to the most. It’s really been building up to that final episode through its entire airtime, and out of all the endings, it’s this one that I feel has the most chance of actually turning out great. It’s the kind of ending where the creators have to really screw up big time to ruin it. Especially considering how the creators wrecked the kindergarten in this episode, it shows that they’re not going to force down a happy ending if it doesn’t make sense within the story.
Rating: *** (Awesome)

Posted on 9 March 2010 with categories: Kobato



Aw, what a heart-warming episode.

I’m really glad that Kobato managed to get exactly the time it needed in order to tell its full story. I’ve said this many times before, but there are too few series that try to go beyond 13 episodes, and it’s series like this that show the heights you can reach with a little character-development. This episode wasn’t exactly the most realistic… but hey. It’s not what I expected from the episode that would wrap up the kindergarten storyline.

So, if I understood things correctly, Okiura, unable to protect Sayaka instead tried to do the only thing he could: play the bad guy, in order to prevent other bad guys from causing even more trouble for her. I remember noting how the kindergarten would certainly get its happy end… and it didn’t. It closed off in this episode, and all of the kids are away now, at other schools. It’s the price Sayaka had to pay for her father’s debts, and while everyone tried to buy her time and money, it just wasn’t enough. At least, I’m glad that Kobato managed to help her move on from that. Meddling or not, but without Kobato there would have been no way in which the two would have made up with each other, and Kobato did what you’d expect her to do, without forcing everyone to go out of character just for the sake of a happy ending. Even Okiura stayed in character, simply because we hadn’t seen so much of him yet.

Now, three episodes left… I’m getting very curious as to what Kobato’s wish is. This episode right now closed off about half of the plot, so we can expect the final three episodes to really focus on Kobato herself. I personally love it when a series wraps up one of the main plots before the start of the major climax. It makes the series more dynamic than trying to end everything at the same time. It especially works well with inspired series as Kobato , which manage to make something heart-warming out of each conclusion.
Rating: ** (Excellent)

Posted on 2 March 2010 with categories: Kobato



You know what this episode reminds me of? That one episode of Touka Gettan: the Lost Episode of Yami to Boushi to Hon no Tabibito. The Tsubasa Chronicle cast drops by, they have nothing to do with the story, and at the end they just say goodbye and leave again to go back to their own story when there don’t seem to be any feathers here (or whatever they’re searching for at this point in the story, since Sakura was absent and all…). At the start of this series, when I found out that this kind of an episode would pop up I was very afraid that they would hog up all the screentime, but this was a really good episode, which made them more than Clamp’s usual cameos, and yet didn’t overdo it.

On top of that, the few revelations that their visit brought was interesting. It was a nice way to hint at Ioryogi’s original form. Who knew that he was his world’s Kurogane. I never realized that they had the same voice actor, and exactly for that reason. I also love the way in which Fye wished Ioryogi good luck with Kobato. He clearly seemed to know what was up with her.

In any case, this episode skips about a month and a half forward to Valentine. Predictable, but at this point I don’t care. For me, this show has reached the point where the creators can stuff their characters in any sort of setting, and make it utterly enjoyable. The valentine episode also was surprisingly good for the romance in this series, without going too obvious. You can see that Kiyokazu has grown a lot closer to Kobato during the past months that weren’t shown, and the valentine’s episode wasn’t used as a cheap knock-off getting the two of them together. Speaking of which: I very much approve of series that keep track of their own time: that’s an awesome way of showing the development between the characters, and making it less sudden.

And that ending was very powerful. That’s some great build-up there: this moment was bound to come: Kobato was bound to run short on time because of how easily distracted she can be. As a kid at heart, she constantly needed to be pushed by Ioryogi and yet you can see that she genuinely wants to go to some place. We have no idea why, all we know is that it’s something very important for her and that she’ll never have any more chances after the deadline passes. With four episodes left, I hope she gets there.
strong>Rating: ** (Excellent)
ED: Really weird place for a new ED, but better than the first one and a solid ballad.

Posted on 23 February 2010 with categories: Kobato



Oh, how I love Madhouse. Kobato has never been among their big-budgeted series, but in episodes like this they just go all out, and produce an absolutely gorgeous episode that has among the best eye-candy I’ve seen this season. The way they handle their CG is miles above most other animation companies.

And about this episode… I can only say how adorable it was. It was all about Kobato and Kiyokazu, and the development between the two was basic, but very heart-warming. Show this as a random episode and it’ll probably fall short. The reason why I enjoyed this episode so much was because of how the characters were already developed at this point. Kobato is the kind of series that doesn’t offer much in the short term, however it’s a gem on the long term.

Also, while he played just a very small part in this episode, I loved Ioryogi. He was just adorable, both in the way at which he kept reminding Kobato (who is more and more trying to avoid that matter) of the konpeito-bottle, and the way that he ended up celebrating Christmas. I really thought that that white creature didn’t want to talk to him anymore, but here this episode proved me wrong. This will offer even more opportunity for the creators to get the finale right. The main focus is going to be on two things:
– What will happen off the nursery?
– What will happen to Kobato?

The former will probably result in a good ending, but I don’t care about that: I’m only interested in the role that every single character will have in it. The latter however has been built up extremely well. It’s about the reverse of Chobits: in there the main storyline started off incredibly intriguing but became less and less interesting as the show went on. Here, I’m looking more and more forward to that ending. I blame Kobato: she’s become such an adorable character at this point.

(Not that I consider Chobits to be bad or anything, of course, but what made Chobits stand out was its collection of themes and subject matters, not the main characters).
Rating: ** (Excellent)

Posted on 17 February 2010 with categories: Kobato



Well, I’ve got to hand it to Clamp: they did it again. Kobato is a great example of why an anime doesn’t necessarily need huge production-values or incredibly solid direction, in order to have a soul. Wonderful characters can be written with any kind of budget, and while it definitely helps, it’s definitely not a necessary.

Because really: at this point I’ve been completely captured by Kobato’s charms. This isn’t exactly like Letter Bee, in which the characters have enough charms for me to keep watching, this is something more: at this point I consider Kobato to be a genuinely good series and I really admire how well the creators managed to flesh out Kobato and make her such a likable lead.

When it first appeared, the debt-problem sure seemed cheesy. But here’s the thing: it was cheesy, if it just was introduced and resolved within one episode. At this point the debt problems have evolved in a great driving force for the drama among the characters. It ain’t gonna destroy the world, we’re not stuck in a cheesy love triangle. Instead we have a bunch of people who try to protect something that they truly care for, even though the odds slowly stack up against them.

This kind of character-development was really what I was hoping for when I gave this series a chance.
Rating: ** (Excellent)

Posted on 10 February 2010 with categories: Kobato



Oh, what a surprise. It turns out that the previous episode wasn’t finished telling its story yet. It needed about five more minutes, which appeared in this episode. So, what was the rest of the episode spent on? A hilarious Iyoryorgi adventure and xxxHolic references. This was like, what? The fourth different version of Watanuki that exists now?

So yeah, overall this episode was a lot of fun, it only to see Iyoryogi suffer so much. Episodes like these are all about creativity and how much you’re interested in the involved characters, and that worked like a charm for me. His fire-breathing technique to avoid the pond was especially awesome. On a more serious note it also built up the main storyline a bit, though subtly.

As for the bazaar, what was obviously missing from the previous episode was Kobato seeing her hard work pay off. At this point, she knows very much that she’s a klutz and that helping people isn’t that easy. She should be proud of what she did here, though. It’s not like her healing of a troubled person, but she put in real effort. Apart from the mysterious penguin/duck/rabbit/thingies, of course.
Rating: ** (Excellent)

Posted on 2 February 2010 with categories: Kobato



PL notified me of something interesting yesterday, which I had not realized yet: Kobato has grown more on me than I had realized. I was surprised when I first read that, but after watching this episode I’m sure of it: I’ve given this show way too little credit thus far. Kobato shows that you can achieve depth with simplicity, and you don’t need world-changing or epicness to deliver great characters. Thank GOD we finally have another show to remind ourselves of this.

I guess it was impatience that lead me to condemn this series early on, and opt not to blog it. After all, this series had nothing to set itself apart in the beginning. I really thought that it would end up as another one of those series with just shallow characters, where 24 episodes would just pass without anything happened. At this point, I’m not sure what was up with me: here we have a show that for once is scheduled for 24 episodes right from the start. It’s produced by Clamp, who after Tsubasa Chronicles know better than any other manga creators how to keep track of their series’ adaptations, so this series is planned in perfectly inside its time-frame, as opposed to those tons of other series that are just way too short.

My guess that it’s my pessimism that turned me off at the start. Around three years ago I probably would have jumped on this series, but ever since I’ve been disappointed a bit too often by series that started of slow and simple… and never really went anywhere in the end. I think the most recent example at the time of Kobato’s debut was Saki: I basically gave it a bit of a chance because I was hoping for that same development, but the show just turned into a huge disappointment for me. And then there are all those romantic comedies out there that thrive on showing cute girls. And really, I’ve tried to give them a chance for the past few years, but I hardly ever found one I really liked. Kobato reminds me of El Cazador de la Bruja. I’ve seen it constantly criticised for its simple story and bad action. But who cares?! The characters were damn awesome! Seriously though, especially in its second half when the characters came together it turned into a very memorable series for me.

In any case, this episode of Kobato really showed me its character-development. Would it have worked to anyone who hasn’t seen the rest of the series? Probably not. It’s all about showing not exactly how Kobato has matured, but instead how her desire to protect the kindergarten has grown and how she does everything in her power to help out. Would she have done the same at the start of the series? I doubt that. And yet her development feels natural and it doesn’t look like she just changed character. Same with just about5 everyone else: they all have gotten a passion to protect that kindergarten.

My big dilemma right now is how to recognize series like Kobato from random shows that never get anywhere. At the time of this series’ debut, I was beginning to think that I’ve gotten pretty good at evaluating the potential of a series based on its first episode, and this was a good wake-up call. There are of course those series that are obviously going to be awesome (Aoi Bungaku) or erm… not to my tastes (Ladies Versus Butlers), but what about Kiddy Girl-And? Looking back I’m glad to have dropped it, hearing the stories about it, but what if it did turn out good? Was I also wrong in dropping Railgun?
Rating: ** (Excellent)

CHANGE USERNAME
KTravlos
very nice episode of Virgin Soul. Really liked seeing Favoro look like Favoro again.
Vonter
Tales of Graces sadly might have the most childish, and pandering story of the series.
Vonter
AidanAK47 - Tales of Graces worked around having to both attack and defend to continue attacking. If just attacked you made less and weaker attacks. It was a way of cooldown that was more reliant on the player thinking about the attacks it used. Later games followed a more typical cooldown and combined special attacks with the regular ones.
Anonymous1282493
Reflection was kinda painful to watch, I didn't expect anything in the first place and was disappointed nonetheless.
Lenlo
I cant snowboard or ski at all so its ok.
SuperMario
I did hit my head on the ground (for the first time) but I was lucky that I was wearing helmet. I curse S turn
SuperMario
@lenlo: it's fun but it's a lot of pain as well.
Lenlo
Sounds like fun
SuperMario
I'm literally covered in snow right now with my butt numbed. Will get back home in few hours to catch up on 18if
Lenlo
Havnt had the chance to watch it yet, but Reflection apparently looks like a comic book but has weird fight scenes? Ill get that write up tomorrow once I watch it tonight.
Kaiser-Eoghan
*hear
Jesus Christ what happened to my spelling
AidanAK47
That's one of the things that mainly turned me off. The battle system is essentially button mashing.
Kaiser-Eoghan
The regular complaint I here from Tales of naysayers is a dislike of the battle mechanics/system.
Kaiser-Eoghan
I avoided the anime adaptations of the tales games mostly because I assumed they presumed previous knowledge of the games. I actually only saw Phantasia due to having been familiar with the games story when I was younger.
HelghastKillzone
No Re:Creators this week. I get a week off which is good since I'm stuck on an army base.
AidanAK47
@K-Off, A lot of people say Vesperia is their favorite as well. I only have played Abyss so far and was really not impressed with it.
K-Off
@Kaiser Damn, Detective Conan has a long way to go then.
K-Off
Phantasia was my first Tales game (and its anime is the best amongst anything after) but Symphonia really did take it to another level. In general I think most fans will agree with Symphonia, Abyss, and Xillia in their favorites.
Kaiser-Eoghan
I believe Kochikame is the longest running manga of all time 1,960 chapters, 200 volumes, actually does have a record.
K-Off
@Aidan I remember you saying how it's funny that no two fans of Tales will have the same favorite title. But that's definitely because Tales has changed very little over the years, and they've always been solid games, and so for most fans they'll remember the first title they played.
K-Off
@Vonter With you there. The art direction in Tales hasn't been really that exciting since Xillia, and as a long time fan of the series I finally got sick of the gameplay after Vesperia.
K-Off
Jeez, detective Conan is reaching its 1000th chapter. Pretty sure it's a milestone for some Guinness record.
Kaiser-Eoghan
*Embarassing
**Here
Kaiser-Eoghan
I also agree about complaints made about the mumbled dialogue when it does occur.
Kaiser-Eoghan
I think thin red line is a good thing to bring up hear as throughout much of Dunkirk I was thinking about how much more Mallick's film did for me, how I should have been re-watching that instead.
Kaiser-Eoghan
Yet at the same time I couldn't connect with it, it became repetitive, disjointed and the shots/Zimmer score towards the end were embaeassing.
Kaiser-Eoghan
There were definitely aspects to praise, to be fair there is no shortage of action, it eschews exposition and tries to visually immerse the viewer to make them feel as if they are present.
Lenlo
Im ready. Reflection comes on tomorrow, so heres hopin its worth it
Anonymous1279803
it was trash. just british propaganda
Vonter
I finished Tales of Berseria. And I'm conflicted. I really liked the story and the characters, essentially a Tales of were the story is told form the perspective of the villains. I also saw the episodes Ufotable made of the beginning of the game, and I want moar. It's was a waste as game, considering the archaic and dull game design. It mainly came up to buying time in regards to things to play.
KTravlos
I also watched it. I thought it was a great war film. Very intense and unrelenting, but still at points the images reminded me of Thin Red Line. My only quip was the end. The film did a great job in getting me to feel the hopelessness the soldiers felt. So great that the attempt at making a "happy" end was forced and fell flat. Beyond that I liked it.
Anonymous1279184
I already lost interest when I saw Inception which I didn't really like. My favorite Nolan movie will always be Memento.
Kaiser-Eoghan
Eh, saw Dunkirk, I think at this point I'm done with giving Nolan any more chances, this like his other works, I can appreciate them to some extent but come away honestly not giving a damn.
SuperMario
and this week's Sakura Quest is damn great as well... This backstory of Chitose and Kadota rocks
SuperMario
Just watching the 2nd episode of Gamers, It was actually pretty good. I can't believe they fleshing out that annoying hot guy into such a relatable guy.
Kaiser-Eoghan
I recall the extent of my interest in Linkin park in my early teens was strictly the breaking the habit video and that was it.
SuperMario
The frontman of Linkin Park commited suicide by hanging himself... sad news. Never been his fan but I feel sad nonetheless
AidanAK47
Actually forgot with all the impressions and whatnot but I do believe we said we would review the Castlevania Netflix series. Now that everything has calmed down I will see if I can do a write up next week.
AidanAK47
I was busy trying to discern whether the story had any point besides "Life is shit"
Kaiser-Eoghan
Again, while I enjoyed punpun, the excessive internal narration, when marathoned, I had to take a break.
Kaiser-Eoghan
Come to think of it, I don't even have a phone that does that, haven't bought a new one since 2004.
Kaiser-Eoghan
Ah, you see I could never force myself to browse/type/use the internet on a phone, too used to using a desktop exclusively for that.
AidanAK47
Oh bloody hell. Stupid phone autocorrect. Yeah I meant Punpun.
Kaiser-Eoghan
@Aidan: Read Freesia.
Kaiser-Eoghan
umi no onnanoko is probably the exact thing ninjarealist would be interested in.
Kaiser-Eoghan
*oyasumi punpun
I found it alot more accessible than nijigahara holograph. deded-demon-destruction while enjoyable, is beneath him. Solanin is probably his easiest work.
Kaiser-Eoghan
I assume you man oyasui punpun. Its been about five years since I read in, the final couple of volumes stay in my mind the most, all the stuff with him, the girl and his uncle also, I love Asano Inios art and the surreal elements but I got lost/bored somewhere in the middle and most of the other side characters and the cult thing I didn't really care about.
AidanAK47
Finished reading Goodnight Pumping. Really not sure on what to think of it. The story kept me reading but it just felt really empty.
Anonymous1276500
There are 2 Nyaa's now. This one is considered the 'real' one: https://nyaa.si
Kaiser-Eoghan
Looks like anirena is down for me. Although it looks like nyaa went back up as this: https://nyaa.pantsu.cat/
SuperMario
Aidan: Fate/Apocrypha, Made in Abyss, Kakegurui
Mario: Princess Principal, 18if, Youkoso
Lenlo: Touken Ranbu, The Reflection
Wooper: Ballroom, Shoukoku no Altair
Helghast: Re:Creators
SuperMario
Note: I'm deciding to take Classroom of the Elite as my third show to cover. So, for this season we are covering 11 shows.
Vonter
Just to end, it kind of shows than even if a story is predictable on where it is going. Characters can make up for that, if they're funny, interesting, and perhaps not agreeing all the time and having different agendas and points of view despite all sharing the same boat.
Vonter
Yet as a game Tales hasn't felt deep since Symphonia, (at least from the ones I've played). I'm wondering if it'll leave me wanting check the anime of Zestiria, since apparently Berseria is a prequel to that game. And many say the anime is better than the game. (I can see why).
Vonter
I also like the reused Tales beats from Phantasia and Berseria. It those have moments like when Lloyd was exiled and Cless had his village attacked. It has clear antagonists unlike Vesperia, and trying harder than the cartoony villains of Graces.
Vonter
I've been playing Tales of Berseria, and it seems to be the anti Tales of Graces. In which I'm caring about the story and characters, but the gameplay is a drag. This is the first time I've been autoplaying an JRPG. But unlike Gravity Rush 2, I'm not dropping it because I'm liking the interactions of these characters even if it gets, campy, overdramatic, or edgy.
Kaiser-Eoghan
I mean I watch anime and films subtitled but sometimes my reading speed can be slow if theres a lot of dialogue.
Kaiser-Eoghan
Eh, I do that sometimes, mostly to check for message updates or on occasion to read reviews of what I am watching or to download more/check downloads.
SuperMario
For instance, I watched Okja yesterday and I had to take 15', 20' minute break in between for snack, surfing webs and playing mobile games...
SuperMario
I watched Fanny and Alexander... don't really remember which version I watched thou. I think it's a TV version since it divides into 4 separate parts
SuperMario
@Kaiser: it just that... my attention span has shortened greatly and I just can't stay focus on movies over an hour mark. In cinema, it's alright since you can't move anywhere but now it's abig task to finish a 2 hour and a half movie for me
Kaiser-Eoghan
And is good enough to keep up the quality for that long.
Kaiser-Eoghan
I'll say this, for every medium, to me the length of something isn't so much the issue, if you have a writer good enough to keep something going for ages then the length shouldn't be an issue.
Kaiser-Eoghan
@Mario: If something goes over three hours I treat it as a miniseries and watch one hour or two a day.
Kaiser-Eoghan
@Mario: lol if you thought thats long, have you seen the extended versions of scenes from a marriage and fanny & alexander by Bergman? I can't wait to get my hands on the tv versions I hear they're completely different.
SuperMario
Okja is pretty entertaining with pointed social commentary. I don't really feel Tilda Swinton's double roles add up much but everything else is great. Bong has never disappointed me
SuperMario
@Kaiser: good luck with Satantango then. I guess now if I watch an 8-hour long film it would take me a whole week to finish it :/
Kaiser-Eoghan
Made in abyss and vatican keep staring at me. Although I'm not chancing them yet or anything else until I hear a bit more.
Kaiser-Eoghan
My once massive film backlog is nearly cleared. I can try watching stuff this season hopefully.
K-Off
Same boat here. For the first time in a long time I spent almost half the day catching up on all of my manga.
Kaiser-Eoghan
@Mario: I'll have two weeks leave, I will finally watch Satantango, all eight hours of that film.
AidanAK47
I did a double take when I saw this. One of these things is not like the other.... http://gematsu.com/2017/07/blazblue-cross-tag-battle-announced
SuperMario
Well, finally have a bit of precious free time to watch something else and I have too much things to watch. Castlevania, the final Kizumonogatari movie, live-action Okja and some books planned to read... I guess I'll go with Okja today
Ninja
Looking forward to that Dies review
Lenlo
Yaaay! Time to enjoy your blogging time
AidanAK47
And now we are up to date. Just need to finally get that Dies Irae Review posted.
Kaiser-Eoghan
Then again I'll watch almost every horror film I can, don't even mind the awful acting most have.
Kaiser-Eoghan
Pet cemetary was a guilty pleasure of mine when I was a teenager.
Kaiser-Eoghan
I don't know how I'd feel if I rewatched salems lot, although a positive is that it did have James Mason in it and it was done in that 70s style of slow burn horror that I love.
Kaiser-Eoghan
The IT film has aged horribly and thats one case where I would advocate a remake.
Kaiser-Eoghan
Stand by me was a perftly watchable coming of age film and it surprised me, seeing a non-horror King story.
Kaiser-Eoghan
Okay theres one way to settle this =P Lovecraft > all of them ;) I have actually enjoyed some King adaptations even though I know the Shining took liberties , I also enjoyed Carrie and Apt Pupil.
Lenlo
@Kaiser, please. Early King > Richard Matheson > Modern King. Kings early works were good.
Lenlo
@Aidan, its true that Monty was the mind behind the fights. Sad, but I think the other directors are starting to come into their own instead of trying to copy Monty.
Kaiser-Eoghan
But we all know Richard Matheson > King.
Kaiser-Eoghan
He did some collabs with Stephen King I believe.
Kaiser-Eoghan
Like the dead films he's trying to be thematic, although this one is clumsily put together, I kind of like how it hybridizes the 50s with 70s style exploitation, it has its moments.
Kaiser-Eoghan
hmmm the only non Dead trilogy film I've seen by Romero is the Crazies, feels like he's still finding his voice with it.
AidanAK47
@Lenlo, Part of the reason is that they started using better animation software. But despite that there was a downgrade in fight chorgraphy when Monty died. Though the story I find is getting better.
AidanAK47
@Kinseryu, I think it's ridiculous to everyone but there are those that choose to ignore it.
@Anon, That's a bit harsh. It is true that his later works never truly panned out but he did pretty much popularise the zombie apoc. Even if Day of the Triffids did it before him.
Lenlo
Every season RWBY gets just a little bit prettier. Rooster Teeth really does have some of the better 3D animation skills out there.
Anonymous1272531
goerge romero was a hack trying desperate to stay relevant.
Kinseryu
Tenshi3P... I thought it was just me that this show was just ridiculous by putting three ten years old girl that knows how to play electrical instruments. They are insulting the people who plays these. But good thing I found this site with your first impression. I laughed and I feel better. Lol.
SuperMario
@Kaiser: he passed away? damn. He was the Father of Zombie genre. So like him or hate him, he was influential to say the least. RIP.
Kaiser_Eoghan
...holy shit George A Romero died? Now I have to watch the rest of his films.
Kaiser_Eoghan
Rei Hiroe is really dicking around with black lagoon lately, he's still releasing wasted chapters, just like re:creators, the most recent chapter of black lagoon was a slog.
Kaiser_Eoghan
Maybe the conversation and lives of others could sort of count as espionage stories to an extent.
Kaiser_Eoghan
If you're interested in spy fiction, Spy who came in from the cold, most wanted man, Smiley's people, deadly affair and tinker tailor soldier spy are your best bet.
SuperMario
@Travlos (regarding yoir earlier comment): yeah, it hit me as well that most of regular readers have been here even longer than myself. So thanks for sticking around mates
SuperMario
@Travlos: playing catch up with both Re:Creators and Virgin Soul yesterday. Agreed that last week's Re:Creators was weak because it focused on the Creators (they're not good) but last episode was on par again. Virgin Soul, I loved that episode that the girls go bacl to Nina's hometown
SuperMario
@anon1272074: I still haven't had the time to watch Pripri yet (probably in few more hours), but you bet I'm looking forward to it
Anonymous1272074
Then again, James Bond does count as a spy. I meant not a realistic one.
Anonymous1272074
Princess Principal 2 was pretty good. Still more James Bond via little girls than spies, but this episode was more about intrigue and stuff than action.
Lenlo
Started catching up with Kakegurui. The OP is the sort of mind games I remember from Mob Psycho. Dunno what that means for the show, but I like it.
KTravlos
Quite happy with this week's RE:Creators. Blitz is cool, Aliceteria looked so scary. It washed out the taste of last week's episode.

Bahamut is going interesting places.
BTW. Speaking of spies from Princess Principal. I watch TURN. That is a good spy show.
KTravlos
I mean you see the use of those heavy revolvers as clubs in westerns. Mythbusters did a experiment, and being hit by one could kill you just fine. But in anime, I do not remember seeing it often
AidanAK47
Homura used Gun-kata in the fight against Mami in Rebellion. Can't think of anyone who exclusively uses it though. After all Gun-Kata is more or less a flashy art that has no real benefit.
Anonymous1270604
amazing!
Vonter
Is Gun Kata the fighting style of Noel Vermillion from BlazBlue? I suppose I'm mainly thinking about how guns are handled in fighting games. Where the shots are mainly concussive. I suppose those are mainly energy blasts.
Lenlo
Ranbu took a step in the right direction I feel. Used the morals of whether or not to change history and it focused in on one of its characters.
Lenlo
Final Fantasy has had some gun swords. Cant think of any with guns in melee though. There are some with gun-kata like cowboy bebop though
Vonter
Just for curiosity, have anyone watched an anime, movie or game that uses a gun as a melee weapon. Or one in which the gun is mainly concussive but still has impact?
Spike
18if ep2 was a bit wacky... main character seems to be off his rocker.
AidanAK47
Alright. Time to finally play catch up with those series I need to blog.
Kaiser-Eoghan
But at the same time acknowledging love for creativity is more important in the end than making a profit.
Kaiser-Eoghan
I think I was using death of artist/deceased artist as a term to suggest peoples careers in the area are too often killed before they get a chance.
Kaiser-Eoghan
Moreso also to save the guy the embarrassment of misinterpreting it so awkwardly.
Kaiser-Eoghan
@Puran: Nothing too extreme , moreso that the piece itself feels inappropriate/tainted to have up/leave around/submit. Ended up taking it down out of taste.
Puran
Did that change how you feel about your writing? I had a somewhat similar experience, where something I was writing was similar to a real situation some I knew was going through. After I found out I stopped writing it. Not sure why.
Kaiser-Eoghan
I wasn't all that close to either of them much but yeah, weird coincidence.
Kaiser-Eoghan
He thought I already knew the guy was dead.
Kaiser-Eoghan
*earlier
Kaiser-Eoghan
Its all okay now...but fuck that was was awkward.
Kaiser-Eoghan
....Oh jesus christ...oh christ this is a creepy creepy coincidence...I showed an acquaintance a bit of writing I did early, it mentions death of an artist, thing is I was writing something based on a conversation with my editor friend, turns out said acquaintance's artist friend died (who he knows that I've spoken to in the past) and he thought the piece I showed him was about the dead guy.
Kaiser-Eoghan
I believe I began visiting this site in 2008.
As for humanity has declined, I found it bizzare and darkly funny for a while but felt it ran dry in its second half and I kind of fell out of following it.
KTravlos
You know it hit me. I think I have been following this blog for a decade now, perhaps more. Cool that it is still around.
Lenlo
I do agree it had alot more western influence than eastern though
Lenlo
Eh nothing wrong with that I think. Astro boy was very much the same after all
AidanAK47
@Lenlo, I personally saw it as more of a Saturday morning cartoon than an anime.
Lenlo
@Masky, Heroman was a decent giant robot show. It looked and sounded good, though the acting was off in places. Alot of people panned it thinking it was the West invading the east when really it was trying to bridge that gap
SuperWooper
@Kaiser: Hey, Humanity Has Declined was great.
KTravlos
need not be

not

need to be
KTravlos
Masky it was not an issue of writing about politics. It is an issue of writing just about your preferred politics. A good political work need to be politicized if you understand what I mean.
Kaiser-Eoghan
...what the hell tsuki ga kirei was directed by Seiji Kishi? He was actually capable of making a good anime?
Masky
Anyhoo, lol. Haven't mentioned Jitsu wa watashi wa in long time, but I really find it hilarious that its only actually evil character's competence is just "they aren't a idiot" xD As in, they don't even seem that diabolically intelligent, they just don't get wrapped into hijinxs.
Masky
@KTravlos: Well, depends on your views. Some people think artists should have their work speak about politics and world instead of just good stories. I'm kinda neutral about that since while stories about nature of world can be great, most of them don't really teach anyone anything new or change anyone
Masky
Huh, another anime work with Stan Lee being involved? I wonder how well Heroman did
KTravlos
Yup. A mangaka that could had been another Urasaw imho is Kawaguchi Kaiji. I really like his art, and it evokes some of the elements that I love in Urasawa. He also has interesting stories. But I fear he has let his political and ideological prejudices get the better of him. Which is a pity. Definitely a missed chance.
Masky
Did Urasawa do that billy bat manga?
SuperMario
As for Urasawa, I mentioned here before but I read 20th Century Boys few months ago and the manga was a straight out masterpiece. Fillers, yes but they are still in service for the main plot. Although out of his work my favorite's still Monster
AidanAK47
Alright. Only one more. Though the two superhero shows won't air for another week. Seeing as one is reflectiona nd the other is that marvel kids show maybe we shouldn't bother covering them in the impressions.
SuperMario
@Amagi: agree with you on the Friday's anime (well, for me it's technically Saturday) but Kakegurui, Fate and Princess Principal are worth following as well
SuperMario
@Kaiser: if you're still deciding if you should check out the manga or novel then I say novel since it's the novel that was influential, not the manga
Kaiser-Eoghan
So based on that fantasy itch I had thought about Altair, but hesitated because it was labeled as a shounen action show.
Kaiser-Eoghan
There was a time where I was hugely into the shoujo fantasy/historical thing. I've actually been thinking of out of curiousity looking into some old obscure ovas such as Books of Y and Crystania.
Amagi
Man as much as I love the Friday's anime this time, and whenever Altair airs, but the rest of the working-week is weak as hell. At least now I will finally have more time for games, VNs and creative stuff I guess.
Kaiser-Eoghan
It was kind of nice to hear an announcer coming in before Genocidal organ started, mentioning that for a few months their cinema will be playing anime and Japanese films.
Kaiser-Eoghan
Surprised to see an anime reference Kafka and Katyn.
Kaiser-Eoghan
I have not yet checked out empire of corpses.
Total users: 38

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