Posted on 23 March 2010 with categories: Anime Reviews, Kobato




Kobato is one of those series that at first sight isn’t anything special. It starts with a premise, and repeats that for a bunch of episodes with a number of questionable results. In Kobato’s case, she has to heal a number of people’s hearts. I too wasn’t that much interested by this premise, having seen a few too many series with similar premises that never really went anywhere in the end. Kobato however, did.

The people that Kobato heals in the first half of this series range from nice enough to mediocre, so it’s understandable to get turned off at first. But oh, the character-development in the second half more than makes up for it. This is one of those series which is greater than the sum of its part. Through its entire airtime, it never forgets what it’s supposed to be, and what it’s supposed to build-up for. Every of the early episodes spends time to flesh out the characters, while the later episodes use this build-up to deliver with an excellent emotional impact, resulting in a heart-warming series.

Kobato truly stands out in how incredibly genuine she is. I found her an airhead at first, but her personality and innocence turned out to be so addictive that I couldn’t help but root for her. And true, the story in the second half can get pretty soppy at times, but this isn’t the show that tries to pull deus ex machina for extra drama, and instead carefully builds it up.

Madhouse has done the animation, and despite that you can easily see that this wasn’t the series that their best artists were working on, they still delivered great graphics, allowing Clamp’s character-designs to shine, along with a few episodes that look absolutely gorgeous.

Kobato’s story is very simple, but it has really proven that it’s in no way a disadvantage. Due to its simple plot it had all of the time it needed to properly tell the story that it wanted to do. the ending is wonderfully un-rushed, and provides an amazing conclusion to the series that made optimal use of the time it spent on building up. This isn’t a series for people who dislike overdramatic-ish series due to the soppy parts, but this series’ second half hit all of the right buttons for me.

Storytelling: 9/10 – Never forgets the meaning of build-up. Simple, but very effective.
Characters: 9/10 – Excellent character-development, though the drama can get a bit soppy at times.
Production-Values: 9/10 – Madhouse rocks, even in their less-budgetted series.
Setting: 8/10 – Good attention to detail to the series’ small surroundings, plus some Clamp references that don’t feel forced or rushed.
Posted on with categories: Kobato

This is going to be a really short entry because I also still need to write this series’ review and get up early tomorrow as usual so I’m sorry but there’ll also be no screenshots for this one because I watched it streamed. I had to watch too much awesome stuff today in too little time…

Hell yeah! Kobato! Best ending this season! That was so adorable!

Rating: *** (Awesome)

Posted on with categories: Kobato



Aww. What a wonderful episode. It was perhaps a bit too dramatic, but I love this kind of stuff. It’s awesome to see a series which has entirely been building up to its final episode, and having that final episode actually pay off. This series did not try to be too epic. Instead, it remained true to itself and based on its simple premise. And while it may have been simple, this episode proved that it ended up way more effective than I could have expected.

What made this such an awesome episode wasn’t exactly because it was a bad ending. Rather, I absolutely loved this episode because of what it meant to the characters: here Kobato was, with the decision to either try and raise more konpeito (which may have not been enough at that point), or spend the rest of her time with Fujimoto. While at first it seemed a bit weird for her to spend time with him for an entire month (and seriously: Fujimoto’s still injured. that’s something you hardly see in anime, especially with such small wounds), it all made sense once we found out her secret. She’s dead.

The first part of this episode was slice of life, and the reason Kobato shined so brightly in this episode was because she knew that she was spending her last time and wanted to make the best out of it. It’s not far-fetched, and actually an adorable premise. The fate of the world was never involved, and instead this episode really was all about its characters, allowing it to really get the best out of them. I have just found my contender for the best ending of the season right now.

As for that final episode, I really wonder what it’s about. I mean, the main character has just died and we still have one episode left (let me by the way praise the creators for doing such a thing. I don’t recall any other show in which the lead character dies before the final episode), but my guess is that it’s going to close off the story of Fujimoto and Ioryogi. I especially want to see the latter. By the way, wasn’t this week supposed to air a double episode? I’m not seeing episode 24 yet…
Rating: **** (Incredible)

Posted on 16 March 2010 with categories: Kobato



It’s beautiful episodes like this one that totally restore my faith in anime. What a wonderful example of how to write a touching story without the biggest budget, epic backstory or over the top plot twists. The character-development in this episode was all worth the wait and the first half, and a heart-warming prelude to that finale. I laugh at articles like this one (well, the ‘anime sucks’-section anyway), which paint a completely biased and one-sided picture of the current state of anime.

I love it when a series changes my perception of things, and for me, Kobato restored my faith in these simple series that might not amount to much at first. Despite its mediocre start, I’m emotionally connecting to this series, more than just about every other series this season. This is really what a drama should be.

I also think that this is one of the few good uses of the “crash before the ending”-trope. Just like with White Album’s second season, Fujimoto’s crash was nothing serious, and instead more meant as a wake-up call, rather than creating some cheap drama by placing someone in the hospital. On top of that, it was also well built up: in his state of mind, it’s not surprising that Fujimoto wouldn’t pay attention to the road.

To be honest, out of all the series that are about to end in the upcoming weeks, Kobato’s is the one that I’m looking forward to the most. It’s really been building up to that final episode through its entire airtime, and out of all the endings, it’s this one that I feel has the most chance of actually turning out great. It’s the kind of ending where the creators have to really screw up big time to ruin it. Especially considering how the creators wrecked the kindergarten in this episode, it shows that they’re not going to force down a happy ending if it doesn’t make sense within the story.
Rating: *** (Awesome)

Posted on 9 March 2010 with categories: Kobato



Aw, what a heart-warming episode.

I’m really glad that Kobato managed to get exactly the time it needed in order to tell its full story. I’ve said this many times before, but there are too few series that try to go beyond 13 episodes, and it’s series like this that show the heights you can reach with a little character-development. This episode wasn’t exactly the most realistic… but hey. It’s not what I expected from the episode that would wrap up the kindergarten storyline.

So, if I understood things correctly, Okiura, unable to protect Sayaka instead tried to do the only thing he could: play the bad guy, in order to prevent other bad guys from causing even more trouble for her. I remember noting how the kindergarten would certainly get its happy end… and it didn’t. It closed off in this episode, and all of the kids are away now, at other schools. It’s the price Sayaka had to pay for her father’s debts, and while everyone tried to buy her time and money, it just wasn’t enough. At least, I’m glad that Kobato managed to help her move on from that. Meddling or not, but without Kobato there would have been no way in which the two would have made up with each other, and Kobato did what you’d expect her to do, without forcing everyone to go out of character just for the sake of a happy ending. Even Okiura stayed in character, simply because we hadn’t seen so much of him yet.

Now, three episodes left… I’m getting very curious as to what Kobato’s wish is. This episode right now closed off about half of the plot, so we can expect the final three episodes to really focus on Kobato herself. I personally love it when a series wraps up one of the main plots before the start of the major climax. It makes the series more dynamic than trying to end everything at the same time. It especially works well with inspired series as Kobato , which manage to make something heart-warming out of each conclusion.
Rating: ** (Excellent)

Posted on 2 March 2010 with categories: Kobato



You know what this episode reminds me of? That one episode of Touka Gettan: the Lost Episode of Yami to Boushi to Hon no Tabibito. The Tsubasa Chronicle cast drops by, they have nothing to do with the story, and at the end they just say goodbye and leave again to go back to their own story when there don’t seem to be any feathers here (or whatever they’re searching for at this point in the story, since Sakura was absent and all…). At the start of this series, when I found out that this kind of an episode would pop up I was very afraid that they would hog up all the screentime, but this was a really good episode, which made them more than Clamp’s usual cameos, and yet didn’t overdo it.

On top of that, the few revelations that their visit brought was interesting. It was a nice way to hint at Ioryogi’s original form. Who knew that he was his world’s Kurogane. I never realized that they had the same voice actor, and exactly for that reason. I also love the way in which Fye wished Ioryogi good luck with Kobato. He clearly seemed to know what was up with her.

In any case, this episode skips about a month and a half forward to Valentine. Predictable, but at this point I don’t care. For me, this show has reached the point where the creators can stuff their characters in any sort of setting, and make it utterly enjoyable. The valentine episode also was surprisingly good for the romance in this series, without going too obvious. You can see that Kiyokazu has grown a lot closer to Kobato during the past months that weren’t shown, and the valentine’s episode wasn’t used as a cheap knock-off getting the two of them together. Speaking of which: I very much approve of series that keep track of their own time: that’s an awesome way of showing the development between the characters, and making it less sudden.

And that ending was very powerful. That’s some great build-up there: this moment was bound to come: Kobato was bound to run short on time because of how easily distracted she can be. As a kid at heart, she constantly needed to be pushed by Ioryogi and yet you can see that she genuinely wants to go to some place. We have no idea why, all we know is that it’s something very important for her and that she’ll never have any more chances after the deadline passes. With four episodes left, I hope she gets there.
strong>Rating: ** (Excellent)
ED: Really weird place for a new ED, but better than the first one and a solid ballad.

Posted on 23 February 2010 with categories: Kobato



Oh, how I love Madhouse. Kobato has never been among their big-budgeted series, but in episodes like this they just go all out, and produce an absolutely gorgeous episode that has among the best eye-candy I’ve seen this season. The way they handle their CG is miles above most other animation companies.

And about this episode… I can only say how adorable it was. It was all about Kobato and Kiyokazu, and the development between the two was basic, but very heart-warming. Show this as a random episode and it’ll probably fall short. The reason why I enjoyed this episode so much was because of how the characters were already developed at this point. Kobato is the kind of series that doesn’t offer much in the short term, however it’s a gem on the long term.

Also, while he played just a very small part in this episode, I loved Ioryogi. He was just adorable, both in the way at which he kept reminding Kobato (who is more and more trying to avoid that matter) of the konpeito-bottle, and the way that he ended up celebrating Christmas. I really thought that that white creature didn’t want to talk to him anymore, but here this episode proved me wrong. This will offer even more opportunity for the creators to get the finale right. The main focus is going to be on two things:
– What will happen off the nursery?
– What will happen to Kobato?

The former will probably result in a good ending, but I don’t care about that: I’m only interested in the role that every single character will have in it. The latter however has been built up extremely well. It’s about the reverse of Chobits: in there the main storyline started off incredibly intriguing but became less and less interesting as the show went on. Here, I’m looking more and more forward to that ending. I blame Kobato: she’s become such an adorable character at this point.

(Not that I consider Chobits to be bad or anything, of course, but what made Chobits stand out was its collection of themes and subject matters, not the main characters).
Rating: ** (Excellent)

Posted on 17 February 2010 with categories: Kobato



Well, I’ve got to hand it to Clamp: they did it again. Kobato is a great example of why an anime doesn’t necessarily need huge production-values or incredibly solid direction, in order to have a soul. Wonderful characters can be written with any kind of budget, and while it definitely helps, it’s definitely not a necessary.

Because really: at this point I’ve been completely captured by Kobato’s charms. This isn’t exactly like Letter Bee, in which the characters have enough charms for me to keep watching, this is something more: at this point I consider Kobato to be a genuinely good series and I really admire how well the creators managed to flesh out Kobato and make her such a likable lead.

When it first appeared, the debt-problem sure seemed cheesy. But here’s the thing: it was cheesy, if it just was introduced and resolved within one episode. At this point the debt problems have evolved in a great driving force for the drama among the characters. It ain’t gonna destroy the world, we’re not stuck in a cheesy love triangle. Instead we have a bunch of people who try to protect something that they truly care for, even though the odds slowly stack up against them.

This kind of character-development was really what I was hoping for when I gave this series a chance.
Rating: ** (Excellent)

Posted on 10 February 2010 with categories: Kobato



Oh, what a surprise. It turns out that the previous episode wasn’t finished telling its story yet. It needed about five more minutes, which appeared in this episode. So, what was the rest of the episode spent on? A hilarious Iyoryorgi adventure and xxxHolic references. This was like, what? The fourth different version of Watanuki that exists now?

So yeah, overall this episode was a lot of fun, it only to see Iyoryogi suffer so much. Episodes like these are all about creativity and how much you’re interested in the involved characters, and that worked like a charm for me. His fire-breathing technique to avoid the pond was especially awesome. On a more serious note it also built up the main storyline a bit, though subtly.

As for the bazaar, what was obviously missing from the previous episode was Kobato seeing her hard work pay off. At this point, she knows very much that she’s a klutz and that helping people isn’t that easy. She should be proud of what she did here, though. It’s not like her healing of a troubled person, but she put in real effort. Apart from the mysterious penguin/duck/rabbit/thingies, of course.
Rating: ** (Excellent)

Posted on 2 February 2010 with categories: Kobato



PL notified me of something interesting yesterday, which I had not realized yet: Kobato has grown more on me than I had realized. I was surprised when I first read that, but after watching this episode I’m sure of it: I’ve given this show way too little credit thus far. Kobato shows that you can achieve depth with simplicity, and you don’t need world-changing or epicness to deliver great characters. Thank GOD we finally have another show to remind ourselves of this.

I guess it was impatience that lead me to condemn this series early on, and opt not to blog it. After all, this series had nothing to set itself apart in the beginning. I really thought that it would end up as another one of those series with just shallow characters, where 24 episodes would just pass without anything happened. At this point, I’m not sure what was up with me: here we have a show that for once is scheduled for 24 episodes right from the start. It’s produced by Clamp, who after Tsubasa Chronicles know better than any other manga creators how to keep track of their series’ adaptations, so this series is planned in perfectly inside its time-frame, as opposed to those tons of other series that are just way too short.

My guess that it’s my pessimism that turned me off at the start. Around three years ago I probably would have jumped on this series, but ever since I’ve been disappointed a bit too often by series that started of slow and simple… and never really went anywhere in the end. I think the most recent example at the time of Kobato’s debut was Saki: I basically gave it a bit of a chance because I was hoping for that same development, but the show just turned into a huge disappointment for me. And then there are all those romantic comedies out there that thrive on showing cute girls. And really, I’ve tried to give them a chance for the past few years, but I hardly ever found one I really liked. Kobato reminds me of El Cazador de la Bruja. I’ve seen it constantly criticised for its simple story and bad action. But who cares?! The characters were damn awesome! Seriously though, especially in its second half when the characters came together it turned into a very memorable series for me.

In any case, this episode of Kobato really showed me its character-development. Would it have worked to anyone who hasn’t seen the rest of the series? Probably not. It’s all about showing not exactly how Kobato has matured, but instead how her desire to protect the kindergarten has grown and how she does everything in her power to help out. Would she have done the same at the start of the series? I doubt that. And yet her development feels natural and it doesn’t look like she just changed character. Same with just about5 everyone else: they all have gotten a passion to protect that kindergarten.

My big dilemma right now is how to recognize series like Kobato from random shows that never get anywhere. At the time of this series’ debut, I was beginning to think that I’ve gotten pretty good at evaluating the potential of a series based on its first episode, and this was a good wake-up call. There are of course those series that are obviously going to be awesome (Aoi Bungaku) or erm… not to my tastes (Ladies Versus Butlers), but what about Kiddy Girl-And? Looking back I’m glad to have dropped it, hearing the stories about it, but what if it did turn out good? Was I also wrong in dropping Railgun?
Rating: ** (Excellent)

CHANGE USERNAME
Anonymous1127552
We don't get anime set in world war II because they don't want to remember how evil their country was.
Kaiser-Eoghan
That caught my attention, some kind of suspense manga set in world war II, for obvious reasons you don't often see manga/anime set in that time often enough so thats interesting at least.
Anonymous1124748
KTravlos here: On RE-Creators Saouto. Remember we are talking about a 14? year old kid who believed made his girlfriend commit suicide. I get the point and frustration, but do keep that in mind.
Lenlo
@Mario, for Hero Academia, just wait. The hype is real for Shouto vs Midoriya.
SuperMario
This is one of Saekano's biggest issue: while there are 5 main casts, the show seems to care to develop 3 of them. When that rival-guy begs Tomoya to continue the circle, and stresses that "Don't lose Eriri and Utaha". I just feel... dishearten. No recognition for Kato and Michiru then
SuperMario
Another 2 shows that I want to mention this week: My Hero Academia's last episode fight between Ecchan and Urarawa is my favorite match out of this Tournament arc. Saekano's last episode actually frustrated me. When it's obvious that this is the time for Kato's conflict, the show still spends too much time on Eriri and Utaha.
SuperMario
KTravlos: based on the content I thought it's you as well. I actually enjoyed Virgin Soul. It's an important episode actually, where all of out mains are locked up/ imprisioned. Yep, Re:Creators was great as well. But hell, Souta... his character's annoying. The creations, on the other hand, are developing quite nicely
Anonymous1123421
KTravlos here. Hmm wordpress has cast me out :p
Anonymous1123392
what a great RE:Creators episode. I do not know how Mamika will end up. But manly tears shall be shed. A great character.

Virgin Soul had a so-so to disappointing tonning down episode. Expected. Still they are smart to put Favoro there as a "sorry for that mates".
AoT, knowing what I know from the manga, made this episode all that more striking.
Anonymous1123296
Woah, Alice n' Zokuro has some of the most amazing writing I've seen this decade!
Kaiser-Eoghan
@Mario: And because of the negative space in the picture and guy in the background, it might also emphasize distance.
SuperMario
@Kaiser: This was an obvious shot choice (come on, because they KISSED), but the one I liked the most was the top right one. The characters aren't in the center of focus, and a bit too close to the screen tell us how much Chinatsu wanted to get close to Kotarou, at the same time we feel a bit uncomfortable just like him (too close). Smart visual telling there
Kaiser-Eoghan
I should start giving attention to shots in anime as I do in art films. You've chosen a good one for tsuki ga kirei on the bottom right.
Kaiser-Eoghan
@Mario: Speaking of shots....some of the static photography is Tsai ming liangs Goodbye dragon in is stunning. I saw an Ozu film where the framing was absolutely masterful.
Kaiser-Eoghan
@Mario: The eyeball scene in the restaurant OMO, scenes like that had very good way of creeping up on the viewer.
SuperMario
... and the fireworks in the end. Emotionally satisfied for that bleak film
SuperMario
Thanks Kaiser. Still think Black Coal is a very stylish and well-done neo-noir. One shot in particular still stick with me is the one long, unbroken shot that combine the past with the present.
Kaiser-Eoghan
*reviewing
It was your review that got me interested in the film mario.
Kaiser-Eoghan
Ah, I know that feeling, having to get out all my thoughts immediately. I also stream of consciousness what I write whether it be a poem or review then go back to edit, shows the passion a person has for what they're review.
SuperMario
It was just 3 years ago. I think I MUST review everything as soon as I finish, otherwise I will forget. Getting old now. Dang it
SuperMario
It was a great review, Kaiser. I also feel comparing Black Coal to Memories of Murders don't do this film justice too (although to be hinest I don't see the comparison). Your review just reminds me that I did review that film on Letterboxd, thou for the life of me, when I read ny own review I had no clue that i did write it
Kaiser-Eoghan
@K-off: Constantine was really the only reason I would have considered seeing the film, as I enjoyed some of the comics he appeared in.
Lenlo
Yaaay! Favaro is back!
Kaiser-Eoghan
@Mario: Ah, now I remember, I stopped watching ghost hound at around episode 14 or 15 years ago.
K-Off
Justice League Dark ended up being one of the weakest among the recent animated dc films. The opening was intriguing but it drops the ball as soon as it focuses on Zatanna and Constantine...The demonic manipulation of people isn't tied well enough to the villain, so that premise ends up feeling pointless, everything is inconsequential by the end. Why was this even made?
SuperMario
And for once, I feel that developing the characters isn't a appropriate choice for this type of show. The main cast need to develop, yes, but most of the supporting cast was presented as ambiguous and mysterious, thus making them change in the end feel just wrong
SuperMario
The main kidnapping was never addressed thoroughly, and it should be the main overarching arc, instead of this ending.
SuperMario
So... I've just binged through Ghost Hound. It starts as a compelling psychological mystery series, and ends up being... thriller of sort? The first half, building up stage was its best, and then unfortunately it run out of steam
KTravlos
Hey Favoro is like a good whiskey. You gotta drink it slow and enjoy it :)

I liked Predators.
Spike
8 episodes in we finally get to see who we were all waiting for in Bahamut! ...for 2 seconds.
Vonter
I did watch the version with the alien coming out of the ox. I haven't watched Predators, AVP1 was ok, like the newer movies its just the human element that has consistently gotten worse and unmemorable. I think that element in particular made me enjoy watching Alien 3 now, than if I had watched it in order, considering how it begins.
Kaiser-Eoghan
Thankfully the franchise can never fall as low as the predator reboot or alien vs predator.
Kaiser-Eoghan
@Vonter: Be sure you're watching the extended version.
Vonter
I liked 3/4s of this film, as the plans to kill the alien got more cumbersome the film got more tiring. And I think it was obligated to annihilate the cast considering they take the time to take out a whole bunch of them. I also think it's very noticeable the tiring production this had, and while people praise practical effects now, this movie sadly didn't integrate well the alien puppet.
Vonter
I've just watched Alien 3, the only Alien movie I hadn't seen do to the diviseness towards it. I think I went with the best expectations considering now on hindsight newer movies have made it look more competent, having more weight. This movie has characters, integrates the religious motiffs better, the Alien more than a closet monster is a formidable force of nature.
Kaiser-Eoghan
.....It just dawn on me looking through my letterboxd account...I have never seen afro samurai...
SuperMario
@Kaiser: I'm on hold with SukaSuka as well after 5 episodes. Ejoyable so far but its LN's tendencies hurt the show
SuperMario
@Kaiser: yeah, like I said in one of my weekly post, Tsuki ga Kirei is simple, but isn't easily obtained. At this point, I'm truly invested in these kids that it makes me tense just to see how they keep up with their relationship, haha.
Kaiser-Eoghan
I have yet to catch up with sukasuka and don't care about bahamut all that much.
Kaiser-Eoghan
I feel its sweet and sensitive approach has a rhythm to it that I started going along with.
It’s obviously slow but I began not noticing the time go by as I watched more.
The art makes me think of Shimura Takako’s and makes me wonder what the series might have been like if she wrote it.
The dub is mediocre so after 3 episodes I switched to subs.
Kaiser-Eoghan
The relative quietness and how scaled back in comparison to other anime romances is welcome and it never becomes dramatically or comedically obnoxious which I think is in its favour.
Kaiser-Eoghan
I decided to catch up on tsuki ga kirei. We said this before, but that scene where he meets the publisher about his writing is a stand out one.
For the show overall so far itself, above all I see it as something simple, un-demanding to watch, its good a break from all those old/art films I have to concentrate on harder to follow.
Kaiser-Eoghan
Maybe Goth would count but its more o a mystery manga.
Kaiser-Eoghan
Not familiar with shibito or sugar life. May as well recommend everything by Kazuo Umezu and Junji ito. 6000 ended disappointingly, I fell behind in dead tube. Does sugar dark count?
Lenlo
I am a Hero is a personal favorite of mine
AidanAK47
@Anon: Uzumaki, Shibito no Koe o Kiku ga Yoi, Happy Suger Life, 6000 and Dead Tube. I suppose.
Anonymous1116992
What is some good horror manga
K-Off
@Mario I also noticed that korean thrillers are way too obnoxious with shakycam.
Lenlo
@Mario, about LWA, that was how I felt. Its just not as magical, as special, as the original OVA was to me. I suppose thats to much to ask for a 25 ep series, but it turned me off
AidanAK47
@Mario, TV Diana has some charm points but I think OVA Diana provided a better dynamic. I mean sure, She was essentially female Draco Malfoy but her attitude made reveals like her being a secret Chariot fan more impactful. Plus her tsundere act torwards Akko was rather adorable.
SuperMario
about LWA again, unlike Aidan I actually enjoy this version of Diana. I know she's one note, too perfect but she's charming. Too charming haha which serves well as a contrast to Akko
SuperMario
...just pop one random film from him. His films are not without its bad side thou, in particular I find the dialogues shapeless and dragging. But well it does add to the naturalness of his films
KTravlos
on LWA I would also recommended it. It is a fluffy show, with a sense of wonder. Some episodes are better, some are more flat, and the over-arching storyline leaves me bored. But it does have that sense of childlike wonder, which I had missed among all the "grim" shows.
SuperMario
@Kaiser: I have a bit of problems with Korean movies lately as now they're heavily thriller style-over-substance films, so films that have very simple style like Hong-Sang-Soo's joints are the welcome change of air. One thing about his films thou, If you watched one of his film, you've watched them all. They're so similar in tones and concepts that I reckon if you feel like watching his films...
SuperMario
So I say it's still worth finishing. It's good but I don't feel the sparks that made it so great from the OVAs anymore
SuperMario
@Lenlo: about LWA. Plus side: Those hijinks. I mean the show is fun and magical. Negative side: I wish the show's storytelling is a bit tighter, each episode feels so loose it doesn't add up much and more like different variations of Akko + one member of the cast's hijink. Doesn't help either that the other casts just disappeared until they have an episode for 2 for themselves
SuperMario
@Anon1113829: I "enjoyed" Beyond the Boundary, but that show was a mess. The episode 10 was stand out for me, and the ending was kinda... a wreck. Certainly interesting but quality-wise I wouldn't reccommend it
Anonymous1113829
@SuperMario KyoAni fan? What did you think of Kyoukai no Kanata? I really wanted to like it, I thought it had some potential, but IMO nothing worked right.
AidanAK47
@Lenlo, It's good. Fun to watch certainly. Though sadly it falls short of being great.
Lenlo
So question: Is Little Witch Academia worth finishing atm? I started it last season, but for some reason it just fell off my radar
Kaiser-Eoghan
@Mario: Thankfully, while not entirely satisfying, day he arrives is just the Korean film I've been looking for, refreshingly more low key, quieter and I enjoyed the new wavy combined with raw style, making it all feel very natural.
Kaiser-Eoghan
@Mario: Well then, thanks for the rec on Hong-sang-so, I looked at The day he arrives. Y'know the reason I sometimes dread going into films featuring romance is because I'm conditioned from seeing the bad ones.
Kaiser-Eoghan
....I may actually read this, the last time I read a manga steeped in politics was Sanctuary: https://en.wikipedia.org/wiki/Eagle:_The_Making_of_an_Asian-American_President
Kaiser-Eoghan
@Aidan: I actually have very limited experience with Ellis as a comic book writer, only read Transmetropolitan, I know he's writing the Castlevania adaptation.
SuperMario
@Aidan: I heard the same thing; can't help being a completist though so I'll eventually get to them
AidanAK47
@Mario, From what I heard, it doesn't get better.
SuperMario
@Kaiser: that scene from the 1st episode of Phantom world lost me... but even then I'm willing to give the show another chance. That's how far I would go ^^ https://mobile.twitter.com/aaapodcast/status/687148875052892160/photo/2
AidanAK47
@Kaiser, Looks like they are putting some real effort into it. May actually turn out pretty good after all.
@K-Off, Under the Red hood is a damn fine movie. Likely one of the best of the DC animated universe. Though try Superman vs the elite out. It's pretty good.
Kaiser-Eoghan
Even phantom world Mario...even phantom world ? =)
Kaiser-Eoghan
Just the teaser trailer, not much to go on, but heres a short preview of that netflix castlevania thing that got mentioned on here a while back, up the quality to 360p:
SuperMario
At this stage, I'm pretty much KyoAni fanboy now so with every new material, I'll hype it up to the sky ^^
Kaiser-Eoghan
@Mario: I did follow it up with The spy who loved me though to cheer myself up =P Given that Rodger Moore just died =)
SuperMario
@Kaiser: just looked through what Short Men Behind the Sun is about: "human experiments carried out by Japanese army during WW2?" Already sound grim and too real. Then "a graphic depiction of the human experiments" haha no wonder you felt unsettled Kaiser
VyseLegendaire
My favorite Exploitation Flick is An Inconvenient Truth 2.0
Kaiser-Eoghan
@Mario: Long story short men behind the sun is finally the exploitation flick that defeated me and actually made me unsettled.
Kaiser-Eoghan
@Mario: I remember you talking about how Salo really affected you as an exploitation film, generally exploitation films don't shock or disturb me, but I just watched the cantonese dubbed version of Men behind the sun.
Kaiser-Eoghan
And the worst thing about beyond the boundry and phantom world, it discolours my opinion of kyoani as a whole, making me negatively reflect on older work they did .
AidanAK47
Yep, that's the new KyoAni one. Like Puran I don't have any expectations of it. The premise certainly seems like the closest they have come to breaking out of there usual format but I am sure they will find a way to shove in Moe antics. Though based on what is seen so far it looks like they are trying to emulate Key.
Puran
Is that a new KyoAni anime?.. I have lost faith in them a long time ago. Last Anime from them that I cared about was probably Hyouka
SuperMario
Bring you some news, Violet Evergarden will be aired as an anime TV. Though many sources saying it gonna air this year, it has a better possibility to air next year
SuperMario
Well, aesthetically, he's pretty much on par with Yang and Wong. It's just that his films are often emotionally distant, feel more like watching the paint dry hahaa
Kaiser-Eoghan
@Mario: I connect more emotionally with Yang and Wong.
Kaiser-Eoghan
@Mario: I went in expecting Edward Yang and Kar-wong-wai levels of quality, which may have been quite unfair standards to put him up against.
SuperMario
I myself find his films difficult to watch, but when the films end they usually hold up very very well. Both The Assassin and 3 Times in particular are my favorite of the year
SuperMario
@Kaiser: I completely understand your reaction because his films are demanding as hell. I remembered watching The Assassin in big screen, 3 people next to me fall asleep, one of them snoring and the other one fall asleep within the first 10 mins. That Hou Hsiao's movies for you
Kaiser-Eoghan
@Mario: Its such a shame because he makes gorgeous cinema and City of sadness is actually pretty informative account of the times....I just can't jive with him and I actually like "slow cinema" but watching his work is insanity inducingly boring for me.
Kaiser-Eoghan
@Mario: ....I'm really sorry, I don't mind long slow even spiritual, talky, non-narrative, old, complex,meditative , art films but I'm really really finding it hard to watch Hou Hsiao's work, I've tried time to live and the Assassin and I just bailed after 2 out of 3 hours on city of sadness.
KTravlos
I have to say Akko is developing nicely as a character in LWA. Also Magane in Re:Creators reminds me of Hannibal as palyed by Mads Mikkelsen. There is that same est for life married to sociopath that is a bit charming :) Mamika's character is also just cool. Beyond that AofT and Bahamut both delivered competent episodes, with Bahamut a good mix between comedy and tragedy.
K-Off
@Aidan Assault on Arkham was fantastic. Between that and Under the Red Hood, a classic.
SuperMario
@Kaiser: I have a lot to say in this week's Eccentric Family. Review will come up later tonight when I get back home from work.
AidanAK47
Seen Assault on Arkham or what it should be called, The animated Suicide Squad movie. Thinking of checking out Dark.
Kaiser-Eoghan
@Aidan: Have you seen assault on Arkham or the justice league dark film?
Kaiser-Eoghan
@Aidan: It isn't so much because its Talia x Batman, moreso that it feels odd shipping Batman with anyone.
Kaiser-Eoghan
While kind of amusing, initially I wasn't too into Uchouten this week, the hot spring part got me groaning, but then someway through dramatically it really picked up.
Kaiser-Eoghan
From reading comics a few years back, I still feel that they adapt better to animation.
Kaiser-Eoghan
@Vonter: And I say this as someone who was able to defend Alien 3 and Ressurection.
Kaiser-Eoghan
Covenent felt like an Infantilized version of Alien.
Kaiser-Eoghan
I wouldn't call either John Wick film or free fire amazing or anything but they had great fight scenes that were actually visually coherent , of course they weren't given a proper release.
Kaiser-Eoghan
I'm not watching/paying for anymore of these reboots/remakes/shakey cam pg rated action films anymore. I'll stick with my balls to the wall Hong-Kong/Chinese ones.
Kaiser-Eoghan
@Vonter: It also had really uneven pacing aswell.
Kaiser-Eoghan
@Vonter: ....The dialogue is so embarassing, they don't do enough with this backstory, they just keep teasing, none of the new characters have the same charisma , the editting in the action scenes shakes all overtheplace.
Kaiser-Eoghan
@Vonter: I gave Covenent a fair chance, I thought it would be an exception to the reboot thing. I'll admit theres the sets, the atmosphere, Fassbenders performance , the idea to expand on the franchises mythos is cool but....
Kaiser-Eoghan
It really really hurts as a film fan, trying to find older, genuinely quality foreign films , finding that no-one is seeding them and theres no proper/in print dvd release anymore. Then finding some awful shakey cam modern American superhero film with billions of seeds and a bluray release.
AidanAK47
@K-Off, I don't know. Todd was more the imperfect son always aiming for batmans approval. Damian is more an assasin wondering why the hell he can't just kill his enemies. I hear that Comic Damian works better than Animated Damian. I do think that if given a personality he could work but as he is currently you are right that he's essentially a mishmash of past robins.
Vonter
I watched Alien Covenant and I don't know if it improves by being more dumb and less pretentious or if it os the final nail in the Alien franchise coffin. Not since the StarWats prequels there has been a retcon that changes your view of the original movies.
Kaiser-Eoghan
I can recall enjoying a certain Jason Todd centered story called Batman:death in the family.
K-Off
Well, even when Damian does completely cross the line and become a villain, he's not even that interesting, i.e Injustice. Yup, Jason Todd already covered everything, but better.
AidanAK47
Problem is that he's an edge lord cocky piece of shit that just doesn't have enough likeable traits for this to be compelling. What really pushed him over the edge was mocking Nightwing over his parents deaths. That shit is not on.
AidanAK47
@K-Off, I like the contrast that Batman refuses to cross the line and kill but Damian has crossed that line. As well as his potentail to become a villain. Tim and Dick didn't really have that though Jason sort of did. Damian's arc is more about teaching him the morality of a hero.
K-Off
@Aidan I'm not sure I like Damian's concept to begin with. The Bat-son dilemma's inherently addressed by the Robins for all intents and purposes. Damian just goes through the same motion, only difference being he's biologically related.
K-Off
Yup. Wonderwoman either doesn't need to have a love interest, or it needs to be with Steve Trevor, the two have a solid backstory that the movies unnecessarily removed.
AidanAK47
@Kaiser, I don't mind the Taila X batman pairing. Makes more sense than Batman and Batgirl. But if there's one pairing pushed in the new movies that I just find wrong is the Superman X wonder woman. I just don't get that one.
AidanAK47
@K-Off, I like the concept of Damian as a character. But it's executed so badly.
Anonymous1105941
Teen titans needs one more season to wrap up all the loose ends. Such as what happens to Slade, and Blackfires revenge. The creators clearly wanted to explore those plot lines but got cut short.
K-Off
Teen Titans hasn't aged very well, but one thing I still do like about it is how contained and local the setting and cast were for the first half of that show. When godly superpowers are involved, that appeals to me. Much of the same reason why I like Logan and Raimi's Spiderman so much.
Kaiser-Eoghan
Very rarely watched teen titans when I was younger, I was vaguely interested in slade, stopped watching around when Terra appeared. I actively avoided comics where Damien appeared, never liked that Talia x Batman pairing much, I can only imagine how much worse it is to listen to Damien than read him.
K-Off
@Aidan, I like some aspects of those movies, but I'm not a big fan of the new continuity and art style in general...and yeah it doesn't help that Damian is irredeemably unlikable.
AidanAK47
@K-Off, There is also the DC animated Teen Titans movies like Teen Titans vs Justice Leage and Teen titans the Judus contract. Though it's not the same as the the TV series and Damian is such a dick.
K-Off
@Anon I don't think Teen Titans needs another season. The last season wasn't that good, but the movie ended the series on a high note and Young Justice pretty much rebooted everything, at least in terms of replacing people's want for a more mature DC cartoon about the Titans.
K-Off
Yeah it's become more of a hassel (for myself and my friends) to set aside time to go to a theater.
SuperMario
I guess in the end it all comes down to how easily it reaches the viewers. Give us a hard time and we don't give a damn to check the new movie/show out
SuperMario
... otherwise have to wait for a year, even more before it reaches Australia. But many companies will raise in the wake of Netflix and that will be where problems arise
SuperMario
This trend isn't happening within the anime industry, but it's happening in the movie world as well. In the past 2 years, Netflix starts to exclusively distribute many films, meaning that they won't have theatrical release, but straight to Video on Demand which caused quite a stir in the industry. Personally, I actually don't have much problem with it as now I will get a chance to see a film that
SuperMario
Dive!! , a series that will air next season on noitaminA slot will stream exclusively on Amazon Prime Video. Not that I'm eagerly looking forward to Dive, but that news again makes me frustrated. No one will watch it and then all the hypes it might have will die down eventually.
Anonymous1105394
Considering I didn't even expect a season 5 it's more than I could've evr wanted. Now if only if only Teen Titans could get the same chance.
Lenlo
Oh yeah, it turned out well. Didnt mean to say it didnt.
AidanAK47
@Lenlo, Considering that the ratio of great to alright episodes is 8 to 2 I say that it turned out pretty well.
Lenlo
I have to say, the Samurai Jack season started stronger than it ended imo
AidanAK47
So this is how Samurai Jack ends. 16 years in the making. Honestly considering how much needed to get wrapped up I knew the ending would be a bit flawed. Really think Gen should have givin it one more episode to flesh out the ending and then it wouldn't feel so rushed. Overall despite it's flaws, it's a decent ending. Not prefect by any means but it will do the job.
Kaiser-Eoghan
Lol theres a surprise, seriously, Black Lagoons manga is updating again.
KTravlos
worst recap ever for me? Gangsta. That was a stupid recap episode. Really like a Public Announcement. Useless, stupid, and ruining atmosphere. Utter stupidity. There I got it our of me :p
Kaiser-Eoghan
@Masky: Unfortunately too far behind in the sequel manga to catch up, I did take a look at THAT in the latest chapter though.
Masky
Huh, for some reason thought Tokyo Ghoul was under shonen when its seinen. Welp now that makes more sense, I was thinking story about cannibalism would be kinda absurd for shonen.
Spike
They serve no purpose except to fill airtime when production gets fucked up. They have 2 bad choices - run a recap or run an unfinished episode. Recap is generally the less dogshit choice. I've seen a few anime that ran the episodes with unfinished animations and still frames.... the backlash was about 100x what a recap is.
SuperMario
I'm about to say that to you as well Kaiser, maybe watch the recap and then continue on. The only thing I kind of take from the recap episode is the editting: how they chop off the fat of 6 episodes to still give you important developments. But as a way to catch up/ to reintroduce the series, it's freaking useless
Anonymous1104087
I don't think anyone should start from the recap episode. Unless there was a long hiatus, a recap in between episodes is unnecessary for new viewers and old
Lenlo
I mean, aside from whatever happens with Mugaro.
Lenlo
Next episode seems early, out of 24 episodes, for Nina to learn the Prince is Chris, yet that seems to be what the confrontation is leading towards, and then she freaks out and he learns shes the dragon. Becomes the conflict for the rest of the season?
Lenlo
Seems I was right, Azazel didnt predict that Nina might not be so easily riled up as she once was. To bad so sad Azazel, she has someone she loves now.
Kaiser-Eoghan
How useful are these recap episodes anyway/actually? Hypothetically lets say I was feeling lazy and decided to watch tsuki ga kirei starting from the recap episode.
Kaiser-Eoghan
[link src="https://www.anirena.com/?s=blame

http://anilinkz.io/blame-movie"]
Lenlo
So long as there are consequences for how hes acting, then I am ok with it. I just dont want him to turn into some MC hero when hes acting like this.
AidanAK47
And in Re:Creators Sota is still being a goddamn pussy. Now that the exposition has gone down I am really starting to hate this kid.
SuperMario
It's the presentation that they differ. Ghost Hound focuses more on the atmosphere, so those details I mentioned before work for their benefits; whereas Sagrada Reset focus on plots (and confusing themes) so those stick out like sore thumb.
SuperMario
4 episodes into Ghost Hound so far. This show also reminds me a bit of Sagrada Reset this season- the way they both emotional distant, complex plots; keep viewers away at arm's length, and feature characters that have robotic facial expressions. Yet I enjoyed Ghost Hound so far and couldn't engage in Sagrada Reset at all.
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