Posted on 17 September 2010 with categories: Anime Reviews, Kuroshitsuji II




Okay, you can say a lot about Kuroshitsuji II as a sequel to Kuroshitsuji. But at least it has BALLS.

In today’s anime, in which it’s very difficult to come up with really interesting plots and storylines, and people rather try to stay at the tried and true, Kuroshitsuji came, made optimal use of its creative freedom, discarded the manga it’s based on completely, trolled just about everyone who watched it and came up with quite an interesting concept for its sequel. This lead to many good things, but also many bad things.

But still, out of all of the series that premiered during the past summer season, I really can’t deny that Kuroshitsuji II had the best plot out of all of them: it made the best use of its episodes, it was the least afraid to include some caring yet thought out plot twists, it was very good at building up its own storyline and actually using this and overall I have to say that I enjoyed most of it.

But the biggest selling point of this series is without a doubt the new cast of villains, especially Alois and Claude. The two of them are like a trainwreck: completely derailed but yet so interesting to watch. Especially the antics of Alois are consistently captivating, and you can see that the creators had a lot of fun portraying him as this insane teenaged noble. The creators realized this very well, and so they prepared a number of plot twists that really attempt to bring the best out of these two characters.

On the flip-side, this is a series that likes trolling its viewers. This is especially noticeable in the way that it follows a very awesome first episode with a completely disappointing and badly executed second episode. And in fact, the first third of this series has just about everything that made the fillers of the first season so tedious to get through. Episodes 2 to four are a bit of a test of patience, they’re necessary for the plot and all, but this series makes no attempt at hiding its vast array of annoying characters.

After that though, this series really gets better than ever. Its humour gets snappier, the way the series uses its unique selling point of god-mode butlers gets used better than ever, both for the serious purposes and the over the top silly ones (which work more and more as the series goes on).

This series also has the weirdest allocation of animation budget I’ve seen in a long while. The animation in this series ranges between average to very smooth,like what most series do. However, the creators have this very interesting tendency to spend the most frames on the most random scenes, especially on hands or lip-syncing, while the action-scenes usually have average animation. And don’t get me wrong here: it actually works pretty well. Those detailed scenes add an interesting amount of life to the characters, and the action scenes are kept interesting by the plot twists anyway, so they don’t really need any stellar animation.

I have ranted about Kuroshitsuji, I have ranted about the fillers, and I have ranted about the ending of this sequel (which, the more I think about it, was actually pretty good), but really: we need more series like this. Series in which the creators disregard any conventions and just go with a bunch of interesting ideas that actually lead to some unique stories.

Storytelling: 9/10 – Well paced, fun, tense and exciting and manages to get the best out of the plot and characters. At times it might not seem like it knows what it’s doing but in 50% of the cases it’s just trolling.
Characters: 9/10 – Alois and Claude may not be the deepest characters, but they’re delightful to watch. This sequel also gives an interesting new dimension to Ciel and Sebastian.
Production-Values: 8/10 – Strange uses of budget that somehow work. Oh, and Yuki Kajiura has an insert song somewhere.
Setting: 8/10 – Makes optimal use of its creative liberties with a seemingly endless supply of interesting ideas for the plot to work with.

Suggestions:
Touka Gettan
Futakoi Alternative
Ga-Rei Zero

Posted on 16 September 2010 with categories: Kuroshitsuji II



Look… just look at this picture. Got it?

In memory of

Ciel Phantomhive

Who died at Aug. 26th, 1889

That would have been the perfect ending here. That was how this episode SHOULD have ended. I mean, the creators wouldn’t be crazy enough to actually try and revive Ciel, right? They’re not going to do something as stupid as negating the entire ending of the first season. They couldn’t, right?

So yeah, we got trolled here; big time. Dear god, reviving is one thing, but get this: in his last moments, Alois forged a contract with Johanna that turns Ciel into a demon. Because he is a demon now, he can’t die, yet his contract with Sebastian is still running, even though there is no way for Sebastian to absorb Ciel’s soul. So yeah, Ciel and Sebastian will actually be able to live together FOR ALL ETERNITY. Bloody Nora, they actually went there. This series actually was entirely meant to realize the wish of the squealing yaoi fangirls to have those two together until doomsday.

I’m a bit bewildered by all of this, especially on how I’m going to write the review for this series. I mean, was this episode bad? It was perfectly told if you ignore the things it tried to tell: everything took its time to let all of the revelations play out, the second half of the episode was well produced in how the creators portrayed Ciel saying goodbye to everyone. I have no problems with that.

Now, whether or not the big twist is bad, here’s the thing: I have seen a ton of bad endings at this point, and this episode really looked like none of them. Usually, the endings that disappoint me are either the ones who lack ambition (as in, they resolve things fine but the way they do it does no justice to the build-up that it has gotten), ones that fail to resolve anything (it really depends on the rest of the series and how those delivered whether I dislike or accept those) or ones that are just too rushed.

This episode was neither. The creators knew exactly what they wanted to do (dammit!), they knew exactly which revelation they wanted to save for when, and they knew exactly how to plan everything out, not just in this episode, but throughout the entire series. I mean, how often did this series troll anyway? It feels like it trolled both the fans of Ciel and Sebastian as well as the fans of the new approach, twice or even more.

I’m really going to have to sort out my thoughts for a bit for the review of this series.
Rating: #^% (Akjsdfh)

Posted on 12 September 2010 with categories: Anime Reviews, Kuroshitsuji II




So, yes…. I caved in.

Here’s the thing: for the past summer season, there have been three series that stood out to me: Shiki, because it had the best atmosphere, Occult Academy, because it had the best execution, and Kuroshitsuji II, because it had the best plot (a possible fourth on this list would be Sengoku Basara Two because it had the best action, but that entirely depends on its final three episodes). Because Kuroshitsuji II did what many other series failed at, and became more interesting to watch than I could have hoped for, I guess that I just was obliged to check out that first season now – not all of it, mind you. This is one of those series that at times seems to be actively trying to be bad with its random stories and insert-episodes, so this is a review of just the episodes 5-8 and 17-24. If you want an impression of the entire series, just note that I couldn’t make it even past the second episode. Twice.

Without the random annoying side-story, Kuroshitsuji becomes quite a snappy and diverse series about the occult in England around 150 years ago. There are a few holes in the plot here and there, but they’re all simple enough that they can be just guessed, so I can recommend this method of watching for the people who are interested in Kuroshitsuji’s darker parts, but have no indention of sitting through hordes of uninspired light-hearted moments that only take ten seconds to become annoying.

Because I must say, those darker parts were quite worth it. This series sells itself with bishies doing the most impossible stunts, but behind it is an interesting and quite often disturbing world with quite a bit of intrigue. The lead character Ciel starts out as a bit of a questionable lead character, but he turns out to be quite an interesting anti-hero who has given up on life, just for the sake of his revenge. The darker parts of this series is where the unique selling point of Kuroshitsuji also really shines: Sebastian fits right in with this dark atmosphere, and even the few anticlimactic uses for his powers turn out to be hilarious, like they should be.

Having said that, though, I do want to say that I still like the second season of Kuroshitsuji better. Alois and Claude (and Johanna possibly too) are by far the most interesting characters in the entire franchise, and these two really made a huge spectacle of the second season. The first season tries, and it has some neat villains too by the way, but none of them really get close to how fun it was to just see those two flamboyant characters parade across the screen. Sebastian and Ciel are interesting, but in the end they aren’t really the most complex characters and there is no development between them either. Especially Ciel makes a number of rather strange and stupid decisions throughout the series.

Still, I liked the plot here, the creators put in some very interesting ideas for Ciel to tackle, and overall I had no problems getting though this series and I quite enjoyed it. Kuroshitsuji is a strange series though. I can easily have seen the first season as 13 episodes, and my guess would be that it would have been much more accessible and balanced than that it is now. And yet for some reason this show paraded all over with its bishies and shallow side-stories, even though beneath it is actually pretty good. This isn’t another case of Kobato, whose first half was simply inoffensive before it could get to its good part. Kuroshitsuji’s random stories are annoying beyond belief; they are completely different from that it really is about, and I really don’t want to watch anything more of that.

Storytelling: 8/10 – Good atmosphere, well told, a pretty good sense of build up.
Characters: 8/10 – Nothing special or well developed, but an interesting cast nonetheless with a nice chemistry to watch.
Production-Values: 8/10 – To me, the second season was also better in this aspect, but the art looks consistently solid and the soundtrack is also pretty adequate.
Setting: 8/10 – Okay, it’s England with a lot of liberties taken, but this series makes very good use of these liberties to show a very interesting setting here.

Suggestions:
Suteki Tantei Labyrinth
Trinity Blood

Posted on 9 September 2010 with categories: Kuroshitsuji II



You know, for most of the duration of this series (I’d say a bit less than two thirds of it), I thought of this as a bit of a silly series that had nice ideas. But I’m more and more forced to take this show seriously at this point. I mean, the creators here did something that I really want to see in a whole bunch of more and other anime: take full advantage of its creative liberties; instead of going through the tried and true formula, it really played around with its plot and characters.

And really: this just seems to get better and better at this rate. I really loved this episode, and the way it used this quiz maze in order to show Alois’ inner torment. Combine that with the fact that he forced Claude to reveal that he’s been used as a cheap tool to get to Ciel, the characters really perfectly used each other in this episode. I really love these types of episodes, and to think that the creators used it as the semi-final episode.

\With one episode left, it’s either going to be a complete success or a total disaster, and I really feel that it’s going to have a major impact on how I’ll end up rating it. And seriously: I’m seriously willing to rave on this series if it doesn’t end up chickening out at the last possible minute. At this point, this series has exceeded my expectations twice: the first was with its first episode, and now again with its final episodes it has become much more fun than I could have expected. Please don’t let that final episode ruin things, because I really liked how Johanna pretty much stabbed everyone in the back for her own goals. Talk about neat plot twists.
Rating: *** (Awesome)

Posted on 3 September 2010 with categories: Kuroshitsuji II




It’s great to see that even now the creators are still developing the entire story and coming with new twists. Last week I mentioned like this series felt like it was one of those stories in which the creators make up the events as they go along. This episode surprisingly proved that statement wrong, suggesting more like the entire series had been planned carefully beforehand.

Seriously, the twist in which it was Alois’ little brother who made a pact with Claude in order to get rid of all of the villagers was a very nice one: so Claude simply created a random reason to form a pact with Alois, blaming Sebastian who had absolutely nothing to do with it. These demons have the weirdest habits in their attempts to make their souls as tasty as possible. I also loved the reason the creators found for keeping one of the villagers alive in order to explain what happened. Also, what the heck was Ciel’s eye doing inside that maid’s throat? o.O

But seriously, though: after the initial episodes, the plot for this series turned out to be surprisingly non-linear. I mean, the plot is chock-full of fanservice, but it has been surprisingly well plotted and planned out, in order to make the story as interesting as possible. It really makes me think about whether they also have a cool ending in mind, or are just working to a scenario in which Ciel and Sebastian can live happily together.

Either way, this episode again showed how much fun the creators themselves seem to be having with this series. This episode was chock-full of those tiny details like interesting camera angles, nice ideas and all kinds of strange antics from the butlers, from yelling out loud how tasty Ciel’s soul is to pulling a bunch of film out of Claude’s servants’ eyes. Oh, and Alois returned as well… somewhat.
Rating: *** (Awesome)

Posted on 27 August 2010 with categories: Kuroshitsuji II



Now that Alois is gone, this series did lose a big part of its fun factor, but this episode seemed to realize that and really had fun playing around with the rest of the cast to make up for it.

I mean, a plot to brainwash Ciel and make him think he’s Alois? That’s quite intriguing. If anything because of how the end of this episode promised Sebastian to go completely insane in the next episode. That shinigami that attacked Sebastian with that lawn mower also was another one of those crazy ideas I loved.

Not to mention that, even though this episode had quite a bit of action, the scenes that the animators spent the most frames on yet again was Claude’s hands as he was crocheting. It looked very good and realistic, really. But why that scene, of all places?

Now, the only thing I’m a bit worried about is the conclusion here. I mean, at this point the creators can easily revert everything back with another Deus ex Machna again, because at this point, this really seems to be one of those plots that the creators make up as they go along. I really want to see this show end with something epic. I don’t really care about the depth, this show never was one of those where you can expect that.
Rating: * (Good)

Posted on 20 August 2010 with categories: Kuroshitsuji II



It’s like the creators made the first episodes crap on purpose.

Seriously, the creators had pure gold with Alois, and yet for some reason they dedicated for consecutive episodes on the silly adventures of Ciel&co. I mean, this episode was awesome. It’s hard to imagine that it came from the same creators as the ones who wrote that silly random flood in the second episode.

I mean, where to begin. This episode was all about Alois’ back-story, and it fully played with the insanity of this character, and how it came to grow. On top of that, the whole backstory behind everything also reached the point in which it actually gets interesting. Alois wants Ciel because Sebastian killed his younger brother in the past? It’s quite interesting to see that he has completely different goals from Claude. Not to mention Alois ACTUALLY DYING at the end of this episode. Bloody hell!? What purpose is that ring going to make in the rest of this series?

Not to mention… Yuki Kajiura!? It’s awesome to suddenly have an insert-song of her appearing again. It also looks like this is going to be the new ED, which makes it even more interesting.

2010 really has been a major year for A-1 pictures. It’s not exactly their best year (heck, they made Birdy the Mighty in 2009), but I really like how their series have been so experimental this year: they’ve been trying out a ton of different things, not just in Anime no Chikara, but also in Ookiku Furikabutte with its unique direction, and Kuroshitsuji as well. Alois may be insane, but he’s one heck of an interesting character to watch. At this point, I somehow understand why there isn’t going to be an Anime no Chikara in the upcoming fall season, though. My guess is that it has more to do with manpower than with popularity. I mean, how many series are they working on in 2010? 7? (including the long-running Fairy Tail). I’m amazed that they kept up such a good quality for most of them: despite a number of hiccups here and there they all had their own parts in which they’re memorable (Fairy Tail excluded perhaps because I’m not watching that one anymore and Togainu no Chi because it hasn’t aired yet).
Rating: ** (Excellent)

Posted on 14 August 2010 with categories: Kuroshitsuji II



Hey, I’m back from holidays.

Anyway, I’m understanding the appeal of Kuroshitsuji now This episode was just so ridiculously camp and over the top that it makes for great entertainment. It’s obviously nothing really deep, but I’m having a hell of a time enjoying the creativity that has been put in these battles between Alois and Claude and Ciel and Sebastian.

Also, THANK GOD Ciel finally turned into someone more than a damsel in distress this time. Overall, I’m not sure whether the cast was any deeper in the first season, but one of my complaints is that aside from Sebastian, Alois and Claude (and perhaps that one maid of Alois), the rest of the cast is pretty interchangeable. Every episode here seems to have a bunch of different side-characters, but they all just look like each other. You could just swap all of them for the same character and it would not have made any difference to the plot. In the same way, Ciel had a pretty interesting concept with his revenge and all, but most of the episodes I’ve seen him in simply make him into someone who either does nothing or gets kidnapped.

Either way though, the side character of this episode, while he pretty much sucked as a character, really fitted its over the top atmosphere. I think my favourite pats here were when Sebastian impaled the triplet servants with a single spear, along with the actual climax of the episode. I’m not sure why, but the creators seem to be having a lot of fun with Alois. The way he’s animated, along with his facial expressions are completely different from everything else on this show. There are really a ton of characters that are overacting and chewing the scenery in this series, but he is of a completely different class here.

As for the mystery: well, it really turns out that Alois was the bad guy behind the bad guy, giving Ciel an actual reason to get another revenge. Only two major questions remain right now: why is Ciel’s soul so damn tasty? And under what kind of condition did Alois make a pact with Claude? They’re both pretty standard questions, so I doubt that this series is going to be making any more points with its mystery right now, so at this point the final number of episodes need to rely on these over the top battles, along with the interesting dynamics between the four lead characters.
Rating: ** (Excellent)

Posted on 5 August 2010 with categories: Kuroshitsuji II



“I will now use this ladder in order to try and defeat this almighty demon butler”. “I will now use this bowly thing that produces music in order to brainwash everyone around me”. Now that’s what I’m talking about. Screw those god-mode powers: anyone can give that to their characters. But when the creators put those hilariously ridiculously executed ways to achieve their goals: that’s really something of the Kuroshitsuji franchise.

Especially the way in which Sebastian ended up countering that brainwash device: creating his own concert of water-filled wine glasses, even though he… could have just smashed the entire thing.

Anyway, the plot. Finally we get some stuff explained. So… why did Sebastian revive Ciel? Well… it turns out that he wanted to give Ciel a second chance at revenge. Okay. So apparently, this all has to do with the fact that somehow, Ciel is special. Special enough for Sebastian to want to steal his soul twice, and Alois to collect him like a stuffed doll. The problem here is Ciel’s memory loss, which somehow complicates things. I admit, it’s quite a decent explanation. Here’s the thing though: Ciel’s hidden powers, or whatever it is that makes him special, are still a complete McGuffin. They’re just there to give this second season a plot, nothing more.

Either way, I enjoyed this episode a lot. The way in which it it made such stupid stuff so epic. The soundtrack was especially good at this. I also love how the entire episode was pretty low-budget, with the sole exception of some of Claude’s hand movement. I mean, out of all the things to spend the most animation frames on, this is quite an interesting idea. Or do fangirls nowadays have hand fetishes?
Rating: * (Good)

Posted on 29 July 2010 with categories: Kuroshitsuji II



Now this is more like it. I was really beginning to get tired of these half-assed build-up episodes, and this episode was a huge improvement as it returned back to the main story of this sequel. Finally, we get to see Alois return. The thing with Alois is that he may not be developed yet, but he’s such an enigmatic character. He’s so unashamedly full of himself here, and his presence is for me just enough to keep watching this series.

On top of that, though, the mystery is finally getting interesting. The previous three episodes were deliberately kept so seemingly out of continuity, and this episode finally gave a bunch of hints about what happened. Sebastian explained it as “amnesia”, and apparently he asked some of Ciel’s friends to keep this a secret, and pretend nothing happened.

So, for some really strange reason here… Sebastian actually revived Ciel, along with those three servants (who also died at the end of the first season, right? At this point, I really fail to see the point of a demon who makes a contract with some human, just to be able to eat his soul… only to revive him again. I hope that the eventual reason behind this is going to be more than just a McGuffin. With these kinds of things, you can just define a bunch of magic rules that explain everything. The question is going to be how well these fit, but we’ll see.

I’m mostly curious to see where Alois fits in all of this: what was Sebastian doing in his mansion, and why that somehow ended up bringing Ciel back. Claude especially seems like more than just another butler who is harvesting souls. I also hope that this episode marks the end of the stupid adventures of the previous three episodes. I can see why they’re necessary to build up and all, but that’s no excuse for their poor execution.

Oh, the servants however… they were as annoying as ever. This episode also introduced a bunch of Indians (who have their own theme music, apparently), and they too are obnoxious. I really don’t want to know how often they appeared in the first season…
Rating: * (Good)

CHANGE USERNAME
Anonymous2040262
its almost like he could be an antagonist
SuperMario
For me I don't mind if I have to pay to watch the series/ films, but damn it don't restrict me to access it. Entertainment medium is meant to be an exposure (for the lack of better terms), it's supposed to be available to the mass and nobody care for a series that isn't available for streaming. We have way too many other options out there
SuperMario
"Piracy is almost always a service problem and not a pricing problem". Someone said that and I couldn't say it better
SuperMario
@Amagi: which part of Firework that you stopped? It's the movie that make less and less sense as the story goes on so I feel you on that
Amagi
I really wonder what's up with this guy. Considering the hype and VN screens he gets he seems to be more than just random side-protagonist. Looking forward to the rest of this series.
Anonymous2039704
One of my favorite OPs this season
Amagi
Now I textwalled again and feel bad.
Amagi
In short: be it indie-products or official series or papers, just upload everything on a virtual plattform and you'll get a bigger audience, many of them even willing to pay as long as they get what they want in high quality.
Amagi
Something might only become popular 4 weeks later but it doesn't matter because it's still there and people can watch it whenever they want and the other series don't matter since it isn't a classical rivalry as we know it from tv.
Amagi
"Less people watched the first episode than the 1000th iteration of [insert some "classic" movie old people watch for the sake if it]. With streaming plattforms like Netflix and others series just get dumped and are always accesible.
Amagi
Another reason for why I prefer streams and stuff: TV and quotes are a horror. They often cancelled series after one or two episodes because the quotes didn't live up to what they wanted. Instead of giving a new series some time. It needs time to get a fanbase and people often need weeks to even know about a new series, but nope.
Amagi
In the end such things are usually screened in ~3 places around the country for a day or two. So if you aren't living nearby or have work to do on that day: good luck.
Amagi
Sometimes it isn't their fault though, like when there is an anime or some indie guy from my country is making a movie - and nobody wants to show them.
Amagi
Same here. I really want to give small companies or indie/artists a chance, but it's not always easy.
Kaiser-Eoghan
What baffled me was the British film institute blocking Irish users using their legal streams.
Kaiser-Eoghan
Believe it or not I actually WANT to support.
Kaiser-Eoghan
While I do pirate alot, in cases where an obscure film actually gets a cinema release I make sure to pay to see it at the cinema, I support all the rare anime screenings too.
Amagi
There is so much stuff I had to pirate or I would have had to relinquish it completely. Even with non-fiction books for my university studies.
Amagi
lmao. But I 100% agree. Maybe you're lucky if you live in the US but otherwise you are often enough f*ed. Bad marketing.
Kaiser-Eoghan
Point I was trying to make is that, region blocking is only encouraging piracy more.
Amagi
narf~ couldn't manage to finish that Firework movie, do I miss much? It seems like something that might have a bunch of good ideas for the later part but the first half just bored me and I couldn't get into it for some reason.
Kaiser-Eoghan
Release your damn indie project on a reputable site or at least offer a paypal option and if its something off-colour in content, send the bloody thing digitally and not as a dvd.
Kaiser-Eoghan
Oh look, funimation releases eng dub trailer...think I'll...wat....oh wait this video is not available in your region"
Kaiser-Eoghan
"This video cannot be streamed outside of"
"Sorry we do not deliver to Ireland"
"Sorry this film from less than a decade is out of print"
Yeah, fuck legal streaming, just for that I'm pirating you.
Kaiser-Eoghan
@Mario: Truly you have become the most super of Marios.
SuperMario
Finally pulling those reviews out. Guys, if you're expecting for Hinamatsuri and Masotan posts, the former will be done tomorrow and if I have more time I will do the second one too. Enjoy for now
Anonymous2037529
LWA academia is probably the only trigger project i've truly cared about. I haven't watched KlK to completion or luluco for that matter(i got to get around to that) but ive seen everything else and i just don't give a damn about any of em
Amagi
But to say something positive - I liked the second episode of Kamuy way better than the first one. Budget seems to be really bad but the rest makes up for it it seems.
Amagi
I think Luluco was the only one I enjoyed after KlK which already had a bunch of problems - but overall it was far too entertaining for me to seriously care about those.
Amagi
Guess the last 1/3 might be more interesting when they start with the actual world building for once, although they could probably slam the love stuff even more in our faces but who knows. Not fond of any of the latest Trigger anime to be honest.
Amagi
Also they're really overdoing it with all that obvious message stuff and the "love superpower" trope I always hated anyway. Still watching I mean at least it has a plot and tries.
Amagi
I still can't care about anyone or anything in this series I think it's really not made for me. I might have liked Goro but he's too unimportant and the sauros revelation was kind of a letdown since it's the most common twist for these kinds of things.
AidanAK47
Alright Franxx, you are forgiven for episode 14.
Kaiser-Eoghan
@Mario: Do you ever go to those surprise horror/thriller preview screenings? Where they don't tell you what film it is until it starts?
Kaiser-Eoghan
*worrying about
Kaiser-Eoghan
@Mario: Its saying something, when I haven't seen eternal sunshine since it came out, but even by re-watching the trailer, the feelings, the whole film comes back. At that point I'd grown out of Jim Carey's comedy, so seeing him play against type was refreshing.
Kaiser-Eoghan
@Mario: Ah, I'm more forgiving then, I'm likely to give higher points for sheer imagination that I'm not as bothered by worry about the story.
Kaiser-Eoghan
@Mario: Any negative argument against mood indigo by him can be countered by the fact it has Audrey Tatou in it.
Anonymous2035464
jhonrhean
SuperMario
and I just watched A Quiet Place. A solid indie horror one. It builds on atmosphere and it does the family chemistry right
SuperMario
I don't like The Science of Sleep to be honest. Tons of interesting ideas and visually creativeness but the story itself is a mess
Kaiser-Eoghan
@Mario: Gondry needs to avoid making any more commercial comedies, he also needs to start working with Kaufman again, they brought out the best in each other, although on his own, he can be playful and inventive with his films, such as mood indigo and science of sleep.
SuperMario
But check out his other movie Eternal sunshine of Spotless Mind. It has an inventive mind control/ mind altering concept in there
SuperMario
Jim Carrey is kind of mind controller himself. I couldn't take my eyes off him
SuperMario
@anon2028818: it was indeed season 5. SORRY FOR MY IGNORANCE :)
Vonter
The Jim Carrey movies.
Vonter
Dorei-ku seems like a Kakegurui. You see one episode you've seen all. It'll be better if it was crazier like Mirai Nikki. Mind control IMO could be a very creepy setup if it's watched through the perspective of the victim rather than the perpetrator. Losing notion or reality and control. Could liar liar and Yes man be considered mind controlled stories?
Vonter
Ore Mahou Shoujo, baffles me, since I had to skip another long musical off key number, which makes me wonder where the budget cut starts and where the trolling begins. Also makes me sad, there aren't a lot of female to male transformations since it'll be interesting watching that perspective. Maybe a love triangle from both genders could apply since females are more accepted to be bi, in media.
Vonter
Megalobox could be something really special, but I hope like with Ashita no Joe, the anime isn't solely boxing. Joe, had social commentary, had a personal struggle do to the protagonist origin, attitude and view of life, since he started very immature and rebellious.
Amagi
Megalo Box, Tiramisu (I find this genuinely funny), S;0, GGO which is so much better than SAO, Wotaku, Hinamatsuri, Cutie Honey, LotGH, Hisone to Masotan and so on
Amagi
I really love this season as well.
Lenlo
Also personally I am enjoying this current season a alot. But I also know/like a good bit of the reboots/sequels
Lenlo
Oh man... 2015 winter was good. Forgot thats when those came out
Anonymous2028818
@SuperMario: Wasn't that Natsume season 5?, pretty sure season 4 was several years earlier.
SuperMario
Another strong anime season for me was 2015 Winter, where we had YuriKuma Arashi, Maria the Virgin Witch, Death Parade, Durarara whatever season, second cour of Shirobako, Parasyte and Your Lie in April
SuperMario
Even so, with this season I'm still willing to give some shows another chance, like Caligula or Cutie Honey Universe(!)
SuperMario
For me, the best season in recent years was Fall 2016 when we had Flip Flappers, Sound Eupho 2, Yuri on Ice, Natsume 4, Fune wo Amu, Drifters and 3-gatsu no Lion. But I know that Aidan would disagree with me on this
SuperMario
@anon2028201: it's me who said this season is a mixed bag. It's like you said, this season is too heavily on sequels/ reboots and only some new anime stand out, the rest of the pack is just meh.
Anonymous2028201
To me this seems like a pretty good seasons, but judging some of the impressions, it's a bit more of a mixed bag for most. Just curious, what were the best seasons for recent anime? This one seems good to me, but to early to tell right now
Anonymous2028201
Lovin this season so far: a lot of reboots/reimaginings and sequels, but I'm enjoying them all. MHA S3, LOGH DNT, S;G 0, Megalobox, Golden Kamuy are what I'm watching right now. I hear Full Metal Panic is good as well, but I haven't gotten around to watching the original series.
Anonymous2028258
so i just recently rewatched fullmetal panic fumoffu and i gotta say that this is easily one of Kyo ani's best works. It's such a surprise that this was their first anime; it's a damn good romance comedy
Kaiser-Eoghan
@Anon: Lol I love B-movie type stuff, because the rules are off.
Kaiser-Eoghan
I was the only person who watched Mazinkaiser skl and shin mazinger and skullman.
Anonymous2026379
@Kaiser Takeshi Koike really wanted to really sell it as a grindhouse feature and I ate that shit up; I really dug the tone he was going for.
Kaiser-Eoghan
@Anon: It was strange seeing that Goemon short, much as I enjoyed it, thats the goriest I seen lupin get.
Anonymous2026379
Megalo box is pure retro while lupin is a mix of old and new...and you're right; people just think they can't jump right into it. But that's why more people should be talking about it; to let the masses know that you don't need a starting point to get into the Lupin franchise
Kaiser-Eoghan
I'm a massive fan of the devilman manga and I thought devilman crybaby was better than it.
Anonymous2026379
90's-esque throwback feeling shows like lupin and megalo box have been giving me
Anonymous2026379
Luoin part 5 is definitely mixing the best of new and old. Honestly, I've been having a blast with it as well as this generally 90
Kaiser-Eoghan
I think the problem is, people see lupin as this long thing they can't get into, when really its so episodic/standalone mostly you can pick up and watch.
Kaiser-Eoghan
And of course getting the best bits out of old and new.
Kaiser-Eoghan
*visual style
Kaiser-Eoghan
I'm a fan of this hybrid old and new style, megalobox does it too, mine fujiko aswell and casshern sins.
Kaiser-Eoghan
I was surprised by how well the Fujiko mine show came together in the end.
Kaiser-Eoghan
I'll be interested in picking up more facts about thrm.
Kaiser-Eoghan
Come think of it, Akira Kurosawa did some old western (eastern?) in Russian, that had an Ainu in it.
Anonymous2026379
Asirpa is sooooo adorable.....almost feels patronizing to say that about her due to how badass she is
Anonymous2026379
What makes Fujiko work so well as this sexy icon is that she isn't just sexy: she's smart as shit and uses that sexiness to dominate and control her opponents (similar to bayonetta) rather than be chained by the objectification of her opponents (and the viewers for that matter)
Anonymous2026379
I wonder what other obscure cameos we may get this season. And yea you're right about some of Lupin's potentially sexist traits being assuaged by his level of cool and the genuine respect he shows a good deal of the women he has encountered throughout the series
Kaiser-Eoghan
@Anon: Yet still a fun film at the same time.
Anonymous2026379
@Kaiser Yea, mamo was a pretty dark element introduced to the lupin franchise; and considering the tone of the gravestone of Jigen, it makes sense he would cameo there
Kaiser-Eoghan
@Mario: Help I want to kidnap Asirpa =<
Kaiser-Eoghan
@Anon: I'm probably as surprised as you, at finding someone to talk to about Lupin on here.
Kaiser-Eoghan
@Anon: And through comparing/contrasting the jigen grave stone and Fujiko mine, with some of the sillier older ones, it shows the Lupin characters are flexible enough to work both in a darker AND sillier context.
Kaiser-Eoghan
*character
Kaiser-Eoghan
@Anon: Fujiko is precisely how a fanservicey character should work and how built in/essential it is to her haracter, without becoming an irritant.
Kaiser-Eoghan
@Anon: By all means Lupin himself shouldn't be a character we like, much like Bond, but like Bond theres a coolness to the character that allows us to love him.
Kaiser-Eoghan
@Anon: Another great thing about Lupin is how it uses its 60s cool to get away with what would normally probably be considered fairly sexist.
Kaiser-Eoghan
@Anon: I had a big smile on my face when Mamo made a cameo appearance at the end of one of the recent ones and thats because I remember the Lupin Mamo movie was one of those first anime that I watched about 20 years aago.
Anonymous2026379
not to mention that its one of the few anime this season that actually knows how to utilize dialogue to explore flesh out its characters rather than exposition or contrivance: looking at you darling in the franxx
Anonymous2026379
@Kaiser-Eoghan Nice fun facts; but yea Lupin III is a series that has always had an amazing sense of pacing and adventure, traits that are definitely on display this season
Kaiser-Eoghan
@Anon: Its a huge franchise too so I'm often never sure where to go next.
Kaiser-Eoghan
@Anon: You may or may not know this, but the voice actor for solid snake voiced Lupin in one of the dubs.
Kaiser-Eoghan
@Anon: I watched a few episodes of the Italy set lupin show too .
Its a fun franchise due to its cast but its something I have to follow irregularly, lest it get repetitive.
Kaiser-Eoghan
@Anon: Fun fact, guy who directed the gold of babylon film was a famous B-movie noir director in the 60s.
Lenlo
Dont trust anything written by the original SAO author. Everything is his fault. Kirito is not in this series.
Lenlo
Even the original SAO author has little to do with it, which is why its actually good
Lenlo
So SAO Alt is basically completely removed from the rest of SAO
Kaiser-Eoghan
@Anon: Lupin is one of those things I dip in and out of, whatever part of the franchise it is. I've seen birdcage kingdom, Mamo, cagliostro, nostradamus, Jigens grave stone, mine fujiko and the recent Goemon centred special.
Anonymous2026379
it's a damn shame not a lot of ppl are talkig about/watching lupin the third this season
Kaiser-Eoghan
But for all I know with that team behind it, its an improvement, but theres probably not much point in me watching as I dropped the first season after less than 10 episodes.
Kaiser-Eoghan
See how he attempts to seduce me into watching something related to sword art.
Lenlo
Huh... I didnt know the writer for SAO Alt was written by the Kino's Journey creator and produced by the Flip Flappers people. Explains a lot
Lenlo
I wish I knew what you meant by shaman girls, and I cant wait
AidanAK47
@Lenlo, Oh I know Leskinen. May he find his Japanese Shaman girls one day. But seeing as I know the story I wanna experience it differently.
Kaiser-Eoghan
@Mario: Its even set in hokkaido, Korean/Japanese director, Japanese cast, Ken Watanabe is in it: https://letterboxd.com/film/unforgiven-2013/
Lenlo
Also, I love the ED. Really, 2 episodes in, I love S;G all over again.
SuperMario
@Kaiser: really? They remade Unforgiven in Japanese?
Lenlo
its*
Lenlo
Like... is good.
Lenlo
But your missing out on the cult of Leskinen. The engrish is actually one of my favorite parts
AidanAK47
@Lenlo, Meanwhile I am happily waiting for the dub.
Lenlo
Dangit... I have to wait another week for Steins;Gate 0 now. I cant do this.
Kaiser-Eoghan
@Mario: The Japanese remake of unforgiven had ainu people in it.
Anonymous2025797
Also I wonder if budget is distributed according to the director, some animes will spend more in the first episode. Some will spend more in the last ones. It's subjective, but if it's like all business it is looking for the better result at the minimum expense. Hence why I believe Berserk was made the way it did.
Anonymous2025797
@Kaiser-Eoghan - Ideally a story should be as long as it needs. But reality seems that a number of episodes is decided before production. And so you either have to stretch or cut material. Kinda like that 300 page manga of Les Miserables, is simply unfeasible translating that book into that few pages.
KTravlos
Oberstein was a great character.
KTravlos
I actually feel Aidan can do a good job on it. Sometimes been too exposed to the material may lead to clouded eyes.
Kaiser-Eoghan
Though I'm surprised by how I unexpectedly laughed at wotaku, I do wonder if later on it will include any slight drama elements to sustain interest.
Kaiser-Eoghan
OMO; OBERsteins; Gate =P
Kaiser-Eoghan
From watching episode 2 of golden kamuy, yeah, the source material definitely is lifting this.
Kaiser-Eoghan
I'm going to have to wait and see on steins; gate 0, it is encouraging to here this might be darker , at the same time I remember having to sit through too much goofy humour in the first one.
Kaiser-Eoghan
I was actually surprised, that, while rare, there were some moments of humour, that lightened it for me.
AidanAK47
Throughout the entire series I expected Oberstein to pull some inevitable double cross. And was shocked when he never did.
Amagi
@Kaiser: Agree with Oberstein. I think antagonists are es important as the mains in fiction and I loved this guy, he's perfect for series like these.
Kaiser-Eoghan
Galactic heroes was an example of where when watching it, when big death scenes occured, I would make noooooo and shouting noises at the screen while clenching my fist.
Kaiser-Eoghan
I love characters like Oberstein, shrewd, clever, but done right to where I can believe it, not characters like, say Lelouch .
Kaiser-Eoghan
I'd be concerned if the new galactic heroes series skimps on the violence, that kind of thing needs to be in there, in most shows/films and shown to be explicit, consequences need to be shown.
Amagi
*about, not with
Amagi
Sadly, most original 2+ cours series I know feel dragged whereas many 1 cours originals could have needed ~3 more episodes. Talking with series that have an actual plot of course.
Amagi
I really like the 13 episodes thingy for originals but I wish there would be more 26 episodes series, especially for adaptions.
Amagi
@Kaiser: I agree. Nothing kills my interest faster than formularic episodes and repetition.
Kaiser-Eoghan
In general I think 50 episodes would be the most I'd watch for an anime, 39 seems ideal.
Amagi
Or worse and the romance drama is the main plot and it's Kiznaiver all over again, while the rest is just flavor to make the romances more forced since they're the MCs are only teens and such. Dunno but I can never bring myself to care about this kind of stuff.
Kaiser-Eoghan
Though better 110 episodes of galactic heroes than a long shounen that just repeats itself.
Amagi
Speaking of recent episodes, I unironically thing that FranXX's world (building) is pretty interesting (although I hope those klaxxosaurusses will be more than just random cannon fodder) but I doubt the series will ever get to the main plot again the next time.
Amagi
Same here. It was really the only time I did this. I am usually exhausted by just thinking about marathoning long series. It's the reason why I won't get into FMP for the new series either. LotGH was an exception since I found it easily to watch for some reason.
SuperMario
Man, just image burning through 110 episodes of it and my spirit fades away
Amagi
Watched that whole series ages ago.
Amagi
Just watched the first three Neue These episodes and I surprinsingly liked it. Thought I would hate it due to being an OVA fan, and I still prefer the old designs by far but overall it's pretty good. I think I might even prefer this version of the first battle, but I have to rewatch the old one I guess.
Kaiser-Eoghan
Also while I can't remember which episode, Yang picks up a book with the author of the series' name on it.
Kaiser-Eoghan
Arslan feels so lightweight by contrast/comparison.
Kaiser-Eoghan
And I think, given your knowledge KTtravlos, that a series review of the new galactic heroes season would probably benefit from you writing it.
Kaiser-Eoghan
I bring up the music in my earlier comment, because I can understand your reservations regarding the music choice in the remake.
Kaiser-Eoghan
And certainly one of those shows, that going back to the first episode after finishing, gives a strong perspective just on how evolving the series was.
Kaiser-Eoghan
*despite me not
Kaiser-Eoghan
Despite not being monarchist , because the characters were human moreso than cartoon characters I couldn't hate on Reinhard.
Kaiser-Eoghan
@Travlos: I suppose by the time it got to Julian's arc, I was surprised they were still bothering to fight but the fact that they were essentially the last bastion of their beliefs made it special.
Kaiser-Eoghan
@Travlos: Sometimes when I just finish a show, its a case where I HAVE to jump online immediately after and excitedly ramble out an essay on it.
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Darling in the Franxx – 13[The Beast and the Prince]

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