Posted on 25 September 2010 with categories: Sora no Oto



The first DVD episode was a pointless side-story. This one wasn’t, though, and it’s very relevant to the series. It’s a much better ending for this series than episode twelve, but still leaves me bloody hungry.

Most importantly, the most burning question here was answered: where the heck does this series take place in. And I have to admit, the creators were shrewd here. I always thought that we really were somewhere in Switzerland where the Japanese somehow settled again in the past, but it turns out to be much simpler: The entire world was nuked and somehow the only piece of land that was spared was Japan. The French and the Germans then invaded Japan and started living there. Really, I like that idea.

But at the same time, this really convinced me even more: this setting is too good for 14 episodes. You can really see that the creators realized this a little too late, resulting into that disastrous twelfth episode. I know that I’m talking down on this series a lot, but it for me it really has become a textbook example of how one episode can just completely kill my enthusiasm and destroy my suspense of disbelief on a series.

The thing is, that the creators didn’t seem to know what they wanted to do with this series: if they wanted to explore their unique setting, they should not have chosen Kanata as the lead character, for that they needed someone more central to the plot. If they wanted to show the adventures of a simple remote army base, then the creators shouldn’t have tried to make this series epic: the princess backstory, the way that the war miraculously concluded in the main characters’ back yard, they were all pointless. Instead, we are here with a combination of both that just doesn’t fit and come together. The subsequent installments of Anime no Chikara really improved on this: Senkou no Night Raid clearly chose to explore its setting, while Occult Academy clearly chose to focus more on its characters. And despite a few annoying flaws, that really worked in their advantage so far.

I was pretty happy with this episode, though. It dropped all of the epicness for what it was and just focused on the girls again. I liked how they made very natural conversations with the townsfolk (and how we learned a bit more about Naomi), and how this episode focused on the dreams that all of the characters have…

…that we’re unfortunately never going to see realized.
Rating: * (Good)

Posted on 24 June 2010 with categories: Sora no Oto



Okay, so apparently an extra DVD episode was released for Sora no Oto. It’s numbered as 7,5, so I assume it takes place between episode 7 and 8. So, what did the creators decide to focus on? Was this episode meant to flesh out the setting a bit? Did a specific character get taken under the loop? Did it add some subtle details to the series as a whole? Ehm, no. It was just pointless.

I get the idea behind it, however. I really like that, because anime tends to be incredibly scared with alcohol. Especially when it comes to teenagers, while plenty of teenagers at the age of the lead characters are already drinking. I would really stand behind an episode that was dedicated to a drinking party between these characters. But the execution of this episode, and the context it took place in… they didn’t work at all for me.

So basically Kanata and Yumina find out about the distillery, so Felicia turns them drunk in order to make them forget what happened. It’s logical when it just remains to that, but the medieval paintball… what was the point of that? It could have been fun if the creators actually executed it well, but the way in which everyone started horribly overacting in a way that I don’t even think would be possible. Not to mention that it was incredibly annoying.

I actually don’t drink myself, so I can’t say this for sure, but is this really how teenagers behave after only a few glasses of liquor? To me, it feels like the creators were just looking for a cheap excuse to make the characters act really moe.

This episode wasn’t entertaining; it dragged on horribly at times, but I think that my biggest gripe would be that it didn’t really add anything aside from two lines of backstory from Yumina that didn’t really lead to anything. Everything that happened in this episode is just forgotten afterwards with alcohol as an excuse. And later, we found out that Kanata figured out about the distillery anyway, so there essentially was no point to this episode. I guess that you could say that this was the episode in which Kanata found out about the distillery because she simply did not forget what happened, but even then: out of all the things that the creators could have chosen, they choose to elaborate on something that didn’t really need any extra attention? There are a ton of stuff that the creators could have done here, to explain a bit more of that incredibly rushed ending, and in the end the creators pretty much waste it.

Overall, this pretty much reflects on my general opinion of Sora no Oto: it really has a number of terrific and excellent ideas that made me love how well they were making use of Anime no Chikara’s framework of coming with original premises. But some of the other decisions it made… were completely pointless.
Rating: – (Disappointing)

Posted on 22 March 2010 with categories: Sora no Oto



Sora no Oto is another one of those ‘don’t by fooled by its looks’-shows. Sure, it may have the same character-designer as K-On, but its content is completely different. Instead it takes place Switzerland, in some sort of mysterious post-apocalyptic world of a threatening war and child soldiers. It tells the story of a military outpost, which can sometimes be quiet and laid-back, but at others dark and powerful.

This series has really been one of the very few series that can boast an original storyline nowadays. In 12 episodes, it paints the picture of a mysterious setting in which a ton of stuff happened in the past, and it’s truly at its best when it can flesh out this setting. It’s amazing how well detailed it describes the village that everything in this series takes place in, and the story that lies behind it. It leaves a lot to your imagination: it doesn’t reveal everything, but instead relies on the viewers to piece together all of the clues.

The characters themselves also have imaginative backgrounds. Through the series I liked how they first start out as those seemingly annoying moe stereotypes, but ended up developing in sympathetic ones. My personal favourite was the Felicia episode, which was a true triumph in storytelling. The slice of life is also very imaginative and has an interesting presentation, rather than trying to rip off the ton of other slice of life series that exist out there.

With a series that’s completely original, you’d expect that the creators would have the perfect opportunity to create a story that fits that 12 episodes that it consists of perfectly. But, now. The creators took too much on their plate and tried to be way too epic for their own good. If the characters didn’t somehow end up standing at the centre of a huge war, then it would have been significantly better. Instead, this show is stuck with an utterly terrible ending that doesn’t just fail to answer some of the most important questions, it’s utterly cheesy, nonsensical and furthermore it destroys a ton of build-up that the previous episodes tried to create so pain-stakingly. It’s a huge step beyond a simple ‘disappointing ending’.

In the meantime however, A-1 are showing more and more what an excellent production company they can be. This series looks utterly gorgeous, and the animation is vivid and imaginative, with especially the backgrounds being really well drawn.

But yeah, in the end this remains a series that went too epic than what was good for it. It’s a shame, I really liked it in the beginning, but for me, it left a nasty bad taste behind in its final minutes. I’m still recommending this show for its first two thirds, but just be aware that this show can’t fulfill the things it promises.

Storytelling: 8/10 – Very solid writing in the first two thirds. Last third is too rushed. Bad ending.
Characters: 8/10 – Interesting development, but some get taken a bit too far.
Production-Values: 9/10 – Beautiful animation and background art; the best OP of the past season.
Setting: 8/10 – Incomplete, but fascinating and well detailed.
Posted on with categories: Sora no Oto



No. No, they didn’t. This didn’t just happen. It can’t be. This show was heading in such a good direction. It was so on its way to be amongst my favourite series of the Winter season. And then it pulls this. I was fearing for this show to end with a cliched route, and it actually pulls off something worse than I ever could have expected.

This is just… unbelievable. The ending went well enough, I guess. It was a bit melodramatic, but okay. Then the action starts, and the spider somehow is totally fixed again. Despite that, it’s not something that was too bad, and I had seen far worse endings at that point. However, then Kanata started playing the trumpet. And every single soldier stopped and listened. What a headdesk moment!

To think that out of all series, this show would end up pulling a “let my song stop all fighting”-ending. What a disappointment. The creators tried to save it by having Rio show up from absolutely nowhere just seconds after that, but the damage already was done for me. It’s one of the first endings I’ve seen this season, but I have no doubt that it’s going to end up as the single worst one. Yes, even Ookami Kakushi’s finale felt more satisfying than this thing.

I’m really thinking of how I’m going to end up judging this series. Before this episode, I had no doubt that my top 3 of the Winter Season would consist out of Durarara, Heartcatch Precure and Sora no Oto. After this episode, I might actually consider to put Gag Manga Biyori + in its place. This wasn’t just a bad episode, but for me it actually destroyed all of the credibility and realism that it built up in the previous things. War should have been a horrible inevitable thing. And here the characters come and solve it like it’s nothing, exactly at the most convenient time for the writers. Blegh.
Rating: —- (Abysmal)

Posted on 15 March 2010 with categories: Sora no Oto



Yes! Yes! Yes! It’s going as I hoped: this episode started the finale, which is both at the same time hard-hitting, yet stays true to the main cast. The drama in this episode was powerful, and instead of moving the main cast to the conflict, it moved the conflict to the main cast (makes sense, trying to hit an outpost rather than a well defended city). The war is about to begin, and yet this series did not forget that it’s also a slice of life series, and saved a good number of minutes, just for that purpose.

The only thing about this episode that was questionable… was Noel. I mean, it’s a bit late to suddenly reveal that she used to be a genius young scientist; my suspense of disbelief was about to break when that revelation suddenly came from out of nowhere. I mean, a princess is one thing, but a genius young girl who saves the war with her own inventions is on a whole new level.

Thankfully the rest of this episode was awesome enough to make this insignificant. There was plenty of character-development now that Rio is gone, the animation was as imaginative as always, and I loved how this episode showed that both Helvetians and Romans can be quite nice people when they’re not trying to kill each other.

And the creators actually thought of language boundaries. The Roman people actually spoke German. And it’s not like we heard one word or something, no. This woman uttered entire monologues in German; the creators cut no corners in making her ramblings believable. And I must say, Japanized German sounds surprisingly good. The European languages all sound very different when the Japanese try to speak them. Their Dutch is fairly good, mainly because a lot of our vowels sound similar (for an example of that I direct you to a certain episode of Samurai Champloo). German also survives fairly well, as this episode showed. English is a bit different, as it often gets raped by voice actors who have no idea about their pronunciation. By far the worst I’ve heard, however, is French. Seriously, whenever the Japanese try to say it, it’s not French anymore. Its just become gibberish.

In any case: that finale. Right now it’s very tempting for the creators to Deus ex Machina that enemy army away with that priestess legend from the first episode. With all of the build-up of this series, a lot depends on that final episode: bring those themes together! Get the best conclusion out of those characters! Do something unexpected that lifts this series to a higher level, yet doesn’t derail it!
Rating: ** (Excellent)

Posted on 9 March 2010 with categories: Sora no Oto



The main reason why I wasn’t too happy with Rio during the past number of episodes is the lack of attention she got. I mean, from out of nowhere she suddenly turned out to be a princess and started angsting. It sounded so cliched. However now that she got an episode properly dedicated to it, my opinion of her turned to the complete opposite. This was an excellent episode that did several things at once, and surprisingly succeeded in all of them.

With this episode I very much understood why Rio was feeling down for the past number of episodes, since she has basically been running away from her duties as royalty (taking that owl along with her, for some reason). My guess is that she didn’t want to be forced into everything, especially because of Iliya’s death.

I as also surprised at how such a major plot-related episode also stuffed in the story of that old woman in it, and made it surprisingly good as well. It wold also have been perfectly fine to include that story a bit earlier, but this way it had an interesting effect on Rio. With the small character-development from Rio and Kanata, it turned out quite heart-warming.

Now, with only three episodes left, the climax has finally begun, though not exactly in the way that I expected, now that Rio is gone. I really wonder whether the final three episodes are going to her, over Kanata who’s supposed to be the main character. To be honest, I’d much rather that the focus would stay on Kanata and the town that we’ve been in. It’s too late at this point to suddenly introduce politics.
Rating: ** (Excellent)

Posted on 1 March 2010 with categories: Sora no Oto



So, since Kureha was the only one who has yet to get an episode of her own, it’s good to see that this episode focused on her. It’s not as good as the Felicia-arc, but definitely adds to her character. The story between her and Claus, who she decided to admire after the loss of her father made this episode quite worthwhile.

Regarding the main story: I’m surprised that the princess is actually dead. There’s an interesting twist, and probably explains why Rio looked back to her with a sense of nostalgia.

In any case, four episodes left, and this episode just finished all of the preparations that this series needed to do. After this, it’s just a matter of this series closing off well, using the stuff that it’s built up for in the past nine episodes. My biggest fear here is Rio: in this episode she may have been a bit too angsty for her own good. If she was trying to make a difficult decision that we don’t know about, then okay, I can understand that. But please don’t tell me that she was angsting like a teenaged girl who hates her father and who is trying to make her do things she doesn’t want to.
Rating: * (Good)

Posted on 23 February 2010 with categories: Sora no Oto



A calm before the storm episode… through a really weird one. I admit that I didn’t expect such an episode at this point of the series.

So yeah. The fluff in this episode was very unconventional. After the hard-hitting previous episode, you’d expect the fun and games to be over, but instead we get a really uneventful episode in which Kanata waits for a phone to ring. The part in which she was about to wet herself was rather uncomfortable to watch. It was well written however, there’s no doubt about that.

However, we finally know what the final arc of this series is going to be about: saving the country. This has been a very down to earth series, but it had it coming: there were a few very clear hints pointing to this. The first one was the legend of the five priestesses: very basic foreshadowing. And then there’s the matter of the princess of the country being mentioned a number of times. This episode also confirmed that Rio has a very high status, and basically came here, running away from that.

The final five episodes are basically going to take care of that, and I bet that they’re going to be completely different from what we’ve seen from this series so far. I really hope that the creators weren’t too ambitious with it, I’d much rather have seen a finale that would focus on the characters. For this final arc, the creators are really going to have to take care to not overdo it and suddenly have our five-some god-mode themselves through this war. That’s the thing I’m most afraid of.

Oh, and Kanata in this episode proved that airheads can use their brains as well, when she revealed that she knew about the secret practices of the platoon. God, more anime should realize this.
Rating: * (Good)

Posted on 15 February 2010 with categories: Sora no Oto



Wow… just wow. To everyone who was expecting this to be a fluffy and light-hearted series: this episode is here to prove you wrong.

But yeah, that’s one of the things about anime: while it’s often relatively simple to tell whether a series is going to be good or bad, after blogging for more than four years I still can’t predict at all when a seemingly innocent series like this one is going to blow me away. This episode caught me utterly by surprise: what an execution!

While this show has its moments of innocence, it’s moments like this that remind us what would happen if war would break out again. And really, this episode revealed that it’s been lie, what? Five years since the last war? This episode didn’t just do a wonderful job in fleshing out Phylicia (it only took one episode for us to understand EXACTLY what kind of a character she is, without making her a stereotype), but it also showed how fragile the setting is.

This episode also gave a lot of more hints about what happened to the past. First of all, the Japanese somehow took over Europe. After that, or during that, there followed a technological boom, and what I expect is AI going out of control (humans in machines don’t control them like the way they moved in that flashback). In order to get rid of them, nuclear weapons were used. The Japanese died of the aftereffects of the fallout, and the French resettled the area. My guess is that we’re currently at one of the few areas that were unscathed. My guess is that the current generation of wars either is about a few survivors of that strange AI (that would explain why they called the attacker of Vingt the “Invisible Angel of Death”, rather than just another war, or it’s a power struggle between the survivors for the last remaining patches of fertile land.

I must say, I’m impressed by the director. His two previous works, Elfen Lied and Denpateki na Kanojo both had some very good direction, but both were held back by a certain degree of unbelievability: characters would do stuff, just to advance the plot. In this series, his focus is EXACTLY to fix this. And here this episode comes and shows that he can also hit really hard when he wants to. I really have to say that Elfen Lied would have been a truly amazing series if it had its characters as well written as in Sora no Oto.
Rating: *** (Awesome)

Posted on 8 February 2010 with categories: Sora no Oto



I do not know who animated this episode, but whoever they are, they surely rocked. Take a look at the huge frame-rate of some of the scenes in this episode. I never really considered A-1 Pictures as a top-notch animation studio, mostly because they produced a number of series that I really wanted to like… but couldn’t (Fiary Tail, Kannagi, Persona and Valkyria Chronicles… hmm, they should stay away from video game adaptations…). But really: after Birdy the Mighty and series like this, who am I kidding? These guys rock in terms of graphics and powerful animation.

This episode was very interesting. On the surface, it was perhaps a bit of a standard set of two adventures, but there were many subtle details thrown into it that made it into a very touching and enjoyable episode. Basically, Kanata spends time away from the other four main characters. In the first half, we follow these four. In the second half, we follow Kanata. Some events that happen in the first half can only be explained if you know what happened with Kanata. Nice touch.

regarding the setting: Vingt. This episode was all about showing that, while war might be bad, it’s not the only thing that is. That monster who killed a bunch of people in City number 20: who was it? Where did it come from? And where is it now? Also, the financial issues of the corps: to think that they were secretly and illegally distilling wine. That takes about care of their predictable and generic stereotypes, doesn’t it? It does make me wonder: can you really recognize whether a character is stereotypical or not, right from the first one or two episodes? I still believe that it’s possible. It’s series like this that remind me instead of trying to spot stereotypes in first episodes, you should try to spot what makes characters move away from these stereotypes. Even the slightest hints could promise something interesting for the future.

This episode was also a great tease. I mean, we all know from the director what he has done in the past. We know that he can write these disturbing scenes and he he has gone for something completely different with this series. Right at the point at which the series seems to take a darker twist, it all turns out to have been an act that fully makes sense within the setting of this series.
Rating: ** (Excellent)

CHANGE USERNAME
Lenlo
Alright, I found the read more tag. Now my tendency to write more than I should will be contained.
AidanAK47
@Mario, Got to play catch-up but I am guessing it was very much a non ending?
SuperMario
Gosh, is that how Princess Principal end?
SuperMario
@KAiser: I really have a mixed feeling watching Assayas's films. I always find his works toe touch into pretentious area. Still have much more films from him I want to watch though so that opinion might change
SuperMario
@Kaiser: As Tears go By surprised me a little considering how straightforward it is. It's Wong's most by the book HK romance but it was one of his most commercial success. After this, the studio allowed him to do things he like and that was when he gone banana with his styles
SuperMario
not a fan. Can't even tell the difference between turtle and tortoise
Anonymous1420257
i like turtles
Kaiser-Eoghan
@Mario: I hadn't expected some of the dry/dark humour in sils Maria, I liked the themes/aging angst and its comments on hollywood in parts even if it needed to go a bit deeper. Stewart is a revelation in it. That X-men parody scene was fucking funny lol
Kaiser-Eoghan
@Mario: I actually kind of liked As tears go by. Mostly because of my experiences with hong-kong action flicks, much as I like John Woos films, the melodrama he tries to sell between the action never worked for me and left me just waiting around for the action to come round again. Wong was able to put genuine emotion into the hong-kong action film with this one.
Amagi
@Aidan: Somehow. The problem is rather Haruki anyway and it's canonically part of her character. Kei becomes more likeable IMO and the events get much more complicated and/or serious plus there are a bunch of characters getting added to the protag team which makes the whole thing more dynamic. The best comes when some other character joins around the middle though.
Anonymous1416115
Personally, I can digest the emotionless dialogue in the first place since I watch the series with the mindset that the main characters are innately "broken" in some ways.
Anonymous1416115
@Aidan Hmm...one might consider the emotion level increases in main characters' dialogues for Sakurada Reset as baby steps depending on how dramatic one expects a character to act in other animes. (The emotions increase do exist though) There are certainly emotional scenes and characters do develop in ways where one can't just say they're 100% robots.
AidanAK47
@Travlos, If you so wish then you can write a review for Bahamut virgin soul. Just let me know if you are up for it. If so I recommend writing it up on google docs, then when you have it done I can give your account contributer status and you can paste it into a post for us to look over and publish on the site. For screenshots our standard size is H240 X W138.
AidanAK47
Did they ever fix that emotionless dialgoue issue they had going on?
Anonymous1415748
You are not alone. The second half of Sakurada Reset made me so glad that I stuck with the series.
Amagi
Oh and I totally forogt Reset ended now too. Not sure if I am the only fan of that but the whole second half was one of the better things I've seen this year.
Amagi
Okay now thinking three others came into my mind, but that's still not much. A lot of series started interesting and turned out mediocre or cheap after a while.
Amagi
Considering that I love Made in Abyss, PrinPrin, Fate/Apo (so far) and 18if too guess this season was better than I've expected. 2016 was kind of a let down imo, animewise. Off the top of my head I only remember Rakugo, Fune wo Amu and Bokudake I think.
Amagi
I didn't expect to like Virgin Soul as much as I do. Especially the last ~5 episodes got me. The weird thing is that I was disappointed by S1 actually.
SuperMario
@Travlos: I don't mind if you do a guess review on Virgin Soul, but let's me check with other admins first.

On Virgin Soul, I'm not sure if I like the bew development. It suddenly does a 180 degree turn on King Charriot, which I don't feel rewarding.
KTravlos
Kakegurui will have an anime original ending. It might be better than the ongoing manga. We shall see. An enjoyable foray.

Virgin Soul is going for a nice explosive ending. If no one writes a review, I would be willing to write one.
Kaiser-Eoghan
*kind of
Kaiser-Eoghan
While its very much in the shadow of the first and the protaganist started out kind annoying, I kind of got caught up in the spectacle and sentimentality of gunbuster 2.
KTravlos
Urasawa is preparing a new manga
KTravlos
yes the episode where Julian watched the documentary was fun. The Caligula like character comes from one of the lesser episodes of the series, when Kircheis beats up some rebelling third rate noble in the Empire.
Kaiser-Eoghan
Goddammit, fail, it just changed the colour of the login name...
Kaiser-Eoghan
I declare in the red truth that the next anime I shall watch is Diebuster.
Kaiser-Eoghan
From what little I saw, I remember a Caligula like character in one episode.
Anonymous1409409
I remember there's an episode where Julian just goes on Space Netflix and just watches a documentary. I actually liked that lol
KTravlos
yup, a LOGH that run like the Altair anime would be bad. It needs to show the sweep of history
AidanAK47
@Anon, I actually liked that aspect. It made the history of the world feel real.
Anonymous1409027
It's compressible, as there are many episodes of buildup, but that's where so many of the interesting details and depth of planning become evident. Some of those episodes read like a history textbook though, so we'll see how the new adaptation handles them,
Anonymous1409027
*pleasantly
KTravlos
Tytania was ok.
Kaiser-Eoghan
On the Amakusa Shiro reference in the fate review, I've seen a film about him from the 50s , theres also an old josei manga where the protagonist ends up becoming essentially regarded as him.
KTravlos
Hi Kaiser. Supposedly this is a re-imagining of the original story. Thus independent of the OVAs (old serieis). What exactly re-imagining means is something I and you do not know. We shall see. But it does mean that you do not need to watch the old series to enjoy this one. The OVA was definetly more expansive than the novels. So my guess is they will stick to the novels.
Kaiser-Eoghan
There's another anime, called Tytania based on his novels but I haven't seen that series.
Kaiser-Eoghan
As in condensable in the way nothing much is lost? I assume there are fillers in the original?
Kaiser-Eoghan
I'm indifferent to the aesthetics of the new version. What I'm hoping for is that it will be accessible to newcomers and that I'll be able to jump on to the old series where the new one leaves off. I've seen very little of the original and it was a long time ago, is there any way the story is condensable?
KTravlos
The fact that they stayed away from the disgusting new manga is great. I am not too keen on the CGI ships, but they also did not rankle. It looks like it will honor the spirit of the old series, and I cannot ask for more. I am a massive LOGH fan. And the new video out gives me hope of revisiting one of the greatest sci-fi/historical settings out there. I am happy.
AidanAK47
I hope they are using the old anime as a base and not the new Manga adaption. As that Manga adaption is seriously lacking.
AidanAK47
@Anon, I like that they blinged up the space battles which is good because those things could get tiresome. But I really hate the design of Yang Wenli. They made him look so much younger and bishi. I don't think i could take this guy seriously if he started one of Wenli's signature hypothesis.
Anonymous1408919
Thoughts on that new LOGH PV? My expectations were low, so I'm presently surprised. Obviously they made everybody pretty boys, and Mamoro Miyano is voicing Reinhard I believe. But art and animation actually looks pretty decent overall. It's a PV, and LOGH's best quality is it's story and characters, so we'll have to see if they remain faithful or not. But it's nice to see it get a visual overhaul.
AidanAK47
By the way this site has the first chapters but check the other versions to find them.
http://mangapark.me/manga/tsurezure-children-wakabayashi-toshiya
AidanAK47
@Mario, Indeed. It's also a pity that over half the couples in the manga were not featured. We only got a small taste of Patricia.
SuperMario
Or maybe I'll try to read the manga. The last time I checked it online, the site doesn't have its first few chapters
SuperMario
@Aidan: man, Tsurezure Children sure is sweet. Really sad to see it ends
AidanAK47
So that's the end of Tsurezure Children.
....I'm gonna need a second season. Now.
....NOW GODDAMNIT! NOW!
KTravlos
As I said I understand the criticisms to RE:Creator, but ultimately I enjoyed most of the show. It could had been better, and it is a missed chance. But I have seen worse.
Kaiser-Eoghan
I gave up halfway through, there weren't even enough action scenes and those that were didn't justify waiting around for.
AidanAK47
Could have at least delivered on the action but that was rendered pointless due to the majority of the cast turning good and Altair being a complete cheat character.
AidanAK47
It would have been really fun to see characters discuss their stories with their creators or indulge in what our world has to offer but they really glossed over that part.
AidanAK47
It really should have gone deeper into the whole meta aspect introducing anime characters to the real world. Like they did with Mamika's powers being ridiculously destructive when outside a kid friendly setting.
AidanAK47
@Puran, I at least like the message of the final episode. But as for the show itself it was just missed potential on a lot of levels. I wanted Anime Genre battle royale and instead got a secondhand Shirobako with a crap shounen anime attached.
Kaiser-Eoghan
I have been forgiving of Anno as I've gotten older.
Kaiser-Eoghan
I also just re-watched gunbuster, I'd previously dismissed the ova after a few episodes when I was a teenager, I'd found it too slow, didn't have that issue with the 90 minute version I just finished. I've never see the sequels.
Lenlo
Ill have to finish Creators... at some point
Kaiser-Eoghan
I've been dipping back into the Lupin franchise, Gold of babylon was particularly screwball, kind of ridiculous comedy caper/adventure thing you just have to run with....turns out it was directed by a live action filmaker I especially like who made bizzare noir films in the 60s.
Puran
So that explains why Meteora had so much air time in Re:Creators. It's her story....

I hated the ending and I disliked the anime overall.
Kaiser-Eoghan
@Mario: It was a genuine surprise to see that Assayas decided to make a film framed around hentai =P
Kaiser-Eoghan
@Mario: I loved how incoherent demonlover was.
Kaiser-Eoghan
@Mario: The criticisms I'll give wind river, is a slight inconsistent performance from Renner and that very awkwardly inserted flashback scene.
SuperMario
@Kaiser: on Wind River, I agree it's a well-executed case of the week drama, although there are some plot pregressions that I don't get (how did they find out about the man's corspe again?). About Demonlover, man, the film gives me a chill down my spine. Heartless. And a bit misogynist.
SuperMario
@Kaiser: as much as I loved Wong (yeah I too prefer him over Malick), sometimes I do think Western cinema give him too much praise that sadly overshadow other Asian directors.
Kaiser-Eoghan
@Mario: Wong is important to me as a hong-kong filmaker, he offers something entirely different from the whole Woo/Lam Hong komg movies.
Kaiser-Eoghan
@Mario: On a more positive note Maggie Cheung did mention that she felt her early work with Wong was when she first truly became a proper actress.
Kaiser-Eoghan
@Mario: ....I had no idea he had such a sad background.
Kaiser-Eoghan
*investigation drama
SuperMario
@Kaiser: that film also marked/ signified a rather sad period of Hongkong showbiz. Leslie Cheung badically lived the live of the protagonist and commited suicide in 1997. His girlfriend on screen, during the filming, was kidnaped, raped and taken topless picture. The damnest thing is that everyone knowed the culprit but did nothing, and in the press it was just deemed as "kipnapped and assaulted"
Kaiser-Eoghan
@Mario: Wind river was a big surprise for me, just goes to show that with the right execution an ordinary police drama movie can be elevated higher.
Kaiser-Eoghan
@Mario: Thats the interesting thing, tracking a directors career.
Kaiser-Eoghan
Just binge watched the new dominion tank police ovas , admittedly these are kind of reptitive and extremely silly but its hard to hate on something so shamelessly fun that made me feel like a child again.
SuperMario
@Kaiser: you said it there. DoBW is rather raw and unpolished but that's one of the reason why I am drawn to it more compare to his other works.
AidanAK47
In all honesty, it would be nice to finally see a continuation after fusion as all games after that have just been adding chapters in-between.
Vonter
Finally I wonder, if Metroid Prime 4 will definitely branch out of the main Metroid's continuity. It's curious how an interquel subseries is still going to add things in between the first and the second entries in the main franchise.
Vonter
AidanAK47 - I think is nice we can see both takes. Especially since neither one despite a few qualms are still very solid entries for this franchise. I just hope Metroid moves forward, as IMO this is the only game that really needed a facelift do to the heavy limitations of the gameboy. And I hope the secret gallery at the end is teasing how the producer plans to move the plot forward.
AidanAK47
I thought it might be like that but it's good to know they are at least on a close level. I didn't really want Samus Returns to replace AM2R as the "Definitive" version of Metroid 2. Mostly because a lot of love was put into AM2R andit came at a point when it felt Nintendo didn't give a crap about Metroid.
Vonter
Like Zero Mission there's something added to Samus Returns but I'll just leave it at that.
Vonter
I think both have strong points. Samus Returns have better boss battles, gameplay mechanics and more intense action pieces. AM2R IMO has more atmosphere, takes advantage of elements Nintendo don't even try like the Federation subplot, and the ending portion narratively has more heart in AM2R, while in Samus Returns it feels mostly like "the final level".
Vonter
I also did got lost a couple of times in Samus Returns and aside from the big water section in AM2R, the latter is more linear game.
Vonter
I think the controls in Samus Returns bring more to the table though. The 360 aiming makes for better ways to shoot enemies and some of the bosses take advantage of that. If it weren't for the 3DS giving hand cramps because you're holding L and R at several points it'll be completely the most ideal way to play.
Vonter
AidanAK47 - AM2R is very good, I think it has the advantage that because it uses sprites IMO backgrounds and enemies are more vibrant and easier to appreciate. The Federation soldiers are better executed in AM2R and that secret section with the ship is very eery.
AidanAK47
@Vonter, How does it stack up to AM2R? I bought it and am still waiting on it to be delivered but I have the feeling that AM2R would be the better game when comparing.
Vonter
I took me 12 hours to 100% and I've heard the best ending is beating it in less than 4 hours. I think unlike Zero Mission item percentage don't matter, it's mainly to unlock an art gallery.
Vonter
My main criticism is this being a 3DS game. Small enemies can be hard to see or appreciate. And I think the 3DS wasn't made for heavy action packed games like this or Smash Bros. I got the rubber from the circle pad come off in two occasions. Also unless there was something big in the background, several areas felt lacking in detail. Still Samus and the bosses look good.
Vonter
In terms of difficulty, the game has the enemies packing more damage than in other 2D Metroids. Is difficult in the sense than you can't tank damage as in other iterations, you have to be aware of enemy behavior and bosses mainly get easier do to familiarizing with their patterns, since I did die a lot each time I faced a new boss. And got used to kill them faster as I went along.
Vonter
Ok, so I beat Samus Returns. It's quite good. Unlike Fusion that had dialogue at midst the gameplay. Samus Returns only has a prologue of exposition and any cutscenes mainly accentuate the reactions of Samus confronting a new enemy. The level design is dense, despite having isolated areas like in Fusion and the original Samus Returns, each area is very mazelike.
Kaiser-Eoghan
@Mario: =< Awww I kind of like demonlover actually despite all its flaws, it had great sound design and had this cold, clinical, un-nerving mood to it.
Kaiser-Eoghan
@Mario: Days of being wild does feel a bit un-realized/un-polished/rough compared to his other work definitely but its probably the rawest I've seen from him and that has its appeal.
Kaiser-Eoghan
@Mario: Haven't seen farewell my concubine come to think of it. Regarding the scifi element I felt I embraced it more further into the film when it started to intermingle more.
While I am more forgiving toward Malick's recent films than most, that decline in quality means I have to pick Wong.
KTravlos
by the way in RE:Creators we probably will be getting a future series focusing on the hunt for Magane :p Meteora probably playing the role of detective. I also bet her novel will be wordy and heavy in exposition :p
KTravlos
i.e his end game might had been a cross-species revolution against him anyway. We will see
KTravlos
In Bahamut Chris proves to not be totally evil, but he is totally crazy. That said I am seeing one of my hunches getting supported, the hunch was that his cruelty towards daemons was with the purpose of bringing them down enough that they would be willing to work with humans as euals (As they are in Jean's army) and thus via that create a more unified world. I
KTravlos
RE: Creators has come to its end. I know the problems everyone has with it, and while it failed to raise to the level of exceptional show, I loved it. As I said, it had been years since a show kept me so excited episode after episode. They blew it at some point, but ultimately for me this is an en-joyful show, and one I would happily binge watch in the future again.
SuperMario
@Kaiser: question for you though, between these two directors, which one do you prefer: Wong Kar-Wai or Terrance Malick?
SuperMario
@Kaiser: if you enjoyed both 2046 and In the Mood for Love, by all mean check out Days of Being Wild. The trio forms a loose trilogy and Days of Being Wild was the first film that Wong began his unique unconventional style. It's one of my personal favorite of Wong and it's a chance for you to watch the late Leslie Cheung acted (you might watch him already in Farewell My Concubine)
SuperMario
@Kaiser: 2046 is indeed a passionate film, and one of his best looking film. He tried something different in 2046 too, experimented with scifi (one of the best part in the film for me)
SuperMario
@Kaiser: it's stritcly Wong Kar Wai's romance we're talking about, since I don't find the rest of Chinese take on romance that interesting. Romance or melodrama is one of his main theme throughout his career
Kaiser-Eoghan
@Mario: It was slightly overly long however.
I've also seen chungking express, in the mood for love and fallen angels. I think this Chinese take on romance is really clicking with me.
Kaiser-Eoghan
@Mario: I also thought it was a very passionette film and I love how Kar-wong-wai uses the music in it. I also think its one of his best looking films.
Kaiser-Eoghan
@Mario: I had a look at that Chinese film 2046, very effectively melancholic take on fleeting relationships while also successfully being quite sensual while staying classy and without ever showing too much. Tony Leung and Maggie Cheung are two beautiful people =P
SuperMario
for those who still want to catch up with 18if, episode 11 has a huge recap, while wrapping up the show with a new overarching plot. Hopefully they don't pull another Matrix here
SuperWooper
It's shounen-y for sure. The competitions have been my least favorite parts of the show so far. If you're still watching, you might appreciate it more once the Tenpei Cup is over.
Anonymous1399692
Damn Ballroom looks so good. But I really can't enjoy it despite that I want to. It has too many of these typical shounen moments and plot points I can't stand.
Anonymous1399684
Omae wa mou shindeiru
Lenlo
Mononoke is actually what made me find Ayakashi. Also a good show.
SuperMario
Regarding Ayakashi, I only watched the Mononoke segment
SuperMario
"It was a long, long trip, and we're coming finally to the end of the journey. Thank you, Manoyama and Chupacabra. And thank you, 5 EURO" - Sandal-san.
Lenlo
Ayakashi was great for me Kaiser. I enjoyed my time with it
Vonter212
@AidanAK47 - The hard aspect has been commented in several reviews with bosses being able to easily kill you. (Although in my experience it might be just getting a pattern). In terms of length most 2D games can be beaten under 3 hours. This one seems to clock at at least 6 to 15 if you want to collect everything. Then again, we'll see in subsequent playthroughs.
AidanAK47
`@Vonter. It's out now but I don't remember seeing anyone claim it's the longest hardest entry 2D wise.
Kaiser-Eoghan
Going to watch new dominion tank police next and read violence action and Oddman 11.
Kaiser-Eoghan
It took me years to get round to it, but I finally watched Ayakashi and as expected like most anthologies, again its mixed, the first is a solid ghost story that improves after a weak start, but that third one with the cat spirit was great, really liked how experimental that looked.
Vonter
Soo a new Metroid comes out this week. It is said, it's the longest, hardest entry in regards to the 2D iterations. Still not as great as Super, and depending on your fanaticism it might or not be as good as Zero Mission.
SuperMario
But they didn't pull that scene off too well. It's just... unmemorable. In fact the whole show is very unremarkable. Now only 1 episode left I might as well finish it but I won't give it a full review
SuperMario
Koi to Uso has been disappointing so far. Episode 10 featured the sequence that i was looking forward the most in the manga: the former classmate tells the one sided crush of the main girl from her POV. For a romance that contrived and manipulated like this one, hearing this from the third person's perspective prove to be more powerful
Vonter
@HelghastKillzone - Good luck with that. I almost had my car's engine damaged since it has been raining heavily where I live. Had to ask for help the next day to pull it out of mud. Still not as bad as the other three cars that did get stuck in the water.
HelghastKillzone
Dealing with work and the total loss of my car really sucks at the moment so I'm quite tied up for this week.
KTravlos
I do agree to a point, but to be frank all the episodes of Princess Principal to date have been so solid I have a hard time deciding. Episode 5 though was still the best from a holistic point (action, direction, music etc) was the one introducing Chise
SuperMario
Agree. Dorothy has the biggest heart out of all the spy girls. Also "help" that her episodes are all melodramatic.
Amagi
This episode of PrinPrin showed again that Dorothy is the best character by far. Not just herself but her episodes as well are better written than the rest if you ask me.
KTravlos
It just hit me. The characters in Princess Principal may be very well working for IngSoc :p
AidanAK47
@Kaiser, in the seven chapters it's only really two of them that contain dark shocking content. Chapter three being the biggest one in that regard.
Kaiser-Eoghan
@Aidan: I read a comment where someone said subahibi shocked them more than saya no uta. While I haven't played it yet, I have seen some of a letsplay...it lleft me thinking....how many hours until this actually gets good/truly unhinged .
AidanAK47
After Reading SubaHibi, Made in Abyss's dark turn didn't shock me too much. Maybe I just got desensitised. I will have a review of SubaHibi hopefully up in a week though to clarify my feelings on it after just finishing it, It was interesting but disappointing.
KTravlos
well, well. Both Made in the Abyss and Virgin Soul do not hold back. Grim! RE:Creators is warping up. Comparing with these other shows I can fully appreciate the problems people have with it. But still I am glad I am sticking to the end. Altair's voice actor by the way did great.
AidanAK47
@Helghast, And Kings Field was the Demon Souls before Demon Souls came out.
KTravlos
having binge watched several of this season's shows I would say Princess Principal is the most rounded. Made in Abyss is good. Kakegurui and The Reflection as SuperMario said will depend on your tastes. There is also Shouko no Altair. You will like it if you liked Tanya Saga of Evil, or Legend of Galactic Heroes, or Arslan Senki or manga like Vinland Saga, Gunka no Baltzar, and especially Historie
Anonymous1385641
Jesus...me watching this weeks Made in Abyss https://www.youtube.com/watch?v=0ogzsWhZcmM
HelghastKillzone
So... Demon Souls was the Dark Souls before Dark Souls came out.
SuperMario
@anon1385426: the safest bets aside from Made in Abyss are Welcome to the Ballroom and Princess Principal. Kakegurui and the Refection are for more acqurired taste
Anonymous1385426
Aside from Made in Abyss, what's the best anime this season?
Lenlo
@KT, the pacing and the framerate early on are my two biggest issues. Later on the story starts to get abit more engaging, and they start doin things I didnt expect, but the pacing is still there. Some akward pauses.
Lenlo
Look, Berserk and Dark Souls are both amazing. But I only have 3 Dark Souls games, and 38 Berserk volumes. Im clearly biased
KTravlos
I sat down and watched the first 4 episodes of The Reflection. It is an interesting attempt, and I can see the people making it having fun doing so. But I did notice a pacing issue. For some reason the episodes felt like they dragged a bit too long.
AidanAK47
Dark Souls is the Berserk of Video Games.
Amagi
Dark Souls really went all Berserk if you ask me
AidanAK47
I am not one for putting down law but can we never ever compare anything to Dark Souls ever again? Cause it's actually become really tiresome how everything is the dark souls of something.
Lenlo
No other sentence has made me want to watch Made in Abyss more
HelghastKillzone
I guess we're finally at the point where Made in Abyss goes all Dark Souls/Bloodborne.
Amagi
Apo's Jack the Ripper had at least a nice idea behind it, it's just the clothes that are a bad choice. But there are just too many lolis for the sake of fanservice in that game. I accept it if there is at least a reason for this but it's usually just random.
Amagi
@Aidan: Same here. I was never a fan of genderbendings and turning historical people into lolis. The first one I can accept with people like Arthuria because it added a lot to her character, but most of them are just plain and generic. I just see no reason why pirates, grown up men or Blavatsky would ever appear as little girls. Especially since popular beliefs should influence their appearance.
SuperMario
On Altair, one commenter did an excellent job of poiting out the appeal of that show; and frankly the show is wearing on me now.
SuperMario
@Travlos: I'm glad you enjoy Princess Principal. I'm quite surprised myself that in the latter half the show slowed its pace down which mean the focus is switched from action to more characters interactions; which I greatly enjoy
KTravlos
Well I binge watched Princess Principal. That is a very good show. I was surprised. Good animation, good music, the art is good, hell I even did not mind the protagonist art. But what I really like is the stories. All the episode were pretty solid and interesting.
AidanAK47
Just won a fight by the skin of my teeth thanks to my Lancer, Cu Chulainn. You the man Cu!
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