Posted on 20 May 2009 with categories: Tsubasa Chronicle, Tsubasa Shunraiki



Okay, so I don’t know why I’m still blogging this show, even though I’m SO not the target audience. I really am a terrible manga reader: as an example, I’ve tried for a year now to get through the Bokura no, and even though it’s one very big heap of awesomeness, I’m still stuck around chapter 30. I’m not sure why it is, but I completely lack the dicipline for that.

In any case, this episode sure showed why the Tsubasa Manga has been rumoured to be so ridiculously complicated: the sakura we’ve seen thus far wasn’t the real Sakura, but simply a clone. A second Sakura (another clone) for some strange reason turns out to be inside the Japan country, but before she can do anything she gets kidnapped by the guy from the Piffle and Jade world.

At the moment, I really don’t take the Tsubasa series seriously anymore, mostly because I just have seen way too little of the real Syaoran to make up for all of the angst he seems to be going through. And on top of that, this only seems to be the beginning of the string of far-fetched plot twists that’s about to come. Though I do have to give this show credit where it’s due: this episode really looked awesome in terms of visuals, but most importantly, I really appreciate the GUTS of this show to kill off one of its main characters. Even though Sakura was instantly replaced by yet another clone, the two of them remain different characters. These experimental bits are things that I can appreciate in a way, but PLEASE: in the next OVA, make Sakura actually DO something. I had a bit of hope in the third episode of Tokyo Revelations, but it’s starting to get really dull to see her still in the role of damsel in distress. Especially with how ridiculously powerful fake Syaoran has become, I really hope that she’s going to something different other than sitting around waiting to be rescued or god-moding herself out of trouble.

My biggest fear right now is that xxxHolic is going to take over these ridiculously complicated plot twists from Tsubasa Chronicle, and this episode… well… came with a really weird revelation: Watanuki gave away his memory in return from the information of Fei Wong’s location. Oh god, I knew that it was strange that we’ve never heard of Watanuki’s parents, but to think that he was that involved with the story still baffles me a bit. I know that the xxxHolic anime stripped away all of the Tsubasa references (which was a good thing, IMO), but did he in the manga ever wonder why he couldn’t remember his parents’ names, or tell how he spent his childhood? And really, another thing I’m wondering: how the heck does a child like that know how to think so far ahead, predicting that years into the future there would be a point in which his alter ego would need to know the location of some evil overlord? Couldn’t he have done so at any point in time? Especially considering how the real Syaoran only managed to break free because of a whimsical action of one of Fei Wong’s servants, there would have been a pretty big chance for the guy to just waste away his memories that way. And another thing… wasn’t Syaoran locked inside of Fei Wong’s dimension? If he was conscious the entire time, then why didn’t he also know where he was?

I can only hope that the second episode of xxxHolic will be about xxxHolic, rather than it becoming a back-up manga for Tsubasa. I loved xxxHolic because of its unique take on modern folklore and the interesting topics it addressed, not for some kid who is going to help save the world from the evil Fei Wong.

Rating: (Enjoyable)
Lots of far-fetched plot twists with lots of pretty graphics. I have a lot to whine about this series, but somehow it remains compelling.

Posted on 18 March 2009 with categories: Tsubasa Chronicle, Tsubasa Shunraiki



Short Synopsis: The party returns to Kurogane’s homeland
Episode Rating: 6/10 (Disappointing)
Wait, wut? Did I miss something here? Did some sort of extra OVA get released half a year ago without me knowing anything about it or something? What the heck happened here… when the episode started airing, the characters were suddenly surrounded by Fye’s magic for God knows what kind of reason, Kurogane chops off his own arm from out of nowhere, they then somehow end up in Kurogane’s home country and Fye starts having flashbacks of things that never actually happened…

My best guess would be that the makers of the anime decided to screw the continuity and just went animating a random chapter that coincides with the current xxxHolic Shunmuki OVA. With the OVA format, it’s of course much easier to make the cross-overs between the two, but that’s no excuse for simply omitting an entire storyline here. I was really looking forward to seeing Fye meet the guy who was out to kill him, and here they just unceremoniously kill the guy off in a bunch of mere seconds.

So yeah, Tsubasa Chronicle is a complete mess in terms of continuity. Right now, it’s clear that Bee-Train wanted to go for its own storyline. While the second season may have been seen as a bunch of fillers, it was clearly building up to something that wasn’t in the manga’s continuity. My guess is that they knew that the manga wouldn’t have ended at the end of the third season, so they went with their own direction, which might have been a success or a complete flop, we’ll never know. In any case, Clamp didn’t like others messing with their storyline and wanted a faithful adaptation, so they turned to Production IG, who also made the xxxHolic TV-series. It’s of course understandable that they’d have to pick up at the last point where Bee-Train did follow through the manga, but I really hate how they basically went “screw the people who have only seen the anime, we’re here for the manga fans”. This mighty be an awesome episode for those who read the manga, but since I’ve never read it, I just find it lazy.

This episode did have plenty of interesting stuff, though. While the animation wasn’t as good as Tokyo Revelations, the xxxHolic crossovers were definitely interesting to see. My only fear with this is the role that Watanuki is going to play in it. Every character in Tsubasa Chronicle seems to be a superhuman fighting machine without any sense of pain (look at Kurogane cutting off his own arm without even flinching, or nobody being freaked out or startled by it, or how Syaoran got impaled multiple times through the heart and chest but seems to be completely fine), so I wonder what Watanuki really can do with all these superhumans around him without becoming a superhuman himself.

Posted on 20 March 2008 with categories: Tsubasa Chronicle, Tsubasa Tokyo Revelations


Well, I think that with the way this has turned out, I think that there’s a good chance for more OVAs of Tsubasa Chronicle to appear. I’m not going to write a full fledged review about this series, because I feel that my own bias is just too big, especially with the second episode. In any case, this episode was pretty good, even though it was much quieter than the last one.

In the end, my big gripe with Tokyo Revelation is that a lot of the character-development really came from nowhere. In this episode, it was Sakura’s turn to change dramatically, though I feel that the creators would so have profited from another episode, to get all of the developments right. Right now, I can understand how Sakura feels that she’s been incredibly irresponsible, and that she wants to change, but this doesn’t automatically make you able to be a fearless killing-machine, like she demonstrated in this episode.

One character whose character-development did get handled perfectly was Kurogane, though, and Fye too made very interesting progressions in this episode. I was also glad to see that finally the huge plot-twists of the previous episode made sense, and how the different characters of Kamui and his brother tied in with the overall story. The background art was also as lovely as usual, so there are no complaints there either.

Posted on 19 January 2008 with categories: Tsubasa Chronicle, Tsubasa Tokyo Revelations


Now this is more like it! This episode was much better than the first one. I still have a lot of problems with it, but at least the music has become much better. The amount of new plot-twists is also baffling. In one episode, the plot has been pushed forward as much as the original TV-series did in 52 episodes. Still, I don’t yet consider the Tsubasa Chronicle OVA to be better than the series.

That doesn’t mean that the series didn’t have its problems, though. What was Bee-Train thinking, putting such a dark story in the NHK-channel? I now also finally understand the reason why so many fillers were added. Bee-Train knew that there was no way to put some key-moments in this arc on the air, so they decided to just go with their own story and do what they were good at.

For me, the biggest problem with this episode is that it was really far-fetched. The battle underwater was already pushing my suspense of disbelief (how long can people hold in their breath anyway? And how can these guys flawlessly fight each other, just as easily as if they were on land), but that turned out to be just the tip of the ice-berg.

So, basically Syaoran was already as a kid a very talented magician. In there, he created a clone and gave this clone his eye. The task of this clone was to collect the feathers that would come out of Sakura in about ten years. In order to prepare for that, the clone-Syaoran got his eye sealed and moved to the clow-country where he made friends with Sakura, and later fell in love with her. For some reason beyond me, the original Syaoran was sealed away by Fei Wong, but he could see everything that the clone-Syaoran did.

To make things even more complicated, Syaoran is supposed to be a descendant of Clow Reed. Sakura is also the daughter of some king of the Clow-country, which gives us many hints that she too is a descendant of Clow Reed. It’s strange to think that I spent more than 52 episodes watching some very strange kind of incest-relationship… Also, Fei Wong turned out to be yet another descendant of Clow Reed, hinting that he’s either Syaoran’s father or some kind of uncle.

In any case, while clone-Syaoran is fighting under water, Fye jumps in and just starts using his magic from out of nowhere, even though he vowed not to use magic without his tattoo. Clone Syaoran then BITES the guy’s eye out, which turn out to be the source of his power. Strangely enough, Syaoran gains Fye’s powers by eating Fye’s eye. Syaoran’s powers, by the way, also increased greatly with this. Apparently, the seal on his eye was broken at this point (don’t ask me how or why), and now he’s strong enough to even pwn Kurogane.

In the meantime, the real Syaoran was helped by Xing-Huo (who was punished by Fei Wong afterwards (read: killed)), goes to Yuuko and is teleported to the Clone Syaoran. The two fight, but Clone-Syaoran is now much stronger than the real one due to Fye’s magic.

The feather turned out to be in the middle of a cocoon, in the middle of the pool. Apparently, this was the thing that kept the clean water flowing. Somehow, Sakura’s soul ended up in that cocoon. When Sakura’s body got near the cocoon, it disappeared, and I guess it ended up in the cocoon as well. She then prevents the real Syaoran from killing the clone-one. Clone Syaoran then cuts up yet another cocoon and the feather comes out. He gives it to Sakura and then walks off on his own, leaving her. Kamui, who I guess was unconscious for this time, magically reappears and pulls a person out of this cocoon. Apparently, this person was the reason why he was so protective of the water, and he’s glad that this person is okay. Seriously, the next episode has some real explanation to do, because both subplots need a lot of explanation to make sense to me. The more I think about it, the more questions I have. You can say a lot of Bee-Train, but at least they managed to make sure that everything in the tv-series made sense. Was the manga also so incredibly confusing at this point?

Oh, and there’s one character that I’ve really disliked in the new OVA: Sakura. Oh, how deep did she fall. First, she sleeps for more than an entire episode, then she wakes up, goes “Syaoran! Syaoran!”, gets overwhelmed by the new Syaoran, and falls asleep again. I seriously liked the lovable heroine from the TV-series much better.

Posted on 19 November 2007 with categories: Tsubasa Chronicle, Tsubasa Tokyo Revelations


Ah, finally! A year after the series ended, Tsubasa Chronicle gets continued. Let’s hope that the DVD-sales are high enough to give the creators enough motivation to animate the rest of the chapters of the manga.

Let me start with the bad points, though. First of all: the music. Let’s face it, it’s nothing when compared to the series. Yuki Kajiura made way for decent pop-tunes or recycled versions of the lesser tunes of the original series. The art style has also changed severely, and turned into a strange combination of the original one with xxxHolic, and its long limb. Mokona also has shrunk and Fye’s hair grew.

Another thing I didn’t like is how the creators just decided to ignore the fillers of the series, and just continued after the library-arc. It’s a shame, because while the fillers didn’t really progress the story, they did flesh out and develop the different characters a bit. The result is the most noticeable with Sakura: she turned from a growing heroine back into her useless old self who keeps sleeping.

One thing that’s more personal is how it took me a long time to get used to the fact that this series isn’t done by Bee-Train anymore. There’s no overabundance of still shots to build up atmosphere, the dialogue is kept short and to the point, there are no insert-songs and there’s a much larger attention to the different action-scenes.

And really… Shaoran must be some kind of machine or something. He basically stands for minutes at the same spot with an arrow in his leg without even flinching. I mean, doesn’t such a thing usually hurt? In this episode, the Shaoran-lookalike also awakes, though unfortunately I’ve already been spoiled about his true identity, which took away a bit of the surprise.

Okay, those were the flaws. Apart from that, I enjoyed this episode quite a bit. The world of Tokyo (wasn’t that were Kurogane grew up as well?) is totally opposite of what I expected it to be, and I like the idea of acidic rain, spoiling all of the water. I’m interested in how the people who live outside of the two towers get their water, if both sides refuse to give them any. Especially if the rain has been pouring down for fifteen years now. The character-animation may also be a bit buggy at times, but especially the background art is terrific, and they blend really well together.

The best part of the episode was the conversation between Kurogane and Fye, though, because finally Fye gets a bit of depth to his character. It really seems that he can’t just stop putting up his facade, even if he wanted to.

Of course, this was just the introductions, and something tells me that the best parts of this arc haven’t even started yet. I predict that my complaints for the next episode will only be 25% of the ones I had for this episode, because it’ll be easier to get used to the new art-style. In any case, I do like how the creators kept the long limbs into the character-designs, because that’s what I originally liked about them. Next episode will be up in January, and I’m looking forward to it!

Posted on 12 June 2007 with categories: Tsubasa Chronicle

Great news! It seems that my speculations about there not being a continuation of Tsubasa Chronicle were wrong. According to this site, a Tsubasa Chronicle OVA has been announced! The animation studio to handle it is still unknown at this point.

It’ll be interesting to see how this develops in the future. Obviously, an OVA won’t be enough to finish the story, as from the things I heard, the manga goes on for much longer. Still, this does show that CLAMP doesn’t give up after its debacle with Bee-Train. Perhaps we can expect more OVAs in the future, or perhaps even a third season.

Posted on 28 November 2006 with categories: Tsubasa Chronicle

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And with this, the second season of Tsubasa Chronicle has ended. All that’s left now is to look forward to April, in which its third and final season will air. Fei Wong also had some interesting reasons for being involved in this arc. Because of Dhaos’ huge powers, they were able to locate Sakura and Syaoran again. If they could take this power, they’d be able to control Syaoran’s journey again. Chaos himself ended up being indeed a cluster of feathers, who developed a mind of their own. He indeed possessed a huge amount of feathers, meaning that the ones he fed Sakura were specifically created for that purpose.

There were a few strange things about this episode. Some things I didn’t expect. First of all, when Dhaos disappeared and turned back into the feathers, they actually scattered, instead of returning to Sakura. Only one feather found its way back to her, which also explains where Dhaos got his inspirations for the fake memories he created.

I also actually expected Fei Wong’s plan to succeed in the end. After all, then he’d get back in the picture again. I’m suspecting that he’s going to succeed somewhere in the third season. In any case, once he does, the fillers will be entirely over.

[EDIT]Okay, there isn’t going to be a third season, unfortunately. If a third season was planned somehow, then it would already have been announced.

Posted on 6 November 2006 with categories: Tsubasa Chronicle

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Ah, fake feathers. That explains a lot. Chaos has his own feathers, which are much weaker than Sakura’s ones, but work in about the same way. When you combine a lot of these feathers, you do collect a considerable amount of power, and that was what Fei Wong is after. It also explains why this arc, even though not part of the manga, seriously disrupted the feather count, the reason Chaos went to travel to the Clow Country, as it never happened and why Chaos’ feathers coincidentally appeared to contain his memories. Still, it does not explain why he fell in love with Sakura. I think he fell in love with her because they’re both beings with a huge power.

Okay, only one episode’s left in this series, and the creators couldn’t have found a more fitting climax. Even though Chaos is proved not to posses the powers, equal to that of a god, he still has frozen both Sakura’s body and soul. I also loved Wei Fong’s role in this episode. It’s not yet clear what exactly he’s trying to do, but it’s great to see him get in action for once. The next episode should prove to be worthwhile. And after that, it’s waiting till April for the third season!

Posted on with categories: Tsubasa Chronicle

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The episode started with the conclusion of the first battle against Chaos, which most obviously turned out rather bad for Syaoran and his companions. The rest of the episode was an intermezzo. Does that make the episode less awesome than usual? Of course not!

The identity of the bird/powerful entity also gets known: Chaos. He played both as bird, and he is someone who can travel through dimensions at will, and that’s why Fei Wong was behind him. The question then remains: which form is his true form? Is he really a bird who can take the form of a human, or is he a human who can take the form of a bird? Also, how did he get his feathers?

Another interesting question: when you travel through worlds, do you travel through time as well? Chaos case actually suggests this. He got his feathers after Sakura lost them, but he actually visited Sakura in her country, long before she lost them. Another possibility is that, while each country has its own timeline, there is always one time known as the present, and feathers are the only known things who can break through this cycle.

Anyway, Sakura and Syaoran were as cute as ever. For the first time ever, Syaoran is getting selfish, while Fay cheats a bit and uses magic and Kurogane gives him support, even though he doesn’t like it. It’s indeed a nice way to end the second third of the series. I’m also wondering whether the finale will consist out of only one, or two episodes.

Posted on 3 November 2006 with categories: Tsubasa Chronicle

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Seriously, this was such an excellent episode. Thank goodness Chaos turned out differently from the subtle love rival. In fact, he wasn’t subtle at all during this episode. Apart from that, there was lots of more goodness, both from Sakura, Syaoran, Fay and Kurogane, as this episode delves a bit into the past of each of them. Definitely awesomely executed.

So, here’s the case: Chaos ran into Sakura when she was young, when he sought an audience with the king of Clow as the king of his world. At that time, he promised Sakura to accompany her in her travels some day, when she was allowed to travel. Apparently, over the years, this promise turned into an obsession. Like I said, he wasn’t very subtle in this. When he confronted Sakura with the truth, he just assumed that Sakura felt the same way about the matters as he did, and would go with him no matter what.

Syaoran, Fay and Kurogane, meanwhile, are confronted with a bit of illusion magic, which takes the form of a person, dear to them. In Syaoran’s case, it’s Seishiro. I think we’ve seen him at the end of the first season. Though his case is the least interesting of the three. Kurogane meets up with his father again while Fay actually sees King Ashura. Both their reactions were so awesome, and the background music really gave a helping hand in these scenes. ^_^

Well then, when Sakura refuses, Chaos reveals that all this is his doing. He calls Syaoran, Fay and Kurogane back, in order to show Sakura how powerless the three of them are, and thus how pointless it is to continue travelling with the three of them. And he actually takes out both Fay and Kurogane. Something that doesn’t happen often. Especially the cliff-hanger was very, very powerful.

Then, there’s also the case of Wei Fong. Apparently, they’ve located a huge source of power. At first, I thought it was the bird, though when Xing Huo (apparently Fei Wong’s assistant’s name) enters the world in person, she actually heads for a strange tower, instead of the bird’s liar. Furthermore, they also don’t know that Syaoran and Sakura are in that very world, do they? The question then also remains whether this bird actually exists or not. It could be a creation of Chaos, in order to trick Sakura and find a good excuse for Syaoran to be busy for a couple of hours. After all, Mokona never felt the huge amount of feathers on the bird. Rather strange, don’t you think?

I’m seeing a lot of people get turned off by the second season because of the huge amount of ‘pointless fillers’. But these fillers are actually far from pointless. They dedicate a great deal of time in fleshing out our main characters. In fact, I actually think that the entire second season of Tsubasa Chronicle was dedicated for fleshing out its characters. Wei Fong was put out of the picture for a while because of Yuuko’s work, and because of this, Syaoran and the others were free to choose the worlds they could travel to.

During these travels, each of the members of the main cast changed. Especially Sakura got a lot of attention, as she changed from the girl who couldn’t do anything to a girl who can make her own decisions, and think for herself. Fay changed in a more subtle way. He’s actually getting more involved with Sakura and Syaoran, and I actually think that he’s slowly beginning to show things of his real self. Kurogane got a full arc dedicated to his past, fully explaining the way he lived, and why he lived the way he did. Syaoran changed more subtly, though I could swear that he’s more talkative than that he was at the beginning of the series. And Mokona also showed his worth, in the couple of episodes in which the fate of our protagonists rested on his… erm… paws.

The fact also remains that there’s quite an amount of manga-material left in order to fill the third series. I’ve never read anything of the manga, so I’m not exactly sure, but things would have to move very strange if the third season would follow the same format of the second season. From the few things I’ve read, the manga is actually nearing its closure, which means that with a bit of luck, it’ll be over when the third season starts. This means that if all the second season has been doing is building up for the third season, the third season will probably be awesome, from beginning to end.

I SO hope I’m right, as this series is too awesome to ruin.

CHANGE USERNAME
Vonter
I watched some episodes of KonoSuba yesterday, reminds me of Those Who Hunt Elves. And I suppose it might be an easy recommendation because it mainly comes down to; do you find it funny? or fun? If not, skip.
Kaiser-Eoghan
While yes its true of watching those slice of life shows week by week is better, I felt that when reading the manga for Aria it was easier to marathon by reading it rather than watching.
SuperMario
Flying witch have the same atmosphere, but it's a purely slice of life anime. I love Aria too and I agree that watching it 1 episode a time is the best way to enjoy it. Can't think of other serious anime that have those calming elements for now
Anonymous1042537
Yeah, I noticed they all have pretty different structures from one another (ACCA's political, Mushishi's naturalistic, Monster is a thriller, Rakugo's about a specific art form, 3-gatsu is ostensibly about Shogi, etc.) but I found that I found some similar calming elements in them (to different degrees of course).
Anonymous1042537
Thanks, I'll definitely check Aria out!
AidanAK47
One of the hardest shows to marathon besides Bakemonogatari. Though Bakomono gave me a headache after a few episodes whereas Aria just had me so mellow that I could drift into sleep at any second.
AidanAK47
Don't know if you could call it a sub genre as the examples you listed are all really different from each other.
Though in the vein of calming shows I think you can add the Aria series to the list. That show is so relaxing that you find yourself nodding off to it. Not out of boredom but it just has that effect on you.
Anonymous1042537
Do you guys know if there's a specific subgenre like this, or am I making it up? And are there other anime with that kind of feel. Not exactly slice of life, but in the general vicinity of it.
Anonymous1042537
The Great Passage was another great example. It delved into the seemingly boring subject matter of dictionary-making, but it was a surprisingly charming show. 3-Gatsu no Lion also looks promising, I enjoyed a lot of the first season (but wasn't a fan of the forced comedy sometimes).
Anonymous1042537
Like the episode where Tenma first meets Grimmer on the train to Prague and they have a picnic on the mountain was so dang good. I really need to rewatch that.
Anonymous1042537
There are some elements of that style in other shows too, but to a lesser extent. Like some parts of Rakguo (mainly season 1) was very soothing. Naoki Urasawa's Monster had some fantastic, almost melancholic episodes like this.
Anonymous1042537
It seems that most anime w/ that kind of style usually also have another genre mixed in. Mushishi was also very naturalistic, ACCA had a political underpinning.
Anonymous1042537
It's sort of in the vein of a "Mushishi" style show. I suspect it's an emerging subgenre of slice of life that's meant to be very calming, relaxing, atmospheric which I really am digging.
Anonymous1042537
I really hope there are more shows like it; not that it was perfect, but it was certainly unique and hit a lot more than it missed. I really like those cool, quiet shows you can enjoy with a nice cup of tea before you go to sleep.
Anonymous1042537
Ironically though, I would say that the first half of ACCA (up until the big flashback) is better enjoyed week by week, or at least that's what I found.
Kaiser-Eoghan
@Mario: It felt good marathoning a show again rather than waiting week by week and next weekend I'll probably marathon house of five leaves.
Kaiser-Eoghan
@Mario: Forgot to mention...there were certainly a share of moments in Acca that feel fanservish to the female audience =P
SuperMario
@Aidan: haven't noticed that. Will fix it soon.
AidanAK47
@Mario, Only problem I can see is that the posts have no spaces in between paragraphs.
SuperMario
... to be near my laptop for an entire week. First time that I had to blog entirely through my phone. Seemed to work out fine but I had to borrow screenshots from other source (I thank you that other source) ^^
SuperMario
*unless* rather than *as long as*. This has been a crazy week for me as I didn't have a chance
SuperMario
@anon1039488: I find the idea of limiting excess to exclusively stream an aime is a dumb idea; because as long as people have a chance to expose to the anime they won't really care to check it out. So I detest owning the legal streaming account, but I always pay back by buying DVDs/Blurays that I liked
SuperMario
I watched House of Five Leaves by the same mangaka and I really enjoyed it. Nataume Ono is a pretty excelent storyteller (a bit mixed on her art-style thou)
SuperMario
@Kaiser: I agree that the first dew episodes of ACCA were not that engaging but the endingg neatly tied up all loose ends. I still feel Grossular's act is kind of messy (why was he under such control from Lilium? He's not that kind to be in such passive role to be honest) but other than those I don't have any real complaints.
Anonymous1039488
Competition is good, but it makes it cost so much to legally watch everything. That's why a lot of people pirate I feel.
Anonymous1039488
You have Crunchryoll and Funi, fine. Then there's Daisuki which is kinda random. Then Amazon, Netflix, and Hulu all have some random anime, though it seems that mainly Amazon has current series
Anonymous1039488
I don't have Amazon Strike, which is like their new venture into anime I guess. There's too many streaming services to keep up with tbh
Kaiser-Eoghan
To be honest I'm pretty crap when it comes to supporting things, I don't pay for almost all the things I watch/read/play, I don't have a crunchy or amazon account, I still pirate legal streams.
Kaiser-Eoghan
@Anon: Is it a case that your country is blocked? Maybe go for a vpn? If you absolutely have to you could pirate the show...
Anonymous1039488
I wanna watch Re:Creators but don't have Amazon... :( alas
Kaiser-Eoghan
I feel like I need to wait and see approach with sekaisuru Kado...this prologue phase is...long...
Kaiser-Eoghan
I wish it had been 24 episodes long though to better organize itself.
Kaiser-Eoghan
Favourite characters were Jean, Groslur and Nino.
Can’t say I cared for the goofy interactions between Jean’s workfriends though.
Kaiser-Eoghan
Yet for whatever I could say about the pacing, when the twists happen they creep up on you and the show mostly lands every one of them, even if I’m not exactly pleased that sometimes the series does the “I pulled it out of the hat/ass” approach.
I’m relatively indifferent on the art/animation.
Kaiser-Eoghan
I did feel it picks up, improves by the mid-mark and to an extent the wait is worth it and things do come together even if I wasn’t always totally confidant with how it was getting there.
Kaiser-Eoghan
Having the protagonist go from district to district to flesh out the settings a decent enough idea and the main characters a fairly chill, cool guy.
Though the dialogue does create suspicion, intrigue, it does also plod/pad in equal measure at times.
Kaiser-Eoghan
Finally decided to sit down and watch Acca.
This show had its lovers/haters I’m sure, having watched it my feelings are mixed.
It is a slight breath of fresh air I’ll give it that and makes me want to maybe re-assess of adaptations of the author’s work.
Kaiser-Eoghan
@Mario: The only assayas film I've encountered so far that I disliked was Irma Vep, even though the lead actress was great, the surrounding performances, especially by Jean-Pierre-Lenaud were awful. Sils Maria I was initially evasive of because I'd heard that the relationship between Binoche and Stewarts characters was under-unexplored.
SuperMario
@Kaiser: Weersathakul's films are something else entirely...Otherworldly yet still cinematic. I feel a bit underwhelmed after watching the Unknown girl. The identity of the culprit, for example, feel forced for me that take me out our their naturalistic style. I'mmin between Clouds of sils maria too, know it's a good movie but it feels pretentous at times, like the movie Youth
Kaiser-Eoghan
@Mario: I also got round to watching Unknown girl by Dardenne, it carries enough moments of their brilliance but I felt they didn’t have as much mastery over their usual pacing style this time round, for the first time it felt like a thriller that played out like a drama, rather than a drama that has a pseudo thriller feel to it.
Going to watch Clouds of sils Maria next.
Kaiser-Eoghan
@Mario: The entire second half, which I’d have watched an entire film about is very atmospheric and dreamy/esoteric nearing just exactly the kind of thing I like.
The way he uses/shoots Thailands geography along with his cinematography is impressive, particularly in that second half.
Kaiser-Eoghan
@Mario: He shoots something simple like a chopping scene in a strangely engaging way, the scene with the old woman going into the cave is also very impressively shot and that one driving scenes with that pop song in the background has an airy feel to it.
In some ways I agree that there’s a bit of sensuality to it.
Kaiser-Eoghan
@Mario: It’s the kind of film that feeling tired/relaxed when watching it isn’t a condemnation of it(although a share of moments in the first half could be patience testing), it’s the sort of film where you aren’t really aware of anything outside of watching the film when you watch it.
Kaiser-Eoghan
@Mario: I finally looked into a Weersathakul film, Tropical Malady. I don’t even know how to give a star rating for this film.
SuperMario
I'm still on the fence with Alice & Zouroku. Like the title suggests, the warm chemistry between those two are its strongest point, but those moments are far and few in between as the story progresses and I don't care one bit about the Red Queen storyline. I might drop this one if the story doesn't improve
SuperMario
@Lenlo: 3 episodes anf Berserk still hasn't grabbed me as much. Yep facial expressions are really off-putting
Lenlo
Man... the facial expression in Berserk for the 3D models are, ever so slowly, killing me.
AidanAK47
Alright. Tommarrow I will get out all those posts I am late on seeing as the impressions are all finished.
AidanAK47
SukaSuka still has me mixed. On one hand there really are some great ideas and some well executed moments. But some of the dialogue is a bit typical of a light novel and the fanservice is really shameless. The massage at the end of the episode was something the show could really do without.
Konstantinos Travlos
I am in love with RE:Creators. I have no idea if they will keep it as good, but these two first episodes did all the right things.
AidanAK47
Alright, Easter made me lazy so it's time to play catch up.
Kaiser-Eoghan
@Puran: Or even Georgiou Nikolaidis while I'm at it, morning patrol is a great mood piece. Not familiar with the other guy.
Puran
@Kaiser: No Grammatikos recommendation? :)
SuperMario
I still enjoy Zero pretty much. I like the contrast between the beastfallen and Zero. The hilarious lines sound more like accidental to me, not the best product but I enjoy the ride so far
SuperMario
@Kaiser: agree with everything you said. Apparently Haneke put Flashmob on hold because the main actress was conflicting in her schedule, so he decided to do Happy End instead
Kaiser-Eoghan
@Aidan: Does the old man represent gritty anime of old? I don't know honestly I'm just throwing it out there.
Kaiser-Eoghan
@Mario: In case you hadn't heard, Haneke dropped the Flashmob movie and is now doing one about the refugee crisis.
Kaiser-Eoghan
@Mario: To whoever will be playing Godard in that biopic, I'd wonder if they could capture how incredibly douchey he sounds irl lol
Kaiser-Eoghan
@Mario: There is such a big divide between 50s/60s Bresson and 70s/80s Bresson.
Kaiser-Eoghan
@Mario: Lathimos and Avaranas remind me in an odd way of Tarr in that they're the only Greek filmakers people seem to talk about , Check out Koundorous and Theodorous Angelopolous' works if you can.
Kaiser-Eoghan
@Mario: Meh, I don't like that sort of overly on the nose social commentary some American films and tv shows do in recent years.
Kaiser-Eoghan
@Mario: Godards extremely hit or miss with me. Hazanavicius did the artist I think, but I'd sooner recommend Biancnieves as a stronger example of a modern take on silent cinema or maybe a Guy Maddin film.
Kaiser-Eoghan
@Mario: Lotznitza directed a gentle creature not Zvyagintsev, though the latter is a fantastic director, Leviathan's ending hit me very very hard, its gut punching and I appreciated that the return never went into too much detail regarding the father.
SuperMario
@Kaiser: off topic, I didn't realize Get Out having such buzz reception. It's coming here next week so I will get to watch it
SuperMario
@Kaiser: Michel Hazanavicius makes a biopic about Jean-Luc Godard and Anne Wiazemsky (the actress in Au Hasard Balthazard), which I think will be interesting. I considered The Lobster one of the best film out of that year so I anticipate his next movie a hell lot. Yep, I watched few movies from Andrey Zvyagintsev and he certainly is in my radar. Bleak, social commentary, technical impressive
AidanAK47
Oh, it's confirmed that was what was actually said in Japanese. Well...that's rather cringe worthy.
AidanAK47
@Anon, Can't say I am too fond of it myself. Though that arrow to the knee reference definitely sounds like something the translator added in.
Anonymous1026829
Holy shit Zero is hilarious. "I used to be a mercenary like you once. But then I took an arrow to the knee." "My magic is super weak so I need a powerful offering. Can you loan me your head please?" The comedy is so pointed and understated.
Vonter
I do like how contrasting Zelda is to Nier in the sense that. Zelda cares more about how the game plays and making the player have fun constantly but doesn't care about telling something. Nier Automata doesn't care what it throws to the player but cares a lot about it tells the things that happen to player.
Vonter
I think this is a hard game to score. Mainly because IMO the combat has wear out a bit do to the repetition and the sidequests have been a mixed bag with some being relevant to the plot or themes and some being just fodder to level up. On the other hand the game has a lot of implications, subtext and symbolism that so far has been enriching to reflect upon.
AidanAK47
@Vonter, Actually wrote up 4/5s of a review on Nier Automata but with the new season I haven't had time to finish writing the review. Though my thoughts on it are similar to yours.
Vonter
Nier Automata has a 10+ hour prologue. So far the game feels like it's more interested in delivering strong emotions than a compelling narrative, not that script is poor but seems disjointed in a way, circling around the themes of existentialism, purpose and truth without overexpositing about these things. It also some moments remind me of Fragile Dreams. Like the despair.
AidanAK47
The old man is the one I can't pin down. Been thinking he might represent the kind of anime that's critically lauded but sadly unpopular. Makes sense as he's one of the few on the opening that doesn't stand near ads for his anime. Or else he's a live action drama representative.
AidanAK47
Been wondering about the Re:Creators characters. We got the obvious representatives from Magical girl, Mecha, Light novel and video game. The knight girl looks like clear homage to Saber from Fate so a Visual novel representive? The psycho girl looks to be a chunni anime representative. And the guy who appeared at the end of ep 2 is clearly Shounen.
Kaiser-Eoghan
@Mario: The Ramsay one sticks out as the most interesting to me as does the lathimos one. I'm curious about that Russian one about the woman looking for her imprisoned husband as I'd like to watch more contempory Russian films.
Kaiser-Eoghan
@Mario: If you can get passed the accents Ramsay did a strong piece of social realism in the 90s called Ratcatcher.
Kaiser-Eoghan
@Mario: I think the only Baumbach film I've seen is Frances Ha and I liked the new wavey feel it had. With The lobster and re-watching dogtooth I was able to get into Lathimos' pitch black humour alot more. I've never actually seen a hong-sang so film.
AidanAK47
@Amagi, I still really enjoy it but I do get what you mean. Looking at the series overall so far it does feel like there was lost potential.
Amagi
I honestly still don't know what to think of LWA. I wasn't a fan of the formularic first half but the second half doesn't really catch me either. I loved the first OVA though.
AidanAK47
Well I will be damned. That G Koh commenter managed to predict the inclusion of Yggdrasil in Little Witch Academia. Nicely done.
SuperMario
@Kaiser: sadly i won't make it this year. I wanna try the Toronto International Film Fest next time whenever I have a chance
SuperMario
@Kaiser:you heard about this year's Cannes selection?Overall it's solid, not many that scream "masterpiece" for me.Overall I'm exciting for Hong Sang Soo's new movies (he has 2 movies screening at Cannes and 1 already aired at Berlin.What the hell),and The Killing of the Scared Deer(Yorgos Lnthimos), You were never really here (Lynne Ramsay),Okja(Bong Joon Ho) and Meyerowitz Stories(Noah Baubach)
Kaiser-Eoghan
Hmmm...just found out That Blame! 2017 is being done by a the Ajin director, not sure how I felt about that.
AidanAK47
Think this is the best time to end the series too as the difficultly was getting to be a bit too cheap.
AidanAK47
Lore wise it's pretty disappointing. Ending the game with an enemy that doesn't really have that much relevance. But Gameplay wise it was excellent. The final area was just beautiful.
Lenlo
Ringed City was a great piece of DLC and a good way to end the series imo.
AidanAK47
Dark souls sure can give you workout. Finally got around to finishing the ringed city DLC. Funny thing is that people were raving about how hard Midir was when I didn't have that much trouble with him. Gaol gave me some trouble but I managed it. Hardest was the demon prince and god I hate multi stage boss fights. Such a goddamn pain.
SuperMario
Atom still waiting for suitable subs. I swear to God, for a completist like myself the wait is unbearable, especially it should've been available already
HelghastKillzone
Yes it is.
Anonymous1020539
I mean...
Anonymous1020539
Re:producers is really great
Kaiser-Eoghan
@Aidan: I can see myself chancing more of it, I kind of caught into its rhythm a bit.
AidanAK47
Novels are actually really short. About 90 pages long per volume. They really could cover this in a single cour.
AidanAK47
@Kaiser, SukaSuka? From what I could tell it covered the first two chapters of the light novel. Each novel has 5 chapters. Though the first and last chapter are more of a prologue and epilogue respectively.
Kaiser-Eoghan
Actually if shuumatsu's first episode is going faster than the novel, roughly how much so? Its still obviously a slow burn in animated format but how much was covered in episode 1?
AidanAK47
Could have done without the huge infodump but otherwise still loving Re:Creators. Seeing a magical girl shocked over her own level of destructive power was great.
Kaiser-Eoghan
Eh, I liked the use of music early on in shuumatsu and theres a good mood set up early on along with a good opening scene but the later parts of the episode except maybe for the after credits bit get a shrug from me.
Kaiser-Eoghan
@Mario: Kado has made its hook, now it needs not to keep holding its cards and get going.
SuperMario
hmmm, don't know what to think about Kado ep2. Still good but I expected more
SuperMario
But really my mentality is that this site comes first. Getting more traffic and improve the site are my top priorities, then "what I wanna do for myself" comes later
SuperMario
@Travlos: guess you won't have to read me this season :). Haven't checked out the last episode of Kado yet but based from the first 2 episodes I think you'd enjoy that show.
Don’t worry. It’s something Aidan and me both agree on. We pretty much write for ourselves, otherwise we couldn’t have stayed this long. I get a chance to go off track once in a while to write something I wanna write.
Konstantinos Travlos
@SuperMario. I am definitely watching Shingeki no Koyjin 2, Shingeki no Bahamut 2, Re:Creators, Little Witch Academia, and probably Kado and Zero Kara. I may also do Zipang this season.
On the reaction reaction. What you say is ok. But remember, a hobby is something you do for yourself. There is a limit to how much you should care about the views of others. :)
Kaiser-Eoghan
@Lenlo: Or if I can use a quote from Chang from Black lagoon : "A fragranced shit will forever still retain the smell of shit"
Lenlo
As most likely the biggest Berserk fan in this chatbox, its better but that doesnt make it good. Spraying fabreeze on crap doesnt make it any more appealing. Yet I will watch it anyways.
Anonymous1018231
You don't even know
Anonymous1018231
Lies Aidan it is soooo much better
Anonymous1017807
Tbh I'm enjoying Alice to Zouroku so much simply because I identify with the old guy's no-nonsense attitude. It's fun to see the annoying loli get put in her place. X.D
AidanAK47
Anyway Bam is supposed to be covering it. Seeing as he covered the first season.
AidanAK47
@Anon, I watched the first episode of the second season. Better? Yes, but only slightly.. It has all the same problems as the first season.
Anonymous1017501
and nobody's covering it lol
Anonymous1017501
Like dramatically
Anonymous1017501
It really is much better
Anonymous1017501
You know guys its not too late to start watching Berserk Season 2...
AidanAK47
I just get annoyed when interaction is like "HUMAN, YOUR EMOTION RESPONSE IS DIFFERENT. I THEORIZE THIS IS THE REASON YOUR EMOTIONAL RESPONSE IS DIFFERENT."
Their is a definite layer of pretentiousness in how it's written, seeing how nobody gets annoyed when every character tries to psychological profile them.
AidanAK47
@Mario, I have heard word that these two episodes were a prologue story and the real story is going to kick into gear next episode. But if the characters keep talking like this then it's not going to matter what happens. It will just be terrible.
AidanAK47
@Anon, Jojo part 5 died for this. That makes it all the sadder. Plus it's two cour so this show is gonna be on for half a year.
SuperMario
Being said all that I will follow it for 1 more episode
SuperMario
And then that girl who passed away because of the reset. I feel my emotions drying up at that point. Tasteless. Heartless
SuperMario
Wanna say the same thing regarding Sagrada Reset as well. I have the feeling the show tries to sound smart that ultimately if I hear someone talks like this in real life, I would go punch his face. Manipulating the social worker by slitting your own wrist? WHAT? Asking a girl about her rules, then whenever she answers you give your own warped opinions on it to sound like you know it all? WHAT
Anonymous1016169
@Aidan: Lol, Sagrada reminds me of how I used to write. Pretentious, overly complex dialogue that nobody would use in real life unless they were trying too hard. It grits on my ears so much that I don't think I can keep watching it, especially because this is probably how it's going to be for the whole series.
Anonymous1016169
@Amagi: I feel your pain. I used to enjoy those types of shows, but I've found more and more since getting out of high school that they just make me want to take a nap. It doesn't help that they're everywhere. X.D
AidanAK47
God Sagrada Reset is frustrating. So many good ideas, all absolutely ruined by the dialogue and characters. If you just changed the dialogue a bit and made the characters emote more then this would be so very interesting. But they manage to drain the life out of the story.
AidanAK47
@Amagi, in most cases you can easily write off the ones not worth your time based on the summery. Occasional those kinds of show can turn out to be worth watching but it just doesn't happen often enough.
Amagi
Nothing against those types of anime in general, but it's just not aimed at me I guess. - I also should specify: school (semi)harem, not school alone. I enjoy Tsuki ga Kirei.
Amagi
I really love this season but I should stop testing the school- and shoujo stuff. It's almost never worth the time and it always bores me so much that I have to stop watching anime for a few hours.
Anonymous1016169
@Travlos: Why does a hobbyist artist care when someone critiques their art or a fanfic writer care about reader feedback? When you do something you enjoy, it's normal to want to improve and other people's opinions are important for that.
SuperMario
@Travlos: because 1) We still need to listen to what readers say to improve and 2) we're debating more about rating system, which I also feel the need of upgrading. btw, any shows that catch your interests so far this season?
Konstantinos Travlos
Why do you guys care about what someone thinks about your reviews? You are doing a good enough thing as is, and t is a hobby. Do your thing and do not lose time on this.
Anonymous1015915
I think I'm just gonna follow sukasuka and re:creators this season. Seem to of shown the most potential universally.
Anonymous1015442
Soy and almond milk are also available as alternatives for the lactose intolerant.
Anonymous1015442
From the manga it seems like it would translate well into an anime with the right production values so I think I'm going to try it. I was mostly concerned that they'd push the melodrama even more through the roof, haha. I did see some of the reviews on it here and they made me hopeful that it was fairly well-executed.And of course the milk can be chocolate. Just not vanilla, vanilla milk is yuck i
Lenlo
Its certainly making me happy I waited until the end of the season to binge it.
SuperMario
I'd have the milk as well... Need more milk to my life.
SuperMario
Hope Scum's Wish entertains you, Lenlo. ^^
Lenlo
I will say the sound design has been great for Scums Wish though I have not read the manga to see how it matches up
Lenlo
I dont think "enjoyed" is the right word for this kind of show, but I do know im going to finish it.

Also, can the milk be chocolate?
Anonymous1015350
@Lenlo: That's true, but I also feel like everyone here needs some milk. And I've been reading the Scum's Wish manga and can't decide if it'll be worth it to watch the anime.
Lenlo
Scums Wish, 4 episodes in, has been the perfect little dose of depression I crave from each anime season.
Lenlo
I have to say, its a pretty fun break from super srs anime discussion sometimes
Anonymous1014938
There's so much sass in this chatbox sometimes I can't even. :.D
AidanAK47
Also please note that if data gathering results do not support your hypothesis that there will be no refunds
AidanAK47
I will have you know my data gathering services are quite expensive and I don't operate until paid.
Anonymous1014125
Aidan is providing the data for us.
Lenlo
You do know that for the scientific method, you make a hypothesis and then you run experiments to produce data to prove or disprove said hypothesis. It cant just sit in limbo and then you go "I was right". You have to provide data at some point. At this point, you have yet to provide any data to support what you say.
Sir Robin
You seem to have never heard of the scientific method then Aidan. You don't need proof before you formulate an hypothesis. Fortunately this most recent development of you being wrong supports it.
AidanAK47
I am sure Sir Robin would be delighted to hear this but I think I was wrong in my assessment of SukaSuka(Shūmatsu Nani Shitemasu ka? Isogashii Desu ka? Sukutte Moratte Ii Desu ka?) That insert song at the begining of the episode was masterful and a number of things have changed my mind about it. It may be more interesting than I first expected. First novel was still pretty boring though.
AidanAK47
Should have another impressions post up today. As for what I am covering that's Little Witch Academia, Attack on Titan and Sekaisuru Kado.
AidanAK47
At least we never have to fight tooth and nail to cover something as what we want to cover never clashes.
SuperMario
Which mean 2 PA Works, 2 original shows and 3 slice-of-life shows. Well done Mario for being predictable and consistently boring as ever
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