Posted on 8 April 2011 with categories: Anime Reviews, Yumekui Merry




If you’re looking for eye candy, then this is an excellent recommendation. Yumekui Merry is a piece of art, with some of the most artistic direction. Jut about every camera angle is interesting and dedicated to make its cast stand out. Every single background drawing is utterly gorgeous. With a rock-solid that brings a ton of life into the cast, this is a great show to watch, though it has its problems.

Shigeyasu Yamauchi‘s influence is all over this series. The camera-angles, the timing, the intonation, all is very carefully planned out really put some emotions behind them, and the animators and artists only back this up. If anything, this show is immersive and a terrific example of what can be done with the animation medium.

The bugs in this show are in the story. Most notably in how it’s way too short for 13 episodes and it failed to really understand what that means. In the first half we get a very interesting series that questions the nature of dreams, what would happen if they were taken hostage and the main characters are put on a wonderfully gray moral scale.

In the second half, though, the creators realized that the manga that this series is based on is in no way going to fit in 13 episodes and that there wasn’t going to come a sequel. They then try to wrap this show up with their own story arc that fails to wrap up anything, has a bad one-sided villain that doesn’t allow the story to go anywhere and specifically seeks out cliches, even when it has to resort to Deus ex Machina to get there. The delivery is still as good as ever, but the story that the second half of this series is trying to tell is just… unimpressive. It reduces a complex moral question back to cliches.

do bother to check out the first half if you have the time, though. It’s a wonderful little series with excellent characterization. It’s always nice to see Shigeyasu Yamauchi’s unique style of directing, but I do wish that he had been put on a story that… actually had the potential to show itself off. The big victim of this syndrome for the next season will be Deadman Wonderland. Seriously, don’t screw up yet again on a flaw that has struck so many series by now! It’s really getting annoying seeing so many shows end without ever getting to their potential.

Storytelling: 7/10 – Excellent timing and atmosphere, but loses points for the lazy way in which it tries to wrap itself up in its second half, especially with one heck of a deus ex machina ending that could have easily been avoided.
Characters: 8/10 – Excellent characterization, and really well animated. A few cliches here and there holding them back, though.
Production-Values: 9/10 – A visual feast. Period.
Setting: 8/10 – A very interesting premise, however the second half doesn’t use it as well as it should have been used.

Suggestions:
Digimon Movie 3 – The Golden Digimentals
Casshern Sins

Posted on with categories: Yumekui Merry



Agh, that was way too ambitious. With that, I don’t mean that this episode was rushed. This episode was well paced for the story that it tried to tell. On top of that, the direction was also as solid as ever, so there’s also nothing wrong with that.

Instead, this episode flopped because of basic storytelling. Mistletein has been built up as this unbeatable villain. Nothing could face her. At the start of this episode the creators had two very solid options to take her out: either fire that bullet once it charged up enough dreams, or kill the host. For some strange reason this episode found it a good idea to abandon both of these and end with a string of deus ex machina. That is nt how you use your build-up!

The bullet does get fired, but even that isn’t enough to kill Mistletein. And that’s the point where the writers realized that they wrote themselves into a corner and opt for the laziest solution: magically make Mistletein weaker so that she can actually get beaten. Suddenly from out of nowhere she actually takes punches, and to make matters worse: Yumeji also starts pulling random powers out of his ass. Oh, and Merry also conveniently gets the power to actually send demons back, in order to prevent destroying the dreams of his friend.

The weird thing is that this episode is contradicting itself horribly. Take Isana: this episode had a great moral at the end, about how the amount of dreams in the human heart was limitless. Having your dreams destroyed is bad, but you can recover from them. They could have done exactly the same with her and it would have made for a bittersweet yet very fitting ending. But no! She’s a cute girl and we can’t actually do things with her because otherwise the fanbase will whine!

All the while throughout this episode, the creators also refused to just kill off the host. That’s nice if you want to spread messages that killing is wrong. Only, at the end they just kill him anyway. I mean, he just disappears, completely unlike what happened to any other dream demon so far. What’s wrong with just showing him in the aftermath? It’s bizarre that this show wants so badly to be cliched that it actively introduces deus ex machina, just to get to these cliches, instead of getting an original conclusion by just letting things play out naturally. What the hell?

Overall, this series was a waste of potential. It was very good, and had an amazing first half, but Mistletein just was a bad villain. She’s just way too one-sided to make anything interesting happen. This show really suffers from being way too short. A very, very annoying trend that is the single biggest pitfall of anime in general.

I think that compared to other series that had to end early, the way that this series decided to solve it was below average. I can appreciate that the creators wanted to resolve the story, but they didn’t really resolve anything. It really would have been much better for this show to just continue with the manga and end somewhere in the middle. If that had happened, I would have been less annoyed than I am now.
Rating: – (Disappointing)

Posted on 1 April 2011 with categories: Yumekui Merry



I’ve complained that Mitletein wasn’t really a villain that was threatening. She wasn’t portrayed well enough for me to really get the feeling that I should be wary for what she was able to do, and felt like one of those stereotypical evil villains.

Okay, so this episode fixed that. It’s here where Mistletain set herself apart with her bold moves. Villains who play with their food are nothing new, but in this episode Mistletein really nailed both being ruthless and being playful. The way in which that teacher just outright invited himself to the house of his next victim. I like that boldness.

What I also like is how well this episode made use of its own setting for the finale, with the revelation that Leon couldn’t fire his gun because he needed to charge it with the equivalent of a bunch of corpses. It’s again wonderfully blurry on the moral scale, especially considering how Play’s death fit in all of this. Her death is convenient in the way that it allows that gun to fire, ,and yet it also destroys both Play and her vessel. And at the same time, in a fight against Mistletein, a death like this was bound to happen, with the way that she has been slaughtering her victims.
Rating: ** (Excellent)

Posted on 25 March 2011 with categories: Yumekui Merry



Well.. that was one heck of a villain fail. “I’m about to kill you! So that’s why I’m going to let you go and wait a few days.” I’m sorry, but you really can’t use those lines anymore in fiction!

The direction still is excellent. This show does a terrific job at bringing its characters to life with interesting camera angles and dialogue that lets them play off each other really well. The concept of dream demons taking people’s hopes and goals hostage still is rock-solid. So imagine how amazing this series can be when it has an actually good backstory here. This series will end in two episodes, but that really IS NOT going to be the right time for it to end!

The soundtrack in this episode was exceptionally good, and really, before that downer climax this episode actually looked like it was able to make something out of its cliched villain. The build-up was just terrific as well and Mistletain worked together really well with the teacher. But yeah, if you’re just going to make her retreat in that anti-climax after having previously established her as ruthless…

Way to go in making yourself even less threatening than you already were.
Rating: * (Good)

Posted on 11 March 2011 with categories: Yumekui Merry



This episode only affirmed the strengths and weaknesses of this series. It was a build-up for the finale (this series will have 13 episodes, by the way. It’s officially announced now), but it still showcased its rock-solid characters, excellent acting, and unfortunately not very ambitious backstory.

This episode revealed the backstory of some of the side-characters and while it definitely was interesting, it also felt like they were having a contest of who could have the saddest past. one girl’s parents died in an accident, another guy grew up with his younger sister in the hospital. Twists like these are powerful, but they shouldn’t be used gratuitous.

In the end, by far the biggest mistake that this series made however, was not making John Doe the villain. He’s a much more interesting antagonist than Elcres or Mistletain, who currently are trying a bit too hard to be mysterious and therefore not giving any of us the chance to connect with them. John Doe and his army of talking cats: you could have built an excellent story around that, while still using the unique setting of this series.

I’m a bit harsh on this series compared to others, but I am comparing it to much higher standards than usual. After all, Yumekui Merry is good, but still nowhere as good as Casshern Sins. It also doesn’t help that it airs right after Madoka Magica, which has some similar elements here. I’ve said before that series with a simple plot can be just as awesome when executed well, but here we have a series whose plot just has too little interesting twists and turns that really prevent it from being a masterpiece. Sana about to be kidnapped… I’m sorry, but I’ve just seen that a few too many times by now and this episode just spent too much time on trying to build this up, and it still hasn’t happened yet!

Anyway, enough with the negatives. I mean, Chizuru did get some much needed backgrounds, and she is really promising to be a key part in making plot of the finale less dull, standing somewhere in the middle of Yumeji and Merry and Mistletain and Elcres. And I also remain convinced that Yumeji is a great main character for a guy his age. Instead of doing nothing but angst, whine or look helplessly, he looked for ways to save Sana, and yet this episode also showed him preparing for the worst-case scenario of Merry having to send her dream demon back. Seriously, dream demons holding the dreams of their vessels hostage is something that this series overall used really well.
Rating: * (Good)

Posted on 4 March 2011 with categories: Yumekui Merry




Ah, of course. The thing with Merry is that its plot is very unambitious. It’s just Merry fighting a bunch of dream demons, with next episode the dreams of one of the side-characters finally put on the line. The teacher indeed turned out to be one of the bad guys, and Tachibana is his next victim. The way this series progressed its plot is really where this thing lost points: it really should have needed more variety and creativity in those scenarios.

On the other hand though, we have the characterization. Nine episodes in, and I love what the characters have turned into. The unique direction plus the way in which the major characters discovered that they have been thrust into a ridiculously unfair setting in which the enemies are forced to take hostages that can not be saved. It created a bunch of excellent characters. This is what I mean by fleshing characters out: we’ve now got a good view of who the characters are, and how they behave, and causing even the simplest of conversations to be likable. Well, to me, at least.

What impressed me about this episode was how it immediately turned that clown Dream Demon ten times more interesting than what he was at the end of the previous episode. In this episode things weren’t as one sided; he started playing with the weaknesses of the lead characters.

Also, every time I take screenshots of this series, I’m just reminded of how awesome the graphics here are. It’s not just a matter of things that look good. Beyond that, the creators manage to stuff a ton of eye candy in each episode that just continues to change. There are so many awesome shots to take in this series, and they’re all so different from each other. Even though this episode hinted at a slight loss of budget with animation that was not as detailed as in some of the previous episodes, the creators still managed to put in many different poses, backgrounds and compositions here.
Rating: ** (Excellent)

Posted on 25 February 2011 with categories: Yumekui Merry



Ah, thankfully this show is back on track here after that beach episode. The quiet scenes were as well directed and interesting to watch as ever, and the serious parts also showed a lot of new things about the characters. Yui’s father’s appearance also was probably the first time since a long while that I actually laughed again at “you brought home someone from the opposite sex. I’ll be a father in law now!”-joke.

Now, there is one major problem that I’m getting with this series: Elcles. This guy needs more screentime, because after eight episode we still don’t know much more about him other than than he’s really evil. And that perhaps he has something to do with Merry. I mean, the creators are currently doing a great job to blend the moral scale around Merry, so do that to the major villain as well. It’s going to make him so much more interesting. Right now the only hint at any kind of depth about him is that Merry is somehow related to that, but there are tons of other anime that do that.

Beyond that, this episode also further developed Isana and her dreams to become a professional painter. I can’t help but think that this is hinting that she too has some sort of dream demon, but in either case it’s foreshadowing something. Yumekui Merry probably isn’t going to become anything amazing at this point, for that its story just is too simple, but it still can get a pretty good climax out of all of the things it’s built up so far. Let’s hope that the creators also actually do that.
Rating: * (Good)

NB: currently I’m trying out Lulzimg. Is there anyone who can’t view the images at the top of this post?

Posted on 18 February 2011 with categories: Yumekui Merry



Aaaand we’ve got ourselves a beach episode here. I guess it was inevitable, with how the OP kept hinting at it, but it’s a good thing that this show is well written, otherwise it would have been a complete disaster, plus gg’s insert jokes are also getting on my nerves now (we know these fanservice moments are bad. You don’t need to make them worse!). This was very much a buildup episode, but at the very least the creators made sure that the random antics and the fanservice didn’t get in the way of the good parts of the episode: Merry and her sense of justice.

Merry and Yumeji… they’re a great lead couple. This episode again showed that even within an episode with such a badly overused premise of going to the beach with half the cast, the chemistry between them remains rock-solid. The past seven episodes have done wonders developing the trust between them, and seeing them play off of it really saved this episode for me. For a beach episode, it could have been much worse, and the creators also took their time to slightly develop the relationship between two of the side characters.

Plus, the characters kept talking about justice, so I was really expecting Merry to gather her composure just in time in order to save that young boy whose dream demon was about to be killed. And yet, Merry didn’t even notice it, and the boy just got his dreams destroyed. It’s definitely an interesting entrance for the new villain, but she really needs to get less stereotypically evil after this point. That will be fine if this episode was indeed hinting at what I think it was hinting.
Rating: (Enjoyable)

Posted on 11 February 2011 with categories: Yumekui Merry




I really have to praise the animators for the fight scene at the beginning of this episode, especially the inbetween animation was just amazing when Merry went berserk. And great graphics like these work even better when the characters themselves are good as well. I mean, Yumekui Merry did exactly what I hoped that Dragon Crisis would do to: overcome the simplicity and cliches of their characters and get a lot of genuine drama out of them. The drama in Merry is innocent, but not shallow or dumbed down like in many other series.

The rest of this episode was an interesting episode, considering that John Doe appeared with a bit of exposition. ah well, if there is any place where this exposition fits, then it’s an aftermath like this in which the main character needs to take a while to recover, and it’s also a good point for John Doe to step away from his villain role and become more interesting. Although we really need more of him in the rest of this series.

Also…. this episode confirmed that killing a dream demon also has major implications for its host, because they’re killed in actually two different ways. These dream demons can do nasty stuff to their hosts, but they also help cultivate their inspirations. Getting rid of them also destroys these ambitions.

I’d also like to note that I like what the creators did with the soundtrack of this one. The tracks don’t stand out in their complexity, they are fresh and nice to listen to, using unconventional sounds and tunes. Personally I really like it when a soundtrack does that.
Rating: ** (Excellent)

Posted on 4 February 2011 with categories: Yumekui Merry




I really like episodic series. Sure, they’re easy to screw up without the right execution, and their main storylines don’t become as smooth as series with a continuous story, but really: who cares? They’ve got plenty of ways to make up for that. This episode showed that even episodic characters are just awesome if they use each other to build up and flesh out the story. Seriously, this episode was amazing.

This was EXACTLY what I was hoping for when I started this series. Sure, the story started off with a number of cliches and all, but this was a really emotional episode that did just about everything right. The first half of this episode was full of wonderful slice of life that makes me take back what I said earlier about this show, in the way that the characters in this series don’t have the most interesting personalities: the way in which this episode fleshed them out was wonderfully down to earth and showed a lot of new things about them, like Isana suddenly liking a famous pop star. Or the fact that Merry has been lost and killing off other dream demons for ten years now. Yeah.

Then the second half came, and that was the point for this series to suddenly contradict a lot of what it had been building up for. Seriously, how many series this season have already done this right? Yumekui Merry gave another wonderful addition to the collection of amazing plot twists of this season: it turns out that Merry didn’t have the power to send demons back at all! In fact, there was no way to get back to the dream world in the first place.

The second half of this episode also wonderfully moved the lead characters into the gray area of morality: in this episode a character representing justice shows up. She’s very much like your average protagonist here: searching to exterminate every dream demon in order to get revenge on her sister and to stop their evil deeds.

The animation also was gorgeous and really inspired, even for this series’ standards. I mean, this just shows the amazing things you can do with generic character designs, if you’ve got the right artists and animation direction behind it.
Rating: *** (Awesome)

CHANGE USERNAME
Anonymous1636224
Mmmmmm the suffering of all those innocent people feeding his God boner, this is why I love Inuyashiki
Lenlo
Oh yeah, thats not a knock against it. Just noting they dont *need* much animation
SuperMario
Well, the nature of Mahoutsukai is slow-burned, so it makes sense they focus more on static, quiet moments
Lenlo
Was that blade 2022 thing supposed to be an example? Because I wasnt a fan. It was stylish sure, but difficult to follow.
Lenlo
Maho is a good looking show, I wouldnt call it a great animated show.
Lenlo
The issue for me is, theres just not alot being animated most of the time. Usually its a pretty slow moving anime, so most of its time is talking and still shots. It doesnt need alot of animation, so it doesnt have it.
Lenlo
@Niel, I think Mahoutsukai can have good animation when it wants to. Like the water viel in episode 10 looked good (Though im not sure how much of that was after effects)
Anonymous1635607
uhhh creepy
Anonymous1635589
the blood of the innocent will flow without end, mmmm this is why I love Inuyashiki so much
Amagi
I think the security is the same as here, it's just that Japanese people are less likely to rip stuff (correct me if I am wrong). It seems like ripped anime, manga and so on are basically always uploaded by Americans, Chinese people or someone else.
Kaiser-Eoghan
I was surprised heavens feel was camripped I thought security in japanese theatres was stronger.
Amagi
Yeah it's also screening in Germany, I will watch it in February, together with Heaven's Feel, Mutafukaz, Kimikoe and a few others.
Kaiser-Eoghan
*on Europa cinema
Kaiser-Eoghan
Nanoha new film to screen next February in the US, come in Europa license it for over here dammit....
Kaiser-Eoghan
Did have some down moments though.
Kaiser-Eoghan
And I guess contrasting Luke with his old self goes some way.
Kaiser-Eoghan
Saw the preview screening of the new star wars, still feel the new trilogy stands inbetween the originals and prequels, fufills its duty as a *** star blockbuster , some genuinely hilarious high camp moments, awful tokenism, Snoke is a shit villain, but two scenes with Luke actually have a pathos to them and I liked the chase/action scenes when they happened. Nobody cares about the acting/dialogue
AidanAK47
But there are times when it goes way too far and you can barely make out what is even supposed to be happening. Or characters go so off model that they are unrecognizable. It can be immersion breaking. Much like uncanny CGI.
AidanAK47
@Niel, I do agree that it's annoying to see people complain about animation when they clearly have no idea what they are talking about. Like those inbetween frame screenshot people. But I will say I appreciate on model characters more so than chaotic movement. When the off model stuff suits the tone of the scene like that blade runner part, then it's fine.
niel
I also don't want to see someone imply visual=animation for the hundredth time. Are people really that ignorant of the technical/artistic aspect of the media they consumed?
niel
It just depends on what works best in given scene and the aesthetic they want to go for. People can complain all they want about off-model stuff, but if they really only want that the they won't be getting nearly as much of those impactful scenes as there are now. So many of the ways people complain about it is really irking to me.
niel
normal/low action scenes is different from being on-model during the action sequences and just the ones that need some extra impact in general. https://youtu.be/rrZk9sSgRyQ?t=6m45s
niel
But that depends on the situation though. And I'd argue that being consistent and on-model during
Kaiser-Eoghan
@Vonter/Niello/Mario: Ideally I want it both ways, fluid animation AND consistent model visuals, all the while never sacrificing choreography.
SuperMario
But really, who am I to say. I'm the dude who prefer beautiful shot composition myself
SuperMario
The same can be said with Shinkai's movies since he always prefers static, beautiful shot that people tend to overlook that his animation is quite poorly handled
Vonter
You're right, but art direction does alleviate limited animation, I mean the old Berserk anime, kinda has a lot of slideshow moments. MahoYome has nice backgrounds, and despite the samey faces, at the very least doesn't come from the same mold as other series. Still cutting corners with chibi segments is was a mistake.
SuperWooper
Is it any wonder that people prefer things to be static/on-model? They want to see characters who look consistent and familiar so they can relate to them.
Nie
MahoYome being the biggest offender of people getting triggered to any kind of statement about the show's animation not being good. And it's absurd because the show's animation really isn't great at all. It's good with distracting people with pretty pictures, but animation-wise it's still mediocre.
Nie
@SuperMario: Not much. Just stuff like "Art is part of the animation weather it's beautiful backgrounds or just amazing looking characters. It's not all about how they move. If it was, CG would be considered great animation" multiple times. I've just been finding myself being replied with these kinds of comment non-stop since the start of the season.
SuperMario
@Niello: What happened exactly, if you don't me asking?
Nielllo
If I hear someone says AMB has good animation one more tie I might actually lose it. It's amazing how people who apparently know nothing about it try to defend this and other people who don't know anything are actually supporting the guy.
Niello
So with Fate Apocrypha episode 22 out, I'm just now learning that people think webgen style is horrible and they prefer static scenes with pretty visual over actual quality animation. WTF. I can't comprehend this. Are casual people who watch animation in general really that oblivious to the art they have been watching?
Lenlo
Berserks Dynasty Warriors style game looked better. Also, Mahoutsukai should be up tonight/tomorrow. Turns out, Christmas is a busy time of year at this job.
Amagi
*worse
Amagi
Especially when you consider how good CGI can be by now, look at Houseki or Kado. But Berserk was the worst thing I saw in years, many scenes felt worst than sequences of PSX games
Amagi
@SuperMario: Same. I love Kon and also consider Paprika's OST as the best. @Lenlo: Me too. I honestly even enjoyed the movies but the new series was atrocious
Lenlo
HIRASAWAAAA! HAAAAAI YOOOOO.
I miss the 90s Berserk.
Kaiser-Eoghan
I was also quite fond of his soundtracks for Berserk. AIIIIIYE FORCES : https://www.youtube.com/watch?v=NkYYYew8CUI
SuperMario
@Amagi: I'm a big fan of Kon so I've watched everything from his. Even bought a book about his works. About the soundtrack, I listened to them as well but not regularly, compare to pprika OST which I downloaded and listen to a lot
Kaiser-Eoghan
Although not completely a manga, Usagi yojimbo also has an anthro character.
Kaiser-Eoghan
Millennium actress is partially inspired by the actress Setsuko Hara.
Amagi
@Kaiser-Eoghan: The anthro-animal manga is even a topseller as far as I know. Haven't looked into it yet, though. Maybe I will do so.
Amagi
Speaking of it, I am still hoping Dream Machine will happen some day. Kon died believing it would happen
Amagi
@SuperMario: Have you tried the other Kon movies like Millennium Actress once? Thought they were really good and Hirasawa is responsible for the OST there too. Or Paranoia Agent which was (IMO) very good as well https://www.youtube.com/watch?v=0nttSKBJ38k (OP)
Niello
Eoghan: Enjoy... ;)
Kaiser-Eoghan
While I haven't read this, its very strange to see a manga about full anthro animal characters: http://kissmanga.com/Manga/Beastars
Kaiser-Eoghan
@Vonter: So based on that I will try devil lady. Thanks.
Kaiser-Eoghan
@Vonter: That'd be me who made that post. I thought dororon enma-kun was wonderfully ridiculous and Devilman gorishly entertaining, Shin Mazinger Z was probably some of the most fun I had with an anime, but violence jack took it way too far though so I guess I'm aquainted with nagai's work
Vonter
I don't remember who was looking for something noir in anime. I was looking among several series from Go Nagai. And watched some Devil Lady. I don't remember if noir is exclusively detective stories, but this anime, has those high contrast shadows, eerie music and is shot like some japanese horror movies I've seen. I don't know if it changes along the road but so far it's very suspenseful.
SuperMario
I only know him through his works in Berserk and Paprika but his music never fails to amaze me
Anonymous1626471
@Amagi: Ghost Bridge is my favourite. I just find it very calming. https://www.youtube.com/watch?v=aeh5aJsxlbw
Amagi
Susumu Hirasawa is one of my favorite musicians/composers. I don't even know what kind of subgenre this is. There aren't any other music groups I know who do similar stuff
Nielllo
@Mario, Already saw that video before.
SuperMario
Check this out... I don't even know what the freaking instrument he's playing, but it's spellbound https://www.youtube.com/watch?v=PjalQjAomH0
Niello
Just when I thought Houseki no Kuni took the prize for best animation I was treated with Apocrypha. This week is amazing.
Niello
Big name animators all over. They really threw everything they've got here.
Niello
Woooooah! OMG Apocrypha ep 22 animation is sick! So that's why the animation in the first half of the show is so lackluster and basically just darn awful.
Kaiser-Eoghan
Its not entirely odd to bring up Heydrich in relation to the occult either, apparently he was said to be part of some whackjob order.
Kaiser-Eoghan
Hmmm, that girl from Dies irae, Anna Schwegln is aptly named, also shares her name with the last executed person for witchcraft, who was Bavarian German, which i'm told by an Austrian friend were particular right-est leaning politically.
Kaiser-Eoghan
Of course unfortunately its often the opposite that happens, nothing is worse than an ending that ruins everything.
Kaiser-Eoghan
Ah, how I love being surprised by something. That feeling where you''re watching something shakily held together, simply okay or good, then suddenly in the second half or last stretch your score of it goes massively up.
Kaiser-Eoghan
I can kind of understand the wanting to go home and watch something easy mentality instead of challenging but even though I'm guilty of escapism, I'm tired somewhat of "sillier" stuff, its often enjoyable but its get overly reptitive and I wish I could find more philosophical/political/imaginative things.
Amagi
Yeah the show is great because of its theme, the setting and chemistry girls have as well as their (lack of) knowledge about basic human things. Each episode thematizes this in a different way but there isn't much you can talk or say about it when you already explained the topic in detail.
SuperMario
On the other hand, I don't have much to talk about Girls' Last Tour this week. It's still good, but with this episode I feel that I'm running out of concrete thig to say about the show
SuperMario
Haha both Houseki and 3-gatsu have a good showing this week. I have a lot of things to talk about Houseki in particular
Amagi
This week's Houseki is jurassic park
Amagi
*-ati - I think Netflix and so are at least giving a few new impulses which isn't too bad. I don't think the typical anime series will disappear because of that.
Amagi
At least in comparisation
Amagi
I think it's just sad how often I see wonderful series selling 500 BD/DVD or maybe even less. Most series don't sell more than 1500 or so and the rest is usually at ~3000-5000 which is still pretty low.
Amagi
Yeah, it's one of my pro-Netflix arguments as well. Another problem is that anime (not counting manga) only make money through dvd/bd sales since they air at night, whereas Netflix or daytime tv series don't depend on the latter so much and since anime BDs are so expensive the only ones who buy them are the more extreme fans.
AidanAK47
Might be in part due to the workaholic nature of their society that makes escapist fantasy and empty entertainment more appealing than usual. Ultimately these are the people anime is made for so opening up the markets gives more deserving shows a fighting chance.
Though that isn't to say that western taste is perfect either.
AidanAK47
@Amagi, That's part of the reason I think some westernation might be a good thing as from what I seen the Japanese have truly terrible taste in anime. Sales charts from Japan just make me shake my head.
Amagi
God, the preorder anime lists are atricious. The only one that seems to sell acceptable (around 6k) is Mahoyome. Series like Inuyashiki have 80 pre-orders so far, Shuumatsu Shoujo 977. Idol shows sell good of course, including that male/bishounen Idolmaster
AidanAK47
@Anon, I read it but kinda fell out due to it's releases being slow.
Kaiser-Eoghan
@Anon: Actually if you check the manga recommendations section, you'll see there is a post about it here.
Kaiser-Eoghan
@Anon: Yes, it was interesting to follow a story that dealt with a characters homosexuallity that was outside of the yaoi/yuri mould.
Anonymous1620968
Out of curiosity, has anyone on here read Shimanami Tasogare?
Niello
Where are we up to with Inuyashiki?
Lenlo
Well alright then. Episode 9 out of 11 and that happens. Was not expecting that
Lenlo
Ooo something happen this week? Im about to watch it
Kaiser-Eoghan
It feels just as rushed and awkward in the manga.
Amagi
I noticed this too
AidanAK47
Inuyashiki has balls of steel to pull that in this particular episode number.
Nielllo
Finally got around to reading Helck, and it looks like it's going to go into that pile of good-shounen-that-won't-ever-get-animated right alongside Psyren.
Kaiser-Eoghan
@Aidan: Imagine trying to buy the dvds of the show in public.
Kaiser-Eoghan
@Aidan: Gentle remind that the prism ilya movie is out and subbed.
AidanAK47
Still surprised the second and third seasons got dubbed.
AidanAK47
@Angel, I replied to one of your comments before but the rundown is no official word yet but maybe next year.
Angel
Or no? Someone please tell me!!
Angel
Going to happen?
Angel
Is fate/kaleid liner prisma☆illya 3rei dub
Amagi
I dislike it when manga bait me into reading due to the first chapter and end up being some very generic stuff afterwards. Nobody stays for B if he started something for A, authours should expect that.
Lenlo
Really, Juuni should stick with the 3D. That fight in ep 9 looked pretty good. 3D is clearly what they are good at
AidanAK47
@Niello, It's not Chatango. It's a plugin for wordpress called Wisechat.
SuperMario
@Niello: yeah, Juuni caught me off guard this week. The production of Juuni is unfortunately shaky, but well, strong writing can save the day
Niello
Btw is this chat still Chatango?
Niello
This week episode of Juini is surprisingly good compared to how the show usually is with its backstory. Although the part where Ox tries to explain to Tiger could definitely use some visual buff.
SuperWooper
in the future*
SuperWooper
Pretty cool that Juuni Taisen had that kind of emotional heft this week, though. Might be one of the 2017 shows I sample the in the future.
SuperWooper
I think the occasional comments with an episode title and nothing more come from people who mistake the shoutbox for a search bar.
SuperMario
@Anon1614688: juuni taisen... made me tearing up this week. Honestly didn't expect that. Damn you, Tiger
Anonymous1614688
juuni taisen
Amagi
Had some complaints regarding Children of Whales but the latest two episodes were pretty good.
Amagi
@Anon: You explained it better than me.
Anonymous1614307
Kaiser: I actually have the exact same opinion of Natsume and Mushishi. Both are excellent, but Natsume just does a great job with a small core cast and a very simple premise
Anonymous1614456
who likes naruto
Kaiser-Eoghan
Mushishi does have good stories, but it was always a manga I'd dip in and out of, on and off for years, never marathoning it, wheras Natsume was easier to read several chapters of in one go.
Kaiser-Eoghan
I think its because Natsume has more pathos.
Kaiser-Eoghan
*more than
Natsume weirdly ended up becoming this comfort manga for me with a higher consistency rate .
Kaiser-Eoghan
I will state that I hold the terrible opinion that I like Natsume Yujinchou than Mushishi but at the same time completely recognize that Mushishi is probably the more ambitious, better show.
Niello
So it becomes a cycle of "this is an interesting set up" (except that the new Kino isn't even good at that) and then they fucked up or Kino/Shizu fucked them up even more, then move on. Without the emphasis on philosophical nature of the set up they present like in the original Kino, there really isn't that much point to it.
Niello
With the new Kino it's more about messing people up, occassionally observing and hardly ever improving. The anwsers or solutions to the problem they present is never really talked about in a rational way.
SuperMario
@Anon1614318: maybe you should give the old Kino a try. What I don't like most about the new version of Kino is that both Kino and the new guy are sketched as hero. The old Kino manages the tone right as well. There were some really dark tales and most of them thought-provoking. Can't say the same for say...Country of Cooking
Anonymous1614318
I don't know, it might be interesting to actually dig deep into the differences between episodic series with this kind of style to see what works and what doesn't.
Anonymous1614318
I guess it's a matter of the chapter they chose to adapt were not really the better ones but the ones where the protagonist is more of an active role. Not totally against that, but it feels like the protagonist is just OP all the time. At least with Mushishi Ginko isn't able to save everyone all the time.
Anonymous1614318
I guess it's supposed to be more allegorical, but most of the time the allegory is not really meaningful enough. I thought it would be more along the lines of Mushishi, which is kind of similar in setup, but better in most other ways.
Anonymous1614318
What keeps me sticking around are some of the nice background arts and generally pleasant use of color, but admittedly most of the episodes aren't really engaging in a meaningful way. Most of the time its just Kino/Shizu show up, find out town's gimmick, then save the day. I prefer the episodes where the townspeople are more than just flat background characters.
Anonymous1614318
It's interesting to see how this new Kino season is being received from folks who've already watched the original. This is my first real exposure to Kino, and I kind of like it, but even without watching the original, I share many of the same complaints Aidan and most of the others have.
Amagi
I am also kinda sad he's just some 2* servant in fgo, but his power is special and he's physically weak, so it's understandable.
Amagi
And again, Shakespeare is just great but the character is, sadly, kinda wasted here considering how much screentime he has.
Amagi
@Aidan: Yes. Plus, maybe more characterization or background for some servants. The anime would have that time without Sieg and his romance sub plot.
AidanAK47
@Amagi, Those being remove Sieg and more Shakespeare?
Amagi
And man Apocrypha is pretty good but it would be twice as good if it had those two changes Aidan always mentions in the reviews..
Amagi
@Kaiser: I think the male in Kino was a mistake. Having two PoV sounds good, but he's basically just a male Kino, he even looks like her. Someone vastly different would have been way more interesting.
Kaiser-Eoghan
I'd guarantee that sangatsu no lion would be high up, but FINALLY this weekend I'll be catching up.
Niello
@Kaiser, Ugh my phone gitched. What I meant to say was that background was unexpected. Now I see why you're enjoying CotW though.
Niello
@Kaiser, That's unexpected.
Kaiser-Eoghan
I enjoyed how outright surreal Arakawa was.
Kaiser-Eoghan
@Amagi: It bothers me that they're stuffing multiple tales into single episodes.
Kaiser-Eoghan
Ah, excel saga, I wonder what I would think of it now, its been years.
Kaiser-Eoghan
@Amagi: I actually respect Aidan's coverage of it.
Kaiser-Eoghan
@Niello: Yes that edgy villain kid in COTWs was annoying though.
Kaiser-Eoghan
@Amagi: I don't care much for the male character that leads some of the episodes in this new adaptation.
@Niello: Its a non-mainstream shoujo that isn't set in a school, moves at a quick enough pace and has some nice background art/chara design, I grew up on shoujo fantasy manga also so theres that.
Amagi
I mean there are parts I like. I enjoyed the first episode, and the part about the country of liars. But many other things annoy me and the last episode was the worst. I also feel like the edgy bomb loli and slapstick Kino don't fit to the rest of the show somehow. Maybe I forgot everything, but the "old" Kino felt like a better character to me somehow, this one is more faithful to the LNs though
Amagi
@Kaiser: I honestly gave up on Kino and I think it's only partly the fault of the new series. I am just so tired of how stupid most of the episodic-characters are unless their are friends of Kino, how everyone gets bent being irredeemable evil for plot's sake and how everything Kino and her friends do gets justified. Maybe I am just too old or boring for this fairy tail like moral bending.
SuperMario
Still have Night is Short review to write... i will get there. I will get there
Anonymous1612237
It's like having potty mouth characters. If you have one, it can be funny and a good comedic relief. If everyone does it, it can come out as mean spirited or trashy.
SuperMario
@Kaiser: I haven't watched A Bad Idea Gone Wrog, as for now my top priority is to catch up with 2017 anime for the Yearly summary. But I will get on to it when I have some free time
Anonymous1612237
Amagi - Chibi stuff I've seen it mainly work in anime comedies with low budgets like Those Who Hunt Elves, Ranma, Excel Saga, Arakawa Under the Bridge, Nanbaka, etc. I think if you really have to use it in a more serious anime, I think it might work if it was part of one character's gag.
SuperMario
Children of the Whales, along with Juuni Taisen, keep falling out on me. Kino is pretty a hit-or-miss at the moment. I don't mind the last episode's multiple tales though
Niello
Problem about AMB chibi jokes are that they arwn't funny in the first place nor do they have a punch line.
Niello
@Eoghan, Really surprise you put Children of the Whales so high, I'm falling behind on some shows but it is still near the bottom of my list (the absolute bottom remains Kino).
Kaiser-Eoghan
The latest Kino episode was a real slap in the face/insult, really really thought that one segement would carry on for the whole episode and be a redemptive one/getting the series back on form but then it followed it up with crap comic relief segement.
Kaiser-Eoghan
@Lenlo: For now yes.
Lenlo
Droppin Mahou Kaiser?
Kaiser-Eoghan
I no longer care what Dia's gender is, no longer I will lie to myself and deem them female.
Kaiser-Eoghan
5. would be juuni taisen
Kaiser-Eoghan
My rankings for the season based on what I am following: 1. Houseki no kuni 2. Children of the whales 3. inuyashiki 4. girls last tour dropping mahou and Kino.
Kaiser-Eoghan
I don't remember Joseph being all that present from what little I read of the manga.
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Featured Posts

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