Posted on 25 March 2018 with categories: 2011 Anime Retrospective, Yumekui Merry

Here’s psgels’ original review of Yumekui Merry (he hated Working’s guts, which is fair enough)

Now, to the main meal:

Working’!! (A-1 Pictures)

Fans from the first season (like me) will have a lot to like in this second attempt of Working. The comedy is pretty consistent throughout its course, some are even sharper than the first. As Working is a character-driven show, the humor works mainly because they always stay true to the characters. Even they manage to get way with humor that has creepy and unsettling details (a groper or a kidnapping for example. What cut the edge is that those accusations are probably true), and even repetitive gags still provide good laugh because they’re well-timed. This second season also works better as an ensemble cast. I don’t enjoy that much when the last few episodes of the first season focused on Souta and Inari, for example. Here each member of the main cast receives a spotlight, they make a good use and explore one of the cast’s main trait (my favorite is how useless the manager is). Moreover, pair them up and any random pair has their own appeal. If you wonder the chemistry of between some unlikely pairs (like Souma and Inari, Satou and the Manager) would be like, you won’t be disappointed here.

The settings of Working are even more minimum this time. Except from couple gags from Souta’s house and certain alley on the street, all the events happen within the space of this family restaurant. There are some new members (3 and a half to be exact) and each of them add their own weirdness, in other words, charms to this likeable cast. My favorite new addition is the cameo Otoo’s wife. Short but sweet. She’s the nuttiest case of all. Souta’s family members, while in the first season feel like they are from different show, become an ingrate part of this season, especially whenever they appear at the restaurant or meet with the other employees.

But the most drawback aspect of Working still lies in its format and structure: it’s a middle-season sitcom comedy. I’m glad that there is a strict continuing to the plot, but I can’t say the same to the relationships’ development. The cast is still at the same place they start off the season, and when Working actively stall some plot progression (like the encounter of Yamada’s siblings), it feels rather irritating. My feeling is that they’re playing too safe with these relationships that afraid to break the status quo. How about progressing those relationship and make the cast deals with it? Furthermore, the humor don’t work when the show pushes too hard. Like I mentioned earlier, I still feel uneasy with the way Souma tries to separate Aoi and her brother, or when Aoi forces Otoo to sign the adoption paper. In the end, all of its issues have more to do with the structure. It’s the middle of the pack so understandably, plot doesn’t move much forward. Aside from that though, the quirky characters still rule the day and the humors still as sharp as ever.  This will be one of a rare franchise that I’ll be sad to see it ends.

Rating: 78/100

Yumekui Merry (J.C. Staff)

Well, I might be the only one who thoroughly enjoy this, considering how lukewarm Yumekui Merry received in its run (the director himself even admitted so). Straight to its most impressive parts: the visual direction is pretty awesome. The background arts for each of the dream world is distinctive, varied and has a lot of personality. There are plenty of creativeness in shot selection and the fight sequences, although limited, are animated fluidly. The characters are expressive and while those character designs fall into the tropey side, at least here they stand apart from each other. I guess those shot angles can be a hit and miss for other viewers, but for me I can feel the staff putting their efforts to make something different. The eye-popping visual reminds me a fair bit of Flip Flappers, which I absolutely adore. The score, however, remains unconventional and while sometimes it works well, other times it feels too alien with the screen. All in all, the visual presentation of Yumekui Merry is more experimental than your usual anime dose, but with so much love, skill and attention put into it, it remains gorgeous, distinctive and inventive.

Yumeikui Merry deals with dream as its main theme, but don’t expect any serious exploration to the nature of dream and such. It’s more concern with fighting the dream demons who use human as their vessel; and explore many interesting cases around that. I enjoy the way the show builds its characters. Those pairing between the dream demon and its human host have their chemistry, and I also prefer the way the show keeps using these characters after their case is done. The cast, consist of two mains and several friends surround them, have time to build up their characters slowly and gradually by the final arc I am pretty invested into their development. The main duo, namely Merry and Yumeji, have great deal of development (especially the former) and their chemistry together holds up as the story progresses. I don’t really like the depiction of some of the villains, however, especially the last bosses since the show makes them overly heartless and psycho without fleshing them out.

Now, the most criticism this show has lies in its original ending. As of its airing, the manga was still running (it’s still running NOW), so the anime creators figured that it might be a better idea to have their own way of to end the show. The reception of this ending was poor, citing the lack of conclusive ending, rushing towards the plot and plot holes as the main issues. I have a different opinion. Sure, it could’ve been better, but just like how I feel about the anime-only characters and its original ending in Blood Blockade Battlefront, this one I can see how the show properly builds up its arc towards the ending. Take an original anime character Chizuru for example, her characteristics are clearly defined, she supports the plot well and in the end her arc aligns with the climax pretty well. I can see some plot threads left unexplored (like all the development regarding Yumeji’s literature club members), and it is indeed rushed, but I am satisfied with the way this show wraps up. My overall feeling to Yumekui Merry is the same as Princess Principal from last year: brilliant in parts, stylist and excellent art and animation, but having a lacklustre closure that hopes for the next season that never come.

Rating: 82/100

Again, I’d like to hear your thoughts about those shows. The next one gonna take awhile, since I want to spend some time to catch up with those Netflix shows, plus the next season coming up means that realistically, the next one will be up after the First Impressions period. Next post, I’ll investigate a show about a bunch of faceless aliens and a show about a cute little rabbit, yep, the IDOLMASTERS and Bunny Drop will be up next. See you then, folks.

Posted on 8 April 2011 with categories: Anime Reviews, Yumekui Merry




If you’re looking for eye candy, then this is an excellent recommendation. Yumekui Merry is a piece of art, with some of the most artistic direction. Jut about every camera angle is interesting and dedicated to make its cast stand out. Every single background drawing is utterly gorgeous. With a rock-solid that brings a ton of life into the cast, this is a great show to watch, though it has its problems.

Shigeyasu Yamauchi‘s influence is all over this series. The camera-angles, the timing, the intonation, all is very carefully planned out really put some emotions behind them, and the animators and artists only back this up. If anything, this show is immersive and a terrific example of what can be done with the animation medium.

The bugs in this show are in the story. Most notably in how it’s way too short for 13 episodes and it failed to really understand what that means. In the first half we get a very interesting series that questions the nature of dreams, what would happen if they were taken hostage and the main characters are put on a wonderfully gray moral scale.

In the second half, though, the creators realized that the manga that this series is based on is in no way going to fit in 13 episodes and that there wasn’t going to come a sequel. They then try to wrap this show up with their own story arc that fails to wrap up anything, has a bad one-sided villain that doesn’t allow the story to go anywhere and specifically seeks out cliches, even when it has to resort to Deus ex Machina to get there. The delivery is still as good as ever, but the story that the second half of this series is trying to tell is just… unimpressive. It reduces a complex moral question back to cliches.

do bother to check out the first half if you have the time, though. It’s a wonderful little series with excellent characterization. It’s always nice to see Shigeyasu Yamauchi’s unique style of directing, but I do wish that he had been put on a story that… actually had the potential to show itself off. The big victim of this syndrome for the next season will be Deadman Wonderland. Seriously, don’t screw up yet again on a flaw that has struck so many series by now! It’s really getting annoying seeing so many shows end without ever getting to their potential.

Storytelling: 7/10 – Excellent timing and atmosphere, but loses points for the lazy way in which it tries to wrap itself up in its second half, especially with one heck of a deus ex machina ending that could have easily been avoided.
Characters: 8/10 – Excellent characterization, and really well animated. A few cliches here and there holding them back, though.
Production-Values: 9/10 – A visual feast. Period.
Setting: 8/10 – A very interesting premise, however the second half doesn’t use it as well as it should have been used.

Suggestions:
Digimon Movie 3 – The Golden Digimentals
Casshern Sins

Posted on with categories: Yumekui Merry



Agh, that was way too ambitious. With that, I don’t mean that this episode was rushed. This episode was well paced for the story that it tried to tell. On top of that, the direction was also as solid as ever, so there’s also nothing wrong with that.

Instead, this episode flopped because of basic storytelling. Mistletein has been built up as this unbeatable villain. Nothing could face her. At the start of this episode the creators had two very solid options to take her out: either fire that bullet once it charged up enough dreams, or kill the host. For some strange reason this episode found it a good idea to abandon both of these and end with a string of deus ex machina. That is nt how you use your build-up!

The bullet does get fired, but even that isn’t enough to kill Mistletein. And that’s the point where the writers realized that they wrote themselves into a corner and opt for the laziest solution: magically make Mistletein weaker so that she can actually get beaten. Suddenly from out of nowhere she actually takes punches, and to make matters worse: Yumeji also starts pulling random powers out of his ass. Oh, and Merry also conveniently gets the power to actually send demons back, in order to prevent destroying the dreams of his friend.

The weird thing is that this episode is contradicting itself horribly. Take Isana: this episode had a great moral at the end, about how the amount of dreams in the human heart was limitless. Having your dreams destroyed is bad, but you can recover from them. They could have done exactly the same with her and it would have made for a bittersweet yet very fitting ending. But no! She’s a cute girl and we can’t actually do things with her because otherwise the fanbase will whine!

All the while throughout this episode, the creators also refused to just kill off the host. That’s nice if you want to spread messages that killing is wrong. Only, at the end they just kill him anyway. I mean, he just disappears, completely unlike what happened to any other dream demon so far. What’s wrong with just showing him in the aftermath? It’s bizarre that this show wants so badly to be cliched that it actively introduces deus ex machina, just to get to these cliches, instead of getting an original conclusion by just letting things play out naturally. What the hell?

Overall, this series was a waste of potential. It was very good, and had an amazing first half, but Mistletein just was a bad villain. She’s just way too one-sided to make anything interesting happen. This show really suffers from being way too short. A very, very annoying trend that is the single biggest pitfall of anime in general.

I think that compared to other series that had to end early, the way that this series decided to solve it was below average. I can appreciate that the creators wanted to resolve the story, but they didn’t really resolve anything. It really would have been much better for this show to just continue with the manga and end somewhere in the middle. If that had happened, I would have been less annoyed than I am now.
Rating: – (Disappointing)

Posted on 1 April 2011 with categories: Yumekui Merry



I’ve complained that Mitletein wasn’t really a villain that was threatening. She wasn’t portrayed well enough for me to really get the feeling that I should be wary for what she was able to do, and felt like one of those stereotypical evil villains.

Okay, so this episode fixed that. It’s here where Mistletain set herself apart with her bold moves. Villains who play with their food are nothing new, but in this episode Mistletein really nailed both being ruthless and being playful. The way in which that teacher just outright invited himself to the house of his next victim. I like that boldness.

What I also like is how well this episode made use of its own setting for the finale, with the revelation that Leon couldn’t fire his gun because he needed to charge it with the equivalent of a bunch of corpses. It’s again wonderfully blurry on the moral scale, especially considering how Play’s death fit in all of this. Her death is convenient in the way that it allows that gun to fire, ,and yet it also destroys both Play and her vessel. And at the same time, in a fight against Mistletein, a death like this was bound to happen, with the way that she has been slaughtering her victims.
Rating: ** (Excellent)

Posted on 25 March 2011 with categories: Yumekui Merry



Well.. that was one heck of a villain fail. “I’m about to kill you! So that’s why I’m going to let you go and wait a few days.” I’m sorry, but you really can’t use those lines anymore in fiction!

The direction still is excellent. This show does a terrific job at bringing its characters to life with interesting camera angles and dialogue that lets them play off each other really well. The concept of dream demons taking people’s hopes and goals hostage still is rock-solid. So imagine how amazing this series can be when it has an actually good backstory here. This series will end in two episodes, but that really IS NOT going to be the right time for it to end!

The soundtrack in this episode was exceptionally good, and really, before that downer climax this episode actually looked like it was able to make something out of its cliched villain. The build-up was just terrific as well and Mistletain worked together really well with the teacher. But yeah, if you’re just going to make her retreat in that anti-climax after having previously established her as ruthless…

Way to go in making yourself even less threatening than you already were.
Rating: * (Good)

Posted on 11 March 2011 with categories: Yumekui Merry



This episode only affirmed the strengths and weaknesses of this series. It was a build-up for the finale (this series will have 13 episodes, by the way. It’s officially announced now), but it still showcased its rock-solid characters, excellent acting, and unfortunately not very ambitious backstory.

This episode revealed the backstory of some of the side-characters and while it definitely was interesting, it also felt like they were having a contest of who could have the saddest past. one girl’s parents died in an accident, another guy grew up with his younger sister in the hospital. Twists like these are powerful, but they shouldn’t be used gratuitous.

In the end, by far the biggest mistake that this series made however, was not making John Doe the villain. He’s a much more interesting antagonist than Elcres or Mistletain, who currently are trying a bit too hard to be mysterious and therefore not giving any of us the chance to connect with them. John Doe and his army of talking cats: you could have built an excellent story around that, while still using the unique setting of this series.

I’m a bit harsh on this series compared to others, but I am comparing it to much higher standards than usual. After all, Yumekui Merry is good, but still nowhere as good as Casshern Sins. It also doesn’t help that it airs right after Madoka Magica, which has some similar elements here. I’ve said before that series with a simple plot can be just as awesome when executed well, but here we have a series whose plot just has too little interesting twists and turns that really prevent it from being a masterpiece. Sana about to be kidnapped… I’m sorry, but I’ve just seen that a few too many times by now and this episode just spent too much time on trying to build this up, and it still hasn’t happened yet!

Anyway, enough with the negatives. I mean, Chizuru did get some much needed backgrounds, and she is really promising to be a key part in making plot of the finale less dull, standing somewhere in the middle of Yumeji and Merry and Mistletain and Elcres. And I also remain convinced that Yumeji is a great main character for a guy his age. Instead of doing nothing but angst, whine or look helplessly, he looked for ways to save Sana, and yet this episode also showed him preparing for the worst-case scenario of Merry having to send her dream demon back. Seriously, dream demons holding the dreams of their vessels hostage is something that this series overall used really well.
Rating: * (Good)

Posted on 4 March 2011 with categories: Yumekui Merry




Ah, of course. The thing with Merry is that its plot is very unambitious. It’s just Merry fighting a bunch of dream demons, with next episode the dreams of one of the side-characters finally put on the line. The teacher indeed turned out to be one of the bad guys, and Tachibana is his next victim. The way this series progressed its plot is really where this thing lost points: it really should have needed more variety and creativity in those scenarios.

On the other hand though, we have the characterization. Nine episodes in, and I love what the characters have turned into. The unique direction plus the way in which the major characters discovered that they have been thrust into a ridiculously unfair setting in which the enemies are forced to take hostages that can not be saved. It created a bunch of excellent characters. This is what I mean by fleshing characters out: we’ve now got a good view of who the characters are, and how they behave, and causing even the simplest of conversations to be likable. Well, to me, at least.

What impressed me about this episode was how it immediately turned that clown Dream Demon ten times more interesting than what he was at the end of the previous episode. In this episode things weren’t as one sided; he started playing with the weaknesses of the lead characters.

Also, every time I take screenshots of this series, I’m just reminded of how awesome the graphics here are. It’s not just a matter of things that look good. Beyond that, the creators manage to stuff a ton of eye candy in each episode that just continues to change. There are so many awesome shots to take in this series, and they’re all so different from each other. Even though this episode hinted at a slight loss of budget with animation that was not as detailed as in some of the previous episodes, the creators still managed to put in many different poses, backgrounds and compositions here.
Rating: ** (Excellent)

Posted on 25 February 2011 with categories: Yumekui Merry



Ah, thankfully this show is back on track here after that beach episode. The quiet scenes were as well directed and interesting to watch as ever, and the serious parts also showed a lot of new things about the characters. Yui’s father’s appearance also was probably the first time since a long while that I actually laughed again at “you brought home someone from the opposite sex. I’ll be a father in law now!”-joke.

Now, there is one major problem that I’m getting with this series: Elcles. This guy needs more screentime, because after eight episode we still don’t know much more about him other than than he’s really evil. And that perhaps he has something to do with Merry. I mean, the creators are currently doing a great job to blend the moral scale around Merry, so do that to the major villain as well. It’s going to make him so much more interesting. Right now the only hint at any kind of depth about him is that Merry is somehow related to that, but there are tons of other anime that do that.

Beyond that, this episode also further developed Isana and her dreams to become a professional painter. I can’t help but think that this is hinting that she too has some sort of dream demon, but in either case it’s foreshadowing something. Yumekui Merry probably isn’t going to become anything amazing at this point, for that its story just is too simple, but it still can get a pretty good climax out of all of the things it’s built up so far. Let’s hope that the creators also actually do that.
Rating: * (Good)

NB: currently I’m trying out Lulzimg. Is there anyone who can’t view the images at the top of this post?

Posted on 18 February 2011 with categories: Yumekui Merry



Aaaand we’ve got ourselves a beach episode here. I guess it was inevitable, with how the OP kept hinting at it, but it’s a good thing that this show is well written, otherwise it would have been a complete disaster, plus gg’s insert jokes are also getting on my nerves now (we know these fanservice moments are bad. You don’t need to make them worse!). This was very much a buildup episode, but at the very least the creators made sure that the random antics and the fanservice didn’t get in the way of the good parts of the episode: Merry and her sense of justice.

Merry and Yumeji… they’re a great lead couple. This episode again showed that even within an episode with such a badly overused premise of going to the beach with half the cast, the chemistry between them remains rock-solid. The past seven episodes have done wonders developing the trust between them, and seeing them play off of it really saved this episode for me. For a beach episode, it could have been much worse, and the creators also took their time to slightly develop the relationship between two of the side characters.

Plus, the characters kept talking about justice, so I was really expecting Merry to gather her composure just in time in order to save that young boy whose dream demon was about to be killed. And yet, Merry didn’t even notice it, and the boy just got his dreams destroyed. It’s definitely an interesting entrance for the new villain, but she really needs to get less stereotypically evil after this point. That will be fine if this episode was indeed hinting at what I think it was hinting.
Rating: (Enjoyable)

Posted on 11 February 2011 with categories: Yumekui Merry




I really have to praise the animators for the fight scene at the beginning of this episode, especially the inbetween animation was just amazing when Merry went berserk. And great graphics like these work even better when the characters themselves are good as well. I mean, Yumekui Merry did exactly what I hoped that Dragon Crisis would do to: overcome the simplicity and cliches of their characters and get a lot of genuine drama out of them. The drama in Merry is innocent, but not shallow or dumbed down like in many other series.

The rest of this episode was an interesting episode, considering that John Doe appeared with a bit of exposition. ah well, if there is any place where this exposition fits, then it’s an aftermath like this in which the main character needs to take a while to recover, and it’s also a good point for John Doe to step away from his villain role and become more interesting. Although we really need more of him in the rest of this series.

Also…. this episode confirmed that killing a dream demon also has major implications for its host, because they’re killed in actually two different ways. These dream demons can do nasty stuff to their hosts, but they also help cultivate their inspirations. Getting rid of them also destroys these ambitions.

I’d also like to note that I like what the creators did with the soundtrack of this one. The tracks don’t stand out in their complexity, they are fresh and nice to listen to, using unconventional sounds and tunes. Personally I really like it when a soundtrack does that.
Rating: ** (Excellent)

CHANGE USERNAME
Kaiser-Eoghan
There is an animecon here in two weeks. That eyepatchwolf youtuber will be there.
Kaiser-Eoghan
I still have old single issues of fushigi yugi, inuyasha, Ah my Goddess, narutaru laid around.
Kaiser-Eoghan
They used to realease them like single American comic book issues in the west.
Kaiser-Eoghan
I'm not talking bound volumes but actual 20-30 pages chapters and these would be expensive.
Kaiser-Eoghan
Who remembers RENTING anime dvds and RENTING videogames? Does anyone else remember buying each individual manga chapter as they came out when the official English translations rolled around?
Kaiser-Eoghan
Anyone willing to post their desktop? https://ibb.co/buc4Zz
Kaiser-Eoghan
Or things like Mischief makers .
Kaiser-Eoghan
I know vonter mentioned Mystical ninja 64. But I remember after I'd moved on from the snes to the N64 when I was younger, growing up with that obscure castlevania game on it, or stuff like those 3D bomberman games no-one cared about. Or obscure stuff like body harvest, jet force gemini, blast corps , turok, quest 64 and shadowman.
Kaiser-Eoghan
I love coming across those online lists of literally WHOtier, WHOcares , games literally only YOU liked and heard of/played. Makes me feel less alone.
Amagi
I was also always discussing about politics with my father. Whenever we started with this my mother just said "porca putana" and went into another room to watch tv in peace.
Kaiser-Eoghan
@Animemosh: lol I have daily political discussion with my Marxist-Leninist father just like that =)
Kaiser-Eoghan
Oh I should state, even though I'm not as bothered by the modern setting, I actually do prefer the cold war narrative.
Kaiser-Eoghan
@Animosh: The documentries name was Battle of Chile by Patricio Guzman.
Amagi
Especially since I don't think that the typical BF audience is of a kind that would lose interest because a series is taking place in the past. It was just written for the 80s, people can't just change that without changing the story itself to some degree.
Kaiser-Eoghan
@Animosh: I thought the anime did such a good job with Shio's backstory , that I didn't miss what was omitted. The anime is now up to date with the scans. I do agree that Satou's obsession with Shio is non-pedophilic but I think the scene itself is kind of going to give the wrong message.
Amagi
@Animosh: one of the many reasons why I would have prefered Banana Fish's original setting.
Animosh
By the way, apparently the backstory of Shio's mother - which supposedly is really tragic - was largely skipped. Guess I'll have to read the manga.
Animosh
I get what they're going for, recreating the ritual and all, but I also thought the Shio-Satou moment was a bit forced. I still think their relationship is platonic though. Satou has never been shown to lust after Shio: she just fills her with warmth and happiness. They're more like messed up siblings than (romantic) lovers.
Animosh
@Kaiser: sounds interesting! Chile is an excellent example of the kind of Cold War intervention that I really don't see happening today. Although you never know with an impulsive narcissist in the White House.
Animosh
End of monologue. Sorry about this. :p
Animosh
Long story short: I think the Banana Fish conspiracies fail to adequately represent the current situation. At the very least, it fits the Cold War world order much better.
Animosh
That includes the US (backing the Kurds and the rebels), but also Turkey and the Arab states (Sunni rebels), Russia and Iran (Assad), and so on and so forth. You can't act like this is the fault of one party. Hell, I'd say Russia and Assad are more responsible for failing to a peaceful resolution when they had the chance.
Animosh
As for Syria, it's a mess, but the US is only one of many parties responsible. And oil isn't particularly important in this conflict. It's a civil war that's been made much worse by the influx of money and weapons from many different parties vying for regional influence.
Animosh
So what does it do? It gives military and financial backing to militias with shared interests (which is much less than Russia does, by the way), orders drone strikes, and perhaps the occasional tactical strike. But overthrowing countries and setting up puppet regimes? I don't see it happening. That's basically declaring war on the other big powers.
Animosh
And even when it does intervene militarily, it rarely goes all out. The US has learned from Iraq and Afghanistan. It doesn't want to be dragged into another endless conflict, or see its efforts end in another brutal civil war that destabilizes the region.
Animosh
So although the US occasionally still intervenes militarily in other countries' affairs, other means of pressure are now more popular. The sanctions against Iran and North Korea are a good example of this.
Animosh
The current landscape is much more complex. America is still powerful, of course, but relatively speaking it is in decline, and that means it can get away with much less. Today's world is closer to a multipolar world, with many sides fighting for influence. And because the ideological conflict is much less pronounced, the US is much less willing to go against its purported values.
Kaiser-Eoghan
@Animosh: Coincidentally I recently watched a series of Chilean documentaries regarding the murder of Salvador Allende and the installation of the Pinochet Junta.
Animosh
And that meant both that America was far more powerful than it is now, and that much more intervention was considered acceptable - including shamelessly backing dictators that oppressed and exploited their people. After all, a defeat meant evil would prevail.
Animosh
Obviously the US still interferes in other countries. Quite a lot, actually. But there's a big difference between its current policy and that during the Cold War. Back then the geopolitical landscape was very different. It was bipolar, with two big Isms (capitalism and communism) fighting it out.
Animosh
@anon: not sure if this is the right place for a political discussion, but whatever. I like politics, so here we go.
Kaiser-Eoghan
*was no exception
Kaiser-Eoghan
@Animosh: If, out of the many moments in happy sugar life that I'd consider unsettling, it would be the one's with the aunt and this weeks episode was an exception. That last part of the episode will be interpreted as shoujo-ai bait by people though.
Kaiser-Eoghan
Looking forward to Angels of death next week, I think we're getting answers, glad to get answers on bad guy even if he is a simple villain.
Kaiser-Eoghan
Now this is an interesting coincidence as last night I just got done watching a documentary about cyberwarfare against Iran.
Kaiser-Eoghan
Thats alot more detailed than what I was going to say. I was just going to say that it reflects current foreign policy.
Anonymous2808488
however the current stalemate in Syria is a reflection of the intransigence of the monied elite to not let go of ill-gotten gains, constantly provoking conflict with Russia/Assad/Iran
Anonymous2808488
Its a documented fact the US/EU promoted the Arab Spring/ISIS rebellions and it was stopped by patriots with a conscience
Anonymous2808488
replace with the mexican cartels/Hezbollah, and oil money promised to Cheney-connected Genie enerrgy
Anonymous2808488
its a pretty accurate description of the current reality minus a couple silly things like the mafia and mind control drugs
Anonymous2808488
You guys realize this plot is unfolding in Syria just replace drugs with oil money
Lenlo
Its hokey in the now, but in the original context the series was written, the Cold War, I think it could fit really well.
Animosh
@Kaiser: what felt awkward to you? I thought the pumpkin stuff in particular was pretty hilarious. Eiji is an evil guy. :p
Animosh
Yeah, the conspiracy stuff feels a bit wacky in the present. But in the context of the Cold War, it makes perfect sense. The USA supported plenty of bloody coups after all, especially in Latin America. Hell, they even backed the Taliban in their war against Russia.
Kaiser-Eoghan
In the future I want to make a bigger effort to follow MORE of whats being covered on here seasonally.
Kaiser-Eoghan
http://kissmanga.com/Manga/Red
https://manganelo.com/manga/red_naoki_yamamoto Two history manga, wonder if they'll be fully translated.
Kaiser-Eoghan
I imagine most will probably agree with you anon though. I have alien taste/opinions. I also love conspiracy stuff =P
Kaiser-Eoghan
@Anon: Originally, in the manga version of that part, it was attacking communism in south America.
Anonymous2805624
I don't know; I kinda find the whole Middle East stuff a bit hokey; maybe that's just me.
Lenlo
Im about to watch it. Looking forward to it
Kaiser-Eoghan
I know its only one line, but that they still mention skip and shorter, even its just their names, at least the show keeps them in mind.
Kaiser-Eoghan
With episode 12, Banana fish has successfully contemporized its political/cospiracy aspect for me . Eiji is semi-uselful. Humour in this episode for the first time feels awkward, fast pace kind of means that the quieter slower scenes , though I still enjoy them, feel slotted in.
Lenlo
Most of my emotions this week came because of the original and my love of it, not this one
Lenlo
I agree, Steins;Gate 0 had all the potential, and there are some specific episodes that realized it. Like this episode had a lot of touching scenes cause it slowed down to play up Okabe's relationship with Amadeus. But most of the time, it fails to reach that potential. So as a whole it just feels... lacking
Kaiser-Eoghan
Plebs, not combining both into a single dessert.
Anonymous2802297
I'm talking about that sweet saccharine Chocolate Mousse, the Ganache, or the Chocolate Gâteau. Your puny muffin stands no chance. Mwahaha!
Anonymous2802297
Blasphemy. As a proud American, I can't stand for anything less than pure unadulterated diabetes-inducing sugar in chocolatey cake form. Anything less is an insult to my great nation. /s
SuperMario
@anon2801739: that's a nice analogy but I can't say I agree as I prefer chocolate muffin much more than chocolate cake :)))
Anonymous2801739
Steins;gate 0 is all potential but generally it's wasted. Whenever it actually seems promising they manage to jump plot points to boring nonsensical melodrama for a century. It was supposed to be a chocolate cake. Instead what we got was a muffin with tiny chocolate chips buried few and far between. Yeah it's still sweet at some points, but most of the time you're chewing through pointless fluff.
Lenlo
Like I said in my last post on it I think, the pacing is fucked
Animosh
I did like that the lab members finally acted like scientists again, methodically thinking through their options and all, and there were some pretty touching individual moments and nicely tied up ends. But mostly I'm just annoyed by all the unfulfilled potential of this show.
Animosh
I also hated the backtracking in the beginning. Don't make such a big deal of The Return if you're going to throw it out of the window in the next episode.
Animosh
I really don't understand Steins;Gate's pacing. It slows down to a trickle in the largely irrelevant middle part, and now that things are finally getting somewhat interesting again it just speeds through everything without building things up properly? I don't get it. And how on Earth are they going to resolve everything satisfactorily in one episode?
KTravlos
Reinhard (old series). Ash is interesting and depicted well, but not close to Reinhard. There is something noble in Reinhard, something beyond charisma.
Anonymous2797046
In a charisma battle between our two favorite Blond Boys (doing what blond boys do), who'd win: Reinhard or Ash?
Kaiser-Eoghan
Kind of felt this is what prelude penultimate episode/calm before the storm episode should be and I liked quite liked the ginko and souya scene, but I'm still eh, I shrug at this.
Vonter
After watching some more Star vs. the forces of evil. I'm getting Jitsu wa Watashi wa vibes. The Sailor Moon-like character episode was cute.
Kaiser-Eoghan
The bullying arc in sangatsu made me want to shootup the school.
Lenlo
I will admit, the family life stuff is less engaging than the crippling depression, but I dont think that would hit as hard with out the relaxing bits in between. Dont want to overload the audience.
Anonymous2791561
3-gatsu no Lion has its ups and downs; its ups are the intense emotional drama or shogi matches, while it's downs are the more relaxed slice of life food porn stuff. When I say up and down, I don't necessarily mean good and bad, just more about the intensity. I personally found that I could enjoy both styles, but sometimes I'd find the slice of life stuff dragging on.
SuperMario
Well, I regard 3-gatsu as one of the best character-writing in this medium in recent years. As for shaft, I'm their fan but even me was worried when I learnt Shaft adapting this. They did a nice job thankfully
Kaiser-Eoghan
Though I was glad that the comedy becomes more reigned in later on.
Kaiser-Eoghan
I got used to the tonally discordant humour eventually, accepting that the show essentially exists in two plains.
Kaiser-Eoghan
In tsukiyomi moon phase Shinbo made some of the shots look like photos, which was cool given the protaganists profession. Their weird style also was a good fit for an oddball show like Zetsubou-sensei.
Lenlo
I just finished the 4th episode, and so far I am torn on Akari. Im still not sure what to make of some of these relationships. I love the permeated depression theme in every episode though.
Kaiser-Eoghan
I wonder if it will get a third season.
Kaiser-Eoghan
I want Akari to be my mom.
Kaiser-Eoghan
Hmmm only 9 out of 13 volumes adapted, which means the anime hasn't adapted the best bit.
Kaiser-Eoghan
Unfortunate that the sangatsu manga doesn't update often.
Kaiser-Eoghan
While I haven't seen it, I heard that vocaloid thing shaft adapted was very poorly suited to their style.
Lenlo
If a drama can actually make me feel something, actual emotions, then its a success. But it takes a pretty good, well made drama to do that.
Lenlo
I am very particular about my Drama'
Lenlo
Im planning on burning through the whole thing in the next few days. Maybe then ill try the manga, since there is probably more
Kaiser-Eoghan
@Lenlo: I didn't think your lie in April or sangatsu would actually be your thing. They're very drama-ey.
Lenlo
Basically im with Kaiser on this one. As for Shaft, I am very show by show with them. I couldnt stand Nisekoi, yet Sangatsu's color palette and way of drawing faces really has me
Lenlo
See, so far it has a very Mushishi/Fune wo Amu/Your Lie in April feel to me. I love these kinds of things animated, because I feel the music and color-choices really help set things in the mood.
Kaiser-Eoghan
@Mario@Lenlo: We can be Kanabros for life all three of us ;)
Kaiser-Eoghan
But in general I do think shafts style lends itself at its best to more comedic work.
Kaiser-Eoghan
I actually felt that shafts style elevated their adaptation of Sangatsu. I find it easier to watch these slow paced shows than reading them. Also Kana Hanazawa.
SuperMario
Shaft's style can be a hit or miss with the audience, however. While I don't mind that, I still would recommend you try the manga instead
SuperMario
Oh, so you still have, like, 40 episodes left
Lenlo
Huh. Finally got around to March Comes in Like a Lion, gotta say. 3 episodes in, its pretty good
Kaiser-Eoghan
Speaking of it though, I wish they'd get that proposed new Vampire hunter D anime off the ground.
Kaiser-Eoghan
Though my memory on this is extremely fuzy.
Kaiser-Eoghan
Y'know, I saw an article there on anime news network referring to the second vampire hunter D film, I know I watched it years and years ago, loved it, but I forget the plot, thinking about it now, how was the dude D was after supposed to survive without blood after buggering off to space alone with the girl?
Anonymous2786239
Amen to that
Anonymous2785164
I read blogs to see opinions on anime, not to read about how blog writer is much better than some youtuber I probably have never heard of :D
Anonymous2785164
Anyway, don't any of you guys let that get up to your head :p I'm also annoyed whenever media producers start mocking each other and setting themselves up as better.
Anonymous2785164
Nothing is more annoying to me than nerd doing the stereotypical nerd voice to mock people
Anonymous2785164
Either way, I kinda dislike majority geek youtubers because I find them all to be hypocrites. Like for example, complaining about commentors correcting them or nitpicking them when all of them are nitpickers themselves :P
Anonymous2785164
That said, he has habit of commenting on things way too early only to later on to be proven wrong by end of the anime :P
Anonymous2785164
That said, I don't remember Mother's Basement being that bad besides that he for most parts really sucks when talking about video games despite apparently having studied game development
Anonymous2785164
@AidanAK47: I don't actually like any of anime youtubers. They all seems to be pervs to me and I'm actually rather prude person :p
Anonymous2785164
Hmm this chat is being buggy again and I can't change username from anonymous right now :P ANnoying~
SuperMario
@Lenlo: Readers will enjoy us more if we can throw some meme references... proof that we're still not out of touch with current trends ^^
Kaiser-Eoghan
@Lenlo: I mean the opposite, the posts here are good because they don't use quips. They aren't fanboyish either.
Lenlo
Are you telling me I need to insert more quips. jokes and one-lines into my posts? Cause I can do that
Kaiser-Eoghan
@Aidan: Drop grand blue if its taking up too much time, I know you are busy.
Kaiser-Eoghan
Thats why I enjoy reading blog articles like on here. I feel the writers on here never sound like awful fanboys or quiplords.
Kaiser-Eoghan
*I have
Kaiser-Eoghan
I think its down to an idea have about vloggers/youtubers, that the videos will be full of unfunny quips and unrestrained fanboyism due to the guy doing the video can't keep himself in check.
Lenlo
Digibro isnt worth listening to imo
Kaiser-Eoghan
Never even really pursued listening to digibro. Although I probably should listen to eyepatchwolf apparently.
Kaiser-Eoghan
I should say the anime youtubers I've actually watched pertain to: Gigguk, one video by blackanimecritic, a few countdowns by Mistychronoxia and Animeman . I think I've watched maybe two of glass reflections reviews.
Anonymous2781300
I don't know, r/anime probably is also not the best sources; Youtube and Reddit are just the places I generally go to for large-scale anime discussion
Anonymous2781300
Oh my previous comment didn't post; basically I was saying that Anitube isn't super representative of audience popularity, at least as a whole, but it might offer some insight to at least a portion of it.
Anonymous2781300
*audience you're looking at: there's the Japanese audience and Western audience, but I feel like there's also like, another half of the world that most be people don't consider.
Anonymous2781300
It kind of depends which audience you
Kaiser-Eoghan
I don't even watch gigguks videos anymore.
Kaiser-Eoghan
I've never really cared enough to overexplore any of those anime youtube critics for the most part.
Kaiser-Eoghan
If someone keeps talking about something, eventually it'll sometimes work out and get through, then I'll at least have to see some of it.
Kaiser-Eoghan
@Aidan: I watched it because you kept saying not enough people were watching it.
AidanAK47
@Masky, cause Mothers basement did a video on it? Well hopefully it gets it some attention. Don't really like MB though. I mean "Gurren Meets Earthbound"? Jesus Christ.
Masky
Hmm, seems like Planet With is slowly getting more attention to it
Lenlo
I know im Shonen trash, but Hero Aca continues to be fantastic.
Animosh
You know, one person ends up broken through no fault of her own, and then ends up hurting herself and/or others to protect the only happiness she knows. And so the cycle continues.
Animosh
I thought Shio's backstory was really sad too. But yeah, although the show (and many of its characters) can be silly a lot of the time, there's a beating heart behind all of the craziness. Its main characters all have believable - if misguided - motivations, and the show portrays the cyclical nature of trauma very well.
Kaiser-Eoghan
@Animosh: I think the scene with satou breaking down near episodes end were the standout. I often laugh at this show for its overthetopness, then makes me feel like a jerk by pulling something depressing.
Kaiser-Eoghan
@Amagi: Escaflowne ended too soon and abruptly. I haven't seen rayearth but I have read the manga, so I don't know if the anime original content is as good.
Kaiser-Eoghan
I've noticed that the voice acting tends to be worse in reverse harems then regular harems.
Kaiser-Eoghan
@Amagi: Regarding otome, one of the worst cases though had to be hakuouki though, just a bag of complete wasted potential.
Kaiser-Eoghan
@Amagi: While I didn't dislike Red river, I have the unpopular opinion of preferring Basara because I found the central relationship more interesting.
Kaiser-Eoghan
@Amagi: Yes that was babylonia no shishi.
Amagi
I wish we could get isekai like Rayearth, Now and Then or Escaflown again.
Amagi
Sadly these series usually fail elsewhere, with the typical problems shoujo and otome series tend to have
Amagi
@SuperMario: strangely enough this is somewhat typical for shoujo whereas generic isekai can't get off that fake-rpg spleen. There is also a shoujo in which feMC gets transported into some old turkish setting and one with babylonia (think the latter was done by that mangaka that also did Cantarella).
Kaiser-Eoghan
Theres also a shoujo manga called babylonia no shishi.
SuperMario
maybe it's one of the earliest example of isekai if you don't regard isekai setting as strictly fantasy world.
SuperMario
" Or even something egyptian, babylonic, or mayan." -> actually they did just that. One of the old classic shoujo, Crest of the Royal Family, is about a girl transported into Egyptian royal family. https://myanimelist.net/manga/5284/Ouke_no_Monshou?q=Crest of the Royal Family
Kaiser-Eoghan
I think the success is, if a series can distract you and still make you feel something, even if there should have been more to the characters.
Kaiser-Eoghan
@Animosh: Beyond Arthur and Dino, who always came off to me as "the bad guys to be defeated", I think I might have been so into Ash that I didn't really pay as much attention to his character development as you and Mario did.
Animosh
Happy Sugar Life was pretty intense again. It's not subtle, but it's certainly effective. For me, anyway.
Kaiser-Eoghan
*gamer
You could see that he probably enjoyed online games and knew his stuff, wheras it seemed in sword art the writer felt liking he was shitting on everything.
Kaiser-Eoghan
I'm not much of a game and I know it was a fantasy show, but I guess log horizon is isekai, but in that one from what I saw, I thought the writer seemed to be making more of an effort.
Kaiser-Eoghan
But given how lazy isekai tends toward, while yes a scifi world would be a nice change up, the inherent genre laziness would probably holdback on properly building that world.
Anonymous2771364
Why Isekai are limited to the fantasy worlds? What about one with a creative retro futuristic setting (like Jetsons, John Carter or Flash Gordon). Maybe a western setting. Or even something egyptian, babylonic, or mayan. Anything at this point will be genius if done right.
Anonymous2771364
@Kaiser-Eoghan - Didn't watch Gate but it wasn't kind of like that? Adapting an alien fantasy world to the real world?
Kaiser-Eoghan
On a total tangent. Imagine an isekai that dealt with immigration issues ;)
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Featured Posts

Steins;Gate 0 – 22 [Rinascimento of Projection -Project Amadeus-]

This week Steins;Gate 0, once again, brutally reminded me of the potential it started with ~5 months ago and subsequently wasted. We have lab-member shenanigans, emotional heart-to-hearts and overdramatic time travel sequences. Let’s dive in! So in general, Steins;Gate 0 worked this episode. It really did. The emotions were on point and there was a […]

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Banana Fish – 11 [The Beautiful and Damned]

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Steins;Gate 0 – 21 [Rinascimento of Image Formation -Return of Phoenix-]

This week Steins;Gate 0 gave me, most, of what I wanted. It gave us a journey through the future, a Time Leap chain and the return of our favorite mad scientist. However, for all that I love it, its to little to late. Lets jump in! So, where to start. Leaving the big spoilers for […]

Shoujo☆Kageki Revue Starlight – 09 [On the Night of the Star Festival]

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Chio-chan no Tsuugakuro – 10 [Shinozuka-san, Sugar Content, and the Press Conference/ Thousand Spring/ Andou and George]

We seem to have a routine of one below-average Chio-chan’s episode, follow up by one above-average as of late. This week is amongst Chio-chan’s better ones as it fleshes out two side characters with great effect. As you might remember, Momo wasn’t that memorable when she first appeared. Her uptight attitude is a nice foil […]

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