Posted on 24 October 2007 with categories: Anime Reviews, Ayatsuri Sakon


Ayatsuri Sakon is another one of these unknown series that nearly nobody has heard of, and which still is quite good. It’s an arc-based series, tackling murder mysteries. The main character is a pretty interesting one: he’s a puppeteer (Sakon). On his own, he’s really shy, but when he wields his favourite and most cherished puppet (Ukon), he becomes quiet, serious and quite cool. To make matters even better, he’s so good at ventriloquism that his puppet looks just too much like a person. Ukon is loud-mouthed, rude and nearly the opposite of Sakon’s personality, but together they form a solid base for this series to work with.

Basically, the arcs in this series consist out of three or four episodes, and in each of them, a person is killed and Sakon, who happens to be in the neighbourhood, has to solve them. These mysteries go far beyond the “Scooby-Doo”-murders, they’re committed quite carefully, and it’s very often that only the smallest details will give them away. The murderers themselves also often have quite some interesting reasons for their actions. As an added extra, because Sakon is a ventriloquist, the entire series is deeply rooted in the ancient Japanese puppetry, giving this series a unique look.

There is, however, one problem with the set-up. I’m personally a huge fan of arc-based series, but they’ve got one major drawback: the quality between the different arcs can fluctuate heavily. With Ayatsuri Sakon, it’s the arcs in the middle of the series that are a bit lacklustre, and not that interesting when compared to the other ones. It’s often obvious who did it, and they do a bit too little to really stand out.

Still, to make up for this, there are a number of astonishing arcs around the beginning and end. Especially the second and the final arc are true masterpieces in storytelling, and just about everything went right for them. These two arcs managed to become very emotionally charged, with great results.

There are a number of recurring characters here and there, and I’m glad to see that all of them get sufficient development to be more than just a two-dimensional one, and nearly all of them have an entire arc dedicated to them. Sakon is also an excellent main characters, who can, together with Ukon, perfectly carry the weight of the series. He may seem like a static character in the beginning, but don’t worry: as the show goes on, he’ll get enough development.

Overall, if you’re a fan of murder mysteries, you just have to give this series a chance. Don’t be scared away by the lesser middle part, both the beginning and the end contain some remarkable stories. It’s a shame nobody talks about this, because Sakon is definitely getting less attention than it deserves, and it’s a real underrated series.

Posted on with categories: Ayatsuri Sakon


This episode was… just amazing. I’ve been hoping so much that this arc would finally be able to trump the second arc of this series, but I can’t believe that the creators actually did it! This episode was quite possibly the best episode of the entire series, something which is what every series should aspire. The true villain of this arc had a really deep backstory, and this was combined with excellent writing to an ending that just couldn’t have been any better. I’m SO glad that this series turned out in an awesome way in the end.

While some arcs of this series focused at “who did it?”, this was already clear in this one: Ayano Shinozaki. The “how did it happen?” also wasn’t important: this was explained in just one minute. This really was an arc about the “why?”. Ayano is the sister of Sakon’s father. They, however, used to be members of a rivalling puppetry-school of the Tachibanas. This ended when the Tachibana-family spread bad rumours about Ayano’s family. Her father committed suicide because of his worries, while her mother went insane. Ayano and her brother then went different ways, while they both tried to end up, back with the Tachibanas, in order to take revenge.

Then Sakon’s father married, and had Sakon. Seven years later, though he committed suicide as well. It’s still not clear why, but I can imagine how he was terrified because of all the mistakes he made. Considering his family and their genes, it’s possible. In any case, because of this, Ayano decided to one day kill Sakon. His sudden promotion to successor of the Tachibana-school probably was the final straw for this. As for the reason why she didn’t just try to kill Saemon, the one who was really responsible for her parents’ deaths, with a lot of help from the media, I’m surprised that she didn’t have a clear answer for this. But I think that that’s exactly what makes a good antagonist: reasons that can’t be explained in one or two lines, but still make sense somehow.

So yes, I cried during this episode. It’s sad to see this series finally go. I’ve been blogging it for nearly two years now (to be exact, I started blogging this at November 30, 2005), and there has been no other show that I blogged for a longer time than this one, even Popolocrois. It’s obvious that it’s been a really fun time, despite the lesser parts of this series.

Posted on 31 August 2007 with categories: Ayatsuri Sakon


Yes! Yes! This arc is progressing perfectly! I couldn’t have expected it to get any better, by the standards that have been set with the rest of the series. There’s a strong and consistent emotional strength throughout the entire episode, the mystery progresses perfectly, and it’s great to see Sakon as the centre of attention, without any increase of cheesiness.

The interesting thing is that this is another one of those arcs where we know who did it, before the final episode: the Shinozakis. If the creators are confident enough that they give out these hints, they must have got something very interesting in store for the conclusion. With other words: Shinozaki’s reasons should be quite juicy.

Come on, Sakon! There’s only one episode left! You’ve only got one more chance to prove yourself and your unique character. Please, make your end a memorable one!

Posted on with categories: Ayatsuri Sakon


So, apparently there is no Baccano-release this week. To make up for it, we get treated to a double-release of Ayatsuri Sakon. We’re finally ready to start the final arc, and it’s exactly as I hoped: the final arc is going to be all about Sakon, as it centres on his succession of his the puppetry-school that has been lead by his father for ages. If I had to say so, this episode was the best opening to an arc since the first one, which benefited most from the fact that I had no idea what to expect from this series.

Lots of side-characters also return for this arc. Shiho from the fourth ac is back, Shinozaki from arc I returns, and our regular side-characters of Kaoru and Zenkichi are also present. Like I mentioned above: Sakon’s famous grandfather finally decides to hand over his title as the head of the house, after suffering from a heart-attack on stage. The successor will be Sakon. I nearly forgot that this grandfather is also Kaoru’s father, by the way. His other child, Sakon’s father, committed suicide when Sakon was only ten years old.

The fact is that people obviously disagree with Sakon being the next head. The most obvious suspect would be Sakon’s grandfather’s brother, but he also coughs up blood at the end of the episode. The big question is now: was Sakon’s grandfather’s heart-attack a real one, or was it created by a human? If it was, I’m putting my money on the guy who takes care of the clothing, due to a hint that was given around the middle of the episode. There are still lots of questions that remain, though. Why did the criminal set a garbage-can on fire? Is Sakon’s father’s suicide related to this?

I’ve got high hopes for this arc. This is probably going to have more emotional strength than most other arcs, due to the fact that it focuses on characters who are already fleshed out, and with a bit of luck, it’ll be able to finally top the seventh episode. Come on, Ayatsuri Sakon! You’ve only got one arc left, so make it an arc to remember!

Posted on 22 June 2007 with categories: Ayatsuri Sakon


Okay, it didn’t turn out as good as episode seven, but it sure as hell was enjoyable! I’m glad to see that the past few arcs have been way less predictable, as I never really confirmed the culprit until he was revealed. I also loved his backstory and character-development. I liked how he didn’t really turned out to be evil, he just wanted to have revenge for the things that people did to him. His miserable state of two episodes ago was an act all along.

I loved both Numata and Tsukiko, and how the ending wasn’t a 100% happy one. Numata will be serving in Jail, and Tsukiko has forgotten the things that he did, in exchange for her previous memories. It’ll only remain a question whether she can forgive what he did, and whether she’ll still want to be with him after the years he served in prison.

I think the only really evil person here is the major. He’s nothing but a greedy bastard who framed his son into killing Tsukiko, and he probably made him do even more. Even Kobayashi acted because he didn’t want to disappoint his father, which probably was because of the way he was raised.

Overall, it’s either me, or the arcs are getting better and better. There’s only one arc left, and let’s hope that the creators saved the best for last. I’m intrigued as to what they were planning to do to resolve the series. Sakon will obviously be in the spotlight more than he’s ever been, and I do wonder what part of him the creators will use for this.

Posted on 9 June 2007 with categories: Ayatsuri Sakon


I’m not sure how many others are still watching this anime, but that isn’t stopping me from really enjoying the current arc. This one might indeed have a very good chance of rivalling the second arc, and also for the first time since that arc, I’ve got absolutely no idea who the heck the culprit is. My best guess would be that Tsukiko is faking about losing her memories, but she sounded awfully genuine in the time we saw her.

It’s like everyone’s hiding something. Apart from Hoshie, everyone has at least one thing that doesn’t make any sense. Why kept Kobayashi visiting Numata’s sister? Was he the actual culprit? What is his father’s role, and why did he look worried? Why was Numata killed off in the first place? Did Tsukiko really survive such a fall and lost her memories? And why the heck did the culprit tape his victim and was stupid enough to lose this tape?

The background music also was truly excellent. If there was anything that could contribute to the already creepy mood, even though it just consists out of piano-tunes, it would be this one. I also laughed quite a bit when Sakon managed to sneak past a large number of police-agents, and Ukon was talking about Tachibana behind her back. ^^;

Luckily, The Ayatsuri-Sakon Project has the tendency to release the different arcs quite fast after each other, while the periods between the releases of the different arcs take up a few months. With a bit of hope, the final episode of the arc should arrive quite soon, as I’m really eager to find out whether it really is as good as I hope it to be. The past two episodes have already been excellent, now let’s hope for a good finish!

Posted on 31 May 2007 with categories: Ayatsuri Sakon


Hah! It’s just as I hoped, now that the ending is coming closer, the arcs are getting better and better! This episode reminded me again why I started blogging this series, and it’s quite possible that the current arc will be able to match up to the first two arcs. One thing’s for sure: this is one of the most touching arcs yet, only rivalled by episode seven. I especially loved the climax.

The case this time centres around a young woman (Hoshie). Sakon, Ukon and Zenkichi (I was surprised seeing him among the main characters, he works perfect as a side-character, in my opinion) run into her, and it seems that her sister (Tsukiko), who used to be a nurse committed suicide after making a mistake that killed her fiancé’s sister. Right now, her “ghost” haunts the local graveyard.

There are lots of juicy details to this mystery. For starters, Tsukiko was a strong person, who according to her sister would never kill herself for such a thing as accidentally killing someone. She endured a lot of hardships in the past, while she had to take care of her sister as well after her parents died. For her to commit suicide was just highly improbable. In fact, I actually believe that it was Tsukiko herself who committed the obligatory “first kill” at the end of the episode.

Hoshie also has her own problems. Remember the fiancé? After the tragedy, he started gambling and accumulated quite a bit of debt. He then kept begging Hoshie for money to pay these off. During the episode, this guy really looked like a miserable fellow, and he also was the first to fall victim to the plans of the killer, possibly killed by his former girlfriend.

Posted on 8 April 2007 with categories: Ayatsuri Sakon

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Short Synopsis: The true culprit is revealed. Quite a clever bastard he is.
Good: Perhaps the most clever villain up till now. Great arc.
Bad: Wouldn’t the guy try to hide his wounds as well?
Overall Enjoyment Value: 8/10

You know what? I loved this. The previous arcs may have had their flaws, this arc was handled quite well. I have to admit, while I saw Naoto as the main suspect after the head of the school got killed, after more people started to die, Eimei started to become more suspicious. His speech also nearly convinced me of the fact that Eimei was behind everything. That is, until he died in front of Naoto. Quite nice, I haven’t been this surprised with this series since the second arc.

And that butler. I knew he was fishy, I knew he knew what the culprit was, but I never suspected him to be an actual accomplice. In the end it was he who made the most mistakes. After all, he spoke so easily, in order to put the blame on Eimei. It’s quite clear that Naoto was the mastermind behind all this, while the butler just wasn’t as good an actor as Naoto.

With this, there’ll probably be two arcs left. It’s interesting, as there won’t be any four-episode arcs anymore. That’s quite interesting, as in that way, they won’t be able to drag. I just hope that they’ll somehow go back to the brilliance of the first two arcs. It’s quite strange to see that an actual ending is in sight, and that with the series I’ve been blogging for the longest period of time. I wonder which series will finish sooner: Ayatsuri Sakon or Popolocrois.

Posted on 5 April 2007 with categories: Ayatsuri Sakon

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Short Synopsis: As expected, more people die. The culprit seems to wear a white Noh-styled mask. Kaoru, meanwhile, makes a fool out of herself.
Good: Glad to see the brilliance of the first two arcs finally returning again! Kaoru was quite funny.
Bad: So far, Ayatsuri Sakon’s only bad point was its predictability, but even that was absent from this episode.
Overall Enjoyment Value: 8/10

I never thought to see some actual consistent updates from Ayatsuri Sakon again, but surprisingly the Ayatsuri-Sakon project released yet another new episode. And I’m glad to say that, apart from the ending of the second arc, this is one of the best episodes yet. There are probably two reasons for that. First of all: Kaoru. I really like this arranged marriage of hers, and the fact that she fell in love with it anyway. She was so cute when Ukon kept teasing her. ^^;

The second reason is the fact that throughout the episode, you’ve got almost no idea of knowing who the real culprit is. Right now, I’m suspecting that the youngest son is behind it, but why would that be? When the previous arcs tried to side-track the viewer, the events were rather transparent. But this arc manages to throw in not one side-track, but lots of them. At one point of the episode, everyone has a possibility of being the culprit.

There’s a lot behind this mystery that still isn’t clear yet. For example, why did the culprit have to wax the floor, when he could have timed the attack perfectly. If it was a mistake, and the slippery floor was actually meant to fend off the killer, and Naoto was the real victim, then why didn’t the culprit kill Naoto off the second time? How did the culprit make Kouei end up in the car-crash? It’s hard to believe that everything is the work of just one person.

Memorable quote: “Hyu hyu! You two are sizzlin’!” – Ukon

Posted on 15 February 2007 with categories: Ayatsuri Sakon

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Short Synopsis: The setting for the new arc: a school for the puppet-style Noh. Kaoru has an arranged marriage with the oldest son of master of this school.
Good: Kaoru was surprisingly interesting. I finally realize the good thing about this series.
Bad: Again the usual formula. I hope I’m right with my statement above.
Overall Enjoyment Value: 7.5/10

Interesting, I know that I’ve been ranting against Ayatsuri Sakon for the past few episodes. But after seeing this episode, I really can’t imagine why I’d do such a thing? Sure, it’s not as good as shows like Simoun or Noein, but it does have a certain charm. Sakon himself also is a unique character. I finally realize why I liked the first couple of episodes so much, while the later bunch of episodes started to get really boring. This really is a show that you need to see once a month. Not once a week, like I tried for a while. It’s a slow show, but it definitely has some really good points. The fact remains, however, that it’s too much of the same. When you put huge breaks between watching the episodes, this effect is weakened significantly, which results into quite an enjoyable episode.

After watching this episode, I also finally realized that this show is like the sister-anime of Ghost Hunt. They both involve Ghosts, they both involve mysteries that have to be solved. The huge amount of similarities is quite astounding. Still, there are a few significant differences. While Ayatsuri Sakon focuses on solving murders, Ghost Hunt focuses on getting rid of ghosts and spirits. Ayatsuri Sakon is deeply rooted in the ancient arts of japanese puppetry, while Ghost Hunt rather offers a modern look at psychic events.

Still, I now realize that Ayatsuri Sakon has one major disadvantage over Ghost Hunt: it doesn’t have an incompetent main character. Heck, Sakon is smart, he does things on his own, and he uses his puppet to talk for him. The first arc also had lots of shock values, and Ayatsuri Sakon actually gives the viewer the opportunity to solve the case himself with a bit of logical thinking. Instead of Ghost Hunt, which comes with rather random points that rather resembles storytelling than solving a mystery.

About this episode, I really liked Kaoru when she fell in love with the guy. I’m really hoping that the Ayatsuri Sakon project will continue releasing once a month, as I’m interested to see how this will turn out.

CHANGE USERNAME
Kaiser-Eoghan
@Anon: Lol I love B-movie type stuff, because the rules are off.
Kaiser-Eoghan
I was the only person who watched Mazinkaiser skl and shin mazinger and skullman.
Anonymous2026379
@Kaiser Takeshi Koike really wanted to really sell it as a grindhouse feature and I ate that shit up; I really dug the tone he was going for.
Kaiser-Eoghan
@Anon: It was strange seeing that Goemon short, much as I enjoyed it, thats the goriest I seen lupin get.
Anonymous2026379
Megalo box is pure retro while lupin is a mix of old and new...and you're right; people just think they can't jump right into it. But that's why more people should be talking about it; to let the masses know that you don't need a starting point to get into the Lupin franchise
Kaiser-Eoghan
I'm a massive fan of the devilman manga and I thought devilman crybaby was better than it.
Anonymous2026379
90's-esque throwback feeling shows like lupin and megalo box have been giving me
Anonymous2026379
Luoin part 5 is definitely mixing the best of new and old. Honestly, I've been having a blast with it as well as this generally 90
Kaiser-Eoghan
I think the problem is, people see lupin as this long thing they can't get into, when really its so episodic/standalone mostly you can pick up and watch.
Kaiser-Eoghan
And of course getting the best bits out of old and new.
Kaiser-Eoghan
*visual style
Kaiser-Eoghan
I'm a fan of this hybrid old and new style, megalobox does it too, mine fujiko aswell and casshern sins.
Kaiser-Eoghan
I was surprised by how well the Fujiko mine show came together in the end.
Kaiser-Eoghan
I'll be interested in picking up more facts about thrm.
Kaiser-Eoghan
Come think of it, Akira Kurosawa did some old western (eastern?) in Russian, that had an Ainu in it.
Anonymous2026379
Asirpa is sooooo adorable.....almost feels patronizing to say that about her due to how badass she is
Anonymous2026379
What makes Fujiko work so well as this sexy icon is that she isn't just sexy: she's smart as shit and uses that sexiness to dominate and control her opponents (similar to bayonetta) rather than be chained by the objectification of her opponents (and the viewers for that matter)
Anonymous2026379
I wonder what other obscure cameos we may get this season. And yea you're right about some of Lupin's potentially sexist traits being assuaged by his level of cool and the genuine respect he shows a good deal of the women he has encountered throughout the series
Kaiser-Eoghan
@Anon: Yet still a fun film at the same time.
Anonymous2026379
@Kaiser Yea, mamo was a pretty dark element introduced to the lupin franchise; and considering the tone of the gravestone of Jigen, it makes sense he would cameo there
Kaiser-Eoghan
@Mario: Help I want to kidnap Asirpa =<
Kaiser-Eoghan
@Anon: I'm probably as surprised as you, at finding someone to talk to about Lupin on here.
Kaiser-Eoghan
@Anon: And through comparing/contrasting the jigen grave stone and Fujiko mine, with some of the sillier older ones, it shows the Lupin characters are flexible enough to work both in a darker AND sillier context.
Kaiser-Eoghan
*character
Kaiser-Eoghan
@Anon: Fujiko is precisely how a fanservicey character should work and how built in/essential it is to her haracter, without becoming an irritant.
Kaiser-Eoghan
@Anon: By all means Lupin himself shouldn't be a character we like, much like Bond, but like Bond theres a coolness to the character that allows us to love him.
Kaiser-Eoghan
@Anon: Another great thing about Lupin is how it uses its 60s cool to get away with what would normally probably be considered fairly sexist.
Kaiser-Eoghan
@Anon: I had a big smile on my face when Mamo made a cameo appearance at the end of one of the recent ones and thats because I remember the Lupin Mamo movie was one of those first anime that I watched about 20 years aago.
Anonymous2026379
not to mention that its one of the few anime this season that actually knows how to utilize dialogue to explore flesh out its characters rather than exposition or contrivance: looking at you darling in the franxx
Anonymous2026379
@Kaiser-Eoghan Nice fun facts; but yea Lupin III is a series that has always had an amazing sense of pacing and adventure, traits that are definitely on display this season
Kaiser-Eoghan
@Anon: Its a huge franchise too so I'm often never sure where to go next.
Kaiser-Eoghan
@Anon: You may or may not know this, but the voice actor for solid snake voiced Lupin in one of the dubs.
Kaiser-Eoghan
@Anon: I watched a few episodes of the Italy set lupin show too .
Its a fun franchise due to its cast but its something I have to follow irregularly, lest it get repetitive.
Kaiser-Eoghan
@Anon: Fun fact, guy who directed the gold of babylon film was a famous B-movie noir director in the 60s.
Lenlo
Dont trust anything written by the original SAO author. Everything is his fault. Kirito is not in this series.
Lenlo
Even the original SAO author has little to do with it, which is why its actually good
Lenlo
So SAO Alt is basically completely removed from the rest of SAO
Kaiser-Eoghan
@Anon: Lupin is one of those things I dip in and out of, whatever part of the franchise it is. I've seen birdcage kingdom, Mamo, cagliostro, nostradamus, Jigens grave stone, mine fujiko and the recent Goemon centred special.
Anonymous2026379
it's a damn shame not a lot of ppl are talkig about/watching lupin the third this season
Kaiser-Eoghan
But for all I know with that team behind it, its an improvement, but theres probably not much point in me watching as I dropped the first season after less than 10 episodes.
Kaiser-Eoghan
See how he attempts to seduce me into watching something related to sword art.
Lenlo
Huh... I didnt know the writer for SAO Alt was written by the Kino's Journey creator and produced by the Flip Flappers people. Explains a lot
Lenlo
I wish I knew what you meant by shaman girls, and I cant wait
AidanAK47
@Lenlo, Oh I know Leskinen. May he find his Japanese Shaman girls one day. But seeing as I know the story I wanna experience it differently.
Kaiser-Eoghan
@Mario: Its even set in hokkaido, Korean/Japanese director, Japanese cast, Ken Watanabe is in it: https://letterboxd.com/film/unforgiven-2013/
Lenlo
Also, I love the ED. Really, 2 episodes in, I love S;G all over again.
SuperMario
@Kaiser: really? They remade Unforgiven in Japanese?
Lenlo
its*
Lenlo
Like... is good.
Lenlo
But your missing out on the cult of Leskinen. The engrish is actually one of my favorite parts
AidanAK47
@Lenlo, Meanwhile I am happily waiting for the dub.
Lenlo
Dangit... I have to wait another week for Steins;Gate 0 now. I cant do this.
Kaiser-Eoghan
@Mario: The Japanese remake of unforgiven had ainu people in it.
Anonymous2025797
Also I wonder if budget is distributed according to the director, some animes will spend more in the first episode. Some will spend more in the last ones. It's subjective, but if it's like all business it is looking for the better result at the minimum expense. Hence why I believe Berserk was made the way it did.
Anonymous2025797
@Kaiser-Eoghan - Ideally a story should be as long as it needs. But reality seems that a number of episodes is decided before production. And so you either have to stretch or cut material. Kinda like that 300 page manga of Les Miserables, is simply unfeasible translating that book into that few pages.
KTravlos
Oberstein was a great character.
KTravlos
I actually feel Aidan can do a good job on it. Sometimes been too exposed to the material may lead to clouded eyes.
Kaiser-Eoghan
Though I'm surprised by how I unexpectedly laughed at wotaku, I do wonder if later on it will include any slight drama elements to sustain interest.
Kaiser-Eoghan
OMO; OBERsteins; Gate =P
Kaiser-Eoghan
From watching episode 2 of golden kamuy, yeah, the source material definitely is lifting this.
Kaiser-Eoghan
I'm going to have to wait and see on steins; gate 0, it is encouraging to here this might be darker , at the same time I remember having to sit through too much goofy humour in the first one.
Kaiser-Eoghan
I was actually surprised, that, while rare, there were some moments of humour, that lightened it for me.
AidanAK47
Throughout the entire series I expected Oberstein to pull some inevitable double cross. And was shocked when he never did.
Amagi
@Kaiser: Agree with Oberstein. I think antagonists are es important as the mains in fiction and I loved this guy, he's perfect for series like these.
Kaiser-Eoghan
Galactic heroes was an example of where when watching it, when big death scenes occured, I would make noooooo and shouting noises at the screen while clenching my fist.
Kaiser-Eoghan
I love characters like Oberstein, shrewd, clever, but done right to where I can believe it, not characters like, say Lelouch .
Kaiser-Eoghan
I'd be concerned if the new galactic heroes series skimps on the violence, that kind of thing needs to be in there, in most shows/films and shown to be explicit, consequences need to be shown.
Amagi
*about, not with
Amagi
Sadly, most original 2+ cours series I know feel dragged whereas many 1 cours originals could have needed ~3 more episodes. Talking with series that have an actual plot of course.
Amagi
I really like the 13 episodes thingy for originals but I wish there would be more 26 episodes series, especially for adaptions.
Amagi
@Kaiser: I agree. Nothing kills my interest faster than formularic episodes and repetition.
Kaiser-Eoghan
In general I think 50 episodes would be the most I'd watch for an anime, 39 seems ideal.
Amagi
Or worse and the romance drama is the main plot and it's Kiznaiver all over again, while the rest is just flavor to make the romances more forced since they're the MCs are only teens and such. Dunno but I can never bring myself to care about this kind of stuff.
Kaiser-Eoghan
Though better 110 episodes of galactic heroes than a long shounen that just repeats itself.
Amagi
Speaking of recent episodes, I unironically thing that FranXX's world (building) is pretty interesting (although I hope those klaxxosaurusses will be more than just random cannon fodder) but I doubt the series will ever get to the main plot again the next time.
Amagi
Same here. It was really the only time I did this. I am usually exhausted by just thinking about marathoning long series. It's the reason why I won't get into FMP for the new series either. LotGH was an exception since I found it easily to watch for some reason.
SuperMario
Man, just image burning through 110 episodes of it and my spirit fades away
Amagi
Watched that whole series ages ago.
Amagi
Just watched the first three Neue These episodes and I surprinsingly liked it. Thought I would hate it due to being an OVA fan, and I still prefer the old designs by far but overall it's pretty good. I think I might even prefer this version of the first battle, but I have to rewatch the old one I guess.
Kaiser-Eoghan
Also while I can't remember which episode, Yang picks up a book with the author of the series' name on it.
Kaiser-Eoghan
Arslan feels so lightweight by contrast/comparison.
Kaiser-Eoghan
And I think, given your knowledge KTtravlos, that a series review of the new galactic heroes season would probably benefit from you writing it.
Kaiser-Eoghan
I bring up the music in my earlier comment, because I can understand your reservations regarding the music choice in the remake.
Kaiser-Eoghan
And certainly one of those shows, that going back to the first episode after finishing, gives a strong perspective just on how evolving the series was.
Kaiser-Eoghan
*despite me not
Kaiser-Eoghan
Despite not being monarchist , because the characters were human moreso than cartoon characters I couldn't hate on Reinhard.
Kaiser-Eoghan
@Travlos: I suppose by the time it got to Julian's arc, I was surprised they were still bothering to fight but the fact that they were essentially the last bastion of their beliefs made it special.
Kaiser-Eoghan
@Travlos: Sometimes when I just finish a show, its a case where I HAVE to jump online immediately after and excitedly ramble out an essay on it.
niello
ugh democracy
KTravlos
@Kaiser ultimately LOGH for me was a decisive point in my political life, as I think it made the best defense of democracy in any form I have seen. And it worked partly because the opponent was presented in the best possible incarnation (Rienhard). Yang's continued adherence to democracy, despite recongising its flaws, helped me avoid a personal descent into authoritarian politics.
KTravlos
@Kaiser. I am happy you had a good experience. I watched the prequels a while after the main show and I was happy because it was great getting back to those characters. The prequels were also great in fleshing the setting and the characters. So yes, take your time and a break. That way the prequels will be like visiting a place you liked again after a while.
Kaiser-Eoghan
@KTtravlos: I have some other stuff to get through before watching the galactic heroes prequel though =<
Kaiser-Eoghan
YES according to discord poster I'm not a millenial!
Kaiser-Eoghan
Sorry for overposting. I have always always being an incredibly verbose person.
Kaiser-Eoghan
@Vonter; Not that I oppose captilistically made for a buck cinema, it can be entertaining yes, but I set a standard.
Kaiser-Eoghan
@Vonter: As open as I am to trash cinema, I consider the resident evil films, like the superhero ones, anti-art.
Kaiser-Eoghan
I can understand why people don't like Villier, but he did I think work as a device to add extra tension.
Kaiser-Eoghan
I feel some release at finishing but at the same time sadness at saying goodbye to the show and its characters.
Kaiser-Eoghan
, showing its age.
But for something of this length, it kept itself up far better than most long shows and I feel the length its somewhat justified.

On another note….as corny as the third ending theme is, I got the feels listening to it.
Kaiser-Eoghan
But while the first 50 odd episodes were an easy job for me aswell as all of the 4th season and some of the late 3rd season made it difficult for me to pull myself away from it, the dialogue even though often well observed did become difficult to follow at times and somewhere in the middle theres a stretch of episodes, bar some moments that feel a bit of an endurance test and the animation is at
Kaiser-Eoghan
Its attention to detail I felt was at its strongest in the documentary and the series dedication to filling the view in on its world building/fictional history.
Kaiser-Eoghan
I admired the scope, ambition of this series and the battles eventually grew on me and I was surprised by just how visceral the melee combat got which suited me perfectly. At the same time for all the strategy and action, I found myself more in it for the story, characters and intrigue/politicking. Those battles, due in part to their music choices, had an epic feel to them
Kaiser-Eoghan
In the end the characters stood out for me the best were Reinhard, Oberstein (for being essentially the amazing man with the plan), Reuntal, Kircheis and Rubinsky, I warmed up to Julian, Yang and Schenkop. When important deaths occurred, they felt highly dramatic, in four cases emotionally effecting for me .
Kaiser-Eoghan
Also, KTtravlos, thank you for pushing me toward watching the original legend of the galactic heroes, my opinion on the series is largely a mixed one, but by the end I felt I’d watched something rewarding and I’m happy its crossed off my list and I should have gotten round to it sooner.
Kaiser-Eoghan
I'm probably the oldest here, being 32. Which apparently makes me around Yang-wenli's age, which according to someone means I'm middle aged .
Kaiser-Eoghan
To the discord guy who brought it up, its difficult not for me to be political, my father was an activist and is a Marxist , I ended up becoming a contradiction a semi-agnostic, but spiritually inclined/tolerant socialist with internationalist ideology.
Kaiser-Eoghan
@Aidan: Ends in very cliffhanger/abrupt indy way though and the things weakness/how to kill thems too easy.
Kaiser-Eoghan
@Aidan: I liked how it explains nothing also and the creature design and how it visual communicates to the audience.
Kaiser-Eoghan
@Aidan: While I won't say anything, a character death is handled in what I considered a schmaltzy manner. There is a particularly headscratching decision the characters make that you'll either rationalize or hate, but it leads to one of the tenser set pieces later on.
Kaiser-Eoghan
@Aidan: Quiet place has a good idea at its backbone, that they use sign language in the film to communicate and occassional whispers adds to it, it and the silence allows for a mood to be effectively communicated. It does have jump scares, I wasn't annoyed by them, but I never felt the film required them.
Kaiser-Eoghan
@Aidan: I read the discord, if you ever need to ask a question relating to film, come to me about it, I will without fail be able to answer 9 times out of 10.
Kaiser-Eoghan
I was adequately amused by the first episode of wotaku, but found the male lead funnier, which I'm attributing to him be more deadpan.
Lenlo
We found a convient weekend for everyone
Kaiser-Eoghan
*watching
Kaiser-Eoghan
I would also float the idea of recommendation podcasts every now and then.
Kaiser-Eoghan
I will listen to the podcast more in full later. But I was surprised after asking/suggesting it on the discord, that it came so soon.
Kaiser-Eoghan
I am thinking of re-watching gasaraki and ai yori aoshi.
Kaiser-Eoghan
@Niello: Perhaps after a while of watch the anime I will simply jump on to the manga.
Vonter
I watched Resident Evil: Vendetta yesterday. It's incredible dumb but kind of fun. I do wonder if in terms of entertainment are like the best videogame based movies. Since it plays like a videogame, it's based on a videogame and is more or less in line with the tone the series has had for a while.
niello
It's such a shame that Golden Kamuy art direction is such a train wreck.
KTravlos
and for the sake of Clausewitz there is clinical term for what Reinhard did. It is called "defeat in detail". Napoleon was a master of it. Proper way to defeat it , is to order the threatened force to retreat to a point where other allied forces are converging. The enemy will either have to retreat, or fight at a disadvantage. The 1813 and 1814 campaigns against Napoleon are examples of that.
KTravlos
Episode 2 of LOGGH: Der Neue Thesis was much better than the first. The music is still an issue, but Yang was well portrayed. I do think there is lack of the directors in showing the cruelty of war, like the first one did. We will see.
Kaiser-Eoghan
@Mario: Still need to see his short films and black Peter.
Amagi
@Anon: I already know the manga and enjoy it, think the anime is a good adaption so far. Feels good to see a series about video games that are actually just games and romance without tsunderes, tons of blushing or unworldly naive harem girls.
Anonymous2016456
the anime
Anonymous2016456
how do you guys think of wotakoi?
SuperMario
@Kaiser: Hereditary sounds pretty promising here
Kaiser-Eoghan
Forman's an interesting case, when you look at the huge disconnect from his early films from the 60s and then what he went on to make.
Kaiser-Eoghan
Ah, unfortunately I am not a fan of country music so Nashville didn't appeal to me =<
Kaiser-Eoghan
@Mario: And before Jack kept playing the same role over and over.
Kaiser-Eoghan
@Mario: Aside from Courtney Love's presence, Larry Flynt is an excellent film. I love the custom camera tricks Kubrick used in Lyndon , dog day afternoon suceeded for me because it did so much more than being just a bank rob film. I wish Spielberg would return to his pre-90s films .
SuperMario
Cuckoo's Nest reminds me of the great 1975 Oscar Best Picture, which for me was Oscar's greatest line-up. The line-ups for that year were: Cuckoo Nest (winner), Nashville, Barry Landon, Dog Day Afternoon and Jaws
SuperMario
@Kaiser: RIP the man. I've seen 2 of his, Amadeus and Cuckoo Nest. Both great but they were more because of the strength of the source
Kaiser-Eoghan
@Mario: Milos forman has died =<
Kaiser-Eoghan
Indeed the character designs in steins; gate have seen changes....shockingly mayuri's chest is larger than Daru's ;)
KTravlos
I can live with that. Interested to see what made you reserved.
SuperMario
@KTravlos: you won't agree with my series review then. I have a lot of reservations on VE
KTravlos
Also I finished Violet Evergarden. This was an exceptional series in my book.
KTravlos
the two characters. Finally the battle soundtrack was simply wrong.

I am going to watch it because it is LOGH. And frankly after watching the new one I felt the fact that the old one was dated technical wise (but not in music). But at least on comparison of first episodes, the old one did a better job at giving depth to Reinhard and Keircheis.
KTravlos
well I watched the first episode of the new LOGH and then watched the first episode of the older version. The update in the art is good..but. If the old one was too talky, this one is too boom boom. I also felt that they did not sue the time well to establish Reihard and Kircheis well. Especially the removal of some lines that were in the first episode of the original, really took away a lot from
SuperMario
@Amagi: I can see your point but what a premise for Golden Kamuy.
Kaiser-Eoghan
Although golden kamuy is labeled seinen, which gives me some more hope for it.
SuperMario
@Amagi: agree with you about remembering stuffs you've watched. For me, it's always until the second watch that I can remember the plot or characters clearly. Otherwise, all will get hazy like a dream
Anonymous2011116
@Anon Watch a few eps and then male an informed decision based on that; I find the storytelling to be a bit weak but you might not feel the same
AidanAK47
@Anon, If you can ignore the rather odd fanservice and sex symbolism it's actually a pretty enjoyable show with good animation whose story has been getting better.
Amagi
Think it's always the best to watch the first episode since other people might hate something you will love or vice versa.
Amagi
@Anon: For me it still feels like Kiznaiver but I think it really depends on how much you care about the characters and teen relationship deama.
Anonymous2010671
Hey is Darlin the Franxx actually good? It looked kind of just like an ecchi mecha series, but just kind of glancing at the reviews over here makes me think it's more than I'm giving it credit for
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