Posted on 24 October 2007 with categories: Anime Reviews, Ayatsuri Sakon


Ayatsuri Sakon is another one of these unknown series that nearly nobody has heard of, and which still is quite good. It’s an arc-based series, tackling murder mysteries. The main character is a pretty interesting one: he’s a puppeteer (Sakon). On his own, he’s really shy, but when he wields his favourite and most cherished puppet (Ukon), he becomes quiet, serious and quite cool. To make matters even better, he’s so good at ventriloquism that his puppet looks just too much like a person. Ukon is loud-mouthed, rude and nearly the opposite of Sakon’s personality, but together they form a solid base for this series to work with.

Basically, the arcs in this series consist out of three or four episodes, and in each of them, a person is killed and Sakon, who happens to be in the neighbourhood, has to solve them. These mysteries go far beyond the “Scooby-Doo”-murders, they’re committed quite carefully, and it’s very often that only the smallest details will give them away. The murderers themselves also often have quite some interesting reasons for their actions. As an added extra, because Sakon is a ventriloquist, the entire series is deeply rooted in the ancient Japanese puppetry, giving this series a unique look.

There is, however, one problem with the set-up. I’m personally a huge fan of arc-based series, but they’ve got one major drawback: the quality between the different arcs can fluctuate heavily. With Ayatsuri Sakon, it’s the arcs in the middle of the series that are a bit lacklustre, and not that interesting when compared to the other ones. It’s often obvious who did it, and they do a bit too little to really stand out.

Still, to make up for this, there are a number of astonishing arcs around the beginning and end. Especially the second and the final arc are true masterpieces in storytelling, and just about everything went right for them. These two arcs managed to become very emotionally charged, with great results.

There are a number of recurring characters here and there, and I’m glad to see that all of them get sufficient development to be more than just a two-dimensional one, and nearly all of them have an entire arc dedicated to them. Sakon is also an excellent main characters, who can, together with Ukon, perfectly carry the weight of the series. He may seem like a static character in the beginning, but don’t worry: as the show goes on, he’ll get enough development.

Overall, if you’re a fan of murder mysteries, you just have to give this series a chance. Don’t be scared away by the lesser middle part, both the beginning and the end contain some remarkable stories. It’s a shame nobody talks about this, because Sakon is definitely getting less attention than it deserves, and it’s a real underrated series.

Posted on with categories: Ayatsuri Sakon


This episode was… just amazing. I’ve been hoping so much that this arc would finally be able to trump the second arc of this series, but I can’t believe that the creators actually did it! This episode was quite possibly the best episode of the entire series, something which is what every series should aspire. The true villain of this arc had a really deep backstory, and this was combined with excellent writing to an ending that just couldn’t have been any better. I’m SO glad that this series turned out in an awesome way in the end.

While some arcs of this series focused at “who did it?”, this was already clear in this one: Ayano Shinozaki. The “how did it happen?” also wasn’t important: this was explained in just one minute. This really was an arc about the “why?”. Ayano is the sister of Sakon’s father. They, however, used to be members of a rivalling puppetry-school of the Tachibanas. This ended when the Tachibana-family spread bad rumours about Ayano’s family. Her father committed suicide because of his worries, while her mother went insane. Ayano and her brother then went different ways, while they both tried to end up, back with the Tachibanas, in order to take revenge.

Then Sakon’s father married, and had Sakon. Seven years later, though he committed suicide as well. It’s still not clear why, but I can imagine how he was terrified because of all the mistakes he made. Considering his family and their genes, it’s possible. In any case, because of this, Ayano decided to one day kill Sakon. His sudden promotion to successor of the Tachibana-school probably was the final straw for this. As for the reason why she didn’t just try to kill Saemon, the one who was really responsible for her parents’ deaths, with a lot of help from the media, I’m surprised that she didn’t have a clear answer for this. But I think that that’s exactly what makes a good antagonist: reasons that can’t be explained in one or two lines, but still make sense somehow.

So yes, I cried during this episode. It’s sad to see this series finally go. I’ve been blogging it for nearly two years now (to be exact, I started blogging this at November 30, 2005), and there has been no other show that I blogged for a longer time than this one, even Popolocrois. It’s obvious that it’s been a really fun time, despite the lesser parts of this series.

Posted on 31 August 2007 with categories: Ayatsuri Sakon


Yes! Yes! This arc is progressing perfectly! I couldn’t have expected it to get any better, by the standards that have been set with the rest of the series. There’s a strong and consistent emotional strength throughout the entire episode, the mystery progresses perfectly, and it’s great to see Sakon as the centre of attention, without any increase of cheesiness.

The interesting thing is that this is another one of those arcs where we know who did it, before the final episode: the Shinozakis. If the creators are confident enough that they give out these hints, they must have got something very interesting in store for the conclusion. With other words: Shinozaki’s reasons should be quite juicy.

Come on, Sakon! There’s only one episode left! You’ve only got one more chance to prove yourself and your unique character. Please, make your end a memorable one!

Posted on with categories: Ayatsuri Sakon


So, apparently there is no Baccano-release this week. To make up for it, we get treated to a double-release of Ayatsuri Sakon. We’re finally ready to start the final arc, and it’s exactly as I hoped: the final arc is going to be all about Sakon, as it centres on his succession of his the puppetry-school that has been lead by his father for ages. If I had to say so, this episode was the best opening to an arc since the first one, which benefited most from the fact that I had no idea what to expect from this series.

Lots of side-characters also return for this arc. Shiho from the fourth ac is back, Shinozaki from arc I returns, and our regular side-characters of Kaoru and Zenkichi are also present. Like I mentioned above: Sakon’s famous grandfather finally decides to hand over his title as the head of the house, after suffering from a heart-attack on stage. The successor will be Sakon. I nearly forgot that this grandfather is also Kaoru’s father, by the way. His other child, Sakon’s father, committed suicide when Sakon was only ten years old.

The fact is that people obviously disagree with Sakon being the next head. The most obvious suspect would be Sakon’s grandfather’s brother, but he also coughs up blood at the end of the episode. The big question is now: was Sakon’s grandfather’s heart-attack a real one, or was it created by a human? If it was, I’m putting my money on the guy who takes care of the clothing, due to a hint that was given around the middle of the episode. There are still lots of questions that remain, though. Why did the criminal set a garbage-can on fire? Is Sakon’s father’s suicide related to this?

I’ve got high hopes for this arc. This is probably going to have more emotional strength than most other arcs, due to the fact that it focuses on characters who are already fleshed out, and with a bit of luck, it’ll be able to finally top the seventh episode. Come on, Ayatsuri Sakon! You’ve only got one arc left, so make it an arc to remember!

Posted on 22 June 2007 with categories: Ayatsuri Sakon


Okay, it didn’t turn out as good as episode seven, but it sure as hell was enjoyable! I’m glad to see that the past few arcs have been way less predictable, as I never really confirmed the culprit until he was revealed. I also loved his backstory and character-development. I liked how he didn’t really turned out to be evil, he just wanted to have revenge for the things that people did to him. His miserable state of two episodes ago was an act all along.

I loved both Numata and Tsukiko, and how the ending wasn’t a 100% happy one. Numata will be serving in Jail, and Tsukiko has forgotten the things that he did, in exchange for her previous memories. It’ll only remain a question whether she can forgive what he did, and whether she’ll still want to be with him after the years he served in prison.

I think the only really evil person here is the major. He’s nothing but a greedy bastard who framed his son into killing Tsukiko, and he probably made him do even more. Even Kobayashi acted because he didn’t want to disappoint his father, which probably was because of the way he was raised.

Overall, it’s either me, or the arcs are getting better and better. There’s only one arc left, and let’s hope that the creators saved the best for last. I’m intrigued as to what they were planning to do to resolve the series. Sakon will obviously be in the spotlight more than he’s ever been, and I do wonder what part of him the creators will use for this.

Posted on 9 June 2007 with categories: Ayatsuri Sakon


I’m not sure how many others are still watching this anime, but that isn’t stopping me from really enjoying the current arc. This one might indeed have a very good chance of rivalling the second arc, and also for the first time since that arc, I’ve got absolutely no idea who the heck the culprit is. My best guess would be that Tsukiko is faking about losing her memories, but she sounded awfully genuine in the time we saw her.

It’s like everyone’s hiding something. Apart from Hoshie, everyone has at least one thing that doesn’t make any sense. Why kept Kobayashi visiting Numata’s sister? Was he the actual culprit? What is his father’s role, and why did he look worried? Why was Numata killed off in the first place? Did Tsukiko really survive such a fall and lost her memories? And why the heck did the culprit tape his victim and was stupid enough to lose this tape?

The background music also was truly excellent. If there was anything that could contribute to the already creepy mood, even though it just consists out of piano-tunes, it would be this one. I also laughed quite a bit when Sakon managed to sneak past a large number of police-agents, and Ukon was talking about Tachibana behind her back. ^^;

Luckily, The Ayatsuri-Sakon Project has the tendency to release the different arcs quite fast after each other, while the periods between the releases of the different arcs take up a few months. With a bit of hope, the final episode of the arc should arrive quite soon, as I’m really eager to find out whether it really is as good as I hope it to be. The past two episodes have already been excellent, now let’s hope for a good finish!

Posted on 31 May 2007 with categories: Ayatsuri Sakon


Hah! It’s just as I hoped, now that the ending is coming closer, the arcs are getting better and better! This episode reminded me again why I started blogging this series, and it’s quite possible that the current arc will be able to match up to the first two arcs. One thing’s for sure: this is one of the most touching arcs yet, only rivalled by episode seven. I especially loved the climax.

The case this time centres around a young woman (Hoshie). Sakon, Ukon and Zenkichi (I was surprised seeing him among the main characters, he works perfect as a side-character, in my opinion) run into her, and it seems that her sister (Tsukiko), who used to be a nurse committed suicide after making a mistake that killed her fiancé’s sister. Right now, her “ghost” haunts the local graveyard.

There are lots of juicy details to this mystery. For starters, Tsukiko was a strong person, who according to her sister would never kill herself for such a thing as accidentally killing someone. She endured a lot of hardships in the past, while she had to take care of her sister as well after her parents died. For her to commit suicide was just highly improbable. In fact, I actually believe that it was Tsukiko herself who committed the obligatory “first kill” at the end of the episode.

Hoshie also has her own problems. Remember the fiancé? After the tragedy, he started gambling and accumulated quite a bit of debt. He then kept begging Hoshie for money to pay these off. During the episode, this guy really looked like a miserable fellow, and he also was the first to fall victim to the plans of the killer, possibly killed by his former girlfriend.

Posted on 8 April 2007 with categories: Ayatsuri Sakon

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Short Synopsis: The true culprit is revealed. Quite a clever bastard he is.
Good: Perhaps the most clever villain up till now. Great arc.
Bad: Wouldn’t the guy try to hide his wounds as well?
Overall Enjoyment Value: 8/10

You know what? I loved this. The previous arcs may have had their flaws, this arc was handled quite well. I have to admit, while I saw Naoto as the main suspect after the head of the school got killed, after more people started to die, Eimei started to become more suspicious. His speech also nearly convinced me of the fact that Eimei was behind everything. That is, until he died in front of Naoto. Quite nice, I haven’t been this surprised with this series since the second arc.

And that butler. I knew he was fishy, I knew he knew what the culprit was, but I never suspected him to be an actual accomplice. In the end it was he who made the most mistakes. After all, he spoke so easily, in order to put the blame on Eimei. It’s quite clear that Naoto was the mastermind behind all this, while the butler just wasn’t as good an actor as Naoto.

With this, there’ll probably be two arcs left. It’s interesting, as there won’t be any four-episode arcs anymore. That’s quite interesting, as in that way, they won’t be able to drag. I just hope that they’ll somehow go back to the brilliance of the first two arcs. It’s quite strange to see that an actual ending is in sight, and that with the series I’ve been blogging for the longest period of time. I wonder which series will finish sooner: Ayatsuri Sakon or Popolocrois.

Posted on 5 April 2007 with categories: Ayatsuri Sakon

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Short Synopsis: As expected, more people die. The culprit seems to wear a white Noh-styled mask. Kaoru, meanwhile, makes a fool out of herself.
Good: Glad to see the brilliance of the first two arcs finally returning again! Kaoru was quite funny.
Bad: So far, Ayatsuri Sakon’s only bad point was its predictability, but even that was absent from this episode.
Overall Enjoyment Value: 8/10

I never thought to see some actual consistent updates from Ayatsuri Sakon again, but surprisingly the Ayatsuri-Sakon project released yet another new episode. And I’m glad to say that, apart from the ending of the second arc, this is one of the best episodes yet. There are probably two reasons for that. First of all: Kaoru. I really like this arranged marriage of hers, and the fact that she fell in love with it anyway. She was so cute when Ukon kept teasing her. ^^;

The second reason is the fact that throughout the episode, you’ve got almost no idea of knowing who the real culprit is. Right now, I’m suspecting that the youngest son is behind it, but why would that be? When the previous arcs tried to side-track the viewer, the events were rather transparent. But this arc manages to throw in not one side-track, but lots of them. At one point of the episode, everyone has a possibility of being the culprit.

There’s a lot behind this mystery that still isn’t clear yet. For example, why did the culprit have to wax the floor, when he could have timed the attack perfectly. If it was a mistake, and the slippery floor was actually meant to fend off the killer, and Naoto was the real victim, then why didn’t the culprit kill Naoto off the second time? How did the culprit make Kouei end up in the car-crash? It’s hard to believe that everything is the work of just one person.

Memorable quote: “Hyu hyu! You two are sizzlin’!” – Ukon

Posted on 15 February 2007 with categories: Ayatsuri Sakon

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Short Synopsis: The setting for the new arc: a school for the puppet-style Noh. Kaoru has an arranged marriage with the oldest son of master of this school.
Good: Kaoru was surprisingly interesting. I finally realize the good thing about this series.
Bad: Again the usual formula. I hope I’m right with my statement above.
Overall Enjoyment Value: 7.5/10

Interesting, I know that I’ve been ranting against Ayatsuri Sakon for the past few episodes. But after seeing this episode, I really can’t imagine why I’d do such a thing? Sure, it’s not as good as shows like Simoun or Noein, but it does have a certain charm. Sakon himself also is a unique character. I finally realize why I liked the first couple of episodes so much, while the later bunch of episodes started to get really boring. This really is a show that you need to see once a month. Not once a week, like I tried for a while. It’s a slow show, but it definitely has some really good points. The fact remains, however, that it’s too much of the same. When you put huge breaks between watching the episodes, this effect is weakened significantly, which results into quite an enjoyable episode.

After watching this episode, I also finally realized that this show is like the sister-anime of Ghost Hunt. They both involve Ghosts, they both involve mysteries that have to be solved. The huge amount of similarities is quite astounding. Still, there are a few significant differences. While Ayatsuri Sakon focuses on solving murders, Ghost Hunt focuses on getting rid of ghosts and spirits. Ayatsuri Sakon is deeply rooted in the ancient arts of japanese puppetry, while Ghost Hunt rather offers a modern look at psychic events.

Still, I now realize that Ayatsuri Sakon has one major disadvantage over Ghost Hunt: it doesn’t have an incompetent main character. Heck, Sakon is smart, he does things on his own, and he uses his puppet to talk for him. The first arc also had lots of shock values, and Ayatsuri Sakon actually gives the viewer the opportunity to solve the case himself with a bit of logical thinking. Instead of Ghost Hunt, which comes with rather random points that rather resembles storytelling than solving a mystery.

About this episode, I really liked Kaoru when she fell in love with the guy. I’m really hoping that the Ayatsuri Sakon project will continue releasing once a month, as I’m interested to see how this will turn out.

CHANGE USERNAME
Lenlo
That was an interesting comparison. Cool to see how far anime has come.
Lenlo
I cant wait to watch Kaze Fui tonight to answer those questions Kazier!
Kaiser-Eoghan
@Lenlo: Someone has done a comparison video for Dororo for a scene in the new one, comparing it with the old one: https://www.youtube.com/watch?v=j38anJY3BtA
Kaiser-Eoghan
Maybe some people found the flashback scenes too dramatic, but I didn't mind, they worked for me.
Kaiser-Eoghan
@Lenlo:One thing that has come to mind, how would it go if he encountered the coach again, but in the present?
Kaiser-Eoghan
@Lenlo:I also liked how the flashback was done in a grainy looking style.
If I found someone who was finding it hard to get into this show, I think that this episode would win them over and it’s the episode I found myself feeling the most.
Kaiser-Eoghan
@Lenlo: Episode 13 of Kaze ga tsuyoku is the fitting and perfect culmination of what has come before it and all is now essentially out on the table dramatically and all the better for it because of how well this series has built itself up.
Animosh
In essence it is still a battle shounen though: even if the fights always have narrative weight (it's not just fighting for the sake of fighting), the characters are to a significant extent developed through fights. So if that's not your thing it might be a hard sell even with its amazing animation and sympathetic cast.
Animosh
@Lenlo/Kaiser: the problem with Mob though is that its first two episodes are by far the worst of the series. So if you give it a try you should watch at least until the third episode, and possibly even episode 4/5 (since it's the first really good arc of the series imo).
Animosh
Yeah, it must be tough to blog three shows in the span of two days, especially with how long your posts tend to be. I find it hard enough already just to keep up with everything!
Lenlo
Ugh. Didnt get to Kaze Fui tonight. A shame. This whole Dororo/MobPsycho then Kaze Fui air schedule is gonna be a pain. You can expect Kaze Fui's maybe... Thurs? Not sure yet. Busy night
Kaiser-Eoghan
*newer not old
Kaiser-Eoghan
Some additional things I always notice in certain things, sometimes in these old medieval films or shows, in the American ones the characters occassionally don't look earthy enough.
Kaiser-Eoghan
Koyomi from clannad i mean
Kaiser-Eoghan
Somewhere in my head Koyomi is this weird anime take on an autist.
Amagi
All she did what stupid, but everyone was saying that she was a genius that would probably soon develope the theory of eversthing so it must be real even if she's only ever smart when the plots needs her to do some sudden computer hack or something.
Amagi
Smart characters can only be written by smart writers. So sometimes writers just tell that the characters are smart but you don't actually witness it. It's either shown by using such wise one liners or just because someone else is telling the audience they're smart. Reminds me of that one Kyoani genius girl.
Kaiser-Eoghan
Can't do the walk, don't do the talk.
Kaiser-Eoghan
I can buy it more for a tough old dude.
Kaiser-Eoghan
On more thought, alot of it has to do with who is saying them. Men who look like children with no charisma.
Amagi
I absolutely hate these one liners too. Especially when you can already hear them in the trailer.
Kaiser-Eoghan
I hate it when scripts coverup for awful characters by spamming quips at you.
Amagi
It's why I dislike so much stuff that gets released today. All these run-of-the-mills, copies, clones, alternative universes, sequels and so on.
Kaiser-Eoghan
But, beyond cgi, its the modern take wise-ass stuff that drives me nuts.
Amagi
Even if you're just drawing a landscape you need creativity. Where are the shadows, the lighting, what atmosphere should it trigger and so on. Maybe even a hidden motif.
Kaiser-Eoghan
ANARCHY KINO-MACHE!
Amagi
Yeah creativity is, well, should be among the most important things out there. I mean movies, anime, etc are actual art, art is meaningless without creativity. At least the narrating type of art.
Amagi
Kinda miss these anime. They're rare to begin with but I can't imagine anyone creating such a thing nowadays. Like Blame/Ergo/Texhno, even Lain. They never sold though, so I can even kind of understand it.
Kaiser-Eoghan
Ergo worked for me up until the ending.
Kaiser-Eoghan
I think clever is too often a miused word by people when they describe things. They reduce it to being "Just a smart storyline", when really it is more suited a word to something in tune with its creative side.
Amagi
Ergo Proxy even had a dense/heavy plot that was developing while you're busy figuring the setting out. And many things were shown indirectly. It was one of the rare anime I had to watch twice to get it. Texhnolyze is also such a thing but more bizarre in my opinion, less logical than Ergo, but still great.
Kaiser-Eoghan
@Amagi: Its really really nice knowing that I can talk to someone like you about this on my level .
Amagi
It's why I love series with strong settings so much. See Blame for example. Even Made in Abyss. You never know what kind of landscape you will see next and in Blame everything is fucked to behin with.
Amagi
Yeah. Well we do watch movies to feel excitement, and you can't really feel that if you can guess what happens next.
Kaiser-Eoghan
Now obviously these types of things can end up a coin toss of it either works or it doesn't, but I appreciate the risk taken.
Amagi
I tolerate it for games because whereas I still don't like it there, at least the game as an additional value which is the gameplay. So even with weak atmosphere I am still enjoying it for being a good game. But when I watch a movie I want get sucked in to some degree instead of being aware that I am just the audience (or the player).
Kaiser-Eoghan
I like that feeling of I don't know whats going to happen next.
Kaiser-Eoghan
I like the idea of a madman getting to do a movie and running with his imagination.
Amagi
It's like dreaming and suddently hearing your real life cat meowing and realising that it's just a dream, you're in the bed and about to wake up. And yes this is exactly why I dislike CGI
Kaiser-Eoghan
But sometimes people cry pretentious wrongly, when there wasn't really any intended thing to get.
Amagi
It's why I am so easily angered over little errors or writing problems. Because they destroy the atmosphere more than anything else.
Kaiser-Eoghan
I mean, I do like themes, characters etc, but my favourite experience is nightmare/dreamscapes.
Amagi
If the atmosphere is missing it doesn't matter what story you are telling, everything feels kinda hollow. Doesn't mean that show with weak atmo and great plot is bad, but it would be ten times better with the proper atmosphere.
Kaiser-Eoghan
I hate this modern idea of "It HAS to be coherent or mean something or follow some kind of linear or logical thing or some kind of rules"
Amagi
@Kaiser: Yeah it's why I often say that atmosphere is the most important part of a story, actually.
Kaiser-Eoghan
With cgi I am constantly reminded I am watching a film.
Amagi
Don't know all of the titles you mentioned, will probably look into a few of those I don't know.
Kaiser-Eoghan
What I love about these old slavic art films, is no longer being aware of the world around me when I watch them. They use actual crafted cinematography so they can still feel like you're living it, despite being so unreal.
Amagi
Technobabylon and Gemini Rue are my favorites. These games capture this fucked up feeling of noir-punk and dark cyberpunk perfectly and have a bunch of great twists and character arcs.
Amagi
I like this type of darkness somehow, as well as trash punk and noir stuff. I do enjoy the Wadjet Eyes games for that reason.
Kaiser-Eoghan
Naturally I loved both
Kaiser-Eoghan
Hard to be God and On the silver globe are insane, there's this sense of what the utter hell am I watching? But you feel like you've been transported someone else entirely.
Amagi
"We" (Мы) is also a Russian dystopia novel, it shared a bunch of similarities with 1984 but was written long before Orwell had had even started with 1984.
Amagi
STALKER has also made me check out a bunch of Russian/Ukrainian novels. I love their ideas. Their dystopias and everything.
Amagi
Slavs are doing good games right now. Looking forward playing this Russia Fallout clone.
Kaiser-Eoghan
I can't remember the name of the Soviet animation with the robot that keeps on working after everyone's dead.
Kaiser-Eoghan
But crappy puns aside. Dead mans letters, letters never sent, Ivan's child hood, Andreii Rublev, Cranes are flying and I am Cuba have amazing cinematography.
Kaiser-Eoghan
I wanna b a Potemkin master....
....like no-one ever was =P
Kaiser-Eoghan
Dead mans letters is up there with Threads as being one of the best apocalypse films.
Kaiser-Eoghan
*evangelion
Kaiser-Eoghan
Or would that be Nyguen genesis Evagelion =)
Kaiser-Eoghan
@Mario: You'll always be my ho chi main man minh Mario =)
SuperMario
I love Soviet cinema. Yeah the Mirror has that monochrome part. And they aren’t that big as they used to be but Soviet animation has great history
Kaiser-Eoghan
Stalker is an excellent science fiction film and not neccesarily because of need to anaylze it, but because it works of a visual-psychic level.
Kaiser-Eoghan
@Amagi: Zerkalo/mirror is a great example of this, just a stream of the directors thoughts, all visual impressionism, there might be a scene where I couldn't tell you the why or the what, but it'd make me feel something.
Kaiser-Eoghan
@Amagi: Basically where to understand, is simply to feel.
Kaiser-Eoghan
@Amagi: Its always fascinating that some filmakers have the ability to just let the film wash over you and move you with intricately crafted arthouse visuals. That they can do that, without character arcs/intellectual message/monologues.
Amagi
Speaking of soviet stuff I kinda want another movie or maybe even a cartoon like some of these old soviet movies that were partly monochrome and partly colored during important scenes. Didn't solaris have that too? - I know the monochrome parts were done to save money, but it was kinda impressive seeing colorless movies turning colorful ones during emotional scenes.
Kaiser-Eoghan
@Lenlo: Definately something that would appeal to me in terms of alternate style of animation. I'm actually quite a fan of different, out there animation styles.
Lenlo
Heres the ED
Lenlo
Yup, paint on glass. The entire ED for the first season was done in that style. Mob loves to use obscure or generally unusual art styles to sell the other worldlyness of its spirits.
Kaiser-Eoghan
That sounds pretty cool.
Kaiser-Eoghan
Excuse me....paint on glass effects in Mob? There was a Soviet animator that used that style.
Kaiser-Eoghan
*earlier
Kaiser-Eoghan
@Amagi: Again you psychically read my mind =P I was just thinking that about Farnese arlier.
Kaiser-Eoghan
@Amagi: I think I've accepted there are some manga I need to wait until they're finished before go back to them either due to slow scans or because they've gone on so long or go on hiatus.
Amagi
I think the later half as well as the hiatus killed it for me. Can't deal with that two chapters per year policy.
Lenlo
I, however, am still a rabid Berserk fanboy. :D
Amagi
I am also never a fan of characters completely changing personalities once they're redeemed. Farnese was an interesting villain and while I agree that she needed to overcome her trauma the current Farnese is just some soulless helpful big sister type. She only exists to care for Cjaskar and at some point even Cjaskar's eternal problem was starting to get on my nerves.
Amagi
@Kaiser: Same opinion on Berserk again. The arc before that with the inquisition tower was one of the highpoints of the manga, everything went downhill once Schierke had joined which is kinda sad since it was one of my favorite series before that.
Lenlo
Mob is much more character focused than OPM. OPM riffs on Shounen, while Mob is a much more character driven drama kinda series, with shounen elements. I would give it a shot for an episode or two.
Kaiser-Eoghan
@Amagi: Berserk started losing me when he started travelling around with those kids.
@Amagi/Animosh: Do you believe that Mob has better choreography than onepunch?
Kaiser-Eoghan
@Amagi:I will give exceptions to magical elements if a show can produce an adventure narrative worthwhile or if it’s a magical girl show.
If magic is featured in an occult horror fashion or in an exploitative way, I will also lean toward allowing it.
Kaiser-Eoghan
@Amagi: While I very much doubt Mob would be my thing, given how I generally felt indifferent to onepunch man and bias against shounen action, yes the art for Mob, when elevated by an anime adaptation lends itself to something unique looking and I can praise that.
Lenlo
I think ONE's style fits Mob better, and Murata's style fits OPM better. So yeah, Bones chose well on that front
Amagi
Not only are overdesigned characters really bad for movement which is actually needed to make a series and their characters feel alive but they also often look really bad in my opinion and there is a limit on how overdesigned a character can be until I stop taking them seriously at all.
Amagi
Yeah. I also honestly think that many anime are suffering from overdesigning.
Animosh
And I like Mob's artstyle a lot as well. It gives the series a unique look, and it gives the animators all the freedom they could wish for to play around with the characters (and basically everything else) as they see fit. Add Bones to the mix, and you have one of the best-looking series out there.
Animosh
I prefer the full ONE experience too. It's part of the reason why I slightly prefer Mob Psycho. OPM looks great and all, but there's way too much meaningless fighting going on in the manga lately. I prefer the tighter and more consistently subversive storytelling of the webcomic, although I still enjoy the manga a lot as well (and the story climaxes in particular tend to look freaking amazing).
Amagi
Different example since this is actual fantasy but I also prefered the early Berserk series over the later parts. When the supernatural horror stuff was more of a hidden thing appearing around Guts and otherwise just on special occasions, while most people didn't even believe such things exist. I prefer that over the high (dark) fantasy we have now although I get what Miura is aiming at.
Amagi
I guess I just have a thing for this secret-club mentality. I prefer it over worlds with blatan magical powers everyone uses and knows about.
Amagi
It's weird but I almost always hate anime with and about magic, the more fantasy it is the less I like it (usually, not always), but then again occult stuff is always totally my thing.
Amagi
I am quite happy they stick with the original Mob Psycho designs from ONE for this series. The OPM manga is probably one of the best looking things out there but ONE's artstyle has a lot of charme and makes characters more unique, especially if looks as polished as in the anime adaption.
Lenlo
Mmm cant wait to watch it. Kaze Fui, still great
Anonymous3309336
I really like how Kurahana admitted that he let his emotions get to him when he threw that punch at the coach back then. Now he feels remorseful about that day and how he made enemies from his former teammates.
Anonymous3309336
Meanwhile, looks like the next episode will focus on Prince again and his attempts to further improve his time.
Anonymous3309336
Meanwhile, his new teammates understand the pain he's been going through and want him to move on from that. Definitely as some of the best writing of this season.
Anonymous3309336
That punch he threw at the coach was certainly well-deserved, but I can see why the other teammates including Sakaki would come to despise him.
Anonymous3309336
This episode of Kaze ga... was great as always, as we see more of Kurahana's past and how his awful coach made Sakaki and the rest of his former team turn on him.
Kaiser-Eoghan
I wouldn't have minded reading several volumes of seeing Satou on the run.
Animosh
Thanks! That's good to know. An alternate ending could have been fun, but I suppose the ending of the anime was fitting, and if it ain't broke don't fix it.
Amagi
Looks like it's going to end. I guess it ends the same but we can't say for sure yet.
Animosh
For those of you still reading Happy Sugar Life: is the manga continuing past the anime? Or does it look like it's going to end in the same way? If it takes a different path it might be worth checking it out.
Anonymous3307077
children of the whales
Lenlo
Holy crap. Mob Psycho 100 is the best thing since sliced bread. BONES thank you.

And thanks Kaiser!
Amagi
well we have a döner kebab ship at least.
Amagi
I am from Frankfurt, another one of the biggest German cities but there isn't much to see here aside from skyscrapers and banks.
Kaiser-Eoghan
*had **taught
Kaiser-Eoghan
I hah had some notion that the Japanese didn't really know English or it wasn't well thought over there?
Kaiser-Eoghan
Lenlo's taste continues to be impeccably based.
Kaiser-Eoghan
lol I thought coolass47 was covering Kaguya.
Kaiser-Eoghan
Germany, both Koln and Berlin, especially Koln felt like a home to me and felt the less alienating/foreign.
Kaiser-Eoghan
.....probably embarassing but, I think I'd be put off sleeping on the floor in a futon or using one of those weird Japanese toilets.
Kaiser-Eoghan
Truly I am the Kaiser Eoghan.
Kaiser-Eoghan
Beyond that I've been to Belgium, Spain, France, Italy, Northern Ireland and Wales.
Kaiser-Eoghan
I've never been outside of Europe. I didn't have problems getting around Germany though when I went because my then girlfriend was from there and I knew enough to cope on a Holiday.
Amagi
also no matter which country I visited till now people were always friendly
Amagi
Yeah, now thinking about it, I could even find everything in Iran so I guess Japan should work too. Most people knew enough random English or German words to somehow lead you to the place and you want to visit unless it's some really weird relief or a small town that's difficult to reach but tourists usually stick with the big stuff.
SuperMario
... years ago and Japan is pretty safe and the signs are easy to follow in general. Even the locals who don’t speak English they are pretty friendly and help you the best they can. You don’t need to be worry on that front
SuperMario
I did it alone few
Amagi
Not sure how he did it (he went completely alone too) but it seems to be possible somehow. Not sure if I would make it though.
Amagi
Someone I know managed it alone and he isn't even that good in English.
Lenlo
I think I can manage. Lots of English signage in places like the rail systems and such. That plus the small amount I am learning in preparation and how much english they teach them over there, I should be ok
Kaiser-Eoghan
@Lenlo: Do you feel you'd be able to get by in Japan? As far as I know you don't speak any Japanese.
Animosh
Mob was great again too. The adaptation is really knocking it out of the park. And looks like we'll be getting one of my favorite side stories next week.
Animosh
I love how upbeat Slime continues to be. If only all wars were resolved like this. And then he goes on to improve everyone's lives by building homes, infrastructure, and coalitions based on common interests? Rimuru for president!
Anonymous3303364
I retired from the force in middle school enjoying my retirement, I still see the faces of the comrades we lost when we defeated the big bad and saved the world, I haven't seen my cute marketable mascot in 3 years, but I like this new life I'm living, I thought I found peace but the battlefield always calls out to me, why? Because war never changes.
Anonymous3303364
I love this comment since it's more well put on what this dark magical girls show really is:
Vonter
Perhaps in ten years when the next trope comes. I wonder if some will look back to the tropes from now with different eyes. Like they say, you don't know what you have until you lose it.
Vonter
Yeah, maybe I could watch some of that schlock. In a way some of it has become more endearing over time. Since times have changed.
Kaiser-Eoghan
Vampire wars was fantastic though, used shitfuck as a word from what I remember.
Kaiser-Eoghan
Yes! Finally they're saying it.
Kaiser-Eoghan
Watching a compiliation of dub cursings for angel cop, not enough F-bombs yet.
Kaiser-Eoghan
I always wish some of these old ovas got to go on for longer, especially AD police and bubblegum crisis. I'd have loved a full gunsmith cats or riding bean show.
Kaiser-Eoghan
I have to watch Angel cop some day I really do.
Kaiser-Eoghan
And I think vonter, if magical girl ops can't achieve the exploi angle then it has failed all the further. We'll have to see.
Kaiser-Eoghan
@Vonter: I was disappointed when I saw the more modern anime! Because it didn't have the art I liked in the ovas.
Vonter
I do remember now. Did you watched the Birdy The Mighty OVA (not the series, the OVA). That one I remember liking because it was cheesy, visceral, had IMO better designs for the aliens than the ones in the TV series and I digged the dynamic of the two leads. However it was cut short. Perhaps it was too derivative for the time.
Kaiser-Eoghan
Sometimes I can actually take ridiculousness much better when its a live action exploitation thing if it happens to fail in animated form. That Jeanne d'arc anime and maybe magical girl spec ops would have made hilarious 60s/70s Eurotrash films.
Kaiser-Eoghan
One of the only modern anime to do the exploitation angle right was Freezing.
Vonter
I want to believe there's something like that already out. But I'm blocked. I can only mention that I now want to rewatch some of Devilman Lady. It does have a female lead battling monsters with an 80s sci fi horror vibe, I don't know it reminds me for some reason to movies like Godzilla 1985 or King Kong Lives.
Kaiser-Eoghan
@Vonter: Or go mental.
Kaiser-Eoghan
@Vonter: Thats one I still need to get around to. If I have to have a darker magical thing, it either has to be camp and goofy enough while taking itself dead seriously or keep some of the fun .
Vonter
@Kaiser-Eoghan - If you haven't check a couple of episodes of Lady Devilman. Despite being formulaic, the monsters on that anime are really well made and feel creative, morbid and creepy.
Kaiser-Eoghan
@Vonter: lol Damn, now I want to see Go Nagai's take of Magical girl ops.
Kaiser-Eoghan
And I love how some old ovas would sometimes take place in America, but in this IDEA of it, getting it wrong.
Kaiser-Eoghan
@Vonter: I love how they added in those stupid curse words every few minutes aswell, wonderfully incompotent.
Kaiser-Eoghan
@Vonter: Mad bull 34 was lovingly perverse , like a Japanese equivalent to those wonderful Italian police things.
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