Posted on 26 September 2007 with categories: Anime Reviews, Bokura no


Bokura no, is the second series to finish of what I’d like to call the “big three” of the spring-season, along with Toward the Terra and Kaze no Shoujo Emily. For me, these three series stood out like no other for the past two seasons, and they just kept delivering quality over and over again. While Toward the Terra had its character-development, fast pacing and production-values, Bokura no shines not only through its well-written storyline, memorable characters and a rock-solid concept.

As soon as I read the concept, I knew we had something very special here. Revealing it entirely would be too much of a spoiler for the early episodes, but basically, this comes from the same mangaka as Narutaru. This time, however, a bunch of children are given the control not over monsters, but over a huge mecha. Bokura no shows what really happens when children get such a heavy burden placed upon themselves.

But don’t expect this to be a continuous angst-fest like Narutaru. The beauty of Bokura no is that the children involved aren’t special in any way. They’re just random and could in fact be your neighbour if you live in Japan. Each of these children is so incredibly different, and one of the many delightful elements of this series: every two or three episodes, the entire mood of the series changes for something completely different, while remaining logical and realistic. Sure, some children freak out, but that’s only one or two of them. Each of the children has his or her own problems and wishes, and that’s what makes this anime so brilliant. I could go more into detail, but I refuse for the sake of spoilers.

Then there’s the plot. Manga-readers should be aware that halfway through the anime, the director decided to go into a totally different direction when compared to the manga. Whether it improved or not, I can’t say, since I haven’t read it. But I can say that it has some definite competition with the storyline the director came up with. The pacing is very fast yet nothing feels rushed, and yet there’s a different and shocking plot twist nearly every episode.

Perhaps one of the few lesser points is that some episodes decide to focus on politics, instead of what this anime is really about: the children. But even this contributes to an overall mood of believability of the series. A giant robot has just appeared. Of course the military is going to react, and yet I see so many anime where mechas can just walk over the street without anyone noticing it. Also, when buildings get destroyed, they really get destroyed, and don’t magically disappear from the screen without any traces left. This really shows the impact that those giant robots can have on the societies.

If I had to mention a bad point… well, some plot-twists are a bit too coincidental, but that describes nearly 90% of all other anime as well. According to the manga-readers, the first half of the series also left out a few parts of developments for the different characters, but that’s probably in order to make it to air on tv, since the manga has a reputation to be rather gruesome at times. Still, I prefer this down-to-earth style of storytelling.

The character-designs are also perfect. Well, that’s what I think at least. The beauty of them is their simplicity: this really shows that the characters are just normal people, dragged into the story, instead of busty schoolgirls with hair in every colour of the rainbow and overly large pupils. Gonzo has been animating them, and it shows: when the animation is at its best, the characters look beautiful, despite their simplistic designs. One of the few elements of this series that isn’t outstanding is the music. It’s just good, but there are enough series with a better soundtrack.

Overall, while it isn’t the most popular anime out there, I absolutely loved this series. It’s delightfully different and unique, and quite possibly one of the most thought-provoking series of the year. While a few of the characters could have used a bit more development here and there, the rest of the series totally made up for it.

Posted on with categories: Bokura no


What a magnificent and absolutely incredible ending!! Okay, others may disagree, but there’s a very good chance that Bokura no has the best ending of the year for me. Obviously spoilers are going to follow this post, so this bit of text is there to fill up space for the blog-aggregators, in particular Animeblogger Antenna. So, this should be enough.

Let me start with saying one thing: NONE OF THE CHILDREN WAS REVIVED!!!! THE DEAD REALLY REMAINED DEAD HERE!!! The thing the director said in his blog, about reviving the children was all just one huge bluff!!!!

Sure, there were a few things that lacked, but in turn, they all have their own charms. In the end, we never get to know who’s behind everything, but I actually think that was a good thing to do. It’s like the previous episode said: Bokura no is about the children. Not some interdimensional space-complot. I also absolutely loved how the grown-up Kana ran into Daiichi’s siblings, the ones that he left behind. It may have been too much of a coincidence, but it was such a beautiful choice for an ending, to give the three of them a last bit of development.

And the battle! Seriously, it was one of the best fights of the series. Not because it’s the longest, but because it was so delightfully different. Usually, when the final episode of the anime ends, it’s standard fare where two titans duke it out, though Bokura no adds so many fine details that make it awesome to watch. First of all, the development that Jun has gotten turned him into an amazing and sympathic character. And most importantly: I loved how he actually fought alone. I loved how he talked to himself while fighting, despite nobody being in the cockpit. You don’t often see shy persons relax while they’re alone, do you?

Seriously, Bokura no couldn’t have ended better. If there was anything that was needed to make this show even more amazing it was this episode! It’s so sad to see one of the best shows of the year gone, but it’s definitely been an awesome ride.

Posted on 19 September 2007 with categories: Bokura no


I’m not sure why, but my mood seems to be extremely random and unpredictable when it comes to final episodes. Bokura no, though, still had me as pumped as ever with its semi-final episode, and I’m really looking forward to see the end of this. I actually remember making a few predictions about the next episode, and surprisingly enough NONE of them came true. Obviously, this episode is going to be filled with spoilers. DO NOT READ this entry if you haven’t seen this episode yet.

Seriously, Bokura no started off with so many characters, and only three of them are alive right now: Jun, Kana and Seki. The rest of them: all dead, because yes, in this episode, Yoko kills Koemushi and takes Kana’s place as a pilot! I remember predicting that the giant tower would bring some kind of major plot twist: it didn’t. Yoko just destroys it, along with the building of Kanji’s mother. I also never expected that she indeed would be a pilot as well!

The fight also was one of the most exciting ones in the series, as it was also one of the most challenging ones. It really looked like a battle between titans, though in the end, it was Yoko’s experience that managed to finish the fight in her favour. This episode also was the first time we saw the government really involved with their bombardments of the city, around the fighting Zearths. It was actually a pretty weak strategy, as it would place both mechas at an equal disadvantage, not to mention the huge amount of homes that were burned in the process. The next and final pilot is going to be Jun.

The obvious question remains: How the HECK are the creators planning to finish this series?! Who were these people dressed in white? Are they really the ones behind everything? Will Bokura no attempt to rush its ending by killing off these guys in the end, or will it just close off the story of the current world, where the giant robots of other worlds will remain killing each other. Will the reset-button truly be pressed, or is this just a piece of false information. I’m dying to know!!!

Posted on 12 September 2007 with categories: Bokura no


This episode was truly magnificent. Even though there are only three episodes left, Bokura no spends an entire episode on Jun’s past, but boy, does it turn awesome. I love how well his character has been developed up till now, this makes his background even sadder. The creators did a wonderful job in making his personality as real as possible.

All the times Jun’s been yelling at others, these were all about relieving his frustrations. The problem with his father wasn’t the fact that he didn’t pay attention to Jun, heck he seemed awfully keen to please him. But at the same time, he only spent very short times with his son, before getting distracted with something else. Jun has actually been screaming on some quality time with is father alone, but that never came.

And unfortunately, he often spent time alone with Kana, so he often directed his frustrations at his father towards the poor unfortunate girl. Kana realized this, which is probably why she kept supporting him. She kept hoping for someone or something to save him. This is why she asked Tanaka to search for Jun’s real mother: she thought that a mother would be able to save him. She was probably too tiny and scared to do it herself.

I’m seeing Kirie more and more as the biggest saviour of Bokura no with this. Not only did he bring Yoko closer to the other children with his revelation, he also was the one who managed to save Jun from his built-up frustrations; both by coming to live with him, and by refusing to fight. I almost believe that he did this to show Jun that there are far worse people on this earth. And it definitely made impact: ever since then, Jun started to change, being helped by all the other children. I seriously love both his and Kana’s characters.

Anyway, with only two episodes left, it doesn’t seem like Seki will be piloting. My gut says that in the next episode, during Jun’s fight, something very special will happen, that will somehow resolve the story. Two episodes are just enough time for both the fight, develop the people who are behind all of this, and give some conclusion. It’s going to be tricky, but I’ve got faith in the writers. They’ve already accomplished so many great things, if anyone can pull off a great ending, it’s them.

If I had to guess, then it’s got something to do with the giant tower that was being built by Tanaka’s employer’s employer. I assume that he’s been working on it for a while, and now it seems that it’s finally finished, due to Kanji’s mother’s research. The previous episode already showed that things like these can accidentally suck up the energy of the entire planet. I’m interested in how Kanji’s mother managed to tweak it in just a few days, and what the effect of it will become.

Long story short: I love Bokura no.

Posted on 4 September 2007 with categories: Bokura no


First, the good stuff:

The episode immediately begins with Kanji’s fight. There’s only one thing he did between his selection and his time to pilot: ask Tamotsu to kill his mother. Kanji’s case is similar to Kirie’s in a way: they both didn’t have any friends outside of the group of twelve, and they both had problems with their mothers. They were both struggling with a reason to fight. Kanji resolves this quite differently from Kirie, though, when the fight happens right besides the building his mother is currently in. Yet again, this episode was totally different from the previous episodes and fights somehow. Kanji is one of the few members of the cast who doesn’t like doubting (by lack of better description).

This time, the enemy also is an inexperienced one. They probably haven’t figured out yet that the other side is being piloted by real people as well. They go all out, but Kanji manages to easily beat them, protecting his mother in the process. He’s given quite an interesting reason for it: his mother may be an idiot, her research is top-notch. He’s actually fighting, so that he can give Seki and Jun a chance to survive! He probably knew that Tamotsu would never kill his mother, but he did want to make her aware that he’s fighting for her, and Tamotsu is of couse, the perfect person for this.

Then, when Kanji destroyed the enemy’s control-chamber, something strange happens. The enemy robot uses Kanji’s mother’s research to pull power from the entire city to get back to life. If this continues, it could suck up the energy of the entire planet, at least that’s what I understood.

What follows was a part I didn’t quite understand. From what I could get, along with an online-translator, it seems that even though the enemy’s children had been killed, Kanji still needed to immobalize the enemy robot to prevent the earth from being destroyed. The scene we see in the OP also reappears, and it turns out to be the links to the pilots of the enemy earth. Either that, or I just missed a huge plot-twist.

Kanji’s life-force is meanwhile depleting, but he manages to finish off the enemy robot, and places the power-source on top of the building where his mother works, in order to restore the power. I think that Zearth’s program really is linked with the earth itself, and when the enemy robot made contact with the research that Kanji’s mother had been conducting, it managed to pull out every bit of energy from the planet itself. All in all, it’s been quite an interesting explanation, and this really strengthens the theory behind the different Zearths and how they work. Seriously, other anime should really take an example from this series, and the way it so carefully explains its dynamics.

That was the good stuff. Now comes the GREAT stuff. :)

After the battle, Jun and Koemushi remain in the cockpit and have a little talk, and it’s indeed exactly like I feared: Koemushi plans to turn Jun into the next Kokopelli by making KANA the next pilot. If I understood things correctly, there will be two pilots left on the current earth: Kana and Seki. Jun will then go to yet another earth to get members, and he’ll stay alive. I’m not sure if this was in the Kokopelli-way, as in do it once and you’re fine, or in the Koemushi way, making him destined to become Koemushi’s successor.

Koemushi really believes that Jun is willing to throw his sister’s life away in order to live. What follows is the most amazing scene between Jun and Kana, where it becomes clear that Kana is indeed willing to die for her brother, if it was only because she didn’t want to live without him. Jun then makes a phone-call to his father, asking him to pick up Kana. In other words, he’s going to beg Koemushi to switch places with Kana, so that she can live, after she probably rounded up fourteen new pilots on a different earth.

And I think he’s actually going to pull this through, unlike Kokopelli, who at the last moment became afraid for his own life. I think the biggest difference between the two was that Kokopelli only seemed to care about his daughter. It’s just a guess, but I don’t think that the different pilots on Kokopelli’s world formed such a unity as in the current world. Every world has different pilots, some have the entire planet backing them (Takami’s opponents), others are afraid (Moji’s opponent), and others want to save the people from different earths instead (Kirie’s opponent).

Because the group here was more closely knit than with Kokopelli, who probably never cared about the other children, Jun, who started out like a jackass slowly came to understand why his different opponents fought. He probably understood this when Kirie started living with him, and he suddenly had to take care of him and became involved with his problems.

Still, the thing is: is Koemushi just going to let Kana and Jun swap places? He’s proved himself to be sneaky and a total idiot, and he loves to see others suffering. Is he really going to be content with such a happy ending?

Also, with this episode, I became convinced: Bokura no is THE most thought-provoking anime of 2007. At this point, this series goes much further than Seirei no Moribito, Jigoku Shoujo, Death Note and all the others combined. Also, in terms of realism it’s one of the best of this year. I really love this series because of this, and I just hope that the creators saved the best for last. :)

Posted on 29 August 2007 with categories: Bokura no


Whoa, plot twists! Before I start with them, I must say that I finally realized how incredibly versatile the second half of this anime had been. It started out as a case-based series, then, with Kirie and Maki it turned into science-fiction, then with Takami and Aiko, the political undertones of this series suddenly got lots of attention, and the past two episodes have yet again changed the main focus, as they start to explain all of the mysteries in the series. It’s hard to name a series where the difference is so noticeable.

Anyway, this episode: Yoko’s background. It seems that her original world has been visited by a Koemushi-like creature as well. Yoko wasn’t part of the pilots, but her brother was. He already was a huge brat at that time, but it seems that the group of children had also decided to battle until their deaths. Then, if I understood things correctly, the gray Koemushi came with a revelation when Yoko’s brother was the final pilot left: if he were to travel to different worlds, enlisting people for the very same game, he’d be allowed to live. With this news, he became overjoyed, and gladly accepted this for the chance to keep living. Yoko, while she didn’t like this, still decided to accompany her brother.

They then travelled through countless other worlds, where their robot always ended up defeated at one point. Then they reached Kokopelli’s world, where they met him. Things were a bit different in that world, as Yoko entered a class as a transfer-student in order to get them to sign up, and she became friends with them. Kokopelli’s daughter was among that class, and Kokopelli was their teacher. He was the one who nudged his daughter to enlist.

Kokopelli became like Tanaka when he found out the true nature. I guess he felt responsible for it, and offered his life, in exchange for others (aka, his daughter). Obviously, with Koemushi, this didn’t turn out as planned. In the end, only he and his daughter remained alive. I think that it’s then when they knew about the final pilot being the one to remain alive. Kokopelli offered himself, to keep his daughter alive, though Koemushi had different plans, and chose the daughter instead. When Kokopelli’s wife tried to commit suicide along with him afterwards, he suddenly was begging for his life. After that, he went on to help Koemushi and Yoko.

At least, that explanation makes the most sense. There are quite a few details in this episode I didn’t get, like why didn’t Kokopelli turn into a Koemushi as well? And why did he so easily throw his life away in the first episode? Why didn’t we see the last fight of Kokopelli?

And holy god, I suddenly realize how similar Yoko and Koemushi are to Jun and Kana! With Kanji being the next pilot, And after that only Seki and Jun are left, and it really seems like Koemushi is trying to make Jun into the next Koemushi, due to Kana being there. There’s also a thing I’ve been wondering for the past few episodes: the final pilot. Now that Kirie killed two, and Tanaka died, there should be no need for it. But according to THAT Anime Blog‘s entry of episode 17, the line-up that Koemushi mentioned consisted out of all the pilots (Komoda – Jun – Seki – Tanaka – Kanji). This has confused me for quite a few episodes already.

Anyway, next episode should be awesome: Kanji is going to pilot! (at least, I hope ^^;)

Posted on 22 August 2007 with categories: Bokura no


And finally there’s another episode without fighting. Heck, the next pilot hasn’t even been announced yet. Okay, we know it’s going to be Jun (I seem to have misunderstood the seventeenth episode, where Koemushi announces the pilot order. It’s not Kanji who’s going to be next, it’s Jun), but still. Anyway, this episode has to be anime-original: it explains Jun’s background, and how Tanaka got pregnant of him.

Kawai turned out to be a good friend of Yun’s father, hence why he’s so friendly with him. He’s the one who tells him the truth, by the way. At the time, though, both of them were involved in shady business. Jun’s father then picked up a high-school girl at one point, whilst being an adult himself. This girl was of course Tanaka.

Things went quick, and they got married and had a baby: Jun. Their happiness didn’t last long, though. I suspect that Jun’s father had gotten in trouble due to the fact that he owed money to the wrong people. As a response, they trashed their house, and made them run away. Jun’s father wanted revenge, though, and he died in the process of doing so. Tanaka was still in danger, however, and so she was forced to separate from Jun, so he was adopted into a new family, whose mother was at the time pregnant of Kana. The mother, however, died when she gave birth. Their father is actually still alive, but I suspect that he’s often gone due to his job. Tanaka, meanwhile, joined the police after her experience. Something tells me that she still felt guilty, which is why she was so eager with the Zearth-case: finally she could be the one to support children. At least, that’s what she first thought.

In the next episode, Yoko should be getting some background info. I also hope that they show Yun and Kana together a bit more, now that they both found out that Tanaka is Jun’s mother. This definitely was one of those building-up episodes, and even though it lacked major plot twists, unlike the previous episodes, it was really good, and I’d love to see what Jun’s going to do when he’s going to fight. He’s definitely changed a lot since the beginning of the series, when he was just a heartless bastard. It started when Kirie started to live with him, and because of that, he’s become closer to the other characters.

Posted on 15 August 2007 with categories: Bokura no


MAJOR SPOILER UP AHEAD!!! This episode was amazing, though there’s one plot twist you don’t want to find out until you’ve actually seen the episode. I repeat, if you haven’t seen Bokura no 18, STAY AWAY FROM THIS ENTRY!!! The following line should fill up enough space for the blog aggregators.

I should be complaining that Takami only got one episode for herself, but holy god, Tanaka’s death totally made up for it! She goes down, along with Takami’s father by the hands of the terrorists we’ve seen for the past number of episodes. This not only removed one of the key support-characters from the show, it also means that Koemushi has to select a new final pilot. Something tells me that it’s going to be poor Kana, as Koemushi has been hinting towards her for the past few episodes. O_o

What also surprised me is the relatively short amount of time that is spent on mourning about Tanaka. The only one we really see crying is Tamotsu, and the others seem to have accepted her death, just like she was one of them. These kids have really matured throughout the series. I also wonder when Tamotsu is going to tell Kana and Jun about Tanaka.

So, now there are three pilots left: Kanji, Jun and someone Koemushi still has to decide on. For a chance, we don’t get to see who’s going to be the next pilot. My money is on Kanji, though the finale of this series is going to start in the next episode. This episode definitely proved why Bokura no is one of my favourite series. Will the ending do the same? I definitely do hope so!

Posted on 8 August 2007 with categories: Bokura no


Interestingly enough, Aiko only gets one episode for herself, compared to the four episodes that were between Kirie’s selection and death. What’s more, it seems that her role was more to build up for Kanji’s case. Now that Takami has been selected as the next pilot, t becomes clear that Kanji and Jun will be the special pilots, and they’ll probably be the ones who get some extra attention.

In fact, Aiko could have been the one along with Takashi who got the least amount of development for her case. While the people in the middle got an entire episode for themselves, this episode is not only about Aiko. Kanji, Jun and even Koemushi get developed. Tanaka and Jun finally have a talk between the two of them. I couldn’t pick up whether Jun already knew that Tanaka was his mother, but Tanaka was definitely trying to help him without trying to sound too suspicious (and failing horribly, of course. ^^;).

Kanji, meanwhile, gets into an interesting love-relationship with Aiko, right before she dies. She’s indeed really been stressed out, but it’s not only because f the fact that she’s a pilot. Her father has also been cheating on her mother, her mother kept drinking after she found out, and now that the situation of Zearth has become public, she keeps getting bothered by reporters, looking for a scoop. For her, Kanji looked like a huge beacon in the night, and something tells me she fancied him already.

We also learn something interesting about Koemushi: the one he’s been talking to is Yoko, and not his assigner like I originally thought. He’s also already decided the order of the pilots: Yoshikawa – Takami – Jun – Tanaka. Of course, this doesn’t turn out to be true when Kanji provokes him, and he lets the guy live for even longer by selecting Takami. I think that the rest of the order will match up pretty well, though. Something tells me that Koemushi has been planning to let Ushiro go last of the children, for some reason. It’s also interesting that Tanaka will indeed be piloting, if everything goes to Koemushi’s plan, at least. I really wonder how the director is planning to end this one, and save the children without the use of magic.

Another thing that makes me wonder: why were there only four lights burning on Zearth when Aiko was still alive, when there were supposed to be five more pilots?

Posted on 1 August 2007 with categories: Bokura no


Ah, so the previous episode was episode 15,5, while this one is the true sixteenth episode of Bokura no. And yet again, I loved it, as it comes with yet another shocking plot twist at the end. We start the episode with the news that the fact that Zearth is piloted by children has leaked out to the public. The parents of Kanji, Takami and Jun also come together and learn that their children still aren’t saved. Kirie meanwhile decides to fight for his mother, who has gotten out of hospital and finally managed to find a job.

The awesomeness begins when the fight starts, though. Not only do they have to battle an enemy which has been highly experienced, with only two pilots left, Kirie also somehow manages to increase Zearth’s abilities tenfold, killing him or her off easily. He also had some strange ideas for his final moments. He actually knew that Yoko was the one who wasn’t part of the contract, and he told this to the others in his final moments. Because of that, he didn’t die as the centre of attention, but he died on the side-lines.

But still, I knew that Yoko was the one who remained out of the contract! Though it’s because of different reasons. I originally thought that because Takashi forced her to enlist, but I think that that was just an attempt of her to make it look like she ad suspicions from the beginning. She’s actually Koemushi’s accomplice and sister! She was the one who pointed the twelve children towards the cave, and was the one who introduced them to this mess!

I’ve also been wondering whether we see Tanaka and her partner as a pilot in this series. The fact remains that this series is starting to near its end, and there are only four children left: Jun, Takami, Kanji and Aiko. This means that there’ll be five fights left, if I recall correctly (since Kirie beat two enemies, instead of one).

The next episodes should also promise to be awesome, since Aiko is one of the most mentally unstable of all the pilots, apart from Isao. I really wonder how she’ll chose to deal with things, especially now that she knows the truth about Yoko.

CHANGE USERNAME
Vonter
@Niello - That's 'cause Miayano isn't Pepe Macias: https://youtu.be/nCL6e5TmVG8?t=34
Lenlo
Personally I like this Miyano voice, but only because it sounds like Old Okabe before 0 ruined him
Kaiser-Eoghan
@Niello: Wouldn't go that far. But as I've said this show did not click with me at all on most levels.
Niello
Am I the only one who think Miyano sounds annoying in Zombieland Saga? It was the same in Tadakoi too.
Kaiser-Eoghan
@Lenlo: Castlebros4life.
Kaiser-Eoghan
I forgot to mention, what I like about this guy is that he actually does have a plan rather than just milling it into the goblins.
Lenlo
Castlevania hype! I cant wait for season 2
Kaiser-Eoghan
I'm more looking forward to reading The year one side story which is more about Goblin slayer himself.
Kaiser-Eoghan
Hmmm, I've caught up to the 28th chapter of Goblin slayers manga chapter, in spite of being rinse and repeat with not much depth, so far its remains fun. There will definitely be a "human shield" scene that won't appear in the anime. I'd hoped the side story manga would go into priestess girls past our something but it doesn't.
Kaiser-Eoghan
Castlevania season 2 is out next week.
AidanAK47
Damn, Youtubes down
Kaiser-Eoghan
Mamoru Miyano is the same voice actor for the producer and Okabe.
Kaiser-Eoghan
I think they are doing other genres in zombieland too, I think one is vaporwave.
Kaiser-Eoghan
It would be very strange if the guy who is the past version of Hitomi's grandfather started falling for her.
Kaiser-Eoghan
That leads me to consider , should the search bar be moved?
AidanAK47
Pretty Sure he mistook the chat window for a search bar
Kaiser-Eoghan
@Anon: Fell behind, part 3 too long aswell.
SuperMario
@anon: it's just too little too late...
Kaiser-Eoghan
@Amagi: Interested in seeing more of that horse guy who showed up in the recent beastars chapters. Also liked how they co-relate lion guy with louis' dad.
Kaiser-Eoghan
Not that I'm knocking Honda-san, as that simple/minimalist style is another thing that makes these gag comedies work also.
Kaiser-Eoghan
@Lenlo: Animation's a bit BARE BONES though wahaha!
Kaiser-Eoghan
@Lenlo: I'm quite amused by the surrealism of it all, a skeleton working in a bookshop =P
Kaiser-Eoghan
@Lenlo: A quick random fact, one of the manga the blonde girl in episode 1 is asking for is a legendary, old shounen-ai classic from the 70s. The short format suits these gag comedies because I feel that stretching them out to 20 something minute runtimes kills the joke.
Lenlo
Honda-San continues to be the funniest thing I have seen in awhile
AidanAK47
@Vonter, That should not go together as well as it does
Kaiser-Eoghan
The Goblin slayer did nothing wrong.
Animosh
It's dumb, but I can't deny it's uplifting. :)
Animosh
The slime anime really offers the perfect counter to Goblin Slayer. In Goblin Slayer murder is the answer to everything, peace is impossible and revenge will haunt you forever. In the slime series? A short speech about the benefits of kindness and cooperation and the pitfalls of revenge is enough to convince everyone to get along (and that includes two races who were on the verge of war).
Vonter
Also because I just had to: http://vmashup.com/yvDoiQhU
Vonter
Zombieland gives me Scooby Doo vibes. With a silly premise of reviving moe girls to make a band. How they're prey to their instincts and I do like the music aspect doesn't feel as artificial as other shows that may also promote the songs to be sold. Since the music seems more to play for the story than to be good songs. Not remarkable but enjoyable I'll say.
Vonter
So far I've more issue with what the maid says than what she does. Since the anime wants to paint her in a good light but some of the things she says are very creepy. On the other side, there seems an underlying sadness since she seems capable but dumbfounded on how to live her life.
Vonter
I checked UzaMaid! and Zombieland Saga, which were funny and silly and entertaining, nothing major, but I also don't found them bad. The first one treads the line so far of having creepy implications, but it has a bit of John Hughes slapstick thrown a bit. I'll like it more if the little girl were a bit more like Kevin from Home Alone or Junior from Problem Children.
Amagi
Seems like a part of the background has changed after the post-kaiju fight reset in Gridman. I wonder what's even real in this series.
SuperMario
Gosh, how I love the improv dialogues and the indie Kemono-Friends level of visual flourish in Himote House
Masky
Like Zero Escape series itself goes through pretty much everything related to psychology
Masky
In general I don't really get what is up with japanese fictional works running different scientific paradoxes or theories into everything unrelated ._.
Lenlo
Mmm Im so glad I started throwback thursday. 2 episodes in and I already love Planetes.
Kaiser-Eoghan
I think might know it off by heart now I hear it mentioned so much.
Kaiser-Eoghan
@Aidan: I hope I haven't doomed you, I voted for Goblin slayer .
Amagi
Hate that too and I actually got my hopes up in episode 1 since it seemed like they wouldn't explain it.
Kaiser-Eoghan
@Niello: I was hoping someone else would bring that up.
Niello
Bunny Girl is pretty good so far, but I do have to say that I rolled my eyes at another rundown of Schrodinger's cat. What's with the obsession?
Amagi
Drama never works for me with Key and even most of Kyoani's works in general.
Kaiser-Eoghan
I already mentioned about how surprisingly solid/serious bunny girl senpai takes itself for the better, but I'd like to add, the drama doesn't feel obnoxious either such as in a Key work.
Amagi
I love those first impression reviews of bad series.
Amagi
@Kaiser: Yeah, it's why I never picked HxH up again as well. I also think there are still tons of issues with SAO although most of them come up later. AW will always be way better in my opinion.
Anonymous2948346
Glad the Imouto review was good for something, niello. The show itself certainly isn't.
Kaiser-Eoghan
I wouldn't deny that for some a series could improve as it went on, but with sword art, its now three seasond and a movie , thats alot to watch and quite the ask to get to the "good" part.
Amagi
@niello: I meant that key visual https://d38fgd7fmrcuct.cloudfront.net/1_3p7wgf1obds2mkioy1cmi.jpg - but as said it doesn't mean anything. I will only get hyped once I see the first animated scene and confirm that the boats aren't CG or at least a good kind of CG.
Lenlo
Oh baby. Spring 2019, One Punch Man S2 and Hero Aca S4. Can't wait
niello
@Amagi, Vinland Saga promo pic looks good? Aren't those just manga cover pictures that they showed in the promo...
niello
"Ore ga Sick of this Shit dakedo Shit Keeps Getting Made", I laughed so hard, thanks.
Lenlo
Will probably do a final review but not weekly episodes
Lenlo
But I watched it. Its alright, im gonna watch it to the end.
Lenlo
@animosh, I dont know about them.
Animosh
Oh, that sounds very promising! I've always found thematic explorations of virtual reality very interesting. You know: What is "real" and what isn't? Does it even matter? And what place should virtual reality have in society? In previous seasons those themes were a bit dumbed down, so I'd be up for seeing them explored in some more detail. And with four cours, there's plenty of time to do so.
Amagi
I am not yet sure how much SAO III will suffer from the lacking inner monologue though. The interesting part fo it was the world building and the taboos and how it was the first actual simulation and creation of humanity and the birth of a virtual culture, with mods and admins being literal gods in the VR, like some matrix thing. The anime skipped a lot and actions they do feel more casual there.
Amagi
@Animosh: Well the author did improve a lot, I actually consider most of Accel World as pretty good, especially the later arcs. Thanks for reminding me to buy the last two volumes by the way.
Animosh
I'm sure it won't be great (hell, given SAO's track record, it'll almost certainly end up punishing me for getting my hopes up), but there are at least signs that the author has recognized what went wrong in previous seasons and is trying to correct his mistakes. So with some luck, I might just end up enjoying this season! Maybe. Not getting my hopes up too much though.
Animosh
And where previous seasons barely made any attempts to build up the various virtual worlds, this season is taking it slow so far, which makes it feel more like a well-realized world than a generic fantasy blob. And last but not least, it seems Kirito will have to start over, so even if he'll inevitably end up OP again, he'll probably have to work for it, which is something the series really needed
Animosh
For example: the old cast has been stuck in the harem-mold for a long time, and that makes them incredibly dull. Most of them only exist to make Kirito look good, and barely have any agency of their own. But the new characters are different (so far at least). The most prominent new character (Eugeo) is male, and has clear goals of his own.
Animosh
By the way, did you guys skip Sword Art Online for your first impressions posts? I know you're not fond of the series (and rightly so, because it's way too popular for such a mediocre series), but I actually think it's been pretty decent so far. A fresh start with a largely new cast is exactly what the series needed, and there are some promising signs it's heading in a positive direction.
Animosh
@Amagi: I felt the same way after the episode. It's a very predictable move, but somehow I still didn't see it coming. I guess I should have known better than to trust a happy-go-lucky love interest (although I'm rooting for Rikka) after Darling in the Franxx.
Animosh
But in their own ways they still offered the kind of wild and wacky ride through adolescent insecurities that FLCL is known for, and the characters were likable enough (even if underdeveloped). The OST remains strong too. So although the series could definitely have been better, overall I think this has been a pretty enjoyable revival of the series.
Animosh
After its slow start I'm glad FLCL at least managed to end on a fairly strong note. I still think it's a shame none of the two series really managed to replicate the surreal craziness and visual inventiveness of the original (though Progressive did try), and the wider focus of both series compared to OG FLCL (with the same number of episodes) backfired a little.
Kaiser-Eoghan
@Amagi: Sometimes the offscreen content can allow our imaginations to work and disturb us more.
Kaiser-Eoghan
Deception more like.
Kaiser-Eoghan
Girl wasn't even pregnant, show telling lies, too lazy to draw pregnancy too probably .
Kaiser-Eoghan
@Aidan: Was your internet acting weird today? Don't know what provider you're using but mine only came back an hour ago or so, lots of people in Dublin were reporting connection issues and in other counties too.
SuperMario
@Amagi: still haven't watched the second one but the first episode did surprise me
AidanAK47
@Amagi, Still ain't watching it
Amagi
Okay I didn't really see the content of ep 2 of Gridman coming. I feel like I should have seen this coming, but I didn't.
Masky
I'm honestly confused about Conception since I'm under impression that Conception games are about "Do some sort of weird ritual to create "Star Child" which doesn't actually involve pregnancy". Like did game also go this far, did anime change this or is this setup for second episode to start with "lol just kidding" or what the frick
Amagi
I think deaths are often the best examples of failed attempts to keep the audience invested. Regardless how many tears there are and how tragic the death is, I won't care when the series itself is bad, the character not flashed out or the scene forced. I have seen series in which one died offscreen that hit me harder than a full episode of whining over some dead moe blobb.
Amagi
There are a lot anime like that since the presentation is important. There are many of those convoluted trainwrecks with 10 different plot twist where one or two of them are actually good on paper but do nothing when you watch it.
Kaiser-Eoghan
Regarding those crap light novel shows...it really is a sign isn't it, that its so bad sometimes, that even if it does something that appeals to you/would titillate you, you still don't care and won't watch it, because its so shit.
Lenlo
A poll assumes people would actually vote in it. I guess I can try it out and see if people care enough for it, sure. Still, would need things to put on said poll, so feel free to suggest
Kaiser-Eoghan
Sometimes with these shows you just have to let them wash over you.
Kaiser-Eoghan
Perhaps I could say similar about irozuku as I do Yagate.
Amagi
I am kinda happy I managed to avoid all bad series this season with the exception of Release the Spyce which I only tried because I gave it the benefit of doubt due to having enjoyed Princess principal to some degree despite its many flaws.
SuperMario
I'm back after a week vacation and the first thing I watched again was Conception. I mean I was prepared but this show is one of the reason we all need break to stay sane
Kaiser-Eoghan
I need a refresher on the early bits of vinland and Viking Count Dooku (Askeladd) arc so watching the anime would be a great recap oppurtunity.
Amagi
I really hope Vinland Saga will have a good budget. The promo pic looks pretty damn good but I also liked the very first promo pic of the last Berserk series and we all know how that one turned out.
Amagi
And yes Legosi also always makes me think of Bela Lugosi. I guess I watched too many old movies.
Amagi
@Kaiser: I strangely also lost interest in some game series I liked as little kid, Megaman too for example. I guess there are just series that can work on NES and SNES but not that well as 3D series on modern consoles.
Kaiser-Eoghan
I come away from irozuku feeling I watched an aethetically pleasing, somewhat cute show but not much else, but that may not be an entirely bad thing.
Kaiser-Eoghan
@lenlo: Alternatively you could put up a poll.
Lenlo
Thats a good idea Kaiser! I read all the comments, so if there are any you think would be good feel free to suggest them. I can compile a list and pick one.
Kaiser-Eoghan
@Lenlo: To make things easier, perhaps each season, for variety, the throwback Thursday thing could pick a different genre for it each season.
Kaiser-Eoghan
Every time I read his name in Beastars, I kept thinking the actors name "Bela Legosi" because the wolf's name was legosi.
Kaiser-Eoghan
Weird tangent, looking up Irozuku on google image search reveals theres a porn actress with the same name as the lead female character =<
Kaiser-Eoghan
Sometimes I think the fans had better ideas for the games.
Kaiser-Eoghan
Not that I hated any of his games though, but they did have diminishing returns and weren't always consistent in quality. It was disappointing when they started going for some kind of story, then kind of dropped it.
Kaiser-Eoghan
I was a big fan of megaman growing up, but like sonic, unlike Mario and Zelda, his games got increasingly diluted the more the franchise went on, megaman didn't work in 3D either. Also the second nes one has a really neat soundtrack =)
Vonter
Megaman 11 made me want to play the old games. So I bought the first Legacy Collection pack which has a rewind feature. The first game is hard and cheap at some spots. It also feels a bit stiff. Still it's funny spotting things that were changed in every other entry. Like the boss checkpoints having enemies and traps. Also I think this is the only game showing Dr. Light's house from the outside.
Lenlo
Ah, that anon was me! Was on my phone
Kaiser-Eoghan
@Amagi: My beastars post would have gone into spoilers. I decided to private message instead.
Anonymous2930785
I am very happy that Shorter isnt a one and done event.
Kaiser-Eoghan
@Mario: In regards to humour. However in terms of anime humour, something like hoozuki no reitatsu would have me losing my shit laughing.
Kaiser-Eoghan
@Mario: I love stuff by Bunuel or Roy Anderson.
Kaiser-Eoghan
I prefer sardonic, sad bastard, bleak, dry/depressing or particularly serious but surreal comedy, humour/comedy played straight .
Kaiser-Eoghan
Eh, yes as expected with Zombieland saga, I gave it a second episode chance, but this is an easy drop for me, its just how comedy goes sometimes, but I didn't laugh once during this episode , just left me cold/blank to it.
Amagi
It's like that season that had SoraYori, I watched like 7 other shows but I only remember SoryYori by now.
Amagi
I think for the last season (counting finished series) this is only true for Planet With. I do remember Chiochan when I think a bit but spontaneosly I couldn't come up with anything else if I had a time limit of 20 seconds or so.
Amagi
I often only really become aware about which series I liked the most when I try remembering the respective season months later. I often enjoy a bunch of shows and watch even more, and yet, at the end of the day, there is always onely one or two that actually stick in my mind.
Kaiser-Eoghan
I have to say again, I'm glad that Shorter is still being remembered episodes after him leaving the show. Thought they could have held that scene with yut-lung longer, its obvious he despises Eiji. Sudden gag in this episodes middle threw me off. lol at that killing attempt in the second half.
Kaiser-Eoghan
There's also a horror manga about Robert Johnson, me and the devil blues.
Amagi
Speaking of great manga series, everyone should try Shiori Experience, the Jimmy Hendrix manga. There is barely any series that hypes me up as much as this one and I read a lot. This could be the anime of the year if it would get adapted by a competent team and get a good budget and appropriate OST.
Amagi
@Kaiser: I think I will marathon the rest of Dorohedoro the next days. And then looking forward to her next series.
Amagi
Zombieland Saga is the only new anime that actually surprised me. I am not talking about good or bad here, there are a bunch of other pretty good series airing right now but Zombieland is the only one that caught me off-guard in a positive way.
AidanAK47
Okay, I think I love Zombieland Saga.
Kaiser-Eoghan
I've embraced bunny-girls approach to its dialogue/drama now with the second episode, also they go a bit into her past in this episode.
Kaiser-Eoghan
@Amagi: I'll be posting my thoughts later. Also, there's on one chapter of dorohedoro left.
Amagi
There are 7 new Beastars chapters out, I really liked the climax here.
Kaiser-Eoghan
On a tangent, damn you mappa, adapt Freesia already .
Kaiser-Eoghan
I needed to watch red garden twice to really "get" it, as in for it to click for me, its a show that picks up near the middle.
Amagi
It had scenes you rarely see in anime that do happen all the time in real life, like friends talking across each other, people talking at the same time or interrupting others.
Amagi
@Niel: Have you seen Red Garden? A lot of people agreed that it had the most natural dialogues of the anime that aired that year so maybe you would enjoy that too.
Kaiser-Eoghan
@Animmosh: josei yuri I would welcome being adapted.
Kaiser-Eoghan
@Animosh: Hana wa saku, yuutsu no asa and Acid town adaptation WHEN.
Animosh
Yuri gets all the hype, but yaoi gets all the glory.
Animosh
So, yeah, if other folk here haven't seen it yet, give it a try! By the way, it's interesting how what probably were my two favorite shows of the past season (Banana Fish and this one) were both BL shows. Can't say I saw that coming.
Animosh
It's kind of reminiscent of classics like Romance of the Three Kingdoms, but with some anime tropes added to the mix (the bubbly main character and his tsundere love interest), and with less emphasis on politics and more on horror and fantasy. And for a Chinese series, the animation is really solid, in spite of the occasional CGI hiccup. The backgrounds in particular are very easy on the eyes.
Animosh
I don't remember who it was, but thanks for recommending Grandmaster of Demonic Cultivation! It's surprisingly good for a show I had heard so little about. I love historical epics, and the main characters are built up very well and have a lot of chemistry. I do wish the antagonists were more interesting (they're very black-and-white), but the protagonists are all a lot of fun to watch.
Kaiser-Eoghan
*didn't work for me
Kaiser-Eoghan
@Niel: Garo didn't work for outside of the fantasy setting.
Niel
The exceptions to this are usually shorts and films. You don't get to see them often in TV series. As for the story, I don't have nearly enough patience for monster-of-the-week formula as I did years ago, so if it's just going the generic tokusatsu route then you'll hear from me. but since Garo wasn't too bad I have hope that they will do something interesting with this.
Niel
The environments also feel so much more like places where people live and hang out. Take the school room for example. Anime rarely portray school rooms as this place where teenagers gather and play during break. It's usually only consist of people talking with no mischieve whatsoever. And when there are scenes of bedroom they often feels more like a showroom than a place where someone live in.
Niel
@Lenlo @Aidan Your impressions of Gridman are fair. I'm just really excited for Gridman because two of my main pet peeves with anime are the unnatural dialogue, and bland and sterilised background environments. Here when characters talk, it actually seem so much closer to the conversation flow you'd see more in everyday life, and I'm kind of starving for that in my anime.
Kaiser-Eoghan
Although with drugs and anime in mind, I do wish that a sports anime that addresses cheating through performance enhancing drugs would be made.
Kaiser-Eoghan
Release the spyce and drug use? I find this odd, I think I heard that the Japanese had a thing about depicting that (drugs) in animation/on tv when it came to young charcters.
Masky
Like, sure, it has tactical goblin slaughter action, but its more about how broken mess of person Goblin Slayer is and how he learns to connect with people. Its surprisingly insightful at times, but the trashy parts really clash with the actual tone of series considering its only purpose is pretty much "Goblins are horrible" which is point you got with gore in first place
Masky
Anyhoo, yeah, made already comment about it on the blog, but I really feel like trashy parts of Goblin Slayer clash with what it is about
Masky
Oh yeah, that was surprisingly hilarious. Mostly because English was surprisingly good
Lenlo
I should not like Honda-San as much as I do. But I love it.
Masky
Like, lot of writers, game developers, comic artists, etc, they clearly base their works on stuff they were fan of. Lot of people get inspired by stuff they enjoyed during their childhood for example. There is no real difference between "Being inspired to do same type of thing you liked" and "You copied something popular" besides the level of half assedness
Masky
@SuperWooper: What I feel like is that there is nothing new under the sun. Whenever something feels like original, its mostly that you yourself just haven't seen it before or the execution feels fresh or the cliches and tropes haven't been used in a while
Amagi
I really don't like the highschool boy suddently getting super power and mega robot-kind of trope so they better add some more original stuff to make up for this.
Amagi
I might still enjoy this series though depending on the ideas the writers might have. As usual, much of my enjoyment depends on the antagonist. If this should really be nothing than a typical toku show with evil villain I will probably drop it too.
Amagi
@Kaiser: I only watch sub, I kinda feel like the first half was good dialoguewise but I know what Aidan and Lenlo mean, I generally didn't like the second half of the episode.
SuperWooper
Being a writer for an anime blog, I'm not really qualified to say.
AidanAK47
@Wooper, what is originality?
Kaiser-Eoghan
Although personally I won't be watching gridman due to not being a fan of trigger.
Kaiser-Eoghan
In Goblin slayer I mean.
Kaiser-Eoghan
I just glad that the protaganist is a guy in his 20s for a change.
Kaiser-Eoghan
Did you all watch gridman in English or Japanese? I ask because, perhaps the dialogue might have been an issue with the dub or something?
Kaiser-Eoghan
Ah, it seems I wasn't really paying much attention to the animation in Goblin slayer, I was having too much fun with it.
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Featured Posts

Kaze Ga Tsukyoku Fuiteiru – 3 [A Single Flower]

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