Posted on 1 December 2007 with categories: Anime Reviews, Dennou Coil


Fans of the fifteenth episode of Rahxephon can rejoice: its director, Mitsuo Iso has embarked on a new project called Dennou Coil. Having done the animation for major Ghibli-movies such as Porco Rosso, Ocean Waves and Only Yesterday as well, this guy had the potential to create a masterpiece. Thankfully, he actually pulled it off, and many consider this series as one of the best of the entire year.

The thing that’ll probably immediately catch your attention when you start to watch this series is the immense amount of creativity that’s put into the series. It takes place in about twenty years, where a cyber-world exists that people can only see if they’re wearing special glasses already is something you don’t think of quite easily, but Mitsuo Iso created a world that consists out of much, much more than just that. The first half of the series carefully builds this up, and makes sure that the viewer has been accustomed to the many sides of the setting, only for this series to really get fired off with the second half, and the final quarter of the series has some incredibly emotionally charged climaxes.

To make this even better, Dennou Coil has amazing production-values, second to only Seirei no Moribito. What you usually see with series is how their first few episodes have amazing animation, only to switch to a lazier animation-style after a few episodes, but Dennou Coil is different. The animation is of a consistent high quality, and there are no signs of outsourcing at all. The character-designs may look simple, but the animation and integration with CG make them look beautiful.

The characters may not be among the best points of this series, but they do work effectively when they have to, due to the careful building-up of the storyline. One point of critique would be that most of the side-characters could have gotten more development. Daiichi, Denpa, Fumie and Kyoko are wonderful characters, but if feels like they weren’t used to their full potential, and their roles became smaller and smaller as the series went on.

One thing that irked me, but will probably have little effect to those who plan to marathon the series is the overabundance of recap-episodes. In total, there’ve been three of them for a 28-episode series. The final episode could also have been a bit less rushed. Finally, there are three episodes in the middle of the series (11, 12 and 13), which I guess were meant to flesh out the world of Dennou Coil a bit, and they’re excellent standalone episodes, but they really feel out of place with the rest of the series, and only throw in more potential that unfortunately had to be ignored in the end.

Apart from this, though, we’ve got ourselves a masterpiece here. It’s one of the highlights of the year, and apart from Kaze no Shoujo Emily, it’s the most consistently good series of 2007 for me. It’s anime like these that show that even stories focused at children can be awesome nonetheless.

Posted on with categories: Dennou Coil


Ah, thank god. For a minute, I thought that the ending for Dennou Coil would end up rushed, but thankfully the series gets closed with one final powerful climax that nicely finished the series. Obviously, the ending itself doesn’t match up to some of the other series of the spring-season: Bokura no, El Cazador, Seirei no Moribito, Kaze no Shoujo Emily and Ooedo Rocket all wrapped up their stories better than Denou Coil did in this episode, but I can’t complain, as it could have turned out a lot worse.

And so, we finally find out what really happened in Yasako’s flashback. Obviously, if you haven’t seen the episode, CLOSE YOUR WINDOW. Yasako ended up in the coil-domain thanks to Densuke, right after the accident with Nobuhiko and Isako occurred. She than ran into Nobuhiko at the shrine, and the two of them had fun for a bit. Then Nobuhiko realized that the coil-domain was starting to collapse, so he told Yasako to run away fast, while he himself got sucked into the void.

Afterwards, Yasako managed to escape the black void, and met the Null. This guy turned out to be indeed Yasako’s grandfather. The two of them recognized each other quickly after Yasako’s memory went blank, so the two of them managed to say one final goodbye. The reason Yasako’s grandfather was there was because he was trying to save Isako. Nobuhiko lost his body in the accident, though Isako’s body remained, and it was Yasako’s grandfather who managed to bring it back in the end.

There were quite a few forced scenes in this episode – Nobuhiko suddenly got eyes, and there’s no real reason given for all the revelations. But one thing that went really well, apart from the climax itself, is the emphasis on one of the major themes of this series: saying goodbye to the deceased: Yasako got to say her final goodbye with her grandfather, Isako got to see her brother one final time, Densuke remains gone, but he appears in front of Yasako and Kyoko one final time, when they’ve grown up. This is really why it’s a children’s series in the end: it’s meant to show children who have lost something important to keep remembering this person, but live on at the same time.

And so we’ve come at the end of the major gems of the spring-season. It’s really been an awesome ride, and also a really consistent series.

Posted on 25 November 2007 with categories: Dennou Coil


Haha! That was some major plot-twist at the end of the episode! I’m not going to say what it is, though. I’ll leave that up to the next and final episode of this series. There’s just so much potential for it!

In any case, Mayumi turned out to be a small character in the end, whose purpose was to show Yasako where she had to go to find the other side. Mayumi just still hates Yasako, because Yasako basically did nothing to stop rumours about her and Michiko-san from spreading, while she had enough chances to do so. It’s like Mayumi said, Yasako tries to be nice to everyone, but when it really matters, she won’t do anything. That’s why Mayumi felt betrayed, and their fight began.

The reason Haraken was on the move in the previous episode was not because he still longed for Kanna. Instead, he somehow found out that Yasako was trying to get to the other side, and wanted to stop her. Tamako catches him easily enough, though they both end up collaborating in trying to get Yasako back. They’re too late, though, and end up sending a Sacchi to the other side. This Sacchi has a few modifications, though: it can fly!

(Thank god for wao’s summaries) And we finally know why Nekome does what he does: his case is quite similar to that of Takano’s in Higurashi: his father was a researcher as well, and when he finally discovered something major (I think he was the one who originally developed the Imago-function), this was taken away from him by Megamas. So he teamed up with Michiko-san to cause some kind of major scandal for Megamass, by making Michiko cause every kid with Imago to faint… so I guess that that means that the real reason why he allowed Isako to try and get her body back was for Michiko to take over Isako’s body. But still, did he have to go for such a complex way? Couldn’t he just have lured people inside the keyholes and make the v2.0s destroy them? That would have caused a scandal for Megamass as well, wouldn’t it?

I also wonder… where did Michiko originally come from? Did she just appear out of nowhere, or is she like the humanoid illegals, who in the end turned out to be products of Yasako’s grandfather that went out of control? Was she originally created by Yasako’s grandfather, but did something entirely different from what he had in mind? In this episode, she looked awfully human-like, apart from her eyes, perhaps.

Posted on 17 November 2007 with categories: Dennou Coil


Yup, this really is a calm-before-the-storm-episode. The pieces are set in the right spot for the finale, and the characters mourn about the things that happened in the previous episode. Finally, the parents of the different children decide to take away their glasses, because it’s now really clear that these things are dangerous. With Kanna and 4423, the details were vague, and most people just assumed that they just died, but it seems that Isako’s case went all over the news, and it’s finally become clear that the cyber-world isn’t something for children to play with.

A lot of time is also spent on Yasako, mourning about the loss of Densuke, and I loved the details put into it. Like everyone else, Yasako is really starting to doubt whether the cyber-world is real, and blames the fact that she can’t cry for Densuke on the fact that he’s just a bunch of codes, while in fact she still can’t accept that he’s gone. I think that that’s because she was surrounded by Isako and Haraken, who both lost someone important to them. For the past few episodes, we’ve seen how Yasako tried to help both of them recover from their troubles, though I think that she never really imagined how it must feel to lose a loved one. That’s what she finds out in this episode.

And ZOMG, I totally forgot about Mayumi! This series is very sneaky in that, mentioning things early in the series that only turn out important near the end of the series. Densuke being kidnapped, Yasako’s grandfather’s room and others are examples of this too, and it really took me a while to realize that Yasako actually DID have some problems in her previous school. According to Wao, she got into a fight with Mayumi. Yasako believes that Mayumi was the one who started bullying her, while it was in fact Yasako who started the bullying.

Another thing I loved about this episode, despite how quiet it was when compared to the other episodes of this series, was how I could relate to so many things. Okay, I may never have seen the death of a loved one, but I can understand Yasako in trying to relate to people who did experience it, because I’ve been doing that very often with different anime-series. It also felt really nostalgic when the parents started confiscating the glasses of their children. The story about Mayumi and the bullying also brought back memories. I think everyone has done some thing in their pasts that they aren’t quite proud of…

Posted on 10 November 2007 with categories: Dennou Coil


This episode was absolutely amazing! Seriously, I was a bit pissed off at the sudden recap-episode, but the real 23rd episode was SO WORTH THE WAIT. I was already satisfied by the hilarious chase of Daiichi in the first half of the episode, but I still can’t believe the awesomeness of the second half of the episode.

I remember noting earlier how similar Haraken and Isako are, and this episode again confirms it, as Isako gets taken to the other side on her own will as well. The only difference here, though, is that she didn’t just do it to meet 4423, but it was also to piss off Nekome and protect Yasako and Densuke. With only three episodes left, how will Dennou Coil conclude? Will the final three episodes be just about finding Yasako’s grandfather and Nekome, or are there people who have been coiled away who are going to make some kind of appearance? The thing also is that Densuke is gone now too! He was “killed” by the humanoid illegals. How is Yasako going to get to her grandfather? I’m assuming that Nekome is going to play a role in this.

Also, this episode just rocked in terms of production-values, and it may be the most visually pleasing one of the entire series, while the rest of the episode was also among the best that this series has to offer. This really has been one amazing anime, but can the creators keep it up for the final three episodes? I definitely hope so!

Posted on 3 November 2007 with categories: Dennou Coil


So, yes. Today’s episode is a recap. Don’t bother hoping for a bit of new content like with episode 14: there isn’t. Every frame of this episode was basically recycled from the other episodes. I really wonder why the creators had to include a recap at this point, so close to the climax. I mean, for a series with 26 episodes, three recaps is just too much.

Posted on 27 October 2007 with categories: Dennou Coil


That first half of the episode was just amazing. The dialogue between Yasako and Isako was just right, and I actually cried when Isako started to break down. Yasako really tried to comfort Isako in the way she would speak to Kyoko, whenever she’s scared. When Kyoko arrived, and asked Isako to save Densuke, she only made things even better.

The rest of the episode built up for the final few episodes of this series. We get a few confirmations of things that the observant ones among us probably already figured out: Nekome and Takeru are brothers, Takeru is the owner of the pink cat with ears, and he basically betrayed Isako out of jealousy towards his brother. I’ve also been reading a few posts from animesuki, and it seems that the reason why Nekome has access to the stronger versions of the Sacchis is because he works for the government, and can basically use them as he pleases.

Also, Densuke indeed is no ordinary dog. I couldn’t catch the details due to my lack of Japanese, but there actually is a chance for both Yasako’s grandfather as 4423’s brother to be alive. Yasako’s grandfather also seemed to know about 4423 before both of them disappeared. The final parts of the episode basically consist out of a chase for Densuke, after Nekome found out that he’s important somehow I must say that it was awesome to see Daiichi in action again. From what I understood is that Densuke is the key to access Coil’s domain, which is what I suspect to be the place where the humanoid illegals live. Hence why both Yasako and Kyoko encountered them.

What’s also interesting is how Nekome refers to Yasako as “sensei”, and how a password to some of the guy’s secret stuff is located inside Nekome’s database. Does this mean that Yasako’s grandfather used to work for the same company that Nekome is working for?

Posted on 20 October 2007 with categories: Dennou Coil


Whoa… I expected a quiet episode to introduce the final arc of this series, and then it comes with this! The amount of development that Isako gets is astonishing, and while the production-values may have dropped a bit, this was one episode not to be missed. It all starts when the building for the school that Yasako and the others go to gets demolished, so all the students move to the other major school, in the middle of the city.

This is especially disadvantageous for Isako, as the guys from a few episodes back attend this school too, and quite easily they manage to turn the entire school against her. Things go much deeper than just that, though. Remember the orange cat? Its master is behind everything, and it ends up erasing 4423-s room in the hospital! It seems that Isako was just used, and 4423 never had a chance to live in the first place! That room in the hospital was just an old cyberspace!

Apparently, there was something that happened in the last episode that made Isako lose her importance, so the decision was made to terminate her. My best guess would be that Nekome was behind everything, as he refuses to answer Isako’s calls. I don’t however think that he’s alone in this (after all, he’d never know which children beared a grudge against Isako), and there’s quite a large possibility that Takeru is his ally.

Then there’s also the question of why Nekome is doing everything. What are his true goals? And why did he approach Haraken in episode fourteen?

Posted on 13 October 2007 with categories: Dennou Coil


This was a truly amazing episode, probably one of the best ones of the series yet. Finally Yasako has the time to really shine. It all starts when Mega-baa and Tamako manage to save Yasako and the others, after which both Tamako and Yasako learn that Haraken ran off with Kanna’s glasses. After that, we get an interesting fact about Tamako: four years ago, she nearly went to the other side herself, if it wasn’t for Mega-baa. I like how that one explains why she works at the cyber-agency at the age of only seventeen. It seems that this is the Denou Coil that Nekome warned Haraken about in episode 14 (at least, I think it is; correct me if I’m wrong): being taken to the other side by the humanoid illegals.

When they arrive at the place where Haraken went to, he already has been “Dennou Coiled”, and it seems that Isako also went after him. Yasako then lets herself get captured by the humanoid illegals, and gets taken to the other side herself in an attempt to get Kanna back. What follows was a magnificent scene, where Haraken finally meets with the remains of Kanna, and Yasako confesses to him, before bringing his body back with some code from Isako.

And so this concludes another arc of this series, and it indeed looks like the final six episodes will centre on 4423, and Takeru will also probably return. I somehow feel that 4423 is more than just another child, taken to the other side. After all, Isako is basically trying to do something even more dangerous than what Haraken’s been doing: getting an actual Dennou Coiled person back to the normal world. I also hope Daiichi will return; I miss the guy.

Posted on 7 October 2007 with categories: Dennou Coil


Sorry for the delay, I was a bit too busy yesterday for the huge amount of shows that came out. But this episode was SO worth it. I know I had my doubts about this series at one point, but right now everything is starting to come together perfectly, and I can’t believe how exciting this episode turned out to be when it almost entirely focuses on Fumie and Yasako, trying to get Kyoko’s body back.

One of the comments from previous week also made me see something interesting: Kyoko is about the same age as when Yasako encountered the humanoid illegal. And I really think that Yasako would have been taken away if it wasn’t for 4423’s efforts. There also seems to be more than one humanoid illegal, though there is a good chance that wao is right, and Yasako’s grandfather is among them. In fact, there could be a chance that all these humanoid illegals were once humans who were taken to the others side. They kept utteing “kyoudai” (sibling) when thy approached Kyoko. That still doesn’t explain why they were looking for 4423 back then, though.

I think Imago plays a key here. If I recall correctly, we’ve seen that Haraken, Yasako and Isako posses it: all of them have lost someone close to them because of the humanoid illegals (assuming that it was really Kanna whom we saw in the previous episode). I wouldn’t be surprised if Mega-baa also turned out to have Imago, because she just knew a tad too much for just an ordinary granny who happens to be good with the cyber-world.

Oh, and Haraken is really going into the wrong direction. Apparently, he’s had an extra pair of glasses hidden somewhere, which he used to back access to the cyber-world, and he’s now really determined to go to the other side. That really can’t be good….

Oh, and one final thing… I’m not sure (my memory could be wrong on this), but didn’t Yasako receive Densuke from either her grandfather or Mega-baa? If she did, then that can’t be a coincidence, especially considering the way Densuke went out and saved Kyoko on his own.

CHANGE USERNAME
Lenlo
Yeah KT, watching the two together has not come out favorably for AMB for me.
Kaiser-Eoghan
I believe it works better in hellsing and drifters moreso to both being goofball action shows.
KTravlos
A point on the chibi in AMB. I was thinking about shows were the chibi did not bother me, and Hellsing Ultimate and Drifters (newest episodes coming out), both had deformed/chibi segments. For some reason they did not bother me. I think ABM directors have bad timing with them.
KTravlos
I have to say Ichirou Inuyashiki is very cool. Like he is really a cool character. Also I am saddened to say it but watching AMB together with Inuyashuki does not work well for AMB
Kaiser-Eoghan
@Silver: There are sad moments certainly but plenty of humour.
Anonymous1639132
Man, I sure hope Ichirou Inuyashiki and Hiro Shishigami make out, everything is just building up to that
silver
I actually have only watched one or two episodes of this season of 3-gatsu, but its rising scores and rave reviews are making me really excited! I've only put it off because it's somewhat emotionally tiring for me
SuperMario
@Kaiser: Well, after the first season of 3-gatsu ended, I did skim ahead to this bullying arc so I already know this is going to be powerful, yet the anime still wow me over and over
Anonymous1637770
Also it can be tricky selecting a season sequel since some old series had like 50 to 100 episodes, what counted as a season then?
Anonymous1637770
@Kaiser-Eoghan - It's more common in videogames (especially Capcom) than in other mediums. Megaman 2, RE 2, Street Fighter 2, Dino Crisis 2, Marvel vs. Capcom 2, etc.
Kaiser-Eoghan
Actually in a rarity, a sequel season is better than the first.
Kaiser-Eoghan
Which makes my enjoyment of sangatsu so strange.
Kaiser-Eoghan
And I generally do not like game/sports orientated shows.
Kaiser-Eoghan
That you slightlySuper-erMario and superwooper!
Kaiser-Eoghan
And my reaction to the show is such, that I enjoyed it enough to make such a huge pot about it.
Kaiser-Eoghan
Also I want Akari to be my mom and Hina is adorable without being annoyingly so and Kana Hanazawa is doing a good job voicing her.

And whoever said it is right, the op/ed songs are worth listening to, for once I’m not skipping them.
Kaiser-Eoghan
At this point it feels as if by the end of the series I’ll come off it thinking that I don’t want to say goodbye to these characters.
I don’t think as of just yet it complete lives up to honey and clovers legacy though.
Kaiser-Eoghan
I never cared about Harunobu initially, but recent episodes have changed this.
Dull parts of the manga are easier to get through for me in the anime due to Shaft elevating the material with one of the better uses of their visual gimmicks.
Giving the series another chance, even though I won’t fully embrace the humour, it does now and then manage to make me laugh a little.
Kaiser-Eoghan
The bullying arc centering on Hina and the shows treatment of it is better than most anime bullying stories and has provided the most emotionally rewarding aspect of the show.
Characters that are assholes like Kyouko’s boyfriend, Kyouko herself I’m finding somewhat more sympathetic and want to see more to their personal drama.
Kaiser-Eoghan
However I do genuinely think that the series does a good job of allowing dramatic moments to creep up on the viewer, that early scene of Hina crying over her mother, Rei’s family flashbacks, Akari’s concerns about Hina/the stuff with her dad, all the scenes with Kyouko do carry an effective and solid dramatic weight to them.
Kaiser-Eoghan
I feel it starts very strong, making a great first impression, then kind of has these dull moments that make it sort of a slog at times to get through, unfortunately I have no interest in chess/shougi and no knowledge the show tries to give me is going to stick or allow me to embrace that.
Kaiser-Eoghan
Through jumping back and forth between the anime and manga, I can say I have no caught up to where I will now watch March comes like a lion on a weekly basis.
Anonymous1636224
The blood of the innocent will flow without end, mmmmmm this is why I love Inuyashiki
Anonymous1636224
Mmmmmm the suffering of all those innocent people feeding his God boner, this is why I love Inuyashiki
Lenlo
Oh yeah, thats not a knock against it. Just noting they dont *need* much animation
SuperMario
Well, the nature of Mahoutsukai is slow-burned, so it makes sense they focus more on static, quiet moments
Lenlo
Was that blade 2022 thing supposed to be an example? Because I wasnt a fan. It was stylish sure, but difficult to follow.
Lenlo
Maho is a good looking show, I wouldnt call it a great animated show.
Lenlo
The issue for me is, theres just not alot being animated most of the time. Usually its a pretty slow moving anime, so most of its time is talking and still shots. It doesnt need alot of animation, so it doesnt have it.
Lenlo
@Niel, I think Mahoutsukai can have good animation when it wants to. Like the water viel in episode 10 looked good (Though im not sure how much of that was after effects)
Anonymous1635607
uhhh creepy
Anonymous1635589
the blood of the innocent will flow without end, mmmm this is why I love Inuyashiki so much
Amagi
I think the security is the same as here, it's just that Japanese people are less likely to rip stuff (correct me if I am wrong). It seems like ripped anime, manga and so on are basically always uploaded by Americans, Chinese people or someone else.
Kaiser-Eoghan
I was surprised heavens feel was camripped I thought security in japanese theatres was stronger.
Amagi
Yeah it's also screening in Germany, I will watch it in February, together with Heaven's Feel, Mutafukaz, Kimikoe and a few others.
Kaiser-Eoghan
*on Europa cinema
Kaiser-Eoghan
Nanoha new film to screen next February in the US, come in Europa license it for over here dammit....
Kaiser-Eoghan
Did have some down moments though.
Kaiser-Eoghan
And I guess contrasting Luke with his old self goes some way.
Kaiser-Eoghan
Saw the preview screening of the new star wars, still feel the new trilogy stands inbetween the originals and prequels, fufills its duty as a *** star blockbuster , some genuinely hilarious high camp moments, awful tokenism, Snoke is a shit villain, but two scenes with Luke actually have a pathos to them and I liked the chase/action scenes when they happened. Nobody cares about the acting/dialogue
AidanAK47
But there are times when it goes way too far and you can barely make out what is even supposed to be happening. Or characters go so off model that they are unrecognizable. It can be immersion breaking. Much like uncanny CGI.
AidanAK47
@Niel, I do agree that it's annoying to see people complain about animation when they clearly have no idea what they are talking about. Like those inbetween frame screenshot people. But I will say I appreciate on model characters more so than chaotic movement. When the off model stuff suits the tone of the scene like that blade runner part, then it's fine.
niel
I also don't want to see someone imply visual=animation for the hundredth time. Are people really that ignorant of the technical/artistic aspect of the media they consumed?
niel
It just depends on what works best in given scene and the aesthetic they want to go for. People can complain all they want about off-model stuff, but if they really only want that the they won't be getting nearly as much of those impactful scenes as there are now. So many of the ways people complain about it is really irking to me.
niel
normal/low action scenes is different from being on-model during the action sequences and just the ones that need some extra impact in general. https://youtu.be/rrZk9sSgRyQ?t=6m45s
niel
But that depends on the situation though. And I'd argue that being consistent and on-model during
Kaiser-Eoghan
@Vonter/Niello/Mario: Ideally I want it both ways, fluid animation AND consistent model visuals, all the while never sacrificing choreography.
SuperMario
But really, who am I to say. I'm the dude who prefer beautiful shot composition myself
SuperMario
The same can be said with Shinkai's movies since he always prefers static, beautiful shot that people tend to overlook that his animation is quite poorly handled
Vonter
You're right, but art direction does alleviate limited animation, I mean the old Berserk anime, kinda has a lot of slideshow moments. MahoYome has nice backgrounds, and despite the samey faces, at the very least doesn't come from the same mold as other series. Still cutting corners with chibi segments is was a mistake.
SuperWooper
Is it any wonder that people prefer things to be static/on-model? They want to see characters who look consistent and familiar so they can relate to them.
Nie
MahoYome being the biggest offender of people getting triggered to any kind of statement about the show's animation not being good. And it's absurd because the show's animation really isn't great at all. It's good with distracting people with pretty pictures, but animation-wise it's still mediocre.
Nie
@SuperMario: Not much. Just stuff like "Art is part of the animation weather it's beautiful backgrounds or just amazing looking characters. It's not all about how they move. If it was, CG would be considered great animation" multiple times. I've just been finding myself being replied with these kinds of comment non-stop since the start of the season.
SuperMario
@Niello: What happened exactly, if you don't me asking?
Nielllo
If I hear someone says AMB has good animation one more tie I might actually lose it. It's amazing how people who apparently know nothing about it try to defend this and other people who don't know anything are actually supporting the guy.
Niello
So with Fate Apocrypha episode 22 out, I'm just now learning that people think webgen style is horrible and they prefer static scenes with pretty visual over actual quality animation. WTF. I can't comprehend this. Are casual people who watch animation in general really that oblivious to the art they have been watching?
Lenlo
Berserks Dynasty Warriors style game looked better. Also, Mahoutsukai should be up tonight/tomorrow. Turns out, Christmas is a busy time of year at this job.
Amagi
*worse
Amagi
Especially when you consider how good CGI can be by now, look at Houseki or Kado. But Berserk was the worst thing I saw in years, many scenes felt worst than sequences of PSX games
Amagi
@SuperMario: Same. I love Kon and also consider Paprika's OST as the best. @Lenlo: Me too. I honestly even enjoyed the movies but the new series was atrocious
Lenlo
HIRASAWAAAA! HAAAAAI YOOOOO.
I miss the 90s Berserk.
Kaiser-Eoghan
I was also quite fond of his soundtracks for Berserk. AIIIIIYE FORCES : https://www.youtube.com/watch?v=NkYYYew8CUI
SuperMario
@Amagi: I'm a big fan of Kon so I've watched everything from his. Even bought a book about his works. About the soundtrack, I listened to them as well but not regularly, compare to pprika OST which I downloaded and listen to a lot
Kaiser-Eoghan
Although not completely a manga, Usagi yojimbo also has an anthro character.
Kaiser-Eoghan
Millennium actress is partially inspired by the actress Setsuko Hara.
Amagi
@Kaiser-Eoghan: The anthro-animal manga is even a topseller as far as I know. Haven't looked into it yet, though. Maybe I will do so.
Amagi
Speaking of it, I am still hoping Dream Machine will happen some day. Kon died believing it would happen
Amagi
@SuperMario: Have you tried the other Kon movies like Millennium Actress once? Thought they were really good and Hirasawa is responsible for the OST there too. Or Paranoia Agent which was (IMO) very good as well https://www.youtube.com/watch?v=0nttSKBJ38k (OP)
Niello
Eoghan: Enjoy... ;)
Kaiser-Eoghan
While I haven't read this, its very strange to see a manga about full anthro animal characters: http://kissmanga.com/Manga/Beastars
Kaiser-Eoghan
@Vonter: So based on that I will try devil lady. Thanks.
Kaiser-Eoghan
@Vonter: That'd be me who made that post. I thought dororon enma-kun was wonderfully ridiculous and Devilman gorishly entertaining, Shin Mazinger Z was probably some of the most fun I had with an anime, but violence jack took it way too far though so I guess I'm aquainted with nagai's work
Vonter
I don't remember who was looking for something noir in anime. I was looking among several series from Go Nagai. And watched some Devil Lady. I don't remember if noir is exclusively detective stories, but this anime, has those high contrast shadows, eerie music and is shot like some japanese horror movies I've seen. I don't know if it changes along the road but so far it's very suspenseful.
SuperMario
I only know him through his works in Berserk and Paprika but his music never fails to amaze me
Anonymous1626471
@Amagi: Ghost Bridge is my favourite. I just find it very calming. https://www.youtube.com/watch?v=aeh5aJsxlbw
Amagi
Susumu Hirasawa is one of my favorite musicians/composers. I don't even know what kind of subgenre this is. There aren't any other music groups I know who do similar stuff
Nielllo
@Mario, Already saw that video before.
SuperMario
Check this out... I don't even know what the freaking instrument he's playing, but it's spellbound https://www.youtube.com/watch?v=PjalQjAomH0
Niello
Just when I thought Houseki no Kuni took the prize for best animation I was treated with Apocrypha. This week is amazing.
Niello
Big name animators all over. They really threw everything they've got here.
Niello
Woooooah! OMG Apocrypha ep 22 animation is sick! So that's why the animation in the first half of the show is so lackluster and basically just darn awful.
Kaiser-Eoghan
Its not entirely odd to bring up Heydrich in relation to the occult either, apparently he was said to be part of some whackjob order.
Kaiser-Eoghan
Hmmm, that girl from Dies irae, Anna Schwegln is aptly named, also shares her name with the last executed person for witchcraft, who was Bavarian German, which i'm told by an Austrian friend were particular right-est leaning politically.
Kaiser-Eoghan
Of course unfortunately its often the opposite that happens, nothing is worse than an ending that ruins everything.
Kaiser-Eoghan
Ah, how I love being surprised by something. That feeling where you''re watching something shakily held together, simply okay or good, then suddenly in the second half or last stretch your score of it goes massively up.
Kaiser-Eoghan
I can kind of understand the wanting to go home and watch something easy mentality instead of challenging but even though I'm guilty of escapism, I'm tired somewhat of "sillier" stuff, its often enjoyable but its get overly reptitive and I wish I could find more philosophical/political/imaginative things.
Amagi
Yeah the show is great because of its theme, the setting and chemistry girls have as well as their (lack of) knowledge about basic human things. Each episode thematizes this in a different way but there isn't much you can talk or say about it when you already explained the topic in detail.
SuperMario
On the other hand, I don't have much to talk about Girls' Last Tour this week. It's still good, but with this episode I feel that I'm running out of concrete thig to say about the show
SuperMario
Haha both Houseki and 3-gatsu have a good showing this week. I have a lot of things to talk about Houseki in particular
Amagi
This week's Houseki is jurassic park
Amagi
*-ati - I think Netflix and so are at least giving a few new impulses which isn't too bad. I don't think the typical anime series will disappear because of that.
Amagi
At least in comparisation
Amagi
I think it's just sad how often I see wonderful series selling 500 BD/DVD or maybe even less. Most series don't sell more than 1500 or so and the rest is usually at ~3000-5000 which is still pretty low.
Amagi
Yeah, it's one of my pro-Netflix arguments as well. Another problem is that anime (not counting manga) only make money through dvd/bd sales since they air at night, whereas Netflix or daytime tv series don't depend on the latter so much and since anime BDs are so expensive the only ones who buy them are the more extreme fans.
AidanAK47
Might be in part due to the workaholic nature of their society that makes escapist fantasy and empty entertainment more appealing than usual. Ultimately these are the people anime is made for so opening up the markets gives more deserving shows a fighting chance.
Though that isn't to say that western taste is perfect either.
AidanAK47
@Amagi, That's part of the reason I think some westernation might be a good thing as from what I seen the Japanese have truly terrible taste in anime. Sales charts from Japan just make me shake my head.
Amagi
God, the preorder anime lists are atricious. The only one that seems to sell acceptable (around 6k) is Mahoyome. Series like Inuyashiki have 80 pre-orders so far, Shuumatsu Shoujo 977. Idol shows sell good of course, including that male/bishounen Idolmaster
AidanAK47
@Anon, I read it but kinda fell out due to it's releases being slow.
Kaiser-Eoghan
@Anon: Actually if you check the manga recommendations section, you'll see there is a post about it here.
Kaiser-Eoghan
@Anon: Yes, it was interesting to follow a story that dealt with a characters homosexuallity that was outside of the yaoi/yuri mould.
Anonymous1620968
Out of curiosity, has anyone on here read Shimanami Tasogare?
Niello
Where are we up to with Inuyashiki?
Lenlo
Well alright then. Episode 9 out of 11 and that happens. Was not expecting that
Lenlo
Ooo something happen this week? Im about to watch it
Kaiser-Eoghan
It feels just as rushed and awkward in the manga.
Amagi
I noticed this too
AidanAK47
Inuyashiki has balls of steel to pull that in this particular episode number.
Nielllo
Finally got around to reading Helck, and it looks like it's going to go into that pile of good-shounen-that-won't-ever-get-animated right alongside Psyren.
Kaiser-Eoghan
@Aidan: Imagine trying to buy the dvds of the show in public.
Kaiser-Eoghan
@Aidan: Gentle remind that the prism ilya movie is out and subbed.
AidanAK47
Still surprised the second and third seasons got dubbed.
AidanAK47
@Angel, I replied to one of your comments before but the rundown is no official word yet but maybe next year.
Angel
Or no? Someone please tell me!!
Angel
Going to happen?
Angel
Is fate/kaleid liner prisma☆illya 3rei dub
Amagi
I dislike it when manga bait me into reading due to the first chapter and end up being some very generic stuff afterwards. Nobody stays for B if he started something for A, authours should expect that.
Lenlo
Really, Juuni should stick with the 3D. That fight in ep 9 looked pretty good. 3D is clearly what they are good at
AidanAK47
@Niello, It's not Chatango. It's a plugin for wordpress called Wisechat.
SuperMario
@Niello: yeah, Juuni caught me off guard this week. The production of Juuni is unfortunately shaky, but well, strong writing can save the day
Niello
Btw is this chat still Chatango?
Niello
This week episode of Juini is surprisingly good compared to how the show usually is with its backstory. Although the part where Ox tries to explain to Tiger could definitely use some visual buff.
SuperWooper
in the future*
SuperWooper
Pretty cool that Juuni Taisen had that kind of emotional heft this week, though. Might be one of the 2017 shows I sample the in the future.
SuperWooper
I think the occasional comments with an episode title and nothing more come from people who mistake the shoutbox for a search bar.
SuperMario
@Anon1614688: juuni taisen... made me tearing up this week. Honestly didn't expect that. Damn you, Tiger
Anonymous1614688
juuni taisen
Amagi
Had some complaints regarding Children of Whales but the latest two episodes were pretty good.
Amagi
@Anon: You explained it better than me.
Anonymous1614307
Kaiser: I actually have the exact same opinion of Natsume and Mushishi. Both are excellent, but Natsume just does a great job with a small core cast and a very simple premise
Anonymous1614456
who likes naruto
Kaiser-Eoghan
Mushishi does have good stories, but it was always a manga I'd dip in and out of, on and off for years, never marathoning it, wheras Natsume was easier to read several chapters of in one go.
Kaiser-Eoghan
I think its because Natsume has more pathos.
Kaiser-Eoghan
*more than
Natsume weirdly ended up becoming this comfort manga for me with a higher consistency rate .
Kaiser-Eoghan
I will state that I hold the terrible opinion that I like Natsume Yujinchou than Mushishi but at the same time completely recognize that Mushishi is probably the more ambitious, better show.
Niello
So it becomes a cycle of "this is an interesting set up" (except that the new Kino isn't even good at that) and then they fucked up or Kino/Shizu fucked them up even more, then move on. Without the emphasis on philosophical nature of the set up they present like in the original Kino, there really isn't that much point to it.
Niello
With the new Kino it's more about messing people up, occassionally observing and hardly ever improving. The anwsers or solutions to the problem they present is never really talked about in a rational way.
SuperMario
@Anon1614318: maybe you should give the old Kino a try. What I don't like most about the new version of Kino is that both Kino and the new guy are sketched as hero. The old Kino manages the tone right as well. There were some really dark tales and most of them thought-provoking. Can't say the same for say...Country of Cooking
Anonymous1614318
I don't know, it might be interesting to actually dig deep into the differences between episodic series with this kind of style to see what works and what doesn't.
Anonymous1614318
I guess it's a matter of the chapter they chose to adapt were not really the better ones but the ones where the protagonist is more of an active role. Not totally against that, but it feels like the protagonist is just OP all the time. At least with Mushishi Ginko isn't able to save everyone all the time.
Anonymous1614318
I guess it's supposed to be more allegorical, but most of the time the allegory is not really meaningful enough. I thought it would be more along the lines of Mushishi, which is kind of similar in setup, but better in most other ways.
Anonymous1614318
What keeps me sticking around are some of the nice background arts and generally pleasant use of color, but admittedly most of the episodes aren't really engaging in a meaningful way. Most of the time its just Kino/Shizu show up, find out town's gimmick, then save the day. I prefer the episodes where the townspeople are more than just flat background characters.
Anonymous1614318
It's interesting to see how this new Kino season is being received from folks who've already watched the original. This is my first real exposure to Kino, and I kind of like it, but even without watching the original, I share many of the same complaints Aidan and most of the others have.
Amagi
I am also kinda sad he's just some 2* servant in fgo, but his power is special and he's physically weak, so it's understandable.
Amagi
And again, Shakespeare is just great but the character is, sadly, kinda wasted here considering how much screentime he has.
Amagi
@Aidan: Yes. Plus, maybe more characterization or background for some servants. The anime would have that time without Sieg and his romance sub plot.
AidanAK47
@Amagi, Those being remove Sieg and more Shakespeare?
Amagi
And man Apocrypha is pretty good but it would be twice as good if it had those two changes Aidan always mentions in the reviews..
Amagi
@Kaiser: I think the male in Kino was a mistake. Having two PoV sounds good, but he's basically just a male Kino, he even looks like her. Someone vastly different would have been way more interesting.
Kaiser-Eoghan
I'd guarantee that sangatsu no lion would be high up, but FINALLY this weekend I'll be catching up.
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Featured Posts

Juuni Taisen – 11 [To Treat a Man to Beef From His Own Cow]

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Inuyashiki – 9 [Shihjuku People]

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