Posted on 2 October 2008 with categories: Anime Reviews, Himitsu ~The Revelation~


This is probably going to be the most difficult review of the past month for me. First of all, it’s always difficult to review your favourite series without delving into plain rambling, but this also isn’t a case where I just sum up the points I loved about it and get things over with. Himitsu is a series with a lot of weaknesses, and yet after Kaiba, it stood out for me as the best series of the past half year.

Let me first get these weaknesses out of the way. Himitsu is basically a crime series, where the main characters try to find the culprit of a crime by looking into the mind of the victims. Its biggest mistake is that can be a bit over-theatrical at times. Its got an excellent soundtrack that can however sound a bit too cheesy when put into practice, and it’s got those nasty tendencies of showing some strange instances of fanservice for the fangirls (why this is considered to be worse than blasphemy, while female fanservice is always praised, I don’t know).

Then there are the issues with the series’ messages. Because it involves policemen who look inside the brains, you’d expect a lot of ethical debates. A series that makes you think about whether or not it’s right to look into the privacy of a deceased. This however, doesn’t turn out to be the case: Himitsu merely just lists a large number of taboos that even Sayonara Zetsubou-Sensei didn’t dare to touch, and presents its own views about them, but it doesn’t try to spark any discussion.

So, despite all this, why did I like this series so much? Well, first of all: it just is an excellent mystery-series. Every case keeps you guessing what’s going on. Because in the series, the memory-recovery system is a very advanced technology, people often need to wait a couple of hours before a new piece of the victim’s brains are loaded in the computer. This series is a master in timing its revelations, and keeping the viewer busy and wondering what’s going on.

This also is a very inconsistent series, for the good and the bad. If you liked one case, you can be sure that the next case is going to focus on something completely different. This isn’t exactly good for your expectations, but at the same time it makes the series extremely unpredictable: you’re never going to know what’s going to happen next. You’ll never know what the next episode will focus on. Every episode is different, and focuses on something else, and this makes for a very varied episodic series.
This series is also excellent in the few times it delves into horror. If you thought that Code Geass was shocking, just wait until you see a few particular episodes of this series. Madhouse has always been a production studio with very little censorship, and this series ranks along with Shigurui to their least censored series, making for a few gruesome cases that pop up once in a while and take you by surprise.

And then the characters. They really are a case on their own. For a long time, you’ll be wondering what the series is planning to do with them. Because this is a series that focus mostly on the people that are involved with the case, the actual main characters, the investigating policemen, at first sight seem to be neglected a bit. But as it turns out, the creators knew exactly what they were doing with their characters. Because they moved away from the manga this series is based on, they were able to plan this series exactly for the length of 26 episodes, and they’ve been fleshing out the main cast very subtly throughout the series.

The result is that the cast of this series comes together wonderfully in the final quarter of this series. All of them are developed very subtly, and each of them becomes memorable somehow, and overall they become a lot of fun to watch as they try to solve their cases. The finale of this series forms an excellent conclusion for this series, where this development is used to its full extent.

In terms of graphics, a lot of people may disagree with me, but I absolutely loved them. Madhouse has always had the reputation of straying away from the overly moe or GAR character-designs, and it’s the same here. The character-designs look excellent, and never seem to be trying to be overly cute. Overall, this is one series where the foreground characters and background art really mesh excellently with each other, making sure for some awesome shots.

Overall, it’s really a shame that the subs stopped right before the best episode of the entire series, and Himitsu has definitely been the most underrated series from the spring-season for me. It can be surprisingly intense at times, while surprisingly touching at others, fully tying in with the “fooling the viewer”-theme of the past half year that I’ve mentioned a few times already. It knows very much how to tell a story, got an awesome set of main characters and definitely turned into my favourite series after Kaiba ended.

Storytelling: 10/10
Characters: 9/10
Production-Values: 9/10
Setting: 9/10
Posted on with categories: Himitsu ~The Revelation~



Short Synopsis: Maki rushes in to find the hidden pieces of Suzuki’s memory.
Highlights: A bit over-exaggerated, but an incredibly tense ending.
Overall Enjoyment Value: 8,5/10
Okay, so this episode loses points for over-exaggerating a bit too much, but thankfully it turned into that over-the-top ending that I’d hoped for. In the end, it didn’t beat RD’s ending, but it really took second place. If it had a bit more subtlety, this episode really could have been incredible, but that field of flowers really was a bit too much. The hypnotism also was unrealistic, and the episode’s end was a bit too theatrical for its own good (why didn’t the MRI explode the way it did when Suzuki shoot it?).

But really, that climax between Aoki and Maki was SO intense that it made up for everything. Now everything really is clear: Kainuma’s final plan wasn’t to just proclaim his love for Maki and go for just the shock factor. He wanted to shock the guy, and then hypnotize him into murdering the entire of Daiku. Because Suzuki saw it, he went berserk instead.

The final bad guy? Daiku’s boss. It turns out that he’s been trading people’s memories for money. Now he’s had enough and wants to close it off by having Daiku kill off each other. He probably sealed Suzuki’s memory of Kainuma, because that’d be the perfect way to time their deaths. Unfortunately, this went wrong because Aoki realized in time that Kainuma was trying to hypnotize them.

Posted on 24 September 2008 with categories: Himitsu ~The Revelation~



Short Synopsis: Someone is trying to get rid of Daiku, and uses some very extreme measures to get his way.
Highlights: Awesome set-up for a finale!
Overall Enjoyment Value: 9/10
Ah, okay. This and the next episode may have different titles, but they turn out to be the two halves of one big arc that is going to be the finale of this series. But really, it’s promising to be an awesome finale, and with this, we can really see the power of the decision for this series to go into a different path than the manga: because of that, the creators could plan exactly what they want to place when and where, and thus they have managed to save the perfect story to close off this series. I’m really excited, seeing how this series is about to avoid the number one mistake made with manga- and novel-adaptations: the fact that the length of the manga and anime don’t match. Seriously, more series should do this, instead of creating an artificial ending that was pasted together in the last minute.

In any case, what happened in this episode: Maki turned out to have a heart-attack, but he managed to restore quite quickly, although a next attack would be fatal to him. In the meantime, someone has put some sort of virus in the main computer of Daiku, causing Kainuma’s face to pop up like it did in the previous episode, which points to the fact that a certain someone who knows about Maki and Kainuma is trying to get rid of Daiku. The main chief is also getting followed by someone.

Maki also discovered that a certain piece of Suzuki’s memory has been erased by someone. It is revealed that Michiru looked up to Onogida and that’s why she ended up joining Daiku. Onogida then DIES afterwards, and Maki is also nearly killed by a mystery attacker! Talk about plot twists!

Oh, to think that the creators had no intention to stop the massacre. It does make sense, though: what better time to attack Daiku when the members are already confused by the death of one of their comrades? But what bugs me the most is that missing piece of memory of Suzuki: that means that he saw something inside of Kainuma’s brains that was even MORE SCREWED UP than kissing his dead victims while scraping off their skin while proclaiming his love for Maki. Bloody hell!?

I’m not sure what exactly it is, but I’m very cynical about this season’s endings. I hardly look forward to any of them, and most of them just seem destined for a straightforward and predictable ending, but for Himitsu I’m willing to make an exception. The finale of this series has so far been downright excellent, and there are no signs at all that this series won’t finish with a huge climax. This is exactly what I look for in a good climax!

Posted on 18 September 2008 with categories: Himitsu ~The Revelation~



Short Synopsis: There is NO WAY I’m going to spoil this episode in front of the blog aggregators. MAJOR SPOILERS BELOW. READ AT OWN RISK!
Highlights: Why did I ever say that this series was bad at characterization?!
Overall Enjoyment Value: 9/10
That was one AWESOME episode. It really fitted for a finale, it packed a punch, and it wasn’t afraid to go for the worst-case scenario. After the previous episode, I really expected the creators to find some way to revive Amachi. Guess what? She actually didn’t make it! She’d goddanmed died!

Basically, what happened is the following: after Amachi saw the extra set of footage that got saved from the victim’s brains, she went to investigate on the research facility of that woman that came to claim the body. That’s the reason why she was captured and her brains taken away from her. It turns out that the woman had a personal vendetta against Daiku, and that’s why she brought back the brain, in order to lure more Daiku members who’d come rushing in to save her.

Which Aoki does, of course. She captures him, but she didn’t take into account that the rest of Daiku would also chase after Aoki, and after that, her practices of human experimentation are brought down quite quickly, so she kills herself and destroys her brains. Amachi, unfortunately, had already died. Her body stayed away from her brains for too long. The thing is that when Aoki got captured, she actually was still alive! The two of them shared a dream, if I recall correctly.

I’m really impressed by how this series turned out. At first, it may seem like a strange idea to just go with anime-original stories, instead of keeping to the manga, but in this way, the creators were able to plan EXACTLY the sufficient airtime for each character, so that each one of them got enough attention. The result is an absolutely awesome cast in the end, even though there were enough times where I lost faith in this series.

And I’m really curious: what the heck did the creators have planned for the final two episodes? The first one will be another aftermath to the Kainuma-case, but what is the second going to be? Ooh, so many possibilities!

Posted on 15 September 2008 with categories: Himitsu ~The Revelation~



Short Synopsis: Two dead bodies are found at a love hotel.
Highlights: SEARCH MY BODY
Overall Enjoyment Value: 8,75/10
OMG!

Now THIS is what I’m talking about! THIS is exactly why I like this series so much!

Himitsu’s multi-episode arcs have always known exactly how to use their time, rather than dragging on endlessly, they’re focused and try to tell a story that would be impossible to tell in only one episode. Some focus on complex stories, like the one with the biological weapon, others focused on politics, like the case with the murderous girl who killed her family, and others were downright shocking, like the one about the bald mass murderer that caused Maki to shoot Suzuki.

This arc seems to go for both the shock and the complex story. It starts out simple enough, when two dead bodies are found at a love hotel. It seems that one of them committed suicide, but his girlfriend also turns out to have been pregnant. Then however, a high-placed person of a hospital comes to claim the body. Amachi resists, but fails. Only a few days later, her BRAINS pop up in a container, with the note “SEARCH MY BODY”. I think that this is the first time were any main character had his/her HEAD SLICED OPEN like this…

If I had to guess, then the doctor wanted to prevent Amachi from finding out too much, but that doesn’t explain at all why she left Amachi’s brain right in front of Daiku, nor the “Search my body”-note. Also, what was the significance of those numbers that were written on the babies’ feet, in the memory of the guy who committed suicide?

In any case, this episode was just awesome, as it also provided for a lot of new insights into the characters. The characters in this series are already excellent, and this series is still fleshing them out, which only is a good thing. I really wonder whether Amachi is able to return, because Maki did say that her body may still be alive. Who knows, perhaps in this age, there’s some sort of technique that can separate people from their brains without killing them? Still, we have to wait for that until the next episode, I guess.

There’s also one thing I noticed, while looking at the list of episode titles: the final two episodes of this series are going to be standalone stories! In a way, it’s very much possible for the next episode to contain the dramatic climax for this series, only for it to finish with two shorter stories. I personally LOVE these kinds of endings: they’re so much better and less predictable than the “the bad guy dies”-endings. A lot my favourite endings are actually episodic, rather than those with a continuous storyline. Series as The Third, Night Head Genesis, and in a way Bokura no too, they all finished with an episodic final episode or final two episodes, and their endings have become some of the most memorable endings for me. In a way, it does make sense, because it’s much harder to plan everything right in a final episode if you’re going with a continuous storyline, and it’s very easy to rush things, or just finish things with a predictable blow. Some endings of series that I did love, despite their continuous storylines: Haibane Renmei, Crystal Blaze and Revolutionary Girl Utena.

Posted on 5 September 2008 with categories: Himitsu ~The Revelation~




Short Synopsis: The members of Daiku have a day off when a rather urgent case pops up.
Highlights: Just about everything in this episode!
Overall Enjoyment Value: 9/10
What an awesome episode! Really, I can’t believe that in the end, this series is coming together wonderfully. Seriously, it feels like this series has only just started for real after the biologica-weapon arc. It really feels like the cast’s introduction finished there. The past two episodes have that hard to describe feeling, where you really feel the chemistry between the different characters. If that makes any sense. It’s that very vague point that the characters reach, when they just feel like normal people, instead of two-dimensional ones.

I must really say that the creators have a very interesting way of fleshing out their characters. It’s very strange, I first labelled it as bad characterization, but as it turns out, this series has shown us many sides of the Daiku team. This episode fleshed them out even more, by showing how the Daiku members are on their days off. You really see different sides of them, than when you compare them in their business suits.

And the new character who kept bugging to join Daiku was hilarious, especially after the way he got pwned by Maki like that. But then again, just about every scene in this episode stood out in some way. From the light-hearted moments, to the amusement-park bombing that turned out to be just a simple fireworks show. I’m probably just rambling here (which usually happens when I run into a series I really, really like), and this episode definitely isn’t the easiest to explain why it’s so awesome. I think that it’s one of these episodes that has the x-factor.

I’m really curious: are there still people apart from myself that are watching this series? It really feels like everyone seems to have given up on it, either after the first episode with its gay undertones, or after the subs stalled. It’s a real shame: out of all the episodes the creators could have chosen, they stopped right before the best episode of the entire series.

Also, it’s strange, but I’m starting to really like Madhouse’s sense of visuals, especially in this series, even though the graphics budget is incredibly small. It’s the way that the creators use their filters and lighting-effects, along with the down-to-earth character-designs (no girls with hair in rainbow-colours = win). A great example is the gorgeous shot with the fireworks.

Overall, there were often times where I lost faith in this series, but now that it’s finally coming together, I’m confident that after Kaiba, Himitsu is my favourite series of the past spring-season.

Posted on 27 August 2008 with categories: Himitsu ~The Revelation~



Short Synopsis: A previously unmentioned Daiku-member is found dead.
Highlights: Finally the cast in this series feels complete!
Overall Enjoyment Value: 8,5/10
Oh boy, they should have done this episode much sooner. It’s strange, but it finally feels that the cast has been introduced, and that with only three more episodes to go! With this episode, we learned a bit more about the final member who always remained in the shadows a bit (the red-haired woman whose name I forgot), and strangely enough, the cast also felt very complete with this episode. Screw the statement that this series isn’t good at characterizations. Sure, the characters don’t develop nearly as much as with other series, but at least with this episode, they’re fleshed out well.

I can’t believe that it took me this long to notice, but even though this is an incredibly inconsistent series, there have been two major themes throughout the episode: the first is the obvious Suzuki-storyline, and the second is a theme that you hardly get to see in anime in this form: the relationship with your wife that actually isn’t overblown. It’s one very realistic aspect in this series: each member of Daiku has his or her own love-life that doesn’t have anything to do with their job (apart from Aoki and Maki, perhaps. Ironically, still single).

But this episode did convince me: a second season for this series would rock, and the creators still have so much more to play with. Unfortunately, this is Madhouse we’re talking about. They nearly always go for new premises, instead of continuing old ones. And in a way, in the long run I like this approach better. Okay, it does leave a number of unfinished stories that way, but the other extreme is just as bad: just continue to make series of premises that already exist and which you know will rake in cash (like what Sunrise is doing right now, or even more blatantly, those recently introduced Haruhi spin-offs). The gaming-industry is currently showing what happens when such a mentality gets taken to the extreme: only sequels and hardly anything original. In the end, I do prefer the variety, so I can understand it if Madhouse would just end this series with a bang and then move on to other fresh premises.

Posted on 20 August 2008 with categories: Himitsu ~The Revelation~



Short Synopsis: Aoki tries to catch the culprit of this arc’s crime red-handed.
Highlights: A solid conclusion.
Overall Enjoyment Value: 8/10
This arc really took its time to tell its story, and it worked out pretty well. The thing I liked about this arc wasn’t the characterizations or the intensity that some of the other arcs of Himitsu showed, but rather the complexity of its storyline. The previous episodes showed lots of question-marks, and this episode answered them very nicely, even though I had trouble as usual, trying to understand those elaborate dialogues. ^^;

So in the end, it was indeed the bald guy with the hat. The first incident on the train wasn’t because of him, but a girl he really liked was assaulted by a knife. When he tried to stop it, the girl got stabbed, and a bottle that contained the disease got slashed open, spreading the disease through the various people on the train. The following murderers were him, trying to erase the evidence. I didn’t like it when the characters started talking Chinese, though. It was already hard enough for me to grasp what that dialogue was about without some Japanized Chinese translated in Kanji…

I also liked how this episode addressed the sardine-can syndrome of the Japanese trains and subways. They are notorious for how nobody ever seems to talk there, and when such a major incident happens as someone getting threatened with a knife or something, most of them try to ignore it, instead of trying to do something to resolve it.

Then there’s that idiot Aoki. As it turns out, he never kissed and got himself infected, but he just made his fingernails look like they were infected. He did jump right in front of a train in order to save the culprit, though, in a desperate attempt to save Miyoshi from her disease. In the end, there was a romantic tension between the two, but Aoki reminded Miyoshi too much of Suzuki. That doesn’t really work when he wants to get a relation with her to make her forget about the guy.

I think I also finally get why this series feels weird at times, and I can’t seem to fully enjoy it like I did when it first started. I first thought that it was because of bad characterization, but that’s not quite right: even in the first half, this show has seen some great cases. The thing with this series is that it’s incredibly inconsistent: one episode focuses at characterization, while the next focuses on mystery, then the next one is all about horror, then there’s one that aims to disturb, then there’s a thought-provoking one, et cetera. The things that made a previous episode great aren’t the focus of the following. The best example of it is episode eight: possibly the best episode of the entire series because it was so bloody disturbing, but it also caused me to expect the same of the rest of the series.

In other words: this series is incredibly unpredictable: you’ll never know what an episode will be about. It’s both so in the good ways and the bad ways. On one hand, those bloody expectations don’t always cooperate you expect tension but instead get a fairly quiet episode that aims to be more thought-provoking, et cetera. On the other hand, it does show great writing to be so incredibly versatile with this series. It’s a bit of a double-edged sword, that’ll probably cause Himitsu to never really make it to my favourites, but it’s a great series nonetheless.

Posted on 12 August 2008 with categories: Himitsu ~The Revelation~



Short Synopsis: Whoa! The train-massacre-arc is going to take up three episodes!
Highlights: Talk about a change in plot-direction.
Overall Enjoyment Value: 8,5/10
Ah, so that’s what it was! The previous episode was supposed to be a huge question mark, only for this episode to shed light on what happened back there. The big twist: this arc is dealing with bio-terrorism: all the passengers in the train were somehow infected with a disease that first shows up on your fingernails. THAT’s why the killer looked at the fingernails of his victims, and THAT’s why the same symptoms showed up at Miyoshi: she’d been sleeping alongside these dead bodies (no, really) and carelessly caught the disease.

And I also knew something was fishy: Miyoshi and Suzuki used to date together, and Maki killed Miyoshi’s lover. There seems to be more than that, though. This episode did show a time where both of them were having a fight. And that Aoki: in this episode he actually tried to hit on (and kiss) her. That idiot caught the disease that way as well. I didn’t quite catch why he did such a thing, but we’ll probably learn that in the next episode.

I remember once noting that this series wasn’t good at characterizations. And yet I was shocked when Aoki revealed his fingernails. And at the same time, Aoki sure changed a lot in this episode, and became much more mature. I feel like this arc was really meant to show how his experiences with the MRI have influenced him, and he’s much more confident now than he was in the first half of this series. I think the first sign of this we saw was in the “don’t reach for that neck”-episode, where he just cut off the head of the dead guy.

I originally thought that it would be best for this series to keep to short arcs, and yet at the same time this is the longest arc of this series yet and it’s looking very promising. I’m really interested to how the creators plan to end this series, and this episode showed me that the best way to end was with a long arc, like this one. This is no Jigoku Shoujo, and for most of the time, it really needs its time to build up, it seems. The surprises worked great in the first half when the concept was still fresh (as shown by episode eight which STILL NEEDS TO GET SUBBED), but when talking about the second half, by far the best stories have been those that had two episodes.

Let’s see whether the next episode can surpass episode thirteen.

Posted on 5 August 2008 with categories: Himitsu ~The Revelation~



Short Synopsis: This case is divided over two episodes, and it’s about a serial murderer who has been killing people near train tracks.
Highlights: A new interesting character from Maki’s past.
Overall Enjoyment Value:8/10
Hmm, let’s see what this two-episode arc can deliver for this series. It’s been a strange episode so far, and I’m having a bit of trouble understanding it. At first sight, it seems like a simple case: a guy kills someone on the train and then kills all eye-witnesses. But then the episode pulls out all sorts of weird stuff like the culprit looking at fingernails and an old acquaintance of Maki. Seriously, this episode kept changing focus: you first thing it’s about a high school getting murdered, then it’s about Aoki’s wedding, then it’s about the serial murderer, then the stabbing on the train… Plus… there were much more people on that train who watched it, and the killer suddenly disappears and a bald young man with a hat shows up.

This episode was surprisingly more complex than it appeared at first… if I understood correctly, Miyoshi (Maki’s old friend) is the head of the autopsy department and she often sleeps right next to the corpses. Somehow, her fingers are related to the case… At one point, she also mistook Aoki for the real culprit of the case, but why would she think that the culprit would visit her at the police, of all places? Does that mean that she’s related to the case or something?

Especially the last of the episode has me puzzled… her fingers seem to be the same as the ones, seen from the brains of one of the victims, but what would that have to do with anything? Then at the same time, the guy who committed the first murder shows up dead in a train cabin, having killed himself.

Argh, I need to watch that next episode in order to get what the heck is going on here… my money right now is on the bald guy with the hat being the culprit, but don’t ask me why.

CHANGE USERNAME
Lenlo
Alright, I found the read more tag. Now my tendency to write more than I should will be contained.
AidanAK47
@Mario, Got to play catch-up but I am guessing it was very much a non ending?
SuperMario
Gosh, is that how Princess Principal end?
SuperMario
@KAiser: I really have a mixed feeling watching Assayas's films. I always find his works toe touch into pretentious area. Still have much more films from him I want to watch though so that opinion might change
SuperMario
@Kaiser: As Tears go By surprised me a little considering how straightforward it is. It's Wong's most by the book HK romance but it was one of his most commercial success. After this, the studio allowed him to do things he like and that was when he gone banana with his styles
SuperMario
not a fan. Can't even tell the difference between turtle and tortoise
Anonymous1420257
i like turtles
Kaiser-Eoghan
@Mario: I hadn't expected some of the dry/dark humour in sils Maria, I liked the themes/aging angst and its comments on hollywood in parts even if it needed to go a bit deeper. Stewart is a revelation in it. That X-men parody scene was fucking funny lol
Kaiser-Eoghan
@Mario: I actually kind of liked As tears go by. Mostly because of my experiences with hong-kong action flicks, much as I like John Woos films, the melodrama he tries to sell between the action never worked for me and left me just waiting around for the action to come round again. Wong was able to put genuine emotion into the hong-kong action film with this one.
Amagi
@Aidan: Somehow. The problem is rather Haruki anyway and it's canonically part of her character. Kei becomes more likeable IMO and the events get much more complicated and/or serious plus there are a bunch of characters getting added to the protag team which makes the whole thing more dynamic. The best comes when some other character joins around the middle though.
Anonymous1416115
Personally, I can digest the emotionless dialogue in the first place since I watch the series with the mindset that the main characters are innately "broken" in some ways.
Anonymous1416115
@Aidan Hmm...one might consider the emotion level increases in main characters' dialogues for Sakurada Reset as baby steps depending on how dramatic one expects a character to act in other animes. (The emotions increase do exist though) There are certainly emotional scenes and characters do develop in ways where one can't just say they're 100% robots.
AidanAK47
@Travlos, If you so wish then you can write a review for Bahamut virgin soul. Just let me know if you are up for it. If so I recommend writing it up on google docs, then when you have it done I can give your account contributer status and you can paste it into a post for us to look over and publish on the site. For screenshots our standard size is H240 X W138.
AidanAK47
Did they ever fix that emotionless dialgoue issue they had going on?
Anonymous1415748
You are not alone. The second half of Sakurada Reset made me so glad that I stuck with the series.
Amagi
Oh and I totally forogt Reset ended now too. Not sure if I am the only fan of that but the whole second half was one of the better things I've seen this year.
Amagi
Okay now thinking three others came into my mind, but that's still not much. A lot of series started interesting and turned out mediocre or cheap after a while.
Amagi
Considering that I love Made in Abyss, PrinPrin, Fate/Apo (so far) and 18if too guess this season was better than I've expected. 2016 was kind of a let down imo, animewise. Off the top of my head I only remember Rakugo, Fune wo Amu and Bokudake I think.
Amagi
I didn't expect to like Virgin Soul as much as I do. Especially the last ~5 episodes got me. The weird thing is that I was disappointed by S1 actually.
SuperMario
@Travlos: I don't mind if you do a guess review on Virgin Soul, but let's me check with other admins first.

On Virgin Soul, I'm not sure if I like the bew development. It suddenly does a 180 degree turn on King Charriot, which I don't feel rewarding.
KTravlos
Kakegurui will have an anime original ending. It might be better than the ongoing manga. We shall see. An enjoyable foray.

Virgin Soul is going for a nice explosive ending. If no one writes a review, I would be willing to write one.
Kaiser-Eoghan
*kind of
Kaiser-Eoghan
While its very much in the shadow of the first and the protaganist started out kind annoying, I kind of got caught up in the spectacle and sentimentality of gunbuster 2.
KTravlos
Urasawa is preparing a new manga
KTravlos
yes the episode where Julian watched the documentary was fun. The Caligula like character comes from one of the lesser episodes of the series, when Kircheis beats up some rebelling third rate noble in the Empire.
Kaiser-Eoghan
Goddammit, fail, it just changed the colour of the login name...
Kaiser-Eoghan
I declare in the red truth that the next anime I shall watch is Diebuster.
Kaiser-Eoghan
From what little I saw, I remember a Caligula like character in one episode.
Anonymous1409409
I remember there's an episode where Julian just goes on Space Netflix and just watches a documentary. I actually liked that lol
KTravlos
yup, a LOGH that run like the Altair anime would be bad. It needs to show the sweep of history
AidanAK47
@Anon, I actually liked that aspect. It made the history of the world feel real.
Anonymous1409027
It's compressible, as there are many episodes of buildup, but that's where so many of the interesting details and depth of planning become evident. Some of those episodes read like a history textbook though, so we'll see how the new adaptation handles them,
Anonymous1409027
*pleasantly
KTravlos
Tytania was ok.
Kaiser-Eoghan
On the Amakusa Shiro reference in the fate review, I've seen a film about him from the 50s , theres also an old josei manga where the protagonist ends up becoming essentially regarded as him.
KTravlos
Hi Kaiser. Supposedly this is a re-imagining of the original story. Thus independent of the OVAs (old serieis). What exactly re-imagining means is something I and you do not know. We shall see. But it does mean that you do not need to watch the old series to enjoy this one. The OVA was definetly more expansive than the novels. So my guess is they will stick to the novels.
Kaiser-Eoghan
There's another anime, called Tytania based on his novels but I haven't seen that series.
Kaiser-Eoghan
As in condensable in the way nothing much is lost? I assume there are fillers in the original?
Kaiser-Eoghan
I'm indifferent to the aesthetics of the new version. What I'm hoping for is that it will be accessible to newcomers and that I'll be able to jump on to the old series where the new one leaves off. I've seen very little of the original and it was a long time ago, is there any way the story is condensable?
KTravlos
The fact that they stayed away from the disgusting new manga is great. I am not too keen on the CGI ships, but they also did not rankle. It looks like it will honor the spirit of the old series, and I cannot ask for more. I am a massive LOGH fan. And the new video out gives me hope of revisiting one of the greatest sci-fi/historical settings out there. I am happy.
AidanAK47
I hope they are using the old anime as a base and not the new Manga adaption. As that Manga adaption is seriously lacking.
AidanAK47
@Anon, I like that they blinged up the space battles which is good because those things could get tiresome. But I really hate the design of Yang Wenli. They made him look so much younger and bishi. I don't think i could take this guy seriously if he started one of Wenli's signature hypothesis.
Anonymous1408919
Thoughts on that new LOGH PV? My expectations were low, so I'm presently surprised. Obviously they made everybody pretty boys, and Mamoro Miyano is voicing Reinhard I believe. But art and animation actually looks pretty decent overall. It's a PV, and LOGH's best quality is it's story and characters, so we'll have to see if they remain faithful or not. But it's nice to see it get a visual overhaul.
AidanAK47
By the way this site has the first chapters but check the other versions to find them.
http://mangapark.me/manga/tsurezure-children-wakabayashi-toshiya
AidanAK47
@Mario, Indeed. It's also a pity that over half the couples in the manga were not featured. We only got a small taste of Patricia.
SuperMario
Or maybe I'll try to read the manga. The last time I checked it online, the site doesn't have its first few chapters
SuperMario
@Aidan: man, Tsurezure Children sure is sweet. Really sad to see it ends
AidanAK47
So that's the end of Tsurezure Children.
....I'm gonna need a second season. Now.
....NOW GODDAMNIT! NOW!
KTravlos
As I said I understand the criticisms to RE:Creator, but ultimately I enjoyed most of the show. It could had been better, and it is a missed chance. But I have seen worse.
Kaiser-Eoghan
I gave up halfway through, there weren't even enough action scenes and those that were didn't justify waiting around for.
AidanAK47
Could have at least delivered on the action but that was rendered pointless due to the majority of the cast turning good and Altair being a complete cheat character.
AidanAK47
It would have been really fun to see characters discuss their stories with their creators or indulge in what our world has to offer but they really glossed over that part.
AidanAK47
It really should have gone deeper into the whole meta aspect introducing anime characters to the real world. Like they did with Mamika's powers being ridiculously destructive when outside a kid friendly setting.
AidanAK47
@Puran, I at least like the message of the final episode. But as for the show itself it was just missed potential on a lot of levels. I wanted Anime Genre battle royale and instead got a secondhand Shirobako with a crap shounen anime attached.
Kaiser-Eoghan
I have been forgiving of Anno as I've gotten older.
Kaiser-Eoghan
I also just re-watched gunbuster, I'd previously dismissed the ova after a few episodes when I was a teenager, I'd found it too slow, didn't have that issue with the 90 minute version I just finished. I've never see the sequels.
Lenlo
Ill have to finish Creators... at some point
Kaiser-Eoghan
I've been dipping back into the Lupin franchise, Gold of babylon was particularly screwball, kind of ridiculous comedy caper/adventure thing you just have to run with....turns out it was directed by a live action filmaker I especially like who made bizzare noir films in the 60s.
Puran
So that explains why Meteora had so much air time in Re:Creators. It's her story....

I hated the ending and I disliked the anime overall.
Kaiser-Eoghan
@Mario: It was a genuine surprise to see that Assayas decided to make a film framed around hentai =P
Kaiser-Eoghan
@Mario: I loved how incoherent demonlover was.
Kaiser-Eoghan
@Mario: The criticisms I'll give wind river, is a slight inconsistent performance from Renner and that very awkwardly inserted flashback scene.
SuperMario
@Kaiser: on Wind River, I agree it's a well-executed case of the week drama, although there are some plot pregressions that I don't get (how did they find out about the man's corspe again?). About Demonlover, man, the film gives me a chill down my spine. Heartless. And a bit misogynist.
SuperMario
@Kaiser: as much as I loved Wong (yeah I too prefer him over Malick), sometimes I do think Western cinema give him too much praise that sadly overshadow other Asian directors.
Kaiser-Eoghan
@Mario: Wong is important to me as a hong-kong filmaker, he offers something entirely different from the whole Woo/Lam Hong komg movies.
Kaiser-Eoghan
@Mario: On a more positive note Maggie Cheung did mention that she felt her early work with Wong was when she first truly became a proper actress.
Kaiser-Eoghan
@Mario: ....I had no idea he had such a sad background.
Kaiser-Eoghan
*investigation drama
SuperMario
@Kaiser: that film also marked/ signified a rather sad period of Hongkong showbiz. Leslie Cheung badically lived the live of the protagonist and commited suicide in 1997. His girlfriend on screen, during the filming, was kidnaped, raped and taken topless picture. The damnest thing is that everyone knowed the culprit but did nothing, and in the press it was just deemed as "kipnapped and assaulted"
Kaiser-Eoghan
@Mario: Wind river was a big surprise for me, just goes to show that with the right execution an ordinary police drama movie can be elevated higher.
Kaiser-Eoghan
@Mario: Thats the interesting thing, tracking a directors career.
Kaiser-Eoghan
Just binge watched the new dominion tank police ovas , admittedly these are kind of reptitive and extremely silly but its hard to hate on something so shamelessly fun that made me feel like a child again.
SuperMario
@Kaiser: you said it there. DoBW is rather raw and unpolished but that's one of the reason why I am drawn to it more compare to his other works.
AidanAK47
In all honesty, it would be nice to finally see a continuation after fusion as all games after that have just been adding chapters in-between.
Vonter
Finally I wonder, if Metroid Prime 4 will definitely branch out of the main Metroid's continuity. It's curious how an interquel subseries is still going to add things in between the first and the second entries in the main franchise.
Vonter
AidanAK47 - I think is nice we can see both takes. Especially since neither one despite a few qualms are still very solid entries for this franchise. I just hope Metroid moves forward, as IMO this is the only game that really needed a facelift do to the heavy limitations of the gameboy. And I hope the secret gallery at the end is teasing how the producer plans to move the plot forward.
AidanAK47
I thought it might be like that but it's good to know they are at least on a close level. I didn't really want Samus Returns to replace AM2R as the "Definitive" version of Metroid 2. Mostly because a lot of love was put into AM2R andit came at a point when it felt Nintendo didn't give a crap about Metroid.
Vonter
Like Zero Mission there's something added to Samus Returns but I'll just leave it at that.
Vonter
I think both have strong points. Samus Returns have better boss battles, gameplay mechanics and more intense action pieces. AM2R IMO has more atmosphere, takes advantage of elements Nintendo don't even try like the Federation subplot, and the ending portion narratively has more heart in AM2R, while in Samus Returns it feels mostly like "the final level".
Vonter
I also did got lost a couple of times in Samus Returns and aside from the big water section in AM2R, the latter is more linear game.
Vonter
I think the controls in Samus Returns bring more to the table though. The 360 aiming makes for better ways to shoot enemies and some of the bosses take advantage of that. If it weren't for the 3DS giving hand cramps because you're holding L and R at several points it'll be completely the most ideal way to play.
Vonter
AidanAK47 - AM2R is very good, I think it has the advantage that because it uses sprites IMO backgrounds and enemies are more vibrant and easier to appreciate. The Federation soldiers are better executed in AM2R and that secret section with the ship is very eery.
AidanAK47
@Vonter, How does it stack up to AM2R? I bought it and am still waiting on it to be delivered but I have the feeling that AM2R would be the better game when comparing.
Vonter
I took me 12 hours to 100% and I've heard the best ending is beating it in less than 4 hours. I think unlike Zero Mission item percentage don't matter, it's mainly to unlock an art gallery.
Vonter
My main criticism is this being a 3DS game. Small enemies can be hard to see or appreciate. And I think the 3DS wasn't made for heavy action packed games like this or Smash Bros. I got the rubber from the circle pad come off in two occasions. Also unless there was something big in the background, several areas felt lacking in detail. Still Samus and the bosses look good.
Vonter
In terms of difficulty, the game has the enemies packing more damage than in other 2D Metroids. Is difficult in the sense than you can't tank damage as in other iterations, you have to be aware of enemy behavior and bosses mainly get easier do to familiarizing with their patterns, since I did die a lot each time I faced a new boss. And got used to kill them faster as I went along.
Vonter
Ok, so I beat Samus Returns. It's quite good. Unlike Fusion that had dialogue at midst the gameplay. Samus Returns only has a prologue of exposition and any cutscenes mainly accentuate the reactions of Samus confronting a new enemy. The level design is dense, despite having isolated areas like in Fusion and the original Samus Returns, each area is very mazelike.
Kaiser-Eoghan
@Mario: =< Awww I kind of like demonlover actually despite all its flaws, it had great sound design and had this cold, clinical, un-nerving mood to it.
Kaiser-Eoghan
@Mario: Days of being wild does feel a bit un-realized/un-polished/rough compared to his other work definitely but its probably the rawest I've seen from him and that has its appeal.
Kaiser-Eoghan
@Mario: Haven't seen farewell my concubine come to think of it. Regarding the scifi element I felt I embraced it more further into the film when it started to intermingle more.
While I am more forgiving toward Malick's recent films than most, that decline in quality means I have to pick Wong.
KTravlos
by the way in RE:Creators we probably will be getting a future series focusing on the hunt for Magane :p Meteora probably playing the role of detective. I also bet her novel will be wordy and heavy in exposition :p
KTravlos
i.e his end game might had been a cross-species revolution against him anyway. We will see
KTravlos
In Bahamut Chris proves to not be totally evil, but he is totally crazy. That said I am seeing one of my hunches getting supported, the hunch was that his cruelty towards daemons was with the purpose of bringing them down enough that they would be willing to work with humans as euals (As they are in Jean's army) and thus via that create a more unified world. I
KTravlos
RE: Creators has come to its end. I know the problems everyone has with it, and while it failed to raise to the level of exceptional show, I loved it. As I said, it had been years since a show kept me so excited episode after episode. They blew it at some point, but ultimately for me this is an en-joyful show, and one I would happily binge watch in the future again.
SuperMario
@Kaiser: question for you though, between these two directors, which one do you prefer: Wong Kar-Wai or Terrance Malick?
SuperMario
@Kaiser: if you enjoyed both 2046 and In the Mood for Love, by all mean check out Days of Being Wild. The trio forms a loose trilogy and Days of Being Wild was the first film that Wong began his unique unconventional style. It's one of my personal favorite of Wong and it's a chance for you to watch the late Leslie Cheung acted (you might watch him already in Farewell My Concubine)
SuperMario
@Kaiser: 2046 is indeed a passionate film, and one of his best looking film. He tried something different in 2046 too, experimented with scifi (one of the best part in the film for me)
SuperMario
@Kaiser: it's stritcly Wong Kar Wai's romance we're talking about, since I don't find the rest of Chinese take on romance that interesting. Romance or melodrama is one of his main theme throughout his career
Kaiser-Eoghan
@Mario: It was slightly overly long however.
I've also seen chungking express, in the mood for love and fallen angels. I think this Chinese take on romance is really clicking with me.
Kaiser-Eoghan
@Mario: I also thought it was a very passionette film and I love how Kar-wong-wai uses the music in it. I also think its one of his best looking films.
Kaiser-Eoghan
@Mario: I had a look at that Chinese film 2046, very effectively melancholic take on fleeting relationships while also successfully being quite sensual while staying classy and without ever showing too much. Tony Leung and Maggie Cheung are two beautiful people =P
SuperMario
for those who still want to catch up with 18if, episode 11 has a huge recap, while wrapping up the show with a new overarching plot. Hopefully they don't pull another Matrix here
SuperWooper
It's shounen-y for sure. The competitions have been my least favorite parts of the show so far. If you're still watching, you might appreciate it more once the Tenpei Cup is over.
Anonymous1399692
Damn Ballroom looks so good. But I really can't enjoy it despite that I want to. It has too many of these typical shounen moments and plot points I can't stand.
Anonymous1399684
Omae wa mou shindeiru
Lenlo
Mononoke is actually what made me find Ayakashi. Also a good show.
SuperMario
Regarding Ayakashi, I only watched the Mononoke segment
SuperMario
"It was a long, long trip, and we're coming finally to the end of the journey. Thank you, Manoyama and Chupacabra. And thank you, 5 EURO" - Sandal-san.
Lenlo
Ayakashi was great for me Kaiser. I enjoyed my time with it
Vonter212
@AidanAK47 - The hard aspect has been commented in several reviews with bosses being able to easily kill you. (Although in my experience it might be just getting a pattern). In terms of length most 2D games can be beaten under 3 hours. This one seems to clock at at least 6 to 15 if you want to collect everything. Then again, we'll see in subsequent playthroughs.
AidanAK47
`@Vonter. It's out now but I don't remember seeing anyone claim it's the longest hardest entry 2D wise.
Kaiser-Eoghan
Going to watch new dominion tank police next and read violence action and Oddman 11.
Kaiser-Eoghan
It took me years to get round to it, but I finally watched Ayakashi and as expected like most anthologies, again its mixed, the first is a solid ghost story that improves after a weak start, but that third one with the cat spirit was great, really liked how experimental that looked.
Vonter
Soo a new Metroid comes out this week. It is said, it's the longest, hardest entry in regards to the 2D iterations. Still not as great as Super, and depending on your fanaticism it might or not be as good as Zero Mission.
SuperMario
But they didn't pull that scene off too well. It's just... unmemorable. In fact the whole show is very unremarkable. Now only 1 episode left I might as well finish it but I won't give it a full review
SuperMario
Koi to Uso has been disappointing so far. Episode 10 featured the sequence that i was looking forward the most in the manga: the former classmate tells the one sided crush of the main girl from her POV. For a romance that contrived and manipulated like this one, hearing this from the third person's perspective prove to be more powerful
Vonter
@HelghastKillzone - Good luck with that. I almost had my car's engine damaged since it has been raining heavily where I live. Had to ask for help the next day to pull it out of mud. Still not as bad as the other three cars that did get stuck in the water.
HelghastKillzone
Dealing with work and the total loss of my car really sucks at the moment so I'm quite tied up for this week.
KTravlos
I do agree to a point, but to be frank all the episodes of Princess Principal to date have been so solid I have a hard time deciding. Episode 5 though was still the best from a holistic point (action, direction, music etc) was the one introducing Chise
SuperMario
Agree. Dorothy has the biggest heart out of all the spy girls. Also "help" that her episodes are all melodramatic.
Amagi
This episode of PrinPrin showed again that Dorothy is the best character by far. Not just herself but her episodes as well are better written than the rest if you ask me.
KTravlos
It just hit me. The characters in Princess Principal may be very well working for IngSoc :p
AidanAK47
@Kaiser, in the seven chapters it's only really two of them that contain dark shocking content. Chapter three being the biggest one in that regard.
Kaiser-Eoghan
@Aidan: I read a comment where someone said subahibi shocked them more than saya no uta. While I haven't played it yet, I have seen some of a letsplay...it lleft me thinking....how many hours until this actually gets good/truly unhinged .
AidanAK47
After Reading SubaHibi, Made in Abyss's dark turn didn't shock me too much. Maybe I just got desensitised. I will have a review of SubaHibi hopefully up in a week though to clarify my feelings on it after just finishing it, It was interesting but disappointing.
KTravlos
well, well. Both Made in the Abyss and Virgin Soul do not hold back. Grim! RE:Creators is warping up. Comparing with these other shows I can fully appreciate the problems people have with it. But still I am glad I am sticking to the end. Altair's voice actor by the way did great.
AidanAK47
@Helghast, And Kings Field was the Demon Souls before Demon Souls came out.
KTravlos
having binge watched several of this season's shows I would say Princess Principal is the most rounded. Made in Abyss is good. Kakegurui and The Reflection as SuperMario said will depend on your tastes. There is also Shouko no Altair. You will like it if you liked Tanya Saga of Evil, or Legend of Galactic Heroes, or Arslan Senki or manga like Vinland Saga, Gunka no Baltzar, and especially Historie
Anonymous1385641
Jesus...me watching this weeks Made in Abyss https://www.youtube.com/watch?v=0ogzsWhZcmM
HelghastKillzone
So... Demon Souls was the Dark Souls before Dark Souls came out.
SuperMario
@anon1385426: the safest bets aside from Made in Abyss are Welcome to the Ballroom and Princess Principal. Kakegurui and the Refection are for more acqurired taste
Anonymous1385426
Aside from Made in Abyss, what's the best anime this season?
Lenlo
@KT, the pacing and the framerate early on are my two biggest issues. Later on the story starts to get abit more engaging, and they start doin things I didnt expect, but the pacing is still there. Some akward pauses.
Lenlo
Look, Berserk and Dark Souls are both amazing. But I only have 3 Dark Souls games, and 38 Berserk volumes. Im clearly biased
KTravlos
I sat down and watched the first 4 episodes of The Reflection. It is an interesting attempt, and I can see the people making it having fun doing so. But I did notice a pacing issue. For some reason the episodes felt like they dragged a bit too long.
AidanAK47
Dark Souls is the Berserk of Video Games.
Amagi
Dark Souls really went all Berserk if you ask me
AidanAK47
I am not one for putting down law but can we never ever compare anything to Dark Souls ever again? Cause it's actually become really tiresome how everything is the dark souls of something.
Lenlo
No other sentence has made me want to watch Made in Abyss more
HelghastKillzone
I guess we're finally at the point where Made in Abyss goes all Dark Souls/Bloodborne.
Amagi
Apo's Jack the Ripper had at least a nice idea behind it, it's just the clothes that are a bad choice. But there are just too many lolis for the sake of fanservice in that game. I accept it if there is at least a reason for this but it's usually just random.
Amagi
@Aidan: Same here. I was never a fan of genderbendings and turning historical people into lolis. The first one I can accept with people like Arthuria because it added a lot to her character, but most of them are just plain and generic. I just see no reason why pirates, grown up men or Blavatsky would ever appear as little girls. Especially since popular beliefs should influence their appearance.
SuperMario
On Altair, one commenter did an excellent job of poiting out the appeal of that show; and frankly the show is wearing on me now.
SuperMario
@Travlos: I'm glad you enjoy Princess Principal. I'm quite surprised myself that in the latter half the show slowed its pace down which mean the focus is switched from action to more characters interactions; which I greatly enjoy
KTravlos
Well I binge watched Princess Principal. That is a very good show. I was surprised. Good animation, good music, the art is good, hell I even did not mind the protagonist art. But what I really like is the stories. All the episode were pretty solid and interesting.
AidanAK47
Just won a fight by the skin of my teeth thanks to my Lancer, Cu Chulainn. You the man Cu!
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