Posted on 23 March 2010 with categories: Anime Reviews, Kobato




Kobato is one of those series that at first sight isn’t anything special. It starts with a premise, and repeats that for a bunch of episodes with a number of questionable results. In Kobato’s case, she has to heal a number of people’s hearts. I too wasn’t that much interested by this premise, having seen a few too many series with similar premises that never really went anywhere in the end. Kobato however, did.

The people that Kobato heals in the first half of this series range from nice enough to mediocre, so it’s understandable to get turned off at first. But oh, the character-development in the second half more than makes up for it. This is one of those series which is greater than the sum of its part. Through its entire airtime, it never forgets what it’s supposed to be, and what it’s supposed to build-up for. Every of the early episodes spends time to flesh out the characters, while the later episodes use this build-up to deliver with an excellent emotional impact, resulting in a heart-warming series.

Kobato truly stands out in how incredibly genuine she is. I found her an airhead at first, but her personality and innocence turned out to be so addictive that I couldn’t help but root for her. And true, the story in the second half can get pretty soppy at times, but this isn’t the show that tries to pull deus ex machina for extra drama, and instead carefully builds it up.

Madhouse has done the animation, and despite that you can easily see that this wasn’t the series that their best artists were working on, they still delivered great graphics, allowing Clamp’s character-designs to shine, along with a few episodes that look absolutely gorgeous.

Kobato’s story is very simple, but it has really proven that it’s in no way a disadvantage. Due to its simple plot it had all of the time it needed to properly tell the story that it wanted to do. the ending is wonderfully un-rushed, and provides an amazing conclusion to the series that made optimal use of the time it spent on building up. This isn’t a series for people who dislike overdramatic-ish series due to the soppy parts, but this series’ second half hit all of the right buttons for me.

Storytelling: 9/10 – Never forgets the meaning of build-up. Simple, but very effective.
Characters: 9/10 – Excellent character-development, though the drama can get a bit soppy at times.
Production-Values: 9/10 – Madhouse rocks, even in their less-budgetted series.
Setting: 8/10 – Good attention to detail to the series’ small surroundings, plus some Clamp references that don’t feel forced or rushed.
Posted on with categories: Kobato

This is going to be a really short entry because I also still need to write this series’ review and get up early tomorrow as usual so I’m sorry but there’ll also be no screenshots for this one because I watched it streamed. I had to watch too much awesome stuff today in too little time…

Hell yeah! Kobato! Best ending this season! That was so adorable!

Rating: *** (Awesome)

Posted on with categories: Kobato



Aww. What a wonderful episode. It was perhaps a bit too dramatic, but I love this kind of stuff. It’s awesome to see a series which has entirely been building up to its final episode, and having that final episode actually pay off. This series did not try to be too epic. Instead, it remained true to itself and based on its simple premise. And while it may have been simple, this episode proved that it ended up way more effective than I could have expected.

What made this such an awesome episode wasn’t exactly because it was a bad ending. Rather, I absolutely loved this episode because of what it meant to the characters: here Kobato was, with the decision to either try and raise more konpeito (which may have not been enough at that point), or spend the rest of her time with Fujimoto. While at first it seemed a bit weird for her to spend time with him for an entire month (and seriously: Fujimoto’s still injured. that’s something you hardly see in anime, especially with such small wounds), it all made sense once we found out her secret. She’s dead.

The first part of this episode was slice of life, and the reason Kobato shined so brightly in this episode was because she knew that she was spending her last time and wanted to make the best out of it. It’s not far-fetched, and actually an adorable premise. The fate of the world was never involved, and instead this episode really was all about its characters, allowing it to really get the best out of them. I have just found my contender for the best ending of the season right now.

As for that final episode, I really wonder what it’s about. I mean, the main character has just died and we still have one episode left (let me by the way praise the creators for doing such a thing. I don’t recall any other show in which the lead character dies before the final episode), but my guess is that it’s going to close off the story of Fujimoto and Ioryogi. I especially want to see the latter. By the way, wasn’t this week supposed to air a double episode? I’m not seeing episode 24 yet…
Rating: **** (Incredible)

Posted on 16 March 2010 with categories: Kobato



It’s beautiful episodes like this one that totally restore my faith in anime. What a wonderful example of how to write a touching story without the biggest budget, epic backstory or over the top plot twists. The character-development in this episode was all worth the wait and the first half, and a heart-warming prelude to that finale. I laugh at articles like this one (well, the ‘anime sucks’-section anyway), which paint a completely biased and one-sided picture of the current state of anime.

I love it when a series changes my perception of things, and for me, Kobato restored my faith in these simple series that might not amount to much at first. Despite its mediocre start, I’m emotionally connecting to this series, more than just about every other series this season. This is really what a drama should be.

I also think that this is one of the few good uses of the “crash before the ending”-trope. Just like with White Album’s second season, Fujimoto’s crash was nothing serious, and instead more meant as a wake-up call, rather than creating some cheap drama by placing someone in the hospital. On top of that, it was also well built up: in his state of mind, it’s not surprising that Fujimoto wouldn’t pay attention to the road.

To be honest, out of all the series that are about to end in the upcoming weeks, Kobato’s is the one that I’m looking forward to the most. It’s really been building up to that final episode through its entire airtime, and out of all the endings, it’s this one that I feel has the most chance of actually turning out great. It’s the kind of ending where the creators have to really screw up big time to ruin it. Especially considering how the creators wrecked the kindergarten in this episode, it shows that they’re not going to force down a happy ending if it doesn’t make sense within the story.
Rating: *** (Awesome)

Posted on 9 March 2010 with categories: Kobato



Aw, what a heart-warming episode.

I’m really glad that Kobato managed to get exactly the time it needed in order to tell its full story. I’ve said this many times before, but there are too few series that try to go beyond 13 episodes, and it’s series like this that show the heights you can reach with a little character-development. This episode wasn’t exactly the most realistic… but hey. It’s not what I expected from the episode that would wrap up the kindergarten storyline.

So, if I understood things correctly, Okiura, unable to protect Sayaka instead tried to do the only thing he could: play the bad guy, in order to prevent other bad guys from causing even more trouble for her. I remember noting how the kindergarten would certainly get its happy end… and it didn’t. It closed off in this episode, and all of the kids are away now, at other schools. It’s the price Sayaka had to pay for her father’s debts, and while everyone tried to buy her time and money, it just wasn’t enough. At least, I’m glad that Kobato managed to help her move on from that. Meddling or not, but without Kobato there would have been no way in which the two would have made up with each other, and Kobato did what you’d expect her to do, without forcing everyone to go out of character just for the sake of a happy ending. Even Okiura stayed in character, simply because we hadn’t seen so much of him yet.

Now, three episodes left… I’m getting very curious as to what Kobato’s wish is. This episode right now closed off about half of the plot, so we can expect the final three episodes to really focus on Kobato herself. I personally love it when a series wraps up one of the main plots before the start of the major climax. It makes the series more dynamic than trying to end everything at the same time. It especially works well with inspired series as Kobato , which manage to make something heart-warming out of each conclusion.
Rating: ** (Excellent)

Posted on 2 March 2010 with categories: Kobato



You know what this episode reminds me of? That one episode of Touka Gettan: the Lost Episode of Yami to Boushi to Hon no Tabibito. The Tsubasa Chronicle cast drops by, they have nothing to do with the story, and at the end they just say goodbye and leave again to go back to their own story when there don’t seem to be any feathers here (or whatever they’re searching for at this point in the story, since Sakura was absent and all…). At the start of this series, when I found out that this kind of an episode would pop up I was very afraid that they would hog up all the screentime, but this was a really good episode, which made them more than Clamp’s usual cameos, and yet didn’t overdo it.

On top of that, the few revelations that their visit brought was interesting. It was a nice way to hint at Ioryogi’s original form. Who knew that he was his world’s Kurogane. I never realized that they had the same voice actor, and exactly for that reason. I also love the way in which Fye wished Ioryogi good luck with Kobato. He clearly seemed to know what was up with her.

In any case, this episode skips about a month and a half forward to Valentine. Predictable, but at this point I don’t care. For me, this show has reached the point where the creators can stuff their characters in any sort of setting, and make it utterly enjoyable. The valentine episode also was surprisingly good for the romance in this series, without going too obvious. You can see that Kiyokazu has grown a lot closer to Kobato during the past months that weren’t shown, and the valentine’s episode wasn’t used as a cheap knock-off getting the two of them together. Speaking of which: I very much approve of series that keep track of their own time: that’s an awesome way of showing the development between the characters, and making it less sudden.

And that ending was very powerful. That’s some great build-up there: this moment was bound to come: Kobato was bound to run short on time because of how easily distracted she can be. As a kid at heart, she constantly needed to be pushed by Ioryogi and yet you can see that she genuinely wants to go to some place. We have no idea why, all we know is that it’s something very important for her and that she’ll never have any more chances after the deadline passes. With four episodes left, I hope she gets there.
strong>Rating: ** (Excellent)
ED: Really weird place for a new ED, but better than the first one and a solid ballad.

Posted on 23 February 2010 with categories: Kobato



Oh, how I love Madhouse. Kobato has never been among their big-budgeted series, but in episodes like this they just go all out, and produce an absolutely gorgeous episode that has among the best eye-candy I’ve seen this season. The way they handle their CG is miles above most other animation companies.

And about this episode… I can only say how adorable it was. It was all about Kobato and Kiyokazu, and the development between the two was basic, but very heart-warming. Show this as a random episode and it’ll probably fall short. The reason why I enjoyed this episode so much was because of how the characters were already developed at this point. Kobato is the kind of series that doesn’t offer much in the short term, however it’s a gem on the long term.

Also, while he played just a very small part in this episode, I loved Ioryogi. He was just adorable, both in the way at which he kept reminding Kobato (who is more and more trying to avoid that matter) of the konpeito-bottle, and the way that he ended up celebrating Christmas. I really thought that that white creature didn’t want to talk to him anymore, but here this episode proved me wrong. This will offer even more opportunity for the creators to get the finale right. The main focus is going to be on two things:
– What will happen off the nursery?
– What will happen to Kobato?

The former will probably result in a good ending, but I don’t care about that: I’m only interested in the role that every single character will have in it. The latter however has been built up extremely well. It’s about the reverse of Chobits: in there the main storyline started off incredibly intriguing but became less and less interesting as the show went on. Here, I’m looking more and more forward to that ending. I blame Kobato: she’s become such an adorable character at this point.

(Not that I consider Chobits to be bad or anything, of course, but what made Chobits stand out was its collection of themes and subject matters, not the main characters).
Rating: ** (Excellent)

Posted on 17 February 2010 with categories: Kobato



Well, I’ve got to hand it to Clamp: they did it again. Kobato is a great example of why an anime doesn’t necessarily need huge production-values or incredibly solid direction, in order to have a soul. Wonderful characters can be written with any kind of budget, and while it definitely helps, it’s definitely not a necessary.

Because really: at this point I’ve been completely captured by Kobato’s charms. This isn’t exactly like Letter Bee, in which the characters have enough charms for me to keep watching, this is something more: at this point I consider Kobato to be a genuinely good series and I really admire how well the creators managed to flesh out Kobato and make her such a likable lead.

When it first appeared, the debt-problem sure seemed cheesy. But here’s the thing: it was cheesy, if it just was introduced and resolved within one episode. At this point the debt problems have evolved in a great driving force for the drama among the characters. It ain’t gonna destroy the world, we’re not stuck in a cheesy love triangle. Instead we have a bunch of people who try to protect something that they truly care for, even though the odds slowly stack up against them.

This kind of character-development was really what I was hoping for when I gave this series a chance.
Rating: ** (Excellent)

Posted on 10 February 2010 with categories: Kobato



Oh, what a surprise. It turns out that the previous episode wasn’t finished telling its story yet. It needed about five more minutes, which appeared in this episode. So, what was the rest of the episode spent on? A hilarious Iyoryorgi adventure and xxxHolic references. This was like, what? The fourth different version of Watanuki that exists now?

So yeah, overall this episode was a lot of fun, it only to see Iyoryogi suffer so much. Episodes like these are all about creativity and how much you’re interested in the involved characters, and that worked like a charm for me. His fire-breathing technique to avoid the pond was especially awesome. On a more serious note it also built up the main storyline a bit, though subtly.

As for the bazaar, what was obviously missing from the previous episode was Kobato seeing her hard work pay off. At this point, she knows very much that she’s a klutz and that helping people isn’t that easy. She should be proud of what she did here, though. It’s not like her healing of a troubled person, but she put in real effort. Apart from the mysterious penguin/duck/rabbit/thingies, of course.
Rating: ** (Excellent)

Posted on 2 February 2010 with categories: Kobato



PL notified me of something interesting yesterday, which I had not realized yet: Kobato has grown more on me than I had realized. I was surprised when I first read that, but after watching this episode I’m sure of it: I’ve given this show way too little credit thus far. Kobato shows that you can achieve depth with simplicity, and you don’t need world-changing or epicness to deliver great characters. Thank GOD we finally have another show to remind ourselves of this.

I guess it was impatience that lead me to condemn this series early on, and opt not to blog it. After all, this series had nothing to set itself apart in the beginning. I really thought that it would end up as another one of those series with just shallow characters, where 24 episodes would just pass without anything happened. At this point, I’m not sure what was up with me: here we have a show that for once is scheduled for 24 episodes right from the start. It’s produced by Clamp, who after Tsubasa Chronicles know better than any other manga creators how to keep track of their series’ adaptations, so this series is planned in perfectly inside its time-frame, as opposed to those tons of other series that are just way too short.

My guess that it’s my pessimism that turned me off at the start. Around three years ago I probably would have jumped on this series, but ever since I’ve been disappointed a bit too often by series that started of slow and simple… and never really went anywhere in the end. I think the most recent example at the time of Kobato’s debut was Saki: I basically gave it a bit of a chance because I was hoping for that same development, but the show just turned into a huge disappointment for me. And then there are all those romantic comedies out there that thrive on showing cute girls. And really, I’ve tried to give them a chance for the past few years, but I hardly ever found one I really liked. Kobato reminds me of El Cazador de la Bruja. I’ve seen it constantly criticised for its simple story and bad action. But who cares?! The characters were damn awesome! Seriously though, especially in its second half when the characters came together it turned into a very memorable series for me.

In any case, this episode of Kobato really showed me its character-development. Would it have worked to anyone who hasn’t seen the rest of the series? Probably not. It’s all about showing not exactly how Kobato has matured, but instead how her desire to protect the kindergarten has grown and how she does everything in her power to help out. Would she have done the same at the start of the series? I doubt that. And yet her development feels natural and it doesn’t look like she just changed character. Same with just about5 everyone else: they all have gotten a passion to protect that kindergarten.

My big dilemma right now is how to recognize series like Kobato from random shows that never get anywhere. At the time of this series’ debut, I was beginning to think that I’ve gotten pretty good at evaluating the potential of a series based on its first episode, and this was a good wake-up call. There are of course those series that are obviously going to be awesome (Aoi Bungaku) or erm… not to my tastes (Ladies Versus Butlers), but what about Kiddy Girl-And? Looking back I’m glad to have dropped it, hearing the stories about it, but what if it did turn out good? Was I also wrong in dropping Railgun?
Rating: ** (Excellent)

CHANGE USERNAME
Kaiser-Eoghan
And that extends to action scenes, don't just slap old songs over your trailer thoughtlessly/carelessly or dump a generic pop song over your mecha battle or generic rock song over a fight scene.
Kaiser-Eoghan
Scenes would be better served by subtely or sinister sound design or less/no music in most cases.
Amagi
@Niello: Same here. It annoyed me to no end. I was curious so I watched the live stream. It was much better/less bad with subs, most of the first episode was nothing but shousa shousa and casually a "violetto chan..".
AidanAK47
@Amagi, I would disagree on music. The soundtrack is far too bombastic and overbearing for the nature of the series.
Niello
Watching the first episode raw was a mistake imo. I actually cringed when I heard chuusa for the 10th time in the hospital room scene. At least the subtitle would serve as a distraction.
Amagi
It's kinda sad because the execution of scenes, music and animation are awesome and I think that its depiction of characters and their behaviour is pretty good too, the problem is that the MC is a bad/illogical character to begin with and that they want to attract a larger fanbase through certain pandering. Still enjoy it overall, though.
SuperMario
We share the exact same thoughts about Violet's issues then. I think the story isn't that great and the characterisation so far is weak. But count on me to blog it to see if it can improve itself
Amagi
Yeah, the idea of some unworldy girl learning about emotions through ghost writing is great and I love the setting. But the war part makes no sense in that context, and I wish they'd tone down that "I'm mayor's dog" stuff. It's pretty common for these type of people being clingy to one specific person, but they should totally leave out the waifu pandering. Ep 2 was better in that regard though.
Niello
How come Violet went through war and back and still doesn't even recognise, in the slightest, the grim emotions humans sometimes feel such as pain, worry, distrust, anger, hate etc. Then the premise set up that she's going to learn love and all the other emotions, good and bad, though ghost writing and empathise with people. I call bull.
Niello
@Mario: The writing is disappointing and underwhelming, especially the characterisation. I would rant, but I'd rather not. It's just, if this show doesn't have the amazing visual or Kyoani name attached you can just imagine that its fate would be rather bleak.
Kaiser-Eoghan
@Mario: hhhmmm, I have good news, the French dvd of that film let the corpses tan is coming out in March, well before the vod release, so it'll probably get fansubbed or something before we have to wait for an official English web-dl/cast.
Kaiser-Eoghan
Was never much of an on stage/presentation man really, I was always rubbish at it, to quiet an introverted person really to get up in front of a crowd and give a lecture/speech.
Kaiser-Eoghan
@Travlos: And this would be the part where I say it would be great if I even had half your presentation ability or sounded that clever.
Your voice is as imagined it, though I'd pictured you younger looking in my head.
KTravlos
fianlly done with the academic meeting I was organizing. Should get back to some anime watching. Also if you want to see my presentation go here

https://youtu.be/GNjtuf-nJ-s?list=PL7qM1ZYRwV_DbcW31vF_Codobpq7u6ffS
SuperMario
@Niello: Aside from your #1 (which ưe'll agree to disagree here), it's a nice set of shows you're follwing this season. Did you watch Violet Evergarden first episode thou and how did you think about it?
SuperMario
Great. Now I can't even send message here through my laptop.
SuperMario
@Kaiser: i think it's the same issue with kisscartoon. The original site was shut down sometimes ago, and now there are plenty of Kisscartoon's fake domains that are annoying as hell
Kaiser-Eoghan
@Mario: its back up now though.
Kaiser-Eoghan
@Mario: Its front page has server issues from time to time sometimes for hours.
SuperMario
I just read some manga on kissmanga a week ago, is the site down already?
Niello
Well to be fair batoto is down because of the site owner personal reason.
Kaiser-Eoghan
So Mangahere, mangachapter, baoto, animea seem to be gone and kissmangas front page is down , mangafox is slow, whats next to go down....
Niello
I don't currently see an anime this season that really stands out from the others. Right now if I have to rank them
1) Miira no kaikata
2) Kokkoku
3) Sora yori mo tooi basho
4) Koi wa ameagari no you ni
5) Takagi-san.
Not counting Devilman Crybaby since it's already finished.
Niello
@Eoghan I love Urobuchi and still find the Godzilla film weak.
SuperMario
I just looked through the nominations for the Crunchyroll Anime Awards and to my surprise, it's a pretty solid lineups. Find myself agreeing with most of their choices there
AidanAK47
Actually forgot about it.
Kaiser-Eoghan
I don't know why you don't just read kara no shoujo 2 instead.
AidanAK47
And Himawari is actually boring me. It's proving difficult to push myself though just to see where the point that makes it highly regarded comes in.
Kaiser-Eoghan
@Aidan: In the end I was pretty much curious about it.
AidanAK47
Yep, that's it. Gonna stop discord displaying what I play from now on. It's weird when people comment on it.
Kaiser-Eoghan
Now my current rankings: 1. Devilman
2.Junji itou
3. sangatsu
4. Cardcaptor sakura
5. Pop team
6. Evergarden.
Kaiser-Eoghan
*Aidan
Kaiser-Eoghan
I'm joking obviously, but I am surprised to see you playing Himawari Aiden.
Kaiser-Eoghan
Oh Aidan you and your lolicon visual novel you =P
Kaiser-Eoghan
@Alonaria: Shin Godzilla had the evolving godzilla thing and that freaky ass final shot too, it also justified itself quite well i think by showing how relevent he is today, given the nuclear thing and that it drew on the Fukushima incident essentially.
Kaiser-Eoghan
@Alonaria: Thats a far better and shorter way of putting it than I.
Alonaria
I wish I'd just waited for the other parts of the Godzilla movie trilogy to be released. As it is, I'm just going to remember it as "that incomplete movie." And the character designs kind of blurred together for me, which was really disorienting.
Anonymous1746949
Oh psgels is back
Kaiser-Eoghan
But I've seen other Godzilla things so I pretty much was supposed to see this anyway.
Kaiser-Eoghan
Or you know you could always take what I said with a pinch of salt, because you know....I don't get on with Urobutcher.
Kaiser-Eoghan
The idea behind it is definately cool and a different spin for the franchise though.
Kaiser-Eoghan
Maybe I was held back a bit by the cgi or the mediorce voice acting.
Kaiser-Eoghan
But I'd need to see its followup before properly assessing it.
Kaiser-Eoghan
Godzilla often makes for silly films, but lke alot of silly older films the silliness and seriousness combine without clashing, this one is too Poe faced .
Kaiser-Eoghan
I saw that Godzilla anime film, I'd describe it as watchable in parts but far too caught up in setup mode and an unlikeable protaganist , it could go somewhere with what it raised at the start but this is an example of a first film in a trilogy that suffers from being unable to currently stand on its own.
Kaiser-Eoghan
I generally feel that Itou's stories have a winning track record but theres exceptions, Uzumaki and Gyo in manga form struggle toward the end and the first episode story the anime chose to adapt is, while fun one of the weaker offerings.
Alonaria
Honestly, the shorter stories have been more effective at getting a reaction out of me, though. I actually didn't really enjoy the first episode's first story, mostly because I found the MC too obnoxious. :.D Maybe because my younger brother chased me with a bug once and it was really unpleasant. XD
Kaiser-Eoghan
@Anon: It wasn't just it coming out of her mouth, but when they were stamping on them too.
Anonymous1743747
@Kaiser: Yah, I was horrified for like 5 seconds but the other characters made me crack up. :.D
Kaiser-Eoghan
Although it was mixed in with laughing my ass of eventually.
Kaiser-Eoghan
Of all the Itou stories to be un-nerved by, its the second half of this third episode oddly that does it for me and I never get uncomfortable during anything .
AidanAK47
@Anon, We are working on it.
Anonymous1742736
Are you planning on making a top anime of 2017 list?
Amagi
Yeah Mash is one of the few good ones it seems.
Amagi
Oh damn, good that you remind me, I didn't pick anything yet. But I guess I will go with Altera, considering that some of them don't look that good and I own her anyway. Would have wanted the Scat one but the drawing looks weird.
AidanAK47
Which Bond CE did you pick for the 2 mill? I went with the Mash one. Only only whose artwork I liked.
AidanAK47
Might settle for making Bryn my endgame lancer though.
AidanAK47
As I said in my Apocrypha post, I have no interest in any version of Jeanne. My top priorities for my endgame team is Isekander, Scathach and assassin Shiki. And Shiki is a welfare so only need to worry about the other two.
Amagi
Yeah, I was considering to keep rolling for the new 4* at first but I really want Jeanne Alter and she's coming soon.
AidanAK47
@Amagi, I tried rolling for Karna and got nothing. Though I think Bryn is better. I plan on rolling one more time with the saint quartz we are getting to try for NP2. Though we do have the valintines event coming.
Amagi
@Aidan: Same here, just got Brynhildr. Even though I already got Karna last month. But I wanted her, nice design, finally a single-targed 5* and she's even one of the few servants related to my country.
KTravlos
@SuperMario. The contemplation of the death of humanity, and the loneliness, both were very disturbing to me. Kinda like thinking of my grave.
AidanAK47
YANDERE GET. Bryn's mine baby.
AidanAK47
Gonna try rolling for Brynhildr tomorrow. Bit annoyed they chose to translate it as Brynhild. I mean it's not incorrect but her name is far more recognisable as Brynhildr
AidanAK47
@Amagi, The grind wasn't that bad for me. Mordred carried me for it. Though I managed to get Siegfried in the gacha despite not being on rate up. I admit that the event was rather lackluster. Story wasn't that fun and the whole saber restriction was a pain. Also gonna take me a while to readjust to regular damage.
Amagi
Man that FGO Saber Wars event was annoying. I am happy finally I have 2 mio. altrium now and am done with it.
Kaiser-Eoghan
Reminder that netflix Godzilla anime is later today.
Amagi
Damn I didn't noticed that ankle band of the little demon from the intro scene of FranXX 01, now I feel stupid.
Lenlo
Yuasa is great! Ping pong and Tatami Galaxy are still some of my favorites
SuperMario
Oh fuck, the lead singer of the Cranberries passed away. I literally just listened to their music yesterday. Damnn, sad news
SuperMario
@Kaiser; thanks for considering me but I believe Wooper is much more a Yuasa's fan than I am
SuperMario
Far out!!!
SuperWooper
Yuasa will be answering questions on Reddit's anime board on the 20th.
SuperMario
@Niello: what do you mean regarding Yuasa?
SuperMario
@Travlos: I agree that Girls Last Tour is a special little gem, but in what ways it's disturbing?
Niello
Holy cow, Masaaki Yuasa AMA!! What magic is this?
Niello
Meawhile, Japan took a different approach and we ends up with a bunch of .hack rehash and diving more and more into escapism. Until we eventually got isekai and then it just spiraled into a sea of mediocrity.
Niello
While that opened its own can of worms, at least it opens up element about making ends meet, managing irl relationships, earning extra income for a poor family, getting cheated etc.
Niello
in the characters real life just fine. Something more a long the line of Net-juu but more technologically advanced. And I would say that plenty of those have been superior to Japanese online game and isekai story shenanigans. That said, it doesn't mean that those don't have their own kind of traps they usually fall in. A bunch of those instead focus on the aspect of making money off of games.
Niello
...Getting stuck in a virtual reality game and being transport to another world that happens to be like a game are completely different though. I don't know what is it with Japan and getting stuck in game plots considering that there are loads of other game-base Asian novels that came before it that manage story lines where they manage to tell compelling stories in game while balancing what happen
KTravlos
I finally finished Girls Last Tour. What a profound, fluffy and disturbing masterpiece. Bravo.
Amagi
Yeah. I feel the world swap is pretty much pointless when real life isn't relevant anymore. It's just a stupid as hell excuse to combine fantasy wish fullfilment with self-inserts, which is why these main characters tend to be 29 by now, just like the big part of the otaku community.
Lenlo
Of those you listed, no, I dont think they get explained? I mean, SAO did, but I dont think that falls into your category.

Thats why I liked .hack//sign over alot of more modern game Isekai. Also .hack//sign did explain what happened to Tsukasa.
Amagi
Considering how bad most of these are I wouldn't wonder if they wouldn't even bother with an explanation and just end it with the characters being happy in that game world and that's it. Or magic and the whole harem gets transported into reality at the end because power of love and such.
Amagi
I have no problem with a sci-fi fantasy mix, I liked .hack//sign for example, but it annoys me that such an incredibly bizarre situation gets never explained. Or maybe it will but it never happened so far because none of these LNs was ever finished and concluded yet. I just wish to know how they explain that.
Amagi
I mean all those shows in which the character just finds himself stuck in a real world that's (coincidentally?) the same as the game he recently played. Be it Overlord, Death March, Log Horizon or the 300 other series with that premise.
Amagi
Some thing that always bothered me about game isekai for which I never got an answer so far: did any of those series ever end and/or explain how the warp has happened and why the MC is in the game? - Not talking about .hack, SAO and such where the action of getting trapped is part of the premise
Niel
@Eoghan - Btw, Kokkoku isn't a time travel. it's stasis, apparently. Looks very promising so far. Though if I am to trust the manga score, it's shit.
Niel
But is Toradora really slice of life? As far as I can see it's straight up romance.
Lenlo
And Mario, ill rag on SOL all I want! :P

Wooper, its true good shows transcend genre, as there are still some like Toradora I like, but those are exceptions that prove the rule so to speak.
Lenlo
@Niel, yeah I base my potential % on the odds something gets/stays good.
AidanAK47
I am of similar mindset about Franxx. I want it to get better but I don't really see it doing so. Unless the other characters get a majority personality boost or the MC stops being a plank.
Niel
XD
Kaiser-Eoghan
I confess....I only sat through just over half an episode of aldonoah.
Niel
Since it's Trigger, I will give the benefit of the doubt. I'm just very skeptical about this whole formula.
Niel
The way I can see this series improving is through world building. And if other aspects are going to improve too, it's going to revolve around that.
Niel
It leaves about as much impression on me as much as the first episode of Aldnoah did, and I dropped that one straight away. The character chemistry doesn't look like it will go places that's not cliche. The gimmick doesn't seem like it has much potential either.
Niel
So you're all betting it on "this is going to get better". I mean, I hope it gets better. Though right now this feels more Kiznaiver than Kill la Kill or LWA.
Kaiser-Eoghan
I'd nominate Mario to do the devilman review as he's the most immediate Yuasa fan to do it and Bam is too awol to write it.
Kaiser-Eoghan
The cute girl shows just bleed and blend in my mind now, same with the isekai shows.
Kaiser-Eoghan
Devilman, my show of the season, unless after the rain ends up having some emotional wallop.
Kaiser-Eoghan
So for me its looking like: Junji itou, Cardcaptor sakura, keeping up with sangatsu, wait and see on amegari . Not watching a time travel or trigger show and I remain unable to sit through Mahoutsukai .
Amagi
The story itself is generic so far but so are most Trigger series at the beginning so not sure. Maybe it will stay weak, but in general I prefer series that start with the weaker episodes and get better and better over time over the many series that use up all of their budget and trump cards in the first episode and drag on after that.
Amagi
I really love Trigger's esthetics and their characters. I am happy they're more often involved in non-trigger-only productions because I honestly think that most of the stuff I enjoyed about FranXX was heavily influenced by them.
SuperMario
@Nielo: Franxx's first ep was stellar for me. Storywise, it's lackluster (and I see the similar in tropes between this and Beatless) but production-wise it's excellent
SuperMario
I think I just keep watching it on a weekly basis. Still trippy as hell
SuperMario
Okay, I just watched second episode of Devilman Crybaby and it's still pretty good.
Nielo
By the way, what's up with Darling in the Franxx? I thought it's a very weak first episode.
Nielo
@Lenlo: Slice of life isn't my thing either, and I usually avoid series set in high school.
Nielo
@SuperMario: Takagi-san is cute, I'll admit that, but since I already read the manga it's not new to me. Sora Yori is good, but it's not particularly cute. I found Hakumei to Mikochi and Yuru Camp very boring. Haven't got the chance to watch Mitsuboshi Colors or Gakuen Babysisters but I don't think they could be more cute than Mii-kun.
SuperWooper
HOT TAKE: Genre is irrelevant. What matters is whether a show is good.
SuperMario
Don't knock off MY genre Lenlo. It's one of the reason I got into anime in the first place :)
Lenlo
Im not saying it doesn't do what it sets out to. I just don't think what it sets out to do is all that... great.
Lenlo
@Niello, Slice of Life was never my Genre in the first place :/ I typically avoid them. I have my own life to deal with and already graduated high school, why would I want to deal with a melodramatic anime highschool, is my line of thought.
SuperMario
@Niello: okay, let's see:Takagi-san (the titular character), Mitsuboshi Colors, Gakuen Babysisters (Toddlers!!), Hakumei to Milochi (tiny girls) and two more slightly more mature but equally cute: Sora Yori and Yuru Camp's casts
Nielllo
@SuperMario: I'm sure this is where our definition of "cute" parts way, but I'll ask anyway, what are those 5 shows?
SuperMario
@Niello: seems so because I can eaisily pick 5 more shows that are cuter, and better than Mummy this season ;)
Nielllo
...So I suppose I'm the only one who's kinda bored out by a lot of the slice of life shows that's trying to be cute this season and only perked up by the Mummy anime because it's actually do what it's meant to do and be legit cute.
Lenlo
I am interested in Koi, but still have concern about the relationship itself.

@Vonter, the mummy anime would be better as short vignettes together I feel.
Kaiser-Eoghan
Koi amegari is surprisingly tasteful, subdued and pretty.
Kaiser-Eoghan
*to where
Kaiser-Eoghan
Try as I might, my love of kyoani tv anime has largely evaporated did where I no longer want to bother at this stage, I'll just wait and see. I'll just stay quiet on the franxx anime, theres little value in me trying to get through a trigger work at this point.
SuperMario
I get the exact same feeling with Takagi-san. It's pretty good on what it does but 20 minutes of the same thing for a whole season doesn't sound that promising
Vonter
The chibi mummy anime
Vonter
It's a shame it isn't a shorter 10 or 5 minute series, I think that format would make it shine more, since it does what it's trying to do.
Amagi
Speaking of it, I liked the second episode of Kokkuko or whatever the name is even more than the first one.
Amagi
I really have a problem with all these shows that rely on one single thing, joke, shenanigan or whatever. Be it something cute, some certain kind of interactiong or whatever. It doesn't matter how good it is it will bore me with episode 2.
Lenlo
Like, yeah, the mummy was cute. But the cute became rote/bland really quick. There has to be more than "cute" to be worth watching for more than a single episode to me.
Lenlo
@Niello, I was harsh because its not aimed at me. I wanted to drop it 5 minutes in, kept up for the post, then was thankful it was over. There wasnt anything overtly bad about it. Its just there was nothing good either.
AidanAK47
To be fair it's not as if we are lacking cute in this season.
In fact it's in danger of inflation.
SuperMario
@Niello: yes, the mummy is cute, the show is cute but beside that it's pretty mediocre. That show in particular is the only show that I have the damnest time to give it a potential rating.
Niello
It's not even down because of legal reasons, since the site pull down contents that are lincensed. It's down cause it's too much for the site owner to manage. Much of it also have to do with too many bots, which comes back to how a lot of other sites are relying on batoto.
Niello
@Masky: Not enough manga titles are getting translated. Batoto is the site scanlation groups basically rely on, and where other aggregation sites pull their content from. No batoto no obscure titles, a big blow to small scantation groups and one big manga/scanlator community down.
Niello
Why are you guys so harsh on the mummy show? It's so darn cute. Give it some credit. If a comedy show can be good because it does comedy well I don't see why a show ike Mummy can't be good if it can make people go "aww".
Masky
I don't really know why that is the case, maybe marketing budget and UI friendliness when done right? :P
Masky
Eh, wouldn't say it will kill manga industry. I mean, more and more official methods of reading manga online is starting to pop up and legit channels to pay to get access to manga can surprisingly enough harm free channels to get manga.
Masky
Anyway, I do find it funny how how the isekai character dies can be so meaningless that is joke in most of them
Niello
Batoto is going down, how this affect the manga reading is going to be interesting. Hope it's not slowly dying.
Masky
(at least that one, besides forgetting to introduce what the heck is gimmick besides generickness, acknowledged how most of otaku mcs shouldn't erally want to get transferred to fantasy world since they never get to see how their favourite mangas end :P )
Masky
Anyhoo, it gets annoying since its not just isekai being cliche, sometimes is just them being kind of badly written(or at least adapted to manga). Like, I found one new isekai today, but I have no idea what its gimmick is(from what I understood, its that "cute companion" that character gets is hideously op because mc didn't spefy cute girl when he asked god manager dude for cute companion)
Masky
Slime one is one of better from the more generic ones weirdly enough :P I mean I still wouldn't call it good, but at least MC character isn't god tier, just top tier and it has sort of village building simulation feel to it. Plus at least naming things giving monsters more powers is something funny regarding jrpg mechanics
Kaiser-Eoghan
Or alternatively the car was on a boat with the character or parents in it and the boat and car were hit by a falling plane lol
Kaiser-Eoghan
Its always "car accident" that sends the characters to another world or in harem cases "Lost parents due to car crash", for christs sake doesn't anyone die in out of control plane or speedboat crashes anymore, at least make it a motorbike....
Nayrael
Ah sorry, should probably not have touched the colors...
Nayrael
Trust me, Isekai is better when it doesn't try to be imaginative. When it tries to be original then... Isekai with a Smartphone... Isekai where the MC turns into a Slime... and my favorite: Isekai where the MC became a Hot Spring popular with sexy girls.
Masky
Assuming "new" things can happen under the sun
Masky
Anyhoo, I do wonder what the heck will be next "popular genre trope that will become so overused cliche that everyone groans whenever show uses it even if its actually good show"
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Featured Posts

Darling in the Franxx – 02[What it means to connect]

As it stands now, this is essentially an animated version of a double entendre. Each line is laced with a double meaning so heavy that you can postface lines with the words “That’s what she said.” and it would fit perfectly. I find my stance on this to be rather mixed as while the fanservice […]

Junji Ito Collection – 03[The Crossroads Pretty boy – The lovesick dead, Slug Girl]

Our two stories today regard the handsome man at the crossroads and slug girl. The handsome man story was given the most screen time and it is a decent story, albeit unfinished. What was presented here was only the first part of the story and I believe it will be continued in later episodes. But […]

Mahoutsukai no Yome – 15 [There is no place like home]

Welcome to another week of Mahoutsukai no Yome. This week continues Chise’s bad relationship with water, Elias’s with Fae and gives Silky a history. Lets jump in! To start off, I want to talk about the best part of this episode, that being Silky’s history and alone time. For the longest time Silky was a […]

After the Rain – 02 [Rain Drops on Green Leaves]

It has been exactly a year since I last blogged you, noitaminA shows, and this time again it’s another romance drama. Unlike Scum’s Wish last year, however, Ameagari has one simple premise, but it executes the idea with such grace. This second episode is even stronger than the first, setting the stepping stone for Tachibana […]

Violet Evergarden – 02 [Never Coming Back]

I’m thankful that this second episode plays out much quieter and more subtle than the first, because I’m not a fan at all with the grandeur approach of the first episode. This makes the second week of Violet slightly better than last week, but I still find myself not totally satisfied with the whole experience. […]

Kokkoku – 2 [The Second Moment]

Hello and welcome to the 2018 Winter season! This time, we have an interesting little time-based drama called Kokkoku. It has mystery, it has cults, it has dead-beat parents and apparent god-like beings. Lets jump in! To start, a quick blurb about our characters. Personally, I like them so far. They are all flawed and imperfect […]

A Place Further than the Universe – 03 [The Follow Backs Don’t Stop]

“I could just die right now” That line, spoken by our new member, Yuzuki, bookends this week’s Universe. It marks the shift in the new girl’s character growth. Last week, the Expedition girls mentioned they have a plan to raise fund, right? Turns out it’s not the mother, but the young girl herself, is used […]

Junji Ito Collection – 02[Fashion Model, Long Dreams]

After the first episode started off as a black comedy, I was worried that this series may suffer the same problem as Kino’s Journey in that the weaker stories in his work would be chosen for adaption. Lucky this does not appear to be the case but there is another problem which is not quite […]

Mahoutsukai no Yome – 13/14 [East, West, Homes Best]/[Looks breed love]

Hello and welcome to the new year! New Year, a new Cour for Mahoutsukai no Yome, this time with slightly more plot. These past two weeks have been a bumpy ride of Mahoutsukai, with plenty to talk about. So let’s jump in! To start off, the new OP is terrible. The music isn’t as good […]

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In This Corner of the World (2016) Movie Review – 90/100

In this Corner of the World (for the purpose of this review, I’ll refer it as “Corner”), is the truest slice of life drama if you ever encounter one, in that it’s a slice into an ordinary life of an ordinary girl during the War period. That speaks into the very first strength of Corner, […]

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Girls’ Last Tour (Fall 2017) Review – 86/100

Girls’ Last Tour falls within my favorite new trend that emerging the anime medium over the last decade: a dark moe anime. Set in a post-apocalyptic world where the human race has almost extinct, our two girls wandering around the world in their kettenkrad looking for food and shelter. If it sounds a bit bleak […]

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