Posted on 23 December 2011 with categories: Anime Reviews, Mawaru Penguin Drum



Revolutionary Girl Utena aired in 1997. When I watched it, it immediately conquered a spot on my list of favorite series ever, and still stands there. After that its director, Kunihiko Ikuhara, put out the Utena movie, and after that things became eerily quiet around him for more than a decade. Once in a while he did a random storyboard, but apart from that he really was strangely absent. So imagine my surprise when it was announced that he’d do another full fledged series again.

Right from the start it’s obvious that these two are from the same makers: this show is chock full of symbolism. Everywhere, the creators stuffed in references, cross references and visual symbols that only became apparent episodes after they appear. At first sight this is just random, but the great thing is that every symbol here has a meaning and place in this series. At first sight this series may seem like it’s complete chaos, but it’s actually surprisingly well structured on hindsight.

And yeah, this show pretty much has the best direction of the entire year. The way it combines the visuals, music and story together: no other show did it better during the past 12 months. The music does an excellent job of fitting within every scene it’s used, the animation really makes the characters come alive, the timing of all of the scenes flows really well. And the acting of the characters is really solid, especially considering the amount of broken characters in this series.

The excellent acting also leads to an excellent cast of characters. Just about everyone develops throughout the series. It also makes use of a ton of flashbacks and flash-forwards, to illustrate this, also giving the cast a ton of background in the process. The cast in this series really is dynamic, and engaging beyond belief.

And then there are the plot twist. This series really likes throwing plot twists, and being as unpredictable as possible. This makes for one heck of a plot. At first it might seem that this series is just throwing around twists for the heck of it, but nearly everything in this series is properly foreshadowed and hinted at on hindsight. The plot of this series is so tightly put together. This is an anime original series, so there is no need to be afraid of rushed endings or stories that just stop in the middle. The ending of this series is amazing and closes off this series wonderfully. This really is one of my top picks of 2011.

Storytelling: 10/10 – Great sense of timing and bringing out all different sorts of emotions. Really tightly written plot.
Characters: 9/10 – Excellent character development, very likable characters, although some take a bit to get used to (Ringo!)
Production-Values: 9/10 – Very solid and inspired animation, excellent soundtrack.
Setting: 9/10 – Penguin Drum is highly symbolic, and even its setting makes use of this. Because of this, things aren’t made 100% clear, but this is a very interesting way to get its messages across.

Suggestions:
Revolutionary Girl Utena
Simoun
Noein

Posted on with categories: Mawaru Penguin Drum

The point where I realized what the Penguin Drum was came at the beginning of this episode, in which we saw the caged Shouma and Kanba, and Kanba found the apple in his cage. There, it all made sense: Kanba would share the apple, and they both probably would have died if that apple wasn’t there, making their lives even more fragile than Himari’s. At first I thought that those apples were a symbol for Ringo, but the way it kept being used in the second half just didn’t add up to that. It still remains interesting that at the beginning of the show, the penguin hat sent the brothers to Ringo of all people. But in any case, it remains very cruel what this implies: in order to save Himari, the lives of Shouma and Kanba were needed.

And it is as I hoped: this ending really is amazing. The story came together wonderfully. The characters reached their catharsis. It all fitted really well. It’s not like all questions were answered, but in this case I believe that this doesn’t matter much. This show answered enough things and the rest is just up to our imagination. There is more than enough room to fill in the blanks. This series relies really heavily on symbolism and the surreal to paint its story anyway. What this show is in essence is a character study. And on that, it really delivered.

Overall, this show just completely dominated as my favorite series for the past half year. It was one heck of a step above all other shows that aired. Now that it’s finished, can I say that I like it better than Utena? To that, I unfortunately have to say no: this series is amazing, but I still like Utena better. It just as more fresh, it had better character development, it could take more time to show off its cast. And even then, Penguin Drum still remains as one of the best two shows of the year. I’m not yet sure which one is the best, but I’ll get to that in my 2011 summary.
Rating: *** (Awesome)

Posted on 17 December 2011 with categories: Mawaru Penguin Drum

Okay. It’s time for answers. Finally the plot is coming together!

This episode really had me at the edge of my seat. It’s not just the plot that revealed some huge secrets: the characters themselves are also getting pushed on the main stage, and the drama around them is worthy of a finale so far. The big twist came right at the beginning of the episode: the bad guy of this series has pretty much been a dead guy. The rabbits were actually what he turned into. The two penguin hats? They’re part of Momoka.

Momoka actually tried to stop Sanetoshi from fully blowing up the world, although she failed partially. Somewhere in this half-spell, both parties got the abilities to play with the dead: My guess is very much that Mario would also be dead if it wasn’t for that hat of his, or at least that would explain why Natsume is so worried about him. The thing is however, that Sanetoshi’s healing powers are surprisingly long-lived, compared to what the Penguin hat could do. Heck, I’m very much inclined to say that Sanetoshi is currently deceiving Kanba, with the few healing powers that he still has left.

Penultimate episodes do have this tendency to focus too much on plot and too little on characters. This show actually didn’t! In this episode, Shouma was sorting out his own feelings, Himari tried her best to get Shouma and Kanba back together, Kanba got really sinister in the part where he cold-heartedly shot Shouma. And holy crap Ringo and that fire scene! Her role had already changed completely in the second half of this series, but this really brought her character to a different level.

Now, the ending of this series will definitely be the type of ending where the creators will try to put as much as possible into one episode. For these types of endings, the most important thing to remember is balance. There is no doubt that at this point, the creators have more than enough ideas to fill that last episode with. It’s bound to be awesome. but what would rally make it this series’ crowning moment of awesome is if every one of those ideas get just enough time to play out, while still making everything flow well into each other. Let’s really hope that the creators can pull this off, because this show deserves it.
Rating: *** (Awesome)

Posted on 9 December 2011 with categories: Mawaru Penguin Drum

Well, so I kept hoping for these final episodes to bring everything together. And with this episode, they did. The developments in this episode took this show to a new level. With things finally concluding, the twists i this episode brought in the best out of the characters. The twists in this episode made terrific use of the build-up.

The great development here was the family breaking up. For so many episodes it seemed just natural for the three siblings to stay together no matter what. And yet in this episode things really go horribly wrong. Himari had died before in this series, but this time, it actually seems that this is for real (although I wouldn’t be surprised if she still had some part to play). She finally stepped up and realized what she caused Kanba to do.

What’s also surprising here is how powerless Shouma was: for a long while it seemed like he was going to be the main character of this series, and yet he hardly had any role, aside from the moment we’ve been waiting for: Double-H to make an appearance, only to disappear again. Overall, this is something that I really have to give to Utena: the shadow play girls in the end turned out to be much more awesome, even though you can see here how the creators tried to give them a very important role in the story.

Apart from that, I’m not going to compare the two shows just yet, due to how important the ending was for both of them. There are some very obvious differences, and the next two weeks it will be up to this series to show how well its ideas worked. This episode really was in the right direction, but was it right enough?

What also made this episode awesome was Natsume. Again her role changed completely last week. In this week, we get to see the results of this change, and how her attempts to get her brother back failed. It’s in a completely different mood from her earlier attempts when she tried to get him back with that sweater she knitted. That sweater by the way was a very sneaky hint to the two of them being siblings, when you compare them to Himari’s knitted clothes for her “brothers”.

And on a side-note: what was Shouma doing in that box?
Rating: *** (Awesome)

Posted on 2 December 2011 with categories: Mawaru Penguin Drum



Omg plot twists!

I mean, where to start? I thought that the house was just a colorful whim of the designers. In this episode, the creators suddenly explained how the house looked so unique. We’ve now seen Himari’s childhood in about five different stages (the time with her biological parents, the point where Shouma saved her, the point where Kanba’s father died, the point where she was getting into fights with Shouma’s mother, and the point after which shouma’s parents left). All of them showed a different stage of how she changed as a kid, and that isn’t even with the regular character development added. She is by far the most developed character of the entire series.

Then, Natsume. Finally her actions make perfect sense. by going after Kanba’s former girlfriends, she was reminding him of his responsibility towards Mario. By getting him away from Himari she was trying to save her brother from getting further involved in the shady business of Shouma’s parents. (Who died in this episode?! What the hell?). Also, I can’t believe that it only took me until last week to realize that the creators are trying to turn “Oh no, I must crush them soon” into a catch phrase.

Ringo turned into an excellent support character, now that her main arc is over. She’s still great to watch, and yet she knows how to remain in the shadows. The pink haired guy? Excellent villain now that it’s been revealed that he was the mastermind behind the gas attacks. He’s like this omnipotent being in this series and makes great use of it. That also gives yet another meaning to the diary: it’s the thing that he has no influence over. The question now is: is that diary’s power really as vague as the past episodes have been hinting? Or was there a more concrete reason for its effect?

And christ, there are just three episodes left now. I can only hope that this was the incentive to get the shoujo genre out of its rut that it’s been in for the past years. I don’t include the Josei genre in this; that has been fine, with series like No.6 and Chihayafuru. But how many good shoujo that didn’t rely on just random bishies (like Hakuouki for example) have debuted since the start of 2009? I’d say around five, over three whole years (Penguin Drum, Heartcatch Precure, Uragiri, Kimi ni Todoke and Yumeiro Patissiere), and only two of them were really ground breaking (Heartcatch and Penguin Drum). And this used to be one of my favorite genres that had so many gems in it. To come with a frame of reference, that’s about the same amount of series that debuted in those days that had no way of making any profit whatsoever, like Hyouge Mono, Sarai-ya Goyou, Aoi Bungaku, Showa Monogatari. Yes, for some bizarre reason producers nowadays are less inclined in investing in an ambitious shoujo series than on shows that are bound to not make them any money. There is a market for this, people. The first Blu-Ray version of Penguin Drum has actually sold nearly 6000 copies. That’s about 1000 volumes above the break even point for your average series.
Rating: *** (Awesome)

Posted on 25 November 2011 with categories: Mawaru Penguin Drum



Yeah, this was the “calm before the storm”-episode of Mawaru Penguin-Drum. After this there are only four episodes left, resulting in God knows what kind of ending. This episode meanwhile was very different from the others: it was slow-paced, actually linear, and it was meant to flesh out the existing plot, rather than advance it.

Thankfully though, this avoided the common pitfalls of the usual calm before the storm episodes. Most of the times, these episodes are boring because they are just trying to delay the inevitable. This episode took its time to explain what happened between Shouma and Himari, it revealed why Shouma and Kanba’s parents did the things they did (that child broiler!), and this episode did actually have a solid build-up and a climax. The aftermath of this climax in its turn, built up this very effective atmosphere for the final four episodes.

Now, the big question will arise again: will this show have a great ending? It’s Kunihiko Ikura, so he’s bound to have something planned. In general, I don’t really care if the creators don’t answer every single question they ask explicitly. Not answering any question is of course also bad, but I disagree with people who dislike series, simply because they “don’t explain everything”. There are plenty of things in this series that can be better left off to the imagination.

Instead, what I want to see from this series is it using all of the build-up that the previous 20 episodes put into it. Take the current series, and push its story and characters to new levels. Pulling enough interesting twists without overdoing it and rushing through the final four episodes. This is a delicate balance that many shows fail to hit, but let’s wait and see whether this series knows what it’s doing.
Rating: ** (Excellent)

Posted on 18 November 2011 with categories: Mawaru Penguin Drum



@#$*!@#&!@!^&!!! I should have known! I should have bloody known! I’m not going to say why I should have known, but this episode just delivered a truckload of major plot twists.

The first big one was revealed, right at the start of the episode: Kanba has been in contact with his parents all along. They’re the ones who gave him the money to cure Himari’s illness. I also love the way this was revealed, taking a place in the episode where you really wouldn’t expect it, with\out any obvious build-up whatsoever.

The second big plot twist: they’re not real siblings. Holy crap. I mean, this is a twist that has been pulled many times before, but this show just got it right by not making this as shallow as the others, which nearly always boil down to “we’re doing this for the incest”. Save for perhaps the first episode, the three siblings in Penguin Drum really felt like siblings, who were especially close to each other due to what happened with their parents.

And just when I thought that this would turn into this strange love triangle around Kanba… it is revealed that the one who originally introduced Himari to the family was Shouma.
Rating: *** (Awesome)

Posted on 11 November 2011 with categories: Mawaru Penguin Drum




Yeah, this episode was another one of those “batman having tea with superman”-episodes. This episode was just amazing, as it combined the talents of two wildly different directors, Kunihiko Ikura and Shigeyasu Yamauchi, into one. The result was an episode with a ton of weird twists, strong character development and a ton of symbolism, combined with a style that is masterful at getting genuine emotions out of the characters and terrific at subtle pacing.

I can’t believe how well the two blended with each other. Tabuki really got a wonderful episode through this. Ikuhara even gave Shigeyasu Yamauchi the freedom of handling the background art much different from usual, and that too resulted in a ton of eye candy. Tabuki ended up as a great villain through this. On top of that Momoka also got a lot of depth, and the main cast also got much closer to each other. Especially the aftermath of this episode felt very intimate.

Also, the eye-catch. It just revealed another turning-point, as expected. Right now we’re in the background arc, in which all of the side-characters get the chance to show their stories and backgrounds. At the moment the only ones left are Tabuki and the parents who set everything in motion. I can only imagine what the creators have planned for after that. It’s that final arc where they really have to show that they know how to use their build-up.
Rating: *** (Awesome)

Posted on 4 November 2011 with categories: Mawaru Penguin Drum



How rare: a Penguin Drum episode devoted to build-up. Or at least, it’s promising a ton of stuff for next episode and its pacing was surprisingly quiet for this show’s standards, aside from one over the top confrontation between Yuri and Natsume. It did not lack in the plot twist department at all.

In fact, in terms of plot twists, thi episode can actually be seen as a turning point, where most of the things that we had to assume in the first half are canceled. The Penguin Drum isn’t the diary at all, and Tabuki has a very clear hidden agenda that he kept very well hidden. And heck, I just realized the parallels between Yuri, Tabuki and Momoka, and the main trio of this show. Add that to the rumors that Shigeyasu Yamauchi (the director of Casshern Sins) will be working on next episode, and yeah: I can’t wait.

I do want to say a bit about the music, though. It is very good, but in the past weeks I have been rediscovering Utena’s soundtrack, and I’m blown away by the utter difference between the two. The biggest thing is that Uterna’s soundtrack spans a whopping 7 disks in total! The creators went and composed a traditional soundtrack, and then they contacted like, three different musical groups to sing in and compose the different themes for all of the duels. This way they had a different song for every single duel in styles that evolved perfectly. Cowboy Bebob had this too.

Modern soundtracks just don’t have this. And yet, with smart production decisions this can still easily be possible. I mean, those different EDs are nice and all, but the creators could have easily used the budget they used for Triple H’s songs to actually compose songs that fit inside the series, instead of stuffing them into EDs. Having a huge soundtrack gives a lot more freedom and expression in terms of storytelling.
Rating: ** (Excellent)

Posted on 28 October 2011 with categories: Mawaru Penguin Drum



Right after episode 14 is a popular time for characters to come with their backgrounds. I just love the way in which this episode did it, though. Natsume’s background was awesome in its presentation. It was completely over the top, but it fits this series really well. It was a really hilarious episode, and especially Natsume’s dreams were hysterical.

What’s more is that there still is order within the chaos: you could really see traits that give no mistake that she and her grandfather were related. This episode did a great job of explaining her background, her role in the story (although please: couldn’t they have gotten a younger voice actor for the young Kanba?). Also, the penguin hat isn’t dead!?

Overall, in a way I can understand where the people are coming from when they say that this show throws random stuff at the viewer. I have this same problem with most Shaft series, like the later series of Sayonara Zetsubou-Sensei and Bakemonogatari: the creators there really seemed to throw in just whatever the hell they’d like based on shallow wordplay that eventually got way too predictable in its unpredictability. Penguin Drum however has for me achieved the perfect balance between chaos and order: everything is related, but the things it throws at the viewer are all very creative and imaginative, and yet all of it is meant to flesh out the characters. And the thing is that this show is continuously changing: it still has the same style and mood, but it keeps finding new ways to play with its scenarios in lots of different ways.

And granted, Utena WAS better at this. It was completely un-rivaled in how well it used its own repetition to create excellent drama. However, we have yet to reach the ending of this series. Overall it’s a bit hard to compare two series of different lengths at this point, but what I can say at this point is that Utena’s brilliance lied in how much it did with so little. At this point it too still hadn’t shown its trumps yet, but instead of trying to be the roller-coaster ride that Penguin Drum is trying to be, it really tried to go for an as elegant series as possible. And with that it ended up being un-rivaled.
Rating: *** (Awesome)

CHANGE USERNAME
Anonymous3437600
dragon ballsy
one piece
one piece
Kaiser-Eoghan
ahahahaha so that was it, she is voiced by Kana Hanazawa.
Kaiser-Eoghan
Something that came to mind when watching that quintuplets show, somehow the archetype I ended up going for was Ichika's character somehow. Never usually the case.
Kaiser-Eoghan
Y'know usually its fairly consistent, traits I notice/like/am attracted to most in a character's appearence and then there are those odd cases where I somehow end up finding a character attractive or something that I'd usually never.
AidanAK47
Search box is up there ^^
Anonymous3433242
overlord
Anonymous3433242
overlord
SuperMario
Glad to here you have brand new one coming up Kaiser
Kaiser-Eoghan
New computer on its way now, 24 inch screen, wireless everything, 1000gb, got it for only 800 euro.
Kaiser-Eoghan
The current laptop I've got on loan I'm using is kind of a pain to use, makes doing anything including typing/posting/watching slow, its a ropey old windows millenium edition laptop that I'd stopped using years ago.
@Amagi: Also a sequel to legend of koizumi has been translated.
Amagi
@Kaiser: thanks for the links!
Amagi
Just bought the parts for a new gaming PC and assembled them. Love my old PC but modern shooters and HD rpgs are lagging too much as well as drawing programs. Welp.
Anonymous3430884
Get well soon, Kaiser’s CPU!
Kaiser-Eoghan
Dammit, my main computer crashed suddenly, see you all in a few days to a week maybe =< borrowing someone elses laptop.
Anonymous3429052
Dororo or Durarara. That is the question
Vonter
The cutscenes in that game kinda look a bit off, like with the Dragon Prince show they look a bit choppy.
Anonymous3425269
Personally, I'm really hoping that Orange did them so they can gain more recognition working on a big franchise.
Anonymous3425269
I'm guessing Orange, Polygon or GEMBA did the CG cutscenes for the new Fire Emblem. They look too different from Echoes' CG cutscenes to come from Khara.
Kaiser-Eoghan
It was always the second Zelda game I never played, that one is frowned upon.
Vonter
I see Majora's Mask and Ocarina of Time as two halves of a single whole. Ocarina had the standard story but expanded from what was set in A Link to the Past. Majora's Mask has more in common to Link's Awakening being more about the characters you meet, and even Link himself. I think one has what the other doesn't. Ocarina had better dungeons, but Majora had more involved and menaningful sidequest.
Kaiser-Eoghan
The remastered ocarina of time soundtrack is some of my favourite videogame music out there.
Kaiser-Eoghan
I also loved the freaky-ass whip arms final boss too.
Kaiser-Eoghan
It seemed darker too.
Kaiser-Eoghan
I hold the unpopular opinion of liking majoras mask more than Ocarina, it was a harder game and it felt bigger, there was more side quest stuff to do aswell.
Kaiser-Eoghan
@Vonter: Similarly, its be so very long since I played it, it was all the way back in 1993.
Vonter
I don't remember disliking it but I don't recall a lot of things. I mainly remember the ending, the animals and bit with a Goblin king that reminded me of The Hobbit.
Kaiser-Eoghan
I remember loving the end theme music too.
Kaiser-Eoghan
I know its not ranked among the best Zelda games, but links awakening was the first zelda game I played in the early 90s, I also remember they re-released a colour version of it too that allowed you to do extra stuff with the gameboy camera and printer.
Vonter
So Nintendo had a Direct. A sequel to Mario Maker, a remake to Link's Awakening, a Tetris Battle Royale game, a new game from Platinum games called Astral Chain, a school type Fire Emblem, etc.
Kaiser-Eoghan
@Amagi: Also new Putin isekai chapter is out.
Vonter
Apparently there's gonna be another iteration of Bem. With whole new character redesigns. I suppose at some point they felt they needed to update them, since 4 iterations looked very similar and may come off as too retro for today. https://www.animenewsnetwork.com/interest/2019-02-11/twitter-user-compares-latest-yokai-ningen-bem-designs-to-previous-installments/.143177
Lenlo
I just hope they actually do something with the leg. Its been used as a cliffhanger 1 to many times for me
Kaiser-Eoghan
@Anon: It was good seeing a more serious side to the twins and I think Haiji's leg issues will provide some good drama.
Anonymous3421320
lol I think it's more like an orthopedic check-up. That strain from the race must've gave him concern about if he's able to run the Ekiden or not under this condition.
Kaiser-Eoghan
*Ahem* excuse the gory joke =P
Kaiser-Eoghan
Oh my God! Imagine if it like got cut and amputated off or something like that scene in gone with the wind! It'd be like....GONE with the run with the wind.
Kaiser-Eoghan
Looks like we're getting more on Haiji's leg again.
Kaiser-Eoghan
I guess if I was asked why I did anything, including if it was some game/sport or if I was a runner I'd probably answer the question by saying I was in it for a laugh or for a genuine good time because it'd be something I'd be enjoying.
Lenlo
@Kaiser, Dororo was awesome. This was a great week and arc. Mio is best girl.
Lenlo
Look, if the ending can make it work, I will forgive the CGI runners. But you have to admit, they don't look good
Anonymous3419991
@Lenlo But for now, you'll just have to grin and bear it when the next preliminary races prior to the Ekiden use CG for the background runners.
Anonymous3419991
I heard from a novel reader that the book is 10 chapters long, and this is currently adapting chapter 8. Chapter 10 covering the Ekiden is the longest part of the novel and will probably be covered in 3 episodes. Hope IG is saving all their resources on this finale judging by the CG used in previous episodes.
Anonymous3419991
It's also great to see how far Kurahana has come since the start. Even when confronting Sakaki being arrogant and all.
Anonymous3419991
And so this episode of Kaze ga is a breather episode, but we do get some more character development with the twins. It's nice to see Fujioka again.
Kaiser-Eoghan
@Lenlo: I would happily have watched two more episodes of this arc in dororo.
Lenlo
Well alright
Fuurophausiyuder
Speaking of loving hell fonts, I notice that the review body text, and this text here are both sans-serif; which sort of princess of variable typefaces is not present for this readability bit to land?
Fuurophausiyuder
Dororo is awesome for just the hell fonts. I kind of expect on-brand gazebos (the temple to the 10 demons) to sell well this summer at Lowe's, Restoration Hardware, RH, wherever it is actually okay stuff derives, etc. I was kind of hoping the transitional story would lift all transitional boats, but that storyline has gone to soil microbes in the USA diaspora (though you know, stay classy PR.)
Fuurophausiyuder
Kemurikusa is like Kemeko DX if all the chemicals were fentanyl and the promise of a plot muted by lingering death were only ever expected to be a possibility. What had anyone watching ep. 3...5? Clinical use?
Kaiser-Eoghan
I'm also glad that tv anime like this is allowed to be so violent in this day and age.
Kaiser-Eoghan
To be honest it really is the only new show this season I currently especially care about.
Kaiser-Eoghan
I decided to read the whole Dororo manga and I think this weeks episode was every bit as moving as the manga was while building on it. I think if adapted correctly dororo (the character)'s backstory, the stuff with Daigo's son will be a highlight. I do think they could get rid of shounen shark guy though later on and not bother including him.
Anonymous3415569
The other thing, is how both this and She Ra have the same premise of the main character changing from the villain to the heroic side. I don't know if that's a good pattern but it's and interesting way to build a female character in which the relationship with their old friends is a way to add pathos.
Anonymous3415569
It felt like a new version of inspector Gadget could be do like this. Considering how it frames the criminal organization (for kids). And also maybe a crossover could work?
Anonymous3415569
I watched the Carmen SanDiego Netflix series. It was ok. I did like the simple visual style and Saturday morning vibe. It's clearly more for a younger audience, yet it wasn't that boring. Still all I could think about while watching it were 2 things:
SuperMario
Kaiser, make sure to check your inbox
Kaiser-Eoghan
@Bothanons: Issues on both sides of the spectrum.
@Wooper: Its the politest take you could get on that premise.
@Mario: I think the anime skipped some stuff from the after the rain manga, I should probably read the manga.
Anonymous3412482
Edgy 14 year olds everywhere
Anonymous3413183
moralfags everywhere
SuperWooper
I heard that show was about a teenage girl's crush on an older man. Sounds pretty problematic to me. I'm with the rest of the Internet on this one.
SuperMario
Apparantly the other side of anime fandom (the internet) doesn’t watch Koi wa Ameagari
Lenlo
The reddit anime awards are done! I did it! I was on stream! Oh joy. Can talk about this now.
Kaiser-Eoghan
@Niello: I have decided to adopt the same approach for the new True detective season also.
niello
@Eoghan: Exactly my thought three episodes in. I wish I realise it before I picked up the show, because I definitely need to watch those three episodes again.
Kaiser-Eoghan
I want to watch new boogiepop at some point, but I'm just hoping it ends so I can just marathon the show, it'd be too confusing to watch once a week, instead of straight through in one go.
Amagi
Oh I just realize it's the same team as HnK well that explains that.
Amagi
@Aidan: Unsure too about the trailer but it reminds me more of Houseki, qualitywise, and less of all the other bad CGI shows. I have hope. Same with Vinland. Trailer had some CGI and Thorkell's design feels a bit different but aside from that it was good.
Anonymous3402245
sangatsu
SuperMario
@Kaiser: The selection isn’t out until April. Heck, they haven’t annouced the head jury yet
Kaiser-Eoghan
I should really watch Shirobako one of these days and on the manga end, read Kurozuka as I remember the bit I did read was quite different from the anime (which I loved).
Kaiser-Eoghan
@Mario: I don't know if the film selection for Cannes this year is out yet. Though it'll be a while before I get to see them.
SuperWooper
Noice.
SuperMario
Is it OK to brag here? I’ve just got the acrreditation to Cannes Film Fest this year baby. Will look forward for that one
Kaiser-Eoghan
@Anon: I watched it years ago and thought even though the first half was poor it picked up in the second. Maybe if I rewatched it my thoughts would change.
Anonymous3400512
Majestic prince is really bad man
Anonymous3399383
kemurikusa
SuperMario
Damn, just looked at the teaser of Beastars and I’m hooked. I’m hyped for the show
Kaiser-Eoghan
@Niello: Beastars is a good choice for them yes, as was Houseki no kuni, Majestic prince which they co-made was really underated back when it aired.
niello
I like how Orange Studio seems to have good eyes for manga. And it looks as if they are trying to go for stories that lets them avoid animating normal humans. So, ones that are more compatible with their CG visual. It'd be nice if this lead to some manga adaptation that won't happen otherwise.
Vonter
I think people get too worked up on Shield Hero. While not a great show, I have found it entertaining. I suppose the underdog aspect also got meta. With that said, I think if instead of the heroine reapplying the slave contract they should have made a contract or something like that, that felt one-sided.
Kaiser-Eoghan
I actually have more confidence in the cgi if its done by the houseki team.
Kaiser-Eoghan
@Aidan: When I talked to amagi about Beastars I don't think I ever heard your views on it. Also from what I recall you haven't read Vinland?
AidanAK47
Yep, full CGI for Beastars. I am somewhat half and half on it as the clip isn;t bad but I am a bit too used to the style of the manga.
https://youtu.be/S6H1qskbEIg
Lenlo
I dont expect the CGI to be bad. WIT has experience because of AoT now, and the boat/open ocean can profit from it a lot more than character models.

For Beastars, if its the Houseki no Kuni team, I wouldn't worry until we see a PV
Vonter
Maybe CGI wouldn not be as distracting if characters aren't humans? I mean the Star Fox Zero short was very good looking and it was full CGI.
Kaiser-Eoghan
Full cgi I think for beastars adaptation, although done by the people who did houseki no kuni so there could be exceptions made.
Kaiser-Eoghan
@Lenlo: I didn't expect them to try and cover his post childhood. They will probably stop at the farm arc. There will be cg, I hope it won't be intrusive.
Lenlo
Ey Vinland pv is out! Looks good! I cant wait
Animosh
@Kaiser: I'm pretty sure Yuki's family issues will be addressed later on, this just wasn't the time for it. So far the show has always followed up on the character arcs it has introduced.
Kaiser-Eoghan
Something that feels very different about huge detailed art aswell on the other end more simpler styles, in comparison to alot of the generic moe style we mostly see now.
Kaiser-Eoghan
And while I am on different artstyles, I bloody love Ryoichi ikegami and Suehiro murao also.
Kaiser-Eoghan
Complete different art too, cartoony even.
Kaiser-Eoghan
Years ago I read almost of Yoshihiro's stuff, although I never got around to finishing a drifting life by him, I also read that Mizuki guy manga i mentioned.
Kaiser-Eoghan
I've been wondering about this for a bit, is anyone on here familiar with the Gekiga period/wave of manga from the 50s and 60s to very early 70s? Such as stuff the by Yoshihiro Tatsumi and also Shigeru Mizuki's Onward toward noble death?
Kaiser-Eoghan
@Anon: I was right in there with them waiting to hear the results.
Anonymous3391737
They took the words I was about to say right out of my mouth.
Anonymous3391737
Late to the party, but man this was a good episode, iffy CG runners aside (though I hope that'll be addressed in the BDs). I'm so glad they were able to qualify.
Lenlo
Hmmm I cant wait to watch it
Kaiser-Eoghan
This cast has grown on me. Also while I would appreciate followup on Yuki's family, I actually don't mind if the show didn't, because this series manages to say much by saying little.
Kaiser-Eoghan
I'm glad that even though it showed then in a top ten list, they weren't up the top of it. Its more believable that way. Also who'd of though a race would be so tense?
Animosh
Also happy to see that the twins will get some spotlight next week. Aside from Musa they've had the least development so far, so they can use the attention. I also like that someone's finally raising the question what the point of it all is. If you have no chance of winning, why compete? It's a valid question, and I'm looking forward to hearing Haiji's answer.
Animosh
Haiji's injury was less of an issue than I expected: he even finished as "best of the rest" (excluding the leading group). Looks like it'll keep simmering under the surface for now. The fact that it was highlighted again probably means it is going to play a big role in the story eventually though.
Animosh
Anyhow, you can't always get everything you want, so whatever. It's still a very good adaptation overall, with some of the most impressive animation out there, and with some luck the cuts were just a one time thing and the rest of the season will be consistently well-paced. And if not ... well, the Claw arc is less "deep" anyway, so cuts will be less of an issue there I think.
Animosh
And just to be clear, I also agree that the episode elevated the source material in many ways: the aspect ratio nonsense aside, the episode looked incredible, no question. But my complaint is not with the animation, but with the storytelling, which - although by no means awful - could have been a hell of a lot better.
Animosh
@Anon: I agree the two chapter rule isn't perfect, and when there's a lot of fighting a faster pace is often preferable. So maybe an additional episode would have been too much - again, I don't remember how much was cut exactly. And of course, in the end pacing is a matter of preference. I loved this arc in the manga, and I'm probably more negative about cuts than you guys just because of that.
Anonymous3390450
@animosh Ill always remember this episode and laud it for it was able to accomplish. There are so many things it did to elevate the source material. Everything it covered from the source material was elevated in animation; the only issue was that shit got cut, and it's a bit unfortunate because i think it could have been easily avoided. Like lenlo said: a part of our gripe comes from our manga exp
Anonymous3390450
@animosh as a product of the previous season and episodes leading up to this, but it would have been even better if we got to share the experience mob had in mogami's would. The dread and isolation mob was meant to feel was communicated artfully; but that third element; the experience; that was what was needed to complete the trifecta and cement this episode as THE perfect adaptation.
Anonymous3390450
@animosh influences mob, we are missing one more element that would have completely sealed the deal. By BONES cutting out what they did, they took away from the viewer the EXPERIENCE mob went through. Losing that aspect, watching mob's journey through mogami's illusion, slightly hampers the overall impact his breakdown and his use of his powers against people. Most of the impact is still there
Anonymous3390450
@animosh despite my criticisms, i thought this episode was fucking great. I think the directing captures the dread and haunting oppressiveness mogami's illusions were meant to have on mob quite well. The adaptation communicates well what mob went through and why it broke him. What my criticisms amount to is that while the direction communicates well how mogami's macabre thinking eventually
Anonymous3390450
@Animosh that 2-3 chapters pace is not really a reliable rule, because that standard is completely dependent on how much content is in a particular chapter. The second half of this Mob psycho episode adapted like 3 or 4 chapters without feeling rushed; why? because those chapters the second half of the episode adapted were all action scenes, which when animated, take up less runtime
Animosh
Maybe I've just been spoiled by that other big Bones adaptation, My Hero Academia, which not only has great pacing but even adds high-quality filler to improve on the source material. Compared to that ... this was rather disappointing. But as Lenlo said, the episode did still do a lot of things right, so I didn't hate it or anything. It's just that it could have been much better still.
Animosh
@Anon: maybe that would have been enough (it would certainly have been an improvement). It's been so long since I read the manga that I don't know how much was cut exactly. But in general 2-3 chapters per episode is the pace adaptations should aim for, but these two episodes covered a whopping 8 chapters. That's just too much, especially for an arc where build-up is so important.
Lenlo
I think a longer episode, cut the OP, squeeze out every minute, would be better than a whole nother full episode.

Thing is, I think we are only a bit disappointed because we were manga readers. For anime only, this probably still hit all the right notes. And really, the entire episode is just straight fire animation wise
Anonymous3390290
@Animosh Nah; i don't think giving it 1 more episode would have been the answer, all it would have done is drag things out. What this episode needed to tape into its full potential was to be an extended episode; a 27 min ep that cut both the op and ed. If mediocre shows like re:zero can get 26 min eps commissioned out the wazoo then why can't a great show like mob psycho get that shit?
Animosh
I did still enjoy the episode as a collection of well-animated action set-pieces, but as a story arc just one more episode could have made it so much better imo.
Animosh
To use your example: no, an episode filled with suffering wouldn't have been fun. But now we barely got a glimpse of what Mob went through. The boy went through hell, and he was stuck there for six (!) months. Even so, he decided to forgive Minori, and his positive emotions beat Mogami's negative ones. In the manga that felt like a triumph, here not so much.
Animosh
But as a viewer (and a manga reader who's a fan of this arc), I thought it was somewhat disappointing. Yes, without the cuts the episodes may have been a bit less engaging, but I think that would have been fine all things considered. Build-up episodes are always less fun than the dramatic highlights, but they're necessary to make them land.
Animosh
@Lenlo: I understand why Bones did it this way, and I agree it would have been harder to make each episode engaging, get them to end at good points etc otherwise. It's also very possible they were contracted for a certain number of episodes, and if they want to get to the end of the Claw arc in 12 episodes some short cuts were inevitable.
Lenlo
Theres more, but I need to sleep and save some of it for the post
Lenlo
Both of them sacrificed their bodies for others. Her to make money for the kids, but willingly. Hyakkimaru for his family and clans prosperity, but unwillingly.
Lenlo
I think it would have made a fine cliffhanger, but not as good as this. Because this is a fantastic parallel I am writing about for the Dororo post.
Kaiser-Eoghan
Would that have made for a good cliffhanger
Kaiser-Eoghan
@Lenlo: What would you think if the episode had ended with the shot of dororo's reaction and the scene with the girl and samurai was reserved for the start of next weeks episode?
Lenlo
Also, fun fact, the episode ending? The part involving Hyakkimaru? Anime original.
Lenlo
Great episode
Lenlo
She also covers herself up when Dororo mentions Hyakki can see the color of peoples souls. More foreshadowing. I loved it.
Kaiser-Eoghan
@Lenlo: A yes, re-winding and paying more attention to her expression at the episodes start after finishing the episode and then going back to it I see the foreshadowing.
Kaiser-Eoghan
@Lenlo: Ah what better eyes you have for things than I do =P
Kaiser-Eoghan
@Lenlo: Perhaps yes it did show everything openly but I think it did it in a bleak, grim, non-exploitative, non-minipulative, non -overdramatic way.
Kaiser-Eoghan
@Lenlo: Shows how shitty it was too for women back then too.
Kaiser-Eoghan
@Lenlo: But this is another great example of how gritty this can be and not holding back in terms of the setting.
Kaiser-Eoghan
@Lenlo: Also that we see it through the most innocent characters eyes. I wonder if the manga or old series had that in there.
Lenlo
Yeah. I suspected it from the start, seeing her washing herself in the river, but it was very... blatant. Nothing to the imagination
Kaiser-Eoghan
@Lenlo: I was rather surprised at the frankness of the final scene.
Lenlo
Dororo so sad this week ;_; I love it
Lenlo
@Animosh, I was pretty happy with this weeks Mob really. I understand the pacing concern, but I don't see how they could have adapted it without having a single episode full of just suffering. It works for a webcomic, but not for a weekly animation I dont think. I plan on rewatching it in a bit and will see if my feelings change, but I enjoyed it. Still mulling it over narratively though
AidanAK47
@Firechick, New Anime reviews are automatically added to the review index on the header.
Kaiser-Eoghan
@Animosh: The choice to draw the characters as animals makes for something different to, with the character designs.
Animosh
@Kaiser: that sounds pretty great! I'll be looking forward to the anime then. :)
Kaiser-Eoghan
I liked Dororo this week, that him getting his hearing back would actually be initially something he'd have to get used to.
Kaiser-Eoghan
@Animosh: I actually only very recently saw zootopia.
Kaiser-Eoghan
@Animosh: I initially mistook beastars as being a slice of life school series that had bits of comedy and that the animal thing would be just a gimmick. Ended up getting a gritty drama with well realized characters and world building and an addictive pace.
Animosh
The designs weren't as good as they could have been either (from the rather unimaginative ghost designs and sparkly eyes Mob to the dull background environment), and the action was a bit hard to follow at times (which wasn't the case in the manga). It was my favorite manga arc back when I read it, but it certainly won't be my favorite arc from the anime.
Animosh
Still not a fan of how Bones adapted this arc. The pacing was way too fast again, and the emotional climaxes didn't really land for me as a result. And although the animation was excellent as expected, I really didn't like the change in aspect ratio. The intention was probably to make the experience more cinematic, but the main result was that everything looked smaller, and therefore less intense.
Animosh
That's the manga series you and Amagi were talking about a while ago, right? Is it good? The plot description reminds me a bit of Zootopia.
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