Posted on 23 June 2016 with categories: Anime Reviews, Mayoiga

Mayoiga has to be one of the most misunderstood shows in recent years.

On a surface, the premise alone has a lot of potential. The idea behind putting 30 people, each of them has very different set of personalities, together in a bus to a mysterious lost village, in order to start over new life is an intriguing concept, because there could be lots of angles to explore, even within its mystery/horror fare. The show could use the setting to explore the internal conflicts between the cast, or the nature of those monsters that drive anyone insane or even dig deep to the mystery behind Mayoiga, or the show can go full cannibalism that was suggested many times in the first episode.

Instead Mayoiga goes off track very early and never looks back and the overall execution certainly stands out, in a very-bad-it’s-good way

Billed as a mystery show, Mayoiga contains many elements that feel like a recipe for disaster: over the top characters, awkward pacing, long and meaningless conversations. In the first 10 minutes of the show for example, literally EVERYONE in the cast got introduced (and that 20 plus characters to remember). The characters have a distinct and overall solid character designs; but most of them are way too over the top to feel like real people. Mitsumune, our main character, for instance, feel really bland and his only traits are unsure about himself and his affection towards Masaki. The conversation drags on, don’t really advance the plot or flesh out the characters. Worst of all, the pacing sucks, sometimes it drags for too long before moves too quickly, for example in the first half of the show, there are few episodes where nothing important happens except the cast arguing. The cast themselves uses their time wisely to talk about how to call rock, paper, scissor the most correct way, arguing over the name of one of the cast who just vanished, or lying asleep in the end without the care of anything else.  The cliffhangers, were presented in almost the end of every episode, just so that the stake returns back to normal in a very next moment.

Thematically, Mayoiga actually has its meaning underlying under the surface. The monsters are revealed to be Nanaki, which are part of each individual’s past psychological trauma, come to life. They are a symbol of all those ugly things that the cast left behind to start over their new life. They are not, as the series progresses, intend to harm the cast, but are a part inside each character, and the show made a point (as in your face as possible) that all of them need to face their own Nanaki (their traumatic past) in order to become a better person. The Nanaki monsters, represented in 3D animation, are both out of place and uneasiness at the same time, which actually fits to the theme very well.  But I have to say, reading this underlying message is a bit too much, as the series itself never attempt to dig deeper into its theme.

Which brings me to the next point, many of the above elements actually WORKED in favors of the show. One thing that Mayoiga truly excels, the one thing that Mayoiga will likely be remembered for years to come, is its ridiculousness. All the ridicuolous, awkward bits are intentional, majority of them are so well-aware that it becomes hilarious. Many of the Nanaki monsters, for instance, are just plain silly in concept, such as a big silicon boob monster (yeah! You read it right!), or a girl seeing a giant Mitsumune because he happens to look like her ex-boyfriend, so instead of seeing her ex she would see Mitsumune who she just met for 2 days. See the absurd sense of logic here? Indeed, most of the cast embrace that ridiculous sense of logic wholeheartedly that it’s actually refreshing to see them keep betraying our expectation. Lovepon would be nothing if not for her “execution” speech, and after a while it’s just feel so welcome to see her running for her life from the monster, still remain in character “We going to be executed!!”. The Driver and his bus also keep appear/ vanish without any explaination is also a good running gag. Other characters, like Mitsumune, Hayato, Koharun, Nanko, actually the whole cast also embrace their one-note traits to a bitter end, put it up to the max that they become so gimmick and fun to watch. The conversations, as I mentioned above, drag on and on; but there is a lot to enjoy there, mainly for their unique train of thoughts and the ridiculous topics they could come up to.

Like I mentioned in my review posts, Mayoiga is a masterclass of using anti-climax not only to twist our expectation out of the usual conventions, but also to reduce any tension whatsoever. Take the revealing about the nature of Nanaki for examples, in a sequence where 4 members of our group witness their own Nanaki, they seem defeated, had nowhere to run but somehow, all of them managed to escape from it, without any injury. In other scene we witness the group decided to tied Masaki up and attempted to stab her, just so that she got ambushed by the bus driver, who drove her away just to beg her to allow him to meet his daughter again. The extensive use of anti-climax might seem uneven, absurd and even laughable at first, but actually these are all intentional so that the show can screw you out of any conventional sense.

But self-aware or not, Mayoiga can’t hide a fact that, in a nutshell, this show is an incoherent mess. In fact, inconsistency is the only consistent trait the show has. Mayoiga always feels like a product of too many minds, too many ideas that crammed all together, that contributes to too many half-baked ideas, and the pacing is all over the place. This seems understandable though, as in the process of making Mayoiga, the director Tsutomu Mizushima (Girls un Panzer, Shirobako, Prison School) encouraged the team to come up with ideas, and Mari Okada responsible for putting everything together. On that note I have to say the ending is surprisingly conclusive. Yes we would never know what happen to the people before the cast arrived, or how the majority of the cast meet their Nanaki (they JUMPED straight from those guys sleeping to they being back to the bus), but all the main questions are addressed and I actually feel kind of satisfied with the ending. This is a show with lots of obvious flaws, but it is also a show that unlike most of our usual anime fare. I have a great time with Mayoiga and ’m happy that I got the chance to cover it.

~SuperMario~

Posted on 19 June 2016 with categories: Currently Watching:, Mayoiga

Mayoiga pretty much wraps up its story this week and for the series that focus much about anti-climaxes and inconsistency, this ending neatly conclude all of its main loose end. In the final twist of Mayoiga, it turns out that Koharun is God’s daughter (now I understand the inclusion of him in Mayoiga) and all she does was to prevent a Nanaki from fading so she could take her father’s Nanaki back. Sounds vague, right? But this is Mayoiga we talking about so I have no complain. The thing I notice in this last episode was the main confrontations this week: from Mistsumune and Hayato, Koharun and her father, to Masaki and Reiji; are not at all feel ridiculous but are quite emotionally effective. This result for me not come from the writing, but comes from the director who knows how to make a shot that bring out the most effective drama.

But also true to Mayoiga, the amount of ridiculous and (un)intentionally hilarious moments are still all over the place. Lovepon again proves that she’s one of the most consistent character in the show, with her remark “We’re going to be executed” while being chased by Hayato’s Nanaki. I also enjoy the way Dahara keeps betraying himself, telling people that he’ll stay one moment, then completely change to go back like nothing happen. Or the fact that Yotsun appeared in God’s house at the end credit, where previously he was stuck in the bus in the Lost Village, but then, Who Cares? Or many out of nowhere but equally hilarious punchlines “so her dark past was a boy” / “Guess I‘ll call off the engagement when I get back to reality” – “So you coming back?”/ “Koharun is a villain” that really explain why Mayoiga is one of a kind anime series out there. I also love the fact that after going through all kinds of Nanaki troubles, personal conflicts, all the cast reflect were people having the same painful experiences, so we might be not that unlucky to begin with. I’m still amazed with the train of thought this group has. Moreover, the decision to split, majority of them leave, some of them stay, was natural for me but seems so random as well.

So in the end, as far as the last episode goes, I’m happy to say that Mayoiga succeed. The episode tied up all the narrative loose end here, while still maintaining its own silly beat. All the things that shouldn’t work in other anime: namely the over the top characters, awkward conversations, silly themes and most of all ridiculous situations; all worked here. I won’t go as far as saying the whole thing is a success, because damn sometimes I still can’t put my finger on whether all the silly incidents are intentional or not; but it is really a feast to witness a series that offer something so different than the rest of your typical anime out there.

~SuperMario~

Posted on 15 June 2016 with categories: Currently Watching:, Mayoiga

With the ending where every crazy idea has to wrap up and come to an end, it’s no surprising that Mayoiga has a lesser amount of goofy scenes and ridiculous characters compare to their previous episodes. But this is still pretty much a Mayoiga episode. I must tip my hat off for the creator of this series for making the whole thing ridiculous and unpredictable till the very end here. There are some interesting revelations this week, and I’m intrigued to see how the last 2 episodes can make use of that. First, for the first time in the series, there is an actual scene where the show goes for real emotion, aka the bus driver and his daughter. In that particular moment, things don’t go ridiculously, but actually very tender and honest. This seems really out of place with the tone that Mayoiga keep building for 10 episodes, but then again out of place is what Mayoiga known for. We also get another revelation about the nature of Nanaki, apparently some of them can be visible to other people and can talk because of… What? I honestly still don’t get it. So the Nanami can talk after people accept his/her own Nanami, but it doesn’t seem like the case with Masaki, and isn’t they going back to their real life? Duh. We also learn that Koharun had some kind of traumatic experience in the past, that’s why she can’t trust people she used to trust and tried to power up the Nanami. This is an interesting development and I can see her circumstances parallel with Masaki’s here. While it is revealed that Reiji is Masaki’s Nanami, it comes down to both Reiji and the person Koharun trusted were the people both girls care the most, and they lose it. Koharun for me is the wiser, more mature version of Masako, and might be represent what Masaki would have been if Mitsumune failed to help Masaki facing her Nanami.

But then, attempted to dig deeper in Mayoiga seems like a waste of time, as I can safely say that Mayoiga does not try to provide any deeper meaning behind its premise.  Not everything that add up in Mayoiga, like I still don’t know why introducing a “God” character, so late in the game here. It’s not like he could change anything. And the ridiculous gags keep popping up with so deadpan delivery that for me is purely gold. My favorite gags this week is how the bus driver keep appearing/ vanish like a badly-written ghosts (remember how he suddenly disappeared last couple episodes ago, made us feel like has was consumed by the monsters, to he reappeared this episode, safe and sound, and the vanished again at the end of this episode); or how a bunch of characters that the characters seems like get tired of them, so they literally put the cast to sleep. Their reactions to the ambush is so hilarious that made Mayoiga such a pleasant to watch. One of my favorite whimsical moments would be when God explains that he has tried to stop people coming to the lost village for years, and unfortunately on the day that the bus arrived, he fallen asleep. Typically, Mayoiga! Looking ahead, we have the big bad Nanami that Koharun had raised and Mitsumune team going to rescue our princess Nasaki. Things look brighter ahead and I expect things will blow up in the last 2 episodes.

~SuperMario~

Posted on 5 June 2016 with categories: Currently Watching:, Mayoiga

It is a feast to see a show that still remains very unpredictable till its very end. Yes, this episode put the silliness to the max and I prefer it this way. Now to think about it I think this might be one of the best way to approach Mayoiga. They consistency screw up our expectation, twist any ordinary convention by making things as insane and as little sense as possible. So kudos to Tsutomu Mizushima for remain really consistent for composing things inconsistently.

Because for me, the fun of watching Mayoiga is to experience the ridiculousness of the episode, and this week it’s choke full of absurd and nonsense sequences that  today instead of reviewing the episode, I will rank them in order of RIDICULOSNESS:

Mayoiga 10-10Mayoiga 10-9

For number 10, we have our Yotsun back (which makes the total body count a big ZERO). This is a good introduction phase to our GOD, which later we found out that “a long time” means 3 years ago.

For number 9, we learn that Mitsumune indeed returns back to the real world. We witness one of the most bizarre parental guidance (“You can leave home and come back any time”), and even a more chilling confession above. It’s a shame because after nearly 10 years of imposing his dead brothers, Mom just decided to not getting better. And what they mean by getting better? Accept Mitsumune as Tokimune? Yuck.

Mayoiga 10-8Mayoiga 10-7

At number 8 and 7, we have two out of nowhere backstory mean to freshen out Yotsun and Lion, respectively, which at the end we learn nothing new from each of them. Who are the people with those cello? His parents? Over the rap career? Lion said nobody believe her but she did build quite a strong following so I’m just not sure what she complaining. Also her gift is quite vague: she can see dead people? She can see the people who about to die? She can see people that might not die? Oh god. This adds up to nothing, which also means Mayoiga at its best.

(more…)

Posted on 31 May 2016 with categories: Currently Watching:, Mayoiga

Now the trick to enjoy Mayoiga is to expect the unexpected. Anything could happen, and probably will. The series has successfully tweaked our noses weeks after weeks, then if Mayoiga stops being ridiculous and becomes conventional, I would be very disappointed. The fun is again on par this week and we have one of the most bizarre flashback of the show (which already a high bar), together with ridiculous monsters and crazy character’s interactions. In other words, AWESOME.

Let’s get to the ridiculous part of this episode, shall we?  The biggest revelation this week is of course, Hayato’s past. Prior to this episode, Hayato seems to be one of our most sane person on this colorful group, except for some motherly attitude towards Mitsumune, he might be the one who keeps our insane cast a balance. Well, maybe not. He turns out to be as insane as Lovepon’s level, wanting to keep Mitsumune as his pet. I believe his very existence in the series so he could murmur this speech: “I realized that I need a puppet of my own”. It makes sense. Hayato behaviors and his past fits like a glove to what Mayoiga has been established so far. And Hayato got an extra point for his trauma past (the over-control of the parents is totally different from his fear (his grandma’s picture, which was another victim from their parents), I’d be damn if he could ever resolve his own issues. But the crowning achievement for me is Valkana with his line: “I managed to escape because it was kinda surprisingly low”. The delivering is just pitch-perfect and deadpan, especially from the serious guy Valkana.

Many ridiculous unresolved plot lines appear throughout this episode like a spider-web. The tunnel scenario ended with the Driver again being the most childish and stubborn man of the series by doing exactly what others say not to do. He himself was vanished afterward but it seems like no one care at this point. The Lion group contains of Lion, Maimai and Nanko tried to investigate the tunnel (which ridiculous method, putting Maimai into the tunnel to see if she still sees the monsters) and get interrupted by Jack, who then was interrupted by an unknown man, presumably Masaki’s uncle. If all of that doesn’t make any sense, then I do this series justice.  I have to say the monsters appear to be more like a mascot characters this week, they not actually scary and they at least don’t mean any harm. Maybe they are just like a device for characters to look through their darkness, then perhaps they will get back to the real world? That a sense I get from Mitsumune waking up at the end of the episode, but we will soon know the answer next week. At this rate if next week we find out that Nanko and Koharun (the only two left who still act like normal human being) turn out to be insane, I wouldn’t be surprise at all.

~SuperMario~

Posted on 23 May 2016 with categories: Currently Watching:, Mayoiga

Again this week Mayoiga succeed at bringing a big screw-you to us audience. The cliffhanger last week is quickly revealed, and we come to learn that Masaki is not a ghost, nor is she a witch, but simply that… she had visited the Lost Village before. Big surprise! It really is a ridiculous anti-climax, but this time I mean it in a slightly positive way. Indeed, Mayoiga is a series of anti-climax scenarios put altogether. Like remember before Mitsumune and the gang saw a floating body in a river (presumably Yotsun), he got into a dramatic fight with Lovepon, and what did we get next? A see-through wet clothes of Lovepon. Or when Lovepon, Mikage, Nyanta, Jigoku tried to run away from their own monsters, they started to lose their mind, had nowhere else to run, and what did we get next? They all make their ways back to the village, unharmed, AT THE SAME TIME. The extensive use of anti-climax might seem uneven, absurd and even laughable at first, but actually these are all intentional so that the show can screw you out of any conventional sense. Speaking of body counts, it seems to me that at this point either there will be no one die (even those that disappeared), or they will all die at the end. Apparently Mr. Judgement what-his-name has returned safely and even more equipped than the rest of the cast. Well glad to see him back, I suppose.

Masaki, once again with her poor choice of words and kind-but-clueless attitude, failed to convince the cast and was nearly execut… No I mean exorcised by the gang, before the bus driver, Hollywood style, kidnapped her and somehow Mitsumune and Hayato tagged along. The craziness doesn’t stop there. It turns out the driver abducted her so that he can beg her to see his daughter again (talking again about anti-climax). The relationship between Hayato and Mitsumune seems weird as well. He really cares about the well-being of Mitsumune, like a lover really, to an extend to follow him to Nanami village and nearly stab the “witch” girl to save his friend. Mitsumune, on the other hand, seems numb about the “big secret” of Masaki, but reacts like a maniac when someone mentions that the uncle guy might be her boyfriend. And guess what, someone actually admires him for his hormonal impulses because “he stands up for Nanami”. Taking about common sense. Love conquers all huh?

All this sarcasm aside, we learn two new things from this episode, that there might be more lost villages like Nanami village, which could be an intrigue idea. The lost village really is a metaphor of a place where people wish to get there to escape their real world, so it makes more sense if places like this can exist anywhere, any place. Second, the end of tunnel seems to be a borderline between this world and the real world, or it could be between this world and hell, because as Masaki puts it bluntly, there is something dangerous in that place. So they could either face the hellish, nightmarish world, or they could see themselves in the real world, all dead.

~SuperMario~

Posted on 15 May 2016 with categories: Currently Watching:, Mayoiga

This going to be a ridiculous post review rambling about the ridiculousness of Mayoiga. This week the silliness has gotten to the whole new level. I’m not going to complain though because this is just Mayoiga being Mayoiga. Ridiculous had always been its main element since the first episode. It’s not bizarre, it’s not absurd, it’s just plain silliness and I have become really appreciate that silliness. This week there are so many madness happened and it’s always fun to talk about that. Firstly, it’s amazing that just from a little news article people read last week, they really convince that Masaki was a ghost to the point of tying her and stabbing her just to test her out. Even when the poor girl is bleeding they would think that this is her ghost’s power. What an amazing train of thought this gang has. Consider that this is not one of the series where they would explore the dark side of human by blame someone as a sacrifice thingy, in this show they really believe that Masaki is a ghost. Lovepon remains everyone’s best friend with all her suggestions keep feeding people what to do. Secondly, the backstories this week are just as nuts and ridiculous as last week. From Mitsumune’s story of his twin brother passed away because of his Mom shouting, his mother keeps treating him as his twin dead brother, to the father who actually suggest him to play the twin role, to his sincere apology for things not going according to plan. The most amazing bit is that we also learn that the father was a teacher and he was in the process of promoting, which is NOT AT ALL related to the how Mitsumune turns out the way he is. Other backstory is from Maimai, the girl who saw giant Mitsumune few weeks back. Turns out that her ex was similar looking to our main character, and by dating him, everyone (including the guy) turns their back on her. This must have hurt her a lot, and she must really miss the guy, since what she saw back there was not him, but the giant Mitsumune. And I did remember not only her see the giant monster, but others like Nyanta and Toshi Boy was scared and run away as well. Are they really see the same thing? I guess not but the show seems to forget about that bit as well. The third ridiculous thing happens when our main guy, who always wants to stay on the same side with Masaki and would do anything just to be with her, was defeated and back down from his love when he faced the monster. “Masaki, I’m sorry” he said. Other silliness stuffs include the gang decided to deceive our main protagonist, which make the whole conversation the most human-like moments of the show; and the way Valkana keeps judging Koharun for going with the flow and try to calm Hayato down from stabbing Masaki, but he ends up to be the one who hold Mitsumune down so that the other guys can proceed what they are doing.

Seriously, it would take me all day to talk about all these ridiculousness, and it’s precisely what so interesting about Mayoiga. Don’t let the other stuffs like backstories and theme fool you, Mayoiga has no deep meaning and had no attempt to do so. It’s just loud and madness, but at the same time it really feels like you talking to your drunk old friend, where you know all his talks are nonsense but you can’t help but enjoy them anyways.

~SuperMario~

Posted on 7 May 2016 with categories: Currently Watching:, Mayoiga

Back stories time! This week of Mayoiga dedicated itself for backstories of many characters. Too many characters indeed. This is for me the turning point of Mayoiga, where many facts are revealed and we seem to head to the new phase. The show now becomes much clearer and have a sense of direction. This week, Lovepon, Mikage, Nyanta, Jigoku all have their own stories to tell. Most of them ridiculous as they are (like the silicon part, or the monk, or the 12//20 mix-up, or the bullying girls, basically all of them), but they all serve their purposes. Lovepon, for example, has been a source of complaint for the last few weeks as being one-note and anime-like, but with this week’s reveals, she was also a victim of injustice, violence and her own hatred. The use of heavy symbolisms in these flashback scenes could rivals Kunihiko Ikuhara’s shows anytime, and I mean it in a good way. The devil, the silicon, the bees and the laughing train are representative of their characters’ deepest fears, their CG designs make us feel both uneasiness and alien, and that exactly what the show aims for. Those flashbacks give us a reason to care for those characters and I for once root for them when they running away from that thing. The most effective story is for me, Nyanta. Being bullied is more common than you would think and people tend to do more extreme and painful things to cope with it. In her case, this is to shoot those bullying girls with a BB gun. There is a sadness behind all that and Mayoiga (briefly) nailed that raw emotion.

So it appears that the Lost Village is a place where people have to face their darkest sides, they have to face the negative feeling (like hatred, shame) that they had buried inside themselves, which for me is very fitting. Remember all of them want to go to the Lost Village because they want to run away from their problems to make a new life there. Well they can physically escape from it but they have to face their own issues in order to really get over it. As I suspected, Masaki is the main source to all the mysteries, but I don’t think she’s a ghost yet. From what the paper says she was just disappeared, so I think she was stuck in this lost village ever since. There are two things that baffles me this week: first, how the hell that those 4 people were chasing by god-know-what but they somehow all escape from it, I originally thought they would be killed or at least be vanished. What’s else going to happen after this? Second, I find that Koharun’s habit of stop talking and then singing in the middle of conversations is a bit chilling, it’s like she’s a ghost. Hell! Mayoiga! You might be the only one show that can pull it off.

Mayoiga this week delivered all the ambitious intentions it promised since its premiere. Just for this time, I feel glad that I haven’t given up on this. Whether it going to stay this inspiring or stumble for the rest of the series is everyone guess. At least we’ll always have this episode. We’ll always have Paris.

~SuperMario~

Posted on 30 April 2016 with categories: Currently Watching:, Mayoiga

We now back to the status quo on Mayoiga this week, as the group who left the village decided to come back, and the cliffhanger happened last week was never explained probably. I will say this upfront: this is not a good episode. We don’t learn much after it ends. We have even longer conversations between the cast compare to last few weeks, and even more ridiculous cliffhanger.

But we do learn a few more new things in this episode. Most interesting bit is that they perceive completely differently about the noise they heard (it could be a beast, a robot, giant wings, or a laughter). That could be a hint to the mystery. The lost village can be a place where we deal with our own problems, we see what we afraid to see. In other words, we reach to our darkness side. This could be an interesting aspect to explore but hell, Mayoiga sure doesn’t show us much of a clue here. This week spend too much time on the cast arguing with each other, and truthfully, I’m getting tired of them accusing each other episodes after episodes here, especially when they just repeating the same traits over and over again (I dare you to find a line in which Lovepon doesn’t scream “executed”). If the show indeed relies on those characters’ interactions for its mystery, then this can be redeemed, otherwise, I don’t see a reason why there are too much of this.

The other bit of information we gather is Lion’s ability to see the dead, or to be more exact, she has an ability to see people about to die. This is a good character moment for Lion and it’s not really come as a surprise, seeing her as the mysterious and quiet type from the beginning, but the reveal scene is still somewhat absurd. The cliffhanger at the end actually leaves me more annoyed than engaged, the characters just keep sprouting random names here, just like last week’s driver’s daughter, and I bet next week we learn a bit of who is this Tokimune again, only to be left forgotten for the rest of the show. Why the heck should I care then?

It looks like Masaki on the verge of revealing something to Mitsumune here. I hope they don’t take few more episodes until we get that bit of information. In fact, Mayoiga gives us very little information to work with. The worse thing is that if it keeps on dragging like that, people will start to lose interest in the mystery, if not already.

~SuperMario~

Posted on 25 April 2016 with categories: Currently Watching:, Mayoiga

It’s until this week that I just noticed the rather strange part of the OP of Mayoiga, the sequence was shown in the point of view of Masaki. It starts with her, then introducing the cast and finally ends with her standing alone in the lost village. But when I think about that, only in the first episode that we kind of follow Mitsumune as the protagonist, and that is because he had the most affection towards Masaki. She was also the last person to encounter Yotsun before he went missing. All the speeches from her are kind of prophetic as well. It seems like she unconsciously aware a lot of things about the place. Now I’m not implying she’s the mastermind behind everything but now I have a strong sense that she’s the key to solve the mystery.

We also pick up two important developments this week. The first is when the group felt threatened by the mystery and more than half of them decided to go back. I’ve always enjoyed those characters talking forth and back. Most of them are over the top and ridiculous that it’s rather fun to watch them shouting at each other. In this case they have many oppose opinions on whether or not staying is safe, I know that staying with Masaki is the best option (haha!), but I can see why they decide to leave as well. It’s a small complain but Mitsumune become increasingly annoying, every decision of his was driven by protecting Masaki, staying close with Masaki… makes him a paper-thin personality. The group decided to leave the village is an interesting progression as well, as I’m pretty sure they couldn’t leave the village, I’m curious to see what happen next to them.

And then we got to the mystery near the end. It certainly is fascinating. If the lost village is a passage way between the life and afterlife, where we can meet deceased close people, then I’m all for it. But the way I see it, it seems like Mayoiga is the place where we can encounter our deepest fear/desire. If this show goes to either of these directions, it could become a very interesting show, because when the mystery related to human emotions, there’s a lot to explore and we at the same time get invested. Many episodes ago I complained about the bus driver’s shaky role in the story, but I’m happy to say that this week he had a solid progress here. Still, damn if I know what the giant Mitsumune looks like.

~SuperMario~

CHANGE USERNAME
SuperMario
@Amagi: I think the person who made the sub for Maquia did a pretty neat job. Not perfect but the translation flows well
Vonter
We've seen realistic Pokémon fanart, but how does a movie looks when it attempts it. https://www.youtube.com/watch?v=Q8CKgQFo5U8
Amagi
How are the subs for Maquia? I only heard anons complain about it.
Kaiser-Eoghan
*dealing with
Kaiser-Eoghan
Though you should really torrent it.
Kaiser-Eoghan
There is 1080p stream on kiss anime, if you hate deal with the ads on that site the 4up stream on anilinkz has the best quality of the available links
Lenlo
Where did you see Maquia online? I still need to watch it. PM it to me on discord maybe? Pretty please? <3
SuperMario
One fact that not many people know is that Penguin Highway is penned by Tomihiko Morimi. It indeed has many Morimi's signature inputs
SuperMario
This year, I'm doing well with catching up anime films (kudos for Australian's Madman who always license these titles very quickly). So far, I've watched Mirai, Maquia, Penguin Highway, Let Me Eat Your Pancreas and My Hero Academia the Movie
SuperMario
So I watched two anime movies this last week, Penguin Highway in theatre and Maquia online. Both of them are pretty solid in general, especially Penguin that has magical realism elements and some great chemistry. Whereas Mari Okada's writting still rubs me in the wrong way sometimes
Lenlo
D: He did, back in August actually apparently
Kaiser-Eoghan
@Lenlo: I heard Dino's voice actor died.
Kaiser-Eoghan
If we all took Goblin slayers attitude to trolls, then we would more easily ignore the trolls =P
Kaiser-Eoghan
Big twist in the golden kamuy manga.
Animosh
@SuperMario: remember that in the voice drama Rikka mentioned talking to Yuuta in their classroom during the ball game. Pretty sure it's about that.
SuperMario
@Animosh: i just watched the episode and noticed the lyrics as well. "The Promise" seems vague at the moment. Could be between Yuuta and whoever fits but I agree the "save someone from boredom" is about Akane
Animosh
You learn something every day. ;) Honestly though, I actually skipped the opening, so I hadn't even noticed that it had been translated until others pointed it out. And most of the time the lyrics are just cheesy one-liners, so I usually don't pay much attention to them either. But once in a while there's some nice hints hidden in there...
Kaiser-Eoghan
Y'know I never really ever paid attention to the lyrics in anime openings, I'd never thought to.
Animosh
The Gridman OP has been translated for the first time, and there's some pretty interesting reveals in there: it mentions a "promise" made in a classroom (so now we know how Yuuta and Rikka bonded in the past - glad it wasn't a simple confession), and talks of "rescuing" someone (presumably Akane) from boredom. So I guess she'll join the good guys eventually?
Lenlo
1200 words. I need to stop writing so much.
Kaiser-Eoghan
I haven't seen last weeks episode of Irozuku or this weeks =< I'm waiting now for a bit to see if the series paysoff.
Animosh
Goddamn those magic segments in Irozuku were stunning! It's a shame its humdrum drama can't live up to its visual beauty, but I'll take it.
Kaiser-Eoghan
I think Ash's design is based a bit on River phoneix.
Kaiser-Eoghan
Sorry Eiji but your Ash is in another castle.
Kaiser-Eoghan
@CoolerAnon: I was about to say that. Kidnapping gets used alot in shojo.
Anonymous3072040
Yeah Ash is basically Princess Peach
Kaiser-Eoghan
@Anon: I share your concerns, I don't know what studio is doing it. Some people want it to be mappa, some don't want it to be polygon pictures to adapt it. Its and long and violent manga, with some very funny at times dark humour, it could end up rushed and/or censored.
Anonymous3072021
As much as I love Dorohedoro I'm unsure if I should be happy or worried at it getting an adaptation, it isn't exactly the kind of story I imagine being easy to adapt well.
Lenlo
Yeah, I am touching on that in my writeup as we speak. The compressed story is causing Ash to be captured every other week.
Animosh
I agree Banana Fish was great this week though! My only gripe is that I'm getting sick and tired of seeing Ash get kidnapped again and again. He just escaped a couple of episodes ago! And he's just a lot more fun to watch when he's out there doing stuff.
Animosh
In a way the fights actually feel more realistic to me than those in Banana Fish. Sure, they're fantastical, bizarre even, but its battle system has a clear internal logic, and generally no power is infallible (each has its limitations). In Banana Fish the fights are rather poorly thought out by comparison. Their purpose is more to make Ash look cool than to give him realistic hurdles to overcome.
Animosh
@Kaiser: what sets Jojo apart from other battle shounen for me is how ridiculously creative its fights can get. Part 2 already shows some signs of this, but the introduction of the Stand system in Part 3 pushes it to another level, and in Part 4 the fights are consistently awesome. There are no simple beam struggles here: every fight is a battle of wits, between people with wildly different powers
Niel
Vinland Saga anime, and Now Dorohedoro just got announced. i'm really liking this trend.
Lenlo
Lots to writeup on Banana Fish this week.
Lenlo
Just finished it, I really like Blanca.
Lenlo
Because Jackie Chan and his stunt crew are some of the best in the world. There is a reason he has to insure his guys from his own pocket. No agency will take them
Kaiser-Eoghan
I have no idea how the hell Jackie Chan is still alive.
Kaiser-Eoghan
Action works best for me when I really feel that theres danger involved. Thats why when some actors do their own stunts, you can fear for the actors life, and also the character.
Kaiser-Eoghan
And thats why I'm a big fan of all that Chinese martial arts stuff from the 60s and 70s, that really expertly crafted chereography.
Lenlo
As for action, I like good choreography more than any super powers. Its why Cowboy Bebop, Seirei no Moribito, Sword of the Stranger and some Naruto fights are fantastic.
Lenlo
Im about to watch this weeks episode, so this chat makes me hopeful. I agree Ash and Eiji are the backbone of the series, and yeah me and Kaiser both agreed that the Gang war aspect was pretty weak, though I thought the finish with Arthur wasnt half bad
Kaiser-Eoghan
And I think Banana fish has a great grit to it for this reason.
Kaiser-Eoghan
I'm even more thankful to Banana fish too for that it keeps the action within the bounds of out of fantasy.
Kaiser-Eoghan
I've always been kind of a guns and swords and kungfu gut.
Kaiser-Eoghan
Black lagoons great example of anime action I can get behind.
Kaiser-Eoghan
I always found weapon combat and fist/kicking combat more raw and real,tangible than beamspam.
Anonymous3070972
But yeah if you're not a fan supernatural power fantasy action shounens, then maybe not your cup of tea, and that's totally cool
Anonymous3070972
Oh also if I'm recommending a fight from part 4, I'd say check out Highway Star
Anonymous3070972
Kira is a pretty cool villain though; he's always underpowered compared to the main heroes, but manages to somehow get out of the situation with luck or smarts; if nothing else, I'd recommend watching some Youtube clips
Anonymous3070972
*Turn off. lol.
Kaiser-Eoghan
Its more than, even when I was younger supernatural power fantasy action shounen never appealed to me.
Anonymous3070972
Admittedly JoJo always has bad with exposition though, and always will be just due to the style, so that can definitely be a turn on for some people
Anonymous3070972
If you like slice of life with hijinks and a murder mystery combined with cool battles, you'll like part 4
Anonymous3070972
Yeah I can see why you might not like part 1 & 2, they were made in the 80s; I'd recommend part 4 and part 5 (ongoing rn) tbh, I feel like those are better for a modern viewing experience
Anonymous3070972
I used to think that BF's greatest strength was the plot; know I realize it's really about Ash & Eiji's connection first and foremost: as good as the plot can be, Ash & Eiji's relationship is absolutely the backbone.
Kaiser-Eoghan
@Anon: Also that scene where Ash is thinking to himself, looking over Eiji.
Kaiser-Eoghan
Nah, I pretty much gave up on jojo midway through part 2.
Anonymous3070771
Also, anybody notice Blanca's VA is Kira (from Diamond is Unbreakable)? What a wonderful duwang!
Kaiser-Eoghan
@Niello: The producer guy Miyano is voicing, much like the show is irritating because the show has this "look at me look at me" feel to it, it just comes off as desperate to me and this is just going by the one episode I watched and hated.
Anonymous3070771
What's that damn piano song that plays when Ash and Eiji are talking about Japan. It's too good. For some reason, it's really magical
Kaiser-Eoghan
@Anon: I was the one who said that.
@Niello: You don't need to see steins; gate zero, myself and lenlo discussed it to death as it was airing, its all over the place. I like the original too but after a while of the first half being fun, I just wanted it to start.
Anonymous3070771
Phew, great episode of BF; whoever said the gang war stuff was the weakest point was right. this stuff is getting fantastic again.
Niello
Also I agree, Zombieland first episode was amazing, second episode is still rather great, and then the other episodes have just been meh.
Niello
In Zombieland it doesn't help that the character he's voicing with that tone is an asshole, which isn't a good combination because it's making him more annoying by the episode.
Niello
Steins;Gate is pretty good, but I don't think I like it nearly as much as most people do (I gave it a 7/10). I also haven't bothered with Steins;Gate 0. And although I didn't mind Myano in Steins;Gate, I didn't particularly like his voice there either.
Kaiser-Eoghan
I love the sombreness of Blanca's character. Poor Ash, so broken in this episode.
AidanAK47
Yeah after episode 2 it's been a downgrade. Zombieland is still alright to watch but it really has become what it parodied.
Vonter
Zombieland sadly has winded down. I mean it was expected but still I was hoping some more creative attempts to use in the typical genre. It'll have been better if they had waken up more slowly in order to flesh the archetypes a bit more. It still has charismatic moments though.
Lenlo
Really Niello? See, I like it because it's the voice we never got in Steins;Gate 0. Its Okabe's Kyouma voice, and I have a nostalgic love for it
Masky
Wasn't gyary isekai another one that existed?
Niello
I hate Miyano voice in Zombieland Saga and find him annoying tbh.
Kaiser-Eoghan
I am getting sick of self aware humour though. I see this show as something that was fun to make (such as Miyano seems to be feeling based on performances) but not fun for me to watch and that kind of extends to the manager who while I agree would be the best part of the show, I stopped finding funny after the joke was done.
Lenlo
For me, the main selling point of Zombieland Saga was always Miyano. I love this mans crazy voice.

And in regards to Isekai, discounting this most recent one, SAO actually is pretty good this season so far. Kirito is still bland, but its taking things a lot slower and actually building the world. Its taking its time with 52 episodes
Kaiser-Eoghan
By the sound of it, if some who liked the first episodes don't care for the ones beyond those two episode, then I'm glad I stopped watching.
Kaiser-Eoghan
I did flick through episode 2 but the rap battle thing was particularly awful.
Kaiser-Eoghan
@Anon: I couldn't stand the humour and have up on the show after the first half of episode 1.
Anonymous3065780
What Zombieland does have that Ore doesn't is better animation and Miyano hamming it up. But that's all it has going for it at the moment.
Anonymous3065780
You have a few "ha ha look at this" moments scattered here and there like how Ore episode 5 was basically one big middle finger to the nature of anime production, or Zombieland's Tae Yamada. But the parody value from the first two episodes is all but gone.
Kaiser-Eoghan
@Anon: Its in part my own fault , I jumped the gun in the first half of episode one then all goodwill I had for it died after the first couple of minutes.
Anonymous3065780
@Kaiser Same here. Very disappointed that Zombieland is going down the same route that Mahou Shoujo Ore went down: basically becoming what it purported to parody.
Kaiser-Eoghan
Every isekai that pops up in recent seasons, I simply just ignore it.
Kaiser-Eoghan
On another note, surely I'm not the only one who dropped zombieland saga? I'm not alone am I?
Kaiser-Eoghan
I mean, I've never seen an episode of konosuba or rezero and refuse to , no game no life is a series of two halves, I barely watched any of gate .
Kaiser-Eoghan
I think the only one I can say I care about is Tanya.
Kaiser-Eoghan
Y'know I think I've done a fairly good job at avoiding the modern isekai thing, I've never actually cared enough to sit through one fully beyond the first season of log horizon, 4 seasons of zero no tsukaima. Other than that I've seen maybe 7 episodes of sword art . Never seen a single episode of overlord and won't.
Kaiser-Eoghan
@Anon: I'm also glad their mentioning stuff like the peoples will, the historical assassination of the Russian emperor. I enjoy the tidbits of historical reference for the most part.
Kaiser-Eoghan
@Anon: But I don't think the animation is as good as it should be in the anime adaptation and its not as violent as the manga.
Kaiser-Eoghan
@Anon: I am up to date on the manga, the post first scene chapters that have caught my attention most have been Edogai, the big scenes in the prison and that bonnie and clyde duo.
Anonymous3065196
@SuperMario Are you watching GK s2? Any thoughts on it since you aren't covering this weekly?
Anonymous3065196
I think I laughed more from this than most of the comedies airing right now thanks to these bizarre situations and characters they're introducing.
Anonymous3065196
The anime is now covering the parts in the manga where things get a lot more dramatic, and a lot more weird and oddly hilarious.
Anonymous3065196
Wonder if anyone is still watching Golden Kamuy? We're way past the embarrassing CG bear.
Kaiser-Eoghan
A polar bear isekai exists.
AidanAK47
@Anon, it will be after in another world but a polar bear but before the gyarus in another world Isekai.
MaskyAtPublicComputer
Nobody could care about world building not really making sense or being inconsistent if it didn't have the grimderp parts that cause internet flame wars
MaskyAtPublicComputer
So it goes back to what I said: GS at its core is about (at least seemingly) about cool gorey tactical action with some character study of what its like to be broken person like GS is, but rape stuff just kinda ruins it for most people and it doesn't handle subject well
MaskyAtPublicComputer
gear doesn't rust and break down
MaskyAtPublicComputer
Anyhoo, I might remember wrong, but didn't GS purposedly use lower quality gear that has danger of breaking down in middle of combat? Thats kinda what I meant with "apparently using average quality gear is too dangerous", especially since its kinda hard to believe goblins could repurpose armor used by humans for themselves. I'm completely okay with him not using magical gear since D&D wise magical
MaskyAtPublicComputer
Like, you can't be like "Aha, characters think they are in JRPG, but its actually tabletop rpg oh wait no, it still follows realistic logic instead of tabletop rpg rules"
MaskyAtPublicComputer
See, barbarians in D&D don't wear armor because they are stronger without it, sure they have lower AC, but they have lot of health so they can tank a hit. So showing barbarian adventure dying in one hit because they were stupid enough to not wear armor just comes across as "So wait, is this supposed to be realistic, tabletop rpg or JRPG or what?"
MaskyAtPublicComputer
@AidanAK47: That IS actually part of reason why I said GS' author isn't thinking it through with world building. See, I actually think world being gods' D&D campaign does actually explain lot of details about how things don't make sense and it does fit with GS being D&D inspired, but that is another example of how GS is inconsistent.
Kaiser-Eoghan
Perhaps not the strongest episode of honda-san, but the golden kamuy and Brazilian guy bit made up for it.
Lenlo
I might give it a watch after Kaze Fui finishes and write that up, just for you then.
Kaiser-Eoghan
The anime kind of feels a bit live actiony, which I know sounds confusing to hear, what I mean is the character designs.
Anonymous3060338
I'm very interested in doing a comparison between the anime adaptation and the live-action adaptation of Kaze ga once the series concludes next year just because these are two different mediums adapting the same novel. I would really like to know what they had to change or cut to get it down to 2 hours, compared to this two-cour series.
Kaiser-Eoghan
*storytelling
Kaiser-Eoghan
Old films are particularly a coin toss with the huge build up model style of story, the writer needs to be really good to connect all the dots in the last act.
Lenlo
To me, delayed plot points like that are the best, but also dangerous. If it sets it up and pays it off well, its fantastic. However if it falls short, then its a long promise that failed to get fulfilled and it stings.
Kaiser-Eoghan
I'm not a fan of these exposition last minute backstory then the character dies just afterwards "development".
Kaiser-Eoghan
Kaze has created a mood and rhythm thats justified its slow burn, by gradually unveiling rather than one giant infodump, the series seems more natural for it.
Anonymous3060338
A pity that some folks are going to drop Kaze ga just because they're not getting immediate catharsis from seeing Haiji getting what he deserves according to them. We're still likely going to get reasons for his actions eventually, but it will take a while especially when we haven't seen the consequences from the rest of the team. Patience is a virtue.
Anonymous3060338
However, I doubt this sentiment will be shared with most anime viewers who are too used to expecting immediate payoffs because of the episode amount leading to a need to rush through developments.
Anonymous3060338
You know, with most adaptations being required to move quickly to adapt source material from the manga/LNs just to fit in 12/24 episodes, seeing a show like Kaze ga take its time with the episodes it has as a novel adaptation is kind of refreshing.
Lenlo
@Anon, I havnt seen this weeks episode yet, but I am hoping the same. Haiji needs a bit of a reality check. I like him, but he has been very manipulative so far
Lenlo
Yup! I am a fool who keeps covering long shows
Kaiser-Eoghan
Beyond Kakeru's story, I think I'm invested in Kings one aswell. Due to how easily relatable it would be for most.
Kaiser-Eoghan
I wasn't aware Kaze ga was a two cour series.
Kaiser-Eoghan
I haven't read the light night novels, only some of the manga adaptations, is the "its a game of the Gods" thing ever followed up/developed on later in the light novels?
Anonymous3059830
And perhaps show some vulnerability from Haiji, since it seems like other people are getting the impression that we have to sympathize with a manipulative liar and con artist. Granted, I don't think Haiji is exactly that. It's stupid to pidgeonhole Kaze ga's characters under sweeping generalizations.
Anonymous3059830
I'm kinda hoping that during Kaze ga's next episode, that most of the team ends up underperforming during the track meet aside from Haiji and Kakeru. It would show just how unready the team is for the marathon.
AidanAK47
If we are really gonna dig deep into how the GS world functions the big question is how the hell they manage names if everyone is named after their class.
AidanAK47
On another note Masky, part of the game like nature of the world of Goblin slayer is because it literally is a D&D campaign between the gods.
AidanAK47
And I told you lot that it was going to be popular right? Why are you surprised?
AidanAK47
@Masky, That's not the reason he uses lower quality gear. With the amount of goblins he's killing any higher quality weapon would be rendered useless and he doesn't require anything fancy to kill goblins.
Lenlo
Exactly! I loved both of those series as well. I love series where tactics are involved, instead of just yelling louder and getting stronger. Some old Naruto fights had this to, though that fell apart in Shippuden.
Anonymous3059351
@Lenlo - Something like Yuyu Hakusho or Hunter x Hunter were they made a plan for attack through the episode and then do it?
Lenlo
For me, the appeal of GS was, excluding the rape, the attempted realism of the combat. I was hoping for a sort of guerrilla warfare against the goblins esq series. Where a protagonist wins via tactics and knowledge, instead of typical shonen raw power. Sadly that has fallen off a bit since episode 1.
Masky
Thats kinda what I meant though, it wouldnt' be as notable if GS didn't try to be "realistic" aka you know how whole first episode is about how longswords suck in narrow caverns and such. It kinda draws attention to stuff that doesnt' make sense
Anonymous3059351
Even Mirai Nikki was at least bat shit insane on how it played fast and loose with its shock value just for the sake of having a twist.
Anonymous3059351
Still aside from the shock value and the memes I don't get the appeal of this particular series. And I'm saying that as someone who liked Hellsing and Elfen Lied and the shocking parts of Evangelion. And to me I think this isn't as blatant, manipulative or even that edgy. Might just think the intend is perverse but it just hasn't build an atmosphere as let's say Attack on Titan.
Anonymous3059351
I agree there's something off when one puts more thought in what the author intends than what the story does. Because like sexualization and violence is all about how you frame it. The manga I think has more male gaze towards the situation than what the anime has shown, because on one the depiction is centered on the victim and the other at least cuts more towards the attacker.
Anonymous3059351
@Masky - If you think about it. Monsters in fantasy setting rarely are put in depth. How does their populations work? Why several live in dungeons? Beasts, animals and spirits are usually put in the same group.
Masky
Like, Goblin Slayer's wholse speculation about goblin hatred for everyone else being cycle of revenge thing kinda becomes weird when you realize "wait a sec, they can't breed on their own, so even if adventurers never attacked them, wouldn't they still attack villages?"
Masky
Like, if you check the interviews with authors, it seems like only reason he actually chose to include goblin rape was to make checklist of things that make them really horrible/horrifying :P So without really thinking about "is this good idea to include", which kinda pops up lot in the work where author really didn't think "does this make sense"
Masky
t and realize its really dumb logic to increase your chances of dying because you don't want goblins to take average quality gear :P
Masky
Thats my point though, the whole goblin rape thing makes it harder to suspend disbelief because 1) it really clashes with actual tone of the work 2) there are other logical problems with GS. Such as Goblin Slayer's logic of "I use poor quality gear because I know I will one day fightnig goblins so I want to avoid giving them good quality gear" is type of thing that sounds cool until you think a bi
Anonymous3059208
Willingness to suspend one's critical faculties and believe something surreal; sacrifice of realism and logic for the sake of enjoyment.
Masky
Heck on point 3, why the frick side characters treat the world like it is jrpg world. Like, why is there armorless shirtless barbarian character in setting where they can die from one spear to the chest, it doesn't make setting world building wise for that character to have survived to be high ranking adventurer in first place
Masky
I mean, let's face it, in world where goblins like that exist 1) why the heck would they have reputation as harmless pests, they wipe out entire villages 2) what kind of governing body would either let villages be destroyed by "pests" or let villages they can't guard be established 3) why the heck wouldn't all adventures use helmets in world that doesn't follow jrpg logic?
Masky
Anyhoo, my opinion on GS is that it really should have avoided goblin rape thing because it makes people take the show more "seriously" which makes it hard to justify it being popcorn movie level world building.
Masky
Do note though, that over use of rape IS one of things bad about Berserk :P
Anonymous3059052
@Lenlo - Yeah according to Crunchyroll Goblin Slayer has been seen across several places. Being the only unanimous anime I've seen in their infographics. https://www.ign.com/articles/2018/11/05/crunchyroll-reveals-fall-2018s-most-popular-anime-by-region
Lenlo
I also don't care that much. I read Berserk. Rape Horse is a meme in that community. Really, Berserk's trolls did it first. The only reason no one got upset with Berserk's trolls in the anime adaptation is because no one was still watching when it got to that point
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Irozuku Sekai no Ashita kara – 06 [Golden Fish]

Irozuku takes us to episode 6 for something significant happen, but even then it’s decidedly under-dramatic. This week, we have a whole lot more of magical moments that certainly are the feast to the eyes, and develop many underlying themes of its narrative. The central of the conflict this week is Hitomi and Aoi, as […]

Zombieland Saga – 04-06[Warming Dead SAGA/The Nice Bird SAGA in Your Heart/Because It’s Sentimental SAGA]

Forgive me for my lack of coverage on this series but you may have guessed that my enthusiasm for it has died down considerably. I always felt that Zombieland Saga was in danger of losing what made it great in its first two episodes and sadly that has come to pass. This show has ultimately […]

Banana Fish – 18 [Islands in the Stream]

Ah Banana Fish, back in form this week. Ash and Eiji act like a married couple, Blanca show’s everyone whose boss and Yut continues to have no idea what’s going on. Lets jump in! On a general note Banana Fish is really picking back up. The Gang War/Hospital were easily the weakest part of the […]

Seishun Buta Yarou wa Bunny Girl Senpai no Yume wo Minai – 05-06[All the lies I have for you/This world you chose]

Thus we hit the end of another arc and admit it wasn’t a particularly interesting one due to not much being at stake. The characters helped keep it from getting boring but the main conflict was obvious from the start and the solution even more so. So to get things in perspective, Koga and Sakato […]

Kaze ga Tsuyoku Fuiteiru – 6 [The Emperor’s New Clothes]

Hello and welcome to another, if slower than normal, week of Kaze Fui! This time we have friendship, training and Haiji continues to get off scott-free! Lets jump in! Now Kaze Fui this week was, in my opinion, a bit of a non-starter. I don’t think it really addressed or dealt with many of the […]

Planetes – 7 & 8 [Extraterrestrial Girl/A Place to Cling To] – Throwback Thursday

Welcome one and all to another week of Planetes, continuing Throwback Thursday! This week we have a beautiful contrast of Life and Death in space followed by a lighthearted affirming of the group dynamic. Lets jump in! Before I get into actual plot elements, I want to once again praise Planetes for its use of […]

Gaikotsu Shotenin Honda-San – 5 [It’s a Book Signing!! Everyone Gather Up / A Fascinating Erotic Story]

Another week, another 10 minutes well spent with Honda-San. This time we have Golden Kamuy references, a Brazilian and lots, ridiculous amounts really, of gay Erotica. Lets jump in! To be honest, Honda-San started off worrying me this week. It wasn’t until maybe the 3 minute mark that it seemed to pick up. I think […]

Goblin Slayer – 04-05[The Strong/Adventures and Daily Life]

Episode four is one of those episodes which has me at a loss about what to even say about it. I mean in this episode Goblin Slayer went and slayed some goblins and in other news the Pope is still catholic. I mean sure there was a unexpected interruption of a Orge leading them which […]

SSSS.GRIDMAN – 05 [Provocation]

I feel like it’s inevitable that we eventually get to this episode. It’s an episode where the cast will wear some sort of bikini and swimsuit and show as much skin and flesh as possible. We’re also talking about Trigger for Christ sake, one of the leading studio when it comes to fan-service. Right at […]

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