Posted on 23 June 2016 with categories: Anime Reviews, Mayoiga

Mayoiga has to be one of the most misunderstood shows in recent years.

On a surface, the premise alone has a lot of potential. The idea behind putting 30 people, each of them has very different set of personalities, together in a bus to a mysterious lost village, in order to start over new life is an intriguing concept, because there could be lots of angles to explore, even within its mystery/horror fare. The show could use the setting to explore the internal conflicts between the cast, or the nature of those monsters that drive anyone insane or even dig deep to the mystery behind Mayoiga, or the show can go full cannibalism that was suggested many times in the first episode.

Instead Mayoiga goes off track very early and never looks back and the overall execution certainly stands out, in a very-bad-it’s-good way

Billed as a mystery show, Mayoiga contains many elements that feel like a recipe for disaster: over the top characters, awkward pacing, long and meaningless conversations. In the first 10 minutes of the show for example, literally EVERYONE in the cast got introduced (and that 20 plus characters to remember). The characters have a distinct and overall solid character designs; but most of them are way too over the top to feel like real people. Mitsumune, our main character, for instance, feel really bland and his only traits are unsure about himself and his affection towards Masaki. The conversation drags on, don’t really advance the plot or flesh out the characters. Worst of all, the pacing sucks, sometimes it drags for too long before moves too quickly, for example in the first half of the show, there are few episodes where nothing important happens except the cast arguing. The cast themselves uses their time wisely to talk about how to call rock, paper, scissor the most correct way, arguing over the name of one of the cast who just vanished, or lying asleep in the end without the care of anything else.  The cliffhangers, were presented in almost the end of every episode, just so that the stake returns back to normal in a very next moment.

Thematically, Mayoiga actually has its meaning underlying under the surface. The monsters are revealed to be Nanaki, which are part of each individual’s past psychological trauma, come to life. They are a symbol of all those ugly things that the cast left behind to start over their new life. They are not, as the series progresses, intend to harm the cast, but are a part inside each character, and the show made a point (as in your face as possible) that all of them need to face their own Nanaki (their traumatic past) in order to become a better person. The Nanaki monsters, represented in 3D animation, are both out of place and uneasiness at the same time, which actually fits to the theme very well.  But I have to say, reading this underlying message is a bit too much, as the series itself never attempt to dig deeper into its theme.

Which brings me to the next point, many of the above elements actually WORKED in favors of the show. One thing that Mayoiga truly excels, the one thing that Mayoiga will likely be remembered for years to come, is its ridiculousness. All the ridicuolous, awkward bits are intentional, majority of them are so well-aware that it becomes hilarious. Many of the Nanaki monsters, for instance, are just plain silly in concept, such as a big silicon boob monster (yeah! You read it right!), or a girl seeing a giant Mitsumune because he happens to look like her ex-boyfriend, so instead of seeing her ex she would see Mitsumune who she just met for 2 days. See the absurd sense of logic here? Indeed, most of the cast embrace that ridiculous sense of logic wholeheartedly that it’s actually refreshing to see them keep betraying our expectation. Lovepon would be nothing if not for her “execution” speech, and after a while it’s just feel so welcome to see her running for her life from the monster, still remain in character “We going to be executed!!”. The Driver and his bus also keep appear/ vanish without any explaination is also a good running gag. Other characters, like Mitsumune, Hayato, Koharun, Nanko, actually the whole cast also embrace their one-note traits to a bitter end, put it up to the max that they become so gimmick and fun to watch. The conversations, as I mentioned above, drag on and on; but there is a lot to enjoy there, mainly for their unique train of thoughts and the ridiculous topics they could come up to.

Like I mentioned in my review posts, Mayoiga is a masterclass of using anti-climax not only to twist our expectation out of the usual conventions, but also to reduce any tension whatsoever. Take the revealing about the nature of Nanaki for examples, in a sequence where 4 members of our group witness their own Nanaki, they seem defeated, had nowhere to run but somehow, all of them managed to escape from it, without any injury. In other scene we witness the group decided to tied Masaki up and attempted to stab her, just so that she got ambushed by the bus driver, who drove her away just to beg her to allow him to meet his daughter again. The extensive use of anti-climax might seem uneven, absurd and even laughable at first, but actually these are all intentional so that the show can screw you out of any conventional sense.

But self-aware or not, Mayoiga can’t hide a fact that, in a nutshell, this show is an incoherent mess. In fact, inconsistency is the only consistent trait the show has. Mayoiga always feels like a product of too many minds, too many ideas that crammed all together, that contributes to too many half-baked ideas, and the pacing is all over the place. This seems understandable though, as in the process of making Mayoiga, the director Tsutomu Mizushima (Girls un Panzer, Shirobako, Prison School) encouraged the team to come up with ideas, and Mari Okada responsible for putting everything together. On that note I have to say the ending is surprisingly conclusive. Yes we would never know what happen to the people before the cast arrived, or how the majority of the cast meet their Nanaki (they JUMPED straight from those guys sleeping to they being back to the bus), but all the main questions are addressed and I actually feel kind of satisfied with the ending. This is a show with lots of obvious flaws, but it is also a show that unlike most of our usual anime fare. I have a great time with Mayoiga and ’m happy that I got the chance to cover it.

~SuperMario~

Posted on 19 June 2016 with categories: Currently Watching:, Mayoiga

Mayoiga pretty much wraps up its story this week and for the series that focus much about anti-climaxes and inconsistency, this ending neatly conclude all of its main loose end. In the final twist of Mayoiga, it turns out that Koharun is God’s daughter (now I understand the inclusion of him in Mayoiga) and all she does was to prevent a Nanaki from fading so she could take her father’s Nanaki back. Sounds vague, right? But this is Mayoiga we talking about so I have no complain. The thing I notice in this last episode was the main confrontations this week: from Mistsumune and Hayato, Koharun and her father, to Masaki and Reiji; are not at all feel ridiculous but are quite emotionally effective. This result for me not come from the writing, but comes from the director who knows how to make a shot that bring out the most effective drama.

But also true to Mayoiga, the amount of ridiculous and (un)intentionally hilarious moments are still all over the place. Lovepon again proves that she’s one of the most consistent character in the show, with her remark “We’re going to be executed” while being chased by Hayato’s Nanaki. I also enjoy the way Dahara keeps betraying himself, telling people that he’ll stay one moment, then completely change to go back like nothing happen. Or the fact that Yotsun appeared in God’s house at the end credit, where previously he was stuck in the bus in the Lost Village, but then, Who Cares? Or many out of nowhere but equally hilarious punchlines “so her dark past was a boy” / “Guess I‘ll call off the engagement when I get back to reality” – “So you coming back?”/ “Koharun is a villain” that really explain why Mayoiga is one of a kind anime series out there. I also love the fact that after going through all kinds of Nanaki troubles, personal conflicts, all the cast reflect were people having the same painful experiences, so we might be not that unlucky to begin with. I’m still amazed with the train of thought this group has. Moreover, the decision to split, majority of them leave, some of them stay, was natural for me but seems so random as well.

So in the end, as far as the last episode goes, I’m happy to say that Mayoiga succeed. The episode tied up all the narrative loose end here, while still maintaining its own silly beat. All the things that shouldn’t work in other anime: namely the over the top characters, awkward conversations, silly themes and most of all ridiculous situations; all worked here. I won’t go as far as saying the whole thing is a success, because damn sometimes I still can’t put my finger on whether all the silly incidents are intentional or not; but it is really a feast to witness a series that offer something so different than the rest of your typical anime out there.

~SuperMario~

Posted on 15 June 2016 with categories: Currently Watching:, Mayoiga

With the ending where every crazy idea has to wrap up and come to an end, it’s no surprising that Mayoiga has a lesser amount of goofy scenes and ridiculous characters compare to their previous episodes. But this is still pretty much a Mayoiga episode. I must tip my hat off for the creator of this series for making the whole thing ridiculous and unpredictable till the very end here. There are some interesting revelations this week, and I’m intrigued to see how the last 2 episodes can make use of that. First, for the first time in the series, there is an actual scene where the show goes for real emotion, aka the bus driver and his daughter. In that particular moment, things don’t go ridiculously, but actually very tender and honest. This seems really out of place with the tone that Mayoiga keep building for 10 episodes, but then again out of place is what Mayoiga known for. We also get another revelation about the nature of Nanaki, apparently some of them can be visible to other people and can talk because of… What? I honestly still don’t get it. So the Nanami can talk after people accept his/her own Nanami, but it doesn’t seem like the case with Masaki, and isn’t they going back to their real life? Duh. We also learn that Koharun had some kind of traumatic experience in the past, that’s why she can’t trust people she used to trust and tried to power up the Nanami. This is an interesting development and I can see her circumstances parallel with Masaki’s here. While it is revealed that Reiji is Masaki’s Nanami, it comes down to both Reiji and the person Koharun trusted were the people both girls care the most, and they lose it. Koharun for me is the wiser, more mature version of Masako, and might be represent what Masaki would have been if Mitsumune failed to help Masaki facing her Nanami.

But then, attempted to dig deeper in Mayoiga seems like a waste of time, as I can safely say that Mayoiga does not try to provide any deeper meaning behind its premise.  Not everything that add up in Mayoiga, like I still don’t know why introducing a “God” character, so late in the game here. It’s not like he could change anything. And the ridiculous gags keep popping up with so deadpan delivery that for me is purely gold. My favorite gags this week is how the bus driver keep appearing/ vanish like a badly-written ghosts (remember how he suddenly disappeared last couple episodes ago, made us feel like has was consumed by the monsters, to he reappeared this episode, safe and sound, and the vanished again at the end of this episode); or how a bunch of characters that the characters seems like get tired of them, so they literally put the cast to sleep. Their reactions to the ambush is so hilarious that made Mayoiga such a pleasant to watch. One of my favorite whimsical moments would be when God explains that he has tried to stop people coming to the lost village for years, and unfortunately on the day that the bus arrived, he fallen asleep. Typically, Mayoiga! Looking ahead, we have the big bad Nanami that Koharun had raised and Mitsumune team going to rescue our princess Nasaki. Things look brighter ahead and I expect things will blow up in the last 2 episodes.

~SuperMario~

Posted on 5 June 2016 with categories: Currently Watching:, Mayoiga

It is a feast to see a show that still remains very unpredictable till its very end. Yes, this episode put the silliness to the max and I prefer it this way. Now to think about it I think this might be one of the best way to approach Mayoiga. They consistency screw up our expectation, twist any ordinary convention by making things as insane and as little sense as possible. So kudos to Tsutomu Mizushima for remain really consistent for composing things inconsistently.

Because for me, the fun of watching Mayoiga is to experience the ridiculousness of the episode, and this week it’s choke full of absurd and nonsense sequences that  today instead of reviewing the episode, I will rank them in order of RIDICULOSNESS:

Mayoiga 10-10Mayoiga 10-9

For number 10, we have our Yotsun back (which makes the total body count a big ZERO). This is a good introduction phase to our GOD, which later we found out that “a long time” means 3 years ago.

For number 9, we learn that Mitsumune indeed returns back to the real world. We witness one of the most bizarre parental guidance (“You can leave home and come back any time”), and even a more chilling confession above. It’s a shame because after nearly 10 years of imposing his dead brothers, Mom just decided to not getting better. And what they mean by getting better? Accept Mitsumune as Tokimune? Yuck.

Mayoiga 10-8Mayoiga 10-7

At number 8 and 7, we have two out of nowhere backstory mean to freshen out Yotsun and Lion, respectively, which at the end we learn nothing new from each of them. Who are the people with those cello? His parents? Over the rap career? Lion said nobody believe her but she did build quite a strong following so I’m just not sure what she complaining. Also her gift is quite vague: she can see dead people? She can see the people who about to die? She can see people that might not die? Oh god. This adds up to nothing, which also means Mayoiga at its best.

(more…)

Posted on 31 May 2016 with categories: Currently Watching:, Mayoiga

Now the trick to enjoy Mayoiga is to expect the unexpected. Anything could happen, and probably will. The series has successfully tweaked our noses weeks after weeks, then if Mayoiga stops being ridiculous and becomes conventional, I would be very disappointed. The fun is again on par this week and we have one of the most bizarre flashback of the show (which already a high bar), together with ridiculous monsters and crazy character’s interactions. In other words, AWESOME.

Let’s get to the ridiculous part of this episode, shall we?  The biggest revelation this week is of course, Hayato’s past. Prior to this episode, Hayato seems to be one of our most sane person on this colorful group, except for some motherly attitude towards Mitsumune, he might be the one who keeps our insane cast a balance. Well, maybe not. He turns out to be as insane as Lovepon’s level, wanting to keep Mitsumune as his pet. I believe his very existence in the series so he could murmur this speech: “I realized that I need a puppet of my own”. It makes sense. Hayato behaviors and his past fits like a glove to what Mayoiga has been established so far. And Hayato got an extra point for his trauma past (the over-control of the parents is totally different from his fear (his grandma’s picture, which was another victim from their parents), I’d be damn if he could ever resolve his own issues. But the crowning achievement for me is Valkana with his line: “I managed to escape because it was kinda surprisingly low”. The delivering is just pitch-perfect and deadpan, especially from the serious guy Valkana.

Many ridiculous unresolved plot lines appear throughout this episode like a spider-web. The tunnel scenario ended with the Driver again being the most childish and stubborn man of the series by doing exactly what others say not to do. He himself was vanished afterward but it seems like no one care at this point. The Lion group contains of Lion, Maimai and Nanko tried to investigate the tunnel (which ridiculous method, putting Maimai into the tunnel to see if she still sees the monsters) and get interrupted by Jack, who then was interrupted by an unknown man, presumably Masaki’s uncle. If all of that doesn’t make any sense, then I do this series justice.  I have to say the monsters appear to be more like a mascot characters this week, they not actually scary and they at least don’t mean any harm. Maybe they are just like a device for characters to look through their darkness, then perhaps they will get back to the real world? That a sense I get from Mitsumune waking up at the end of the episode, but we will soon know the answer next week. At this rate if next week we find out that Nanko and Koharun (the only two left who still act like normal human being) turn out to be insane, I wouldn’t be surprise at all.

~SuperMario~

Posted on 23 May 2016 with categories: Currently Watching:, Mayoiga

Again this week Mayoiga succeed at bringing a big screw-you to us audience. The cliffhanger last week is quickly revealed, and we come to learn that Masaki is not a ghost, nor is she a witch, but simply that… she had visited the Lost Village before. Big surprise! It really is a ridiculous anti-climax, but this time I mean it in a slightly positive way. Indeed, Mayoiga is a series of anti-climax scenarios put altogether. Like remember before Mitsumune and the gang saw a floating body in a river (presumably Yotsun), he got into a dramatic fight with Lovepon, and what did we get next? A see-through wet clothes of Lovepon. Or when Lovepon, Mikage, Nyanta, Jigoku tried to run away from their own monsters, they started to lose their mind, had nowhere else to run, and what did we get next? They all make their ways back to the village, unharmed, AT THE SAME TIME. The extensive use of anti-climax might seem uneven, absurd and even laughable at first, but actually these are all intentional so that the show can screw you out of any conventional sense. Speaking of body counts, it seems to me that at this point either there will be no one die (even those that disappeared), or they will all die at the end. Apparently Mr. Judgement what-his-name has returned safely and even more equipped than the rest of the cast. Well glad to see him back, I suppose.

Masaki, once again with her poor choice of words and kind-but-clueless attitude, failed to convince the cast and was nearly execut… No I mean exorcised by the gang, before the bus driver, Hollywood style, kidnapped her and somehow Mitsumune and Hayato tagged along. The craziness doesn’t stop there. It turns out the driver abducted her so that he can beg her to see his daughter again (talking again about anti-climax). The relationship between Hayato and Mitsumune seems weird as well. He really cares about the well-being of Mitsumune, like a lover really, to an extend to follow him to Nanami village and nearly stab the “witch” girl to save his friend. Mitsumune, on the other hand, seems numb about the “big secret” of Masaki, but reacts like a maniac when someone mentions that the uncle guy might be her boyfriend. And guess what, someone actually admires him for his hormonal impulses because “he stands up for Nanami”. Taking about common sense. Love conquers all huh?

All this sarcasm aside, we learn two new things from this episode, that there might be more lost villages like Nanami village, which could be an intrigue idea. The lost village really is a metaphor of a place where people wish to get there to escape their real world, so it makes more sense if places like this can exist anywhere, any place. Second, the end of tunnel seems to be a borderline between this world and the real world, or it could be between this world and hell, because as Masaki puts it bluntly, there is something dangerous in that place. So they could either face the hellish, nightmarish world, or they could see themselves in the real world, all dead.

~SuperMario~

Posted on 15 May 2016 with categories: Currently Watching:, Mayoiga

This going to be a ridiculous post review rambling about the ridiculousness of Mayoiga. This week the silliness has gotten to the whole new level. I’m not going to complain though because this is just Mayoiga being Mayoiga. Ridiculous had always been its main element since the first episode. It’s not bizarre, it’s not absurd, it’s just plain silliness and I have become really appreciate that silliness. This week there are so many madness happened and it’s always fun to talk about that. Firstly, it’s amazing that just from a little news article people read last week, they really convince that Masaki was a ghost to the point of tying her and stabbing her just to test her out. Even when the poor girl is bleeding they would think that this is her ghost’s power. What an amazing train of thought this gang has. Consider that this is not one of the series where they would explore the dark side of human by blame someone as a sacrifice thingy, in this show they really believe that Masaki is a ghost. Lovepon remains everyone’s best friend with all her suggestions keep feeding people what to do. Secondly, the backstories this week are just as nuts and ridiculous as last week. From Mitsumune’s story of his twin brother passed away because of his Mom shouting, his mother keeps treating him as his twin dead brother, to the father who actually suggest him to play the twin role, to his sincere apology for things not going according to plan. The most amazing bit is that we also learn that the father was a teacher and he was in the process of promoting, which is NOT AT ALL related to the how Mitsumune turns out the way he is. Other backstory is from Maimai, the girl who saw giant Mitsumune few weeks back. Turns out that her ex was similar looking to our main character, and by dating him, everyone (including the guy) turns their back on her. This must have hurt her a lot, and she must really miss the guy, since what she saw back there was not him, but the giant Mitsumune. And I did remember not only her see the giant monster, but others like Nyanta and Toshi Boy was scared and run away as well. Are they really see the same thing? I guess not but the show seems to forget about that bit as well. The third ridiculous thing happens when our main guy, who always wants to stay on the same side with Masaki and would do anything just to be with her, was defeated and back down from his love when he faced the monster. “Masaki, I’m sorry” he said. Other silliness stuffs include the gang decided to deceive our main protagonist, which make the whole conversation the most human-like moments of the show; and the way Valkana keeps judging Koharun for going with the flow and try to calm Hayato down from stabbing Masaki, but he ends up to be the one who hold Mitsumune down so that the other guys can proceed what they are doing.

Seriously, it would take me all day to talk about all these ridiculousness, and it’s precisely what so interesting about Mayoiga. Don’t let the other stuffs like backstories and theme fool you, Mayoiga has no deep meaning and had no attempt to do so. It’s just loud and madness, but at the same time it really feels like you talking to your drunk old friend, where you know all his talks are nonsense but you can’t help but enjoy them anyways.

~SuperMario~

Posted on 7 May 2016 with categories: Currently Watching:, Mayoiga

Back stories time! This week of Mayoiga dedicated itself for backstories of many characters. Too many characters indeed. This is for me the turning point of Mayoiga, where many facts are revealed and we seem to head to the new phase. The show now becomes much clearer and have a sense of direction. This week, Lovepon, Mikage, Nyanta, Jigoku all have their own stories to tell. Most of them ridiculous as they are (like the silicon part, or the monk, or the 12//20 mix-up, or the bullying girls, basically all of them), but they all serve their purposes. Lovepon, for example, has been a source of complaint for the last few weeks as being one-note and anime-like, but with this week’s reveals, she was also a victim of injustice, violence and her own hatred. The use of heavy symbolisms in these flashback scenes could rivals Kunihiko Ikuhara’s shows anytime, and I mean it in a good way. The devil, the silicon, the bees and the laughing train are representative of their characters’ deepest fears, their CG designs make us feel both uneasiness and alien, and that exactly what the show aims for. Those flashbacks give us a reason to care for those characters and I for once root for them when they running away from that thing. The most effective story is for me, Nyanta. Being bullied is more common than you would think and people tend to do more extreme and painful things to cope with it. In her case, this is to shoot those bullying girls with a BB gun. There is a sadness behind all that and Mayoiga (briefly) nailed that raw emotion.

So it appears that the Lost Village is a place where people have to face their darkest sides, they have to face the negative feeling (like hatred, shame) that they had buried inside themselves, which for me is very fitting. Remember all of them want to go to the Lost Village because they want to run away from their problems to make a new life there. Well they can physically escape from it but they have to face their own issues in order to really get over it. As I suspected, Masaki is the main source to all the mysteries, but I don’t think she’s a ghost yet. From what the paper says she was just disappeared, so I think she was stuck in this lost village ever since. There are two things that baffles me this week: first, how the hell that those 4 people were chasing by god-know-what but they somehow all escape from it, I originally thought they would be killed or at least be vanished. What’s else going to happen after this? Second, I find that Koharun’s habit of stop talking and then singing in the middle of conversations is a bit chilling, it’s like she’s a ghost. Hell! Mayoiga! You might be the only one show that can pull it off.

Mayoiga this week delivered all the ambitious intentions it promised since its premiere. Just for this time, I feel glad that I haven’t given up on this. Whether it going to stay this inspiring or stumble for the rest of the series is everyone guess. At least we’ll always have this episode. We’ll always have Paris.

~SuperMario~

Posted on 30 April 2016 with categories: Currently Watching:, Mayoiga

We now back to the status quo on Mayoiga this week, as the group who left the village decided to come back, and the cliffhanger happened last week was never explained probably. I will say this upfront: this is not a good episode. We don’t learn much after it ends. We have even longer conversations between the cast compare to last few weeks, and even more ridiculous cliffhanger.

But we do learn a few more new things in this episode. Most interesting bit is that they perceive completely differently about the noise they heard (it could be a beast, a robot, giant wings, or a laughter). That could be a hint to the mystery. The lost village can be a place where we deal with our own problems, we see what we afraid to see. In other words, we reach to our darkness side. This could be an interesting aspect to explore but hell, Mayoiga sure doesn’t show us much of a clue here. This week spend too much time on the cast arguing with each other, and truthfully, I’m getting tired of them accusing each other episodes after episodes here, especially when they just repeating the same traits over and over again (I dare you to find a line in which Lovepon doesn’t scream “executed”). If the show indeed relies on those characters’ interactions for its mystery, then this can be redeemed, otherwise, I don’t see a reason why there are too much of this.

The other bit of information we gather is Lion’s ability to see the dead, or to be more exact, she has an ability to see people about to die. This is a good character moment for Lion and it’s not really come as a surprise, seeing her as the mysterious and quiet type from the beginning, but the reveal scene is still somewhat absurd. The cliffhanger at the end actually leaves me more annoyed than engaged, the characters just keep sprouting random names here, just like last week’s driver’s daughter, and I bet next week we learn a bit of who is this Tokimune again, only to be left forgotten for the rest of the show. Why the heck should I care then?

It looks like Masaki on the verge of revealing something to Mitsumune here. I hope they don’t take few more episodes until we get that bit of information. In fact, Mayoiga gives us very little information to work with. The worse thing is that if it keeps on dragging like that, people will start to lose interest in the mystery, if not already.

~SuperMario~

Posted on 25 April 2016 with categories: Currently Watching:, Mayoiga

It’s until this week that I just noticed the rather strange part of the OP of Mayoiga, the sequence was shown in the point of view of Masaki. It starts with her, then introducing the cast and finally ends with her standing alone in the lost village. But when I think about that, only in the first episode that we kind of follow Mitsumune as the protagonist, and that is because he had the most affection towards Masaki. She was also the last person to encounter Yotsun before he went missing. All the speeches from her are kind of prophetic as well. It seems like she unconsciously aware a lot of things about the place. Now I’m not implying she’s the mastermind behind everything but now I have a strong sense that she’s the key to solve the mystery.

We also pick up two important developments this week. The first is when the group felt threatened by the mystery and more than half of them decided to go back. I’ve always enjoyed those characters talking forth and back. Most of them are over the top and ridiculous that it’s rather fun to watch them shouting at each other. In this case they have many oppose opinions on whether or not staying is safe, I know that staying with Masaki is the best option (haha!), but I can see why they decide to leave as well. It’s a small complain but Mitsumune become increasingly annoying, every decision of his was driven by protecting Masaki, staying close with Masaki… makes him a paper-thin personality. The group decided to leave the village is an interesting progression as well, as I’m pretty sure they couldn’t leave the village, I’m curious to see what happen next to them.

And then we got to the mystery near the end. It certainly is fascinating. If the lost village is a passage way between the life and afterlife, where we can meet deceased close people, then I’m all for it. But the way I see it, it seems like Mayoiga is the place where we can encounter our deepest fear/desire. If this show goes to either of these directions, it could become a very interesting show, because when the mystery related to human emotions, there’s a lot to explore and we at the same time get invested. Many episodes ago I complained about the bus driver’s shaky role in the story, but I’m happy to say that this week he had a solid progress here. Still, damn if I know what the giant Mitsumune looks like.

~SuperMario~

CHANGE USERNAME
Anonymous870083
mm okay thanks!
AidanAK47
@Anon1, Think you might just have to go with a torrent. It's pretty hard to find direct download anime these days.
Anonymous870541
the latest episode of rakugo just made my heart sank. i didn't think it would get better than it already is. i thank god that i didn't read ahead
Anonymous870083
does anyone know where I can download the remastered version of the Utena series? without torrent?
SuperMario
the same very thought here Lenlo. What I considered the weakest part turned out to be so layered. Sorry for ever doubting you, Rakugo.
Lenlo
And that smirk at the end, beautiful
Lenlo
The weakest plot point of S1 has just become the best part ever.
Lenlo
OOH MAN. I was not ready. The entire first season was all a setup. I cant. What. HOW DOES IT GET BETTER
Lenlo
Cant wait to watch Rakugo tonight, just got home and im lookin forward to it,.
AidanAK47
I think before grabbing the protest signs it might be worth considering if the thing you are demanding be uncensored is even worth it. Oh yeah, now you can see genitalia in crap sex scenes that were crow bared into the plot. No more need to use your imagination.
AidanAK47
Some protest because they want there porn. That I suppose I can understand even if I think they would be better off buying some nukige. But then there are those who demand it just for the sake of standing against censorship. They don't give a crap about the game or the fact we are getting the exact same thing the japanese got. What? Censorship of sexual organs? DOWN WITH CENSORSHIP!
AidanAK47
There are people actively proclaiming they won't buy the game, because they can't see dicks. That is not hyperbole. This is literally exactly whats happening here. And they just act so goddamn self righteous about it. Porn is not the goddamn point of these games. Shouldn't even be in them in the first place.
AidanAK47
So another Sekai Kickstarter is up for a trilogy of Visual novels called A Clockwork Ley-Line. Chipped in my bit as I am going to be buying this regardless but like goddamn clockwork you get the idiots yelling for Mosaic removal. No matter how I try to rationalize it, this just sounds stupid.
Kaiser Eoghan
Just whenever I think Rakugo may be dragging its feet it comes out a gives me three big strong moments in this weeks episode, you will know them when you come to them.
K-Off
Dubbing in more subdued performances work fine. It just becomes unbearable when it involves shouty dialogue, which idescribes most of the Japanese games I play.
Kaiser Eoghan
@Aidan: I think at the time it allowed Bagel (where did he go?) to find some exploit/gap in the sites security too.
SuperMario
I mean the spoiler code in the comment section. ^^. Like I don't mind if readers give (potential) spoilers but I don't want to ruin the fun of other readers as well
AidanAK47
After all it wasn't a intended feature of the old shoutbox. We were pretty much hacking the thing.
Kaiser Eoghan
I seem to remember all those old html codes stopped working on the old shoutbox too at one point.
Kaiser Eoghan
There was also originally an ability to animate text too of the shoutbox and have gifs appear in the message box but not as links.
AidanAK47
I remember some HTML code worked with the old shoutbox but nope. But I suppose you could change the colour of text to white...though that would effect everything you write.
SuperMario
Btw, do we have spoiler tag here Aidan?
SuperMario
@anon861679: Agreed. They have big ambitions, but they seems unsure on what to do next. I mean engaging your readers to give their thoughts is good, but if it is a mean for you to get inspiration to write essay about isn't that great. Well, give them say 6 months until they can settle down (they just launched this site for 3,4 months only)
Kaiser Eoghan
Despite being fine with anime in English, I've almost always felt that voice acting in videogames isn't as good.
Anonymous861679
Hey mario, that anime feminist blog was well, kind of awful. While they're well intentioned, it felt like they were pushing tumblr stuff onto chan stuff and that always ends up in a smoking mess.
SuperMario
Okay I'm going to erase my memories right now
SuperMario
I swear I'll stay off reddit for good. Have been spoiled by the development of ACCA by one of their "theory". As soon as I realized it's freaking spoiler I stopped but what done is done. Ahhhhhhhhhh
K-Off
Christ Fire Emblem Heroes is pretty addicting, micro transactions are not necessary at all. Though it irks me that I can't get Japanese voices. Dubs just make me cringe every time.
SuperMario
@ckspike: Hand Shakers, the very quality that makes you brain cells die while watching it. Well, I actually think the music is one of the best part of the show, now that you mention it like that...well...*slap my forehead*
ckspike
... my roommate just told me the background music when I'm watching Hand Shakers sounds like a bad porno... Now I can't unhear it. Fuck!
Lenlo
I havnt kept up with Academia, for some reason it just didnt catch me as well as the movie first did.
AidanAK47
You know what's funny? I thought little Witch Academia would be the hardest one to blog. Yet halfway into the current season and it's the one I write the most about.
Lenlo
I actually dont read many blogs. Mostly just this place and the occasional pop on reddit
Anonymous859067
I'd like to present to one of my favorite blogs, A work I just created: Greed Island! https://play.google.com/store/apps/details?id=com.tc2r.greedisland
AidanAK47
I go to Reddit anime myself but I don't really like the upvote system. Basically the majority rule opinions get put to the top which more often than not are jokes.
HelghastKillzone
I listen to podcasts on youtube and others places as well as going on Reddit Anime to hear a thousand people yammering away.
Kaiser Eoghan
I irregularly follow the episode reviews on ANN and sometimes read standing on my neck. I fell out of the habit of following random curiousity.
SuperMario
Anime Feminist (animefeminist.com), while sounds ambitious on paper, hasn't been too hot unfortunately. I know they aim to be "big" so they're still figuring out how to do it best. Well, good luck for them!
SuperMario
Oh, I know I've mentioned this site before but you guys should read it (blog.sakugabooru.com), this site is one of the only few blogs that I actively subscribed to read their post. They have some insights to the anime industry that is very informative and inspiring
SuperMario
I also think that this chatbox here plays a great role to keep a fair amount of readers for the site, as many sometimes just come here to give their two cents on certain anime.
SuperMario
I just checked out rabujoi blof for the first time, (https://rabujoi.wordpress.com) and I think they're in pretty good shape. Content-wise are solid (as far as I read), and they update their post pretty regularly (comparing their amount of posts last month (80) to ours (28), ouch)
SuperMario
Just really wonder, what are other anime sites that you guys follow beside this? Well, ANN and RandomC are a given, but I found myself haven't bothered to read ANN's episodic reviews lately (mostly due to time constraint)
AidanAK47
Don't tell me this is gonna be a regular thing.
Lenlo
There we go
Lenlo
Oh god JSON objects. I thought that nightmare was over
SuperMario
Mine is working probably as well. Thanks a bunch K-Off and glad to hear back from you.
K-Off
No problem.
K-Off
I really need to figure out how to get those damn tooltips working again on the sidebar thumbnails. It'd be useful to have the descriptions popup.
AidanAK47
Cleared my cache and it looks to be fixed. Thanks as always K-Off. I would be completely screwed without you around.
K-Off
Alright I think that did it. Let me know if it pops up again. If you still see it, clear your browser cache and let me know if its still there.
AidanAK47
Messages still get sent. You just might have to reload the page. We are working on getting it fixed.
Vonter
AidanAK47 I can't get into Fate since like with Nanoha there's a lot of stuff with those names in it. Zero was the most straightforward, yet the buildup was very dragout but the payoffs where very worthy.
HelghastKillzone
testing message.
AidanAK47
This is what I get for updating the bloody plugin.....
AidanAK47
He finished it and was telling me what he thought of Saber defeating Gilgamesh. Minute he said that I was like "OH GOD..." He watched the Deen 2006 adaption. Sadly it loos like he's not going to bother watching UBW TV despite me showing him part of the berserker fight. With Fate/Extra, Fate/Grand Order, Fate/Apocrypha, Fate/Oath under the snow and all the rest this problem will happen again.
AidanAK47
You know I wish the Fate series did a better job naming it's series. I was introducing a newbie so I gave him Fate/Zero first. He loved it so I specifically told him to watch the UBW TV Series and don't mistake it for the movie. He then went and watched the movie. I told him to watch the TV series regardless and brought up the MAL page to show him which one.
Kaiser Eoghan
Ah, there's definately no harm in doing further reading on more arthouse stuff before reviewing it/watching/after watching, it extends our understanding and is pretty much required.
Kaiser Eoghan
@Aidan: Go for it, you might sell me on reading it.
Kaiser Eoghan
Yeah, I generally only write reviews every now and then, and they tend to be kept simple and to 200-300 words. My writing ability only really works when I write in stream of consciousness.
Anonymous855550
Zestiria is such a feast for the eyes... The colors and backgrounds are so vivid and magnificent. Story has improved on the game's weaknesses too!
Lenlo
Given enough time, im sure I could write something, but as I writer I tend towards quick, decisive statements of what I think and why. Engineer, so technical documents are like the only thing I know how to write.
Topgavin
@Supermario ah, I'd say I'm the opposite in that I sometimes don't know why I like something so much, and when I read a review about it I can relate my own experiences and put it in my own words pretty well. Can thank Highschool eco for that
SuperMario
But to tell you guys the truth, I never think that I'm cut out as a reviewer (even now), because I'm a type of viewer who more perceive (I know why I like/ don't like stuffs) than express (just can't never explain stuffs well)
SuperMario
@Topgavin: it's depending on what grabbing you really; as I always find shows with heavy symbolisms like Penguindrum or Flip Flappers the easiest to dig deeper. But those are always my kind of show to begin with
Topgavin
I'd find it really hard to write something about a show without reading about it first; watching it one time by myself I usually only notice the big things. Stuff like Flip Flappers I had no clue what half the episode's hidden meanings were, can't imagine reviewing a show like NGE or penguindrum.
SuperMario
that's exactly how I write my reviews anyways
Lenlo
I cant imagine writing a review, id just repeat myself with different words but the same intended meaning over and over again
AidanAK47
Wonder if I should write a review of this. Might be hard without giving too much away.
AidanAK47
(Finishes Sweetest monster Visual novel)
.....well....fuck.
(Buys all authors visual novels on steam.)
Lenlo
Sadly, I doubt Nioh will get a PC port. Sony is pretty stingy on their exclusives, like Bloodborne. But I am so very happy with Nioh. I love technical combat like this
Kaiser Eoghan
I suppose this means I'm looking into this rpg maker game thing now isn't it? Might aswell.
Kaiser Eoghan
I remember the word animerican used to describe things like avatar last airbender. Filthy word =P
Anonymous853606
God no. Jiro Taniguchi died.
AidanAK47
@Lenlo, I have been hearing very good things about Nioh. Really hoping it gets a PC port.
@Topgavin, No real surprises there.
Topgavin
I'm sure most of you have heard, but looks like New Game is getting a season 2 out of all things. Apparently they had good sales, and I can certainly see why. CGDCT with yuri undertones and clean animation is hard to get wrong, let alone not sell.
Lenlo
Just started with Nioh, and oh my goodness do I love it.
Anonymous852887
anyone play resident evil 7? its so good.
AidanAK47
Thought that's because the term American Anime just feels wrong to me on all levels.
AidanAK47
@Anon, they do not. They are cartoons.
Anonymous852775
DO people call D.C. Comics animated movies American anime?
AidanAK47
@Anon, I am certainly interested in seeing the next episode. Those minisodes were pretty good too. One thing I thought the writting faltered on though was the comedy. It really was a little too slapstick considering how serious the drama was.
SuperMario
@Lenlo: ah remind me the time I went to Texas (Corpus Christy) before X-mas time and I was wearing short pants and thongs (nice!!!), then went all the way up to Niagara Falls and I was almost freezing there.
Lenlo
See, I love winter, but its almost non-existent in Texas
Anonymous852268
@Aidan: I agree. I loved To the Moon. It's so good seeing emotional drama that isn't centered around high-school kids. Seeing the ups and downs of a whole long life of a person gives everything that happens way more impact.
Kaiser Eoghan
@Mario: An Australian friend put it as "A sunbaked rock in summer, a giant zoo, that actively tries to kill its population"
SuperMario
Not that I'm enjoying the winter either. Why autumn always go so fast?
SuperMario
Believe me but summer here is way too much. When it's too hot and dry it starts bushfiring really badly. And it's too hot that even a big fan straight in front of you don't do you any good
Kaiser Eoghan
What is this mysterious creature known as summer you refer to? =P My country is grey as a black and white film =P
SuperMario
I'm wondering how freezing you guys have to endure right now, but the place I came today in Aussie just reached 50 degree celsius this noon. So hot I felt myself burning
Lenlo
I think the part I liked the most, was just how satisfying those mud splatter sounds were. I dont know why, but its in my head
HelghastKillzone
Youjo Senki 6 subs came out at 11pm PST.
Lenlo
Atleast Rakugo didnt get held up. Still amazing as ever
AidanAK47
Well I spent my time waiting for it to come out by playing and finishing To the Moon. Got to say, it takes some real skill to make a game in RPGmaker that can make you really feel something. But maybe I am just a sucker for this kind of story.
SuperMario
Hey, I would be very frustrating if Hand shakers got delayed. But I agree this delay is caused by Being X. And Scum's Wish, haizzz, this is the show we love to get pissed at. Haha
Anonymous850298
I blame Being X.
AidanAK47
Sigh, Youjo Senki 6 is delayed. Why is it always the best shows that get delayed? If an episode of hand Shakers was delayed no one would give a crap but nope. Gotta be the show you want to watch right away.
AidanAK47
@Anon, in both anime and manga I never liked that character much.
Anonymous849783
Meh, dropped Masamune-kun. Seriously why do they always have to shove in these one dimensional characters with a crush out of f* nowhere. It never made any of these shows more interesting, it's always the opposite.
Vonter
@Kaiser Eoghan - I find it weird having the teacher being so unashamedly evil. In a way I like that, but at the same time I can't relate to the notion of people like that existing IRL.
Kaiser Eoghan
As I continue to watch scums wish, it becomes an anger inducing as much as it is engrossing experience.
AidanAK47
Or the UBW movie over the TV series. You just don't do that.
AidanAK47
That's like recommending someone to watch NGE death and rebirth instead of the TV series.
Kaiser Eoghan
Meh, I just got fed up with the padding in the tv version.
AidanAK47
Jojo has the kind of entertainment that clicks with you or doesn't so I understand if you didn't get into it. Though to give it a fair chance I would recommend trying the first episodes of Battle Tendency. It starts at episode 10 of the first season, you can jump to it. If that doesn't catch you then Jojos really isn't for you.
AidanAK47
Don't listen to Kaiser. The OVA is bad.
Kaiser Eoghan
....found out where a friend had been off to lately, making a movie and he ended up actually making and finishing and I got first dibs. Had a hard time commenting on it as I know the guy personally.
Kaiser Eoghan
@Mario: Totally with you on the academy thing.
@Lenlo: If you ever try jojo again and get onto part three go for the ova instead as it trims down an overly bloated arc.
Lenlo
For JoJos, I couldnt get through the first season. It just didnt hook me
Lenlo
What I dont understand is how anything other than Mob Psycho won best animation, cause my god.
Lenlo
I think Erased lost not because of the libido, but because Yuri was "gay" and "progressive" and most important of all, recent. Yuri had just finished airing so it was stuck in everyones heads. Of course it was going to win everything
AidanAK47
Erased truly deserved to win that category and it only lost because people voted with their libido instead of their head.
AidanAK47
If there's one thing that really makes me angry about these awards it's Yuri on Ice winning most heartwarming moment for "The Kiss". Because A) It wasn't a fucking kiss and B) Even if it was that isn't heartwarming. Oh I am sure something is getting warm but it sure as hell isn't your heart.
AidanAK47
Likely the main reason Kira didn't win main villain because Jojo has grown to a episode count which makes people hesitant to pick it up. Not to mention many would lose interest by Stardust crusaders midpoint.
AidanAK47
When it comes to judging quality you have to leave it to the people who have experienced enough of the medium to truly be able to critical judge it. Pretty darn sure most who voted didn't even bother watching everything worthwhile each season and just gravitated towards whatever they were exposed to.
AidanAK47
Lets not forget someone voting multiple times and bot voting. Because yes, people really do that. As you two pointed out, a public vote was never truly going to be a accurate gauge of quality. For you are not only opening the vote to anime lovers but also newbies and those who simply haven't refined their tastes yet.
SuperMario
so they either abstained their votes (which actually was reasonable); voted for something popular or even voted based on what their kids liked the most (which was flat out unforgivable).
SuperMario
This from my own frustration mostly when it comes to awards like this. But I've been following the Academy Awards for way too long now and every now and then you heard something that really disheartened about their voting process. Like for example many of the Academy members admitted that they don't care to watch anything animated because... it's kiddy stuff
SuperMario
TL;DR: my point is I have mixed feeling about the whole Crunchyroll awards. One more thing that I noticed about the nomination is that the pool was dominated by shows from the first half of last year.
Lenlo
I dont think public voting is the way to go is the thing. Popularity contests are horrible. With popularity contests moe is going to be near the top every time, while shows like Rakugo never really have a chance. And I think there is little doubt that Rakugo was one of the best shows last season
SuperMario
@Lenlo: there is an issue with the first thou, because reviewers like us don't actually represent the whole public opinions. So it's all come down to the very reason they create an award in a 1st place (your second point). But with voting we can't really reason why the winners win the trophy, right?
Lenlo
The problem with awards like that is for them to mean anything they need 2 things. 1) A board of voters who are actual reviewers who have watched a large portion of what was on shelf that season. 2) Reasons for why each thing won its award. An award without reasons means nothing
SuperMario
Other issue about voting for these awards is that the nominating body and the voting body aren't always the same. Usually the voting body is broader and more generic in taste, so I'm not at all surprised when shows like Rakugo couldn't win. Too art-house for their liking. Well, at least it got nominated which for me is good enough.
SuperMario
That's the thing. When it comes to awards, they are more 'popularity' contest than actual quality, since people tend to vote for the safer choice (the one that are both popular and mildly critical success), YOI fits the bill here.
Lenlo
Those awards were not the best and little more then a popularity contest imo.
SuperMario
Actually with that line-up I had no problems with YOI taking the top spot
SuperMario
I actually forgot about the Crunchyroll Anime Awards so I came to check the winner. Guess which show won AOTY huh? Alright, at least it wasn't Kabaneri or Jokers Game
Kaiser Eoghan
But the best one was Mask of Phantasm.
Kaiser Eoghan
@Aidan: And return of the joker also.
Kaiser Eoghan
It has aged admittedly very poorly, but I always got a great kick out of that old 1994 spiderman cartoon.
Kaiser Eoghan
@Mario: I think its fair to use the term K-anime or C-anime for the Korean and Chinese influenced stuff, or maybe just anime would be just as appropriate. If some Argentinian guy can write/draw a manga for a Japanese manga magazine (big comic superior thats the magazines name) and have it actually be called a manga, it should be the same for China/Korea.
Lenlo
Mhmm. Marvel had the movies, but DC had the animated series
AidanAK47
Man, I loved the villains of Batman Beyond. Inque and Shriek had such interesting powers. The DC animated shows tended to be the one that didn't treat you like a kid while watching.
Lenlo
Well, they released a trailer for Samurai Jack S5, so its coming. Batman Beyond I also enjoyed
AidanAK47
Ah Samurai Jack. Wonder how that Adult swim revival is going? Batman the Animated Series as well didn't need Batman to crack off jokes every minute to be great.
Lenlo
Agreed. Samurai Jack was one of my favorite cartoons for that very reason. It ran the gamut of genres, each episode being something different.
Also I used Nichijou cause it was the first to come to my mind as a "Kids Show", though Love-Ru works as well
AidanAK47
One thing I think Cartoons could do to move away from the stigma of being for kids is having more genres than Comedy and Action adventure. Or at least stop putting comedy in everything.
AidanAK47
@Anon, Every fanbase has it's fanatics. There are idiots everywhere.
@Lenlo, I thought this might come up though I was expecting more of "placing Berserk and To Love-Ru in the same category" thing. Honestly I don't have a rebuttal for that. What is an isn't anime is really a matter of what anime is to you.
Lenlo
Now Aidan, you say putting Berserk and Scoopy doo in the same category is wrong, but what about Berserk and say.. Nichijou? A similar problem comes up and I think thats more to do with Berserk being a pretty major outlier (And I love it for being so. Have all the original Dark Horse volumes on my shelf)
Lenlo
Really though, reading Reddit arguments about it is so much fun.
Lenlo
I do think that recently, a number of shows have been trying to move cartoon, and animation in general in the west, away from meaning "For Kids".
Lenlo
Im not sure sure about that Anon, look at the Steven Universe and MLP fanbases.
Anonymous840067
Aidan, that isn't true... Anime has a 'special' name because it's fan base is a lot more fanatical than the cartoon fan base.
AidanAK47
Though I think the whole "Its not for kids" is the main push. Looking at my anime collection the majority is rated 15 with a few 12s. It's like the way you have Young Adult and mature, Comic books and graphic novels, or Visual novels and Eroge. They are essentially the same thing but appeal to different audiences.
AidanAK47
Though I think what really pushes this argument is that the term anime at least has a badge of honor. You don't see people demanding a show to be called a cartoon.
AidanAK47
Honestly the term anime is just a distinction to separate it from the more kiddy stuff. The term cartoon in the western world is too ingrained with the likes of Hanna Barbera or loony toons. No matter how you put it, putting Scooby Doo and Berserk in the same category is just wrong.
SuperMario
Then would you consider Korean, Chinese anime-influenced shows as anime? (I would) and those anime that aimed for Western audience (like Animatrix) as anime? (I would too)
SuperMario
But then we have something like Thunderbolt Fantasy lasy year which if I go for this defination (style) then it isn't anime at all, yet I would categorize it as anime
Total users: 26

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