Posted on 14 August 2017 with categories: Currently Watching:, Monogatari Series

Well done Monogatari for building up a final showdown that is tense, not by the climatic battle but by the amount of information release, how the pieces of the puzzle finally get into place. An ending that tied up everything the show has paintakingly constructed from previous dozen arcs; an ending that emotional satisfied and an ending that unlike any other ending. Usually for the climax this crucial, all the important players will be in place to play their roles; here in Monogatari, it’s an one-on-one confrontation, mostly through talking, and concluding with a single line of acknowledgement on top of it. Monogatari series has always been a show about growth, about characters who learn about themselves and embrace their dark side. Thus, isn’t it fitting that after saving all the girls, it’s time for Araragi to face his darkness and save himself? Growth, after all, is about acknowledgement. It’s until Araragi acknowledges his dark side that he’s truly become more mature. How NisiOisin make an ending that perfect and conclusive really prove me again how I fall for his style in the first place. The following paragraphs will content huge spoilers of the whole Monogatari series, so if you don’t want to spoil yourself, I guess I will see you out there in the chatbox.

Gaen makes herself very clear to Araragi by her two “minimum requirements” in order to reach everyone’s objectives: assign a new Deity for the North Shirahebi Shrine; and exterminate Ougi Oshino (one of them ultimately failed by the way). Since Araragi unexpectedly bring Mayoi up from hell, she becomes a perfect candidate as a new God for the shrine. And to think that the catch phrase that I always overlooked “Kami Kashita” is a forshadowing all along – from back to episode 3 in 2009. My hat off to you NisiOisin. If you really notice, despite having a large cast, Monogatari never had more than 4 characters in the same sequence (something I’d love to write more about, another time), up until this episode. Here, basically Gaen’s monologuing and info-dumping us much needed expositions about the history of the Shrine, and how everything came to the way it is now. The exposition is long and demanding, so Shaft again uses their old tricks to engage our attention: having Mayoi and Ononogi playing around, and then emphasis on irrelevant topics like playing baseball and cricket (something I’d love to write more in deep some time, again. I regard this technique as “the art of distraction” to keep our attention). Originally Gaen intended to put Shinobu as a Deity, but it’s rather fitting, and surprisingly make so much sense to enshrine Mayoi as a new Deity. The snail that defeat the snake part is a bit of a stretch to be frank, but all those info had been planted well before in previous arcs (notably, Shinobu Time and Hitagi End) that it just comes all together in a neat package.

The second minimum requirement is to exterminate Ougi. But what makes Ougi dangerous is that her true identity is a total mystery. In fact, she has only two purposes: to eject those broken the rules, and to point out how imperfect Araragi’s approach is. The one thing left she knows she has to do is to exterminate the biggest “fake” of all: Tsuhiki the Phoenix. Tsuhiki, stays true of being one of my favorite (but under-developed) characters, and stay true to herself, doesn’t care about the future and just simply enjoys the present. That what her character always is: embracing the present, having fun while supporting what other people do, especially Karen and her brother. “I’m pretty good at living.” That is indeed a marvelous thing that she can say confidently. In that moments alone, Ougi feels compassionate towards Tsuhiki’s “fake” nature. Coming to face Araragi, I sense something about Ougi I had never felt before. A hint of sadness. She comes to the fight knowing that she’d get suck by the Darkness, but it’s the fight she has to fight. Kudos to the seiyuu of Ougi who give such a demanding performance that make her sound emotional towards this final climax, a feat that isn’t easy to pull consider her spooky emotionless role.

And here, all the concepts the show has built throughout its near-decade long all surface: The act of selfless sacrifice for the sake of others. The concept of rightness. Justice. We know before that Araragi keeps pushing himself over his limit results in him slowly losing his humanity. But he also forms a guilt towards those girls that he had helped: regrets that he could do it better, feelings that he cheated because of his vampiric immortal ability, blame himself for the unfortunates of others. All those negative feelings, plus the strange occurrences of the town (most notably during the First Minion’s period) that create Ougi – or Koyomi Darkness. Ougi is an appariation that has all the special abilities of those girls he helped, specifically assigned to attack Araragi, form a justice that oppose to his very ideal and has a dark intent to crush all the girls and his ideal down. Araragi just does what he thinks is right, and Ougi does what “right” by eliminating the “wrong”. In the end, no one is truly right and wrong. And Araragi just doesn’t give a damn about what is right anymore and come saving her instead, if it means that he would be exterminated too. That act, that Araragi finally saves himself, is the biggest personal grown for him. Bye bye adolescent. Araragi now becomes a full-fledge adult and Ougi the Koyomi Darkness now becomes Ougi the niece of Meme Oshino.

All the girls all make an appearance in this last episode. It’s rather heartwarming to see how much Nadeko has grown since her last arc, and she’s cute now because she doesn’t try to be cute. Hanekawa’s still kicking ass, getting Meme back all the way from Anartica goddamnit (the only place where there is no oddity, thanks to the Lost Cow effect by Ougi) and Shinobu shines just by little things that she said. Brilliant. I would love to see more from Kanbaru but this ending just hit all the sweet spots in my body, so I’m done complaining. This is a conclusion that easily justify the insane amount of time I have been following this series. I’m not at all joking when I say I’ve grown along with Monogatari and at a specific time of my life few years back, this show, along with their characters who struggled for their own issues, connected deeply with me in a personal level. As for what my opinion is about the possibility of further adaptation of the Monogataries series. As much as I love the whole cast and its universe, I believe that the story (pun obviously intended) has run its course. Monogatari series had been blessed with too much efforts from Shaft and I would love to see the same kind of attention for some other materials out there that needed adapting. Not sure if I can be able to grade this Owarimonogatari, or the whole Monogatari objectively so I guess I will spare you guys on the full review. Monogatari is one of a kind series, there’s nothing like it, just like there’s no place like home.

Posted on 13 August 2017 with categories: Currently Watching:, Monogatari Series

This arc certainly is a calm before the big storm, in which instead of the final showdown promised at the end of Mayoi Hell, we have a date between Araragi and Hitagi, a day after his college exam and a day before the actual graduation. Their last date as a high schooler. Normally I would be in tears because seriously, a date when we’re nearly reaching the climax? But I’m totally at peace since it offers more Hitagi’s precious time. As much as most people regard her as the main heroine in Monogatari series, in truth she barely has any screentime at all. Her first own arc was right at the start of the whole franchise, and her second arc was a disguise of Kaiki’s arc. As such, her presence is always there but she has mostly relegated to scene-stealing moments from other arcs (most notably, in Sodaichi Riddle).

Well, as far as a date goes, Hitagi and Araragi spend some sweet times together, and I’m honestly quite surprised that their date is really a normal date. No battle between appapriation. No other characters interfere (actually, yes, but this girl Ougi hardly counts) and they enjoy their date like any normal couple would do: driving a car, going to the planetarium, playing bowling, drinking some tea and singing karaoke. It kinda funny to know that she intentionally put up a penalty: the promise of absolute obedience for loser but then keep losing the challenge to Araragi. Especially, in a karaoke turn when she sings her own song “Futakotome” and somehow still lost to Araragi when he sings Hanekawa’s song (guess what the karaoke’s comment was? “You have very high singing skills, but emotional expression seems slightly week” Great touch there Shaft. A true tsundere huh?). At first, I thought she goes easy on him in bowling but after learning about her request, this isn’t the case. For all her manipulatiion and emotional demanding, the request is as sweet and simple as ever: Hitagi wants Araragi calls her by her first name for the rest of their lives, meaning their relationship is taking more intimate step this time.

Ougi again appears like a shadow and she’s as spooky as ever. Well, her true nature is still a question mark (and finally we going to have a glimpse at it in final arc) but her intention is getting clearer this time. Her main role is to eject those that have broken the rules. In addition, she clearly states that she isn’t the Darkness, an entity that almost swept away Mayoi’s existence before. The long-winded presentation about the constellations from Dream Ougi might not make much sense, but I’m digging how she compares the Hydra with Shinobu. Now that the show mentions it, it was the same method they kill the Hydra that almost killed Kiss-Shot: cutting their heads/limbs apart and destroy those before they can regenerate. Apart from the nightmarish air she always manages to bring, this time around I can also sense the desperation from her. She knows that she’s in inferior position right now, she knows damn well that she’s about to step into the enemy’s trap, she knows that not only she has to face Gaen, she will face off invincible Kiss-Shot as well. But as a “principle of the universe” she won’t back down, knowing that her chance to get defeated is coming right near. She asks Araragi for his assistance and Araragi has a tendency to take on such request from any girl. The big battle is coming near and I’m sure heads will roll this time.

Posted on with categories: Currently Watching:, Monogatari Series

The Monogatari-fest is reaching near its end. For those of you who are slightly off about the current events; here’s a brief break down. Araragi wakes up in Hell and learns from Mayoi that he had been killed – chopped off by the kokorowatari – by Gaen, just so that he will be resurrected back again. Sound like a meaningless roundabout course of actions, but in truth, there are some subtractions and additions involved. The “subtractions” part: his vampiric ability is fully gone and thus, restore Shinobu into a full-fledge sparkling eye-winked vampire lord Heart-under-Blade (such heartwarming to realize that even now when their bond is broken and Araragi is no longer her “master”, she’d go such length – threatening to rip Gaen apart – to bring him back). The “additions” part: Araragi also grabs Mayoi back up, the decision that wasn’t initially planned by Gaen, but something she did expect from him; and a neccesary time to reassert his actions and learn more about his role in this masterplan.

I must say that the cast of Monogatari is one of the rare cases that I have personal attachment to almost all of the characters; and I like Mayoi well enough (her matter-of-factness regarding her staying in hell to pile stones up everyday like it’s a part of mundane daily life totally won me over). But the chatter banner between Araragi and Mayoi has always been one of its weaker, more questionable part that does more harm than good in my opinion. Even at large, the introduction part when characters get together has never been Monogatari’s strong forte as they usually rely too much on established gags and wordplays that really hard for us, foreigners to comprehend. Here, Araragi apparently is all over the moon and can’t keep his desire to “touch” her. Bleh. Apart from that though, even with her role this time as an assistant for Araragi to lead him back to surface, Mayoi more than hold her own. It wouldn’t be much of a stretch to say that his help meant the most to Mayoi more than any other harem character. Others still have their lives beyond their apparition nature, her life was an endless cycle of wandering alone – the lost snail. Thus, more than anyone, she understands about how all his efforts really worth, as a result she won’t accept the low-esteem, woe-is-me Araragi. That’s why when she’s furious and hits Araragi for his insecure rubbish, it holds so much weight. For all of its “heavy-dialogue nonsense” and “irrelevant visual style” and “weird characters’ poses”, the series’s heart is always in the right place because the show understands the characters’ struggles and sympathy with them.

As Mayoi leads him to meet Teoru, they pass through all the girls he had “saved” with a “what-if” scenario. What if he didn’t save Hitagi back then? What about Hanekawa? Interestingly, he always regrets about saving KissShot because obviously his life would take a very different turn had he walked away from her. Even in Nadeko’s case it’s a sense of regret that he failed to help her, or to be more exact, he failed by helping her. But make no mistake, although he’s at his lowest confidence, if he had a second chance to redo everything, he’d still help those girls out. This episode also raises another interesting theme: the difference between doing the right thing and correcting mistakes. I believe this will tie up to Ougi’s arc as she always believes that she does the right thing by erasing the part that don’t function like it’s supposed to. I highly believe that she was the person behind the darkness entity that threaten to erase Mayoi in “Mayoi Jiangshi” for example and I think the reason she said she’d come into the trap that Guen prepared is to exterminate Kiss-Shot for good.

I didn’t expect to see this guy Teoru back, and he has one or two intesting expositions to spare. First, all his kipnapping, his supposed “death” in Yotsugi Doll was all scams to deceive Ougi. In reality, since he failed in his own experiment, he became an entity himself: half human – half monster, wandering the boundaries of material world and the afterlife. Meme got him into the plan and he was put in hell to prepare for this moment: bringing Araragi back to life. Second, he also reveals the person who ordered him to exterminate Araragi and Shinobu: none other than Ougi. Really love the fact that this episode set in Hell (that made it the third Hell episode I’ve seen this year, all of them were fantastic), so that Shaft even has more opportunity to go wild on the visual; and the visuals were spot on for most part. The OP is good though a fair bit forgettable. Now that all the pieces are fit into place, we’ll head to the next equally important part: Araragi and his college entrance exams plus his full date with Hitagi the next day. Unbelievable, right? That’s Monogatari series for you.

Posted on 2 August 2016 with categories: Anime Reviews, Monogatari Series, World Animation

Just a quick note that I originally intended this week’s review to be about Miss Hokusai. But because of the DVD release of this Kizumonogatari (with good subtitle to boost), I decided to bump this up and review it instead. Monogatari series has been among one of my favorite series, and certainly the one that I spend time the most. Sorry Miss Hokusai but you will have to wait for few weeks later. When it comes to Monogatari series there’s simply no competition, okay? Now, let begin.

It’s always a tricky line when you are making a TV movie when you think about it, because you have to please both the fans of the series, along with new audiences who never see the series before. In other words, you have to make a movie that maintains the elements, tone and themes that make the series famous, at the same time the movie has to have something that can stand on its own. In that regards I always consider that The Adolescent of Utena is the best TV movie adaptation ever in anime. The way it reimages the plot of the original show, updating the settings, altering some plot points, and then goes completely bananas with its theme. Kizumonogatari has a bit of advantage, since it is also based from the light novel as a prequel to Bakemonogatari. The film was originally announced to be adapted right after the first series, back in 2010. Six years past, with the presence of many following seasons, there were doubts whether or not Shaft going to adapt it at all. Then comes the announcement of not one film, but a trilogy. This movie is just the first part of the trilogy, and clocking at exactly 1 hour, the film doesn’t hide the fact that it’s not self-contained, instead the film pleases itself of placing a groundwork for more events to come in latter parts.

Kizumonogatari part 1 nails many of the show’s distinctive features. Audiences who already love the series will find a lot to enjoy here. There are long, snappy dialogues, the distinctive but messy style of visual, the sharp impressionist art backgrounds, the insert screen texts, the ecchi undertone and of course the head-tilts. They’re all here. Its quick styles of visual prove to be too much for some, but never fail to impress (there’s a reason that my avatar is from Monogatari). The color palate changes according to the mood the characters are in or the topics they conceive. Monogatari is one of the few examples on how a great adaptation should be, in the sense that they don’t need to adapt it faithfully, but take the tone, the theme of its source material and turn the show into a very distinct visual feast (The Tatami Galaxy is another example). After all, light novels and visual anime shows are two different mediums, there is something that work well in one medium but will not work in another, hence taking an artistic liberty to the source is a very necessary task. Many characters that we come to know and love has returned for the film, or to put it more correctly, appear for the first time together. It’s actually very nice to see those characters before everything happen, when they are still insecure and naïve.

Yet, this movie sets itself apart from the series for so many reasons, or I should say, this movie is an update version from the series. While usually I don’t like the use of narration, Monogatari series is one of the best example on how to use the voice-over right. Because every character in the show has their own distinctive voices, using narration to understand the way they think, the worldview they possess feels deeply personal. Yet in the movie, the inner voice is stripped down and what we have instead is the external experience. The film shows what the characters experience through pure visual storytelling instead of relying on what the character’s inner thought. The first sequence of the film is the perfect example of this approach to create a sense a paranoia we feel along with our main character Araragi. We literally follow our main character’s every footstep, see what he sees, hear what he hears. In the sequence, Araragi wanders around an abandoned building. He’s shaking and terrified, completely out of place. It is a nightmarish situation in which Araragi couldn’t get out of and we sense his uneasiness. All this were achieved without any spoken dialogue.

Moreover, if there is one element that truly stands out in the film, it is the sound designs. The film uses a more jazzy, popular melodic soundtrack that fits the scenes they play like a glove. My favorite piece of soundtrack happens when Hanekawa and Araragi meet up for the first time after the “incident”, the soundtrack goes Latino and sweet and upbeat, but later when Araragi encounters the vampire Kiss-Shot, the soundtrack goes dense and off-putting. The sound, or the lack thereof, complements the movie in so many way as well. I have to note that the sound designs, just like the visual presentation, are highly unconventional. The film use sounds like the tickling clock to represent the sexual tension of Araragi when he thinks back about Hanekawa’s underpants and big boobs, or use baby cries to substitute for the desperation of Kiss-shot when our main character refuse to help her, or the distorted sounds of people talking to illustrate the un-humanness Araragi is becoming. The more I think about those sound designs, the more I believe that the movie has outdone the series in so many level. The settings also get new designs: the old abandoned cram school, the high school and Araragi’s house have these new looks and it’s a joy to watch. As did with our characters. The characters have their own distinctive appearances and ask me which hairstyle fit Shinobu better, I would choose this one without hesitation. Unlike the series that I have mentioned earlier, the color palate in the film is dominated by the bright yellow and orange colors, which for me is very suitable, since Kiss-Shot has yellow hair (and she’s very important to this story), the yellow ray of the sun (which also very fitting with the theme) and most of all it makes the blood looks less terrified.

Story-wise, the film contains 3 parts: Araragi and Hanekawa meet for the first time; Araragi finds a limbless vampire Kiss-Shot on a verge of dying and decides to help her; Araragi on his mission to retrieve Kiss-Shot limbs in order to reverse back to human, with the help of Oshino Meme, a “negotiator”. Actually, for those of you who curious, the very first opening section of Bakemonogatari is basically a very quick overview of Kizumonogatari and contains the prequel’s most important scenes. Now I don’t encourage you to watch that to spoil yourself, but you might check it out to see the different in approach and design between that “preview” and the actual movie. That is for me what Kizumonogatari would look like if it were adapted 6 years ago. The second part of the film is easily the best part of the film, the way it mixes the natural world of the first part and the supernatural world of the last part, in addition with the visual and sound designs to create an eerie and quite disturbing atmosphere. Monogatari has tackled difficult and even depressing subjects before (the whole Sodachi’s acts), but this is the only time where they manage to put the viewers in and make sure us stay there with Araragi with an unflinching look.

So what’s to expect for the next two movies then? Oshino Meme mentioned that the whole thing now is too unbalanced that he can’t help but to step in; and he is the negotiator who bridges between here and there. Araragi thought that this is them (Araragi and Kiss-Shot – the Vampires) against human (the Vampire executors), but then Meme remarked again that Araragi and himself are human. If he can pick up something from that, he should have realized the reason Oshino Meme steps in is to help Araragi against Kiss-Shot. She’s hiding something and at this moment she just manipulates Araragi in order to get her full power back. Like the film states clearly in the beginning, “This story about a vampire has an unhappy ending – It concludes with everyone becoming miserable”. Don’t expect a joyous ending here, but that’s precisely the reason I look forward to the next movie.

Overall, Kizumonogatari part 1 is a worthy successor to the series, and a major step up in terms of production values and its visual storytelling, which is a feat itself consider that everyone have an extremely high expectation from it. Still, I have a hard time to score it alone as this one is clearly just a set up for more to come, but at least I could say that it succeeds in what it sets out to do. Lastly, to the question whether this movie would be a good place to start for newcomer. Well, I always prefer to go with the airing order, because they have been written that way (Kizumonogatari would be the third release in light novels). But I’d say the newcomer would welcome to watch this, because the movie both maintains many trademark elements from the series, and it’s chronically a beginning of its all. The only downside with this is you then have to wait for almost a year for the full trilogy to come out and it’s no fun waiting.

Next post, I will review one of my favorite film and personally the best animated film of this decade so fa… scratch that, this is one of the best film of this decade so far in any form, animated or not. Expect a high score here. Stay tune!

~SuperMario~

Posted on 17 March 2012 with categories: Anime Reviews, Monogatari Series



To start this review, here is where I was coming from when starting Nisemonogatari: I really did not like its predecessor, Bakemonogatari. I had a ton of problems with how Shaft executed that series; it was trying too hard, the tons of still frames, far-away shots and blank frames made it look more like a slide-show than an actual anime, the characters bored me, the subject material didn’t feel interesting. It was a chore to sit through. In the meantime though, Shaft changed a lot. It’s not like they stopped making boring shows (Arakawa’s second season was a pain to sit through…), but their successes have allowed them to get a budget to actually animate their series really well. Enter Nisemonogatari.

To my surprise, I actually liked this series. I have a ton of problems with it, don’t get me wrong. But they actually get less in the way compared to Bakemnonogatari, and I was actually able to enjoy the good stuff inbetween these flaws.

Now, by far the biggest improvement and the biggest reason to watch this series is the visual presentation. Unlike Shaft’s early work, the characters in this series are actually animated, and they’re animated really well. Heck, Nisemonogatari was by far the best animated series of this Winter Season, and that is with a season that has a Shoji Kawamori series and a Brains Base series. There is a ton of creativity in the images without looking like it’s trying too hard with pretentious references or unnecessary convoluted detail. This show is a visual feast.

Bakemonogatari also really got on my nerves with its really poor storytelling. It had a ton of dialogue and all, but in the end its arcs never really seemed to amount to anything. To my surprise however, I actually really liked the way in which the both arcs that comprises this series resolved themselves. The dialogue was actually used well, and the growth tat the different characters go through is much more interesting. So yeah, I liked this show. but it really made it hard at times.

You might notice that Bakemonogatari had 15 episodes which combined to five different arcs, and even then it was dragged out. Nisemonogatari has 11 episodes… and consists out of only two arcs. It takes forever to get anywhere, and especially its first half drags on horribly. And ti does so with an ungodly amount of fanservice.

Seriously, this show randomly brings in characters, giving them a rather shallow reason to appear again and then proceeds to have them walk around naked, bathe with the male lead and all kinds of other stuff. At best it’s creative and clever, but at worst it’s realy distasteful. You’d think that at least the dialogue would make up for it, but even that grinds to a halt when the characters end up talking about nothing else but fanservice, over and over and over again.

This really ends up eating away at the majority of the series. The entire female cast needs to have had a long dragged out fanservice scene with the male lead that doesn’t go anywhere. It’s just way too much. Just as you think you’re done with one girl, the male lead moves on to the next and it starts all over again. The important lines that are tacked onto it that actually develop the characters and add more to them feel tacked more than anything. This show even jumps the implied incest bandwagon without really contributing anything to it. I don’t mind fanservice if it’s used well and all, but this was just way too much.

Thankfully, the points where it gets down to business, it really becomes good, and this series does really give some good insights into its lead cast. The dialogue whenever the fanservice isn’t involved is actually dedicated to fleshing out the characters and the wordplay is more put to the side-lines. Watch this if you want to see an arthouse flick, because it definitely is a well directed visual feast.

Storytelling: 7/10 – Great dialogue, way TOO MUCH fanservice.
Characters: 8/10 – Good development, interesting cast, well fleshed out characters for once.
Production-Values: 9/10 – Gorgeous and fluid animation with very creative shots and images. The music is nothing special, though.
Setting: 8/10 – Even though nobody seems to live in the world of Nisemonogatari outside of the main characters, the underlying themes make up for itwith some neat ideas and backstories.

Suggestions:
Dororon Enma-Kun Meerameera
High School of the Dead
Michiko e Hatchin

Posted on 25 February 2012 with categories: Monogatari Series, Winter 2012 Kaleidoscope

If I had to give this season a label, it’d be the Winter of WTF. Seriously, Nisemonogatari: you as well?

Anyway, for the reason of this post: there just wasn’t anything interesting this week. Danshi was more miss than hit this week, Ano Natsu continued with that boring beach arc (though admittedly it was much better than the week before), Inu X Boku was the same as what it’s always been and I don’t want to repeat myself on it yet again, Black Rock Shooter has completely descended into forced emo and Smile Precure still is in that boring introduction arc of its. Which brings me to Nisemonogatari.

To my complete surprise: I actually liked Nisemonogatari this month. Heck, for the past weeks, it did exactly what I hoped it would do. Something actually happened, and I actually really liked the way the Karen Bee arc was resolved. It was an anti-climax, but it worked well and was very well built up. Finally I actually got the chance to enjoy this series for what it was and marvel at its animation without being bothered by everything else.

However, the fact remains: this show is just way too long. The first episodes of Nisemonogatari were pretty much Araragi walking around until something happened, and passing the time with tons and tons of fanservice. And it lead to this episode. I have very mixed feelings for this episode. I really want to praise the creativity here. The toothbrush scene was just weird in every single way. The animation and direction were also excellent. At the very least: this was a great piece of animation. But this show has also just completely turned into a farce. Is this show too going for the incest? I thought we finally dropped that dead horse. If this was an attempt to be subtle and clever, that part of it at least failed, because it 1) has already been done by a ton of other shows and 2) exactly went back to the themes of the first few episodes in which hardly anything happens aside from tons and tons of fanservice.

I really consider Nisemonogatari better than Bakemonogatari at this point. Another great annoyance that’s gone now: the series no longer feels like watching a bunch of voice actors narrating over a slide-show. They actually animate the characters here. This episode had some of those “ahoge-shots”, but they were far more balanced than before.

I really noticed that after Bakemonogatari, the animation in the Shaft series improved significantly. They seemed to have especially invested a lot in inbetween animation, and the first series where this really stood out was with Soredemo Machi wa Mawatteiru. For once, this series actually doesn’t feel rushed. Now that they actually have a period of one year in which they release just one series, they can actually focus much more on making that show good. It’s just a shame that it wastes so much time on pointless fanservice over and over. If it was just some random fanservice I would not have minded, especially with the creativity that this show had been doing it. But there were just large parts of this show were nothing just happened aside from the characters talking about random smutty topics. It’s just too much. Still, this episode did show the most amusing ones, even though in the bigger picture it was just blah.
Rating: #%&! (???)

Posted on 26 June 2010 with categories: Anime Reviews, Monogatari Series



I usually don’t wait for DVD-only or other kinds of extra episodes for writing a review, but for Bakemonogatari I made an exception because I thought that the final three episodes would air quite soon after the end of the TV-series. So I was wrong. My memory may be a bit fuzzy about the series right now, but I do want to talk a bit about why I didn’t like it.

But first, let me say the following: I’m usually a big fan of shows that feature lots of talking. Ergo Proxy, Mouryou no Hako, Amatsuki, I can’t get enough of them. I also like series that do something interesting with their art and visuals, to give us some kind of unconventional eye candy. I was set to like this series when I first started watching it… but the way it turned out just didn’t work for me.

Now, the reason I’m a fan of anime is the way that it combines storytelling, visuals and music into one. Even with series who have a ton of dialogue, they really focus on portraying these characters as they tell their stories. With Bakemonogatari however, this combination is completely gone. There are way too many scenes that don’t focus on the characters, but on some random eye, object in the background, or just a very far away shot of a bunch of people talking. The creators go out of their way to avoid animating the full faces of these characters. There are a number of episodes in which this gets carried way over the top: one episode has scenes of three minutes, at which it just does nothing but stare at the same landscape without any variation. Another episode consists for about thirty percent of just black and red screens with random text on it. The rest of the episodes are also riddled with these blank screens that don’t really do anything except break pace.

All of this results in the fact that this isn’t really an animation about a bunch of characters having conversations with each other. It feels more like an animated slide-show in which a bunch of voice actors read a story. If I wanted something like that, I’d go for drama CDs or something.

The way that the source material was adapted leaves also a lot to be desired. Scenes are dragged on for way too long with boring dialogues, while the dialogues that matter are rushed through. This series has this very annoying habit of hinting at back-story, while only devoting a few lines to what happened, if any. This is especially annoying considering that this is a harem, in which everyone and his dog just ends up falling in love with the lead character. Most of the motivations for these characters and their crushes turn out to be just superficial. For me the worst was the snake arc. It wasted so much time with pointless stuff and weird fanservice, while the real story was rushed, glossed over with hardly any attempt given to give the characters some depth.

Now, the series also likes to play around with poetry: there’s a ton of symbolism, and the original novel is full of wordplay, but in the end that doesn’t really amount to anything. Yeah, there are a bunch of word jokes, and when the characters talk about cats you see pictures of cat ears, those kinds of things. They will strengthen the experience if you did like the series, but for those who aren’t a fan like myself, they’re pretty much pointless.

Granted though, the budget and focus do get better near the end: the creators finally take their time to fully animate episodes, it wastes less time with pointless stuff and there are a number of scenes that have some really sweet animation. But even then, it’s not really worth it to sit through the rest of the series just to get there. This series advertises itself by fleshing out its characters through its dialogues, but to me, that’s rather failed. There are still too many characters who just have one side to them, and just feel like caricatures.

There really was a time at which I liked Shinbo. And I still consider him to be a good director. However I’d much rather see him put his full attention on just one series, instead of churning out a bunch of half-assed product that might or might not have their moments.

Storytelling: 7/10 – Badly paced, and badly portrayed.
Characters: 7/10 – A lot of bark, but no bite. Most characters fail to impress.
Production-Values: 8/10 – I give this one the benefit of the doubt here. It cuts a ton of corners, but granted there are a number of scenes that are really well animated.
Setting: 7/10 – There is no explanation of the magic system here. Things just… are there, but I failed to see any cohesion or depth.

Suggestions:
Soultaker
Boogiepop Phantom
Twillight Q

CHANGE USERNAME
Kaiser-Eoghan
I remember the idea of dlc was something that annoyed me.
Kaiser-Eoghan
I do remember getting a kick out of playing old N64 multiplayers, lol bunch of then 13 year olds not knowing how to play goldeneye multiplayer properly or stealthily , so it basically turns into a Hong kong style shootout.
Kaiser-Eoghan
"We're in the middle of a battle! You have to stay logged in"
"GODDAMMIT I need to eat I can't stay!, Godammit nature calls"
Kaiser-Eoghan
When my friends got into MMOs and online shooters, I simply didn't have the time commitment or patience for the prior in particular.
Amagi
A person will only play one or two of such endless games, people won't start new ones just because they pop up everywhere, but nobody seems to get this.
Amagi
The problem is that everyone is only looking at how much money the few big ones make and think they can imitate it when the whole thing is actually just a bubble, just as with gacha games.
Amagi
@Kaiser: I actually enjoyed classical coops but yeah, MMO not really. Especially not when it feels like a game was created for single player and they shoved the MMO stuff in or when a game gets less story heavy and less content to make room for the lootershooter/pvp/whatever MMO stuff.
Amagi
I am doing this too right now. Will probably marathon a few shows I skipped so far in case that they're good till the end. More into playing right now
Kaiser-Eoghan
You might say I was keen on the idea of being in the same room as someone after I defeated them in a fighting game =P
Kaiser-Eoghan
*going on
Kaiser-Eoghan
Its far more easy to remember whats going in that way.
Kaiser-Eoghan
*the habit
Kaiser-Eoghan
@Amagi: I've gotten into he habit of only watching a few shows each season, then later on catching up with others.
Kaiser-Eoghan
@Amagi: Back in my gaming days my idea of a multiplayer was with a group of friends in a room, but it all shifted into massive online multiplayer mmos and fps games.
Amagi
Sadly, the OPM PV looks weak, I will miss the great animations of MP100.
Amagi
@Kaiser: Have to admit that I like Mob more than I feared, it's the show I enjoy the most right now. Otherwise I'd go with your ranking, maybe with an added Neverland.
Amagi
Man I hate how every game has to become more and more multiplayer'ish just let me play games as loner again.
Amagi
I already dropped it during episode 1. Considering that the manga has ~120+ chapters I guess it's another eternal status quo thing too.
Kaiser-Eoghan
@Wooper: I read a couple of volumes of the manga, its hit or miss and eventually gets repetitive, it could be often funny in certain parts but I'm bored of it now. I saw some bits of the anime and didn't laugh.
SuperWooper
>not watching Kaguya-sama
I seriously hope you guys don't do this.
Kaiser-Eoghan
I suppose now that its near the end of this season I should rank what I've been watching: 1. Run with the wind 2. Boogiepop 3. dororo 4. go-toubon.
Kaiser-Eoghan
@Vonter: And there thats the other thing, out of it so long there's a massive buildup of games , increasingly difficult to catch up and get back into.
Vonter
At the moment I'm playing Guacamelee 2. Which I had my doubts since the first game got a bit frustrating do to the backtracking. This one gives me a Super Paper Mario vibe in the villains departament.
Vonter
@AidanAK47 I'm not even mad anymore, but still disappointed Western Games can't give closure to their over 10 million dollar games. I think you can have a self contained story and maybe tease the story is open to more adventures or something.
Vonter
I suppose if I'm curious for the story I'll watch an edited Let's Play.
Vonter
Yeah, I agree, it does feel like indie developers and Nintendo make the games I like. I don't know maybe I'm just getting old to catch up with the recent trends most ambitious projects tend to follow. Also how most of these games take a lot of time to get going and I don't have that much free time to spare waiting for the game to let me play it.
Kaiser-Eoghan
@Vonter: I got into watching letsplays for a while some years back, it was a decent way to re-live an old game without playing it.
Kaiser-Eoghan
Whoring out sequels is pretty much the bane of most things, just continually dilutes the original and in some cases can even ruin the original for you.
Kaiser-Eoghan
But I can still remember that very moment when I first played a 3D game and how unreal that felt .
Kaiser-Eoghan
And there isn't time to give to absolutely every medium.
Kaiser-Eoghan
Unfortunately I think I've been so long out of the habit of gaming that I've gotten used to and familiar with not being part of that scene , to where I kind of simply just don't pick up a controller anymore.
AidanAK47
Not to mention that they are gonna milk it to death. They already got about 5 sequels planned and put in a thing showing how they could milk it. To me GOW 2018 is an incomplete game, a part 1 of a needlessly long franchise. Whereas the old games had stories which felt complete.
AidanAK47
@Vonter, I would say it's more that despite the fantastical settings both Hoizon and GOW 2018 make use of tired sandbox game mechanics. GOW especially annoyed me as I feel they stripped out everything that made those games there own things and replaced them with game mechanics stolen from other games. GOW lost it's very essence.
Kaiser-Eoghan
*Futaro
Kaiser-Eoghan
Fuataro is best girl.
Kaiser-Eoghan
@Vonter: I just read that the new Orphan anime is a prequel.
Kaiser-Eoghan
@Vonter: Back when I played/watched people play videogames, it was moreso Jrpgs and old Nintendo and sega genesis games.
Vonter
IMO making something more complicated than it should ends making something less enjoyable to play.
Vonter
Why not just watch a Let's Play. I suppose is an overreaction, but I felt very mixed how God of War 2018 was a good Father and Son story, but really annoying to play. Constant walking and climbing sequences, combat that I think it's less involved than the ones from the other games, and constant looting that lost it's charm by the 30th chest.
Vonter
I don't know why but I've been feeling that I'm enjoying more playing on the Switch than the PS4. While I enjoyed RE2 and will likely replay it, other high tech games like God of War, Horizon and the like don't do much for me. Most of this realistic games have very slow starts, make the playstation fans sound like it's struggling, and if the best part of these games is the dialogue and cinematics.
Kaiser-Eoghan
Genuinely a very good sign when a 20 minute episode feels much shorter than it is and its rewarding to see an anime series possess such a degree of confidence in its direction.
Lenlo
Just finished it. Seriously, Kaze Fui has nailed this segment of episodes. Just homerun after homerun. Its ridiculous. I love it. Kurahara tapping into the freakin speed force
Animosh
Now only Haiji is left. When there were five episodes remaining I was wondering whether there'd be enough content to fill them all, now I'm wondering how the show is going resolve everything in one episode. But the show has barely made any missteps so far, so I'm sure it'll nail the ending too.
Animosh
Kurahara's segment was also good. He's fallen in love with running, and now that he's pursuing running for its own sake he runs faster than ever. It also helps that he's crazy talented, of course.
Lenlo
I want to be excited for OPM 2... but JC Staff

Also I cant wait to watch Kaze Fui when I get off work. Sounds like it was good
Animosh
Yeah, King's segment was better than expected. Pretty relatable. His issues did come a bit out of nowhere though. His segment could have been even better if there had been some hints that he has been struggling with this earlier. It's also a bit strange that there wasn't any development with his job hunt, since that what basically his defining trait throughout the series.
Anonymous3563660
The developments from the first cour are absolutely paying off big time and it's amazing to see how far this cast has come since the first episode. And now it's time for Haiji's segment next episode. I can't take waiting another week for this!
Anonymous3563660
Well. Bravo Kaze ga. That was an amazing display that Kakeru showed. I loved his segment. King's backstory really hit me close to home as someone who recently graduated.
Kaiser-Eoghan
Now on Boogiepop phantom episode 16....a discount Godzilla!
Kaiser-Eoghan
@Anon: I liked Densetsu no yusha even though no one did and Record of Lodoss war, always wished there had been more of both.
Animosh
Yeah, that trailer ... does not look promising.
Anonymous3563292
Just as MP100 s2 takes its bow, there's going to be a lot of people expecting OPM to be as amazing as that or s1. Oh boy.
Anonymous3563292
A reminder to temper your expectations for OPM s2.
Anonymous3563001
After a messy start, that Prince of Smiles show has largely settled for okay. Not terrible, not amazing, but largely above-average and rather forgettable. I'd compare it to that Record of Grancrest War show from last year.
Anonymous3563001
This apparently isn't like that other Doga Kobo show where the pedo bait was persistent throughout.
Anonymous3563001
So uh, has anyone tried to go back to Wataten and see if the pedo bait has subsided since the first episode? Because it seems like it has for the time being.
Animosh
@Anon: no, I mean a continuation of the main story. I read about it on the anime subreddit: https://www.reddit.com/r/anime/comments/b26yj1/shaft_producer_mitsutoshi_kubota_confirming_that/
Lenlo
@Anon, I love Mob Psycho, but the series does have some iffy stills. Thats not an issue though, because this is an animated medium. Its meant to be viewed in motion and holy shit, does it look good in motion
AidanAK47
However my main issue at the moment is the feeling of them dragging things out for the sake of having that be the finale. Right now episodes just don't have much content and I feel it's too dragged out for it's own good.
AidanAK47
@Anon, Nervous isn't really the word I would use. As far as adaption is concerned I feel the series has done quite well for the most part with the only big misstep being the shows reluctance to have any inner monologue whatsoever which has lead to questionable choices to alternatively present information that was usually spoken in mind. I say the end of the arc will be done well.
Anonymous3560732
@Aidan As a manga reader, are you nervous about how they'll adapt the end of the arc in Neverland?
Anonymous3560839
mob psycho was amazeballs this week. It's the show that just keeps on giving. On a side note, I've seen some comments floating around about how the show has terrible still shots and I'm going to dispel that erroneous assessment in this week's discussion
SuperWooper
Search bar is in the upper right hand corner, in case you're still searching.
Anonymous3560732
@Animosh You referring to that Madoka mobile game tie-in?
Anonymous3560739
That’s not the search bar
Anonymous3560739
Mob psycho
Kaiser-Eoghan
They decided to adapt mushoku tensei apparently. I might aswell see what all the fuss about it is as being one of the "better" isekai.
Kaiser-Eoghan
I can't imagine how the polar bear isekai or vending machine one would handle the harem aspect.
Animosh
As for Slime getting another season, I personally don't mind. It's obviously not a masterpiece, but I don't watch isekai for enlightenment. If they can offer me some relaxation after a day's work, that's enough for me.
Animosh
Some nice announcements in the past few days: Oregairu is getting a third (and final) season, and Madoka is rumored to get a sequel too (maybe focusing on Sayaka?).
Anonymous3560293
Cross Ange is not trash tho, way better than those others
Kaiser-Eoghan
I'm wiser nowto certain types of story telling, making an overly long show that keeps throwing endless gotchas at you, eventually you get tired of the show trying to play with you instead of actually moving things forward.
Kaiser-Eoghan
@Anon: I've enjoyed many a trashy show/film in my time, but guilty crown, cross ange and Valvrave I couldn't finish, there are certain cases where the brain begins hurting/aching.
Anonymous3560221
While different in settings and genres, they obviously have Okouchi's writing full of shock value and swerves.
Anonymous3560221
Guilty Crown and Valvrave are like his most explicit attempts to recreate Geass, and look how those two fared. Kabaneri also falls into the same traps as those too.
Anonymous3560221
But even he ends up letting his worst tendencies slip in with examples like Princess Principal, particularly the last episode.
Anonymous3560221
Which ironic that the best shows that he's written are the ones that are not trying to recreate those Geass days like Lupin the 3rd Part V or that Devilman Netflix show.
Anonymous3560221
It's amusing to see that Okouchi's worst enemy is essentially himself. Trying to recreate that Code Geass magic with ass pulls, shocking swerves, and shock value without realizing that it's never as shocking the second time around. And that has basically ruined almost every work he's attached to.
Amagi
I always find it funny how almost everyone agrees that it was Biba who ruined Kabaneri. I liked that show so much before he appeared, damn. Will watch the movie but my hype is killed and I fear the movie will just be about another random human antagonist instead of the actual Kabaneri problem.
Anonymous3558784
mongatari
Kaiser-Eoghan
@Lenlo@Wooper: At least we have the Tanya movie to look forward to.
Kaiser-Eoghan
*Even though I know its going for something fun.
Kaiser-Eoghan
Oh COME on Japan, just give me by communist isekai mecha show so we can be lovers again.
Kaiser-Eoghan
@Anon: Biba fucker ruined the show and it stopped allowing me to enjoy Kabeneri as a shitty ova throwback.
Kaiser-Eoghan
@Aidan: Couldn't even make good on a stupid re-incarnation premise on the ones you mentioned.
Kaiser-Eoghan
Or better yet, find some old proto-isekai and adapt it.
Kaiser-Eoghan
"Could be worse" I suppose I win by default by bringing up Parallel paradise and ruining everyones fun by reminding them of its existence.
Kaiser-Eoghan
I think my brother in laws reason for liking trashy isekai is because he sees them as an anime equivalent to exploitation films, I should just tell him to watch old ovas.
Kaiser-Eoghan
If we're doing the re-incarnation thing, just give me a full please save my earth adaptation or bokura no kiseki or that other re-incarnation thing done by Spirals artist.
Kaiser-Eoghan
Not an isekai, but a LN adaptation, Index keeps popping up again every so often, I fell out of the series a long time ago and got exhausted with it.
Kaiser-Eoghan
I feel the same way about konosuba, I wish I found it funny but I don't because I know it is going for that "fun" thing.
Kaiser-Eoghan
I think, especially with a second season, I'd eventually get fed up with it aswell and that it would get repetitive.
Kaiser-Eoghan
My brother (and probably my brother in law too) seem to enjoy Reincarnated as a slime as a casuals show and find it funny. I saw clips of the dub, the voice actors sounded like they were having fun and I think some people found the slime/dragon interactions at the start amusing. I'm just left thinking that the show is something my younger self might have gone for but I'm indifferent to it now.
AidanAK47
Or the vending machine isekai
AidanAK47
Or the polar bear isekai
AidanAK47
It could be the hot spring isekai
AidanAK47
Well guys it could be worse.
Lenlo
I sense a disturbance in the medium. I fear for the future.
SuperWooper
That's fantastic news, as series set in the real world give me diarrhea. I assume that the majority of Japanese otaku suffer from the same issue, given the number of isekai manga and LNs that are slowly polluting my favorite art form. :^)
Anonymous3556601
As expected, that Slime isekai show has been renewed for a second season.
SuperWooper
@Anon3540676: Hey!
Anonymous3542644
And despite all of these recent announcements lately, IG still hasn't announced a release date and release model for DNT s2 yet beyond theatrical screenings. =(
Anonymous3542320
https://youtu.be/cxjXEIDbBxAInterestingly, seems like Banana Fish (technically not BL) did well enough for Noitamina to consider having an adaptation an actual BL manga on their block.
Anonymous3542320
I would really love to see that Kabaneri film get things back on track after the second half nearly derailed it (pun intended).
Anonymous3542320
Huh, well that didn't take too long for a release date regarding Psycho-Pass 3. It's slated for October.
Meanwhile, Beastars is going to be Netflix-exclusive, and interestingly, the Kabaneri film is going to air simultaneously on Netflix and Amazon alongside a limited theatrical release.
Kaiser-Eoghan
@Amagi: Did you ever read beast complex? I haven't done so yet, it seems like like the beastars authors prototype for it.
Kaiser-Eoghan
@Amagi: Hadn't known that, thanks. Also, I read the most recent 20 or so chapters Amatsuki, all has finally been revealed.
Amagi
Q's (Dorohedoro) new series started, Dai Dark. It's basically Dorohedoro in space (therefore, I am completely fine with it).
Lenlo
This adaptation of Dororo is adding a lot of new content to its story in its adaptation. It's taking what was a much more one-dimensional story in my opinion, and giving it layers.

And yeah, Run with the Wind was great. Sure Kurahara has been the most emotional, he is the lead, but I think everyone in the cast has done a decent job
Kaiser-Eoghan
Although while I did enjoy last week, I didn't think it captured the impact the manga had.
Kaiser-Eoghan
Dororo upped the ante this week to its benefit. This episode also showed how the series can succeed even with the protagonist having a minimized screentime. I don't remember Taromaro going up against a demon in the manga, this is an advantage of this adaptation adding stuff.
Kaiser-Eoghan
...because there will be that sense of saying goodbye.
Kaiser-Eoghan
@Lenlo: And thinking it over, I've been beginning to get the feeling that this will be one of those took me on a journey shows, one of those shows where I felt I really spent alot of time with everyone in it and after it ends/in the last episode, it'll get me feeling something...
Kaiser-Eoghan
@Lenlo: While so far in the series I thi7nk the stuff around Kakeru has been the most emotionally rewarding, the middle of this episode crept up on me , the tension of the race itself was never interrupted by the flashbacks and they were well stitched into the narrative.
Lenlo
Just watched it. I love this show so much. How is a show about running so damn good
Lenlo
I want to read your comments so much but I wont watch it until tonight ;_;
Anonymous3535670
You know,by the end of this month, it feels satisfying and surreal to have a show that's longer than 1 cour, not be a LN/manga adaptation, and have a (hopefully) satisfying conclusion that's also self-contained. And it's based on a novel about running.
Anonymous3535670
2 episodes left. Last episode is likely going to be Haiji's segment and probably the one with the most waterworks in both his running and his past.
Anonymous3535670
Nico's segment was also exceptional too, looking at his past. King's up next, and he's going up against that douche Sakaki. That guy still wants to prove that he's better than these "amateurs". Next episode is going to be King's segment and then Kurahana's as he goes up against Fujioka.
Anonymous3535670
Day 2 of the Ekiden begins and boy, it's just as emotional as the first day. Huge props to Yuki for being able to make it down the slope, but man his feet took a tremendous beating.
Kaiser-Eoghan
@Anon: I actually respect that, him doing it out of spite.
Kaiser-Eoghan
For example, cinema is infuriating politically correct these days, so I'll happily enjoy some old trashy thing that is guaranteed to piss off certain people.
Kaiser-Eoghan
If I really really don't like something, then end up enjoying something oldskool trashy/exploitative, its an even better show of contempt for the thing I disliked.
Kaiser-Eoghan
I've stopped watching trash ironically now though, to unironically enjoying it as trash and cynically as a reaction to modern hollywood and modern anime trends.
Kaiser-Eoghan
And i am largely against doing that.
Kaiser-Eoghan
I guess I enjoyed parts of both seed series but overall I consider them a low point for the franchise, I essentially fastforwarded through parts of both.
Anonymous3532051
The whole thing comes off as a vindictive screed from the show's producer towards Sunrise because they won't let him direct another show after the mess that was Gundam Seed Destiny.
Kaiser-Eoghan
My introduction to anime was in the late 90s through exploitative ovas, can't believe I still haven't seen angel cop or dumb shit like Kenya boy. In the latters case it has the misfortune of being incredibly dated.
Anonymous3532051
But most of the show isn't really like that afterwards apart from the continued bloodshed, and fan service. There's something up with that if they were going to make such drastic tonal shifts. That had to be intentional.
Anonymous3532051
So bam! First three episodes of Cross Ange contains blatant racism, wanton bloodshed and violence, people dying left and right, lesbian sex, and that really disturbing "cavity check" at the end of episode 1. This must've been done on purpose because Fukuda wanted it to prove some point I guess?
Anonymous3532051
I recall he said prior to that show's airing that he was frustrated that TV content regulations had grown even more strict compared to when Seed was on the air back in 2002, and that Seed wouldn't even be the same had he made it today.
Anonymous3532051
God, Cross Ange feels like a dare made by Gundam Seed's director to create a show with the intent of shocking its audience with edgy material since he produced it.
Anonymous3532051
So I guess at this point, Netflix has officially stopped trying to license anime (and delaying their Western premiers by months after the Japanese airing concludes) since they're announcing nothing but original productions lately. As long as they put out good content like they promised to the anime community.
Vonter
I'm a bit baffled by people arguing Cross Ange is good. Since it's hard to make a case of something being soo good at being baad.
Vonter
WatchMojo made a list of the top ten anime so bad they're good. https://www.youtube.com/watch?v=W1HCnZSriig
Kaiser-Eoghan
Also other than that I'm glad that Totsukuni no shoujo is getting an ova which could possibly lead to a bigger adaptation.
Kaiser-Eoghan
I hope bokura no kiseki ends soon too so I can just re-read marathon it aswell, just give both full anime adaptations.
Kaiser-Eoghan
I'm 22 chapters behind in Amatsuki, I didn't know it had ended, only a few volumes left to be scanned/translated, then I can re-read the whole thing. This thing had very slow updates, which made an already complex manga harder to follow.
Kaiser-Eoghan
Didn't think anyone would actually remember/care about spriggan, I remember parts of it when the ova aired in the late 90s/early 2000s. But i can't recall any opinion I had on it.
Anonymous3529312
I wonder how they'll deal with the anti-American themes though that the source material had (and I think the English adaptations needed to tone down)? Granted, it's a lot easier nowadays to paint America as the bad guy given who's running it lol.
Anonymous3529312
Spriggan adaptation coming to Netflix from David Production huh? Haven't heard of this property in a long time. There was a film iirc that came out 20 years ago.
KTravlos
I loved Paranoia agent. It really was a great show
Lenlo
Oh boy. Just watched Paranoia Agent 8. That got weird. This entire show is weird. I like it.
SuperWooper
Yeah, I'm bummed about the Chihayafuru delay. On the upside, I get to treasure my memories of the first two seasons for six more months before they're tainted by S3.
Kaiser-Eoghan
For others like myself who'd been waiting for them , Chihayafuru season 3 and 7 seeds got pushed back to another season instead.
Anonymous3515039
Even still, perhaps a clean slate is probably for the best. At least in my book.
Anonymous3513877
So, they're going ahead with Psycho-Pass 3 then huh? Again no Urobuchi, but IG will handle this one unlike season 2 (please no Ubukata) and it'll feature a new cast. I assume it'll be written by those who did the recent film trilogy. No Akane it seems, but one can hope for a supporting role or cameo.
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Kemurikusa – 11

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Winter 2019 Summary – Week 9-10

Another two weeks have passed, and Summer Season is coming in sight. It’s the time where most shows get busy as they reach their final arc. Mob Psycho 100 ventures into its shounen roots,  Run with the Wind does extremely well in its last leg, literally, and Kemurikusa girls part way emotionally. Let’s see how these 4 shows below perform in […]

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Boogiepop wa Warawanai (2019) – 15/16 [Overdrive: The King of Distortion 2/3]

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Kaze ga Tsuyoku Fuiteiru – 22 [Embrace Your Loneliness]

Hello all and welcome to the penultimate episode of Kaze Fui! This week we see King’s struggle, Kurahara takes off and Sakaki becomes a little less hate-able. Lets take off running, we have a lot to cover! In terms of animation and production, Kaze Fui surprised me this week. I didn’t think that, after Yuki […]

Kemurikusa – 08/09/10

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Dororo – 11 [The Story of Banmon, Part 1]

Lets skip the preamble this week and just dive in to Dororo! On this episode our plucky pair explore Daigo’s city, fight some fox spirits and get in a bit of a pickle. Lets go! Startin off, Dororo had some interesting visuals and colors this week. With the Fox Spirits and the Crazy Woman sticking […]

Mob Psycho 100 S2 – 11 [Guidance ~Psychic Sensor~]

Hello and welcome once more to the Mob Psycho 100 blog, where I gush about Mob Psycho 100! This week see’s an old villains return, multiple defeats and more of Mob’s growth. Lets dive in! Now, at this point I feel like a broken record when talking about Mob Psycho’s animation. But the fact is, […]

Kaguya-sama wa Kokurasetai – 10

There are times when I judge anime series based on the number of screencaps I’m compelled to take per episode. This was one of those times. After closing the video and taking a look at my desktop, I was unsurprised to see it littered with mpv-shot files, all featuring distinct facial expressions, poses, and situations […]

Latest Reviews

A quick and dirty review of Garo: Vanishing Line

What it claims to be about: A secret order of knights and alchemists, the Makai Knights and Alchemists, fight horrifying creatures called Hollows who prey on human weakness .Part of the media franchise spanning anime and live action shows, this iteration is set in modern metropolis and concerns the attempts of Sword, the strongest Makai […]

Planetes Anime Review – 89/100

If there is one thing I have lost watching seasonal anime, it is patience. Every week I expect something to happen, some kind of payoff, to make watching that week worth it. Luckily, Planetes as brought that back to me. Its depth of writing, characters, and general structure belay an anime of a different age. […]

Goblin Slayer Anime Review – 60/100

The controversial nature of this shows opening episode may have many turning away from it due to believing it’s nothing but shock value but that truly isn’t what Goblin Slayer is. I will say that the manga may hold some truth to that statement but thanks to some tasteful censoring(Yes, sometimes censoring can be a […]

Zombieland Saga Anime Review – 60/100

Zombieland Saga was a show that came out of the gate guns blazing, no one expected it nor did anyone predict it but it left a strong impression when it first aired it’s starting episodes. Originally considered to be another zombie apocalypse anime, it overthrew expectations by turning out to be a zombie idol anime. […]

SSSS.GRIDMAN (Fall 2018) Anime Review – 87/100

Let it be known that I’ve never been a fan of Trigger. For me, they’re one of the most style-with-no-substance studio on Earth with a tendency for god-awful fanservice, and total nonsense in terms of story and characters. Yet GRIDMAN completely caught me off guard in the first two episodes, and from there, there was […]

Thunderbolt Fantasy 2 (Fall 2018) Anime Review – 86/100

If anyone has been familiar with the first season of Thunderbolt Fantasy, you’d find yourself a lot to enjoy in this second installment. Served as a sequel, but not a direct continuation to the first, viewers don’t need the knowledge of the original in order to enjoy this ride. Thunderbolt 2 carries many trademarks that […]

Irozuku Sekai no Ashita kara (2018 Fall) Anime Review – 73/100

In the last few years, it’s great to see P.A Works has slowly created their own studio identity, putting more original works with consistent production values. Just in 2018, they produced 4 shows (quite a good number if you ask me), 3 of them were original: Maquia, Sirius the Jaeger and Irozuku. As I said, […]

Seishun Buta Yarou wa Bunny Girl Senpai no Yume wo Minai Anime Review – 82/100

In the wake of many a school based light novel show this may be the small bits of fresh air was can savor out of this overdone setting. Rascal does not dream of Bunny Girl(Or by its japanese title above) is a series not about rascals or bunny girls but instead about contextualising common high […]

Banana Fish Anime Review – 72/100

Some days, I wonder what it is with America and anime about organized crime. Baccano!, 91 Days, Blood Blockade Battlefront, all set in America, all involving criminal underworlds. Today, I get to add another to that list in the form of Banana Fish. Much more grounded than the others, it’s story dates all the way […]