Posted on 31 December 2008 with categories: Anime Reviews, Mouryou no Hako


The past fall season aired a lot of good and great series, but none of them was as good as this series: Mouryou no Hako, Madhouse’s latest masterpiece. This is one series that did just about everything right. Obviously it’s not for those who don’t like people talking over and over again, but it’s perfect for those who are looking for mature and complex anime. This is how mystery should be done!

I honestly can’t recall any other anime apart from a Mamoru Oshii-production that puts more emphasis on talking as this one. The series follows a string of bizarre murders, and the people who try to solve it. This whole mystery is multi-layered, it’s full of flashbacks and references, you’ll never know when something that passes the screen is important for the future. There are lots of scenes that don’t necessarily have any direct meaning, but instead are there to flesh out the setting or throw the viewer on a side-track, and yet the series itself never loses track of its goals, and everything comes together in the end in one of the best endings I’ve seen.

Another big selling-point of the series is its cast of characters. They hardly get as much screen time or background as your average anime, and yet they’re utterly amazing. The animation knows exactly what it needs to do to show their subtle movements and gestures in order to flesh them out while many other things happen, and the background that’s there is meaningful and has a huge impact. Every character has his or her own distinctive presence, with the best ones being Kanako and Akihiko, both for very, very different reasons. The entire cast is colourful and a delight to watch, despite the huge amounts of talking within this series.

Also, if you thought that shows as Code Geass is disturbing, then you haven’t seen anything yet. I refuse to spoil anything here, but like a few other Madhouse productions, this series breaks taboo after taboo. This is nothing near your average tame detective story.

Then the visuals: they look utterly incredible. Especially in the beginning episodes and episodes, the characters all look crisp and very detailed. The animators throw the most beautiful shots and visual effects at the viewer. Combine that with an awesome soundtrack, and you’ve got some amazing production values.

The only possible turn-off is, like mentioned above, the large amounts of talking: if you don’t like it, then it’s going to be hard to enjoy this series. There are two particular consecutive episodes, where nothing else happens apart from three guys, sitting in a room and talking to each other. This anime isn’t afraid to take risks, even though it might turn off some people.

So overall, this has been an amazing series. The script is fresh and creative and has a huge impact. There’s a lot of symbolism, both visual and in the storyline, and an excellent recommendation for those who look for a short mature series. The storytelling is strong yet subtle, and it’s yet another masterpiece by Madhouse.

Storytelling: 10/10
Characters: 9/10
Production-Values: 9/10
Setting: 9/10
Posted on with categories: Mouryou no Hako





Short Synopsis: It’s finally time to reveal who is the real culprit behind this series.
Overall Enjoyment Value: 9/10 (Fantastic)
What an awesome way to close off 2008! I must say, this episode was absolutely incredible. It was the best episode of Mouryou no Hako yet, it had some of the best visuals of all the series I watched in 2008, it’s the second-most disturbing episode of 2008 and it has without a doubt the best ending of 2008, and in fact one of the best endings I’ve ever seen. Oh my god, how everything came together in the end!

So in the end, the culprit was Amemiya. I’m pretty surprised that I forgot this myself, but amongst all the clues that were thrown around, two of them pointed at the real culprit really clearly: the time when Kiba saw him outside of the research institute: he was trying to get Kanako’s limbs back, though didn’t take into account that Kiba would be there. Then, later as we saw Kanako lying in bed, it was indeed he who was watching her from the peek in the door. He then met Suzaki, who just smuggled Kanako’s head outside and killed him, taking away her head. It then seems that he met Kubo in the train, and showed him Kanako’s head, JUST LIKE IN THE STORY. It turns out that the story from Sekiguchi was from Kubo! Kubo then became jealous and wanted to create something like that too, not realizing that it took some advanced science to keep her alive in that state and… ah, forget the bloody summary, Hayase does a much better job at it.
And I must say that this is one disturbing story! Mimasaka slept with his actress daughter and got her freaking pregnant! People chopping up girls’ bodies, keeping them alive and distributing their limbs all over the country.

I must say, that of the past fall season, Mouryou no Hako has definitely been the best series of all airing shows. I already was convinced of that after the previous episode, and then it came with this episode. Even though Casshern Sins, Michiko to Hatchin and Bonen no Xamdou are already amazing, they’re going to have to be really good in order to be able to top this one. I realize how much of a hassle this series is to translate, but it would be such a shame if this gem would remain unsubbed.

My only question left is: what happened to Amemiya and Kanako’s body? Were they found? Did they disappear?

Posted on 24 December 2008 with categories: Mouryou no Hako




Short Synopsis: Akihiko gathers everyone to tell them about the things he discovered.
Overall Enjoyment Value: 8,5/10 (Awesome)
I don’t think that for the past year, I’ve ever been this frustrated at a climax than with this episode, apart perhaps from Kaiba. This episode was simply amazing, and then the creators stick in that damned cliffhanger just at the parts where the juicy parts really are about to begin! That final episode can’t come soon enough.

But really, with a series of this calibre, it actually has the chance of being my favourite ending of 2008, with all the building up that has basically been meant for that final episode, and the big questions still aren’t revealed, even though the huge amount of revelations in this single episodes. I’ve probably said this before, but I really have pity with the poor fansubbers who have to translate and typeset this series. This really is something else, and I’m still utterly amazed at how many open questions the creators managed to create without me even realizing it.

So, let’s see if I got everything correctly: The scientist whose name I forgot is actually Youko’s father, and one of the culprits is Suzaki, the one who died. In the last episode, we didn’t see Atsuko, but instead Youko (my mistake). When Kanako got in her accident, it was actually Yoriko who pushed her, after being inspired by reading Sekiguchi friend’s novel. The trigger was seeing Kanako crying (probably due to Youko, I think that it was then when she found out about how her sister was actually her mother). The man in black coat was Akihiko himself, who seems to have witnessed the event.

When Kanako was caught in the accident, her wounds couldn’t be treated in a regular hospital, so Youko desperately tried to search for a different address. That’s why she wound up at her father’s, and it was Suzuki who she talked to. It then seems that Suzaki was the one who chopped up Kanako and moved her out of the research institute in BOXES, in order to avoid detection. After that, something came and killed him, just like how Kubo Shunko was silenced. The question now remains: who the heck was that?

The way the episode ended was just filled with question marks: what is Kubo doing at the research institute if he’s supposed to be dead? Why did Akihiko say that they’re “inside Kubo”?

At this point, I can’t say whether Mouryou no Hako has been the best series of the past Fall season, since half of them aren’t over yet, but it’s definitely been the best series of the fall season that only lasted 12 or 13 episodes. At the moment, I can’t wait to see what the creators have in store for the finale.

Posted on 21 December 2008 with categories: Mouryou no Hako



Short Synopsis: Kiba’s had enough and starts going after who he thinks is the culprit.
Overall Enjoyment Value: 8/10 (Excellent)
Whoa, to think that this series actually managed to squeeze in some romance, and manages to get away with it! At this point, it really is clear that both the limbs in boxes and Yoriko’s death were simply red herrings in order to keep the viewer busy, and distract him from the one who really is at the centre of everything: Kanako. This episode, with the announcement of the death of Kubo, finally gets back to her own story.

I’m not exactly sure whether Kiba really picked out the real culprit, but someone in the research facility at least has to be involved with the whole mess. This someone used Kubo as a way to get female bodies and cut those up and used them in his experiments to create the ultimate human being: when it dies, just replace its limbs and it’s up and running again. This guy also murdered one of his colleagues, probably because he either found out too much, or was involved with the project, but tried to chicken out at that time.

Central is also Youko. If this is the case, then it would explain why the movie director knew about the human experiments. I’m still not exactly sure why she found Kiba her biggest threat, but I guess that we’re going to find that out in one or two episodes. I also wonder, what was the point of showing that poisoning-murder case at the beginning of the episode. It didn’t seem related in anyway, or did it?

I also keep getting impressed by this series’ idea of “action”. Most of the action here lies in its subtle but very powerful emotions. Like with Kiba in this episode: the creators know exactly how to create tension, and make the viewer hope that Eno’s going to be able to stop Kiba in time.

Regarding the cliffhanger, if this was a regular anime, it’d mean that the scientist didn’t die yet. However, this is Mouryou no Hako we’re talking about. Everything can happen from this point, and I’m really anticipating to see what kind of ending the creators have chosen.

(Oh, and on a side-note: Atsuko looked scary as a teenager O.o)

Posted on 10 December 2008 with categories: Mouryou no Hako



Short Synopsis: Akihiko goes to the box maker to confront him with the things he’s done.
Overall Enjoyment Value: 8,5/10 (Awesome)
Wow… just wow. This episode was simply awesome, and it shows that the creators know exactly what they’re doing with this series. The two episodes of straight talking may have been a bit weird, but of course they were an excellent means of building up, and now that we’re finally getting to see the fruits of all this, I can safely say that this is one awesome series. I definitely can put this in my top three series that have aired in the past autumn season.

This time, I don’t even care to find out what exactly was said. The non-verbal communication, along with the few key scenes that I did understand were enough to make a huge impact, although I do suspect that I’m going to have to pay a lot of attention in the next number of episodes, when it’s explained why Kubo has done all the things he did.

So in the end, the role of the box maker and his cult was that they were involved in the whole case by Kubo Shunko: at one point, he a bloodstained box ended up on their doorstep, which turned out to contain the finger of one of Kubo’s victims. Later in the episode, the police actually finds out Kubo’s hideout, and Yoriko’s body, chopped up into pieces and stuffed into boxes. He manages to escape, though, but I’m glad that apart from our four main characters, there are lots more people searching for Yoriko and Kanako, trying to find Kubo Shunko.

The big question now still remains: what the heck happened to Kanako? Kubo Shunko’s box murders was a very good side-plot of the series, but the central matter of the series has yet to be touched on, and yet we know that the two mysteries are connected somehow, as it seems that Kubo knows about Kanako, and Kanako herself has many more mysteries than simply her death and disappearance.

In any case, it’s episodes like this one that really remind me why I’ve decided to go with raws, even though my Japanese is far from perfect. The entire episode was packed with emotion, but a lot of that emotion was found in the non-verbal communication between the characters. The phrase “a picture says more than a thousand words” really fits in with this series. Every single shot seemed to contain a very powerful emotion, and that’s exactly what sets this series apart from other series that involve lots of talking, and seen to get lost in their own exposition.

Posted on 3 December 2008 with categories: Mouryou no Hako



Short Synopsis: The killer’s identity is confirmed, Yoriko’s mother is in despair and a rather big spoiler happens that you don’t want to find out before you’ve seen episode eight.
Highlights: Talk about a change of pacing!
Overall Enjoyment Value: 8/10 (Excellent)
Oh, how I love this series. It’s not like other series, where the emotional power of the characters is huge (Casshern Sins for example). In contrast, this is a very quiet series, even during the fast-paced parts like for example this episode. But the writing is so incredibly solid that I’m regarding this series as one of the best series of the season. The creators don’t aim attempt awkward drama that feels forced, but instead have really succeeded in creating a very subtle atmosphere. I don’t know about others, but I personally love it when anime uses subtlety. The more the better.

The big event of this episode was of course Yoriko’s death, although we never actually get to see her die, it’s more that her presence lurks over the episode like a very gloomy ghost. As it turns out, the real killer is a friend of Sekiguchi: Kubo Shunko. It was pretty interesting how Eno simply walked up to Kubo, asking him about Kanako, about an hour before he went on to take Yoriko with him. We also saw Kubo from a very different angle in this episode, when Eno showed him a picture of Kanako, suggesting that there’s much more to this mystery than just Kubo being a serial killer.

What I also like in this episode was that they showed the exact same footage as in the end of the previous episode, but this time from the perspective of Eno and Sekiguchi, where it’s Yoriko who’s acting strange. It was also awesome to see that the two of them (especially Eno) went on to raid her house right after she left, finding her mother about to commit suicide. It seems that she’s much more than just the delusional mother we saw in episode two and three: she really feels guilty of calling her a Mouryou (apparently she did this by mistake, I believe that it can all be blamed on an eye-problem of hers(?)

Posted on 26 November 2008 with categories: Mouryou no Hako



Short Synopsis: Kiba continues to collect clues, and finally all of the four main characters are together.
Highlights: It was a long wait, but finally the developments continue.
Overall Enjoyment Value: 8/10 (Excellent)
The biggest reason why I like this series so much is that even though its story is very confusing and complex, it never forget its subtlety and great characterization. The complex story combined with the down to earth storytelling is really why I consider this series to be among the best of the season. Some shows with lots of talking tend to get lost into meaningless exposition (I really need to stop using Soul Eater as a bad example for this…), but Mouryou no Hako manages to avoid this completely.

Thankfully this episode was also a bit easier to understand, although there were still plenty of tricky parts. It starts with Yoriko, as she continues to resent everyone around her, from classmates to her mother. None live up to her expectations set by Kanako. The next scene is about Sekiguchi, as he thinks back of the novel he read by Kubo Shunko, which I think inspired him to get more interested in the case of the boxed murders. He’s on his way to visit a certain doctor. When we reach the place, we make a time skip to later that day, when Kiba also got the idea to visit him.

I’m not exactly sure what the doctor is to the whole case, but Kiba too seems to have linked the boxed murder case with the disappearance of Kanako. The doctor was probably in charge of the autopsy of the girl who was found inside the boxes. He mentions that she wasn’t chopped up to be killed, but instead killed in order to be chopped up, suggesting that the killer had indeed been planning to box her right from the start, instead of thinking that it would be a strange way to cover up for his crime. The doctor seems to link this back to human experimentation again. A soldier that can’t die. We then switch to some flashbacks of Kiriko, claiming that Kanako can’t die, which I suspect have some disturbing truth in them.

The doctor then says that Sekiguchi also paid him a visit that morning, and Kiba is very surprised to see Sekiguchi investigating. He then shows him a few notes about the files that Sekiguchi was carrying, which prompt Kiba to pay Sekiguchi a visit. At the train station, Kiba recapitulates what happened back at the research institute.

The next half of the episode shows that Enokizu somehow has made contact with Akihiko. Toriguchi meanwhile has uncovered some new information about the box maker. A strange guy (probably a talented student) told him that he got a request for quite a large amount of boxes from the box maker. He seems to lead the same strange depression as Sekiguchi is (never noticed that, by the way). Toriguchi then shows an old-fashioned tape recorder. Toriguchi seems to have gotten it from his boss. The tape shows an ominous preaching by the box maker, but it seems to be faked. Next up Toriguchi shows a blueprint of the box maker’s dojo.

Enokizu then announces that he and Sekiguchi will be going to check up on a girl named Yoriko Kusumoto, Kusumoto Kimie’s daughter. Kimie, however, seems to stand in the box maker’s cult’s registry file. This isn’t something Akihiko surprised. Enokizu then comes with a surprising revelation: Yuuko isn’t Kanako’s aunt, but her mother. She got a baby on a very young age, and to avoid any scandals on her acting career at that time, it was just pretended that her mother had another baby. Wow…

Kiba then shows up from out of nowhere. I guess that he went to Sekiguchi’s house, only to find out from his wife/girlfriend that he was at Akihiko’s. He’s quite angry, but Akihiko cuts him off, wanting to hear his own story before that.

We then switch to Yoriko, as she seems to have met the mysterious man again in front of a painting store. He’s talking about eternal life. At first he seems a bit weird, but Yoriko is doubting whether to trust him or not. Sekiguchi and Enokizu then pop up. They don’t get much out of her, and she just leaves them to meet up with the mysterious man again. He invites her then in a room full of boxes… and the rest is left up to our imagination…

So the culprit is finally identified, it was indeed the mysterious man. The question now of course is where this guy ties in with the box maker and Kanako. Is he a member of the cult, and if he did push Kanako off the tracks as Yoriko said, then what did he want to accomplish with that? How did he get her out of the research institute?

I also have to say that I’m surprised that more and more anime are willing to use the Second World War as one of their themes. Last season, it was Nijuu Mensou no Musume; and okay, even though that one went wrong a bit, it’s good to see that some Japanese are willing to write stories about their darker parts in history. In the same way, you can see a lot of American-made games that do take place in this second world war, just as a lot of Dutch stories take place in our Golden Age, and you never get to hear anything about what “we” did in Indonesia. While an anime about Pearl Harbour is of course never going to happen, it’s good to see that there are at least some attempts to point at it.

The animation was a bit strange at times in this episode, but thankfully it was only the smoothness that suffered. The vivid expressions that make this series’ characters come to life are fortunately still there.

Posted on 19 November 2008 with categories: Mouryou no Hako



Short Synopsis: Sekiguchi, Toriguchi and Akihiko continue to talk about the various aspects of the boxed murders case.
Highlights: Just when I thought that the previous episode was filled with dialogue…
Overall Enjoyment Value: 8/10 (Excellent)
Holy crap; I can hardly believe my eyes. One episode that just takes place inside one room is one thing, but two consecutive episodes, featuring nothing more than a room with three guys in it, constantly talking. I think some record has been broken with this, because this even surpasses Seirei no Moribito. I can sort-of understand why no new subs have been released so far. This series is really something else to try and translate.

Okay, so here are my attempts to try and grasp what went on. We start the episode as usual with an example from one of the books of one of the characters of this series, I suspect that this is from Sekiguchi. It starts with a little girl who’s reading a children’s book at a local shop. We then switch to or the past of the main character of the story, and we learn that he used to be a very neat guy, sometimes taking it to extremes so that he ended up skipping his lunch. After his father(?) died, he ended up living in a large house on his own, where the loneliness drove him to insanity. I think that that scene was meant to clarify why we saw him ending up cutting up the limbs in the story blurb that we saw a few episodes back.

The rest of the episode is divided into two halves again. The first half, which takes up the longest part of the episode, is spent on our threesome as they explore the concepts of “Mouryou”. It becomes clear here that Akihiko is a real fan of calligraphy, and likes to search behind the meaning of different related words and Kanji.

What I picked up was that Mouryou aren’t just a bunch of monsters. Those are called the mountain Mouryou, but the whole term encompasses a bit more. According to the dictionary, “Mouryou” isn’t just the name of one particular monster, but the term encompasses all sorts of spirits and goblins. The “Mou”, or 魍 of the word means a monster, spectre or apparition, while “Ryou”, or 魎 means a sprite or hobgoblin. I guess that if you take the two terms combined, you get quite a broad collection of things.

For some reason, he also shows a bunch of alternative ways to write “Mouryou” in Kanji that didn’t make any sense when I looked them up. My guess is that after that, Akihiko shows them a few different creatures that can be considered as Mouryou, like a water sprite, or even a shikabane (zombie), and tells them stories in which they appeared. After that follows some weird symbolism about those Torii-shrines of the previous episode, but I really didn’t get what that was about.

Then the second half of the episode starts, end the focus gets back to the boxed-murder cases. My big trouble here is that I can’t seem to find the right translation for the word “onbaku”, which seems to be the central focus of this mystery. It seems to refer back to the concepts of faith and Buddhism, relating back to the first episode. I suspect that this “onbaku” is the guy they suspect to be the culprit of the boxed-murder case. Could he be the box-maker of the previous episode? That would explain the religious references to his cult and all.

Toriguchi then shares a theory he’s been having about the culprit of the crime, as he comes with a police report on the case. It turns out that the “onbaku” has a dead daughter. He comes up with the crazy theory that he started murdering because he believed that that will save his daughter or something, but Akihiko reckons that more information is needed to get to that conclusion. He asks Sekiguchi to show the relevant parts of the registry file that Toriguchi got from the box maker and distribute it to the police. One of the names in the document catches Sekiguchi’s attention, as it seems to be the name of another rising novelist. It seems that they met once.

The episode ends as Akihiko tells them not to go near the research institute, suggesting that he either is a very good at telling the future, or knows more than what he showed in this episode.

I must say that I’m really impressed by this series. Although it’s a lot of work to try and understand it, it’s exactly series like this one that are the reason why I watch anime: those rare unique series that simply go beyond genres and have a style of storytelling of their own.

I believe that this series is a typical alpha-series, and here’s what I mean by that: for my studies, I’ve had to read a number of papers, both written by alpha- and beta-scientists. A common trait among the beta-papers was that everything is defined up to the finest detail, and you can see the same in series as Higurashi: every action has a well-defined cause and a reaction, and it’s a great example of a beta-series. Papers that were written by alpha scientists on the other hand weren’t as straightforward, and instead just tried to look at their subject in lots of different ways and from various angles. And that‘s exactly Mouryou no Hako. It’s not trying to solve this mystery by providing clues on a silver platter, but instead it’s telling the story and background from a lot of different angles and views, explaining the background that might have something to do with it or might not. This really is the first series where this effect is so apparent.

Right now, I’m beginning to understand where Kanako’s Buddhist influences came from, and I believe that she was an influential member of the box maker’s cult. If this is true, then it does explain why she forms such a central role in this story.

Posted on 12 November 2008 with categories: Mouryou no Hako



Short Synopsis: Toriguchi shares his theories with Akihiko.
Highlights: I can’t recall having seen any episode for the past year that had more dialogue in it than this one…
Overall Enjoyment Value: 8/10 (Excellent)
Wow… just wow. When I thought that the previous episode was full of dialogue, this episode becomes even more extreme: the entire episode, safe for a few flashbacks and the intro, took place in one room, featuring just three characters talking. Like mentioned above, the only episode I can think of that matches the amount of dialogue here is from Seirei no Moribito, when Barsa got her spear fixed. I really love these sorts of episodes, which are really mind-boggling to try and understand. But yeah, the hard part comes in understanding them.

I think that the first half focuses a bit on a side-story, when Akihiko shares a bit of background on the spiritual roots of the series. The drawing with the four gates that Toriguchi draw reminded me a lot of the four Gods that watch over Kyoto from the four different directions, but it also seems to be a drawing of a shrine that Toriguchi once visited, which resided on a mountain and had four different-coloured shines in the different wind-directions. I originally thought that that was something only Kyoto had, but it seems that there are more shrines of this type, with a smaller scale.

I think the whole point of that first half is that they’re discussing what Akihiko’s powers might be, and they move across different possibilities, like fraud or spiritual powers (which Akihiko both denies), in order to get a good comprehension of what he can and can’t do (which will probably be of a vital importance in the series’ second half, when these guys will probably start solving the case around the boxed murders). What caught my attention is that this series fully acknowledges that most mediums are frauds, despite being a supernatural series. I’ve only seen this at Ghost Hunt before, and it’s an interesting effect, giving the real supernatural effects even more of a mysterious flavour. Especially in this series, since we still haven’t got a bloody clue what went on back there in the research facility.

In the end, it seems that Akihiko prefers to be called a medium, as that’s where his powers seem to fit in best. I don’t believe he explained how exactly how power worked, but I don’t care whether he did or not, those are just mere details. The fact remains that this series is doing more than just basing itself off a few cultural references randomly grabbed from Wikipedia, but instead tries something much more complex, that goes beyond mere customs and folklore.

In any case, I found it pretty amusing that Akihiko thought that Sekiguchi and Toriguchi were merely visiting him because they wanted that background on his powers, but of course there’s much more than that. In the second half of the episode, Toriguchi reveals that he’s discovered quite a bit about the case with the boxed limbs. A strange guy came to him with a story he wrote (it seems that Toriguchi is also some kind of editor, explaining why he knows Sekiguchi), and his story sparked a few strange parallels to the box-murder-case. The guy didn’t seem to care how much he got paid for it, as long as it gets published.

When Akihiko analyzes it, it seems that the manuscript was written by a woman, and the writer somehow stole it from her. Toriguchi also suspected this, so he paid the guy a small visit at home. He wasn’t there at the moment, but he got greeted by an middle aged woman and old man, in a house with a room full of boxes, of the same kind of those who were found earlier, but the old man then scared him away. If I understood correctly, then the woman used an excuse of how the old man still needed to drink his tea to buy a bit of time for him, but then I wonder why he didn’t hide the boxes.

Toriguchi then tells about a how he spoke to a guy who lives next to the house f the old man who scared him away. People seem to call him Hyouei (or something that sounds like that). It turns out that he once was a famous box maker (hence the boxes, I guess). He seems to have become that because his father was also one, and it also seems that his grandmother had some sort of spiritual ability. He was quite famous, but at a certain point he became unable to create his boxes. He seems to have a wife and son, but Toriguchi couldn’t find out where they went.

The episode ends as Toriguchi tells how he found an old letter that Houei’s grandmother seemed to have written. It talks about a piece of paper, if I understood correctly. This piece of paper contained the word “Mouryou”.

So lately, I’ve seen some discussion about why we watch raws. I do so for a bunch of reasons: it’s consistent, I’m impatient, it’s the only way to watch unpopular shows as Les Miserables and Porfy no Nagai Tabi, and without subs and I can focus more at the visual expressions and effects instead of trying to keep up with the subtitles. This episode was obviously an extreme case of an episode that’s very hard to watch raw, but at the same time I love a bit of convolution once in a while. In this episode, when I watched it for the first time, a lot went over my head, but at the second watch, when I grabbed myself a dictionary, things suddenly started to make sense. And I can also rely on some of the commenters for filling in some of the gaps or mistakes I made (especially many thanks to Zerozaki for his patience to continue pointing out the things I missed or misunderstood for every episode. ^^;)

Posted on 5 November 2008 with categories: Mouryou no Hako



Short Synopsis: The fourth main character turns out to be a detective/psychic who gets hired to find Kanako.
Highlights: Too. Much. Dialogue!
Overall Enjoyment Value: 7,5/10 (Good)
This episode was an absolute nightmare for an inexperienced raw watcher as myself. During the previous episodes, I still was able to follow the general gist of things due to the visual drawings and stuff, but this episode’s different. For once, it focused on completely different characters (half of them new ones, as if the series hadn’t already enough of them), and nearly the entire episode, save for the few minutes in the beginning, consisted out of talking, talking and more talking.

So, let me see if I got this part correctly: the first part, before the OP, is always a scene from the novel from Sekiguchi? That makes sense in a way: he created his novels based on the boxed head he saw in the train (or was that part of his books as well?), rather than him, being the murderer.

The next scene was the most mind-boggling of all, since none of its characters had appeared in the series before. It centres around a professor called Fukurai Tomokichi and Mifune Chizuko. It seems to be Tomokichi’s duty to find out whether Chizuko is a psychic or not as she claims. At first, this seems to be the case, but the professor wants to do another experiment before believing this. In charge of the contents of the box that need to be guessed is a young guy called Fuji. Somehow he screws up, and lets someone break into his suitcase and take the note out of the box that was supposed to be read. Then something happens with a bit of film that I didn’t pick up, and Fuji somehow humiliates Chizuko in front of the media. This distresses Chizuko so much that she dies of an illness. Now… why would the creators bother showing such a seemingly irrelevant case?

The next scene finally introduces the final main character: Reijiro Enokizu, again a self-proclaimed psychic. There’s one guy, Noriyuki Masuoka who attempts to contact him, I’m not sure whether we’ve seen this guy before in the series, but he seems to be in charge of the case of finding Kanako. There was a lot of random chatter in this part because Reijiro refused to take Masuoka seriously, but the gist seems to be that there is another person looking out for Kanako’s body.

The final part of the episode goes back to Sekiguchi. At this point, I’m still not sure how exactly the guy is involved in the whole case, and how he (and Akihiko for that matter) can become a major characters when they’re primarily novel-writers. This episode shows how he gets visited by his friend Toriguchi, who tell him that Atsuko (apparently, Akihiko has a sister) did a bit of research into the building they ran into in episode 2, and found out that it was a medical research institute. Toriguchi seems to have come to Sekiguchi for a strange rumour he found out, and Sekiguchi introduces Toriguchi to a person who might be of more help than him: Akihiko. Akihiko ends the episode, pretending to be another psychic.

So yeah, this series was already very complex with subs, but it becomes an entire puzzle without them. I hope I got everything right, but a big theme of this episode seemed to be psychics, and whether or not they exist. It’s never confirmed nor denied, but I think that with everything that happened to Kanako, there definitely is some sort of psychic aspect about this series.

Customize
AidanAK47
So that's one. Can't say I remember seeing Finland elsewhere besides that show where all the countries are turned into anime characters.
AidanAK47
Luvia Edelfelt is from Finland?! Well damn you learn something new every day.
AidanAK47
And now I find a screenshot of them saying Miyu is from Finland. Which is weird because nothing of the sort was mentioned in the manga.
AidanAK47
Most I seen was anime characters saying Norway which was generally used as a means of saying NO WAY.
AidanAK47
@Anon48363, its sad that when I see a comment like this my first reaction is suspecting its a Bot. Thanks though.
@Masky, nope. No they didn't. I think this may be in your head.
Anonymous48363
Been enjoying the site for 7-8 years, if not longer. Thank you for your efforts in keeping the editorial line intact wrt reviews and happy to discover new content in the process. Keep up the good work!
Masky
Anyway, speaks of your "high taste" I guess. Finland gets brought up in some of otaku fanservice material for some bizarre reason. I'm weirded out by that since Finland is most obscure backwater place I've seen mentioned most out of other obscure countries xD
Masky
Of course it is possible I'm remembering wrong too(and did read wrong) and they did mention it only once :P
Masky
How funny you say that and then mention that weird magical girl spinoff right after wards xD The part where they introduce Miyu to rest of class has teacher saying she is transfer student from Finland, unless I read subtitles wrong
AidanAK47
Gonna wait on the Prisma Illya episode post. Figure I cover two episodes in one considering the slow pace isn't giving me much to work with.
Got to say I thought this would give me much more to talk about.
AidanAK47
I don't remember Finland ever being brought up in anime. Or video games. Or anything for that matter.
Speaking of the preview I have at least checked the source material. Just need to buckle down and start writing it.
Masky
@Bam: I know right? :D
Bam
I agree with K-off regarding keep the business end of stuff off the shoutbox- I just have no means of communicating with all of ya'll. We can Skype, but I suggest Google hangouts for conferencing. That way we may be able to record special podcasts, and now's probably a good time to get this to the next level.
Bam
I also volunteer to help with the workload for the season preview. I would be down to cover two series, but they have to appeal to me, cause there's no way I can be fair and PG-13 with the reviews of aweful shows.
Bam
@Masky: "Generalized statements are in general rather annoying". Hehe, that awefully sounds woefully like a generalized statement to me m8.
Bam
First Dark Souls III DLC titled Ashes of Ariandel just confirmed for an Oct 25th release. Thankfully this time, all regions and platforms are getting the expnasion on the same day. Here is a reveal trailer to launch the Hype Zeppelin:
https://www.youtube.com/watch?v=iu1NCPMC7D0
Bam
Friend: please send me, or post, the finished banner once you have it complete. I would like to take a gander. Thank you.
Masky
...Espicially since characters supposedly from there rarely have names that sound Finnish.
Masky
So anyhoo, so why is Finland one of countries that tends to get name dropped a lot in anime/manga/japanese video games? As Finnish person that weirds me out
K-Off
@Friend Damn, kind of surprised to see how abstract some of those concept art are for Mulan. But generalizations are just easier to make if all they care about is validation.
Masky
Generalized statements are in general rather annoying, but everyone loves to make them anyway for some reason :D
Friend
I'm nearing completion with our banner, in terms of work-hours Id say 3 hours? But in real life that equates to about 4 days because of stuff.
Friend
Something that annoys me: when a fellow artist makes a generalized statement about the industry by saying something silly like "japanese animated films have more creative input involved." Uggh Google "Alex Nino Mulan Concept" and tell me if you still think that. Sorry about that X/
SuperMario
And it might sound weird to you guys, especially majority of you are in one of the hottest days of summer, but I'm gonna head off to snow mountain for skiing this coming weekend. So expect the weekly posts will be a bit later than usual.
SuperMario
I don't know if that guy @Bond is still lurking around here, but I'm still interested In doing that thing with him
SuperMario
@Aidan: imho, those numbers don't really mean if we have nothing to compare them to. I'll say the ratio between original/ all anime for particular seasons would tell us a lot better
AidanAK47
But it does counter the point of "We don't get enough original anime anymore" which in itself was a pretty silly statement.
AidanAK47
Of course just because they are original doesn't automatically qualify them as good.
AidanAK47
@Anon44887, that logic would apply if it was an exception. 9 original shows last season, 14 original shows this season. 20 in the next. Are they three seasons all an exception?
Anonymous44887
@AidanAK47: An exception that proves the rule
Vonter
Just to ask does any of the shows being reviewed have a great soundtrack. Just asking for asking.
Kaiser Eoghan
@Aidan: I recall he posted under the name Bold/bond, the same poster who made the chart.
AidanAK47
Who was it again bemoaning that we don't get enough original(Not adaption) anime anymore? Cause there are 20 original shows next season. Great for anime but hard for me cause what am I gonna write in the preview?
AidanAK47
I am a bit too stubborn to burnout.
@afgm, I didn't change a thing.
Anonymous38539
I hope AidanAK47 would not suffer an Anime Burnout. I love this site and it pains to think that one day, no one will be writing the seasonal previews and yearly summary.
SuperMario
@Aidan: you have 91 days's episode as 9 instead of 7
AidanAK47
Bloody hell, even the spambots are referencing Pokemon Go now.
K-Off
For future reference, let's direct admin dialogue to email, apart from direct feedback.
@Mario We're working on allowing users to set up accounts.
SuperMario
And the constant anonymous names just keep bugging me. Can we make it back to the old shoutbox, where you have to put down your name in order to write message?
SuperMario
I think it's one thing leads to another. he's getting too burnout that he doesn't know what to write anymore.
AidanAK47
@Anon36049, pretty much what he said. Though it seems to be a combination of anime burnout and writers block.
Anonymous36271
He suffered from anime burnout and is getting on with real life.
Anonymous36049
Hi guys I havent been around for a long time. Does anyone know what happened to psgels? I see that the new posts are not his.
AidanAK47
Disgaea 2 coming to steam. Sweet.
Gotta finish Disgaea 1 and hope they don't screw up the port on release day again.
AidanAK47
Illuminati are everywhere, regardless of wherther it's anime or not. Sword Art Online was the work of the illuminati. All in the name of the gaint magic eyeball triange god do they rule the landscape of entertainment medium.
Also Magic Eyeball-kun also argees that Rem is best girl. And none shall dare denounce that claim.
SuperMario
@Anony35181: never thought they're that much interested in anime thou
Anonymous35181
@supermario, illuminati confirmed
SuperMario
Is it just me or couple of messages from the shoutbox just gone missing?
Topgavin
Haven't been watching it myself, but apparently in Taboo Tattoo, that large-chested high school girl died while running *onto a live battlefield* to check on her boyfriend with a shirt that said "flag". 10/10
K-Off
@afgm Sent you a message.
@Friend Looks good, I'd be interested in seeing multiple witches as well.
Anonymous32745
Chemotherapy is a cause of cancer rather than a cure.
Anonymous32745
If you know someone dying of cancer, immediately inform them that allopathic medicine will kill them and turn them to natural remedies which often work.
Anonymous32745
"Medicine and science are powerfully institutionalized, but no institution or profession has existed for the purpose of encouraging people to act reasonably." - Ray Peat
afgm
.
afgm
@Friend: yeah it's a problem
@Koff: I emailed you a while back. did you get it?
Fri3nd
Huh, I can't use my username.
@Bam You're right, I'll work on it.
Bam
@K-off: It's moments like these that really remind you of mortality. People pull thru tho. medical science has come far in that field; but definitely not far enough.
Bam
@Friend: It's looks pretty good. I like Mario's suggestion of a series of witches, but a solitary one is more in-tune with the current banner. I would say however that there is too much dark in the negative space to the right. Could be just me tho.
Bam
@Kaiser: a series of consecutive 'yes'. I was really into Laloux, but FP is the one I liked the most. I've been watching Mr. Robot since season 1, and it's well worth your time. Not really all that cyberpunkish tho; mostly just cyber. And anybody who hasn't read Gibson's masterpiece is a fool of a Took.
Kaiser Eoghan
@Bam: Have you been looking into that Mr Robot series? I heard its meant to be some kind of cyber thriller, it could be our thing. Also have you read Neuromancer?
Kaiser Eoghan
And I suppose that brings me to that stranger things show then, I love horror so I guess that caught my eye, but apparently its a family/kids thing =< don't know whether to bother.
Kaiser Eoghan
I still say it takes me that extra bit of convincing to watch a childrens animated film.
Kaiser Eoghan
@Friend: The banner is in good hands I see.
AidanAK47
Well Coraline wasn't written by Laika. It was written by Neil Gaiman. Laika just adapted it. Still I would like to check out Kubo to see what all the hype is about.
SuperMario
@anony29442: I will watch Kubo this coming week so I will comment on the movie then. But I'm not that surprise if Kubo has a weak writing. Laika never really great at story development: I mean Coraline is exellent, ParaNorman is just okay and Boxstrolls writing is just so underdeveloped and full of plotholes
SuperMario
@friend: wow. It looks awesome. But why only one witch? ^^
Friend
Hey everyone! Just an update on our new banner, here's my WIP up to now: [link src="https://i.imgur.com/0QSv6IK.png
I'm"] trying a witch as a tribute to one of psgel's favorite anime maho shojotai. Feedback is welcome, I have a lot left to do. A 5:1 aspect ratio is the weirdest dimension I've ever painted in
Anonymous29442
I just saw Kubo and the 2 strings and im really shocked at all the praise its receiving. People calling it an instant masterpiece on looks alone but not enough are talking about how underdeveloped the characters and story were. It felt as if they made the whole thing up as they went along to the point where I couldnt suspend my disbelief any longer and got irritated.
Anonymous29415
qualidea code's characters havent become better in terms of how they are written; only that they have been fleshed out in the most generic and trivial of ways as to sympathize with them; and sure, they have become some what likeable in the same way you'd like a person who you heard nothing but kind things about but that does not save the characters from being boring. QC is still a bad show
AidanAK47
@Anon27511, even if the animation was kept consistent the story still can't really escape the done to death aspect of it's story. I agree that the writing has gotten better but despite that the show just feels...meh.
Anonymous27511
Fucking Qualidea Code, as the story and characters become more interesting, the animation and drawing proportionately decreases. Sad they simply do not have the budget to pull off what seems like a potentially very good story
K-Off
@Mike I'm sure you already heard but for some reason I didn't keep up to date. I thought it was strange that releases stopped in March after chapter 68,.
K-Off
Just learned that the writer of my favorite webtoon is battling terminal cancer, but despite it she hopes to finish it someday. God damn I would've never expected this.
Kaiser Eoghan
@Mario: Once spilled hot microwaved food over my hand by mistake, hurt for a day.
Kaiser Eoghan
*remaining
Kaiser Eoghan
@Bam: The story and ideas however were better in gandahar I felt. Time masters while good was a bit stop and start in its pace and animation.
I’m definitely interested in Laloux’s other, short animations and Mobius’ comic book work.
Kaiser Eoghan
@Bam: I watched Rene Laloux's remain animated films, Gandahar and time masters, I enjoyed both but not as much as Fantastic planet. I remember we talked about fantastic planet two years ago. Did you see the other two I mentioned. I liked the big moments and the ending to time masters, especially those angel things.
Anonymous27024
Ok. I beat Federation Force. I think the main positive is that the levels were playable despite the lack of voice chat. The bosses took a lot of damage and the beginning and end are relevant to the Prime continuity.
SuperMario
@K-Off: I did it once just like you did, and once when I put a metal bowl into a microwave. So yeah, boys will always be boys.
Bam
I tried my best not to half-ass either of them tho. Any oddity you guys see just write it off as mental exhaustion.
Bam
Okay, I'm officially beat. These two reviews should be considered companion pieces, as some material from one flew into the other. Thank god that episode 08 was not a heavy one, or I'd be completely depleted.
K-Off
Shit, I'm a damn idiot at baking, slightly burnt my hand a minute ago grabbing a hot tray with a wet towl. Why do I even try.
K-Off
@afgm Alright, send me a message at fightthepowwa@gmail.com and we'll work it out.
Bam
*cinematography
Bam
@K-off: I second that, as although the Poirot series has very well-done choreography, casting and music, there is still a little more of that unquantifiable magic sprinkled on the Granada series. But keep watching and I'll guarantee that Suchet will become the quintessential Poirot in your mind as well.
K-Off
I said that while I liked the performance and the direction, I didn't think that it did for Poirot what Granada did for Holmes.
K-Off
@Bam Yeah it is, and generally when I camp I like to stay for 1-2 weeks, places like Niagara or Yellowstone I can pretty much see everything I want to see in a few days so I don't find much value going to those places. The Adirons on the other hand is diverse as hell.
Bam
@K-off: I'm not sure if you mentioned it while I was gone: but did you get to watch any of the Poirot series with David Suchet? And if so, what are your thoughts?
Bam
I generally go to either the Muir Woods north of SF, or the forests around Big Sur. It doesn't take much to please me really.
Bam
@K-ff: is that by Lake Champlain? Cuz I've been there once and loved it.
Bam
@K-off: I thought of a combined post, but my OCD wouldn't allow a skip in the episodic order of the reviews.
K-Off
Usually when you go camping in Yellowstone or Yosemite the tourist industry kills those places, like I'd be on a rowboat and see cars, cabins, and people from a long ways offshore. The Adirondacks are nice because their building codes mandate construction to be hidden behind trees.
K-Off
@Bam My favorite camping spot is the Adirondacks in upstate NY, I went there probably 4-7 times and never get tired of the place. No, I don't have any posts for now, but for future reference consider combining episodic reviews when you get behind. I.E. Episode 6-8 Review
Bam
Also there's a reader in the comment section of Berserk 07 who wants to know if we have a notification system. I vaguely remember a widget that links the site to a FaceBook page. If anybody knows how that works, or if it's still functional, please shed some light on the matter for him/her. Thx.
Bam
@Aidan @K-off @Mario either one of y'all has any post near completion? I'm almost done with Berserk 08 and as previously mentioned, really prefer not to put two reviews up back to back. I think the length of them is already a hassle for some to get thru, let alone two right after eachother. I think it hurts the viewership, but if nothing's on hand then I'll guess I'll just finish up and post mine.
Bam
@Kaiser: I was actually camping near a mountain, but aren't all mountains somewhat holy? That could be my bias tho, since I was raised on the Alborz mountain range, and for me there is something therapeutic about the mountain air.
Kaiser Eoghan
Yes! Looks like the shoutbox is fixed and not deleting posts after 24 hours anymore!
Kaiser Eoghan
lol Or you could live in the shitty suburb where I do and spend your time just waiting for when your internet connection randomly cuts out twice a month or as it has the past few days two-three times a day.
Kaiser Eoghan
Basically bam went up the Holy mountain .
Kaiser Eoghan
@Mario: ....guy I know who loves war films and I've ended up inadvertedly/un-intentionally gotten him to buy some fucked up Polish horror film that just happens to be set in WW2. lol he's going to be pretty freaked out when he watches it.
Bam
Everything been cool here? Hehe ... looks like I conveniently missed all the hard parts.
Bam
@Mario: thx m8. I wish I could just make it down to Rio on a whim, but then again, I took a much-needed vacation, so I ain't complaining.
SuperMario
Welcome back Bam, I was already convinced that you went to Rio for screwing around. Lol
Bam
Also I apologize for the absence. I was gone somewhere without reliable internet access, and looking back I should've gave a notification.
Either way, I'm back now, and will be jumping on getting those Berserk reviews out as soon as possible.
Bam
Man looky here with the renovations; I like it.
SuperMario
@Vyse: wow. So how was the sites then back from 2005?
SuperMario
@Kaiser: and what is that sh!te you're talking about?
VyseLegendaire
<— fixed
VyseLegendaire
<— me
VyseLegendaire
Ive been a reader since 2005
Kaiser Eoghan
Haha, this'll be fun lol
Kaiser Eoghan
.....that feeling when you keep going on about a show or film but fail to give all the details...and someone goes out and buys it not knowing the full extent of the mad shit their in for...s--t lol
Anonymous24840
any reader from 2005 here....
Kaiser Eoghan
@Mario: This guy seems interesting: https://letterboxd.com/director/tsai-ming-liang/
Kaiser Eoghan
@Mario: Hmm, not familiar with him.
I really really loved in the mood for love, alot, it emotionally effected me. I even watched it three times.
Kaiser Eoghan
@Mario: I couldn't seem to enjoy any of Zimou yangs films apart from Hero, which had some pretty creative fight scenes. I've seen the story of Ricky and some of John-woos films but they were more just silly entertaining exploitation films.
SuperMario
Don't know if you know the Vietnamese-French Tran Anh Hung. His works are stunning too. If you want to check out East-Asian cinema don't forget to check him out.
SuperMario
@Kaiser: Yeah, but Park Chan Wood changed the ending, so the author insisted that the Handmaiden is more "inspired" than "based". The third chapter is the weakest part for me
Kaiser Eoghan
@Mario: Of interest, The handmaiden was based on some British book/tv show.
Kaiser Eoghan
I need to completely re-evaluate/get into more Chinese cinema.
Kaiser Eoghan
Doesn't look like I've seen anything by Hong-sang-so.
My favourite Korean actor is song-kang-ho.
Kaiser Eoghan
Theres an anime convention over here in Dublin in three months. Although I haven't been to one in years.
SuperMario
I'm heading to anime convention today. Normally I don't really care about those conventions but I figure I'd come this year to see the taste of it. The only hassle is it's 3-hour drive, which gonna be a pain when I drive back after a long day being there.
SuperMario
Bong Joon-ho, on the other hand,is incredible at writing. His scripts are often layered, sharp and best of all fuses many tones/ genres into one coherent whole. The best thing about this Korean New Wave directors is they all have very distinctive voices. But my favorite director isn't the ones that you list. That would be Hong Sang Soo. I just love his simplicity style so much.
SuperMario
@Kaiser: Park Chan Wood is a master of visual. Whenever I come to his movies I expected to be blown-away by his visual. He can write compelling characters (he loves his characters) as well but his screenplays in general are weak. You can watch his lesser effort "I'm a Cyborg, but That's Okay" and see many things that made him good/bad. That's the movie I feel he made without the care of the critic
afgm
.
afgm
@koff: Yeah I can help. But midterms/finals are coming up so I can't dedicate to much time.
Kaiser Eoghan
I always felt Bong-jong and Chang-dong , kim-di-duk and Kim-jee-woon were better than Park-chan-wook. Oldboy did have that one hell of an ending, so did lady vengeance but I feel that those are the bits people tend to remember and the rest was good but not great.
Topgavin
For anyone that doesn't regularly browse /r/anime, Godzilla is apparently getting an anime adaption by Polygon Pictures with Urobuchi involved. Should be good.
K-Off
Well, I climbed to rank 52 in Overwatch with Tracer alone. Looking forward to season 2 already, but I do wish Blizzard had somehow implemented a single-player storyline since the lore in Blizzard titles is always so vast. Kind of surprised they didn't make one with Overwatch.
K-Off
@Kaiser Watch Train to Busan if you can. Me neither, I can't dig too deep into Korean films due to the language barrier. Sure would be convenient to have Vincent recommending films again.
K-Off
@afgm Hey, are you still interested in helping out with the site? At this point I'm looking over the site's code & doing some rewriting - if you think you can help, let me know.
K-Off
@Mario I hadn't watched Old Boy for 6 years when I got to I Saw the Devil and it was out of mind for me, so you may be right.
SuperMario
@K-Off: maybe it was just me but I was underwhelmed by I Saw the Devil. The point it trying to match was similar to OldBoy, and Oldboy's execution was way better (OldBoy's one of my favorite movie). Yes, the soundtracks of OldBoy, Lady Vengeance are exceptional. I still listen to The Last Waltz after all those years...
K-Off
The soundtrack in a lot of these Korean films are top notch as well, Lady Vengeance and I Saw the Devil in particular.
K-Off
@Mario Speaking of which, Korean psychological thrillers are hands down some of the best in the last 10-20 years. I Saw the Devil, Lady Vengeance, Old Boy, list goes on.
SuperMario
@Aidan: It just comes to me that we're already half way of this season... Time sure flies
SuperMario
@Kaiser: so please finish up Inside Mari. The last chapter had been out. I need someone to talk about that goddamn manga anw
SuperMario
@Kaiser: I always consider the Korean New Wave started back in 2000, and really peaked in 2003 (OldBoy, Memories of Murders, Spring Summer..., A Tale of 2 Sisters). Before 2000? The only director I can think of was Im Kwon-Taek
AidanAK47
About nearly finished Fata Morgana but I might have to finish doom first because that thing is eating a huge chunk of my SSD drive.
AidanAK47
Back up to date...at least for now. I have to go to a wedding so It's likely I will fall behind again. Got to admit that I haven't had much of an opinion on the latest episodes. Might be just mentally drained personally.
SuperMario
@K-off: I totally agree with you. 28 Days Later is a gem. Though I'm not really into zombie genre as a whole, I'm more into psychological stuffs more.
Kaiser Eoghan
@Mario: Reminding me I need to catch up on boku mari no naka.
Kaiser Eoghan
Although the trailer for train to busan does catch my interest.
Kaiser Eoghan
I've gotten more than enough out of Korean films, I can enjoy them but I probably don't sing the same high praises for them as most bar some exceptions.
Seeing Lee-chang-dongs stuff I'm actually kind of interested in finding some more low key korean films.
Kaiser Eoghan
Very likely a view shared by my indie loving friend and I, but Battery and Wyrmwood were jokey takes on the zombie genre I thought were enjoyable.
Kaiser Eoghan
@Mario: Likely my preference for British comedy that makes me laugh more at Shaun of the dead more. Although Hot fuzz is the better Simon Pegg film in my opinion.
In terms of Korean films, I've been wondering, what are the pre-90s ones like. Lee-chang-dong started the Korean new wave in 1997.
K-Off
I'm still waiting for a good horror-zombie film, nothing has met my expectations after 28 Days Later (and techinically REC), which admittedly is a high bar.
K-Off
@Mario I am watching Seoul Station next week, that was just me recapping TtB after I watched it a few days ago. It's definitely more of a thriller, it has good "wtf" moments but nothing I'd call horror.
Total users: 28

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The House in Fata Morgana Video Game Review – 83/100

Well I promised I would do a review of this visual novel quite a while ago and believe it or not I only just got around to finishing it. If the fellow who requested it is still here then here you go, I kept my word. Anyway it has been a while since my last […]

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Tokyo Mirage Sessions ♯FE Review – 65/100

The title of this game rather says everything you need to know about my initial reaction, and I’m still all around puzzled at the mixed bag that this turned out to be – it IS just a standard mashup while having a bit of fun with some experimentation, but the game itself is actually a […]

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Kizumonogatari Part 1: Tekketsu-hen (2016) Movie Review – 85/100

Just a quick note that I originally intended this week’s review to be about Miss Hokusai. But because of the DVD release of this Kizumonogatari (with good subtitle to boost), I decided to bump this up and review it instead. Monogatari series has been among one of my favorite series, and certainly the one that […]

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The Murder Case of Hana & Alice (2015) Movie Review – 85/100

Welcome to the third installment of World Animation section, but this time we head back to Japan for my favorite anime movie out of last year. If anything, I have always wanted those reviews to be a recommendation if you want to look for something different. So if there is anyone who would check out […]

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Legend of Legacy Review – 80/100

Oh Square Enix, this is the kind of avant-garde work you need to do. Developed by Furyu with the people behind SaGa, and written by Masato Kato of Chrono Trigger, I knew I was in for a unique game right from the start. But its gameplay is certainly divisive and for good reason, as this […]

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My Life as a Courgette (2016) Movie Review – 82/100

It’s never easy to make a good family’s animation. For movies aim at adults, the filmmakers can easily get themselves loose, go crazy and the audience can still get it. But for kids, these movies might be one of the first movies they’ve ever seen and that’s a huge responsibility. They have to aware of […]

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The Red Turtle Review – 93.5/100

Welcome to my first movie review on World Animation section, the column where I wholly dedicated to indie/ art-house animated features around the world that hardly got coverage anywhere really (but rest assure our since sometimes I will review anime movies as well). And what’s a better way to start this section by reviewing one of […]

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Flying witch Review – 86/100

As I mentioned in one of my weekly posts, most of the reason why a slice-of-life anime show don’t work well is not because there’s nothing happen, but more because the cast isn’t interesting enough or the show tends to repeat the things that we already know. I’m happy to say that this is not […]

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Bungou Stray Dogs Review – 62/100

Well, we don’t usually give a review on the first cour of anime show, given the fact that the second part will air next autumn season. But since I’m not certain I would cover its second half, plus I don’t think this series will improve itself, I might as well give Bungou Stray Dogs a […]