Posted on 10 January 2007 with categories: Anime Reviews, Night Head Genesis


Night Head Genesis is an excellent arc-based mystery-series. It focuses on paranormally gifted people, with as main characters to seemingly special ones: Naoto and Naoya. When they were children, they were been locked up inside a research laboratory. The researchers may have had good intentions, it still doesn’t feel good to be locked up, especially as a child, so Naoto and Naoya came to hate that place. So then, fifteen years later, they finally get a chance to escape. After that, they get involved with numerous psychic incidents.

This anime has some great points, but at the same time, it gets held back by a few potentially bad points, but first, let me say that it’s got an awesome soundtrack. Night Head Genesis comes accompanied by a highly atmospheric OST, which really contributes to the overall mood. Ranging from the OP to a couple of very sad but simple tunes, the background music is totally amazing.

Now that that’s out of the way, in order to be able to watch and enjoy Night Head Genesis, you must be aware that Naoto and Naoya are quite close as siblings. Especially the first half is filled with “Naoto!” “Naoya!” “Naoto?” “Naoya”. While it’s not necessarily a bad thing (I didn’t mind this myself), I’ve seen a lot of people who became too annoyed with this to continue the series. It’s a shame, as it turns bloody awesome in the end.

Well then, this anime is divided into three parts. The first part takes up the first 12 episodes, Naoto and Naoya get involved with a few rather heavily subjected cases, with themes such as suicide and child abuse. This part starts out amazing, though it gets a bit worse with each episode progressing, and especially the last few episodes in this part aren’t really that enjoyable to see. Then the second part starts, and the good stuff really begins when the cases start to involve both Naoto and Naoya’s history and background, and they start to reference back to previously dealt with cases.

But the really good part starts with the third part, which starts at around episode 18. In there, the show works towards its final goal, which gets accompanied by some amazing scenes. A few annoying moments here and there, a few unexplained moments there, but overall, these episodes were greatly developed and very enjoyable. This also is one of the few series with an actual good and interesting ending.

Overall, Night Head Genesis has been an amazing series, though be aware that it has quite a few moments which can and will get on your nerves. If you can sit through that, you’ll be rewarded with a great mystery-series.

Posted on with categories: Night Head Genesis

Image Hosted by ImageShack.usImage Hosted by ImageShack.us
Image Hosted by ImageShack.usImage Hosted by ImageShack.us

You know what? I’m surprised to say it, but that actually was a great ending. It’s strange, as I expected this series to fall into the pit of predictability, like so many other series did before it, but no. This actually is the second series, after The Third, that introduces a whole new arc in its semi-final episode, and actually pull off a great ending. Why did these shows avoid the thing that strikes almost every series?

I think a major point is the building up, as strange as it may seem. Usually, a show has one big climax, where the final bunch of episode work towards. Side-characters are sacrificed in order to focus to the main character, tension builds up, and things are starting to look really bad. And that’s where the problem lies. It’s so hard to make something new and fresh out of that, when these three things have already been decided. You really need a series of the calibre of Noein or Utena to really make something worthwhile out of it. Most shows, obviously, don’t have that calibre.

The thing that made Night Head Genesis so fresh was that this ending focused on some newly introduced characters, instead of the usual main characters. Naoto and Naoya are just there, doing their thing to save the world, nothing more. By making the stakes in this episode higher than ever, but focusing on something other than Naoto and Naoya, the creators did make sure that this was an appropriate ending for this anime.

The fact remains that usual endings are just way too limited. Most of them exist to show how much certain characters have grown (Good Witch of the West, for example, or Makai Senki Disgaea). Others show one major character, usually a protagonist, who has some serious issues and threatens to do something stupid (Ouran High School Host Club, NHK ni Youkoso, Magikano). The thing is that this character has to be brought back to senses, in one moment, when the climax is at its highest. That’s obviously not an example of good character development. These things take time. And there is of course the ending where the great evil has to be defeated. The problem here is obvious: the great evil has to be defeated, otherwise the ending won’t be conclusive. It becomes way too predictable. These endings have to rely on how well developed and emotional their characters work. Like I said. That’s difficult.

I loved how this episode didn’t make the worst possible scenario come true. Naoto did his thing, he made sure that the earthquake wouldn’t trigger other earthquakes, and he did this in advance. When the earthquake comes, okay, things rumble a bit, though the tension isn’t as high as when something unexpected happened which would trigger even more earthquakes, but it’s so much more realistic and enjoyable. And not to mention that the creators found another way to provide a nice twist in the ending. Not by having a main character fight for his life, but by actually killing off one of the newly introduced side-characters. Even though he’s been introduced on such short terms, his dying words were great.

And god damn, Shoko. Only now I realize that the creators really “killed off” one of my favourite characters. She really isn’t coming back. That is SO sad for her. While this ending doesn’t beat the endings of Noein, Utena or The Third, this one definitely goes into the file of “succeeded endings”. I’m glad to see that this anime avoided the pitfall that strikes almost every other anime. I’m glad to have seen this series, even though it doesn’t enjoy much popularity.

Posted on 4 January 2007 with categories: Night Head Genesis

Image Hosted by ImageShack.usImage Hosted by ImageShack.us
Image Hosted by ImageShack.usImage Hosted by ImageShack.us

Very interesting, Ark really is gone now. I didn’t realize that after the previous episode, but with Okuhara’s death, they really are gone now. Right now, Night Head Genesis is working towards its finale with its final case. And surprisingly, it even introduces a bunch of characters with just two episodes to go! Was this a good idea, or would it have been better for this series to consist of 26 episodes?

If you look at it from one side, the fact that the creators are trying to cram the final arc in two episodes is a bad sign. They’ve skipped eighteen months, and now introduce the second of the two people (with Okuhara being the other) who predicted the “upheaval” beforehand. She predicted the place where everything would start, and the creators introduced the major characters involved with it locally. This does mean that in terms of development, these characters are far behind all of the others in terms of development and fleshing out. There also are quite a lot of questions left unanswered, and I hope that the creators will manage to cover all of them.

On the other side, if it’s done right, a fast-paced ending really works. If the creators manage to actually know what they’re doing, the ending can become very interesting. I think they have to waste as little time as possible, and introduce Shoko as soon as possible, seeing as it’s almost impossible for her not to be involved in saving the world.

Still, it’s interesting to see how Naoto and Naoya have changed. With 1,5 years passing, they’ve both become a bit more relaxed and concentrated, not to mention that their hair grew a bit. ^_^ It seems that they just lived their lives peacefully during that time. Even though I would have liked some scenes during that time, if it actually does turn out that the creators ran out of time for the final, these scenes would have been the best to be scrapped. There needed to be some time dedicated to the newly introduced characters. After all, even though they’ve been introduced so late in the series, it would have been worse if just some place was pinpointed on the map of Japan, Naoto and Naoya would head there and they’d solve the world’s destruction. After all, there wouldn’t have been anything for the viewer to relate to. And besides, the newly introduced characters might provide a twist or two.

I highly doubt that the final episode is going to equal the awesomeness of the previous episode, unless something really amazing happens. Still, I’m interested to see how this will end, as it’s not your standard ending. I especially like the lack of Ark. You would expect them to last till the final episode, though the final episodes are saved to show how the upcoming upheaval affects the lives of a small amount of individuals.

Posted on 30 December 2006 with categories: Night Head Genesis

Image Hosted by ImageShack.usImage Hosted by ImageShack.us
Image Hosted by ImageShack.usImage Hosted by ImageShack.us

Okay, so what if Naoto awakened again without a good reason? This episode was damn awesome! This is one of the reasons I love shows with lots of mystery. There are just so many things you don’t know, and if they’re revealed in a good way, the results can become awesome. When a show combines good mystery with good character development like Night Head Genesis does, the results become even more awesome!

One of the reasons this episode was so good was because it deeply delved into the minds of its characters. Both Naoto, Naoya, Mikumo and Sakie. Naoto truly had become pitiful in the past few episodes. His power just was one source of destruction, and he was more and more running after Naoya than the opposite. This continued, until Mikumo made him crazy and he died. Then, for a while it seemed that Naoya would indeed take care of Mikumo, and we indeed see him actually go crazy when Naoya doesn’t do what he thinks he’ll do, and he goes berserk. But even then, he executes his plan and takes Sakie away, who just saw her sister with a knife through her stomach, causing the entire neighbourhood in a radius of 25km to delve into chaos.

But then, Naoto actually wakes up and takes care of the guy like it’s nothing. It may have been a one-sided battle, though these kinds of battles can also be great if they’re timed well, just like this one. Okuhara played a role in this as well, when she suddenly realized that Naoto indeed has become a wild element and goes crazy.

Also, the driver with an actual personality was greatly appreciated. You hardly see any goons who don’t look like each other. Most just are bunch of clones with different haircuts, while all they do is follow orders. They’re perfect employees, though not really interesting and realistic. Though making this guy actually comment on the things that have happened, the creators put him aside from all of these other goons.

So, in the end, Mikumo is killed. And before he dies, he has his moment of weakness where he tells about his past. A bit directed, but greatly appreciated. I love it when we see the histories of the different good and bad guys. It gives them so much more perspective.

Then, the final part of the episode features Okuhara, contacting Naoto and Naoya, who are about to wake Sakie. She finally reveals why she did the things she did, and if I had to say so myself, it’s a better reason than you usually see. At least she wants to improve the world, instead of your usual power-hungry guy on crack. Then we se the scene in which a person raises his/her finger into the air again, and some rather unexplained events begin. Okuhara mentions a Great Consciousness, and Naoto and Naoya also have stopped being wild elements in her prophecies. We then switch back to reality, and see a scene which does suggest that Okuhara has died. If I had to guess what happened, then she finally saw a true prophecy about the two brothers, which possibly has to do something with the sparkling ball up in the air. This prophecy had made such an impact to her, that she didn’t mind taking it to the grave. So what exactly did she see?

Also, there’s one more thing I’ve been wondering.

What the heck happened to Shoko?!

Posted on 24 December 2006 with categories: Night Head Genesis

Image Uploaded by ImageShack ToolbarImage Uploaded by ImageShack Toolbar
Image Uploaded by ImageShack ToolbarImage Uploaded by ImageShack Toolbar

Now THAT’s more like it! I can’t believe how far the creators would go, as to kill of one of their main characters at this stage. The question now remains: is he really dead, or has he joined Shoko? The episode ended just a bit too soon to be able to confirm this. Speaking of the devil, what’s Shoko been doing for the past few episodes?

Still, this does mean that Naoya’s on his own from now on. This can become really interesting. Surely, Naoya has been growing, while Naoto hasn’t, though Naoto has proved to be handy at times. Still, now that I think about it, that was only in the first couple of episodes. Oh, wait. He did kill the three backgroundless goons. That was useful.

Posted on with categories: Night Head Genesis

Image Hosted by ImageShack.usImage Hosted by ImageShack.us
Image Hosted by ImageShack.usImage Hosted by ImageShack.us

Hmm, not as good as the previous episodes. It’s probably due to the lack of mystery in this episode, everything was rather straightforward while nothing really was resolved. Still, the new powers who were introduced were interesting. I can understand why Ark needs Sakie, seeing as when you put her under mind-control, some terrifying things can happen.

Mikumo is another one of those guys with mind-control, though his powers are a tad different from Sonezaki’s. While Sonezaki could just take over the minds of random people and make them do whatever he wanted them to do, Mikumo works mostly with visions and illusions. Still, the crazied parents of the dead schoolgirls suggest that he can also make weak people do whatever he wants them to do.

This episode was mostly focused on Naoto. He’s beginning to see more and more how useless he can be, and with Mikumo’s arrival, he’ll never know who he’s blasting, seeing as he almost killed an innocent bystander, mistaking him for Mikumo. It’s the same with the cliff-hanger. We can see that Mikumo his holding a knife to his throat, but what if he just made an innocent bystander do this? But then again, knowing this show, this time, it’s probably him in person. :)

Posted on 9 December 2006 with categories: Night Head Genesis

Image Hosted by ImageShack.usImage Hosted by ImageShack.us
Image Uploaded by ImageShack ToolbarImage Uploaded by ImageShack Toolbar

Night Head Genesis is getting more and more interesting now, now that its end is nearing. After the events of the previous episode, all dedicated to the main storyline, this episode continues with a side-plot. Still, that does not mean that this wasn’t a great episode, even though it started a bit awkwardly with an extra-long summary of the previous episode, and a perverted teacher who has visions of his students, doing naughty things with him.

Still, the rest of the episode develops this case into a really interesting one. It seems that the guy is running away from Ark, and he has been trying to contact Futami, though failed in this. One of his students also has psychic powers, which can be incredibly harmful if Ark got their hands on it. Futami, therefore, contacts Naoya and asks him to protect this girl.

However, that is not the only problem this girl has, as she seems to be in love with the teacher. Either that, or she has been raped, we have yet to see the full details. Because of that, her fellow-students started bullying her rather extremely. There’s so much mystery in this case. First of all, Tsuzuki (the teacher) went mad at the airport, but later, Naoya sees some ghost form of his running down a busy street. At the end of the episode, we also see Sakie (the girl) lie in the school-pool, along with the classmates who bullied her, with Sakie as the only one left living. We also actually see that woman from Ark successfully luring Sakie out, and doing some strange things to her. What, who, when, where, which and why, we’ll have to find out later. I can’t wait. :)

Posted on 27 November 2006 with categories: Night Head Genesis

Image Hosted by ImageShack.usImage Hosted by ImageShack.us
Image Hosted by ImageShack.usImage Hosted by ImageShack.us

Haha! That was an awesome episode. I can’t believe how good Night Head Genesis turned out. It had a few bumps in the middle, but right now, the episodes have been getting better and better. This definitely was one of the best episodes of Night Head Genesis yet.

The episode has a fast pacing. So many things happened at once, but the great thing is that this episode develops so many different side-characters of this anime. Especially the ones who were introduced in the previous episode. The episode already starts out great with the video-tape. Futami Yoshiki’s case did seem a bit boring when I saw him at the end of the previous episode, but now he starting to tell about himself and his own history, he suddenly turns very interesting. It seems that he has two kinds of powers: to see things at places, miles away from him and to enter the internet itself, sort of like Serial Experiments Lain. He then got caught up in these powers, though Natsuko, the girl from the previous episode, changed this, and turned into his only support. Great scene. :)

Then, Asano-kun comes, and the episode takes a strange twist when he invites them to the Ark-company. Another new character is introduced there, Okuhara Akiko’s assistant. He seems to have the power to cancel all other psychic powers, making him very reliable. He seems to chain the Upheaval to total destruction. Here, Naoya once again displays how much he’s grown when he actually tries to prove the guy wrong. This is something he wouldn’t be able to do at the beginning of this anime.

Overall, it was a very interesting conversation, full of thought-provoking elements and references. But what followed really was awesome as we first see Naoto really get serious with his powers. :) The three antagonists from the Mikuriya-arc play a strange role in this, serving only to be killed off by him. Boy, he looked scary when he did that. Great fight, and it actually gave a lot of answers. Later, the scenes only turn even more awesome when Shoko appears. She’s getting more lost in her powers, and now she even won’t be able to return to the temporary dimensions she creates. I don’t know what it is, but she’s turning more awesome every time she appears on the screen.

The episode closes with another very interesting confirmation. The reason why Ark exterminated the persons they did is because of Okuhara Akiko’s predictions. She saw that they could form a thread, so she ordered their extermination. Surprisingly, Hirose Reiko also possessed psychic powers. That’s probably why she reacted so strongly when touched by Naoya. Great to see how pieces of the puzzle are slowly being solved. :)

Seriously, if the rest of the anime turns out as good as this episode, we’re really in for some awesome finale. One detail I also loved was the balloon. We see it several times in the episode, one time when it’s been stuck on a pole, and during later scenes, we actually see it float upwards in the background. Love the symbolism.

Posted on 24 November 2006 with categories: Night Head Genesis

Image Hosted by ImageShack.usImage Hosted by ImageShack.us
Image Hosted by ImageShack.usImage Hosted by ImageShack.us

Quite a fast pacing. In one episode, the creators ended the parents-arc, eliminated Sonezaki from the main storyline and introduced two new arcs: The Ark-arc and the Futama Yoshiki-arc.

The episode starts like it’s turning back to episode 12 and 13, and it seems like the series returned towards mediocrity again. Sonezaki plays mind games with Naoto, Naoto gets angry, and Sonezaki basically has Naoto in the palm of his hand, the usual stuff. Luckily, Naoya changes this, when he accidentally calls his father “father”, which makes him suspect that he really is her son. Sonezaki then gets interesting when he uses his powers to do something again, but is engulfed by them before he can actually use them. Inside his mind, he gets confronted by a number of people important to him: his mother, his father and even Kariya. In the end, he sees Shouko, before he turns mad.

Still, the damage is done. Naoto and Naoya’s parents have seen Naoto use his powers, and had the same look in their eyes as when they were young. I think that this will be the last we’ll see of them. What follows is a small note from Shouko, passed on through Naoya’s dream. “Men hate conflict, men love conflict. But if you don’t experience either one of them, you won’t be able to overcome the warlike instinct.” An interesting message, though what symbolizes it? What is Ark trying to do?

Then we finally see mastermind behind Ark. It’s an old woman in a wheelchair. She seems to be incredibly powerful. And just when you think that we’ve found our main villain, she claims that a certain “they” will make their move tonight. Does she refer to Naoto and Naoya, or another, third party? The events which followed suggested that the latter, as Naoto and Naoya don’t really have plans for that night.

Posted on with categories: Night Head Genesis

Image Hosted by ImageShack.usImage Hosted by ImageShack.us
Image Hosted by ImageShack.usImage Hosted by ImageShack.us

I started watching episode 17, only to realize that I had yet to see episode 16. Must’ve missed it. In any case, I’m glad I did check out this episode, as it’s a really excellent one. :)

The cross-references this time now take a focus to three very interesting cases: Shoko, Sonezaki and Naoto and Naoya’s parents. The first half of the episode is dedicated to Naoya, who is starting to become like Shouko. When the series started, I remember noting that Naoya’s powers were very similar to Shouko’s, but I never imagined that they’d be this similar. It showed us a good contrast between Naoto and Naoya. Naoya is actually evolving: he’s getting stronger with each experience. Naoto, however, doesn’t have this. Because he’s always protected his little brother, he’s extremely worried about him when something happens to him. Now that Naoya is growing more and more, he’ll face this problem more and more. Interesting. :)

Naoto also tells a bit about the background story of the world. It seems that Atlantis, Mu and Lemuria actually existed, and during those times (102.000 years ago) psychic powers were absolutely normal. Then, these civilizations destroyed themselves, and the world actually got flooded, suggesting that Noah’s Ark really existed. This also can’t be a coincidence: Ark has got to do something with Noah’s Ark. When the Upheaval comes, are they actually planning to do the same thing Noah did when the world flooded?

Part two of the episode takes another strange turn: Naoya reveals that he knows the location of their parents. The first part already was good, though this is even better. Seeing children reunite with their parents almost always works good, though Night Head Genesis goes even further: reality has been altered, which caused Naoto and Naoya to die fifteen years ago, saving a little girl.

Though the best moment of the episode arrived when Sonezaki appeared. The element of surprise is tricky to achieve in anime, especially in the mystery-genre, as you’re already suspecting that there’ll be some twist, though when Sonezaki suddenly walked into the clock store of Naoto and Naoya’s parents, I really was surprised. It seems he’s plotting something again, but what? :)

The past three episodes have really been excellent. Let’s hope that Night Head Genesis can keep this pace up. :)

CHANGE USERNAME
Kaiser-Eoghan
I believe it works better in hellsing and drifters moreso to both being goofball action shows.
KTravlos
A point on the chibi in AMB. I was thinking about shows were the chibi did not bother me, and Hellsing Ultimate and Drifters (newest episodes coming out), both had deformed/chibi segments. For some reason they did not bother me. I think ABM directors have bad timing with them.
KTravlos
I have to say Ichirou Inuyashiki is very cool. Like he is really a cool character. Also I am saddened to say it but watching AMB together with Inuyashuki does not work well for AMB
Kaiser-Eoghan
@Silver: There are sad moments certainly but plenty of humour.
Anonymous1639132
Man, I sure hope Ichirou Inuyashiki and Hiro Shishigami make out, everything is just building up to that
silver
I actually have only watched one or two episodes of this season of 3-gatsu, but its rising scores and rave reviews are making me really excited! I've only put it off because it's somewhat emotionally tiring for me
SuperMario
@Kaiser: Well, after the first season of 3-gatsu ended, I did skim ahead to this bullying arc so I already know this is going to be powerful, yet the anime still wow me over and over
Anonymous1637770
Also it can be tricky selecting a season sequel since some old series had like 50 to 100 episodes, what counted as a season then?
Anonymous1637770
@Kaiser-Eoghan - It's more common in videogames (especially Capcom) than in other mediums. Megaman 2, RE 2, Street Fighter 2, Dino Crisis 2, Marvel vs. Capcom 2, etc.
Kaiser-Eoghan
Actually in a rarity, a sequel season is better than the first.
Kaiser-Eoghan
Which makes my enjoyment of sangatsu so strange.
Kaiser-Eoghan
And I generally do not like game/sports orientated shows.
Kaiser-Eoghan
That you slightlySuper-erMario and superwooper!
Kaiser-Eoghan
And my reaction to the show is such, that I enjoyed it enough to make such a huge pot about it.
Kaiser-Eoghan
Also I want Akari to be my mom and Hina is adorable without being annoyingly so and Kana Hanazawa is doing a good job voicing her.

And whoever said it is right, the op/ed songs are worth listening to, for once I’m not skipping them.
Kaiser-Eoghan
At this point it feels as if by the end of the series I’ll come off it thinking that I don’t want to say goodbye to these characters.
I don’t think as of just yet it complete lives up to honey and clovers legacy though.
Kaiser-Eoghan
I never cared about Harunobu initially, but recent episodes have changed this.
Dull parts of the manga are easier to get through for me in the anime due to Shaft elevating the material with one of the better uses of their visual gimmicks.
Giving the series another chance, even though I won’t fully embrace the humour, it does now and then manage to make me laugh a little.
Kaiser-Eoghan
The bullying arc centering on Hina and the shows treatment of it is better than most anime bullying stories and has provided the most emotionally rewarding aspect of the show.
Characters that are assholes like Kyouko’s boyfriend, Kyouko herself I’m finding somewhat more sympathetic and want to see more to their personal drama.
Kaiser-Eoghan
However I do genuinely think that the series does a good job of allowing dramatic moments to creep up on the viewer, that early scene of Hina crying over her mother, Rei’s family flashbacks, Akari’s concerns about Hina/the stuff with her dad, all the scenes with Kyouko do carry an effective and solid dramatic weight to them.
Kaiser-Eoghan
I feel it starts very strong, making a great first impression, then kind of has these dull moments that make it sort of a slog at times to get through, unfortunately I have no interest in chess/shougi and no knowledge the show tries to give me is going to stick or allow me to embrace that.
Kaiser-Eoghan
Through jumping back and forth between the anime and manga, I can say I have no caught up to where I will now watch March comes like a lion on a weekly basis.
Anonymous1636224
The blood of the innocent will flow without end, mmmmmm this is why I love Inuyashiki
Anonymous1636224
Mmmmmm the suffering of all those innocent people feeding his God boner, this is why I love Inuyashiki
Lenlo
Oh yeah, thats not a knock against it. Just noting they dont *need* much animation
SuperMario
Well, the nature of Mahoutsukai is slow-burned, so it makes sense they focus more on static, quiet moments
Lenlo
Was that blade 2022 thing supposed to be an example? Because I wasnt a fan. It was stylish sure, but difficult to follow.
Lenlo
Maho is a good looking show, I wouldnt call it a great animated show.
Lenlo
The issue for me is, theres just not alot being animated most of the time. Usually its a pretty slow moving anime, so most of its time is talking and still shots. It doesnt need alot of animation, so it doesnt have it.
Lenlo
@Niel, I think Mahoutsukai can have good animation when it wants to. Like the water viel in episode 10 looked good (Though im not sure how much of that was after effects)
Anonymous1635607
uhhh creepy
Anonymous1635589
the blood of the innocent will flow without end, mmmm this is why I love Inuyashiki so much
Amagi
I think the security is the same as here, it's just that Japanese people are less likely to rip stuff (correct me if I am wrong). It seems like ripped anime, manga and so on are basically always uploaded by Americans, Chinese people or someone else.
Kaiser-Eoghan
I was surprised heavens feel was camripped I thought security in japanese theatres was stronger.
Amagi
Yeah it's also screening in Germany, I will watch it in February, together with Heaven's Feel, Mutafukaz, Kimikoe and a few others.
Kaiser-Eoghan
*on Europa cinema
Kaiser-Eoghan
Nanoha new film to screen next February in the US, come in Europa license it for over here dammit....
Kaiser-Eoghan
Did have some down moments though.
Kaiser-Eoghan
And I guess contrasting Luke with his old self goes some way.
Kaiser-Eoghan
Saw the preview screening of the new star wars, still feel the new trilogy stands inbetween the originals and prequels, fufills its duty as a *** star blockbuster , some genuinely hilarious high camp moments, awful tokenism, Snoke is a shit villain, but two scenes with Luke actually have a pathos to them and I liked the chase/action scenes when they happened. Nobody cares about the acting/dialogue
AidanAK47
But there are times when it goes way too far and you can barely make out what is even supposed to be happening. Or characters go so off model that they are unrecognizable. It can be immersion breaking. Much like uncanny CGI.
AidanAK47
@Niel, I do agree that it's annoying to see people complain about animation when they clearly have no idea what they are talking about. Like those inbetween frame screenshot people. But I will say I appreciate on model characters more so than chaotic movement. When the off model stuff suits the tone of the scene like that blade runner part, then it's fine.
niel
I also don't want to see someone imply visual=animation for the hundredth time. Are people really that ignorant of the technical/artistic aspect of the media they consumed?
niel
It just depends on what works best in given scene and the aesthetic they want to go for. People can complain all they want about off-model stuff, but if they really only want that the they won't be getting nearly as much of those impactful scenes as there are now. So many of the ways people complain about it is really irking to me.
niel
normal/low action scenes is different from being on-model during the action sequences and just the ones that need some extra impact in general. https://youtu.be/rrZk9sSgRyQ?t=6m45s
niel
But that depends on the situation though. And I'd argue that being consistent and on-model during
Kaiser-Eoghan
@Vonter/Niello/Mario: Ideally I want it both ways, fluid animation AND consistent model visuals, all the while never sacrificing choreography.
SuperMario
But really, who am I to say. I'm the dude who prefer beautiful shot composition myself
SuperMario
The same can be said with Shinkai's movies since he always prefers static, beautiful shot that people tend to overlook that his animation is quite poorly handled
Vonter
You're right, but art direction does alleviate limited animation, I mean the old Berserk anime, kinda has a lot of slideshow moments. MahoYome has nice backgrounds, and despite the samey faces, at the very least doesn't come from the same mold as other series. Still cutting corners with chibi segments is was a mistake.
SuperWooper
Is it any wonder that people prefer things to be static/on-model? They want to see characters who look consistent and familiar so they can relate to them.
Nie
MahoYome being the biggest offender of people getting triggered to any kind of statement about the show's animation not being good. And it's absurd because the show's animation really isn't great at all. It's good with distracting people with pretty pictures, but animation-wise it's still mediocre.
Nie
@SuperMario: Not much. Just stuff like "Art is part of the animation weather it's beautiful backgrounds or just amazing looking characters. It's not all about how they move. If it was, CG would be considered great animation" multiple times. I've just been finding myself being replied with these kinds of comment non-stop since the start of the season.
SuperMario
@Niello: What happened exactly, if you don't me asking?
Nielllo
If I hear someone says AMB has good animation one more tie I might actually lose it. It's amazing how people who apparently know nothing about it try to defend this and other people who don't know anything are actually supporting the guy.
Niello
So with Fate Apocrypha episode 22 out, I'm just now learning that people think webgen style is horrible and they prefer static scenes with pretty visual over actual quality animation. WTF. I can't comprehend this. Are casual people who watch animation in general really that oblivious to the art they have been watching?
Lenlo
Berserks Dynasty Warriors style game looked better. Also, Mahoutsukai should be up tonight/tomorrow. Turns out, Christmas is a busy time of year at this job.
Amagi
*worse
Amagi
Especially when you consider how good CGI can be by now, look at Houseki or Kado. But Berserk was the worst thing I saw in years, many scenes felt worst than sequences of PSX games
Amagi
@SuperMario: Same. I love Kon and also consider Paprika's OST as the best. @Lenlo: Me too. I honestly even enjoyed the movies but the new series was atrocious
Lenlo
HIRASAWAAAA! HAAAAAI YOOOOO.
I miss the 90s Berserk.
Kaiser-Eoghan
I was also quite fond of his soundtracks for Berserk. AIIIIIYE FORCES : https://www.youtube.com/watch?v=NkYYYew8CUI
SuperMario
@Amagi: I'm a big fan of Kon so I've watched everything from his. Even bought a book about his works. About the soundtrack, I listened to them as well but not regularly, compare to pprika OST which I downloaded and listen to a lot
Kaiser-Eoghan
Although not completely a manga, Usagi yojimbo also has an anthro character.
Kaiser-Eoghan
Millennium actress is partially inspired by the actress Setsuko Hara.
Amagi
@Kaiser-Eoghan: The anthro-animal manga is even a topseller as far as I know. Haven't looked into it yet, though. Maybe I will do so.
Amagi
Speaking of it, I am still hoping Dream Machine will happen some day. Kon died believing it would happen
Amagi
@SuperMario: Have you tried the other Kon movies like Millennium Actress once? Thought they were really good and Hirasawa is responsible for the OST there too. Or Paranoia Agent which was (IMO) very good as well https://www.youtube.com/watch?v=0nttSKBJ38k (OP)
Niello
Eoghan: Enjoy... ;)
Kaiser-Eoghan
While I haven't read this, its very strange to see a manga about full anthro animal characters: http://kissmanga.com/Manga/Beastars
Kaiser-Eoghan
@Vonter: So based on that I will try devil lady. Thanks.
Kaiser-Eoghan
@Vonter: That'd be me who made that post. I thought dororon enma-kun was wonderfully ridiculous and Devilman gorishly entertaining, Shin Mazinger Z was probably some of the most fun I had with an anime, but violence jack took it way too far though so I guess I'm aquainted with nagai's work
Vonter
I don't remember who was looking for something noir in anime. I was looking among several series from Go Nagai. And watched some Devil Lady. I don't remember if noir is exclusively detective stories, but this anime, has those high contrast shadows, eerie music and is shot like some japanese horror movies I've seen. I don't know if it changes along the road but so far it's very suspenseful.
SuperMario
I only know him through his works in Berserk and Paprika but his music never fails to amaze me
Anonymous1626471
@Amagi: Ghost Bridge is my favourite. I just find it very calming. https://www.youtube.com/watch?v=aeh5aJsxlbw
Amagi
Susumu Hirasawa is one of my favorite musicians/composers. I don't even know what kind of subgenre this is. There aren't any other music groups I know who do similar stuff
Nielllo
@Mario, Already saw that video before.
SuperMario
Check this out... I don't even know what the freaking instrument he's playing, but it's spellbound https://www.youtube.com/watch?v=PjalQjAomH0
Niello
Just when I thought Houseki no Kuni took the prize for best animation I was treated with Apocrypha. This week is amazing.
Niello
Big name animators all over. They really threw everything they've got here.
Niello
Woooooah! OMG Apocrypha ep 22 animation is sick! So that's why the animation in the first half of the show is so lackluster and basically just darn awful.
Kaiser-Eoghan
Its not entirely odd to bring up Heydrich in relation to the occult either, apparently he was said to be part of some whackjob order.
Kaiser-Eoghan
Hmmm, that girl from Dies irae, Anna Schwegln is aptly named, also shares her name with the last executed person for witchcraft, who was Bavarian German, which i'm told by an Austrian friend were particular right-est leaning politically.
Kaiser-Eoghan
Of course unfortunately its often the opposite that happens, nothing is worse than an ending that ruins everything.
Kaiser-Eoghan
Ah, how I love being surprised by something. That feeling where you''re watching something shakily held together, simply okay or good, then suddenly in the second half or last stretch your score of it goes massively up.
Kaiser-Eoghan
I can kind of understand the wanting to go home and watch something easy mentality instead of challenging but even though I'm guilty of escapism, I'm tired somewhat of "sillier" stuff, its often enjoyable but its get overly reptitive and I wish I could find more philosophical/political/imaginative things.
Amagi
Yeah the show is great because of its theme, the setting and chemistry girls have as well as their (lack of) knowledge about basic human things. Each episode thematizes this in a different way but there isn't much you can talk or say about it when you already explained the topic in detail.
SuperMario
On the other hand, I don't have much to talk about Girls' Last Tour this week. It's still good, but with this episode I feel that I'm running out of concrete thig to say about the show
SuperMario
Haha both Houseki and 3-gatsu have a good showing this week. I have a lot of things to talk about Houseki in particular
Amagi
This week's Houseki is jurassic park
Amagi
*-ati - I think Netflix and so are at least giving a few new impulses which isn't too bad. I don't think the typical anime series will disappear because of that.
Amagi
At least in comparisation
Amagi
I think it's just sad how often I see wonderful series selling 500 BD/DVD or maybe even less. Most series don't sell more than 1500 or so and the rest is usually at ~3000-5000 which is still pretty low.
Amagi
Yeah, it's one of my pro-Netflix arguments as well. Another problem is that anime (not counting manga) only make money through dvd/bd sales since they air at night, whereas Netflix or daytime tv series don't depend on the latter so much and since anime BDs are so expensive the only ones who buy them are the more extreme fans.
AidanAK47
Might be in part due to the workaholic nature of their society that makes escapist fantasy and empty entertainment more appealing than usual. Ultimately these are the people anime is made for so opening up the markets gives more deserving shows a fighting chance.
Though that isn't to say that western taste is perfect either.
AidanAK47
@Amagi, That's part of the reason I think some westernation might be a good thing as from what I seen the Japanese have truly terrible taste in anime. Sales charts from Japan just make me shake my head.
Amagi
God, the preorder anime lists are atricious. The only one that seems to sell acceptable (around 6k) is Mahoyome. Series like Inuyashiki have 80 pre-orders so far, Shuumatsu Shoujo 977. Idol shows sell good of course, including that male/bishounen Idolmaster
AidanAK47
@Anon, I read it but kinda fell out due to it's releases being slow.
Kaiser-Eoghan
@Anon: Actually if you check the manga recommendations section, you'll see there is a post about it here.
Kaiser-Eoghan
@Anon: Yes, it was interesting to follow a story that dealt with a characters homosexuallity that was outside of the yaoi/yuri mould.
Anonymous1620968
Out of curiosity, has anyone on here read Shimanami Tasogare?
Niello
Where are we up to with Inuyashiki?
Lenlo
Well alright then. Episode 9 out of 11 and that happens. Was not expecting that
Lenlo
Ooo something happen this week? Im about to watch it
Kaiser-Eoghan
It feels just as rushed and awkward in the manga.
Amagi
I noticed this too
AidanAK47
Inuyashiki has balls of steel to pull that in this particular episode number.
Nielllo
Finally got around to reading Helck, and it looks like it's going to go into that pile of good-shounen-that-won't-ever-get-animated right alongside Psyren.
Kaiser-Eoghan
@Aidan: Imagine trying to buy the dvds of the show in public.
Kaiser-Eoghan
@Aidan: Gentle remind that the prism ilya movie is out and subbed.
AidanAK47
Still surprised the second and third seasons got dubbed.
AidanAK47
@Angel, I replied to one of your comments before but the rundown is no official word yet but maybe next year.
Angel
Or no? Someone please tell me!!
Angel
Going to happen?
Angel
Is fate/kaleid liner prisma☆illya 3rei dub
Amagi
I dislike it when manga bait me into reading due to the first chapter and end up being some very generic stuff afterwards. Nobody stays for B if he started something for A, authours should expect that.
Lenlo
Really, Juuni should stick with the 3D. That fight in ep 9 looked pretty good. 3D is clearly what they are good at
AidanAK47
@Niello, It's not Chatango. It's a plugin for wordpress called Wisechat.
SuperMario
@Niello: yeah, Juuni caught me off guard this week. The production of Juuni is unfortunately shaky, but well, strong writing can save the day
Niello
Btw is this chat still Chatango?
Niello
This week episode of Juini is surprisingly good compared to how the show usually is with its backstory. Although the part where Ox tries to explain to Tiger could definitely use some visual buff.
SuperWooper
in the future*
SuperWooper
Pretty cool that Juuni Taisen had that kind of emotional heft this week, though. Might be one of the 2017 shows I sample the in the future.
SuperWooper
I think the occasional comments with an episode title and nothing more come from people who mistake the shoutbox for a search bar.
SuperMario
@Anon1614688: juuni taisen... made me tearing up this week. Honestly didn't expect that. Damn you, Tiger
Anonymous1614688
juuni taisen
Amagi
Had some complaints regarding Children of Whales but the latest two episodes were pretty good.
Amagi
@Anon: You explained it better than me.
Anonymous1614307
Kaiser: I actually have the exact same opinion of Natsume and Mushishi. Both are excellent, but Natsume just does a great job with a small core cast and a very simple premise
Anonymous1614456
who likes naruto
Kaiser-Eoghan
Mushishi does have good stories, but it was always a manga I'd dip in and out of, on and off for years, never marathoning it, wheras Natsume was easier to read several chapters of in one go.
Kaiser-Eoghan
I think its because Natsume has more pathos.
Kaiser-Eoghan
*more than
Natsume weirdly ended up becoming this comfort manga for me with a higher consistency rate .
Kaiser-Eoghan
I will state that I hold the terrible opinion that I like Natsume Yujinchou than Mushishi but at the same time completely recognize that Mushishi is probably the more ambitious, better show.
Niello
So it becomes a cycle of "this is an interesting set up" (except that the new Kino isn't even good at that) and then they fucked up or Kino/Shizu fucked them up even more, then move on. Without the emphasis on philosophical nature of the set up they present like in the original Kino, there really isn't that much point to it.
Niello
With the new Kino it's more about messing people up, occassionally observing and hardly ever improving. The anwsers or solutions to the problem they present is never really talked about in a rational way.
SuperMario
@Anon1614318: maybe you should give the old Kino a try. What I don't like most about the new version of Kino is that both Kino and the new guy are sketched as hero. The old Kino manages the tone right as well. There were some really dark tales and most of them thought-provoking. Can't say the same for say...Country of Cooking
Anonymous1614318
I don't know, it might be interesting to actually dig deep into the differences between episodic series with this kind of style to see what works and what doesn't.
Anonymous1614318
I guess it's a matter of the chapter they chose to adapt were not really the better ones but the ones where the protagonist is more of an active role. Not totally against that, but it feels like the protagonist is just OP all the time. At least with Mushishi Ginko isn't able to save everyone all the time.
Anonymous1614318
I guess it's supposed to be more allegorical, but most of the time the allegory is not really meaningful enough. I thought it would be more along the lines of Mushishi, which is kind of similar in setup, but better in most other ways.
Anonymous1614318
What keeps me sticking around are some of the nice background arts and generally pleasant use of color, but admittedly most of the episodes aren't really engaging in a meaningful way. Most of the time its just Kino/Shizu show up, find out town's gimmick, then save the day. I prefer the episodes where the townspeople are more than just flat background characters.
Anonymous1614318
It's interesting to see how this new Kino season is being received from folks who've already watched the original. This is my first real exposure to Kino, and I kind of like it, but even without watching the original, I share many of the same complaints Aidan and most of the others have.
Amagi
I am also kinda sad he's just some 2* servant in fgo, but his power is special and he's physically weak, so it's understandable.
Amagi
And again, Shakespeare is just great but the character is, sadly, kinda wasted here considering how much screentime he has.
Amagi
@Aidan: Yes. Plus, maybe more characterization or background for some servants. The anime would have that time without Sieg and his romance sub plot.
AidanAK47
@Amagi, Those being remove Sieg and more Shakespeare?
Amagi
And man Apocrypha is pretty good but it would be twice as good if it had those two changes Aidan always mentions in the reviews..
Amagi
@Kaiser: I think the male in Kino was a mistake. Having two PoV sounds good, but he's basically just a male Kino, he even looks like her. Someone vastly different would have been way more interesting.
Kaiser-Eoghan
I'd guarantee that sangatsu no lion would be high up, but FINALLY this weekend I'll be catching up.
Niello
@Kaiser, Ugh my phone gitched. What I meant to say was that background was unexpected. Now I see why you're enjoying CotW though.
Total users: 23

Star Crossed Anime Blog

5 User(s) Online Join Server

Featured Posts

Juuni Taisen – 11 [To Treat a Man to Beef From His Own Cow]

To the surprise of no one, Rat wins the race by breaking in the right place at the right time with the right weapon. This is by no mean a coincidence, because later on we learn about Rat’s real power: “Hundred Paths of Nezumi-chan”, in which he can see 100 various outcomes and thus picking […]

Mahoutsukai no Yome – 10 [We Live and Learn]

Welcome to week 10 of Mahoutsukai! Finally, oh so finally, we have are given some backstory on Elias! Our mysterious male(?) lead gets some explanation. We also get the start of a Chise only arc and finally some more information on Lindel. Lets jump in! As the main focus of this weeks episode, naturally I […]

Dies Irae – 09[A Mother’s Sins]

DIes Irae isn’t making this easy for the anime only watcher, as we get confused montages of Lisa’s backstory and oddly of a character whose relevance doesn’t come till a much later date. I would say it’s rather spoiler-ish if the info wasn’t presented in such a haphazard way that no one could really decode […]

Girls’ Last Tour – 10 [Train – Wavelength – Capture]

Girls’ Last Tour examines the concept of time and space this week, as the girls riding on a lonely moving train. The train design fits right in with this world: a long metal box that functions all by itself and contains many now-dysfunctional robots – corpses of the machines. Since last week we learnt that […]

Kino’s Journey -The Beautiful World- – 10[Kind Country]

Another remake of a story from the old series and while this one is adapted quite well, maybe even arguably better than the old version, it unfortunately lacks the same impact. The main problem comes back to the thing which ultimately holds back this season as a whole, story choice. For you see in the […]

Houseki no Kuni – 10 [Shiro]

This week proves to be the most action-packed episode Houseki has been offering so far and unconventionally, it’s Dia who takes the central stage at facing the most ridiculously overpowered Lunarian Titan to date. Well, I said “unconventionally”, but when the narration and the execution (the camera work, in particular) come together in such neat […]

Fate/Apocrypha – 22[Reunion and Farewell]

Breaking my usual routine today just to give an opinion on this episode but this episode made me feel compelled to get out my opinion. We have another action packed episode with three contestants out of the war and boy did they go out with a bang. Many will notice that the animation for this […]

Inuyashiki – 9 [Shihjuku People]

Welcome to another week of Inuyashiki! This week we have incredible sequences of terror, fearless Directors and death flags! Lets jump in. Obviously, the first thing we need to talk about this week is Hiro. A lot has happened in the few hours since Hiro attacked the Station. Interestingly, yet weirdly, Hiro has garnered a […]

Fate/Apocrypha – 21[Antares Snipe]

When Apocrypha slows down, it’s story shows it’s cracks. But when it’s an action showcase it actually becomes quite entertaining. The characters don’t have the time to be developed but they shine in combat when they clash, sometimes showing parts of themselves the series otherwise doesn’t allow for. Astolfo for one was actually useful for […]

Latest Reviews

The Reflection Review – 45/100

The superhero genre has been undergoing a surge in popularity in recent years. From the Marvel movies in the West to anime series like My Hero Academia in the East, super heroes are everywhere.  As such, for good or ill, it was inevitable that we would get a merging of the two. The Reflection is […]

Made in Abyss Review – 91/100

There are few series which can capture the mystery and wonder of a fantasy world as well as Made in Abyss. Their world is dangerous, brutal and unforgiving but beautiful, wondrous and exciting in it’s presentation. The story is of a ordinary girl called Riko and a mysterious cyborg boy called Regu traveling down the […]

Classroom of the Elite (Summer 2017) Review – 54/100

Here’s a perfect example of a Light Novel adaptation schlock that has some interesting concept but terrible presentation. Youkoso usually starts the episode with a thought-provoking philosophical quote, and then (in one episode in particular) they followed up with a boob shot. It sums up exactly how I feel about this show. In service for […]

18if (Summer 2017) Review – 68/100

Allow me to skip over the last episode coverage for this full review of 18if, since I was too underwhelmed by the finale to have anything concrete except pointing out how messy the ending was. The first thing you need to know about 18if is that it’s a multimedia project (along with a mobile game […]

Princess Principal (Summer 2017) Review – 82/100

Princess Principal has emerged as a true sleeper hit for this admittedly sloppy Summer Season. A joint project from indie studios that bring us my favorite anime of last year Flip Flappers (3Hz) and “better than it has any right to be” Girls und Panzer (Actas), Princess Principal records the missions of five cute spy […]

Shingeki no Bahamut: Virgin Soul Review 80/100

“Dance!” I have been a  reader of this blog for a long time. Indeed it would not be wrong to say that psgels and the current crop of writers have helped maintain my interest in anime for the last decade. So now here is my chance to give something back to this excellent blog. Shingeki […]

Katsugeki Touken Ranbu Review – 63/100

Every Anime season we the viewers are shown a number of adaptations, often made after Light or Visual Novels. It’s an already written story with an established base, a smart business decision. In recent years studios have also begun pulling from the Video Game market for their shows. Pieces like the Idolmaster series, Kantai Collection […]

Kakegurui Review – 61/100

This show is one that makes conventional reviewing difficult as your enjoyment of your series will likely determine on highly subjective factors. For if I was to put this under scrutiny on matters of f-plot, setting and characters then it will end up lacking in all categories. The plot is just watching Yumeko face members […]

Re:Creators – 22 [Re:CREATORS] – 75/100

There was never going to be a epic fight with every creation squaring off against the overpowered and invincible Altair. That possibility died when the creators threw the copycat of Blank at her only to have that plan backfire horribly. Besides, it wouldn’t have been a satisfying conclusion to Altair’s story to have her be […]