Posted on 15 February 2011 with categories: Senkou no Night Raid



Most DVD episodes are random side-stories that if they’re lucky, have something to do with the main story. This one is different though: it shows a vital conclusion to this series. The story is over now, but it tells what happened to the characters after the events of the TV-series: what happened to them, and how they changed.

It was mostly centred around Kazura, as this episode hints that he died in a rebellion, started by his former classmates. Before that happens he’s able to meet Aoi (who recovered and is now travelling with Shizune) and Yukina, who has been handling Natsume’s death. Again, they really did justice to the setting: they didn’t choose a cheap way out. Even Aoi helping Kazura from out of nowhere didn’t really have an effect, and he made the conscious decision to help his former classmates.

It was also wonderfully told. This had none of the acting problems of the TV-series, and the actors probably put out some of the most believable performances of the entire series. Obviously the story being less epic really helped there, but even compared to the other DVD special, the pacing and atmosphere felt very natural here. I also really like how the creators used that story of the escaped panther to subtly spice up this episode. If you liked the TV-series, then this episode is a must watch.
Rating: ** (Excellent)

Posted on 3 July 2010 with categories: Senkou no Night Raid



Okay. So apparently an episode 0 got released. I assume that it’s a DVD-episode, but I don’t think we’ve ever gotten one of these this fast. I mean, it hasn’t even been a week since the series ended. If this trend is going to continue throughout all of the Anime no Chikara series however, then we might have the beginning of a very interesting trend and attempt to lengthen anime beyond thirteen episodes.

This episode plays before the entire series: we’re on a boat, and we get to see the point at which all of the lead characters are introduced to each other. A very important episode, and I’m very glad that it’s this that the creators decided to focus on, compared to Sora no Oto’s DVD episode. The rest of the episode was about a standalone story about the infiltration of a group of human smugglers who posed as a film making company on that same boat.

I actually believe that this serves as a better introduction than episode one. It’s nicely action-packed, we get to immediately see a bit of intrigue, the characters are properly introduced and I think that it’ll give a favourable impression on more people than that that real first episode did, which rather haphazardly threw in the concept of superpowers.

The story of the episode itself was interesting in the way that none of the main characters knew about each other, so you could all see the jobs in which they infiltrated intertwined as they waited for the right moment. The problem with it was that the villain was a bit stupid to just leave an enemy like that unconscious without confirming whether he really was harmless. This brings me back to the earlier criticism I had about this series, before it came with episode seven: the spies in this series are closer to James Bond than actual spies.

Still, I wonder: Sora no Oto is going to have a total of two DVD only episodes. Will Senkou no Night Raid be the same? I’m especially interested if one of the later episodes contains one as well: at that point, there’s going to be no way for the creators to squeeze in an episode with a pointless or random story, so who knows what they’ll end up contributing to?

That attempted rape was… heavy, though. The way that the creators made no attempt at focusing at how Yukina was about to be violated by a creepy old pervert.
Rating: * (Good)

Posted on 28 June 2010 with categories: Anime Reviews, Senkou no Night Raid




The fact that a series is slowly subbed doesn’t mean that it can’t be excellent. Really, with Yojou-han immediately subbed, this was by far the hardest one to translate by fansubbers, and therefore it didn’t get the coverage and attention that it should have gotten. Night Raid is a special series, and much more series should share the utter guts that it displayed. Be sure to support it when it eventually does come out in English!

But first and foremost, let me respond to the naysayers out there: no, Night Raid does not rape history. As a series about a group of Japanese people in China, in the 1930s. This could have been the most historically insensitive series out there. The problem is that, if I understood things correctly, there is this habit of the Japanese to really ignore anything they did around the second world war, and instead of accepting that they did a lot of things wrong and move on, there seems to be this air of not wanting to talk about it and learn from it at all.

This series, it seems to me, wanted to be a response to statements like this. While we follow a group of Japanese spies in the middle of China, it makes sure to cause no misunderstanding: the Japanese did some horrible things, and they consciously chose to do these things. In fact, a huge part of this series is about them, making these decisions, considering the alternatives, and act based on what they believe is right. Self-righteousness is a huge theme in this series, and the way this series explores them makes it a very thought-provoking series. Sure, some of the tropes it uses have been used a number of times before, but never in this context.

Now, as for the actual execution, this one could have been a bit more solid at times. The result is a number of plot-holes that are there to just keep the plot from going further. With thirteen episodes, it also doesn’t exactly have the time to give the characters a lot of background, though it definitely does try.

The acting department is a bit of a mixed bag. Some characters put down very convincing performances, like Yukina and Airi. Others, like Aoi, sound a bit too immature and unrefined. Especially in the first few episodes does this get tedious to watch.

Which is especially annoying because the first half really exist to just set everything right. It’s episodic in the way that it introduces all of the concepts, and fleshes out the setting. I think the most notable here is the infamous fourth episode, which is only dedicated to fleshing out the characters and nothing else.

If you’re interested in this series however, I do urge you to watch until episode seven before passing judgment, because it’s there where the series shows its true feathers. The thing with Night Raid is that on the small picture, it is indeed a bit inferior to its predecessor Sora no Oto. In the big picture however, I really believe that it surpasses it.

Storytelling: 8/10 – Knows its priorities, knows how to build up and most importantly: knows how to be subtle with its drama.
Characters: 8/10 – Good depth for the short length of only 13 episodes, some are well acted, others could have been done better.
Production-Values: 8/10 – A-1’s best artists were at Ookiku Furikabutte this season, but nevertheless solid enough, plus a very good soundtrack also helps.
Setting: 9/10 – The guts it has with its subject material as a medium of anime surpasses even Zipang. Very daring and thought-provoking.

(On a side-note: I really wish that I could rate this one higher, but unfortunately I can’t find an excuse for it. It unfortunately had a few too many faults, but the advantages really made up for it for me.)
Suggestions:
Zipang
The Cockpit
Mobile Suit Gundam – War in the Pocket

Posted on with categories: Senkou no Night Raid



My only real issue with this finale is that Kazura changed his opinion a bit too quickly too often. But really, this was a surprisingly good finale with a number of very interesting ideas put into it. On top of that, you could also see it play around with a number of very overused ending tropes.

The biggest surprise by far was the sudden death of Isao, but it’s also a brilliant move. There was no death speech, no overdramatic rise of tension before his death and most importantly: he died really fast here. It just shows how everyone can just die here, and that even though he was the main villain, his death doesn’t have to be over the top, or saved for the end.

Suddenly, the series turns into a rush operation to prevent the Japanese from getting their hands on the atomic bomb (how’s that for nationalism, huh?). Sakurai turns from this nice gentleman into someone desperate to get his own hands on that bomb, and to use it according to his own ideas. I actually loved it how the creators decided to solve that problem: with that blue-haired guy, who turned out to be a counter-spy. He had no backstory, but at the same time, there was a ton of spy activity at the time. It makes perfect sense for people to also have infiltrated the Japanese army. But really: his voice sounded just weird. Who was that voice actor?

In any case, the trope in which the villain dies, yet leaves some kind of projectile of doom behind that needs to be stopped. It’s been done before, but it’s the context here that makes the difference. Instead of a megablast of doom, we’ve got something very concrete that’s about to destroy a city: it’s something we can relate to much more than your average nuclear blast, because we know exactly what will happen if it goes off.

And there also is the ultimate cliche: our hero faces certain death after the climax finishes. It’s not certain whether he lived. The epilogue starts, and at the end we indeed see him back. This episode averted this in quite an interesting way by having first of all Kazura live, yet not show anything about him. Aoi meanwhile somehow failed to get out of the burning plane in the spur of the moment. I didn’t like how suddenly the creators made his powers extreme enough to be able to blast an atomic bomb into space (or at least hundreds of kilometers far into the sea), however, we never get to see him after that.

All we hear is a crappy violin, but that could have been anyone who was trying to cheer on the troops of soldiers, as they left for the upcoming war. Yes, this series decided to end with anything but a good ending. The war is still going to kill many people, and this series never got bigoted as to think that it could create a plot in which people wouldn’t end up suffering horribly throughout the next decade.

Overall this series would have benefited some more natural actors. However, the intention of the creators here was very good. It’s by far the most down to earth series in terms of character reactions: people cry when they lose a loved one, but there was hardly any overacting, and people remained surprisingly calm for anime, which tends to overreact even the slightest things. There were a number of very good voice actors, like Yukina for example. She pulled off a very convincing performance. Aoi meanwhile could have used more subtlety; his voice didn’t really suit the serious nature of the series. The Chinese girl is up for debate. Oh, she yelled, but girls her age who work at a restaurant… I can imagine them to need a loud voice.
Rating: ** (Excellent)

Posted on 21 June 2010 with categories: Senkou no Night Raid



Hmm, this episode violently pushed the motives of Yukina’s brother into a different direction. A cliched one, I’m afraid. “I need peace so for that to happen I will blow things up.” (By the way though, this episode did blow out any hint of nationalism out of the water. For those who were still doubting the intentions of this series at this point: it features a Japanese guy who plans to send an atom bomb into the middle of Shanghai).

So let me get this straight: the blasts that the Englishmen saw were an illusion. That seems to be the power of Yukina’s brother. We already knew that he’s desperately trying to prevent the atom bomb to drop on Japan. So, what does he do? He sends an atom bomb into Shanghai! If I understood correctly, he understood that it was the atom bombs and the fear of them that gradually lead to peace: in the way that countries would begin to think twice to attack a country that could devastate entire cities with just one bomb.

As a stuck-up nationalist Japanese however, he figures that the way to prevent it is to show the world what an incredible force they are playing with, as long as it doesn’t affect Japan. There are… so many things wrong with that. Yet at the same time, was this what Japanese nationalism must have felt like back then? This is an incredibly radical decisions that was made not just by him, but also several lead characters: even Sakurai let’s him just do his business here.

I must say, this series has surpassed Sora no Oto with the way that it has been so thought provoking. The motives of the villains here are just wrong, and yet they remain interesting. When watching this series, I learned a ton of new stuff that I didn’t know about the Chinese history at that time, and it’s a bit of a shame that Anime no Chikara is going back to high schools and teenagers again in the upcoming season. There really need to be more series like this.

But yeah, it does remain noticeably unrefined at times. I mean, dude. You have a gun. USE THE BLOODY THING!
Rating: ** (Excellent)

Posted on 15 June 2010 with categories: Senkou no Night Raid



Setting two former friends against each other in a struggle is tough. This show did it, though. I really like how it has been blurring the boundaries between good and evil, using the war and atom bomb as a way to completely change characters’ viewpoints. This episode was all about that: you can’t just tell anyone about a secret so incredibly big. It’s also interesting how the characters in this episode acknowledged the coincidence of having a former lover of a colleague of your sister as one of your main allies. It remains a plot-hole, but you don’t often see characters aware of them. This really helps relativity that twist to something that really did happen through coincidence here.

Anyway, this episode was paced slowly, but this restraint has really been one of this series’ strength considering its subject material. This allowed for a much more subtle characterization than usual, and I’m getting more and more interested in how the creators plan to end this thing. Unlike Sora no Oto, there have been hardly any useless moments aside from the food filler of episode four, so if the creators can also close off with an actually good conclusion, compared to the incredibly rushed ending of Sora no Oto, I’ll be entirely happy about this show.

Also, the end of this episode came with quite an interesting plot twist: what was that guy doing there? Did he somehow find out where everyone was going, or does he have some sort of hidden agenda that he’s about to reveal? Two episodes left, let’s hope that this show will go out with a bang!
Rating: ** (Excellent)

Posted on 7 June 2010 with categories: Senkou no Night Raid



I just realized something… episode seven still hasn’t gotten subbed, has it? Oh, what a terrible place for this series to get stuck: right before the point at which this series actually gets good. I’ve unfortunately seen a lot of negative comments here and there about this series because of it, and I really want to ask people: please, if you’re going to judge this series, wait until episode seven. It’s a huge turning-point. Series like this one should really be able to get more coverage so that they can keep making more of them. People keep saying that we need more mature series, but yeah that doesn’t work when series like this one hardly get any coverage. It’s thankfully not as extreme as with Mouryou no Hako or others, but still.

Of course, this series is also partly to blame. “Senkou no Night Raid”. A flashy night raid… that’s a terrible title to be honest.

In any case, it’s a bit of a shame, but in this episode you could again see that A-1 took a bit too much on its plate for this season. It’s a relative calm before the storm, and so they chose this episode for some budget cuts, which show themselves in a number of annoying off-models. And yet despite that this episode again delivered for me.

When at the beginning of the series, the superpowers were introduced, I wasn’t too big of a fan of it, however they ended up providing quite a bit of an interesting “what if”-scenario: what if a group of people knew about the atomic bombings beforehand? They won’t be just able to travel to America and stop the development, they also won’t get a lot of people to believe them. How far should they have gone, in such a turbulent time but when the war hasn’t even started yet? This episode is all about making these difficult decisions: what’s more important to you, your country or yourself, your position or your loved ones?

Despite the blocky drawings at times, I love how the creators are using their soundtrack here. The animation may have been flawed, but the pacing and direction still were very good. In fact, this series has the interesting pacing of Persona~Trinity Soul without most of the annoying baggage that made it a bit annoying to watch (the way in which it refused to focus on something interesting). Perhaps it has really helped that the series composition behind The Third has been working on this series. Either that, or the creators behind this series hit a major source of inspiration. I try, but I’m still often way wrong about which people or group of people is responsible for making an amazing anime.
Rating: ** (Excellent)

Posted on 31 May 2010 with categories: Senkou no Night Raid



This episode did a great job of bringing the series together. It’s really interesting how different the build-up in this show is compared to its Anime no Chikara’s predecessor: there, everything was all over the place, fun and whimsical. Here the characterization
has been composed and mature. Aside from episode four, the creators have been carefully building everything that’s necessary to the plot and characters, while Sora no Oto’s pace felt much more random. It’s very interesting to see how different these shows can get, even though they’re both about impeding war.

A major theme of this episode was the following question: what’s more important to you, a loved one or your father land? Aoi here tried to get his loved one back, against all orders. These plots really need a lot of build-up in order for them not to get annoying, since it’s based on a very overused shounen stereotype. within this context however, it gets a totally different dimension here. It’s been constantly stressed that the stakes of this war are incredibly high. Heck, we actually see the Japanese portrayed as the bad guys in this series. At this point the characters are all performing delicate work that unlike earlier on at the series will have very big consequences on failure. Aoi trying to get his girlfriend back is totally different from an angsty teenager with superpowers who refuses to obey his superiors because he’s rebellious.

This episode was all about seeing your past back. Yukina’s brother also becomes a lot more dimensional here when we get a few hints about his intentions. It’s not like he’s immediately a good guy either, he has done enough morally objectionable things, however at the same time I’m getting the feeling that he’s acting out of fear. We still don’t exactly know how and when he learned of the atom bombs, but my guess is that he’s trying everything in his might to stop one from hitting Japan. Again coming back to that theme of choosing your country above your loved one: he consciously decided to sin, in an attempt to save a large amount of people with a plot that might not even work, above taking care of his family.

Oh, and added to that: the soundtrack really was amazing in this episode.
Rating: ** (Excellent)

Posted on 24 May 2010 with categories: Senkou no Night Raid



Okay, that’s it. You can pretty much consider me a fan of this series. This series isn’t among my favourites this spring season, but the past episodes have brought it pretty damn close. It really took some time and hiccups to get going, but after last week, I’m completely hooked to this series. It follows the classic “first half episodic second half continuous” format, and now that we’ve gotten to the continuous format I’m really enjoying this series up to the point at which I don’t really care about the Engrish (which actually was reasonably good with the native English people, and actually pretty bad with the Japanese and Chinese, like it actually should be).

However, at this point I was also very fond of Sora no Oto, but that was mostly because I was expecting a strong climax to come any minute, though it never really did, making a lot of its build-up pointless. Night Raid is different, though. While I can’t see into the future, I somehow feel like the creators know very well how to pace this show and what to build up for. The first six episodes were really meant to establish the characters and the setting: the episodic stories were also just meant for that, and to introduce the villains. Episode seven then dropped the bomb, and started off the real story of this show. It’s all signs that the creators spent a lot of time thinking about the series’ structure. At this point, I’m confident enough to say that if this show manages to indeed pull of that ending, I’ll call it superior to its Anime no Chikara predecessor.

Anyway, about this episode. It’s here where the series goes back to its roots as historical fiction. The previous episode did a wonderful job of establishing the historical roots behind the series, but this episode also made sure to remind us that we’re dealing with fiction when it goes back to the government-spanning plan of the villains. He really seems to be going for the intimidation element, detonating things that look like atom-bombs in front of a bunch of big-wigs. There’s no way that that could have happened in real life, however it does add an interesting twist to the whole story.

Criticism can sometimes be a weird thing. I just know that if it wasn’t for the previous episodes, I would have gone on about how the characters here weren’t careful enough like real spies, or indeed how overblown the villain is. This isn’t just a matter of development, but overall the series has really made up for these flaws for me. I think that it was the elegant build-up that did it for me, along with its risky but well fleshed out setting and the subtle bonds between the characters who take themselves and each other seriously. I really was expecting some cheesy back-story about Aoi’s girlfriend. But heck, the ending of this episode was a very powerful cliff-hanger when the two of them recognized each other.
Rating: ** (Excellent)

Posted on 18 May 2010 with categories: Senkou no Night Raid



Oh my god, the creators actually did it. I’d easily label this as the episode with the highest stakes against it of the entire year, perhaps of the past few years: just one inserted cliche; only one weakness could completely break this show and label it as a pretentious piece of garbage. It’s been ages since I’ve watched an episode that took such a huge risk. So seeing that the creators actually pulled this episode off, showing that they knew exactly what they were doing makes this a wonderful episode.

The main characters were completely gone. In fact, only one recurrent character makes her appearance, but she only appeared for like… one minute before this episode aired, and subsequently only had one minute of airtime in just this episode. This episode was all about the figures central to the Mukden Incident, and it avoided the things that I was afraid that this episode could do really well: it did not try to avoid the fact that the Japanese themselves caused the incident, it did not present the Japanese as nice guys, but at the same time it also did not present the Japanese as stereotypical war-hungering bastards.

In fact, this episode was all about making the decision to do this. The central characters involved actually carefully considered the options they had, and eventually decided to go with the plan to blow up the railway, which eventually escalated so terribly. This episode portrayed them as knowing full well that they were changing history, and causing a lot of people to suffer.

Then, the cameo of Aoi’s sister (she was his sister, right? Or his girlfriend?). She did arrive from out of nowhere in front of key figures, right when they made the decision, but she actually did not influence them: the characters again stressed that it was themselves who decided. The one joke that this episode pulled was strangely cute, and did lessen the atmosphere. The one thing that might have been a bit fishy about this episode was how they didn’t go after her when she ran away, but I think that that can be attributed to faith: these guys believed that they saw some kind of prophet, or something. The girl overall is pretty mysterious, and perhaps it was her intention to make them believe this. Perhaps it was some sort of test, who knows? It’s up to the next episodes to go more in-depth into that.
Rating: *** (Awesome)

CHANGE USERNAME
SuperMario
@Niello: just caught up with Darling, I think this last episode was a blast. Interesting framing (wonder who was the episode director) and for me overall rich world-building. The characters are still miss or hit for me thou
Anonymous2148050
Tomorrow’s jow
Niello
@KTravlos My experience with Terror too.
KTravlos
The Terror ended weak for me. A great show up to episode 7 and parts of 8, 9 and 10 just went down the path of gore fest. It will work for many, but it soured for me the excellent first 8 ones.
Niello
And that's it for Franxx, an entire episode dedicated to lame world building. Expecting it to be mediocre was correct.
Lenlo
Well, Mikio's gear was upgrading to V5 we saw, so it may not be as easy as we think. That said, I just want Gear to be relevant. It really feels like just a gimmick to me so far and Mikio could maybe change that, since his is so important
AidanAK47
Oh and I got two card drops, both of which were Shanas.
AidanAK47
@Amagi, I still need to grind up the damage points. I am close and planning to get it before Rider day ends. But Banana Oni is the hardest challege this game has ever given. And fighting her is always a gamble.
Amagi
Yeah it was a good move. Really want to see how Mikio will fight without the advantage he had till now.
Kaiser-Eoghan
This weeks episode of megalobox gave an added importance to him being gearless .
Amagi
Now that I got the 300mio damage in FGO I finally get card drops that I don't need anymore
AidanAK47
@Masky, I believe I told you to watch Fate/Zero and apologize.
Masky
@AidanAK47 three days ago: Harsh words :D
Kaiser-Eoghan
I do echo the frustration though with shows you like not getting enough episodes. And then there are of course shows where I wonder, did they really need so many episodes/seasons.
Anonymous2142344
You an always watch the old 160 episode ova of Legend of Galactic Heroes. Differences to date are minor
Kaiser-Eoghan
@Anon: Follow up films coming though.
Anonymous2142275
Galactic Heroes, is starting to grow on me, is a shame, that's only 12 episodes so much potential being wasted. What happened to those times when long animes, could have at least 50 episodes ( Gundam Seed, Code Geass) and still be viable. feeling hopeless
Kaiser-Eoghan
@Mario: A female director you could also look into is Moufida Tlatli , especially silences of the palace.
Kaiser-Eoghan
@Mario: On golden kamuy, from reading on in the manga, there will be a big reveal regarding Asirpa soon. Also I feel the prisoner guys are becoming monster of the week.
Kaiser-Eoghan
@Mario: I'm glad to be reviewing stuff again on letterboxd.
Kaiser-Eoghan
@Mario: ....I...actually momentarily forgot about the PM system.
Kaiser-Eoghan
@Mario: Watch Bombshell, secrets of a hollywood star or calling hedy lamarr, Bombshell is a recent documentary about Lamarr.
Kaiser-Eoghan
@Mario: Von Triers new film looks darkly funny though to a degree and I love the self-indulgent first per3son narration.
Kaiser-Eoghan
@Mario: I have no idea how Stellan Skarsgard (who works alot with Von trier) produced Alexander Skarsgard, the latter is far too attractive to come from that. I feel the same about Asia Argento, I refuse to believe Dario could have produced such a fine creature.
Kaiser-Eoghan
@Mario: I'm rarely about morals or understanding as an importance when it comes to film, I care most about how it hits me on a visceral/emotional level, how daring it is in its imagination, visuals, madness , creativity.
SuperMario
@Kaiser: thanks, received it. God, Von Triers new film is entirely something else. Full-on provocation. And I already think his Nymphomaniac was too much
Kaiser-Eoghan
@Mario: Also I'm dying to see Von Trier and Chang-dongs new films, especially the priors.
Kaiser-Eoghan
@Mario: I sent you a private message.
Lenlo
That said, the key drama scenes were still great. Okabe's VA continues to make me happy. Im just not sure how much of this is nostalgia.
Lenlo
Steins;Gate is at its best in moments of character drama and character interaction. All of its value lies in its characters. Any action, with this muted style, is going to come off stiff and dull. A con of the art-style decision.
Kaiser-Eoghan
@Lenlo: I'm glad you said that, because I felt visually it looked stiff this week and that brief scene in the beginning wasn't much to look at. But Okabes meeting with Baldyguy-san and the cliffhanger and after credits bit were good scenes.
Lenlo
So yeah, this was probably the weakest week of Steins;Gate so far. Its pretty clear its not an action series and that its style doesnt suit itself well to combat scenes
SuperMario
... watching and reading many shounen titles (Dragon Ball, Dragon Quest, Bleach and the likes), shounen isn't my cup of tea at all
SuperMario
While I grow up
Lenlo
@Anon, I love Shounen. BnHA is one of my favorites every season its on. Doesnt mean I like Black Clover though
Kaiser-Eoghan
Thank you for that anon, when I watched the episode earlier I wasn't aware there was a post credits scene.
Anonymous2141254
oh well, we still are early on in S;G 0 too. Plus, there seems to be a huge development at the end of the episode
Anonymous2141254
idk, i can't help but feel that besides the amadeus plotline, everything else feels "fillery"
Anonymous2141254
I must say though that I'm still waiting for it to get good, idk maybe my expectations are too high because the original was great after the first few episodes
Anonymous2141254
Don't forget to watch end credits fo Steins Gate 0
KTravlos
I like some shonen. I just think that they are popular enough as not to be worth reviewing ihmo.
Vonter
@Anon2140150 - I do. Though Shounen do have the issue of being derivative in certain aspects like power scales and several doing the FMA Brotherhood climax (of what I've watched). Also they're made to be endless. It can be intimidating jumping to one that has several seasons.
Anonymous2140150
Does everyone here don't like shonen anime?
Amagi
Really, if there is one piece of information (aside from otome maybe) that makes me ignore a series forever it's a LN about a LN author or illustrator. The selfinert wish fulfillment couldn't be more obvious.
Amagi
Another LN greenlit for an anime production and the synopsis starts with "* is a light novel illustrator and..".
Amagi
@KTravlos: I don't know why modern anime hate curly- and/or wild hair so much. The old hair style gave Reinhard a more royal look, whereas he looks like a normal highschool boy now. Not that I am complaining about the anime as a whole. Also, I like some of the new designs.
KTravlos
and a part of me things it is indeed the hair. It comes to low, giving Reinhard a slovenly, lazy feel. When Yang feels more energetic you know there was a mistake.
KTravlos
and yes, this Reinhard fares poorly in comparison to the OVA one. He is dull. I need more Yang :p
KTravlos
ai vay vay. The Castrop Rebellion remains waste of time. And this time it was worse. The older depiction was tacky but at least it showed Kircheis ability in a logical manner. This time I had no idea what the hell happened. It felt cheap.

The rest of the episode was ok. Not completely sold on all the renditions of imp. admirals though I still love the uniforms.
Kaiser-Eoghan
*those
Kaiser-Eoghan
Hearing these , I find myself much more tolerant of anime voice acting even if the dub might only be okay.
Kaiser-Eoghan
Its actually less of a sync issue, as I'm talking about 60s dubs , alot of people think the voices in old anime English dubs from the 90s are dated, but the old sixties kungfu and western dubs are shocking, far worse.
Kaiser-Eoghan
I don't mind sometimes satirical dubbing like on tiger lily , dialectics break bricks and kung pow however.
Kaiser-Eoghan
And those can be difficult to acquire sometimes in Italian or Chinese.
Kaiser-Eoghan
@Anon: Live action films, this is especially annoying sometimes because I love Spaghetti westerns and Chinese martial arts films and old Italian cop thrillers.
Anonymous2137430
@Kaiser-Eoghan Are you referring to foreign animated films of foreign live action films because dubbing live action is a different beast as I'm sure you're aware. The idiosyncratic nature of watching moves and facial expressions not properly match voices really pulls the viewer out of the experience
SuperWooper
LoGH is airing a special next week because of scheduling delays, so that's one less thing to do.
AidanAK47
Well to those whom it might concern, expect my posts to be later than usual this week. Work is hell at the moment.
Kaiser-Eoghan
I have to say, this is probably a bit hypocritical, but while I enjoy dubs of anime I really really can't stand dubs of foreign films.
Lenlo
Simo Hayha would make a pretty crazy Archer.
Kaiser-Eoghan
I imagine a fate strange fake adaptation will materialize eventually.
Kaiser-Eoghan
But everyone seems to want that Finnish sniper as a Fate servant .
Kaiser-Eoghan
Still no Mao, still mad.
Kaiser-Eoghan
....I have lost track of the historical characters in the fate lineup.
AidanAK47
@Lenlo, to expand on that point the following historical figures are now female: Nero Claudius, Leonardo da Vinci, Frankenstein's Monster, Xuanzang, Jing Ke, Quetzalcoatl, Minamoto no Yoshitsune, Miyamoto Musashi, Okita Souji and many more to come.
AidanAK47
@Anon, I find it's an enjoyable watch though flawed. If you can get past some odd fanservice around the first ten episodes then I say it's worth watching.
Anonymous2133468
So i was thinking if i start watching, darling in the franxx, is worth it? or is just another 6/10 anime?
Lenlo
God damnit. Why Nasu. Just why.
AidanAK47
@Kaiser, that ain't even Lewd.
Kaiser-Eoghan
In all seriousness its ridiculous, the Japanese will make a cute/moe girl out of anything.
AidanAK47
....Should I also mention that Francis Drake is a big boobed pirate queen?
Kaiser-Eoghan
@Aidan: Posting lewd images on a respectable chatbox.
AidanAK47
@Lenlo, But none of these characters are in the anime adaptions. Well besides Jack and Saber.
Lenlo
Aidan, all this conversation did was prove that my decision to only ever watch the Ufotable adaptions was the correct decision.
AidanAK47
@Lenlo, you can blame Extella for the Attlia the Hun thing. I wasn't too fond of it myself. Also should mention Attila is female as well.
https://pm1.narvii.com/6414/528599445b739909c02993cfdbfc9f277d088cf2_hq.jpg
AidanAK47
Also Masky I will be the first to admit to the ridiculous aspects of the Fate Franchise but do take note that you are commenting on something you know literally nothing about. Which is the very definition of ignorance and is quite annoying. Fate/Zero nails the themes it's going for. So go watch Fate/Zero, come back and apologize.
AidanAK47
@Masky, Give it time. Genghis is getting in there eventually with Grand Order. We just had Anastasia and Salieri introduced after all. And it's not as if this story introduces Servants willy nilly, they need actual story purpose. Genghis Khan wouldn't have fit the Narrative that Fate/Zero was going for.
Lenlo
Wait Attila is an Alien and Edison is a Lion? God damnit Fate. Why are you doing this to me. I was already annoyed at your treatment of Musashi
Masky
(aliens existing in the show is good example of that missing on themes part xP)
Masky
*most successful conqueror
Masky
Honestly was just amused most conqueror of all time not being featured in the show :D But wait, whats this about aliens?
AidanAK47
Anyway the important thing to take into account is that in the Fate universe, King Arthur is a woman, Attila the Hun is an Alien, Thomas Edison is a lion and Jack the Ripper is a little girl in a dominatrix outfit. Any questions?
AidanAK47
And while you don't need to watch something to be given divine right to comment on ideas or themes, it does leave you ignorant of how that show handles those ideas and themes.
AidanAK47
As for the Historical Alexander, he wasn't given the title of King of Couquerors. Fate/Zeros interpretation of him was. As generally accurate Fates interpretation of Servents history can be, they can make changes to suit the narrative.
AidanAK47
In that Regard Alexander was doing the conquest thing before Ghengus did. Ghengus likely has some other title. Hell he may only have the title because public consciousness was is more familiar with Alexander than Ghengus.
AidanAK47
Yeah, looking it up seems the King Title lost quite a lot of meaning in the Nasuverse. Though the King Title is rather flimsy. I mean Arthur is the King of Knights cause of the Knights of the round table. Gil is king of heroes because his tale was the first Heroic myth.
Lenlo
I think Alexander was just the first one they thought of, and they couldnt retroactively give it to someone else.

That said, Broskander deserves it <3
Masky
(And no, you don't need to watch something to be given divine right to comment on ideas or themes of it.)
Masky
(just to note in case I need to note, I do tend to do at least cursory research when I make comments on stuff I don't watch)
Masky
That first part is semantics as Fate gives title "King" to historical figures who weren't kings already :D Also, you can make that argument about historical Alexander the Great? Since that seriously sounds like kind of weak reason.
AidanAK47
Also sees Rider as deserving of title of "King of Conquerors" because that which he strives to conquer most is not lands or material wealth, but the hearts of people, the toughest conquest that can be undertaken by anyone.
AidanAK47
@Masky, Ghengis Khan wasn't a king. He was a Khan.
Lenlo
Ghengis is always a Rider in my mind.
Kaiser-Eoghan
But in all seriousness, Ghengis would be an appropriate beserker servant.
Kaiser-Eoghan
@Masky: I know, it feels so wrong I'm still mad I can't summon Karl Marx or Stalin.
Masky
So wait, Fate series is about historical figures with super powers, but "King of Conquerors" title isn't given to Ghengis Khan? :D Seriously? Thats just so wrong
Kaiser-Eoghan
I don't feel any point in finishing it, it feels like something that I'd just randomly drop , not because its a bad show, but because I got my fill of it.
AidanAK47
I am actually going to drop blogging it.
AidanAK47
@Sash, indeed. I have been watching it but not blogging it for the last few episodes because it just hasn't givne me anything to say. I don't think it's a bad show but I have pointed out the flaws and strengths of it already so there is truly nothing more to say on it.
Sash
I think wotakoi is starting to feel repetitive..
Kaiser-Eoghan
You are now aware Shana and Batman Ninja Harelequinn are both voiced by Rie kugimiya.
Lenlo
I did. It was... It was a thing.
Kaiser-Eoghan
@Lenlo: Did you end up watching Batman ninja by the way?
Lenlo
Music is great, yeah. When the music is on point, everything goes up. Everytime the sync the fight/punches to the music I just get hyped. Like the rotating shot with Aragaki or the first fight in episode 1.
Lenlo
Ill do my best to be clearer in the future on that front. Yeah, I dont mind twists like this. Makes the inevitable Mikio fight, narratively, even better.
Kaiser-Eoghan
I feel the music does alot of the lifting.
Kaiser-Eoghan
Oh, so that was it.
Lenlo
Sorry if I never made that clear.
Lenlo
I would rather have fewer, amazing, fights than a lot of low-quality fights. This is a one cour show, the more meaning/impact they can give each fight the better.

Like Aragaki, narratively, was great. Loved it. Its just in animation/choreography that it falls flat.
Lenlo
Im disappointed with the animation of the fights. Narratively, I think they are quite good.
Kaiser-Eoghan
*disappointed with the fights in past episodes
Kaiser-Eoghan
@Lenlo: Pretty much what I said I thought of the episode. Although I was surprised how took the episodes ending, I expected you to see it as a slap in the face after being disappointed with the fights.
Lenlo
Also, @Kaiser, I thought Megalo Box did something unique this episode. I wasn't expecting Joe to *not* fight. And the Mikio/Yukiko proxy war is an interesting character motivation. Im betting Yukiko will get Joe a full citizenship, effectively getting her on his side.
Lenlo
I wish I was physically capable of watching Megalo Box without thinking of Hajime no Ippo. I really do. But everytime I watch it, it makes me want to watch Ippo again to.
Anonymous2120908
I watched some more of the Chimera family chinese anime. (Wasn't aware it was monthly released). And geez, I like the concept, the background art is very pretty and contrasts with settings that have become tired in other anime. Yet sadly the animation and script are WEAK. I haven't grasped the quality of what's expected of these types of production but I want to believe, they're trying.
Kaiser-Eoghan
Not much in the way of action in megalobox this week, but I did like the focus on Yukkiko getting a small character moment and then the big moment at episodes end .
AidanAK47
@Anon, That's some lazy ass trolling buddy. Should have stopped before the hashtags.
Kaiser-Eoghan
I'm even sort of looking forward to supposedly less respectable stuff like Goblin slayer and happy sugar life.
Vonter
Also E3 is almost here. And I can't wait. I think Nintendo will have a good show considering they're revealing the new Smash with a tournament. There's rumors of the new game by Retro Studios (Metroid Prime and Donkey Kong) and maybe they'll reveal something about how Pokemon will be on the Switch.
Vonter
Also there's always the chance of something new being discovered. Not everything needs expectations behind. Sometimes great things come out of nowhere.
Kaiser-Eoghan
So yes, there are some at least decent shows coming out.
Kaiser-Eoghan
@Anon: Muh Baki, Muh Bananna fish, muh made in abyss season 2, muh Vinland.
Anonymous2119906
The rest of this year looks like shit for anime and 2019 doesn't look great either #fuckmoe #makeanimegreatagain
Anonymous2119214
@Kaiser yeah it happened in half the amount of eps this time around for steins gate 0; which i expected considering there's a lot of ground to cover
Anonymous2119106
@Supermario Something like Fate or the LOTR films are a different case. I get where you're coming from about your preference, but I'm arguing that if a large story is going to be split into 3 films, it helps that the 3 films feel cleanly cut. Infinity war, even though we know there's a second part to the story, feels like it has that cohesive narrative structure with a beginning, middle, and end
Anonymous2119106
@Super Mario yea but the marvel movies are a different situation so i don't think the comparison is as appropriate. Marvel movies are "episodic" in nature rather than a continuous narrative. The films are largely isolated stories that are happening in a similar universe that only happen to "congeal" narratively because of a few overarching details shared between films.
Kaiser-Eoghan
@Lenlo: I remember when the original series suddenly shifted and got going and it was a really depressing episode.
Lenlo
Oh baby. The storm has finally come in Steins;Gate. Let the true suffering commence
SuperMario
@anon2118276: that's why I don't like LoTR trilogy. It's still a whole body chopped up in 3 parts, despite how clean the cut is. Whereas for me it works better if it was like a branch in a tree. The Marvel movies (despite my disinterest on those) are a good example of this.
Kaiser-Eoghan
While I did feel some of this weeks steins gate felt fillery, I do like see these characters interact and given the episodes conclusion, this episode acted as a calm before the storm.
Lenlo
Ill agree with you on King Kong. As for the Ralph Bakshi LotR, I have. I am still to this day impressed by the overlay of 2D art onto real/overexposed footage. It makes for shockingly fluid animation in places and has its own distinct style
Anonymous2118208
@Lenlo - Have you watched the old Ralph Bakshi adaptation of the first two books? It's uneven, but it's interesting comparing and contrasting certain decisions. As good as Peter Jackson is, I feel he makes very longwinded films, I like his version of King Kong a lot, but it is too long.
Anonymous2118276
@supermario i disagree; the point is that even though the LOTH films have cliffhanger endings, they still feel like fils. they have a defined first second and third act with well paced tension and release throughout them. They follow a storytelling macrostructure necessary for films to feel like cohesive narratives even if they are to end on a cliffhanger
Lenlo
I quite liked the individual LOTR movie just fyi
Vonter
Marvel surprisingly has kept their movies simple enough, that while you might miss details nowadays, you can tell what's happening.
Vonter
Another bad case is like with Assassin's Creed, which like Lost, just tried to tease a lot of things, then it grew tired of trying to piece them together and let the last games work more standalone, with little hints of a larger lore.
Vonter
Metroid does both, it has a standalone story and a hint to what a sequel might bring. Though that hint rarely matters by the time the new game is released.
Vonter
@SuperMario - Some videogames trilogies also do that. Gears of War and God of War had good standalone beginnings but by the second game they put cliffhanging endings. Kingdom Hearts does that and I expect 3 to also do it. Megaman Legends and Half Life had incomplete stories, which might be the worse case in regards to trying to make a continuous story.
SuperMario
It ruins the appetite
SuperMario
I actually think Lord of the Rings' trilogy is a bad example to follow. These films are meant to be viewed as a whole, so each film doesn't hold much as an individual story. I just can't digest films that have "to be continued" sign at the end. Imagine having a first course meal and then have to wait for few days for second course
Kaiser-Eoghan
On the current topic, I would be well for the production of a long running, ambitious ova series.
Anonymous2116425
then again, i don't take too much issue with these films feeling like movie-sized eps...the wait just sucks is all
Anonymous2116425
clearly the films need each other to tell the whole story, yet they can be taken for what they are in isolation as well
Anonymous2116425
I don't mind the trilogy trend at all; like Aidan said, when everything is said and done, all the films will be available to watch. I just think a stronger attempt should be made to make them feel like complete films. Something like the lord of the rings trilogy is a great example of how to do this
Kaiser-Eoghan
I am in full confidence that neither I nor Miura will survive to the end of berserk.
Kaiser-Eoghan
Of course maybe they won't have a future , think about it that way, then they'd never see it, life has that weird way of being unpredictable like that =P
Kaiser-Eoghan
You can always rewatch them just before watching the one after.
AidanAK47
Of course not. But that's the thing. The wait is only a temporary problem. Anyone in the future will have all movies ready to view.
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Featured Posts

Steins;Gate 0 – 7 [Eclipse of Vibronic Transition -Vibronic Transition-]

Oh boy, Steins;Gate 0 was definitely a thing this week, whatever that means. This time we have clashing styles, interesting plot twists and one hell of a cliffhanger. Lets jump in! To start off, lets get the obvious out of the way. Steins;Gate 0 is not an action series and it shows. The opening “combat” […]

Golden Kamuy – 07 [Complication]

This week ties up one plot thread that is Nihei and Tanigaki and their quest for hunting down the wise wolf and overall it does a decent job at that. Continuing from where the last episode left of, this final confrontation works for me because everyone has a moment to shine. Sugimoto proves that he […]

Hisone to Masotan – 06 [I’ll Shout Your Name]

At one point during this episode I almost felt that Hoshino was just too overboard. Being stubborn is one thing, but when you’re too stubborn you outright hurt others’ feeling without backing down, it’s irritating to watch. The issue with Hoshino, as we come to learn during the flashback, is that piloting an F2 has […]

Megalo Box – 7 [The Road to Death]

Hello everyone, and welcome to the most surprising episode of Megalo Box yet. This week we have family drama, Joe’s declining health and a shocker of an ending. Lets jump in! So starting from the top, lets talk about this ending. I never thought Megalo Box would pull something like this, with its limited number […]

Hinamatsuri – 07 [Anzu Is a Greeter Now]

At this halfway mark, I want point out that the comedy of Hinamatsuri isn’t as sharp as the first few episodes (except for the segment including Hitomi’s classmates). There’s still absurdist sense of humor, sure, but it doesn’t make me laugh out lout or even make me chuckle. That is to say I come to […]

Legend of the Galactic Heroes Die Neue These – 7[The Capture of Iserlohn (Part 2)]

The majority of this episode was detailing the plan and execution of Yangs takeover of Iserlohn which does seem rather simplistic when you think about it. This is a point where LOGH shows its age a bit and while they tried to bump it up by throwing in a body scanner, there is still the […]

Steins;Gate 0 – 6 [Eclipse of Orbital Ordering -The Orbital Eclipse-]

Ladies and Gentleman, Boys and Girls, Steins;Gate 0 has stomped the throttle and cut the breaks. Lets skip the intro and just get right to it. Early on I thought this episode was going to be slow, we were going to focus on our characters and relax a bit. I thought it would be drama […]

Golden Kamuy – 06 [Hunter’s Soul]

Well, (animal) shit. Golden Kamuy starts slow this week and ends with a bang. This episode presents many of Golden Kamuy’s ups and downs so it’s best to dissect them one by one. For the negative part, the pacing is still off. This episode spends too much time on Sugimoto and Asirpa hunting that poor […]

Hisone no Masotan – 05 [Do You Really Think That There’s Anybody Who Likes Being Disliked?]

There’s one thing you can count on original shows, you can never know for sure what the plot is going next. Sometimes, it surprises you with its sheer originality and sometimes, it could go to weird places. HisoMaso falls into the latter this week, literally where it’s taking us to an uninhabited island for the […]

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