Posted on 14 September 2009 with categories: Anime Reviews, Shangri-La



Well, this is going to be my hardest review to write this season: explaining why the heck I considered Shangri-La among my favourites for the past half year. Even though there is a lot to dislike this series for, it’s really a series that proves to be very solid entertainment for those willing to suspend their disbelief.

I think it’s best explained as follows: imagine a series with a straightforward story, a simple and small cast and a slow pacing. Now imagine a series with a huge setting, a large and diverse cast of characters who all have their own motives and stance, a multi-layered story with a fast pacing that delivers buckets of plot twists each episode. Now, which of these two is likely to have more plotholes? And which one is probably going to be more exciting?

That’s basically the thing with Shangri-La. Granted, throughout the series Kuniko does a number of things that are rather hard to suspend your disbelief at (including breaking the laws of physics), and plotholes are also pretty common for those who pay attention. But at the same time, it had just about everything I look for in an anime.

The concept of Carbon Trading might seem weird at first, but it’s a pretty neat idea for this series to work with, and the setting that this series built around this concept is rich and imaginative. There are lots of different parties with all different priorities, morals and values, and the same goes for the cast: there are a lot of characters, and yet there are hardly two characters with the same outlook on life: everyone feels like an individual, and is interesting to watch and develop. My personal favourite was Karin, who gets the most development in this series.

My favourite part of this series was the plot, though. Throughout the majority of the series, you’re never going to know what to expect. Especially a good portion of the middle part of this series is features an truly excellent mystery plot, in which every revelation only makes the setting even more intriguing than it already was. Every character has so his or her own secrets, that together form a multi-layered storyline that just keeps delivering.

Unfortunately, this series plays the “lazy”-card right at its ending, which is without a doubt rushed. I’m not sure why there are only 24 episodes for this series because it definitely could have used two more episodes to wrap up the story better. The story right now just wants a happy ending a little too badly, even though it has to use lots of deus ex machina to get there. A shame.

The visuals for this series are an interesting beast. They range from rushed to absolutely gorgeous. Especially the first couple of episodes suffer from a collection of rushed shots and drawings, but at the same time some episodes feature the single most visually pleasing shots that I have seen for the past half year. The animation also picks itself up very nicely in the second half, and delivers some really good use of CG and shading to make this a very aesthetically pleasing series. The soundtrack of this series is also among my three favourite soundtracks of the past half year (with the other two belonging to Phantom and the Guin Saga).

So yes, you’re going to have to bring a cup of suspense of disbelief when you want to watch this series, and if you’re not trying to turn over every stone in search of a flaw you’ll be rewarded by a great story with a great setting that always manages to bring something new to the table, instead of dragging at the same point over and over. It’s a fun and diverse series, but I can understand why many hate the plotholes with passion.

Storytelling: 9/10
Characters: 8/10
Production-Values: 9/10
Setting: 9/10
Posted on with categories: Shangri-La



And so this series has come to an end. Unfortunately it wasn’t the epic ending I hoped for though. In this episode, Kuniko simply kills everyone evil, and this episode unfortunately was rushed in order to get to a happy end. I expected better from this series. There were also a bunch of deus ex machinas, like Miiko suddenly popping up from nowhere and blocking bullets that were aimed for Mikuni. It was explained later, but it still feels cheap.

There also was that matter of Kuniko, somehow not becoming Himiko’s reincarnation. Why did Ryouko not know that that was going to happen? Also, Takehito was just pathetic in this episode. What, he just appears and blows himself up? Come on, that deserves more build-up. Everything just went too easy in this episode. It didn’t really build up to Kuniko’s development of becoming a leader, she simply smacked her way through everything because she happened to be a digma (thankfully she wasn’t Ryouko’s daughter, but instead a clone).

But there’s one thing I really liked about this episode: Karin’s end. She really feels like she developed her character and I liked how despite being in despair, she still managed to stop Medusa in time, and it was very nice to see Claris and Jean appear in the end. Her ending was really cute.

But yeah, overall I’m really afraid that this downer ending is going to leave me with a rather negative impression on this series, which is a shame because the middle part of this series really was everything I look for in an anime. Thinking back, I think the turning point was the burning of Tokyo: after that, the stories started to converge with each other, and it lost that bit of chaos that it was so good at in the middle part. In a way the hardest part of a mystery series is its ending: making the revelations count.

In any case, I do hope that this isn’t going to form the ending of Gonzo. Like ’em or not, they do have the guts to take risks, even when they’re about to go bankrupt. Risks like these are much better than playing it safe. Shangri-La… if it were well executed it would have belonged to my absolute favourites. Unfortunately, the shoddy execution made it less impressive than it could have been. Still, it’s still likely to end up somewhere at the end of my top 10 for 2009, unless the fall season turns out to be really, really good. Which I really doubt until proven wrong.
Rating: (Enjoyable)

Posted on 7 September 2009 with categories: Shangri-La



Haha, what an awesome episode. With such a huge series with so many different subplots and such a frantic pacing, I was really expecting some sort of trainwreck for the final episodes. And yet the opposite turns out to be true, and instead the finale developed into a thriller to stop Ryouko from trying to destroy the world.

And really: it works. Because the rest of the series fleshed Ryouko out so well compared to most villains out there, she’s far away from those stereotypical evil overlords and really stands out as a huge threat to the lead characters. Her mindset is demented, yes. But at the same time as a villain, she’s very competent: she knew exactly how to place the chess pieces right in order to get her way; so far, she only made one mistake throughout the entire series in terms of her own ideals: she didn’t know that the daggers could be removed from the altar, and she didn’t know that they could cut through any kind of steel. And I admit: you’ve got to think pretty far-fetched in order to have seen that one coming if you didn’t know anything about it.

I also love how she also averts one of the tropes that most villains of her kind strangely get away with. Suppose you were working for an evil overlord, and found out that your master was planning to destroy the world, you included. Would you still support this boss? I sure as hell wouldn’t. Ryouko did well to keep all her plans to herself, right until it wouldn’t matter anymore who would find out. I mean, her plan to hold Kunihito’s parents hostages would never have worked for long, but it did buy her the necessary time to take Mikuni away from Kuniko.

And yeah: this episode finally explains what happened to Karin’s parents: they turn out to have been dead all along. Talk about an awesome plot twist here: all the wealth she attained, everything she gained when she created Medusa: it was all just a case of denial in her case.

Okay, so one episode is left. The set-up for the final episode is fairly straightforward: Ryouko wants Mikuni to destroy the world, Kuniko is here to stop her. What I want to see from this series is an ending which is more than “Kuniko and Ryouko have a fight and Kuniko wins”. I’ve seen too many series who have fallen to this trap, but if there’s any series who is able to evade this, it’s Shangri-La. This series really has exceeded my expectations at this point. These past few episodes took it away from its image of “yet another trainwreck” when it showed that it’s very well capable of writing a solid finale. What more could you want?

And yeah. Who cares that Kuniko descended the tube with her dagger? It’s science fiction. Who knows whether that dagger has magical slowing-down powers?
Rating: *** (Awesome)

Posted on 1 September 2009 with categories: Shangri-La



Haha, how awesome! Just when I thought that this show had already passed its best point, it just keeps the surprises coming. Seriously, with this series I was expecting the final episodes to be all over the place, like what it did in the middle part of the story, which had so many different plot twists about so many different characters.

Instead, the past few episodes have been the most solid and focused episodes of the entire series. Because of that, it lost the erratic pacing that I liked so much in the rest of the series. Usually when a series pulls this, it gets rather boring, but this episode really was surprisingly good. In fact, it was awesome, and well for the fact that this series has much more than just that pacing: it still has its great sense of characters, plot twists, visuals, music, et cetera. And the slow pacing leading up to the ending actually improved on them: we now can really focus on the central themes of the series. And hey, this series has completely shifted its style of storytelling before, so for once it doesn’t feel like the creators lack inspiration for the finale.

I really liked the reason why Sayoko was freed by one of Ryoko’s henchmen: he discovered that Sayoko was his older sister he had never known, so he decided to be a good brother for once and let her go. While it seems like a rather flimsy reason at first, the more I think about it the more it fits within this series: it ties in very much with this series’ themes of family bonds: families being torn apart, growing away from each other. You see it everywhere in this series: Sayoko lost her daughter, Takehito having lost his little sister, Kuniko taking her grandmother for granted and getting into a fight with her, Karin and the distance from her parents, and there is of course also my theory of Ryouko, being the mother of Kuniko, Mikuni and Kunihito, which is getting more and more likely, which I’ll get into below.

Most of this episode was spent on Mikuni, trying to decide whether it was worth destroying the world for the sake of revenge. The thing is however, that she’s just a little kid: very easily influenced by the scary Ryouko. Ryouko on the meantime really proved to be an excellent villain here, if you can accept that she’s so screwed in her mind that she’s willing to destroy the world, and it was her who hacked into Medusa earlier.

So in the end she did turn into another villain who’s planning to destroy the world, but in my opinion she stands much higher above the usual villains of this type. In a villain, I’m not looking for someone who necessarily has to be morally ambiguous, like these misunderstood good guys. Those people also have their sets of problems. What I’m looking for in a villain is a personality: a well fleshed out character who isn’t a cheap excuse for a bit of conflicts. Well backed-up reasons are a plus, but not necessarily required: I mean, how many evil overlords in the real world are screwed in the head? The reason why I dislike most villains in anime is because they’re too often just paper bags who are there for the sake of having a villain.

And yeah, I’m getting more and more convinced that Ryouko is the mother of Mikuni, Kuniko and Kunihito. The final twist this episode really was an awesome one: I love it when these character who infiltrate the enemy tell nobody of what they’re doing, not even the viewers themselves. I already found that it was strange that he’d suddenly get so close to Kuniko, I already found it weird for the creators to suddenly start establishing a strange romance between him and Kuniko. Now everything makes sense!

And really, Ryouko looked so much like an angry mother who’s urging her child along when she took Mikuni along with her. She really had that feeling of parental authority when she dealt with her. And besides that, I can’t think of any reason why she would want to obey the successor of Atlas, other than some sort of strange and deranged case of family bonds, in a series which is full of broken up and dysfunctional families.

Out of all the shows that are going to end in the coming month, the ones that are promising some outstanding endings to look out for for me are the new Mazinger, Shangri-La, Tokyo Magnitude and Phantom. These are the shows which were excellently planned across their total airtime, and are promising to close off with a finale in which everything comes together. There are only a few shows of this caliber every season, and I’m glad to see that this season again has a fine selection of them.
Rating: *** (Awesome)

Posted on 25 August 2009 with categories: Shangri-La



Three episodes left, and we finally move to something that resembles a climax. This episode was much like episode five, in which a lot of focus was spent on trying to hack Medusa out of trying to destroy the world, especially focusing on Karin vs Kuniko. In this episode, Karin finally has to learn to grow up a bit, and the highlight of this episode was Kuniko, trying to talk some sense into her.

In the next episode, we should finally get some light of what the hell Ryouko has been up to throughout the series, as she finally seems to be ready to execute whatever plan she was scheming. Finally we see her taking one of the digmas (Mikuni) back to her. It could be that she was simply waiting for one Digma to collect all of the daggers, and figured that it might have gone faster if she’d just Karin collect the daggers, rather than send her own men to do the job. Probably she also did this in order to avoid suspicions on her part. That still leaves the question why she’s willing to let Atlas succumb to earthquakes, though.

I’m surprised that this episode was relatively quiet, especially since this series still has a lot of work to do in its final hour to wrap everything up. I suspect that this was really the last calm before the storm and I really wonder what the creators are planning to end this series with. Endings are always really tricky to really pull of well. This series does have the ingredients to make it work, but I’ve seen many awesome series with unimpressive endings, so I’m just going to keep my expectations low for this one.
Rating: * (Good)

Posted on 18 August 2009 with categories: Shangri-La



And so the finale for this series has begun. This episode was mostly building up, but as usual with this series it came with tons of revelations. And heck; the creators might actually be able to pull of a satisfying conclusion at this rate.

I’m glad to see that even though we’re nearly at the end, the creators still show a bit of what happened to the folks of Duomo after they were evacuated inside Atlas. With this, Kuniko also got her wishes through that every last bit of space in Atlas would be used for the people, rather than simply letting them be wastes of space.

In this episode something that rather gets in the way of my “Kunihito is Kuniko’s brother”-theory, when some actual romance starts to develop. Thankfully though, there wasn’t a lot of cheese among the two and the situations that made them realize their crush was pretty creative (Come on, Kuniko hugging Kunihito when she tried to find out where the sudden lights came from was really cute). It’s a bit disturbing though, because aside from the blushes, their “lover’s quarrel” looked more like the fights that siblings would have, rather than lovers.

And then the pattern with Atlas in the middle. It turns out that it was supposed to be the whole pillar that would make Atlas the most influential city of the world. When Nagiko and Sergei was younger, this was their motivation to construct Atlas. It was an attempt to escape earthquakes, but it failed. That’s why they created the Hiruko: young sacrifices that would end up stopping the effects of the earth on Atlas, and which is also what killed Takehito’s sister.

In the meantime Karin (apparently Akihabara was spared in the bombings) has been stalking Kunihito with her subordinates, and so obtained the final dagger. Apparently, this is going to make Mikuni the true heir of Atlas (so that’s what was the purpose of these daggers). Medusa in the meantime is getting rather out of control, though Karin realizes it a bit too late when it’s already planning to crash the entire market through Antarctica. Now that’s going to be the turning point for her wealth, it seems.

The whole deal around Titan confused me a bit, especially since we never actually get to SEE it, but we’re very much given the impression that it’s an aerial fortress of Titan came to Tokyo after Ryouko tipped them off that the person behind Medusa is in Akihabara. Because of this, it launches a pillar of light at Karin. She probably hasn’t died yet, because we’ve yet to see her actually die, but someone else did die: Hiruko, aka Miiko. WTF.

So wait… Ryouko actually meant to kill Hiruko?! And we only just learned that it’s Hiruko that prevents Atlas from collapsing under its own weight. What the hell could her purpose be? I mean, if she wanted to crash Atlas, couldn’t she just have used a bunch of explosives? With this however, the finale has really been set up. I have no idea what’s going to happen to Atlas right now, but it’s definitely setting up for some sort of grand finale.

I’m also really glad to see that at this point, the budget still hasn’t run out. The final scenes, in which Miiko showed her last moments, were really well drawn and they looked absolutely beautiful. It’d be awesome if Gonzo is saving the last remains of its budget to go all out on that final episode.

With four episodes left, this series has a lot cut out for it, but if it manages to do everything right, then this finale is going to rock. Right now, it really seems like Ryouko is going to be the final villain. She might or might not be planning to use Titan for the final episodes, but it’s now clear that she’s really planning something that really shouldn’t be allowed to happen, and four episodes seem just about right to flesh it out enough, after all the build-up that she’s received up till now. Karin and Kuniko are probably going to form the centre of her opponents. And also, what’s the carbon trade going to do in the final episodes? Is the market really going to crash, or will Karin be able to salvage enough of her money to set up a small army?
Rating: ** (Excellent)

Posted on 10 August 2009 with categories: Shangri-La



Hehe, and here I thought that the creators were going to save the bombing of Tokyo for the grand finale of this series. It seems that there’s still much more that’s going to happen after it: there are still so many problems that are left to be solved, not to mention that the creators still don’t seem to have played all of their trumps for this series!

The way this episode was executed was also something I really didn’t expect. With the entire city of Tokyo burning down, you’d expect them to create a huge action-packed spectacle out of it, but instead this episode had a much more melancholic atmosphere. It’s something completely different from what we’ve seen of this series so far, and it really works. That’s yet another reason why I’ve grown to be such a fan of this series: you’re never going to know what to expect.

This episode was surprisingly slow paced for this series, but because of that the impact on Kuniko, having to burn down the place she grew up in really made an impact. Her emotions were handled very subtly here: she didn’t break down crying, or she didn’t refuse to drop the bomb at the last possible moment like your average anime lead. She knew very well what she had to do to save the ones around her, because otherwise they’d just be overthrown by the Daedalus. This episode portrayed that feeling of saying goodbye really well. Kuniko might seem like nothing special at first sight, but you don’t often see a main character who has to serve as a leader like her.

Oh, and the eye candy! While not as gorgeous as episode 13, the visuals were nevertheless gorgeous as they showed Duomo going up in flames. You could see that especially the background artists were on fire in this episode (not literally of course), but also the CG looked really good during the fiery bits.

Now, the question is going to be: how are the creators planning on filling up the final quarter of this series. The Daedalus hasn’t fully disappeared: it’s still inside Atlas because that’s a part that can’t exactly be burned down. At the same time, the end of this episode shows Medusa finally losing control of itself, after Karin pushed him too far in her attempts to take advantage of the huge carbon emissions from the forest fires. and to think that for a moment she was like the richest person in the world. She was bound to overstep her borders at one point, but I still wonder what the creators plan to do with Medusa going out of control: is she simply going to lose Medusa, or is her entire fortune coming along with it?

It’s very interesting: for most series at this point, you’re going to have a good idea what its finale is going to be about: what the main goal is going to be to overcome. With Shangri-la, I have no bloody clue. Sure, there is busting Ryoko from Atlas, people are going to have to rebuild their homes, Karin is going to have to cope with Medusa, but which one is going to be taking the main focus? What is Ryouko going to do now after cooperating with Kuniko? There are still so many questions left open.

At this point, there are five episodes left. That’s enough for this series to wrap up everything with a conclusion, and let’s hope that everything isn’t going to end up rushed!
Rating: ** (Excellent)

Posted on 3 August 2009 with categories: Shangri-La



Okay, so this episode was mostly building up and it wasn’t as filled with as many plot twists as the previous ones, but nevertheless it had some great ideas and scenes thrown into it. One in particular was an awesome one. It’s a major spoiler, so if you haven’t seen the episode yet you might want to skip this entry.

Because holy crap: Kuniko is Mikuni’s sister! Momoko’s earring turns out to be something she stole from Nagiko, of all people. That gives that whole subplot a whole new dimension and a lot of things make sense now. But most importantly: Kunihito!?

If my theory indeed is true, then that means that the digmas are not just a bunch of random people chosen, but instead the three of them are siblings, and the grandchildren of the founder of Atlas! That’s what makes them so special! That explains why they all have “Kuni” in their names (which probably was a strange idea from their mother). It also explains why Kuniko and Kunihito got along so well: this series wasn’t trying to turn Kunihito into Kuniko’s love interest; they just got along as siblings would!

This makes me even more curious about that mystery mother, who seems to be at the center of all of this. In fact, I’m getting more and more the suspicion that Ryouko actually is the one who fits this description. As disturbing as it may sound, for the three of them to be the next heirs of Atlas, it must mean that their mother holds a very important place at Atlas for them to be considered so special. That can’t be anyone OTHER THAN Ryouko! Talk about a screwed up family. And speaking of which… who exactly is Kuniko’s father?

If that indeed turns out to be true, then we had a nice family reunion in this episode, in which Nagiko manages to arrange a meeting between Kuniko and Ryouko, about trying stop Daedalus. Apparently, even though it was meant to prevent fires Daedalus can seem to burn, otherwise Ryouko would have pointed that out.
Rating: ** (Excellent)

Posted on 28 July 2009 with categories: Shangri-La



Another great episode, if only because of Karin’s awesomeness. I already suspected that we didn’t see the last of her when she got busted out of her room by Atlas, but for her to end up buying the entire Akihabara! That’s a nice one. To think that it’s actually Karin who unites all of the good guys, rather than Kuniko, but it’s definitely an interesting twist for Karin to try and collect all of the Digmas (or Triple As, as she calls them). We still don’t know though what makes them so important, and why Ryouko bothered to let them go in the first place. Now that Claris seems to be gone, an interesting split personality on her side also seems to surface.

In other news, Takehito seems to have discovered that Kuniko is a Triple A Atlas member. What we do learn in this episode is that one of the Triple As is meant to inherit Atlas in the future… wtf?! But in any case, Takehito’s grief for his dead sister seems to be a bit too big for him to accept that Kuniko is part of Atlas (he’s probably not going to like it when he finds out about her grandmother either). We see him jump off a cliff in this episode, but in true Shangri-La fashion, I really doubt that that was the last we see of him. :)

But the juiciest plot twist in this episode: Kuniko plans to burn down the ENTIRE TOKYO in order to stop the Daedalus from spreading. This plot just keeps getting better and better, doesn’t it? My big hope is that Gonzo has saved its budget for that particular scene, because if it’s going to mean that the the entire city of Tokyo, including Atlas, is going to end up in flames, then that’s going to make for some potentially awesome eye candy.

What also striked me in this episode is that there are a lot of people who have an aversion of something major: Karin hates public places, Mikuni can’t go out in broad daylight, while Medusa can’t seem to survive without water. I keep trying to look for a link with something else in the story, but it seems pretty random. If you take liberties in this definition then you could argue that Sayoko can’t live without a “daughter”-figure to take care of, and Momoko and Miiko turned away their manlihoods, but there still doesn’t seem to be a pattern I can spot here. Especially since Kuniko and Kunihito don’t seem to fit in this theme at all…
Rating: ** (Excellent)

Posted on 20 July 2009 with categories: Shangri-La



Muaha! I just can’t help but love this series. This episode yet again was an awesome instalment for Shangri-La, mostly focused on a battle of wits between Ryouko and Mikuni, of all people, and it definitely delivered. The thing I love about Ryouko is that the creators remembered to give her the screen-time she deserves as a villain. This really made her into a dangerous character, and a serious threat to the lead characters instead of letting her be an incompetent idiot who never can seem to get anything right.

And really, this episode was yet again full of juicy plot twists. While they weren’t as big as “Kuniko’s Grandmother Founded Atlas!?!?!1!!11”, every single one was a nice touch, surprising and full of potential for the rest of this series (EDIT: on second thought, some of them really are big…). To give a small run-down:
– Kunihito decides to leave the military. Ryouko doesn’t seem to mind.
– Miiko doesn’t just get arrested, she becomes the next Hiruko!
– Mikuni has had it now that all of her loved ones are gone, and gathers all of her followers to forcefully take Miiko back.
– The new plants that showed up turn out to be called Daedalus. When left alone, they threaten to swallow up the entire forest.
– Momoko studied biology in her early days?!
– Ryouko finally stopped complaining about Shion’s work as her personal servant.
– Ryouko… can’t be hit by bullets?! wtf?
– Ryouko brings Mikuni to Miiko. Sayoko, who apparently had been hiding, shows herself, takes Hiruko Miiko hostage and runs away with Mikuni!
– Again, Ryouko doesn’t seem to mind because Hiruko seemed to be one of Tarsian’s plans.
– For some reason, the episode ends with Takehito putting a gun against Kuniko’s head.

I mean, seriously? How many plot twists can you include in one episode anyway, at the same time preventing the episode from feeling rushed, creating even more questions and potential plot twists for the future as well? On top of that, the characters were also at their best in this episode: Kuniko was awesome in how she managed to quickly recover from the disappointments of the previous episode. Mikuni rocked because she finally was able to do something for herself. Ryouko rocked for being so badass that even bullets can’t face her among others. Sayoko rocked for the lengths that she’s willing to go through to save Mikuni.

And really, this makes it even bigger of a puzzle of what the Digmas are. I always thought that Ryouko was meaning to collect them, but in this episode she doesn’t do anything to stop Digma 3 from leaving the military (calling him inferior to the other two Digmas), and she even seemed pleased when Sayoko took Mikuni away. What the hell was up with that?

And ON TOP OF THAT, this episode again rocked in terms of graphics. This episode had some utterly beautiful shots. Not in the way of episode 13, but the aesthetics were right in just about every shot. You could see nothing of the rushed animation that plagued the first bunch of episodes. The music also rocked beyond belief in this episode.

My only worry is that Daedalus is going to turn into your stereotypical evil plant that’s going to be the final boss, but hey: even the amazing Kaiba suffered from this. And the thing to wonder about: why was it introduced this early in the series, if there are still about eight episodes left for this series? Is Daedalus simply going to grow slowly, or did the creators realize this, and are planning a twist even there?
Rating: *** (Awesome)

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Anonymous2037529
LWA academia is probably the only trigger project i've truly cared about. I haven't watched KlK to completion or luluco for that matter(i got to get around to that) but ive seen everything else and i just don't give a damn about any of em
Amagi
But to say something positive - I liked the second episode of Kamuy way better than the first one. Budget seems to be really bad but the rest makes up for it it seems.
Amagi
I think Luluco was the only one I enjoyed after KlK which already had a bunch of problems - but overall it was far too entertaining for me to seriously care about those.
Amagi
Guess the last 1/3 might be more interesting when they start with the actual world building for once, although they could probably slam the love stuff even more in our faces but who knows. Not fond of any of the latest Trigger anime to be honest.
Amagi
Also they're really overdoing it with all that obvious message stuff and the "love superpower" trope I always hated anyway. Still watching I mean at least it has a plot and tries.
Amagi
I still can't care about anyone or anything in this series I think it's really not made for me. I might have liked Goro but he's too unimportant and the sauros revelation was kind of a letdown since it's the most common twist for these kinds of things.
AidanAK47
Alright Franxx, you are forgiven for episode 14.
Kaiser-Eoghan
@Mario: Do you ever go to those surprise horror/thriller preview screenings? Where they don't tell you what film it is until it starts?
Kaiser-Eoghan
*worrying about
Kaiser-Eoghan
@Mario: Its saying something, when I haven't seen eternal sunshine since it came out, but even by re-watching the trailer, the feelings, the whole film comes back. At that point I'd grown out of Jim Carey's comedy, so seeing him play against type was refreshing.
Kaiser-Eoghan
@Mario: Ah, I'm more forgiving then, I'm likely to give higher points for sheer imagination that I'm not as bothered by worry about the story.
Kaiser-Eoghan
@Mario: Any negative argument against mood indigo by him can be countered by the fact it has Audrey Tatou in it.
Anonymous2035464
jhonrhean
SuperMario
and I just watched A Quiet Place. A solid indie horror one. It builds on atmosphere and it does the family chemistry right
SuperMario
I don't like The Science of Sleep to be honest. Tons of interesting ideas and visually creativeness but the story itself is a mess
Kaiser-Eoghan
@Mario: Gondry needs to avoid making any more commercial comedies, he also needs to start working with Kaufman again, they brought out the best in each other, although on his own, he can be playful and inventive with his films, such as mood indigo and science of sleep.
SuperMario
But check out his other movie Eternal sunshine of Spotless Mind. It has an inventive mind control/ mind altering concept in there
SuperMario
Jim Carrey is kind of mind controller himself. I couldn't take my eyes off him
SuperMario
@anon2028818: it was indeed season 5. SORRY FOR MY IGNORANCE :)
Vonter
The Jim Carrey movies.
Vonter
Dorei-ku seems like a Kakegurui. You see one episode you've seen all. It'll be better if it was crazier like Mirai Nikki. Mind control IMO could be a very creepy setup if it's watched through the perspective of the victim rather than the perpetrator. Losing notion or reality and control. Could liar liar and Yes man be considered mind controlled stories?
Vonter
Ore Mahou Shoujo, baffles me, since I had to skip another long musical off key number, which makes me wonder where the budget cut starts and where the trolling begins. Also makes me sad, there aren't a lot of female to male transformations since it'll be interesting watching that perspective. Maybe a love triangle from both genders could apply since females are more accepted to be bi, in media.
Vonter
Megalobox could be something really special, but I hope like with Ashita no Joe, the anime isn't solely boxing. Joe, had social commentary, had a personal struggle do to the protagonist origin, attitude and view of life, since he started very immature and rebellious.
Amagi
Megalo Box, Tiramisu (I find this genuinely funny), S;0, GGO which is so much better than SAO, Wotaku, Hinamatsuri, Cutie Honey, LotGH, Hisone to Masotan and so on
Amagi
I really love this season as well.
Lenlo
Also personally I am enjoying this current season a alot. But I also know/like a good bit of the reboots/sequels
Lenlo
Oh man... 2015 winter was good. Forgot thats when those came out
Anonymous2028818
@SuperMario: Wasn't that Natsume season 5?, pretty sure season 4 was several years earlier.
SuperMario
Another strong anime season for me was 2015 Winter, where we had YuriKuma Arashi, Maria the Virgin Witch, Death Parade, Durarara whatever season, second cour of Shirobako, Parasyte and Your Lie in April
SuperMario
Even so, with this season I'm still willing to give some shows another chance, like Caligula or Cutie Honey Universe(!)
SuperMario
For me, the best season in recent years was Fall 2016 when we had Flip Flappers, Sound Eupho 2, Yuri on Ice, Natsume 4, Fune wo Amu, Drifters and 3-gatsu no Lion. But I know that Aidan would disagree with me on this
SuperMario
@anon2028201: it's me who said this season is a mixed bag. It's like you said, this season is too heavily on sequels/ reboots and only some new anime stand out, the rest of the pack is just meh.
Anonymous2028201
To me this seems like a pretty good seasons, but judging some of the impressions, it's a bit more of a mixed bag for most. Just curious, what were the best seasons for recent anime? This one seems good to me, but to early to tell right now
Anonymous2028201
Lovin this season so far: a lot of reboots/reimaginings and sequels, but I'm enjoying them all. MHA S3, LOGH DNT, S;G 0, Megalobox, Golden Kamuy are what I'm watching right now. I hear Full Metal Panic is good as well, but I haven't gotten around to watching the original series.
Anonymous2028258
so i just recently rewatched fullmetal panic fumoffu and i gotta say that this is easily one of Kyo ani's best works. It's such a surprise that this was their first anime; it's a damn good romance comedy
Kaiser-Eoghan
@Anon: Lol I love B-movie type stuff, because the rules are off.
Kaiser-Eoghan
I was the only person who watched Mazinkaiser skl and shin mazinger and skullman.
Anonymous2026379
@Kaiser Takeshi Koike really wanted to really sell it as a grindhouse feature and I ate that shit up; I really dug the tone he was going for.
Kaiser-Eoghan
@Anon: It was strange seeing that Goemon short, much as I enjoyed it, thats the goriest I seen lupin get.
Anonymous2026379
Megalo box is pure retro while lupin is a mix of old and new...and you're right; people just think they can't jump right into it. But that's why more people should be talking about it; to let the masses know that you don't need a starting point to get into the Lupin franchise
Kaiser-Eoghan
I'm a massive fan of the devilman manga and I thought devilman crybaby was better than it.
Anonymous2026379
90's-esque throwback feeling shows like lupin and megalo box have been giving me
Anonymous2026379
Luoin part 5 is definitely mixing the best of new and old. Honestly, I've been having a blast with it as well as this generally 90
Kaiser-Eoghan
I think the problem is, people see lupin as this long thing they can't get into, when really its so episodic/standalone mostly you can pick up and watch.
Kaiser-Eoghan
And of course getting the best bits out of old and new.
Kaiser-Eoghan
*visual style
Kaiser-Eoghan
I'm a fan of this hybrid old and new style, megalobox does it too, mine fujiko aswell and casshern sins.
Kaiser-Eoghan
I was surprised by how well the Fujiko mine show came together in the end.
Kaiser-Eoghan
I'll be interested in picking up more facts about thrm.
Kaiser-Eoghan
Come think of it, Akira Kurosawa did some old western (eastern?) in Russian, that had an Ainu in it.
Anonymous2026379
Asirpa is sooooo adorable.....almost feels patronizing to say that about her due to how badass she is
Anonymous2026379
What makes Fujiko work so well as this sexy icon is that she isn't just sexy: she's smart as shit and uses that sexiness to dominate and control her opponents (similar to bayonetta) rather than be chained by the objectification of her opponents (and the viewers for that matter)
Anonymous2026379
I wonder what other obscure cameos we may get this season. And yea you're right about some of Lupin's potentially sexist traits being assuaged by his level of cool and the genuine respect he shows a good deal of the women he has encountered throughout the series
Kaiser-Eoghan
@Anon: Yet still a fun film at the same time.
Anonymous2026379
@Kaiser Yea, mamo was a pretty dark element introduced to the lupin franchise; and considering the tone of the gravestone of Jigen, it makes sense he would cameo there
Kaiser-Eoghan
@Mario: Help I want to kidnap Asirpa =<
Kaiser-Eoghan
@Anon: I'm probably as surprised as you, at finding someone to talk to about Lupin on here.
Kaiser-Eoghan
@Anon: And through comparing/contrasting the jigen grave stone and Fujiko mine, with some of the sillier older ones, it shows the Lupin characters are flexible enough to work both in a darker AND sillier context.
Kaiser-Eoghan
*character
Kaiser-Eoghan
@Anon: Fujiko is precisely how a fanservicey character should work and how built in/essential it is to her haracter, without becoming an irritant.
Kaiser-Eoghan
@Anon: By all means Lupin himself shouldn't be a character we like, much like Bond, but like Bond theres a coolness to the character that allows us to love him.
Kaiser-Eoghan
@Anon: Another great thing about Lupin is how it uses its 60s cool to get away with what would normally probably be considered fairly sexist.
Kaiser-Eoghan
@Anon: I had a big smile on my face when Mamo made a cameo appearance at the end of one of the recent ones and thats because I remember the Lupin Mamo movie was one of those first anime that I watched about 20 years aago.
Anonymous2026379
not to mention that its one of the few anime this season that actually knows how to utilize dialogue to explore flesh out its characters rather than exposition or contrivance: looking at you darling in the franxx
Anonymous2026379
@Kaiser-Eoghan Nice fun facts; but yea Lupin III is a series that has always had an amazing sense of pacing and adventure, traits that are definitely on display this season
Kaiser-Eoghan
@Anon: Its a huge franchise too so I'm often never sure where to go next.
Kaiser-Eoghan
@Anon: You may or may not know this, but the voice actor for solid snake voiced Lupin in one of the dubs.
Kaiser-Eoghan
@Anon: I watched a few episodes of the Italy set lupin show too .
Its a fun franchise due to its cast but its something I have to follow irregularly, lest it get repetitive.
Kaiser-Eoghan
@Anon: Fun fact, guy who directed the gold of babylon film was a famous B-movie noir director in the 60s.
Lenlo
Dont trust anything written by the original SAO author. Everything is his fault. Kirito is not in this series.
Lenlo
Even the original SAO author has little to do with it, which is why its actually good
Lenlo
So SAO Alt is basically completely removed from the rest of SAO
Kaiser-Eoghan
@Anon: Lupin is one of those things I dip in and out of, whatever part of the franchise it is. I've seen birdcage kingdom, Mamo, cagliostro, nostradamus, Jigens grave stone, mine fujiko and the recent Goemon centred special.
Anonymous2026379
it's a damn shame not a lot of ppl are talkig about/watching lupin the third this season
Kaiser-Eoghan
But for all I know with that team behind it, its an improvement, but theres probably not much point in me watching as I dropped the first season after less than 10 episodes.
Kaiser-Eoghan
See how he attempts to seduce me into watching something related to sword art.
Lenlo
Huh... I didnt know the writer for SAO Alt was written by the Kino's Journey creator and produced by the Flip Flappers people. Explains a lot
Lenlo
I wish I knew what you meant by shaman girls, and I cant wait
AidanAK47
@Lenlo, Oh I know Leskinen. May he find his Japanese Shaman girls one day. But seeing as I know the story I wanna experience it differently.
Kaiser-Eoghan
@Mario: Its even set in hokkaido, Korean/Japanese director, Japanese cast, Ken Watanabe is in it: https://letterboxd.com/film/unforgiven-2013/
Lenlo
Also, I love the ED. Really, 2 episodes in, I love S;G all over again.
SuperMario
@Kaiser: really? They remade Unforgiven in Japanese?
Lenlo
its*
Lenlo
Like... is good.
Lenlo
But your missing out on the cult of Leskinen. The engrish is actually one of my favorite parts
AidanAK47
@Lenlo, Meanwhile I am happily waiting for the dub.
Lenlo
Dangit... I have to wait another week for Steins;Gate 0 now. I cant do this.
Kaiser-Eoghan
@Mario: The Japanese remake of unforgiven had ainu people in it.
Anonymous2025797
Also I wonder if budget is distributed according to the director, some animes will spend more in the first episode. Some will spend more in the last ones. It's subjective, but if it's like all business it is looking for the better result at the minimum expense. Hence why I believe Berserk was made the way it did.
Anonymous2025797
@Kaiser-Eoghan - Ideally a story should be as long as it needs. But reality seems that a number of episodes is decided before production. And so you either have to stretch or cut material. Kinda like that 300 page manga of Les Miserables, is simply unfeasible translating that book into that few pages.
KTravlos
Oberstein was a great character.
KTravlos
I actually feel Aidan can do a good job on it. Sometimes been too exposed to the material may lead to clouded eyes.
Kaiser-Eoghan
Though I'm surprised by how I unexpectedly laughed at wotaku, I do wonder if later on it will include any slight drama elements to sustain interest.
Kaiser-Eoghan
OMO; OBERsteins; Gate =P
Kaiser-Eoghan
From watching episode 2 of golden kamuy, yeah, the source material definitely is lifting this.
Kaiser-Eoghan
I'm going to have to wait and see on steins; gate 0, it is encouraging to here this might be darker , at the same time I remember having to sit through too much goofy humour in the first one.
Kaiser-Eoghan
I was actually surprised, that, while rare, there were some moments of humour, that lightened it for me.
AidanAK47
Throughout the entire series I expected Oberstein to pull some inevitable double cross. And was shocked when he never did.
Amagi
@Kaiser: Agree with Oberstein. I think antagonists are es important as the mains in fiction and I loved this guy, he's perfect for series like these.
Kaiser-Eoghan
Galactic heroes was an example of where when watching it, when big death scenes occured, I would make noooooo and shouting noises at the screen while clenching my fist.
Kaiser-Eoghan
I love characters like Oberstein, shrewd, clever, but done right to where I can believe it, not characters like, say Lelouch .
Kaiser-Eoghan
I'd be concerned if the new galactic heroes series skimps on the violence, that kind of thing needs to be in there, in most shows/films and shown to be explicit, consequences need to be shown.
Amagi
*about, not with
Amagi
Sadly, most original 2+ cours series I know feel dragged whereas many 1 cours originals could have needed ~3 more episodes. Talking with series that have an actual plot of course.
Amagi
I really like the 13 episodes thingy for originals but I wish there would be more 26 episodes series, especially for adaptions.
Amagi
@Kaiser: I agree. Nothing kills my interest faster than formularic episodes and repetition.
Kaiser-Eoghan
In general I think 50 episodes would be the most I'd watch for an anime, 39 seems ideal.
Amagi
Or worse and the romance drama is the main plot and it's Kiznaiver all over again, while the rest is just flavor to make the romances more forced since they're the MCs are only teens and such. Dunno but I can never bring myself to care about this kind of stuff.
Kaiser-Eoghan
Though better 110 episodes of galactic heroes than a long shounen that just repeats itself.
Amagi
Speaking of recent episodes, I unironically thing that FranXX's world (building) is pretty interesting (although I hope those klaxxosaurusses will be more than just random cannon fodder) but I doubt the series will ever get to the main plot again the next time.
Amagi
Same here. It was really the only time I did this. I am usually exhausted by just thinking about marathoning long series. It's the reason why I won't get into FMP for the new series either. LotGH was an exception since I found it easily to watch for some reason.
SuperMario
Man, just image burning through 110 episodes of it and my spirit fades away
Amagi
Watched that whole series ages ago.
Amagi
Just watched the first three Neue These episodes and I surprinsingly liked it. Thought I would hate it due to being an OVA fan, and I still prefer the old designs by far but overall it's pretty good. I think I might even prefer this version of the first battle, but I have to rewatch the old one I guess.
Kaiser-Eoghan
Also while I can't remember which episode, Yang picks up a book with the author of the series' name on it.
Kaiser-Eoghan
Arslan feels so lightweight by contrast/comparison.
Kaiser-Eoghan
And I think, given your knowledge KTtravlos, that a series review of the new galactic heroes season would probably benefit from you writing it.
Kaiser-Eoghan
I bring up the music in my earlier comment, because I can understand your reservations regarding the music choice in the remake.
Kaiser-Eoghan
And certainly one of those shows, that going back to the first episode after finishing, gives a strong perspective just on how evolving the series was.
Kaiser-Eoghan
*despite me not
Kaiser-Eoghan
Despite not being monarchist , because the characters were human moreso than cartoon characters I couldn't hate on Reinhard.
Kaiser-Eoghan
@Travlos: I suppose by the time it got to Julian's arc, I was surprised they were still bothering to fight but the fact that they were essentially the last bastion of their beliefs made it special.
Kaiser-Eoghan
@Travlos: Sometimes when I just finish a show, its a case where I HAVE to jump online immediately after and excitedly ramble out an essay on it.
niello
ugh democracy
KTravlos
@Kaiser ultimately LOGH for me was a decisive point in my political life, as I think it made the best defense of democracy in any form I have seen. And it worked partly because the opponent was presented in the best possible incarnation (Rienhard). Yang's continued adherence to democracy, despite recongising its flaws, helped me avoid a personal descent into authoritarian politics.
KTravlos
@Kaiser. I am happy you had a good experience. I watched the prequels a while after the main show and I was happy because it was great getting back to those characters. The prequels were also great in fleshing the setting and the characters. So yes, take your time and a break. That way the prequels will be like visiting a place you liked again after a while.
Kaiser-Eoghan
@KTtravlos: I have some other stuff to get through before watching the galactic heroes prequel though =<
Kaiser-Eoghan
YES according to discord poster I'm not a millenial!
Kaiser-Eoghan
Sorry for overposting. I have always always being an incredibly verbose person.
Kaiser-Eoghan
@Vonter; Not that I oppose captilistically made for a buck cinema, it can be entertaining yes, but I set a standard.
Kaiser-Eoghan
@Vonter: As open as I am to trash cinema, I consider the resident evil films, like the superhero ones, anti-art.
Kaiser-Eoghan
I can understand why people don't like Villier, but he did I think work as a device to add extra tension.
Kaiser-Eoghan
I feel some release at finishing but at the same time sadness at saying goodbye to the show and its characters.
Kaiser-Eoghan
, showing its age.
But for something of this length, it kept itself up far better than most long shows and I feel the length its somewhat justified.

On another note….as corny as the third ending theme is, I got the feels listening to it.
Kaiser-Eoghan
But while the first 50 odd episodes were an easy job for me aswell as all of the 4th season and some of the late 3rd season made it difficult for me to pull myself away from it, the dialogue even though often well observed did become difficult to follow at times and somewhere in the middle theres a stretch of episodes, bar some moments that feel a bit of an endurance test and the animation is at
Kaiser-Eoghan
Its attention to detail I felt was at its strongest in the documentary and the series dedication to filling the view in on its world building/fictional history.
Kaiser-Eoghan
I admired the scope, ambition of this series and the battles eventually grew on me and I was surprised by just how visceral the melee combat got which suited me perfectly. At the same time for all the strategy and action, I found myself more in it for the story, characters and intrigue/politicking. Those battles, due in part to their music choices, had an epic feel to them
Kaiser-Eoghan
In the end the characters stood out for me the best were Reinhard, Oberstein (for being essentially the amazing man with the plan), Reuntal, Kircheis and Rubinsky, I warmed up to Julian, Yang and Schenkop. When important deaths occurred, they felt highly dramatic, in four cases emotionally effecting for me .
Kaiser-Eoghan
Also, KTtravlos, thank you for pushing me toward watching the original legend of the galactic heroes, my opinion on the series is largely a mixed one, but by the end I felt I’d watched something rewarding and I’m happy its crossed off my list and I should have gotten round to it sooner.
Kaiser-Eoghan
I'm probably the oldest here, being 32. Which apparently makes me around Yang-wenli's age, which according to someone means I'm middle aged .
Kaiser-Eoghan
To the discord guy who brought it up, its difficult not for me to be political, my father was an activist and is a Marxist , I ended up becoming a contradiction a semi-agnostic, but spiritually inclined/tolerant socialist with internationalist ideology.
Kaiser-Eoghan
@Aidan: Ends in very cliffhanger/abrupt indy way though and the things weakness/how to kill thems too easy.
Kaiser-Eoghan
@Aidan: I liked how it explains nothing also and the creature design and how it visual communicates to the audience.
Kaiser-Eoghan
@Aidan: While I won't say anything, a character death is handled in what I considered a schmaltzy manner. There is a particularly headscratching decision the characters make that you'll either rationalize or hate, but it leads to one of the tenser set pieces later on.
Kaiser-Eoghan
@Aidan: Quiet place has a good idea at its backbone, that they use sign language in the film to communicate and occassional whispers adds to it, it and the silence allows for a mood to be effectively communicated. It does have jump scares, I wasn't annoyed by them, but I never felt the film required them.
Kaiser-Eoghan
@Aidan: I read the discord, if you ever need to ask a question relating to film, come to me about it, I will without fail be able to answer 9 times out of 10.
Kaiser-Eoghan
I was adequately amused by the first episode of wotaku, but found the male lead funnier, which I'm attributing to him be more deadpan.
Lenlo
We found a convient weekend for everyone
Kaiser-Eoghan
*watching
Kaiser-Eoghan
I would also float the idea of recommendation podcasts every now and then.
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Featured Posts

Steins;Gate 0 – 2 [Epigraph of the Closed Curve -Closed Epigraph-]

9 years. It has been almost 9 years since the original season of Steins;Gate. Since Okabe overcame received a mysterious video message, which prompted him to finally save the day. Back then it was a rather clever, if thin, plot device to get a happy ending. Steins;Gate 0 is the story of this video message. […]

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Megalo Box – 2 [The Man Only Dies Once]

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Darling in the Franxx – 13[The Beast and the Prince]

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Fate/Extra Last Encore – 08-10[No Second Strike ― Dead End ― /Golden Theater of the Deranged ― Aestus Domus Aurea ― /Unlimited――― ― Unlimited/ Raise・Dead ―]

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Darling in the Franxx – 10-12[The City of Eternity/Partner Shuffle/The Garden Where It All Began]

Three episode coverage this week as many things got in the way of my casual blogging, the much late preview being one of them. I must say that the last few episodes of Franxx have been quite strong as we have had a string of character development episodes which have really fleshed out the cast. […]

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