Posted on 27 September 2008 with categories: Shigofumi ~ Stories of the Last Letter



Short Synopsis: Fumi still gets bullied, which catches the attention of one of her classmates.
Highlights: Good to see more of this series.
Overall Enjoyment Value: 8/10
Okay, so I’m not sure whether this is THE Shigofumi-OVA, or just a regular DVD-special, but more Shigofumi is always welcome, since the original series was just too damn short. This episode basically tries to involve all of the main characters, and focuses more on fleshing them out, rather than it just being another random case.

The main bullies were a bit stereotypical, but I liked the idea of trying to fake the Shigofumi. Especially that red envelope was a nice touch. This episode also shed some light on where the name Shigofumi came from: it’s another play with numbers: 4(shi)5(go)2(fu)3(mi). I also don’t think that the final two numbers are randomly chosen, as they also spell out Fumi’s name. The first number also makes sense, since “Shi” can also mean “death”. That only leaves the five, of which I’m not sure what that points at.

Overall, while it wasn’t the best episode and a bit unfocused, I’m glad to see a bit more about this series, and especially to listen to this series’ awesome soundtrack again. It’s ironic: this series has a very haunting soundtrack, and yet it has to settle with such a mediocre ALI-Project OP.

Now, where are those Gunslinger Girl – Il Teatrino DVD-specials?

Posted on 22 March 2008 with categories: Anime Reviews, Shigofumi ~ Stories of the Last Letter


Shigofumi is another episodic series that takes an in-depth look at death. At first, it may seem like some strange cross between Shinigami no Ballad and Jigoku Shoujo, but it quickly finds its own style and identity to work with. The earlier episodes mostly focus on random cases, where Fumika, our lead girl for this series, delivers the final memories of a person who just died to his loved ones, while the latter episodes focus on Fumika herself, and why she ended up delivering these letters in the first place.

Shigofumi’s strength is how it’s able to deliver a quiet and engaging atmosphere, with the subtlety of a herd of stampeding elephants. One moment, you’re enthralled by the versatile characters, the next you’re freaked out by some disturbing plot twist that came out of nowhere. The interesting thing is that this series knows fully well how to combine its quiet moments with its eventful ones.

Another strength about this series is the cast of characters. The writers make sure that all the characters are likable before they start playing with them. Especially Fumika turns into a well-rounded character for such a small series. Her development is started early, and not at the semi-final episodes, which seems to be a mistake that many series seem to make.

But yeah, I mentioned that this series has the subtlety of a herd of stampeding elephants. This is in both the good and the bad way. If things seem a bit too quiet, you can bet your hat that a candle will fall over and set a house on fire, just too spice things up a bit, and the entire series is filled with these kinds of plot-twists.

The individual stories basically range from one particularly far-fetched tale of bullying, to very subtle and insightful views on death, and especially the people who have been left by them. Shigofumi definitely has its flaws, but because of this it also has its own identify. You may try, and Jigoku Shoujo and Shinigami no Ballad indeed at first sight seem similar, but you won’t find any series that’s really captured the same essence as this one. If you want a series that’s short, sweet, and yet still packs a punch, then this one could be worth to check out.

Posted on with categories: Shigofumi ~ Stories of the Last Letter


And so Shigofumi has ended. Surprisingly, it didn’t go as I planned. Fumi didn’t turn into a psychotic killer at all, and she instead became surprisingly likable throughout the episode. It’s really sad that this series is so short, as it would have been able to do great things if it was allowed twelve more episodes. Shigofumi really has its own style, and I believe that it wouldn’t run out of inspiration with two seasons. Ah well, in exchange for its short length, it turned into a short but sweet series.

Basically, Mika went back into Fumi for a while and temporarily disappeared, so that Fumi would be able to lead her own life. Fumi, however, had a lot of trouble in her own life, and just wasn’t suited to be transferred to school so quickly. Everyone took pictures of her, she became paranoid, her own mother didn’t want to have her anymore. In the end, when she runs to Mikawa Kirameki’s house, Mika finally appears again, and smacks her for running away every time. While it wasn’t the best ending, it was great to see the “internal” struggle between Fumi and Mika. In the climax, it finally turned out that both of them had their own needs, but were holding back because of the other. Nice. I like it.

But why? For GOD’S SAKE WHY!? Who the heck found it a good idea to suddenly make Natsuko fall in love with Kaname? It comes from nowhere, serves absolutely no purpose, is very badly developed, and turned her entirely character into a joke. I suppose that the writers wanted to add a bit more extra tension, but that rather backfired on them, just like every umpth series that attempts such a freaking twist!

Ah, now that that’s out, I do hope that more series like Shigofumi appear. Series that create their own style, and don’t try to be like others. This really has been a series with its own identity, and even though the plot was a bit boggled up at times, I had a blast watching it.

Posted on 15 March 2008 with categories: Shigofumi ~ Stories of the Last Letter


Ah, of course. Shigofumi wouldn’t be Shigofumi without a deliciously over-the-top finale. What else could you expect for a series with the subtlety of an African elephant? Thankfully, this was yet another terrific episode for this series. I must say that I really had my doubts when I found out that the guy behind Code Geass behind the series composition, but this really turned out to be the perfect series for this guy, especially when the series is directed by a very talented director. They really brought this series to life.

So, basically, in this episode Fumi wakes up. Because of this, Mika wants to kill herself to accept her punishment, so most of the episode shows attempts as the shy Fumi gets kept away from the reaches of Fumi. Obviously, this can’t last forever, and the two run into each other at one point. Fumi then goes through an entire personality-switch when she found out that Mika shot the father she loved so much, and shoots Mika.

Obviously, because of one of the big rules of anime (a character is only dead when confirmed dead, and this isn’t the kind of series to try and diverge from this cliché :P), but still, Fumi is turning into an actual villain! The best thing is that she doesn’t even realize how much everyone has worried about her. And what was her plan at the end of the episode? To actually kill her father for real? And the blonde woman… could she be Fumika’s mother?

That twist with the dog was also nicely found, and it shows that already back then Fumi was more than just the shy and scared girl that Mika came to know. That look on her face when she chased away that dog explains a lot. And interestingly enough, it was that look that caused Kaname to develop his crush on her.

Posted on 10 March 2008 with categories: Shigofumi ~ Stories of the Last Letter


This episode featured a regular case again, and boy, was it a great one! Basically, a guy hears from his doctor that he only has a very limited time left to live, and he ends up spending time with a naive little girl. The creators did a wonderful job of bringing the guy and his anxieties to live. After all, it’s easy to think of what you would do if you only had a limited time to live, but what if this fantasy turns out to be a reality?

This episode still featured the standard Shigofumi-subtlety (that random truck, coming from out of nowhere). Little kids also usually turn very whiny during the evening, at the end of a day out, so where the little girl in this episode got her energy from is beyond me. Still, these details didn’t stop this episode from being a success. It lays an interesting parallel to the desire to fit into society. Look at how the policeman got surprised when he found out that the main character for this episode had no job (which he quit, because it had no point at all).

One thing that the creators did nail perfectly about little girls is their ignorance of death. At such a young age, it’s perfectly understandable that you don’t get why all the adults are getting so worked up about somebody dying. When the main character for this episode died, she didn’t even cry. She just realized that she’d never be able to play with the guy again.

Posted on 2 March 2008 with categories: Shigofumi ~ Stories of the Last Letter


Well… that wasn’t one of the most exciting episodes…

This could be just me, but whenever the major crew of an anime heads off to another resort or hotel, it just feels horribly bland and uninspired. Especially since EVERY SINGLE ONE of these episodes has to have some kind of hot-spring sequence. It’s not necessarily the fanservice that gets me, but the fact that every single episode looks like each other. It feels just like the creators were in a “well, we need one more episode to fill but we’ve run out of ideas so let’s just send the cast off to a resort so that they can enter hot springs”-mood. Such an episode SO doesn’t belong in this series, especially after I praised it for feeling so refreshing!

So, basically this episode was meant to give Chiaki a bit of development, but I feel that it would have been better if it didn’t spend half of its time on pointless chatter. We’ve enough other series for that! It turns out that she too was a normal human, fifty years ago. She was in love with a guy who was about a decade older than she was, and just as the two were about to propose, they got in a car-crash and Chiaki died. Now, fifty years later the guy also finally passed on, and used the Shigofumi to talk to Chiaki one final time. It turns out that she’s always been on his mind.

Posted on 24 February 2008 with categories: Shigofumi ~ Stories of the Last Letter


Haha, this was the best episode of Shigofumi yet. The creators did an excellent job for the episode on Fumika’s past. It was really over-the-top, but at the end you can really understand why Fumika shot her father. I’m glad to see that Shigofumi has found its own style, and kept with it, and it’s a great example of combining calm storytelling with extreme themes.

So, we already knew that Fumika’s father was insane, but there’s more to this story than just that. Her mother immediately divorced the guy as soon as she gave birth to Fumika, and now she’s remarried to another guy and lives in another country. Ever since then, she spent her childhood just with her father. In the beginning, he was really nice to her, though at one point, he started drawing on her, just like what he did in the last episode, but much more extreme. It was his way of getting inspiration for his books, but he was never content with it, and released all his anger about this on Fumika.

It was at this point where Fumika started developing an alternative personality: Mika, while she herself became Fumi. By talking to herself, she found peace between the horrible tortures of her father, and this continued until Fumika went to middle school, and she finally met other people, including Kaname and Kasumi. Meanwhile, though, the abuse continued, and at one point, it was Mika who couldn’t take it anymore to see Fumi being abused like that, and shot her father.

What’s interesting is how Fumi continued to love her father, no matter what he did to her. After her father was shot, I believe that the shock of seeing her father shot caused her to go into coma, and ever since, Mika became unable to contact her.

The question will now be: what do the creators have in mind for the final third of this series? There are four episodes left, and Fumika’s back-story seems to be resolved now. If I had to guess, then the final episode ends with Fumi, waking up again, though I’m interested to see how the creators are planning to do this.

Posted on 16 February 2008 with categories: Shigofumi ~ Stories of the Last Letter


This episode goes back to Fumikas background, as we get to know her father a bit more. Kaname’s meets up with his old school-friend, whose sister seems to be an admirer of Fumika’s father, who turns out to be a famous novelist (his name is Kirameki Mikawa, by the way). The sister also works for a newspaper-company, and coincidentally at the same day where Kaname pays a visit, she got an assignment to interview Mikawa. Coincidentally, at the same day Fumika also gets another Shigofumi from one of his obsessed fans who committed suicide because of one of his books. Yes, this was a tad too coincidental…

Thankfully, the rest of the storytelling more than made up for this. Mikawa is really messed up in the head, which is probably also why his books sell so much. He lives in a really eccentric house, full of glass, and because of the themes he uses in his books, people commit suicide. Apparently, this seems to happen more often, because he seems to have turned burning the Shigofumi he receives as some kind of weird ritual, and I can imagine how you can go crazy because of this as a daughter. I guess then at one point, he did something unforgivable to her, so she shot him. I’m not exactly sure why she ended up in a coma afterwards, but I suspect that the future episodes will shed light on this.

Interestingly enough, because apparently the guy didn’t die when Fumika shot him, Fumika plans to shoot the guy yet again. However, thanks to some meddling by Kaname she loses her gun, Mikawa picks it up, and mercilessly shoots his daughter instead. Now, I really wonder what will happen. She obviously won’t die completely, otherwise we’d have a bunch of very boring final episodes, but the matter isn’t so simple that she’ll either die or keep living. Her Shigofumi-form may be immortal, and just come back to live as long as her body in coma remains alive. It could also cause her coma-body to wake up again.

Those were some pretty interesting camera-angles, by the way. Especially when Mikawa was in the picture, the entire frame became more and more distorted, probably symbolizing his own twisted personality. What would be interesting is an episode, dedicated to the guy’s past. How did he become the famous writer anyway, and how did he find a woman, crazy enough to marry him and have a child? One thing I like about Shigofumi is that although it reminds me of a bunch of other series, it really managed to set itself apart from all the other series with its type of storytelling.

Posted on 9 February 2008 with categories: Shigofumi ~ Stories of the Last Letter


This week, Shigofumi is about a rather extreme case of bullying. The bullies are ruthless in every single way, but this episode is told from a rather interesting viewpoint: from a guy who happens to be in the same class as the bullies, but in the beginning has nothing to do with them. He never takes any action, and finds the bullied guy rather pathetic (which in a way is true. The guy has really gone crazy under the pressure). Then, when the bullied guy asks for his help, he declines, and instead betrays the guy to the bullies (did anyone else think of Kaiji when that beam appeared?). After that, the bullied commits suicide, and the bullies find themselves a new victim in the main character, who now understand how hard it is to be bullied.

Well, I think that it’s clear now that Shigofumi lacks any form of subtlety. It knows how to build up, but it’s interesting how it never tries to go too deep, and instead presents its story quite straightforward. It’s interesting how basically the entire episode says “thou shalt not bully”, and how the symbolism with the puppies was quite straightforward. It kind-of matches Fumika’s approach when she delivers the Shigofumi as well: all that matters is to deliver the Shigofumi, and everything that’s in the way doesn’t matter. I usually like series with a bit more subtlety, but a series with a subtlety like this one also is nice once in a while.

There’s one thing I couldn’t understand about this episode, though. At the end of this episode, we see how the main character stabs one of the bullies with a screwdriver (quite an interesting method to get rid of them), which he posts on a local bbs, it seems. We then switch to a completely unrelated girl, who reads the bbs as well, and seems to get bullied too. She then makes a phone-call to an unknown person and the episode ends. What was that about? Did we meet that girl before? Or was that just an introduction to the next episode? I’m going to assume that it’s the latter.

Posted on 2 February 2008 with categories: Shigofumi ~ Stories of the Last Letter


Yep, this episode yet again showed that this series has the same scriptwriter as Code-Geass. This episode had quite a few small unexplained coincidences that plagued Code Geass, up to the extreme. Thankfully, Shigofumi promises to be ten times better than the former somehow. I think it’s because that this is the only flaw that this series really has, whereas Code Geass was plagued by emo-fests and the horrible nationalistic messages that it tried to shove down the viewer’s throats, among others.

This episode was really mentioned to flesh out Fumiko, and the person receiving the Shigofumi (a cat) took a step back. It worked out really well, in my opinion. We also learn a bit more about Fumiko, before she became the deliverer of the Shigofumi. It seems that she, after killing her father, went into a coma. And now, she’s stuck, delivering the Shigofumi while her real body remains unconscious for years. Her old classmate that we saw in episode three turns out to have confessed to her, though Fumika declined.

It was also quite amusing to see that she hated cats. In that way, she does form a pretty good combination with Chiaki, as it’s clear that both of them try to annoy each other as much as possible. I really liked how this episode gave a new dimension to Fumiko, and how she’s not just that cold girl who delivers letters.

Regarding the case of this episode, it was pretty cute for a old man and woman to try and give their last message to a cat in the form of a key to their old apartment. I like the creativity, and it shows how the original writers were really trying to explore the borders around the Shigofumi. That’s what I like about these case-based series so much. :)

CHANGE USERNAME
silver
I actually have only watched one or two episodes of this season of 3-gatsu, but its rising scores and rave reviews are making me really excited! I've only put it off because it's somewhat emotionally tiring for me
SuperMario
@Kaiser: Well, after the first season of 3-gatsu ended, I did skim ahead to this bullying arc so I already know this is going to be powerful, yet the anime still wow me over and over
Anonymous1637770
Also it can be tricky selecting a season sequel since some old series had like 50 to 100 episodes, what counted as a season then?
Anonymous1637770
@Kaiser-Eoghan - It's more common in videogames (especially Capcom) than in other mediums. Megaman 2, RE 2, Street Fighter 2, Dino Crisis 2, Marvel vs. Capcom 2, etc.
Kaiser-Eoghan
Actually in a rarity, a sequel season is better than the first.
Kaiser-Eoghan
Which makes my enjoyment of sangatsu so strange.
Kaiser-Eoghan
And I generally do not like game/sports orientated shows.
Kaiser-Eoghan
That you slightlySuper-erMario and superwooper!
Kaiser-Eoghan
And my reaction to the show is such, that I enjoyed it enough to make such a huge pot about it.
Kaiser-Eoghan
Also I want Akari to be my mom and Hina is adorable without being annoyingly so and Kana Hanazawa is doing a good job voicing her.

And whoever said it is right, the op/ed songs are worth listening to, for once I’m not skipping them.
Kaiser-Eoghan
At this point it feels as if by the end of the series I’ll come off it thinking that I don’t want to say goodbye to these characters.
I don’t think as of just yet it complete lives up to honey and clovers legacy though.
Kaiser-Eoghan
I never cared about Harunobu initially, but recent episodes have changed this.
Dull parts of the manga are easier to get through for me in the anime due to Shaft elevating the material with one of the better uses of their visual gimmicks.
Giving the series another chance, even though I won’t fully embrace the humour, it does now and then manage to make me laugh a little.
Kaiser-Eoghan
The bullying arc centering on Hina and the shows treatment of it is better than most anime bullying stories and has provided the most emotionally rewarding aspect of the show.
Characters that are assholes like Kyouko’s boyfriend, Kyouko herself I’m finding somewhat more sympathetic and want to see more to their personal drama.
Kaiser-Eoghan
However I do genuinely think that the series does a good job of allowing dramatic moments to creep up on the viewer, that early scene of Hina crying over her mother, Rei’s family flashbacks, Akari’s concerns about Hina/the stuff with her dad, all the scenes with Kyouko do carry an effective and solid dramatic weight to them.
Kaiser-Eoghan
I feel it starts very strong, making a great first impression, then kind of has these dull moments that make it sort of a slog at times to get through, unfortunately I have no interest in chess/shougi and no knowledge the show tries to give me is going to stick or allow me to embrace that.
Kaiser-Eoghan
Through jumping back and forth between the anime and manga, I can say I have no caught up to where I will now watch March comes like a lion on a weekly basis.
Anonymous1636224
The blood of the innocent will flow without end, mmmmmm this is why I love Inuyashiki
Anonymous1636224
Mmmmmm the suffering of all those innocent people feeding his God boner, this is why I love Inuyashiki
Lenlo
Oh yeah, thats not a knock against it. Just noting they dont *need* much animation
SuperMario
Well, the nature of Mahoutsukai is slow-burned, so it makes sense they focus more on static, quiet moments
Lenlo
Was that blade 2022 thing supposed to be an example? Because I wasnt a fan. It was stylish sure, but difficult to follow.
Lenlo
Maho is a good looking show, I wouldnt call it a great animated show.
Lenlo
The issue for me is, theres just not alot being animated most of the time. Usually its a pretty slow moving anime, so most of its time is talking and still shots. It doesnt need alot of animation, so it doesnt have it.
Lenlo
@Niel, I think Mahoutsukai can have good animation when it wants to. Like the water viel in episode 10 looked good (Though im not sure how much of that was after effects)
Anonymous1635607
uhhh creepy
Anonymous1635589
the blood of the innocent will flow without end, mmmm this is why I love Inuyashiki so much
Amagi
I think the security is the same as here, it's just that Japanese people are less likely to rip stuff (correct me if I am wrong). It seems like ripped anime, manga and so on are basically always uploaded by Americans, Chinese people or someone else.
Kaiser-Eoghan
I was surprised heavens feel was camripped I thought security in japanese theatres was stronger.
Amagi
Yeah it's also screening in Germany, I will watch it in February, together with Heaven's Feel, Mutafukaz, Kimikoe and a few others.
Kaiser-Eoghan
*on Europa cinema
Kaiser-Eoghan
Nanoha new film to screen next February in the US, come in Europa license it for over here dammit....
Kaiser-Eoghan
Did have some down moments though.
Kaiser-Eoghan
And I guess contrasting Luke with his old self goes some way.
Kaiser-Eoghan
Saw the preview screening of the new star wars, still feel the new trilogy stands inbetween the originals and prequels, fufills its duty as a *** star blockbuster , some genuinely hilarious high camp moments, awful tokenism, Snoke is a shit villain, but two scenes with Luke actually have a pathos to them and I liked the chase/action scenes when they happened. Nobody cares about the acting/dialogue
AidanAK47
But there are times when it goes way too far and you can barely make out what is even supposed to be happening. Or characters go so off model that they are unrecognizable. It can be immersion breaking. Much like uncanny CGI.
AidanAK47
@Niel, I do agree that it's annoying to see people complain about animation when they clearly have no idea what they are talking about. Like those inbetween frame screenshot people. But I will say I appreciate on model characters more so than chaotic movement. When the off model stuff suits the tone of the scene like that blade runner part, then it's fine.
niel
I also don't want to see someone imply visual=animation for the hundredth time. Are people really that ignorant of the technical/artistic aspect of the media they consumed?
niel
It just depends on what works best in given scene and the aesthetic they want to go for. People can complain all they want about off-model stuff, but if they really only want that the they won't be getting nearly as much of those impactful scenes as there are now. So many of the ways people complain about it is really irking to me.
niel
normal/low action scenes is different from being on-model during the action sequences and just the ones that need some extra impact in general. https://youtu.be/rrZk9sSgRyQ?t=6m45s
niel
But that depends on the situation though. And I'd argue that being consistent and on-model during
Kaiser-Eoghan
@Vonter/Niello/Mario: Ideally I want it both ways, fluid animation AND consistent model visuals, all the while never sacrificing choreography.
SuperMario
But really, who am I to say. I'm the dude who prefer beautiful shot composition myself
SuperMario
The same can be said with Shinkai's movies since he always prefers static, beautiful shot that people tend to overlook that his animation is quite poorly handled
Vonter
You're right, but art direction does alleviate limited animation, I mean the old Berserk anime, kinda has a lot of slideshow moments. MahoYome has nice backgrounds, and despite the samey faces, at the very least doesn't come from the same mold as other series. Still cutting corners with chibi segments is was a mistake.
SuperWooper
Is it any wonder that people prefer things to be static/on-model? They want to see characters who look consistent and familiar so they can relate to them.
Nie
MahoYome being the biggest offender of people getting triggered to any kind of statement about the show's animation not being good. And it's absurd because the show's animation really isn't great at all. It's good with distracting people with pretty pictures, but animation-wise it's still mediocre.
Nie
@SuperMario: Not much. Just stuff like "Art is part of the animation weather it's beautiful backgrounds or just amazing looking characters. It's not all about how they move. If it was, CG would be considered great animation" multiple times. I've just been finding myself being replied with these kinds of comment non-stop since the start of the season.
SuperMario
@Niello: What happened exactly, if you don't me asking?
Nielllo
If I hear someone says AMB has good animation one more tie I might actually lose it. It's amazing how people who apparently know nothing about it try to defend this and other people who don't know anything are actually supporting the guy.
Niello
So with Fate Apocrypha episode 22 out, I'm just now learning that people think webgen style is horrible and they prefer static scenes with pretty visual over actual quality animation. WTF. I can't comprehend this. Are casual people who watch animation in general really that oblivious to the art they have been watching?
Lenlo
Berserks Dynasty Warriors style game looked better. Also, Mahoutsukai should be up tonight/tomorrow. Turns out, Christmas is a busy time of year at this job.
Amagi
*worse
Amagi
Especially when you consider how good CGI can be by now, look at Houseki or Kado. But Berserk was the worst thing I saw in years, many scenes felt worst than sequences of PSX games
Amagi
@SuperMario: Same. I love Kon and also consider Paprika's OST as the best. @Lenlo: Me too. I honestly even enjoyed the movies but the new series was atrocious
Lenlo
HIRASAWAAAA! HAAAAAI YOOOOO.
I miss the 90s Berserk.
Kaiser-Eoghan
I was also quite fond of his soundtracks for Berserk. AIIIIIYE FORCES : https://www.youtube.com/watch?v=NkYYYew8CUI
SuperMario
@Amagi: I'm a big fan of Kon so I've watched everything from his. Even bought a book about his works. About the soundtrack, I listened to them as well but not regularly, compare to pprika OST which I downloaded and listen to a lot
Kaiser-Eoghan
Although not completely a manga, Usagi yojimbo also has an anthro character.
Kaiser-Eoghan
Millennium actress is partially inspired by the actress Setsuko Hara.
Amagi
@Kaiser-Eoghan: The anthro-animal manga is even a topseller as far as I know. Haven't looked into it yet, though. Maybe I will do so.
Amagi
Speaking of it, I am still hoping Dream Machine will happen some day. Kon died believing it would happen
Amagi
@SuperMario: Have you tried the other Kon movies like Millennium Actress once? Thought they were really good and Hirasawa is responsible for the OST there too. Or Paranoia Agent which was (IMO) very good as well https://www.youtube.com/watch?v=0nttSKBJ38k (OP)
Niello
Eoghan: Enjoy... ;)
Kaiser-Eoghan
While I haven't read this, its very strange to see a manga about full anthro animal characters: http://kissmanga.com/Manga/Beastars
Kaiser-Eoghan
@Vonter: So based on that I will try devil lady. Thanks.
Kaiser-Eoghan
@Vonter: That'd be me who made that post. I thought dororon enma-kun was wonderfully ridiculous and Devilman gorishly entertaining, Shin Mazinger Z was probably some of the most fun I had with an anime, but violence jack took it way too far though so I guess I'm aquainted with nagai's work
Vonter
I don't remember who was looking for something noir in anime. I was looking among several series from Go Nagai. And watched some Devil Lady. I don't remember if noir is exclusively detective stories, but this anime, has those high contrast shadows, eerie music and is shot like some japanese horror movies I've seen. I don't know if it changes along the road but so far it's very suspenseful.
SuperMario
I only know him through his works in Berserk and Paprika but his music never fails to amaze me
Anonymous1626471
@Amagi: Ghost Bridge is my favourite. I just find it very calming. https://www.youtube.com/watch?v=aeh5aJsxlbw
Amagi
Susumu Hirasawa is one of my favorite musicians/composers. I don't even know what kind of subgenre this is. There aren't any other music groups I know who do similar stuff
Nielllo
@Mario, Already saw that video before.
SuperMario
Check this out... I don't even know what the freaking instrument he's playing, but it's spellbound https://www.youtube.com/watch?v=PjalQjAomH0
Niello
Just when I thought Houseki no Kuni took the prize for best animation I was treated with Apocrypha. This week is amazing.
Niello
Big name animators all over. They really threw everything they've got here.
Niello
Woooooah! OMG Apocrypha ep 22 animation is sick! So that's why the animation in the first half of the show is so lackluster and basically just darn awful.
Kaiser-Eoghan
Its not entirely odd to bring up Heydrich in relation to the occult either, apparently he was said to be part of some whackjob order.
Kaiser-Eoghan
Hmmm, that girl from Dies irae, Anna Schwegln is aptly named, also shares her name with the last executed person for witchcraft, who was Bavarian German, which i'm told by an Austrian friend were particular right-est leaning politically.
Kaiser-Eoghan
Of course unfortunately its often the opposite that happens, nothing is worse than an ending that ruins everything.
Kaiser-Eoghan
Ah, how I love being surprised by something. That feeling where you''re watching something shakily held together, simply okay or good, then suddenly in the second half or last stretch your score of it goes massively up.
Kaiser-Eoghan
I can kind of understand the wanting to go home and watch something easy mentality instead of challenging but even though I'm guilty of escapism, I'm tired somewhat of "sillier" stuff, its often enjoyable but its get overly reptitive and I wish I could find more philosophical/political/imaginative things.
Amagi
Yeah the show is great because of its theme, the setting and chemistry girls have as well as their (lack of) knowledge about basic human things. Each episode thematizes this in a different way but there isn't much you can talk or say about it when you already explained the topic in detail.
SuperMario
On the other hand, I don't have much to talk about Girls' Last Tour this week. It's still good, but with this episode I feel that I'm running out of concrete thig to say about the show
SuperMario
Haha both Houseki and 3-gatsu have a good showing this week. I have a lot of things to talk about Houseki in particular
Amagi
This week's Houseki is jurassic park
Amagi
*-ati - I think Netflix and so are at least giving a few new impulses which isn't too bad. I don't think the typical anime series will disappear because of that.
Amagi
At least in comparisation
Amagi
I think it's just sad how often I see wonderful series selling 500 BD/DVD or maybe even less. Most series don't sell more than 1500 or so and the rest is usually at ~3000-5000 which is still pretty low.
Amagi
Yeah, it's one of my pro-Netflix arguments as well. Another problem is that anime (not counting manga) only make money through dvd/bd sales since they air at night, whereas Netflix or daytime tv series don't depend on the latter so much and since anime BDs are so expensive the only ones who buy them are the more extreme fans.
AidanAK47
Might be in part due to the workaholic nature of their society that makes escapist fantasy and empty entertainment more appealing than usual. Ultimately these are the people anime is made for so opening up the markets gives more deserving shows a fighting chance.
Though that isn't to say that western taste is perfect either.
AidanAK47
@Amagi, That's part of the reason I think some westernation might be a good thing as from what I seen the Japanese have truly terrible taste in anime. Sales charts from Japan just make me shake my head.
Amagi
God, the preorder anime lists are atricious. The only one that seems to sell acceptable (around 6k) is Mahoyome. Series like Inuyashiki have 80 pre-orders so far, Shuumatsu Shoujo 977. Idol shows sell good of course, including that male/bishounen Idolmaster
AidanAK47
@Anon, I read it but kinda fell out due to it's releases being slow.
Kaiser-Eoghan
@Anon: Actually if you check the manga recommendations section, you'll see there is a post about it here.
Kaiser-Eoghan
@Anon: Yes, it was interesting to follow a story that dealt with a characters homosexuallity that was outside of the yaoi/yuri mould.
Anonymous1620968
Out of curiosity, has anyone on here read Shimanami Tasogare?
Niello
Where are we up to with Inuyashiki?
Lenlo
Well alright then. Episode 9 out of 11 and that happens. Was not expecting that
Lenlo
Ooo something happen this week? Im about to watch it
Kaiser-Eoghan
It feels just as rushed and awkward in the manga.
Amagi
I noticed this too
AidanAK47
Inuyashiki has balls of steel to pull that in this particular episode number.
Nielllo
Finally got around to reading Helck, and it looks like it's going to go into that pile of good-shounen-that-won't-ever-get-animated right alongside Psyren.
Kaiser-Eoghan
@Aidan: Imagine trying to buy the dvds of the show in public.
Kaiser-Eoghan
@Aidan: Gentle remind that the prism ilya movie is out and subbed.
AidanAK47
Still surprised the second and third seasons got dubbed.
AidanAK47
@Angel, I replied to one of your comments before but the rundown is no official word yet but maybe next year.
Angel
Or no? Someone please tell me!!
Angel
Going to happen?
Angel
Is fate/kaleid liner prisma☆illya 3rei dub
Amagi
I dislike it when manga bait me into reading due to the first chapter and end up being some very generic stuff afterwards. Nobody stays for B if he started something for A, authours should expect that.
Lenlo
Really, Juuni should stick with the 3D. That fight in ep 9 looked pretty good. 3D is clearly what they are good at
AidanAK47
@Niello, It's not Chatango. It's a plugin for wordpress called Wisechat.
SuperMario
@Niello: yeah, Juuni caught me off guard this week. The production of Juuni is unfortunately shaky, but well, strong writing can save the day
Niello
Btw is this chat still Chatango?
Niello
This week episode of Juini is surprisingly good compared to how the show usually is with its backstory. Although the part where Ox tries to explain to Tiger could definitely use some visual buff.
SuperWooper
in the future*
SuperWooper
Pretty cool that Juuni Taisen had that kind of emotional heft this week, though. Might be one of the 2017 shows I sample the in the future.
SuperWooper
I think the occasional comments with an episode title and nothing more come from people who mistake the shoutbox for a search bar.
SuperMario
@Anon1614688: juuni taisen... made me tearing up this week. Honestly didn't expect that. Damn you, Tiger
Anonymous1614688
juuni taisen
Amagi
Had some complaints regarding Children of Whales but the latest two episodes were pretty good.
Amagi
@Anon: You explained it better than me.
Anonymous1614307
Kaiser: I actually have the exact same opinion of Natsume and Mushishi. Both are excellent, but Natsume just does a great job with a small core cast and a very simple premise
Anonymous1614456
who likes naruto
Kaiser-Eoghan
Mushishi does have good stories, but it was always a manga I'd dip in and out of, on and off for years, never marathoning it, wheras Natsume was easier to read several chapters of in one go.
Kaiser-Eoghan
I think its because Natsume has more pathos.
Kaiser-Eoghan
*more than
Natsume weirdly ended up becoming this comfort manga for me with a higher consistency rate .
Kaiser-Eoghan
I will state that I hold the terrible opinion that I like Natsume Yujinchou than Mushishi but at the same time completely recognize that Mushishi is probably the more ambitious, better show.
Niello
So it becomes a cycle of "this is an interesting set up" (except that the new Kino isn't even good at that) and then they fucked up or Kino/Shizu fucked them up even more, then move on. Without the emphasis on philosophical nature of the set up they present like in the original Kino, there really isn't that much point to it.
Niello
With the new Kino it's more about messing people up, occassionally observing and hardly ever improving. The anwsers or solutions to the problem they present is never really talked about in a rational way.
SuperMario
@Anon1614318: maybe you should give the old Kino a try. What I don't like most about the new version of Kino is that both Kino and the new guy are sketched as hero. The old Kino manages the tone right as well. There were some really dark tales and most of them thought-provoking. Can't say the same for say...Country of Cooking
Anonymous1614318
I don't know, it might be interesting to actually dig deep into the differences between episodic series with this kind of style to see what works and what doesn't.
Anonymous1614318
I guess it's a matter of the chapter they chose to adapt were not really the better ones but the ones where the protagonist is more of an active role. Not totally against that, but it feels like the protagonist is just OP all the time. At least with Mushishi Ginko isn't able to save everyone all the time.
Anonymous1614318
I guess it's supposed to be more allegorical, but most of the time the allegory is not really meaningful enough. I thought it would be more along the lines of Mushishi, which is kind of similar in setup, but better in most other ways.
Anonymous1614318
What keeps me sticking around are some of the nice background arts and generally pleasant use of color, but admittedly most of the episodes aren't really engaging in a meaningful way. Most of the time its just Kino/Shizu show up, find out town's gimmick, then save the day. I prefer the episodes where the townspeople are more than just flat background characters.
Anonymous1614318
It's interesting to see how this new Kino season is being received from folks who've already watched the original. This is my first real exposure to Kino, and I kind of like it, but even without watching the original, I share many of the same complaints Aidan and most of the others have.
Amagi
I am also kinda sad he's just some 2* servant in fgo, but his power is special and he's physically weak, so it's understandable.
Amagi
And again, Shakespeare is just great but the character is, sadly, kinda wasted here considering how much screentime he has.
Amagi
@Aidan: Yes. Plus, maybe more characterization or background for some servants. The anime would have that time without Sieg and his romance sub plot.
AidanAK47
@Amagi, Those being remove Sieg and more Shakespeare?
Amagi
And man Apocrypha is pretty good but it would be twice as good if it had those two changes Aidan always mentions in the reviews..
Amagi
@Kaiser: I think the male in Kino was a mistake. Having two PoV sounds good, but he's basically just a male Kino, he even looks like her. Someone vastly different would have been way more interesting.
Kaiser-Eoghan
I'd guarantee that sangatsu no lion would be high up, but FINALLY this weekend I'll be catching up.
Niello
@Kaiser, Ugh my phone gitched. What I meant to say was that background was unexpected. Now I see why you're enjoying CotW though.
Niello
@Kaiser, That's unexpected.
Kaiser-Eoghan
I enjoyed how outright surreal Arakawa was.
Kaiser-Eoghan
@Amagi: It bothers me that they're stuffing multiple tales into single episodes.
Kaiser-Eoghan
Ah, excel saga, I wonder what I would think of it now, its been years.
Kaiser-Eoghan
@Amagi: I actually respect Aidan's coverage of it.
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Featured Posts

Juuni Taisen – 11 [To Treat a Man to Beef From His Own Cow]

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