Posted on 27 December 2010 with categories: Anime Reviews, Shinrei Tantei Yakumo




Bee-Train’s installment for 2010 is called Shinrei Tantei Yakumo, a 13 episode series about a psychic detective who can see ghosts. Lacking their usual director, Koichi Mashimo, the characterization is not as good as we’ve come to expect from them, but there still is a lot to like about this series.

Let me first put a few disclaimers here though, because this isn’t the most accessible series. First of all, despite the “Tantei”-part of the title (tantei = detective), don’t expect this to be a murder mystery: it isn’t. The culprits are often immediately revealed without really giving the audience the time to speculate wht happened. The mystery of this series instead mostly lies in its overall story.

Second of all, adapations whose stories don’t exactly fit within either 13 or 26 episodes nowadays often have slow paced beginnings and rushed endings. Yakumo is completely the opposite: it rushes through its first chapters, just so that it can take its time with the final two arcs of the story in which everything comes together.

So the first half of this series basically consists out of random stories for every episode. The pacing is really fast and some things are rather rushed in order to get everything to actually fit within twenty minutes, but overall these stories work surprisingly well. They’re especially good a using their own build-up and almost all of them end with a neat and interesting conclusion.

The main story that pops up in the second half is actually very interesting. The show boasts a number of very interesting characters (another plus point is that this is one of the very few series of the past season that isn’t about teenagers and actually make suse of it), with some badass characters that are very likable to watch. The show can also boast a neat cast of major villains here, who really are built up as a menacing bunch with a very interesting backstory. The voice actors meanwhile are good, yet composed, so there is none of the usual annoying overacting. There however are a few characters that can get on people’s nerves. Most notably Haruka, the romantic interest, but she’s far from the worst of her kind.

With 13 episodes, the characters aren’t as deep as your usual Bee-Train series, but they are great nonetheless. I especially loved the way in which the second half interweaves all of their stories together, and there is quite a bit of good development in this series, both for the main characters and the side characters.

The music this time is compoed by the relatively unknown RON, who deliver a great little soundtrack that is surprisingly varied. There are a ton of great tracks that the creators use really well, and this show just continues to introduce new ones. The character designs are simple, but the inbetween animation is quite good.

Overall, Yakumo is another series that went a bit under the radar this season (despite the HUGE hype leading up to it) but this is quite a good series to watch, even for some people who usually don’t like Bee-Train’s really slow sense of storytelling, because the pacing of this series is much faster than their usual series. Just be aware of some sloppy and rushed storytelling here and there.

Storytelling: 9/10 – A bit rushed and lacks attention to detail in the beginning, but makes up for it in the way that it manages to weave its different stories together and how well it uses its own build-up.
Characters: 9/10 – Great and diverse cast of well developed characters, there are plenty of strong and likable characters around. And a few that are hard to like, though.
Production-Values: 8/10 – Great soundtrack, decent animation, unremarkable art.
Setting: 8/10 – Seeing spirits is nothing new, but this series does give a fresh spin to it.

Suggestions:
Madlax
Soultaker
Matantei Loki Ragnarok

Posted on with categories: Shinrei Tantei Yakumo



That turned out to be a very nice little ending. It’s far less exciting than I expected, but it formed a very good conclusion to the series. Unlike the rest of this series, nothing was rushed about this episode at all.

So the plot of the bad guys was indeed to try and get the ghost of Yakumo’s father a real body. For that, they needed him in despair and that’s why all of his family members were killed. Miyuki Nanase indeed shot Gotou, as the final straw. The way in which things eventually got solved is a bit weird, yet interesting. It’s not like some deus ex machina suddenly makes the villains incompetent or stupid: their plan just failed. The reasons why exactly are a bit vague, but Yakumo simply refused to give into his despair.

In the end, the villains probably waited for too long to inhabit Yakumo’s body: it would have been much easier to drive him to despair while he was still a teenager (but then again, I think that Yakumo’s father was too much focused on acquiring an actually good vessel, and not a teen-aged one which I can somewhat understand). They tried to make him into a broken character, but in the end Gotou, Isshin and Haruka pulled him out of it. It’s cheesy, but this is one story where the power of friendship is actually quite acceptable to be the final twist. It could have been better, but it also definitely could have been worse.

I also really like that the creators really took their time for the epilogue. I’m not sure how Gotou wasn’t hit at a vital spot, but at least he does spend quite a bit of time at a hospital. Isshin however… actually died. It’s a great idea to base the epilogue of this series around his funeral, it’s a perfect way to close off the series.

Overall, Bee-Train’s series usually last for two seasons: that really gave them the opportunity to come with some really great plots and characters. With just 13 episodes however, Yakumo actually gave a very good attempt. It’s nowhere near Bee-Train’s best, I really noticed that while watching Madlax, but it’s still very good. I’m really thrilled for 2011: not only will Koichi Mashimo return, but he’s actually going to do a series of 39 episodes. I’m really glad that after 2010 that had so few series that dared to be long, 2011 finally is showing series again that go beyond 26 episodes.
Rating: ** (Excellent)

Posted on 20 December 2010 with categories: Shinrei Tantei Yakumo



It’s the penultimate episode, and a series that once was so incredibly fast paced here really takes its time to deliver its story properly. The result is one of the quietest episodes of the entire series. It’s going to depend entirely on the final episode whether its time was well spent. The main event of this episode was that indeed it wasn’t Yakumo’s father who stabbed Ishii, but instead it was the father of that little girl he talked to. This guy really is quite the interesting villain, doing everything while dead and only able to talk and influence people. In terms of the side-characters, I especially liked Gotou. Throughout the entire series, his dialogue and voice acting has been consistently snarky and amusing.

Unfortunately, this episode ended with the infamous “let’s nearly kill someone right before the final episode”-cliffhanger. That’s a bit of a bad sign as most of the series that pull that twist only use it as a cheap gimmick instead of making it really part of the ending. Again, it’s all going to depend on that final episode and whether they can portray it well. The problem is that Nanase Miyuki has been built up as pretty much the strongest and most professional character of the entire series. If she manages to miss Haruka (or whoever she intended to shoot), it’s going to ruin her character.

In any case, Bee-Train have usually worked with famous composers, such as Yuki Kajiura, the ALI Project and Kou Outani. I really like that this time, they went with the relatively unknown RON, and pretty much allowed them to put all kinds of creativity in the soundtrack. This episode premiered a ton of new tracks, all of which worked wonderfully well. The only soundtrack they did previously was the Kurenai ED, which was generic J-Pop, so I’m really impressed by what they ended up delivering when they moved out of that genre.
Rating: * (Good)

Posted on 13 December 2010 with categories: Shinrei Tantei Yakumo



In a season in which so many adaptations are heading towards an incomplete ending, Yakumo feels incredibly refreshing. This is EXACTLY what I mean by proper build-up!

These are the kinds of stories that make perfect use of their build-up, rather than either doing the same thing over and over again, or just failing to do anything with it. Koichi Mashimo has always been terrific at this, but with this series, it’s awesome to see that more and more people are walking around in bee-Train who know the ins and outs of Bee-Train. That’s pretty much the thing that made me a Bee-Train fan, and why I don’t mind their slow pacing at all. Their music is of course amazing, but what really sold me on them is how well they manage to lay out their series in terms of the big picture. There are exceptions, of course, like Blade of the Immortal (way too short!) and .Hack//Roots (tried way too much and shot itself in the foot by that), but the vast majority of their series come together wonderfully in the end. While not a Bee-Train series, the anime that really showed me that was the Irresponsible Captain Tylor that I watched a week ago. With Yakumo too: instead of focusing for too long on the boring stuff of the manga, they really wanted to rush through that in order to do the great parts of the manga justice and that’s working wonderfully so far.

The “death right before the finale”-trope has been used often enough before, but I really like the effect that this had on both the characters and the plot. At first I thought that Yakumo’s uncle’s message that he’s going to die of cancer was just there to instill some sympathy. Instead, it caused him to just throw away his life in an attempt to try and talk to Yakumo’s father (who is turning into a more and more interesting villain, by the way). The result is that he’s now in a coma of which we won’t know whether he’ll wake up or not.

A lot of time really went into the repercussions of this, and especially the two people on which his coma made the biggest impact: Yakumo and Noa. Especially Noa was just amazing to watch, having her father in a coma at such a young age, and I loved how everyone tried to help her here. Yakumo meanwhile just sat at the same place. He’s no child anymore, but at the same time this is the second time at which he’s about to lose the most important person in his life.

At the same time, the plot also really moved forward here, with Nanase Miyuki suddenly getting attacked by Yakumo’s father, and more and more people finding out that he’s actually a ghost. This episode really showed many different scenes of different people together, and that gave it a very interesting dynamic here. There are two episodes left, and I can’t wait for this one to end.
Rating: *** (Awesome)

Posted on 6 December 2010 with categories: Shinrei Tantei Yakumo



A lot of series will be ending at the end of december. The ending I’m looking forward to the most however is Shinrei Tantei Yakumo, closely followed by Shiki. The current (and probably final) arc has only just started and already it has delivered some amazing twists. Just think of how everything is going to come together in the end. I’m also the least worried of a rushed and incomplete ending, exactly because how the past episodes made it clear that they rushed the first half, exactly in order to avoid this problem.

The previous arc really cemented Miyuki Nanase as a bad-ass, and yet here this episode comes and also labels her as flawed when she completely unexpectedly gets caught. Not through some overblown car chase by one of the lead characters, but instead she gets cornered by regular patrol cars. Finally another series comes along that completely busts the “police are useless”-trope. To make things even more interesting, it’s heavily implied here that the main villain… is already dead. Again: why does this guy have such a grudge that even in the grave, his soul still continues to haunt Yakumo. On top of that, this makes Miyuki Nanase even more awesome, considering how just about everything in the previous arc was her work.

meanwhile, it’s good to see that finally there is another man who is about to die from a terminal illness, breaking the “women get sick really easy”-trope, and yet this isn’t a simple reversal in the way that the creators introduced that little girl whose future is also looking pretty bleak, balancing things out. In any case, the creators gave Yakumo’s uncle a very good portrayal. He was bleak, yet things didn’t get too sappy. Same with Yakumo’s baby pictures (nice touch to his character, by the way) that finally showed Yakumo some of the good sides of his mother again.
Rating: ** (Excellent)

Posted on 29 November 2010 with categories: Shinrei Tantei Yakumo



Again: I’m baffled here. We all know that the first episodes had problems due to being rushed and all. And so here this episode comes with the main plot of this show and it suddenly becomes incredibly solid. Seriously, this episode was amazing in both its plot and atmosphere, and showed more than ever that Koichi Mashimo isn’t the only big talent that’s walking around in Bee-Train.

I’m really impressed by the plot here, and especially how it focused on just about everyone here: both the main characters and the villains. I just love how this episode tied everything together, the plot is both disturbing, imaginative and deep. And I really have to admit here: the bad guys in this series kick ass. They don’t just look evil, their actions really pack a punch here, from the trauma they inflicted on Yakumo’s mother by first raping her, murdering her boyfriend and then getting her to kill her own son, to recruiting little girls by having them kill off their own family. I also love the subtlety with which Yakumo now remembers his past. He’s obviously silent and introvert, but it’s not like he’s angsting over it either. I also really liked how he as a kid didn’t really like Takeda Shunsuke, and only much later found out that he was dating his mother.

Now, the one point at which I have criticisms of this episode was the way in which Gotou suddenly arrived at exactly the right time behind Miyuki Nanase, but I’ve seen far worse coincidences: Takeda Shunsuke made sure to tell everyone the location of Yakumo, with Gotou using a car with a bit of a delay, he could catch up to Haruka who took the train.

Speaking of which, Haruka again just ran into a situation unprotected, even though Takeda Shunsuke advised her to stay, but for once her actions make sense here: she was being targeted by Miyuki Nanase, and hiding would have actually worked against her favour: Miyuki would have easily captured her, just going to Yakumo would have saved Miyuki the trouble of dragging her over to Nagano, which is why she was left untouched. The way Miyuki was defeated may perhaps been a bit of a cop-out, but really: it was the only way. It’s already been established at this point that she’s completely badass, and that there’s no way that she would have lost in a real fight.

Also, what the hell was up with the animation in this episode? I mean, that’s not Bee-Train. I mean, smooth frame-rates are one thing, but there were tons of shots in this episode which had completely fluent movement, with more frame-rates than I’ve probably ever seen in a Bee-Train series. That scene in which Nanase told about how she murdered her parents was also just amazing: there was a TON of style within just those thirty seconds.

I now understand what this series is doing, and why the first few chapters were so incredibly rushed: they were simply trying to go through those chapters as fast as possible, so that they could put more emphasis on these final few episodes. You know how a lot of series waste too much time on their introductions, so that their endings get rushed? Denyuuden is a good example of that at the moment: it’s currently amazing, but it did take sixteen episodes with a lot of boring build-up to get there. That’s what the creators most likely wanted to avoid here, so for that they had to sacrifice some first impressions due to these rushed chapters.

The current Autumn Season wasn’t the best one for the reputation of series that feature adults as main characters, with Iron Man, Togainu no Chi and Hakuouki with their cheesy stories and characters and in a bit less of a way Panty and Stocking and Arakawa who have their minds in the gutter and riverbed respectively, but at the same time I really appreciate how there still are series like Otome Youkai Zakuro, Kuragehime and Shinrei Tantei Yakumo that try to come with mature storylines that aren’t chockful of teenaged antics. They may have a few cliches, they may be a bit rushed, but they really are the proof that anime hasn’t entirely been taken over by whimsical teenagers.
Rating: *** (Awesome)

Posted on 22 November 2010 with categories: Shinrei Tantei Yakumo



A building up episode, but nevertheless a really solid one. It’s here where we finally get to see the “mystery”-part of this series, because the entire episode was full of twists and revelations to spice up this arc. It’s a bit weird at times, but that also gave this show a bit of a charm. Yakumo’s past suddenly got a lot more intriguing here, and I’m beginning to see what the creators were building up for here.

It’s also an episode who completely removes some of the key lead characters: Yakumo only appears in one shot, while Gotou is nowhere to be found at all. I like these kinds of episodes, as they really give the side-cast their time to shine, and in this episode they really show that they’re more than a useless bunch. Especially that wimpy detective gets some background and development and also Haruka was very different from back when she still got kidnapped every other episode.

I do have to wonder which police office keeps secret files hidden behind a toilet, of all things. This episode also returned to the quick-fire pacing of this series which feels like the creators tried to stuff a ton of material into just twenty episodes. Again though: it works. You can say a lot about this series, but it definitely doesn’t drag on.

The fact that Yakumo is the child born off a rape victim makes a lot of sense in the story, and only ends up making that bad guy even more of an asshole, establishing him now as an uncaught rapist. It’s still a complete mystery about what he’s planning to do with him though, but it probably involves the spirit seeing powers that he has. The bond between his mother and Haruka’s mother is a bit coincidental, but on the other hand, it’s entirely possible for Haruka’s mother to send Haruka towards Yakumo. I doubt she knew about the extent of the practices that Yakumo was involved in, and instead probably tried to prevent Yakumo from really losing his way.
Rating: ** (Excellent)

Posted on 15 November 2010 with categories: Shinrei Tantei Yakumo



Holy crap, that was awesome! What the hell happened here? This show suddenly starts building up its main story, and then it delivers by far the bets episode it ever had. I wasn’t really expecting much from this series other than its great music, style and atmosphere, but damn: this episode pushed a ton of right buttons. Not to mention that the soundtrack surpassed itself. Yet again.

The biggest part of why this episode was so awesome was because it introduced us to the two most bad-ass women of the entire season. I mean, I was aware that Bee-Train had something for strong female characters and all, but even for those standards, Nanase Miyuki and Miya both were awesome in this episode in completely different ways, though their similarity is their professionalism. Miya is just… I love her voice actress: the way that she’s just so serious, and yet she doesn’t try to add in anything more. Nanase Miyuki meanwhile was who most of this episode focused on. We had never really seen that much about her: she just kept standing next to Yakumo’s father, but that’s all she did. In this episode she finally comes into action, and she’s just crazy, yet hardly wastes any movement in order to get what she wants. (Also, take that, Sailor Moon! Even I didn’t recognize her in that disguise and yet Gotou nearly noticed it).

And oh, the character-development. In particular Yakumo and Yuutarou got hit hard: the phone call Yakumo made to Haruka was definitely not one he would have made a few episodes back. Yuutarou meanwhile also was a bit of a klutz, but the creators used that one surprisingly well near the end, when he really got pounded by Miya for not doing anything while Gotou got captured.

Now, it IS going to be really hard for this show to keep this momentum, I realize that very well: this episode ended with all of the main characters kidnapped all in different ways. It’s the reason Miyuki was so awesome, but how the heck are the creators going to write themselves out of that? There really has to be something within Yakumo’s father’s plans that specifically includes not to kill them, otherwise things could get a bit nasty with Deus ex Machina…

Oh, and the music. Dear god, the music! at first I wasn’t the most impressed it (having heard far better from Bee-Train in the past), but seriously, when it just keeps introducing new tracks that just get better and better then I’m really anticipating the tracks that they’re still saving for the last parts…
Rating: *** (Awesome)

Posted on 7 November 2010 with categories: Shinrei Tantei Yakumo



Quite an unusual episode for Yakumo: in most of its episodes it tries to stuff in as much as possible. The story in this episode however was really small. It was so simple that it probably would have fit into half an episode. So instead the creators stuff in a lot of scenes to flesh out the different characters. It works well.

And seriously, the drama in this episode was simple, yet very effective. The ghost in this episode was not angry because of some romance, but instead this episode featured a shy and secluded girl who once made a picture of herself wearing a pretty dress. It’s a simple yet very effective twist here.

Karuka, she has her issues, but in the end I do consider her to be a good female sidekick. She’s got plenty of weaknesses, but she also is pretty useful in getting Yakumo to crawl out of his shell. She’s certainly no moron and is really trying to understand him and the various ghosts she runs into, without becoming overly pushy or obnoxious. I like that. Speaking of morons… To think that “the klutz” in this series would be played by a guy. This guy… has no backbone. And yet I like his purpose in the series, having to work together with that woman that he’d once seen possessed.

This episode featured quite a few of those small scenes of characters who had nothing to do with the plot of this episode, but I like those kinds of scenes for some reasons. Heh, and yet this was the first episode in which we didn’t get to see Yakumo’s father. This really was meant to be some sort of quiet before the storm.
Rating: * (Good)

Posted on 31 October 2010 with categories: Shinrei Tantei Yakumo



It’s rushed, it’s full of coincidences, I know that. But damn, this episode was surprisingly good here. I really want to praise the creators here, that even though they had to cut god knows how much from the manga in order to make this fit into just one episode, they still managed to make it work. This show is indeed visibly flawed, but it also avoids the single biggest pitfall for any rushed anime: the fact that the plot doesn’t come together.

This episode just kept building up its tension, right from the start, and within these 20 minutes, they really did lot here: they gave the doctor a good backstory, it fleshed the rest of the cast, especially Gotou tried to squeeze a bit of personality as much as he could without getting in the way of the story or the rest of the characters, we know a bit more about the new intern (who despite his whining is surprisingly useful), and most importantly: we now know who Yakumo’s father is. That certainly added a neat twist to this series.

The atmosphere was particularly wonderful in this episode. That’s where it really helps to be a Bee-Train series, because that soundtrack definitely kept me to the edge of my seat, and it worked great with the storytelling and the pacing of the series. This balance is probably the thing that makes this show works so well: the characters and story are very well balanced in each episode, and the creators make sure to give all of them equal time to show themselves off. Its definitely not the most solid series, but to me it does feel like everything comes together like it should.
Rating: ** (Excellent)

CHANGE USERNAME
Amagi
The only exceptions are series that had a bigger cast to begin with and exactly know what to do with them and give every single character specific, human traits. Kaze ga Tsuyoku or Bokura no are examples for that.
Amagi
Sad but not surprising that the Slime isekai is turning into another generic shitfest after a rather strong start. It should have been about Slime and the Dragon alone and those other isekaied humans later as well as world building I honestly can't care about the additions to the team at all. But it only proofs to me that series will always get worse the more characters are joining the team.
Kaiser-Eoghan
It does prompt me to read the manga.
Kaiser-Eoghan
Furryguy story got too many episodes. I surprisingly enjoyed the time travel one.
Kaiser-Eoghan
Hmmm, Phoneix, the 2004 series is the definition of a mixed bag, the first story gets gritty and bleak in a way that I liked but its the scifi stories I connect with best, the first one for its premise/set up and the second because the last part kind of hit me and seeing Rock, another Tezuka character cameoing in it was kinda cool.
Kaiser-Eoghan
Pluto will be something that'll definately hold up for me and i can see myself actually appreciating it more when I watch the eventual adaptation.
Kaiser-Eoghan
I guess I'm reading Adolf then after watching the phoenix anime.
Kaiser-Eoghan
I'm thinking more along the lines of wanting a full kare kano adaptation.
Kaiser-Eoghan
@Anon: And I'm not sure if my tastes would be the same now.
Anonymous3115199
Hope it gets a decent episode count that does it justice. Can't imagine it being another rushed 1 episode per volume adaptation.
Kaiser-Eoghan
@Anon: But I'm not sure if I'll catch the remake.I've already read the manga twice years ago and seen the original anime twice aswell.
Anonymous3115199
Fruits Basket. Now that's a name I've not heard in a long time. And it's a getting a remake next year that covers the whole manga.
Kaiser-Eoghan
I am old enough to remember watching 2 episodes of mysterious cities of Gold and one of battle of the planets aswell as the 90s gigantor.
Kaiser-Eoghan
I happy to see studios finally going back to adapt stuff that deserves adapting.
Kaiser-Eoghan
I have also read angel no oka. Still haven't read Adolf or dororo.
Amagi
I can't wait for the Pluto anime (that was announced like a year ago?).
Kaiser-Eoghan
I won't spoil it, but MW had one cheeky ending that I loved.
Amagi
Well it pretty much is a ripoff of Kimba, I once thought people were joking until acrually googled it. Simba was even meant to be called Kimba at first IIRC.
Kaiser-Eoghan
A manga adaptation of mein kampf exists.
Kaiser-Eoghan
I used to joking argue with people when I was younger online about Disney ripping off Kimba.
Kaiser-Eoghan
I've seen all the black Jack stuff, metropolis, I also read Book of human insects, Ayako, apollos song, MW, princess knight and some of ode to kirihito .
Amagi
I wish someone would animate Adolf one day. Or a proper adaption of Buddha.
Kaiser-Eoghan
I bring this up because somebody mentioned Phoenix when talking about Spirit circle.
Kaiser-Eoghan
I must confess to my eternal shame I have never seen Osamu Tezuka's phoenix apart from that one episode with the guy hallucinating that the robot girl was human.
Kaiser-Eoghan
@Lenlo: Ah, to be more specific I meant in general.
Lenlo
Im with ya. If your talking about my comment on Ash's breakdown, im not saying I would have prefered to see it. I just think it did its job of disturbing the viewer well.
Kaiser-Eoghan
@Lenlo: I would rather the characters speak explicitly of certain things in banana fish, sometimes seeing everything isn't neccesary.
Kaiser-Eoghan
Perhaps we should race Yagate and Irozuku, see who's faster.
Kaiser-Eoghan
@Niello: I've had it on hold for about 3 episodes , I'm waiting to see if it does anything before continuing, pretty show tho'.
Niello
It already passed the half way point but nothing happens in irozuku...nothing.
Amagi
Yeah I jsut read it in the thread. I love grandpa.
Kaiser-Eoghan
Seems like a big moment in Chi no Wadachi.
Kaiser-Eoghan
Someone is uploading translated pages of the new beastars chapter on 4chan.
Kaiser-Eoghan
I am behind on some shows, I'm not uptodate with Irozuku or Yagate.
Kaiser-Eoghan
More specifically, I would like a whole side story about old dude and lizard dude before they met Goblin slayer. Also later part of this episode was stressful, such as Priestess bit. I also like that this show isn't afraid to have its MC get their ass kicked.
Kaiser-Eoghan
There was an anime called ristorante paradiso where all the dudes were old.
Amagi
That reminds me that there actually exists an otome'ish pub VN in which every guy is older than 40. Well I have to admit it's at least setting itself apart from the dozens of male j-rock/pop bishounen harem guys VNs out there. Same with that Pigeon otome VN (yes it's actual pigeons).
Kaiser-Eoghan
Goodness, we could have a reverse harem anime called Amagi-san and the 7 battling ojisans =P
Kaiser-Eoghan
@Amagi: I wish the geezer in Goblin slayer would have more to do.
Kaiser-Eoghan
Interesting how I hate certain genres, but when they're put through an exploitation lens I end up liking the genre, probably because it shits all over said genres while cutting out the boring parts.
Amagi
Yeah, same here. I also like it when stories are more mixed regarding age, general look, gender and such which is especially a problem in anime where you usually get 10 characters of the same gender, age and body type. Bonus if it's an idol show and they even have samefaces.
Kaiser-Eoghan
Of course these adult characters can exist outside of a fantasy and also be more relatable to me now, which is also a good thing, in a more serious story.
Kaiser-Eoghan
Alot of this has to do with getting older and being aware of that fact, knowing theres a 30/40 something able to do stuff I can't.
Kaiser-Eoghan
I would welcome an age of pensioner-ploitation films.
Amagi
I always enjoyed movies with old guys for example. Not only that, but I usually like it. For various reasons like the stories they have to tell, the nearing death (for very old ones) or a midlife crisis but welp, these movies were common 40 years ago, now it's teens and young adults since these are the demographies that are most likely willing to pay for the cinema or to buy merch.
Amagi
Yeah same here. Modern hollywood movies are way more mainstream than old ones and try to be the lowest common denominator with the most common tropes and stereotypical characters so unless you have more or less the most common taste and way of thinking for whatever reason you won't enjoy it and only get even more bored with every new movie that just feels like the 1000 movies before that.
Kaiser-Eoghan
Wheras I'd delight in anything left field or out of the box, because I love being constantly buzzed or surprised or seeing something do something uncompromising or weird.
Kaiser-Eoghan
*sense of
Kaiser-Eoghan
But I understand that people feel belittled when they watch something they can't make traditional sense or or morally work out .
Kaiser-Eoghan
But I've accepted that the stuff I really really like is going to be alien to a majority. I'd watch a lurid ova or b movie over any popular shounen or most post 80s hollywood films.
Kaiser-Eoghan
There would have been a time where I'd thought I was doing it wrong or that people would just think me some kind of hipster or contrarian for not liking popular/mainstream stuff/what everyone in the same room/site likes.
Amagi
Same with movies. I guess in the end it's always about being able to relate. If there is a strange character only certain people can relate to they'll enjoy it while everyone else falls asleep and vice versa with more typical characters. Hell I have seen a ton of non-stop action movies that literally put me to sleep because there was nothing for me to root for nor any great twists to expect.
Amagi
It's strange but whenever people hate a series for being too boring it turns out to be a series I like which is weird because I consider 80% of all existing series boring, including many series most people actually consider exciting and/or enjoyable as hell.
Kaiser-Eoghan
I remember there was a devil may cry anime, the guy subbing it didn't do a very good job but it was an okay extended advert for the game.
Lenlo
The man has also said that if someone would get him the rights to Berserk, he would do that to.
Animosh
Well, you still deserve credit for suggesting the series, because otherwise I wouldn't have even known it existed. :) But yeah, I like that people here are so open-minded. Anime is great and all, but there's plenty to discover outside of it (though to be fair, I'm lagging behind with many of them: following anime seasonally is great for discussion, but it can eat up a lot of time).
SuperMario
@Animosh: don't mention it. I'm glad you enjoy it. I don't take credits in this case since I myself haven't watched it yet. I love it how this community is willing to try other medium and not exclusively anime
Animosh
Really surprised this isn't more well known. Not that there's been much competition, but it's easily the best (western) cartoon I've seen this year.
Animosh
@SuperMario: thanks again for recommending Lastman! I just finished it, and it was a lot of fun. It doesn't have much depth, but it was incredibly entertaining: it just keeps throwing these bizarrely over the top action set-pieces at you without pausing, it oozes style, and its soundtrack is killer (it reminded me a bit of Hotline Miami). And it can be pretty damn funny too. It even ends strongly.
SuperMario
"I swear if I see some nonsense like her not being able to stay “Professional” due to having a boyfriend then I will have to strangle something" --> is that why you had screenshot of kitties up there?
SuperMario
@Kaiser: little sister has a strong chance to be a protag in the last arc. I'm genuinely surprised that Futaba is the main girl in this arc thou
Kaiser-Eoghan
I want to see the little sister looking scared in bunnygirl agrain.
Kaiser-Eoghan
Yay! Sing and eiji are doing something and Ash's freakout while melodramtic and ridiculous was still bleak, learn a bit more about Blanca which is good. Didn't like the goofy bit with yut-lung.
Kaiser-Eoghan
@Mario: Not intellectually non-intellectual enough for me.
Kaiser-Eoghan
Bunny-girl has redeemed itself. Also my favourite part of this weeks episode was 7 or 8 minutes before the end .
SuperMario
I mean, just reading that title alone I might check out what this movie is about. lol
SuperMario
Well, I come across an unusual film title today. A Japanese film called "When I Get Home, My Wife Always Pretends to be Dead"
Kaiser-Eoghan
The Lafalle arc (as thematically I probably engaged the most here)and the final arc both elevated this series for me, even though I did enjoy the bit with Vann early on.
I’ve heard people don’t like the ending it hit with me.
Really solid.
Kaiser-Eoghan
Dramatically this even kind of clicked for me and the antagonist surprised me as did twintails girl and bestghosts eventual roles, comedy isn’t exactly funny but I did laugh at points.
Kaiser-Eoghan
Apparently I got third time lucky with Mizukami, because I found this a very fresh take on the re-incarnation genre while actually DOING something worthwhile with it, his pacing/story telling style definitely feels a better fit to me in a short manga like this.
Kaiser-Eoghan
After a degree of indifference to planet with and only liking Biscuit hammers last arc, I ended up approaching Spirit circle expecting to not really have any opinion on it.
Kaiser-Eoghan
@Mario: Just my kind of weird.
Anonymous3093267
sword eyes
SuperMario
Here's another experimental animated short for you, Kaiser, Tango (1981) https://www.youtube.com/watch?v=lo8O8lYDzIU
SuperMario
@Animosh: yeah the second part was released in VOD earlier this year and I watched it. Prefer the 1st one much better
Vonter
I don't know why, but I thought you were talking about Tomorrowland. That Disney movie that bombed and everyone seemed very lukewarm about. I suppose because I don't know exactly what was the problem with it, didn't see much discussion about it.
Animosh
@SuperMario: I think I've seen World of Tomorrow, but not 100% sure. There's apparently a second part out though, and I definitely haven't seen that!
Animosh
And Umfeld (https://vimeo.com/umfeld) is also worth mentioning. It kind of consists of shorts, it's technically animated (at least in part: it mixes real footage and CGI I think?), and it's definitely weird. It's a very polarizing work though. I love it, but it wouldn't surprise me if most people here hate it.
Animosh
Some other things that came to mind: Tim Burton's "Vincent" (it's stop-motion, but whatever), Loom (https://vimeo.com/24069938) and E-Baby (https://vimeo.com/25435555). And the stop-motion shorts by Lee Hardcastle are pretty fun, if you're in the mood for some needlessly disgusting horror.
Kaiser-Eoghan
@Mario: I enjoyed embrace of the serpent which has the same director as Birds of passage so I'll keep an eye out for it.
SuperMario
@Kaiser: I'm going to see Roma and Birds of Passage this weekend. Really excited for both
Kaiser-Eoghan
As for the she-ra thing well, as I've gotten older I probably have avoided kids stuff more.
Kaiser-Eoghan
I don't want to see tokenism being seen as acceptance when it isn't, it feels that people are putting forth the idea that something is only being/can be accepted because its being portrayed in a tokenistic way.
Kaiser-Eoghan
Its fine, obviously to have strong female characters, Ripley in Alien, Sarah Conner in Terminator, awesome....Rey in star wars....no.
Kaiser-Eoghan
I think too often shows and films, American ones today, are tokenistic or clicheed with inserting issues, merely just throwing them in or tacking them on for the sake of ticking boxes rather than any earnesty or doing anything.
Anonymous3086853
@SuperMario - I do. Yet at the same time it was a bit outside of my comfort zone, watching something like this considering that (let's be honest) msot shows are men oriented. Even the ones with great female characters. This one despite having tomboyish girls is mainly about these girls with male characters having supporting roles. I suppose that's were the uneasiness lies in my case.
Kaiser-Eoghan
@Mario: Just got done watching both earlier, his dark humour jives well with me and I liked the concept.
SuperMario
@Kaiser @Animosh: if you haven't seen World of Tomorrow plsssss check it out. I can't recommend it highly enough
SuperMario
@Vonter: Maybe it's a good things that shows for general audiences like this have queer context. Don't you think?
Anonymous3086853
Also because I'm a bit immature, this show is kinda gay. There's a lot of ship baiting moments, one same sex couple in the last episode and rainbows, pastel colors, emasculated male characters and some female crossdressing.
Anonymous3086853
The weakest aspect is that several secondary characters get lost in the shuffle. Kinda like Big Hero 6 in which the team had personalities but just didn't had the time to develop in any meaningful way. Still both the main cast and villains were good and like I say the protagonist and antagonist had strong arcs for a first season.
Anonymous3086853
So I now finished watching She Ra, and it got even better as it was building towards the season's end. Thes strongest aspect is the rivalry between Adora and Catra, the chemistry is very strong, kinda like Optimus and Megatron or Xavier and Magneto. In which both parts seem equally capable and to have mind games with the other.
Kaiser-Eoghan
Oh hey cool, rain town is done by the Penguin hhighway anime movie guy.
Kaiser-Eoghan
It looks like I haven't seen Don Hertzfedlts World of tomorrow films.
Kaiser-Eoghan
Also Prince Achmed and How Wang-Fo Was Saved.
Kaiser-Eoghan
Ah. yes, thanks animosh, I had a look at Rain town there, I like the style it was done in, it achieves the emotions its trying to convey well without needing dialogue, piano score actually helps rather than hinders.
Kaiser-Eoghan
Glassy ocean, that was another short I watched lately.
Kaiser-Eoghan
Oh inka isha is country doctor.
Kaiser-Eoghan
I know Mario has seen this style on animation, but anyone else see any oil on glass animation?
Kaiser-Eoghan
I actually prefer robot carnival to genius party but liked both.
Kaiser-Eoghan
Zepo, The Pride of Strathmoor were recent animated shorts I watched.
Kaiser-Eoghan
Recently I watched two shorts, death and the mother and pleasures of war.
Kaiser-Eoghan
I'd say any eastern european short films would be worth anyones time.
Kaiser-Eoghan
I'm not familiar with rain town or Inaka Isha .
Amagi
Kaiser: Have you seen Inaka Isha from Kafka?
Animosh
In the meanwhile, though, I'd also be very interested in recommendations! The shorts I mentioned are among my favorite animated works, so if you know anything similar, please let me know. :)
Animosh
For western animation I really like the Don Hertzfeldt shorts. And there was this short called "Rain Town" that was really impressively animated. I'm sure there were others, but my long-term memory is pretty lousy. If something else comes to mind I'll let you know.
Animosh
I'm pretty sure you're already going to be familiar with all of my favorites, but here you go: Morimoto's shorts are all fantastic (Dimension Bomb, Beyond, Noiseman Sound Insect, etc), and two others that come to mind are Cat Soup and Kigeki (or Comedy) by Nakazawa. There are also some great collections out there (like the Genius Party ones), but again, you've probably seen those already.
Kaiser-Eoghan
If anyone has any suggestions for weird short animations, I'm looking for excuses to watch some more and I'm in the mood for them.
Kaiser-Eoghan
@Masky: Mario's youtube link had cgi models of rem and ram in the video.
Masky
I'm confused when was Rem even mentioned
Kaiser-Eoghan
I only ever watched he-man and stuff related to it in passing when I was younger, Conan was more my thing back then.
Kaiser-Eoghan
For so long I'd always referred to she-ra as she-man.
AidanAK47
@Mario, What is this heresy!
....
....Rems always cute.
Anonymous3084910
Hilda is fine, though is very laidback kinda like a young reader's novel. It has its moments but its fantasy with slice-of-life coming of age.
Anonymous3084910
@SuperMario Yeah I know, She Ra is the twin sister of He Man. But strangely it seems Dreamworks may not have the right to those characters. It was a marketing idea trying to bring more girls to that universe but like most girls show from the time it had a very flat depiction of what little girls want to see.
SuperMario
Sorry Aidan, I know it's blasphemy but I have to post here. Enjoy the OP song with the twins https://www.youtube.com/watch?v=v9MUjISNm0U&index=4&list=PLU56jBSlcHw8-ol9Hi4lJ0GR0tU6EOf2a
SuperMario
I'll probably check out Hilda. Heard a lot of hypes about that show
SuperMario
@Vonter: I've heard of She-Ra, she's the female counterpart (well, sister) of He-Man (the most powerful man in the universe and the secret identity of Prince Adam). Sounds silly but I'm not even kidding
Vonter
All in all, despite not being a big thing, I think is an enjoyable recommendation. My only nitpick is that it maybe too light hearted for some kinda like above My Little Pony but below something Voltron. Also despite being less childish than the original is still kinda of girly with lots of pastel colors although it balances it a bit having girls being more tomboyish in different degrees.
Vonter
Like with Voltron it amuses me seeing anime tropes being played through western lens. Since I'm a bit hesitant to say that could this count as a harem series despite not being male gaze moments? Also having the most sensible hotspring episode I've seen.
Vonter
In this one this She Ra has pathos. A bit like Korra there's doubt in her role and also a complicated relationship with her rival. I do like the role reversal in the knight's tale this clearly is, in that most roles that would be played by men are played by women in this story. Matriarchy, displacement of both femminine beauty but also empowerment.
Vonter
So I've watched some of the new She Ra from Netflix. So far I'm in, it's not deep but it's quite charismatic. I do like there's more pathos in regards to these characters which pretty much were confined to their archetype to an extreme like the original Power Rangers.
Kaiser-Eoghan
It manages to make watching something like running engaging, when I'd otherwise probably not watch the sport. Also, last week the show ended up popping into my head when I was sitting around doing pretty much nothing and made me think "Ok fuck it, not sitting around doing nothing, going to go out for a run around the block"
Lenlo
I also agree, characters losing in sports is important. They can't start at the top, it makes the series lose meaning
Lenlo
I quite enjoyed Kaze Fui this week. I think your correct that the one who got the reality check was Kurahara, who thought he was the only one able to actually make it. I also thing that he has a competitive streak a mile wide, and might be a little afraid of failure. Doesnt think the team can make it, so why bother
Kaiser-Eoghan
Think I wasn't i the mood for honda-san this week even though I laughed.
Kaiser-Eoghan
Y'know I like it when sports series actually show the characters you know...actually lose.
Anonymous3083989
Huh, interesting in this episode of Kaze ga that it's Kakeru who got a reality check during the track meet since he was beaten by two other runners. I think we're due for an episode soon where he has to confront his past demons instead of fleeing from them.
Anonymous3083626
@Kaiser-Eoghan - Aging in fiction, I think has more to do with the story than the characters. I mean the jokes about Ash Ketchum, Detective Conan, Archie. The Flinstones tried to make different stories by aging Pebbles and Bam Bam. Or Batman having two Robins graduating into their own heroes. But in the end dynamics change, hence why most cartoons don't age the characters.
Kaiser-Eoghan
Which is why when aging does occur in anime/manga, such as in vinland saga or nanoha for example, its appreciated.
Kaiser-Eoghan
And of course, animated characters often don't age much.
Kaiser-Eoghan
I can remember enjoying the simpsons movie back when I watched it, but thinking about it it really was just an extended episode. Really the show peaked with the who shot Mr Burns episode. Catching bits of recent episodes and seeing them use modern stuff while they never age seems weird too.
Amagi
I do think series are allowed to move forward though, I am kinda interested in the Pkmn movie for example. But certain shows should just end, Simpsons for example was a parody of the 90s, it just can't work in a more modern setting IMO.
Amagi
I stopped with the Simpsons when Maude was killed/died, it was just a step in the wrong direction they should have never done and it killed the series for me. I disliked it before already though, I think I noticed the series getting worse since season..9? Or 10, not sure anymore.
Amagi
Anime for Dorohedoro announced.
Kaiser-Eoghan
Therefore ruining the fanservice fun for everybody.
Kaiser-Eoghan
My favourite beach episodes are ones where it rains and they end up not being able to go.
Kaiser-Eoghan
After that it was just the film for me.
Kaiser-Eoghan
Actually, regarding the simpsons, the episode I stopped on was sometime in the early 2000s, Homer was stuck on some island resort or something.
Kaiser-Eoghan
I suppose it was just as much a case of falling out of watching/playing too and then there being so many episodes/games catchup was impossible. I probably should read the manga someday.
Anonymous3081957
@Kaiser-Eoghan -Kinda like Sponge Bob, Power Rangers or The Simpsons, I can't blame those who move forward, It's imposible for a show to go that long without losing steam. I did check the Sun and Moon first season and while I think the personality and energy is better it doesn't exactly push the concept forward. Still somehow Pokemon is still a phenomenon.
Kaiser-Eoghan
@Vonter: Very strange hearing a Pikachu talk with Ryan Reynolds voice. But my days of pokemon are behind me.
KyokoHyuga
?????
KyokoHyuga
who likes pokemon here
SuperMario
@Amagi: I think the person who made the sub for Maquia did a pretty neat job. Not perfect but the translation flows well
Total users: 20

Star Crossed Anime Blog

5 User(s) Online Join Server

Featured Posts

Thunderbolt Fantasy 2 – 08 [The Song That Dooms Evil]

Thunderbolt mixes things up nicely this week. This week, the overpowered Princess has a fair shot of killing off our Shang Bu Huan, but predictably leaves him so that he can suffer. As often the case, when you’re too powerful you tend to act arrogantly, and… stupid. Thunderbolt is one good set piece piling up […]

SSSS.GRIDMAN – 07 [Scheme]

The last two episodes GRIDMAN has cleared up many things and handily suggests the road it will ultimately take for its last half. First, it’s the reveal that the world our characters live in is belong to Akane’s, as she can destroys, and rebuilds again as she likes. Second, it’s a strong hint that she […]

Irozuku Sekai no Ashita kara – 07 [The Burden of Venus]

And with this episode, my patience for Irozuku has started to run dry. It’s that, I learn very little about about them this week. The plot is on the standstill and it’s a whiplash that the cliffhanger for last week, namely Hitomi can see in colors, reverses back to the status quo. Which begs me […]

Banana Fish – 19 [Ice Palace]

Another week, another episode of Banana Fish, this time with 100% more depression! This week Ash starts to break, Yut gets what he wants and Eiji steps up to the plate. Lets jump in! So in general, this week was weird for me pacing wise. Certain sections felt slow while others passed at a blistering […]

Seishun Buta Yarou wa Bunny Girl Senpai no Yume wo Minai – 07[Adolescence Paradox]

So we are on to the next arc and the next girl with adolence syndrome and while I give this series credit for breaking LN cliches, I feel like we could have the cast not be predominantly female. Well at least they are not all in love with the main character so I can give […]

Planetes – 9 & 10 [Regrets/A Sky of Stardust] – Throwback Thursday

Ah Planetes, one of the few things I look forward to every week since starting this. This time we have a number of background characters coming back in, Space continues to kill and Yuri gets some character. Lets jump in! Planetes actually managed to surprise me this week, if I am being honest. I was […]

Thunderbolt Fantasy 2 – 06-07 [A Poisoner’s Pride/ Bewitching Whispers]

My apologies that I missed a post last week, it’s not due to the lack of interest of Thunderbolt given the show is as exciting as ever, but more about my hectic life. These past two episodes have many game-changing events, and many Gui Niao’s wittiest lines and expressions to boost. The moment the Vapewiz […]

Kaze ga Tsuyoku Fuiteiru – 7 [Bear Your Fangs at the Summit]

Welcome one and all! This week in Kaze Fui we meet the final boss, Kurahara gets a reality check and our team runs their first track meet! Lets jump in! To start off, I have to say I loved the feel of Kaze Fui this week. Vague, I know, but hear me out. Kaze Fui […]

Gaikotsu Shotenin Honda-San – 6 [The Man with a Secret Power/Our Fair-Day War]

Welcome fellow book lovers, to another dip into Honda-San! This week was a bit dull as we learn about the difficulties of stocking, but the second half manages to pick it back up. Lets jump in! So overall this week of Honda-San was pretty disappointing for me. Like usual it had some good gags in […]

Latest Reviews

Castlevania Season 2 Review – 72/100

According to much of the Western Anime community, this series wouldn’t be relevant for a site like this. Being made in the West by Americans, and English being its first language, many would disqualify it from the start. However I name them all fools for Castlevania, Directed by Sam Deats and Ryoichi Uchikoshi is clearly […]

Asobi Asobase (Summer 2018) Review – 83/100

In a year where comedy shows gain an unexpected strong showing, somehow a show about 3 cute girls and their pass-timer club emerges as one of the best comedy around. Yep, forget Hinamatsuri, forget Grand Blue, forget Chio-chan, Asobi Asobase delivers some hilarious absurdist laugh-out-loud moments for the ages. It helps that we were in […]

Planet With Anime Review – 90/100

Planet With is an anime that likely leaves many unimpressed when they look at the cover and makes for a solid proof that you cannot judge a book by it’s cover or even by it’s first episode. Many have overlooked this show in it’s season but for those that did give it chance it went […]

My Hero Academia: Two Heroes (Dubbed) Review – 84/100

Ah, the movie tie in. A right of passage for all aspiring Shounen series. Some, like One Piece have weathered it and come out Golden, while others are better forgotten (Looking at you Bleach). My Hero Academia: Two Heroes, in my opinion, is closer to former. Animated by BONES , Directed by Kenji Nagasaki and […]

A quick and dirty review of Angolmois: Record of the Mongol Invasion

What it claims to be about: Angolmois (a reference to a Nostradamus prophesy which is rather irrelevant for the show, as he lived several centuries after the events) focuses on the first Mongol Invasion of Japan in 1274. Specifically it focuses on the early phase of the invasion when the Mongols attack Tsushima, which essentially […]

Steins;Gate 0 Anime Review – 60/100

Before I begin this review in earnest, I have to ask, who doesn’t know about Steins;Gate? The amazing, beloved original series that Steins;Gate 0 is an offshoot of. Well if you don’t, if you haven’t seen the original, then stop now. Steins;Gate 0 is not worth it. It is not for you. Without having seen […]

Mirai (2018) Movie Review – 81/100

Watching Mirai, there are two observations that spring right up to my mind: Mirai is Hosoda’s most grounded, personal film and it plays out completely different from what I expected based from the promotional materials. My feeling is confirmed when I later learned that Hosoda based the concept from watching his own children’s react, and […]

Fate/Extra Last Encore Anime Review – 40/100

To many the Fate series is daunting with its numerous incarnations and spinoffs and here in the year of many a Fate adaption we get another one by Studio Shaft which was first thought to adapt the story of the PSP game Fate/Extra. Fate/Extra could basically be considered Fate with a sci-fi twist as this […]

Darling in the Franxx Anime Review – 57/100

In following anime seasons it can be quite an experience to follow a show as it airs as the hype and rollercoaster of reactions can be entertainment in its own right. In that regard Darling in the Franxx was a hell of a ride as week by week peoples feelings for it ran hot and […]