Posted on 31 December 2015 with categories: Subete ga F ni Naru

I like to see this anime as a false golden idol, where upon seeing it you believe it is something you have been looking for a long time. But when you take a look at it, you notice a crack in the statue and with that crack you find that it isn’t really gold but a wooden idol painted in gold resin. If you have been reading my reviews you likely can see the point when I began to notice what Subete truly was. It began with huge promise of a murder mystery with heavy dialogue focus and out of the ordinary characters. However the mystery it had to show proved to be too little for an 11 episode series as the show plays it’s main cards at the beginning and spends the remaining episodes padding out the runtime till it comes to the point to reveal it’s hand. In that regard it’s impressive that it managed to fool me for so long but sadly a facade can only hold up so long before it breaks.

Our story involves a teacher and his student going to visit an enigmatic female doctor who was charged with murder and confined to a facility on an island for fourteen years. They in turn get involved in a locked room murder and now are determined to discover just how the murder was performed. While this does sound like an intriguing setup it plays out in a slow paced fashion and instead of focusing on developing the mystery, it instead spends the majority of it’s runtime on three main characters. In doing so it renders the rest of the cast too underdeveloped and the identity of the murderer completely obvious. Any attempts at speculation are undermined by a lack of crucial information such as facility layout and machines that reach a supernatural level in terms of function. The final result requires some hefty leaps in logic and motives which make no logical sense. By the shows end our characters are very much in the same positions as they were in the beginning, leaving the question of just what was the point of all this in the first place. The shows last attempts at philosophical enlightenment are juvenile and lacking any empathic connection to reality. Mainly the meaningless meanderings of those who attempt to simplify the multi faceted nature of existence.

The three main characters have different problems in regards to the plot. Moe is a decent character that has an infatuation with Souhei which is detrimental which reaches no real affirmation by series end. This in turn is used to pad out the plot as she steals screen time to deal with her emotional baggage, both with past and present matters. Which is rather odd when considering the dire matters of the situation at hand, which happens to to include a murderer running around unchecked. Souhei spends the majority of the time pondering and making philosophical musings which add nothing. And finally Miss Magata remains an enigmatic entity from beginning to end which makes her too alien to identify with. The show suffers from being visually drab as a majority of it’s story demands it focus on people talking in a room and not much else. At surreal points when it can express itself visually it still tends to present itself in a boring manner with little in the way of money shots. Music is equally lacking impact though it does feature a good opening theme. Ultimately it’s a show that promises much, wastes your time and then delivers an unsatisfactory conclusion.

Posted on with categories: Currently Watching:, Subete ga F ni Naru

I feel as if a spell has been broken over me, for the things I found interesting in the first episode suddenly annoy me. If I had to guess I would say that having seen what the show has to offer I have come to find it lacking and now the philosophical aspect comes across as deeply pretentious. In reality this episode wasn’t even necessary as it didn’t really tie up anything. Briefly it looked like Magata had given herself up the authorities but as it turns out she tricked Souhei into thinking so for, dramatic reasons I suppose? I mean I doubt Souhei would call the cops on her but if he was the type then chances are he would at least check to see whether the news would show her arrested. Even then by the time the cops arrive, Magata would be far out of their hands. Meanwhile Souhei and Moe’s relationship has not changed in the slightest. All that was resolved was a misunderstanding that Moe could have easily resolved by asking questions instead of coming to her own conclusions.

Magata visits Souhei again and as if to try and counter my previous claim by explaining her motives. But sadly she only confirms everything I thought. Magata is indeed an idiot. A particular conclusion of hers that I just shake my head at is her deduction that if death didn’t have suffering then it wouldn’t be feared. Oh you silly child, suffering is only part of why death is feared. True, none wish for a painful death but when taking into account why people fear it, it is not the primary reason. What truly makes people fear it is uncertainty. There are no guarantees that there is a form of afterlife, or reincarnation. No matter how much you believe in heaven, there is always a question of it’s existence. What people fear about death is the distinct possibility that beyond it, lies nothing. We always avoid thinking about it but if you consider that everything that makes you what you are just disappears with nothing left behind, that is scary. Between eternal damnation and Oblivion, Oblivion is far more terrifying. And I am sure that if your child had killed you and you lay in a pool of your own blood, you would come to know the same fear. So as for her main reason behind all of this, she simply wanted to die but was too proud to do herself in. Well Magata there are plenty of ways to get that, pop onto the internet. I am sure you won’t have trouble finding someone who is willing. You likely won’t even have to pay them. Just get them to sit down and listen to your childish drivel for an hour or two and I am sure they would be ready to shut you up.

The end of the episode has her doing the very same to her child and the greatest folly to her logic is that she is attempting to explain human behavior by narrowing it down to a single factor. This is the same logic as when people break things into two categories even when something can not fall easily into either category. Such as in the way a anime can sometimes be neither bad nor good, just mediocre.There are a number of biological, subconscious and conscious reasons as to why humans can be kind. Taking this into account, you logic becomes broken.If humans know everything then they would attempt nothing? Wrong, for knowing something and attempting something are two different experiences. You yourself have broken this in this episode. For you know the effects of smoking and all it entails, yet you still attempted smoking did you not? With this being the end I must say that Subete is not a visually impressive show and nothing speaks that clearer than it’s final minutes. There is a certain desperation in how the animators just want to shove something on screen regardless of how it makes the scene look. For example, Moe and Souhei had a conversation and during that conversation they switched locations numerous times.The only way to really look at this is that while these two were talking, they would both stop, move to a new location and then resume talking again. There positions don’t make sense either as they went to a church and for some reason Souhei sat on one row with Moe sitting on a row on the other side of the room. If you were talking to someone then why would you sit as far away as possible?

Posted on 15 December 2015 with categories: Currently Watching:, Subete ga F ni Naru

Have you ever had a time when you were watching someone play a video game and the obvious thing to do is right in front of them? Yet despite all your hints they fail to see it and continue to wander around wasting time, so much so that you just want to rip the controller out of their hands and just show them? Well that’s this episode in a nutshell, with Moe being our clueless dolt. This episode was basically a reveal of all the details of the mystery and as more of it is revealed the more disappointed I become. For you see in a mystery series it’s never really fun to be right. Sure, there’s the smug self satisfaction of guessing the mystery before it happens but being surprised when it turns your expectations on its head is all the more enthralling. So to have the the characters reveal revelations long figured out as if they were incredible feats of cognitive reasoning, just leaves me feeling annoyed. There’s quite a lot of logical leaps here with characters making assumptions like it’s hard fact when alternative assumptions could be made. But let’s examine just why this is so unimpressive.

So the series has focused heavily on the phase “Everything becomes F” which is revealed to be a timer for when Red Magic temporarily shuts down the system. Truthfully the use of Hexadecimals was quite clever but here’s the problem. It doesn’t take a genius to figure out that a malfunction that happened right before a murder takes place was fully intended. So all the complex reasoning was to figure out something that a little logical thinking could easily accomplish. As Rider from Fate/zero said “Using a simple method to accomplish something impressive, far outshines using a complex method to achieve the same thing.” Then we have Moe constantly making the assumption that they are talking to Magata’s daughter despite things pointing to otherwise. But the reasoning behind why the daughter died behind this is just utterly ridiculous. Basically because of one question from Moe, this caused Magata’s daughter to question her existence and decide to kill herself. So in fifteen years Magata’s daughter never once questioned her role? Are you telling me that Magata brainwashed that kid so well that she never once thought for herself and that brainwashing was undone by one single question? That is just utterly absurd. Then cones the reveal of Magata’s sister being Magata herself which even Souhei didn’t figure out until it was too late. But this does bring up what maybe be a plot hole if I am remembering correctly. I believe we saw Magata’s sister step off the helicopter and arrive on the island with the director’s wife. So then at what point after the murder did the director pick up Magata, fly away and then return to the facility? All while keeping his wife from getting suspicious? Or was his wife in on it as well? But I can’t think of any logical reason as to why she would help Magata. I honestly wonder how Magata’s thought she was going to get away with this. I mean she didn’t wear gloves when killing the director and she left the knife and while she cut of the limbs off her daughter so she wouldn’t be identified by fingerprints but that doesn’t stop people from identifying her through dental. On that regard wouldn’t the police have a file on her detailing that she does not have siblings? This whole murder is just very poorly conceived. Highly dependent on factors which were random such as if Magata’s daughter did not resemble her then her plan would be completely moot. If anyone spotted her while slipping out during that one minute blackout then that would have been 15 years of planning down the drain.

With all the philosophical hogwash that was trying to be portrayed as enlightening, this episode has brought me to a conclusion. As Magata made her getaway and left Souhei and Moe with her final message I believe I have come to understand her true character. For you see Magata is not a prodigy or a genius. It’s simple really, she’s a complete idiot. After all what person decides to build a robot whose purpose is to unlock a door when any average Joe would have just removed the door lock? What kind of person decides the best method to get rid of her parents would be to outright stab them? What kind of moron conceives a plan to spend 15 years in a facility, conceive a child, brainwash it for what seems to be the sole reason of making some philosophical metaphor? The answer quite simply is an idiot who believes they are a genius. When Magata puts forward her thoughts to Souhei what we see is nothing more that Juvenile philosophical fluff any egotistical teenager with a functional brain can come up with. Makes sense when you think about it, Magata was incarcerated and isolated from the world so while others of similar mindset would eventually realize that their thoughts were no more special than anyone else’s, Magata kept herself in a box and became convinced that her idiotic drivel was some kind of masterpiece logic. Without anyone to give her a good slap in the face and tell her to grow up, she remained an idiot.

Posted on 7 December 2015 with categories: Currently Watching:, Subete ga F ni Naru

Subete, I am not even angry. Just disappointed. When you started you promised something intelligent and I thought this might be that murder mystery I have been waiting for. But you have let me down and now that you have revealed your full hand, I see that a majority of the series has been fluff. How someone got into the room has been figured out mainly because we the audience have seen her past where Souhei seems to have made a huge assumption to reach that conclusion. Meanwhile figuring out how the murderer left was just completely impossible. No one could have figured out about the time difference using the info they gave us and most importantly the nature of a computer replacing a file of the same name is incorrect. A computer will never overwrite a file without being told to, in the case of a duplicate file it would likely create a file with something added on to the name to differentiate it. Sure the explanation for this would be a that Magata programmed it to overwrite files automatically but that’s something the viewer has never been made aware of. You may think that a Unix programmer might be able to figure it out but I do work with Unix systems and I didn’t have a clue. In the first place the timestamp issue only came up when Souhei used a script to extract the files. This is just cheating on the animes part. The addition of a new character at this stage is pointless and to make matters worse she’s downright obnoxious and completely unrelated to the story.

Thus the murderer is revealed to be none other than…Magata Shiki! Well of course it’s Magata, how can it be anyone other than Magata? That spotlight hasn’t budged an inch away from her for the entire series and no other character has enough exposure to possibly be a satisfying reveal. I guess I was hoping for her to be a red herring and for someone else to be the murderer but as it turns out, it’s that simple. That bugs me because I feel like I have been listening to someone who felt like they had something smart to say only for them to declare the obvious as if it was great wisdom.  So with the murder mystery turning out to be a waste I have to ask just what has this anime brought to the table. The sad thing is that when the mystery is gone there really isn’t anything left. The only notable characters are Souhei, Magata and Moe. The majority of the dialogue not related to the mystery was basically coming down to Moe getting sulky because Souhei doesn’t notice her affection or her getting jealous over Souhei. Souhei on the other hand is usually debating the philosophical or smoking. Magata is too enigmatic and alien to possibly relate to and I really do hope she has some reasonable motivation for this ridiculously convoluted plan. I mean if the goal was to remove her parents so she could give birth to the directors child then they are far better alternatives to consider than this. A tragically timed accident for example. If this was truly the only way Magata thought of on how to do this then I truly question if she even deserves the title of genius. In all honestly in the material presented feels like half a series stretched out to a full cour.

Posted on 1 December 2015 with categories: Currently Watching:, Subete ga F ni Naru

At this point the theory of Magata being pregnant before she was locked down on the Island is looking very likely as during Souhei’s revelation of the answer to everything, we get a brief glimpse of a pregnant woman. But lord only knows what the Ostriches are supposed to symbolize. What I really wonder is just how Souhei came to any conclusion at all with the lacking amount of information he was given. In particular if he does come to the conclusion that Magata was pregnant going in then I just have to question how he could possibly know that when her relationship to the director was made privy only to us, the viewers. Naturally however Souhei doesn’t share his miraculous insight as Moe cuts him off saying she will figure it out on her own. We do have three more episodes to go after all.

While Moe says she will figure it out I feel her earlier words captured my feelings on this mystery. Namely when she said, “I stopped caring about the case” and that is my exact mindset. I don’t like giving up on a puzzle but I feel the show is not handing us all the pieces needed to solve it. Two murders have happened, one inside a locked room and another on the rooftop. However we have no idea on the layout of the faculty, or the character of the facility personnel or the timeframe of the murders. The how of this mystery is missing far too much information to come to any conclusions about what happened, whereas the Who of this mystery seems blatantly obvious. I truly cannot see anyone else other than Magata being the murderer for no one else had screentime significant enough to make being the culprit justifiable. Some are saying Magata’s kid is the culprit but I find that lacking when it comes to motive and the big question of how she is able to move about the facility like a ninja despite spending her entire life in a locked small area.

No, my suspect remains Magata and from what this episode is suggesting, Magatas older sister is Magata herself. The two big hints to this is Magata comparing herself to the loneliness of seven and her sister being featured in Souhei’s revelation. What adds to this is that she is not present in any of Magata’s flashbacks and the camera’s reluctance to show Magata’s face when in the sealed area. So my current theory is this, Magata had a child in the sealed area secretly and raised her up to take on her role and impersonate her. Then under the guise of being “Magata’s older Sister” she left the island with the director. Hence why Magata has always retained a youthful appearance. The director killed the child and when he brought Magata to the island she killed him. There are numerous holes in this theory such as how did she get the things need. To raise a child without tipping off the guards or what would have happened if she had a boy or if her daughter didn’t look like her? And namely just how did the director manage to kill the girl inside a locked room? But like I said, I have past the point of caring. Subete has been a rather big disappointment and while its reveal might save it somewhat, the series would remain a slow show that plays its cards too early and then drags its feet to the finish.

Posted on 21 November 2015 with categories: Currently Watching:, Subete ga F ni Naru

Oh those poor seiyūs that had to act in today’s episode. I can only imagine the horror when a Japanese speaking seiyū is told they need to have an entire conversation in English in a fairly dialogue heavy show. Japanese and English happen to be two of the hardest languages to learn so if they managed to find one seiyū who could fluently act well in both that would have been a miracle. To give credit they did work on producing it as best they could preventing it from being unintentionally hilarious but to do so they needed to sacrifice acting out any emotion in the scene. As a result you have a scene which looks like it was acted out by Microsoft Sam. What I find odd is how these two’s impressions of Magata counter my own. I was under the impression that Magata was something whom disliked the idea of being held down by anything, yet these two claim that’s exactly what she desired.

My attention on this show happens to be slipping and the reason for that I believe is in just how little information is learned in the last few episodes. In today’s episode we learned…that outside attack is impossible, that Magata was weird even to her sister, that when Moe’s parents died Souhei was with her and that Magata knew this was going to happen 15 years ago. Most of the information is worthless as it does not give new light to motives or how this happened. Moe’s revelation about realising Souhei was with her when her parents died doesn’t really add anything, rather it renders the strange connection Magata and Moe share to be rather superficial. We are more than halfway through the series and not even close to a solution here. As the series is drawing to a close I find my brainstorming getting walled off and boxed in. There are too many uncertainties, a lack of suspects and not enough information to work with.

At this point I can’t see anyone else other than Magata being the murderer and as to why that is, because out of the only characters with significant development she’s the only one that makes sense. The rest of the cast is far too underdeveloped to make a good murderer and our two main characters are the detectives is it wouldn’t make much sense for either one to remain to try and solve a murder they committed. That leaves Magata and the director, who are both presumably dead. The more we see of Magata, the more suspicious she becomes. It’s pretty clear that she knew that this would happen fifteen years ago and the only ways she could possibly know that would be if she was a precog or planned it. Moe’s dream sequence seems to hint that Magata in some way might have transferred her existence to a digital form which I think would be a bit too supernatural for this series. I will accept some truly outrageous technology(Even if it is essentially a high tech version of a sensory deprivation tank(AKA Isolation Tank).) But I think when we reach the levels of AI then things get a bit too fantasy for my liking.

Posted on 14 November 2015 with categories: Currently Watching:, Subete ga F ni Naru

I can’t say I enjoyed this episode of Subete too much, mainly because there was less investigating and more character building. That wouldn’t be a problem if the character building wasn’t so focused on our main leads. The leads are fine, what we need is to expand on the other characters present on the island otherwise who can we point our fingers at and say “There! They did it!” Out of our entire cast, four of them are rounded enough to be considered suspects. Two of those are the detectives and the other two are presumably dead. We still have a host of workers and support characters who have as much depth as a cardboard cutout and if this series does decide that one of these people is the murderer then it’s going to have to make it much more justifiable with its second half. I was rather frustrated to see this episode focus on our two lead arguing over leaving the island, explaining everything we already know to some people who seem irrelevant to the case and the going back to the facility. Admittedly it does establish a reason why this teacher would be given the authority to act as an investigator but it feels that’s all this episode really did. The conflict seemed just like unnecessary filler seeing as it all was pushed aside so easily.

What new information we did learn was minor. One is that when the body of Magata was exiting her room on the robot trolley, the elevator was called to the roof suggesting that someone was there during the time of the incident. The other was that Magata did indeed stab and kill her parents which has me confused. If she intended to do the deed herself then why did she present the knife to the director? Why kill them openly in front of the director and his wife? Her actions make it seem that she wanted to get caught which counter her desires to be unchained. Why did she tell Moe that a “doll” killed her parents? I guess just like our main characters, we just know far too little on these matters to make a judgement. It’s possible that now is when the real investigation starts but if that is the case then I hope we work in some red herrings and side character development. For if this series focuses far too much on the “how did it happen” then the reveal of “why it happened” could come off as cheap and lacking impact.

Posted on 9 November 2015 with categories: Currently Watching:, Subete ga F ni Naru

The more I hear about Magata’s DID, the more suspect it becomes. According to this episode, Magata didn’t conceive DID out of trauma or accident but instead intentionally crafted alternate personalities so well to the point that it became DID. I personally find the mechanics of this rather fantastical as I don’t think anyone can intentionally create a mental disorder. I see this more like a child creating an imaginary friend that’s been blown out of proportion. I really liked Souhei’s explanation on how Magata was pure regardless that I disagree with it. It is a amusing hypothesis that children are born with multiple personalities fighting for dominance and as we grow into adults that personality is chained down to one. It’s the kind of philosophy that I like to indulge in a lot despite it having no real factual basis. Still to determine that purity just seems wrong as in Magata’s case she doesn’t really account for the value of human life. I don’t consider someone who can take a life without thinking about it pure, rather ignorant or emotionally stunted. In either case Magata is most certainly not pure, she’s far too calculating to be so.

I am dropping any theories on the director’s wife being behind the killings as it would be a boring development and having seen the character in this episode I just don’t think she looks to be the type. Instead I have found myself a new prime suspect, one whom I feel has the perfect motive and skills necessary to pull this off. That person being, Dr. Magata herself. At this point I highly doubt that Magata is actually dead seeing as the only person to confirm it was the island’s Doctor. She’s the only one who can program the facility to have a bug at that exact moment and her dead body was the only thing to exit the room.As put forward in this episode, Magata hated being tied down and I have no doubt that being held on this island is completly agonising for her. This entire situation may be an elaborate escape attempt but it seems that something has gone wrong. The director’s death seems to signify that he was going to be the one to fly her off the island but he either said something she didn’t quite like or he got cold feet. One particular detail which I think cements Magata as the directors killer happens to be something that was revealed in this episode. We see a flashback where Magata went to a shop and bought a knife, this same knife was then given as a present to the director at the end of the episode. This is hinting that it was the director who killed Magata’s parents because she desired it but one thing that really catches my eye is the design of the knife. I am willing to bet that this knife is the exact same knife that is currently stabbed into the back of the directors neck.

When regarding Magata as the killer a lot of things start to make sense. On that note I must admit that another outlandish theory has occured to me. Is it possible that Moe Nishinosono and Shiki Magata are one in the same? The reason I have been having this thought is because Magata seems to have a large connection to Moe despite not actually knowing her. Magata make presumptions as to how Moe’s parents died and one detail that really spurs this on is that when Magata questions her on what she was wearing when they died, a flashback Moe has shows a girl in a purple dress with black hair. The biggest torn to this theory is that Moe’s family seems to be a fairly famous name and when it comes to murder mystery in general, the detective being the killer is generally disapproved of. I still would like more information on the other characters but I am very much ready for more Subete, it’s such a pity I need to wait a week to get it.

Posted on 31 October 2015 with categories: Currently Watching:, Subete ga F ni Naru

The plot thickens as we are given a little more insight into Dr Magatas room. In this episode we learn quite a few things. That in Magata’s room she has a robot called Michiru which seems to be built with the sole purpose of imitating Magatas voice and to lock the door, and that Dr Magata suffered from DID.(Dissociative Identity Disorder) However I find myself wondering if her case of multiple personalities is genuine as she seems to be far too much in control of it. If anything it looks more like she invented her other personalities as a means of dealing with loneliness. This episode makes clear that none of Magatas other personalities were involved with her parents murder and states that the only one who could kill them was her core personality. However she claims that a doll killed her parents which according to the main characters could suggest that Magata did kill her parents but was forced to by someone else. Other interesting facts was Magatas messages on her computer which suggest that she knew that she was going to die. In murder mystery, usually everything introduced is in someway related to the murder and this one certainly makes it hard to connect the dots. But allow me to speculate a little. There is heavy focus on the director’s relationship with Dr Magata so it’s clear that is related to all this.

The easy explanation would be that the director killed Magata and that would clear up some issues. After all the director has the most access to the facility and from Magata knowing she was going to be killed, she would be more willing to accept it if it was someone she loved that was ending her life. Her interview with Moe would also factor into this as maybe she felt a connection to someone who was also in love with an older man. But if the Director killed Magata, then who killed the Director? Again, a easy assumption but it could have been his wife. Having learned about there relationship she might not have taken to kindly to it and killed the Director. There is a certain disconnect between the two murders. The first was clearly very calculated, and yet the second looked more like a impulse murder with a simple stabbing. But the directors wife lacks the screen time to consider her major factor. But another question is on my mind, is Magata truly dead? The show itself seems reluctant to have the characters examine her body as Moe was interrupted by Souhei before she could get a close look. The first to pronounce her dead, the doctor, did it rather suddenly. He was strangely not put off by the situation and straight away when to check her Pulse. It’s potentially possible that he was told to lie. Who knows, maybe Dr Magata is actually hiding inside the Robot, pretending to be an AI? Well alright, that’s rather ridiculous.

I rather liked Moe’s reaction to the dead bodies. Often in murder mystery the actual effect of death on people is played down so as to not let the drama effect the puzzle of the murder. Still here we have Moe attempting to brush off her shaken up nature and attempt to play detective. Yet her feelings are clear to everyone present. I still find the lack of character development on the others to be detrimental as I want to start pointing fingers but can’t really do that if the side characters have no characterization as of yet. There is also a issue with the shows rather bland presentation as while trying to find screenshots for this episode I found it difficult. While the shows substance is excellent and intriguing, I find that there doesn’t seem to be an effort to make it visually interesting. Counters to that claim would be that dream sequence at the end of this episode or some of the other more surreal moments. But other than these moments it just feels very…static. Though to the animators credit, there is only so much one can do with a story that has characters primarily talking in a room and not much else. But perhaps use of more visual metaphor could make things more dramatic though that runs the risk of ruining the mood of the scene. I may complain about that but I must admit to loving this series, nothing quite gets my brain working on all cylinders like a good murder mystery. Come up with a theory, watch it get shot down, come up with another one. That’s what makes these kinds of stories special.

Posted on 28 October 2015 with categories: Currently Watching:, Subete ga F ni Naru

Subete certainly isn’t rushing anywhere and that’s alright. The first two episodes looked to be setting up the closed circle and the third a closed room murder. What I like is that we are being clued in on the facts while the characters are so there aren’t any aspects like with Ranpo or Sako were the detective suddenly breaks the Knox commandments and presents evidence that was withheld from the viewer. We already have good ingredients here to ponder. We have two bodies, Dr Magata who had her legs and arms Amputated and was placed on a robot torolly. And the director who was murdered with a knife in the helicopter. Dr Magata was murdered in room that has only one entrance and exit. In the day she was murdered, no one entered or exited her room besides her corpse and The teacher confirmed that only the corpse exited the room and no one else slipped out during the confusion. The system had been programmed to mess up at that exact moment and that system was programmed by Dr Magata herself. Dr Magata herself was also in an adult relationship with the director despite being underage. On top of that there is a clear connection to the murder of Magatas parents 14 years ago which resulted in her getting detained here and this current murder. The pieces are fragmented but allow for speculation, this ladies and gents is true murder mystery. The difference between this and the quick fire no thought required mysteries of other shows is in just how much intelligent writing and misdirection is required to make it work. Because if at any point the author provides too much and gives away the payoff then the story is ruined. It requires a steady stream of information, never revealing the full hand. The big minus of these kind of stories however  is in how they can really only be experienced once as on a rewatch you know all the answers. Still as a great mystery writer Ryoukishi wrote “Tales can be enjoyed twice. First you love them. Then you tear out their guts.”

At the moment my issue with this show is that we haven’t been given much of an introduction to the side characters. Our mains have been given plenty of attention but without much detail on the others on the island it’s difficult to draw up suspects to the murders. I would like the next episodes to flesh out the motives and personalities of the others on the island. Particularly Dr Magatas sister who I currently think is integral to this entire mystery. Our main duo continues to have great chemistry and play off each other wonderfully. What I particularly like is how both of them are on the same level. There is no Watson in these two, both act as blacksmith’s tempering each other’s blades. Whenever one goes along the wrong line of thought the other counters and shows them how they are wrong. It’s a far more interesting power dynamic than having a Watson for Sherlock to explain his thoughts and show how brilliant a detective he is. The method in this show shows what the detectives are thinking while developing their characters and most importantly, showing that they are not all knowing gods of logic. What we have here is two very smart individuals trying to put together a fragmented puzzle and that’s just the way I like it. What is needed for the next episodes is clear, more information, more murders and more character development. Build on the foundation and at the right moment let it all come together in a giant payoff. The factor which will ultimately decide the final quality of Subete ga F ni Naru.

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Anonymous3119182
Surprisingly from this episode of Kaze ga, I'm now convinced that Kakeru will gets his comeuppance soon because man that reality check from the last episode really hurt his ego that badly for him.
Animosh
It consistently looks good, and unlike so many other adaptations, the staff is taking their time instead of rushing through the source material. In the latest episode they even added stuff to flesh out a certain character, and most source readers seem to consider it an improvement!
Animosh
@Amagi: I'm actually pretty impressed with the slime anime. Sure, the story is nothing special, but I didn't expect it to be. As an adaptation, though, it has far exceeded my expectations: I expected a cheap ad for the LN/manga, but the staff is clearly putting a lot of love into this.
panda
Weirdly enough, I liked the character additions to Bleach even though I know that besides the initial two arcs and the Hueco Mundo arc they weren't as interesting.
>weren't as interesting
Okay it was a disaster but still.
panda
I kind of feel the same way about series adding shit tons of characters to the series. Especially when we know that they're not even going to show up as much later in the series. I had this problem with Fairy tail and a lot of other shounen manga.
Amagi
The only exceptions are series that had a bigger cast to begin with and exactly know what to do with them and give every single character specific, human traits. Kaze ga Tsuyoku or Bokura no are examples for that.
Amagi
Sad but not surprising that the Slime isekai is turning into another generic shitfest after a rather strong start. It should have been about Slime and the Dragon alone and those other isekaied humans later as well as world building I honestly can't care about the additions to the team at all. But it only proofs to me that series will always get worse the more characters are joining the team.
Kaiser-Eoghan
It does prompt me to read the manga.
Kaiser-Eoghan
Furryguy story got too many episodes. I surprisingly enjoyed the time travel one.
Kaiser-Eoghan
Hmmm, Phoneix, the 2004 series is the definition of a mixed bag, the first story gets gritty and bleak in a way that I liked but its the scifi stories I connect with best, the first one for its premise/set up and the second because the last part kind of hit me and seeing Rock, another Tezuka character cameoing in it was kinda cool.
Kaiser-Eoghan
Pluto will be something that'll definately hold up for me and i can see myself actually appreciating it more when I watch the eventual adaptation.
Kaiser-Eoghan
I guess I'm reading Adolf then after watching the phoenix anime.
Kaiser-Eoghan
I'm thinking more along the lines of wanting a full kare kano adaptation.
Kaiser-Eoghan
@Anon: And I'm not sure if my tastes would be the same now.
Anonymous3115199
Hope it gets a decent episode count that does it justice. Can't imagine it being another rushed 1 episode per volume adaptation.
Kaiser-Eoghan
@Anon: But I'm not sure if I'll catch the remake.I've already read the manga twice years ago and seen the original anime twice aswell.
Anonymous3115199
Fruits Basket. Now that's a name I've not heard in a long time. And it's a getting a remake next year that covers the whole manga.
Kaiser-Eoghan
I am old enough to remember watching 2 episodes of mysterious cities of Gold and one of battle of the planets aswell as the 90s gigantor.
Kaiser-Eoghan
I happy to see studios finally going back to adapt stuff that deserves adapting.
Kaiser-Eoghan
I have also read angel no oka. Still haven't read Adolf or dororo.
Amagi
I can't wait for the Pluto anime (that was announced like a year ago?).
Kaiser-Eoghan
I won't spoil it, but MW had one cheeky ending that I loved.
Amagi
Well it pretty much is a ripoff of Kimba, I once thought people were joking until acrually googled it. Simba was even meant to be called Kimba at first IIRC.
Kaiser-Eoghan
A manga adaptation of mein kampf exists.
Kaiser-Eoghan
I used to joking argue with people when I was younger online about Disney ripping off Kimba.
Kaiser-Eoghan
I've seen all the black Jack stuff, metropolis, I also read Book of human insects, Ayako, apollos song, MW, princess knight and some of ode to kirihito .
Amagi
I wish someone would animate Adolf one day. Or a proper adaption of Buddha.
Kaiser-Eoghan
I bring this up because somebody mentioned Phoenix when talking about Spirit circle.
Kaiser-Eoghan
I must confess to my eternal shame I have never seen Osamu Tezuka's phoenix apart from that one episode with the guy hallucinating that the robot girl was human.
Kaiser-Eoghan
@Lenlo: Ah, to be more specific I meant in general.
Lenlo
Im with ya. If your talking about my comment on Ash's breakdown, im not saying I would have prefered to see it. I just think it did its job of disturbing the viewer well.
Kaiser-Eoghan
@Lenlo: I would rather the characters speak explicitly of certain things in banana fish, sometimes seeing everything isn't neccesary.
Kaiser-Eoghan
Perhaps we should race Yagate and Irozuku, see who's faster.
Kaiser-Eoghan
@Niello: I've had it on hold for about 3 episodes , I'm waiting to see if it does anything before continuing, pretty show tho'.
Niello
It already passed the half way point but nothing happens in irozuku...nothing.
Amagi
Yeah I jsut read it in the thread. I love grandpa.
Kaiser-Eoghan
Seems like a big moment in Chi no Wadachi.
Kaiser-Eoghan
Someone is uploading translated pages of the new beastars chapter on 4chan.
Kaiser-Eoghan
I am behind on some shows, I'm not uptodate with Irozuku or Yagate.
Kaiser-Eoghan
More specifically, I would like a whole side story about old dude and lizard dude before they met Goblin slayer. Also later part of this episode was stressful, such as Priestess bit. I also like that this show isn't afraid to have its MC get their ass kicked.
Kaiser-Eoghan
There was an anime called ristorante paradiso where all the dudes were old.
Amagi
That reminds me that there actually exists an otome'ish pub VN in which every guy is older than 40. Well I have to admit it's at least setting itself apart from the dozens of male j-rock/pop bishounen harem guys VNs out there. Same with that Pigeon otome VN (yes it's actual pigeons).
Kaiser-Eoghan
Goodness, we could have a reverse harem anime called Amagi-san and the 7 battling ojisans =P
Kaiser-Eoghan
@Amagi: I wish the geezer in Goblin slayer would have more to do.
Kaiser-Eoghan
Interesting how I hate certain genres, but when they're put through an exploitation lens I end up liking the genre, probably because it shits all over said genres while cutting out the boring parts.
Amagi
Yeah, same here. I also like it when stories are more mixed regarding age, general look, gender and such which is especially a problem in anime where you usually get 10 characters of the same gender, age and body type. Bonus if it's an idol show and they even have samefaces.
Kaiser-Eoghan
Of course these adult characters can exist outside of a fantasy and also be more relatable to me now, which is also a good thing, in a more serious story.
Kaiser-Eoghan
Alot of this has to do with getting older and being aware of that fact, knowing theres a 30/40 something able to do stuff I can't.
Kaiser-Eoghan
I would welcome an age of pensioner-ploitation films.
Amagi
I always enjoyed movies with old guys for example. Not only that, but I usually like it. For various reasons like the stories they have to tell, the nearing death (for very old ones) or a midlife crisis but welp, these movies were common 40 years ago, now it's teens and young adults since these are the demographies that are most likely willing to pay for the cinema or to buy merch.
Amagi
Yeah same here. Modern hollywood movies are way more mainstream than old ones and try to be the lowest common denominator with the most common tropes and stereotypical characters so unless you have more or less the most common taste and way of thinking for whatever reason you won't enjoy it and only get even more bored with every new movie that just feels like the 1000 movies before that.
Kaiser-Eoghan
Wheras I'd delight in anything left field or out of the box, because I love being constantly buzzed or surprised or seeing something do something uncompromising or weird.
Kaiser-Eoghan
*sense of
Kaiser-Eoghan
But I understand that people feel belittled when they watch something they can't make traditional sense or or morally work out .
Kaiser-Eoghan
But I've accepted that the stuff I really really like is going to be alien to a majority. I'd watch a lurid ova or b movie over any popular shounen or most post 80s hollywood films.
Kaiser-Eoghan
There would have been a time where I'd thought I was doing it wrong or that people would just think me some kind of hipster or contrarian for not liking popular/mainstream stuff/what everyone in the same room/site likes.
Amagi
Same with movies. I guess in the end it's always about being able to relate. If there is a strange character only certain people can relate to they'll enjoy it while everyone else falls asleep and vice versa with more typical characters. Hell I have seen a ton of non-stop action movies that literally put me to sleep because there was nothing for me to root for nor any great twists to expect.
Amagi
It's strange but whenever people hate a series for being too boring it turns out to be a series I like which is weird because I consider 80% of all existing series boring, including many series most people actually consider exciting and/or enjoyable as hell.
Kaiser-Eoghan
I remember there was a devil may cry anime, the guy subbing it didn't do a very good job but it was an okay extended advert for the game.
Lenlo
The man has also said that if someone would get him the rights to Berserk, he would do that to.
Animosh
Well, you still deserve credit for suggesting the series, because otherwise I wouldn't have even known it existed. :) But yeah, I like that people here are so open-minded. Anime is great and all, but there's plenty to discover outside of it (though to be fair, I'm lagging behind with many of them: following anime seasonally is great for discussion, but it can eat up a lot of time).
SuperMario
@Animosh: don't mention it. I'm glad you enjoy it. I don't take credits in this case since I myself haven't watched it yet. I love it how this community is willing to try other medium and not exclusively anime
Animosh
Really surprised this isn't more well known. Not that there's been much competition, but it's easily the best (western) cartoon I've seen this year.
Animosh
@SuperMario: thanks again for recommending Lastman! I just finished it, and it was a lot of fun. It doesn't have much depth, but it was incredibly entertaining: it just keeps throwing these bizarrely over the top action set-pieces at you without pausing, it oozes style, and its soundtrack is killer (it reminded me a bit of Hotline Miami). And it can be pretty damn funny too. It even ends strongly.
SuperMario
"I swear if I see some nonsense like her not being able to stay “Professional” due to having a boyfriend then I will have to strangle something" --> is that why you had screenshot of kitties up there?
SuperMario
@Kaiser: little sister has a strong chance to be a protag in the last arc. I'm genuinely surprised that Futaba is the main girl in this arc thou
Kaiser-Eoghan
I want to see the little sister looking scared in bunnygirl agrain.
Kaiser-Eoghan
Yay! Sing and eiji are doing something and Ash's freakout while melodramtic and ridiculous was still bleak, learn a bit more about Blanca which is good. Didn't like the goofy bit with yut-lung.
Kaiser-Eoghan
@Mario: Not intellectually non-intellectual enough for me.
Kaiser-Eoghan
Bunny-girl has redeemed itself. Also my favourite part of this weeks episode was 7 or 8 minutes before the end .
SuperMario
I mean, just reading that title alone I might check out what this movie is about. lol
SuperMario
Well, I come across an unusual film title today. A Japanese film called "When I Get Home, My Wife Always Pretends to be Dead"
Kaiser-Eoghan
The Lafalle arc (as thematically I probably engaged the most here)and the final arc both elevated this series for me, even though I did enjoy the bit with Vann early on.
I’ve heard people don’t like the ending it hit with me.
Really solid.
Kaiser-Eoghan
Dramatically this even kind of clicked for me and the antagonist surprised me as did twintails girl and bestghosts eventual roles, comedy isn’t exactly funny but I did laugh at points.
Kaiser-Eoghan
Apparently I got third time lucky with Mizukami, because I found this a very fresh take on the re-incarnation genre while actually DOING something worthwhile with it, his pacing/story telling style definitely feels a better fit to me in a short manga like this.
Kaiser-Eoghan
After a degree of indifference to planet with and only liking Biscuit hammers last arc, I ended up approaching Spirit circle expecting to not really have any opinion on it.
Kaiser-Eoghan
@Mario: Just my kind of weird.
Anonymous3093267
sword eyes
SuperMario
Here's another experimental animated short for you, Kaiser, Tango (1981) https://www.youtube.com/watch?v=lo8O8lYDzIU
SuperMario
@Animosh: yeah the second part was released in VOD earlier this year and I watched it. Prefer the 1st one much better
Vonter
I don't know why, but I thought you were talking about Tomorrowland. That Disney movie that bombed and everyone seemed very lukewarm about. I suppose because I don't know exactly what was the problem with it, didn't see much discussion about it.
Animosh
@SuperMario: I think I've seen World of Tomorrow, but not 100% sure. There's apparently a second part out though, and I definitely haven't seen that!
Animosh
And Umfeld (https://vimeo.com/umfeld) is also worth mentioning. It kind of consists of shorts, it's technically animated (at least in part: it mixes real footage and CGI I think?), and it's definitely weird. It's a very polarizing work though. I love it, but it wouldn't surprise me if most people here hate it.
Animosh
Some other things that came to mind: Tim Burton's "Vincent" (it's stop-motion, but whatever), Loom (https://vimeo.com/24069938) and E-Baby (https://vimeo.com/25435555). And the stop-motion shorts by Lee Hardcastle are pretty fun, if you're in the mood for some needlessly disgusting horror.
Kaiser-Eoghan
@Mario: I enjoyed embrace of the serpent which has the same director as Birds of passage so I'll keep an eye out for it.
SuperMario
@Kaiser: I'm going to see Roma and Birds of Passage this weekend. Really excited for both
Kaiser-Eoghan
As for the she-ra thing well, as I've gotten older I probably have avoided kids stuff more.
Kaiser-Eoghan
I don't want to see tokenism being seen as acceptance when it isn't, it feels that people are putting forth the idea that something is only being/can be accepted because its being portrayed in a tokenistic way.
Kaiser-Eoghan
Its fine, obviously to have strong female characters, Ripley in Alien, Sarah Conner in Terminator, awesome....Rey in star wars....no.
Kaiser-Eoghan
I think too often shows and films, American ones today, are tokenistic or clicheed with inserting issues, merely just throwing them in or tacking them on for the sake of ticking boxes rather than any earnesty or doing anything.
Anonymous3086853
@SuperMario - I do. Yet at the same time it was a bit outside of my comfort zone, watching something like this considering that (let's be honest) msot shows are men oriented. Even the ones with great female characters. This one despite having tomboyish girls is mainly about these girls with male characters having supporting roles. I suppose that's were the uneasiness lies in my case.
Kaiser-Eoghan
@Mario: Just got done watching both earlier, his dark humour jives well with me and I liked the concept.
SuperMario
@Kaiser @Animosh: if you haven't seen World of Tomorrow plsssss check it out. I can't recommend it highly enough
SuperMario
@Vonter: Maybe it's a good things that shows for general audiences like this have queer context. Don't you think?
Anonymous3086853
Also because I'm a bit immature, this show is kinda gay. There's a lot of ship baiting moments, one same sex couple in the last episode and rainbows, pastel colors, emasculated male characters and some female crossdressing.
Anonymous3086853
The weakest aspect is that several secondary characters get lost in the shuffle. Kinda like Big Hero 6 in which the team had personalities but just didn't had the time to develop in any meaningful way. Still both the main cast and villains were good and like I say the protagonist and antagonist had strong arcs for a first season.
Anonymous3086853
So I now finished watching She Ra, and it got even better as it was building towards the season's end. Thes strongest aspect is the rivalry between Adora and Catra, the chemistry is very strong, kinda like Optimus and Megatron or Xavier and Magneto. In which both parts seem equally capable and to have mind games with the other.
Kaiser-Eoghan
Oh hey cool, rain town is done by the Penguin hhighway anime movie guy.
Kaiser-Eoghan
It looks like I haven't seen Don Hertzfedlts World of tomorrow films.
Kaiser-Eoghan
Also Prince Achmed and How Wang-Fo Was Saved.
Kaiser-Eoghan
Ah. yes, thanks animosh, I had a look at Rain town there, I like the style it was done in, it achieves the emotions its trying to convey well without needing dialogue, piano score actually helps rather than hinders.
Kaiser-Eoghan
Glassy ocean, that was another short I watched lately.
Kaiser-Eoghan
Oh inka isha is country doctor.
Kaiser-Eoghan
I know Mario has seen this style on animation, but anyone else see any oil on glass animation?
Kaiser-Eoghan
I actually prefer robot carnival to genius party but liked both.
Kaiser-Eoghan
Zepo, The Pride of Strathmoor were recent animated shorts I watched.
Kaiser-Eoghan
Recently I watched two shorts, death and the mother and pleasures of war.
Kaiser-Eoghan
I'd say any eastern european short films would be worth anyones time.
Kaiser-Eoghan
I'm not familiar with rain town or Inaka Isha .
Amagi
Kaiser: Have you seen Inaka Isha from Kafka?
Animosh
In the meanwhile, though, I'd also be very interested in recommendations! The shorts I mentioned are among my favorite animated works, so if you know anything similar, please let me know. :)
Animosh
For western animation I really like the Don Hertzfeldt shorts. And there was this short called "Rain Town" that was really impressively animated. I'm sure there were others, but my long-term memory is pretty lousy. If something else comes to mind I'll let you know.
Animosh
I'm pretty sure you're already going to be familiar with all of my favorites, but here you go: Morimoto's shorts are all fantastic (Dimension Bomb, Beyond, Noiseman Sound Insect, etc), and two others that come to mind are Cat Soup and Kigeki (or Comedy) by Nakazawa. There are also some great collections out there (like the Genius Party ones), but again, you've probably seen those already.
Kaiser-Eoghan
If anyone has any suggestions for weird short animations, I'm looking for excuses to watch some more and I'm in the mood for them.
Kaiser-Eoghan
@Masky: Mario's youtube link had cgi models of rem and ram in the video.
Masky
I'm confused when was Rem even mentioned
Kaiser-Eoghan
I only ever watched he-man and stuff related to it in passing when I was younger, Conan was more my thing back then.
Kaiser-Eoghan
For so long I'd always referred to she-ra as she-man.
AidanAK47
@Mario, What is this heresy!
....
....Rems always cute.
Anonymous3084910
Hilda is fine, though is very laidback kinda like a young reader's novel. It has its moments but its fantasy with slice-of-life coming of age.
Anonymous3084910
@SuperMario Yeah I know, She Ra is the twin sister of He Man. But strangely it seems Dreamworks may not have the right to those characters. It was a marketing idea trying to bring more girls to that universe but like most girls show from the time it had a very flat depiction of what little girls want to see.
SuperMario
Sorry Aidan, I know it's blasphemy but I have to post here. Enjoy the OP song with the twins https://www.youtube.com/watch?v=v9MUjISNm0U&index=4&list=PLU56jBSlcHw8-ol9Hi4lJ0GR0tU6EOf2a
SuperMario
I'll probably check out Hilda. Heard a lot of hypes about that show
SuperMario
@Vonter: I've heard of She-Ra, she's the female counterpart (well, sister) of He-Man (the most powerful man in the universe and the secret identity of Prince Adam). Sounds silly but I'm not even kidding
Vonter
All in all, despite not being a big thing, I think is an enjoyable recommendation. My only nitpick is that it maybe too light hearted for some kinda like above My Little Pony but below something Voltron. Also despite being less childish than the original is still kinda of girly with lots of pastel colors although it balances it a bit having girls being more tomboyish in different degrees.
Vonter
Like with Voltron it amuses me seeing anime tropes being played through western lens. Since I'm a bit hesitant to say that could this count as a harem series despite not being male gaze moments? Also having the most sensible hotspring episode I've seen.
Vonter
In this one this She Ra has pathos. A bit like Korra there's doubt in her role and also a complicated relationship with her rival. I do like the role reversal in the knight's tale this clearly is, in that most roles that would be played by men are played by women in this story. Matriarchy, displacement of both femminine beauty but also empowerment.
Vonter
So I've watched some of the new She Ra from Netflix. So far I'm in, it's not deep but it's quite charismatic. I do like there's more pathos in regards to these characters which pretty much were confined to their archetype to an extreme like the original Power Rangers.
Kaiser-Eoghan
It manages to make watching something like running engaging, when I'd otherwise probably not watch the sport. Also, last week the show ended up popping into my head when I was sitting around doing pretty much nothing and made me think "Ok fuck it, not sitting around doing nothing, going to go out for a run around the block"
Lenlo
I also agree, characters losing in sports is important. They can't start at the top, it makes the series lose meaning
Lenlo
I quite enjoyed Kaze Fui this week. I think your correct that the one who got the reality check was Kurahara, who thought he was the only one able to actually make it. I also thing that he has a competitive streak a mile wide, and might be a little afraid of failure. Doesnt think the team can make it, so why bother
Kaiser-Eoghan
Think I wasn't i the mood for honda-san this week even though I laughed.
Kaiser-Eoghan
Y'know I like it when sports series actually show the characters you know...actually lose.
Anonymous3083989
Huh, interesting in this episode of Kaze ga that it's Kakeru who got a reality check during the track meet since he was beaten by two other runners. I think we're due for an episode soon where he has to confront his past demons instead of fleeing from them.
Anonymous3083626
@Kaiser-Eoghan - Aging in fiction, I think has more to do with the story than the characters. I mean the jokes about Ash Ketchum, Detective Conan, Archie. The Flinstones tried to make different stories by aging Pebbles and Bam Bam. Or Batman having two Robins graduating into their own heroes. But in the end dynamics change, hence why most cartoons don't age the characters.
Kaiser-Eoghan
Which is why when aging does occur in anime/manga, such as in vinland saga or nanoha for example, its appreciated.
Kaiser-Eoghan
And of course, animated characters often don't age much.
Kaiser-Eoghan
I can remember enjoying the simpsons movie back when I watched it, but thinking about it it really was just an extended episode. Really the show peaked with the who shot Mr Burns episode. Catching bits of recent episodes and seeing them use modern stuff while they never age seems weird too.
Amagi
I do think series are allowed to move forward though, I am kinda interested in the Pkmn movie for example. But certain shows should just end, Simpsons for example was a parody of the 90s, it just can't work in a more modern setting IMO.
Amagi
I stopped with the Simpsons when Maude was killed/died, it was just a step in the wrong direction they should have never done and it killed the series for me. I disliked it before already though, I think I noticed the series getting worse since season..9? Or 10, not sure anymore.
Amagi
Anime for Dorohedoro announced.
Kaiser-Eoghan
Therefore ruining the fanservice fun for everybody.
Kaiser-Eoghan
My favourite beach episodes are ones where it rains and they end up not being able to go.
Kaiser-Eoghan
After that it was just the film for me.
Kaiser-Eoghan
Actually, regarding the simpsons, the episode I stopped on was sometime in the early 2000s, Homer was stuck on some island resort or something.
Kaiser-Eoghan
I suppose it was just as much a case of falling out of watching/playing too and then there being so many episodes/games catchup was impossible. I probably should read the manga someday.
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Thunderbolt Fantasy 2 – 08 [The Song That Dooms Evil]

Thunderbolt mixes things up nicely this week. This week, the overpowered Princess has a fair shot of killing off our Shang Bu Huan, but predictably leaves him so that he can suffer. As often the case, when you’re too powerful you tend to act arrogantly, and… stupid. Thunderbolt is one good set piece piling up […]

SSSS.GRIDMAN – 07 [Scheme]

The last two episodes GRIDMAN has cleared up many things and handily suggests the road it will ultimately take for its last half. First, it’s the reveal that the world our characters live in is belong to Akane’s, as she can destroys, and rebuilds again as she likes. Second, it’s a strong hint that she […]

Irozuku Sekai no Ashita kara – 07 [The Burden of Venus]

And with this episode, my patience for Irozuku has started to run dry. It’s that, I learn very little about about them this week. The plot is on the standstill and it’s a whiplash that the cliffhanger for last week, namely Hitomi can see in colors, reverses back to the status quo. Which begs me […]

Banana Fish – 19 [Ice Palace]

Another week, another episode of Banana Fish, this time with 100% more depression! This week Ash starts to break, Yut gets what he wants and Eiji steps up to the plate. Lets jump in! So in general, this week was weird for me pacing wise. Certain sections felt slow while others passed at a blistering […]

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So we are on to the next arc and the next girl with adolence syndrome and while I give this series credit for breaking LN cliches, I feel like we could have the cast not be predominantly female. Well at least they are not all in love with the main character so I can give […]

Planetes – 9 & 10 [Regrets/A Sky of Stardust] – Throwback Thursday

Ah Planetes, one of the few things I look forward to every week since starting this. This time we have a number of background characters coming back in, Space continues to kill and Yuri gets some character. Lets jump in! Planetes actually managed to surprise me this week, if I am being honest. I was […]

Thunderbolt Fantasy 2 – 06-07 [A Poisoner’s Pride/ Bewitching Whispers]

My apologies that I missed a post last week, it’s not due to the lack of interest of Thunderbolt given the show is as exciting as ever, but more about my hectic life. These past two episodes have many game-changing events, and many Gui Niao’s wittiest lines and expressions to boost. The moment the Vapewiz […]

Kaze ga Tsuyoku Fuiteiru – 7 [Bear Your Fangs at the Summit]

Welcome one and all! This week in Kaze Fui we meet the final boss, Kurahara gets a reality check and our team runs their first track meet! Lets jump in! To start off, I have to say I loved the feel of Kaze Fui this week. Vague, I know, but hear me out. Kaze Fui […]

Gaikotsu Shotenin Honda-San – 6 [The Man with a Secret Power/Our Fair-Day War]

Welcome fellow book lovers, to another dip into Honda-San! This week was a bit dull as we learn about the difficulties of stocking, but the second half manages to pick it back up. Lets jump in! So overall this week of Honda-San was pretty disappointing for me. Like usual it had some good gags in […]

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Watching Mirai, there are two observations that spring right up to my mind: Mirai is Hosoda’s most grounded, personal film and it plays out completely different from what I expected based from the promotional materials. My feeling is confirmed when I later learned that Hosoda based the concept from watching his own children’s react, and […]

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In following anime seasons it can be quite an experience to follow a show as it airs as the hype and rollercoaster of reactions can be entertainment in its own right. In that regard Darling in the Franxx was a hell of a ride as week by week peoples feelings for it ran hot and […]