Posted on 31 December 2015 with categories: Subete ga F ni Naru

I like to see this anime as a false golden idol, where upon seeing it you believe it is something you have been looking for a long time. But when you take a look at it, you notice a crack in the statue and with that crack you find that it isn’t really gold but a wooden idol painted in gold resin. If you have been reading my reviews you likely can see the point when I began to notice what Subete truly was. It began with huge promise of a murder mystery with heavy dialogue focus and out of the ordinary characters. However the mystery it had to show proved to be too little for an 11 episode series as the show plays it’s main cards at the beginning and spends the remaining episodes padding out the runtime till it comes to the point to reveal it’s hand. In that regard it’s impressive that it managed to fool me for so long but sadly a facade can only hold up so long before it breaks.

Our story involves a teacher and his student going to visit an enigmatic female doctor who was charged with murder and confined to a facility on an island for fourteen years. They in turn get involved in a locked room murder and now are determined to discover just how the murder was performed. While this does sound like an intriguing setup it plays out in a slow paced fashion and instead of focusing on developing the mystery, it instead spends the majority of it’s runtime on three main characters. In doing so it renders the rest of the cast too underdeveloped and the identity of the murderer completely obvious. Any attempts at speculation are undermined by a lack of crucial information such as facility layout and machines that reach a supernatural level in terms of function. The final result requires some hefty leaps in logic and motives which make no logical sense. By the shows end our characters are very much in the same positions as they were in the beginning, leaving the question of just what was the point of all this in the first place. The shows last attempts at philosophical enlightenment are juvenile and lacking any empathic connection to reality. Mainly the meaningless meanderings of those who attempt to simplify the multi faceted nature of existence.

The three main characters have different problems in regards to the plot. Moe is a decent character that has an infatuation with Souhei which is detrimental which reaches no real affirmation by series end. This in turn is used to pad out the plot as she steals screen time to deal with her emotional baggage, both with past and present matters. Which is rather odd when considering the dire matters of the situation at hand, which happens to to include a murderer running around unchecked. Souhei spends the majority of the time pondering and making philosophical musings which add nothing. And finally Miss Magata remains an enigmatic entity from beginning to end which makes her too alien to identify with. The show suffers from being visually drab as a majority of it’s story demands it focus on people talking in a room and not much else. At surreal points when it can express itself visually it still tends to present itself in a boring manner with little in the way of money shots. Music is equally lacking impact though it does feature a good opening theme. Ultimately it’s a show that promises much, wastes your time and then delivers an unsatisfactory conclusion.

Posted on with categories: Currently Watching:, Subete ga F ni Naru

I feel as if a spell has been broken over me, for the things I found interesting in the first episode suddenly annoy me. If I had to guess I would say that having seen what the show has to offer I have come to find it lacking and now the philosophical aspect comes across as deeply pretentious. In reality this episode wasn’t even necessary as it didn’t really tie up anything. Briefly it looked like Magata had given herself up the authorities but as it turns out she tricked Souhei into thinking so for, dramatic reasons I suppose? I mean I doubt Souhei would call the cops on her but if he was the type then chances are he would at least check to see whether the news would show her arrested. Even then by the time the cops arrive, Magata would be far out of their hands. Meanwhile Souhei and Moe’s relationship has not changed in the slightest. All that was resolved was a misunderstanding that Moe could have easily resolved by asking questions instead of coming to her own conclusions.

Magata visits Souhei again and as if to try and counter my previous claim by explaining her motives. But sadly she only confirms everything I thought. Magata is indeed an idiot. A particular conclusion of hers that I just shake my head at is her deduction that if death didn’t have suffering then it wouldn’t be feared. Oh you silly child, suffering is only part of why death is feared. True, none wish for a painful death but when taking into account why people fear it, it is not the primary reason. What truly makes people fear it is uncertainty. There are no guarantees that there is a form of afterlife, or reincarnation. No matter how much you believe in heaven, there is always a question of it’s existence. What people fear about death is the distinct possibility that beyond it, lies nothing. We always avoid thinking about it but if you consider that everything that makes you what you are just disappears with nothing left behind, that is scary. Between eternal damnation and Oblivion, Oblivion is far more terrifying. And I am sure that if your child had killed you and you lay in a pool of your own blood, you would come to know the same fear. So as for her main reason behind all of this, she simply wanted to die but was too proud to do herself in. Well Magata there are plenty of ways to get that, pop onto the internet. I am sure you won’t have trouble finding someone who is willing. You likely won’t even have to pay them. Just get them to sit down and listen to your childish drivel for an hour or two and I am sure they would be ready to shut you up.

The end of the episode has her doing the very same to her child and the greatest folly to her logic is that she is attempting to explain human behavior by narrowing it down to a single factor. This is the same logic as when people break things into two categories even when something can not fall easily into either category. Such as in the way a anime can sometimes be neither bad nor good, just mediocre.There are a number of biological, subconscious and conscious reasons as to why humans can be kind. Taking this into account, you logic becomes broken.If humans know everything then they would attempt nothing? Wrong, for knowing something and attempting something are two different experiences. You yourself have broken this in this episode. For you know the effects of smoking and all it entails, yet you still attempted smoking did you not? With this being the end I must say that Subete is not a visually impressive show and nothing speaks that clearer than it’s final minutes. There is a certain desperation in how the animators just want to shove something on screen regardless of how it makes the scene look. For example, Moe and Souhei had a conversation and during that conversation they switched locations numerous times.The only way to really look at this is that while these two were talking, they would both stop, move to a new location and then resume talking again. There positions don’t make sense either as they went to a church and for some reason Souhei sat on one row with Moe sitting on a row on the other side of the room. If you were talking to someone then why would you sit as far away as possible?

Posted on 15 December 2015 with categories: Currently Watching:, Subete ga F ni Naru

Have you ever had a time when you were watching someone play a video game and the obvious thing to do is right in front of them? Yet despite all your hints they fail to see it and continue to wander around wasting time, so much so that you just want to rip the controller out of their hands and just show them? Well that’s this episode in a nutshell, with Moe being our clueless dolt. This episode was basically a reveal of all the details of the mystery and as more of it is revealed the more disappointed I become. For you see in a mystery series it’s never really fun to be right. Sure, there’s the smug self satisfaction of guessing the mystery before it happens but being surprised when it turns your expectations on its head is all the more enthralling. So to have the the characters reveal revelations long figured out as if they were incredible feats of cognitive reasoning, just leaves me feeling annoyed. There’s quite a lot of logical leaps here with characters making assumptions like it’s hard fact when alternative assumptions could be made. But let’s examine just why this is so unimpressive.

So the series has focused heavily on the phase “Everything becomes F” which is revealed to be a timer for when Red Magic temporarily shuts down the system. Truthfully the use of Hexadecimals was quite clever but here’s the problem. It doesn’t take a genius to figure out that a malfunction that happened right before a murder takes place was fully intended. So all the complex reasoning was to figure out something that a little logical thinking could easily accomplish. As Rider from Fate/zero said “Using a simple method to accomplish something impressive, far outshines using a complex method to achieve the same thing.” Then we have Moe constantly making the assumption that they are talking to Magata’s daughter despite things pointing to otherwise. But the reasoning behind why the daughter died behind this is just utterly ridiculous. Basically because of one question from Moe, this caused Magata’s daughter to question her existence and decide to kill herself. So in fifteen years Magata’s daughter never once questioned her role? Are you telling me that Magata brainwashed that kid so well that she never once thought for herself and that brainwashing was undone by one single question? That is just utterly absurd. Then cones the reveal of Magata’s sister being Magata herself which even Souhei didn’t figure out until it was too late. But this does bring up what maybe be a plot hole if I am remembering correctly. I believe we saw Magata’s sister step off the helicopter and arrive on the island with the director’s wife. So then at what point after the murder did the director pick up Magata, fly away and then return to the facility? All while keeping his wife from getting suspicious? Or was his wife in on it as well? But I can’t think of any logical reason as to why she would help Magata. I honestly wonder how Magata’s thought she was going to get away with this. I mean she didn’t wear gloves when killing the director and she left the knife and while she cut of the limbs off her daughter so she wouldn’t be identified by fingerprints but that doesn’t stop people from identifying her through dental. On that regard wouldn’t the police have a file on her detailing that she does not have siblings? This whole murder is just very poorly conceived. Highly dependent on factors which were random such as if Magata’s daughter did not resemble her then her plan would be completely moot. If anyone spotted her while slipping out during that one minute blackout then that would have been 15 years of planning down the drain.

With all the philosophical hogwash that was trying to be portrayed as enlightening, this episode has brought me to a conclusion. As Magata made her getaway and left Souhei and Moe with her final message I believe I have come to understand her true character. For you see Magata is not a prodigy or a genius. It’s simple really, she’s a complete idiot. After all what person decides to build a robot whose purpose is to unlock a door when any average Joe would have just removed the door lock? What kind of person decides the best method to get rid of her parents would be to outright stab them? What kind of moron conceives a plan to spend 15 years in a facility, conceive a child, brainwash it for what seems to be the sole reason of making some philosophical metaphor? The answer quite simply is an idiot who believes they are a genius. When Magata puts forward her thoughts to Souhei what we see is nothing more that Juvenile philosophical fluff any egotistical teenager with a functional brain can come up with. Makes sense when you think about it, Magata was incarcerated and isolated from the world so while others of similar mindset would eventually realize that their thoughts were no more special than anyone else’s, Magata kept herself in a box and became convinced that her idiotic drivel was some kind of masterpiece logic. Without anyone to give her a good slap in the face and tell her to grow up, she remained an idiot.

Posted on 7 December 2015 with categories: Currently Watching:, Subete ga F ni Naru

Subete, I am not even angry. Just disappointed. When you started you promised something intelligent and I thought this might be that murder mystery I have been waiting for. But you have let me down and now that you have revealed your full hand, I see that a majority of the series has been fluff. How someone got into the room has been figured out mainly because we the audience have seen her past where Souhei seems to have made a huge assumption to reach that conclusion. Meanwhile figuring out how the murderer left was just completely impossible. No one could have figured out about the time difference using the info they gave us and most importantly the nature of a computer replacing a file of the same name is incorrect. A computer will never overwrite a file without being told to, in the case of a duplicate file it would likely create a file with something added on to the name to differentiate it. Sure the explanation for this would be a that Magata programmed it to overwrite files automatically but that’s something the viewer has never been made aware of. You may think that a Unix programmer might be able to figure it out but I do work with Unix systems and I didn’t have a clue. In the first place the timestamp issue only came up when Souhei used a script to extract the files. This is just cheating on the animes part. The addition of a new character at this stage is pointless and to make matters worse she’s downright obnoxious and completely unrelated to the story.

Thus the murderer is revealed to be none other than…Magata Shiki! Well of course it’s Magata, how can it be anyone other than Magata? That spotlight hasn’t budged an inch away from her for the entire series and no other character has enough exposure to possibly be a satisfying reveal. I guess I was hoping for her to be a red herring and for someone else to be the murderer but as it turns out, it’s that simple. That bugs me because I feel like I have been listening to someone who felt like they had something smart to say only for them to declare the obvious as if it was great wisdom.  So with the murder mystery turning out to be a waste I have to ask just what has this anime brought to the table. The sad thing is that when the mystery is gone there really isn’t anything left. The only notable characters are Souhei, Magata and Moe. The majority of the dialogue not related to the mystery was basically coming down to Moe getting sulky because Souhei doesn’t notice her affection or her getting jealous over Souhei. Souhei on the other hand is usually debating the philosophical or smoking. Magata is too enigmatic and alien to possibly relate to and I really do hope she has some reasonable motivation for this ridiculously convoluted plan. I mean if the goal was to remove her parents so she could give birth to the directors child then they are far better alternatives to consider than this. A tragically timed accident for example. If this was truly the only way Magata thought of on how to do this then I truly question if she even deserves the title of genius. In all honestly in the material presented feels like half a series stretched out to a full cour.

Posted on 1 December 2015 with categories: Currently Watching:, Subete ga F ni Naru

At this point the theory of Magata being pregnant before she was locked down on the Island is looking very likely as during Souhei’s revelation of the answer to everything, we get a brief glimpse of a pregnant woman. But lord only knows what the Ostriches are supposed to symbolize. What I really wonder is just how Souhei came to any conclusion at all with the lacking amount of information he was given. In particular if he does come to the conclusion that Magata was pregnant going in then I just have to question how he could possibly know that when her relationship to the director was made privy only to us, the viewers. Naturally however Souhei doesn’t share his miraculous insight as Moe cuts him off saying she will figure it out on her own. We do have three more episodes to go after all.

While Moe says she will figure it out I feel her earlier words captured my feelings on this mystery. Namely when she said, “I stopped caring about the case” and that is my exact mindset. I don’t like giving up on a puzzle but I feel the show is not handing us all the pieces needed to solve it. Two murders have happened, one inside a locked room and another on the rooftop. However we have no idea on the layout of the faculty, or the character of the facility personnel or the timeframe of the murders. The how of this mystery is missing far too much information to come to any conclusions about what happened, whereas the Who of this mystery seems blatantly obvious. I truly cannot see anyone else other than Magata being the murderer for no one else had screentime significant enough to make being the culprit justifiable. Some are saying Magata’s kid is the culprit but I find that lacking when it comes to motive and the big question of how she is able to move about the facility like a ninja despite spending her entire life in a locked small area.

No, my suspect remains Magata and from what this episode is suggesting, Magatas older sister is Magata herself. The two big hints to this is Magata comparing herself to the loneliness of seven and her sister being featured in Souhei’s revelation. What adds to this is that she is not present in any of Magata’s flashbacks and the camera’s reluctance to show Magata’s face when in the sealed area. So my current theory is this, Magata had a child in the sealed area secretly and raised her up to take on her role and impersonate her. Then under the guise of being “Magata’s older Sister” she left the island with the director. Hence why Magata has always retained a youthful appearance. The director killed the child and when he brought Magata to the island she killed him. There are numerous holes in this theory such as how did she get the things need. To raise a child without tipping off the guards or what would have happened if she had a boy or if her daughter didn’t look like her? And namely just how did the director manage to kill the girl inside a locked room? But like I said, I have past the point of caring. Subete has been a rather big disappointment and while its reveal might save it somewhat, the series would remain a slow show that plays its cards too early and then drags its feet to the finish.

Posted on 21 November 2015 with categories: Currently Watching:, Subete ga F ni Naru

Oh those poor seiyūs that had to act in today’s episode. I can only imagine the horror when a Japanese speaking seiyū is told they need to have an entire conversation in English in a fairly dialogue heavy show. Japanese and English happen to be two of the hardest languages to learn so if they managed to find one seiyū who could fluently act well in both that would have been a miracle. To give credit they did work on producing it as best they could preventing it from being unintentionally hilarious but to do so they needed to sacrifice acting out any emotion in the scene. As a result you have a scene which looks like it was acted out by Microsoft Sam. What I find odd is how these two’s impressions of Magata counter my own. I was under the impression that Magata was something whom disliked the idea of being held down by anything, yet these two claim that’s exactly what she desired.

My attention on this show happens to be slipping and the reason for that I believe is in just how little information is learned in the last few episodes. In today’s episode we learned…that outside attack is impossible, that Magata was weird even to her sister, that when Moe’s parents died Souhei was with her and that Magata knew this was going to happen 15 years ago. Most of the information is worthless as it does not give new light to motives or how this happened. Moe’s revelation about realising Souhei was with her when her parents died doesn’t really add anything, rather it renders the strange connection Magata and Moe share to be rather superficial. We are more than halfway through the series and not even close to a solution here. As the series is drawing to a close I find my brainstorming getting walled off and boxed in. There are too many uncertainties, a lack of suspects and not enough information to work with.

At this point I can’t see anyone else other than Magata being the murderer and as to why that is, because out of the only characters with significant development she’s the only one that makes sense. The rest of the cast is far too underdeveloped to make a good murderer and our two main characters are the detectives is it wouldn’t make much sense for either one to remain to try and solve a murder they committed. That leaves Magata and the director, who are both presumably dead. The more we see of Magata, the more suspicious she becomes. It’s pretty clear that she knew that this would happen fifteen years ago and the only ways she could possibly know that would be if she was a precog or planned it. Moe’s dream sequence seems to hint that Magata in some way might have transferred her existence to a digital form which I think would be a bit too supernatural for this series. I will accept some truly outrageous technology(Even if it is essentially a high tech version of a sensory deprivation tank(AKA Isolation Tank).) But I think when we reach the levels of AI then things get a bit too fantasy for my liking.

Posted on 14 November 2015 with categories: Currently Watching:, Subete ga F ni Naru

I can’t say I enjoyed this episode of Subete too much, mainly because there was less investigating and more character building. That wouldn’t be a problem if the character building wasn’t so focused on our main leads. The leads are fine, what we need is to expand on the other characters present on the island otherwise who can we point our fingers at and say “There! They did it!” Out of our entire cast, four of them are rounded enough to be considered suspects. Two of those are the detectives and the other two are presumably dead. We still have a host of workers and support characters who have as much depth as a cardboard cutout and if this series does decide that one of these people is the murderer then it’s going to have to make it much more justifiable with its second half. I was rather frustrated to see this episode focus on our two lead arguing over leaving the island, explaining everything we already know to some people who seem irrelevant to the case and the going back to the facility. Admittedly it does establish a reason why this teacher would be given the authority to act as an investigator but it feels that’s all this episode really did. The conflict seemed just like unnecessary filler seeing as it all was pushed aside so easily.

What new information we did learn was minor. One is that when the body of Magata was exiting her room on the robot trolley, the elevator was called to the roof suggesting that someone was there during the time of the incident. The other was that Magata did indeed stab and kill her parents which has me confused. If she intended to do the deed herself then why did she present the knife to the director? Why kill them openly in front of the director and his wife? Her actions make it seem that she wanted to get caught which counter her desires to be unchained. Why did she tell Moe that a “doll” killed her parents? I guess just like our main characters, we just know far too little on these matters to make a judgement. It’s possible that now is when the real investigation starts but if that is the case then I hope we work in some red herrings and side character development. For if this series focuses far too much on the “how did it happen” then the reveal of “why it happened” could come off as cheap and lacking impact.

Posted on 9 November 2015 with categories: Currently Watching:, Subete ga F ni Naru

The more I hear about Magata’s DID, the more suspect it becomes. According to this episode, Magata didn’t conceive DID out of trauma or accident but instead intentionally crafted alternate personalities so well to the point that it became DID. I personally find the mechanics of this rather fantastical as I don’t think anyone can intentionally create a mental disorder. I see this more like a child creating an imaginary friend that’s been blown out of proportion. I really liked Souhei’s explanation on how Magata was pure regardless that I disagree with it. It is a amusing hypothesis that children are born with multiple personalities fighting for dominance and as we grow into adults that personality is chained down to one. It’s the kind of philosophy that I like to indulge in a lot despite it having no real factual basis. Still to determine that purity just seems wrong as in Magata’s case she doesn’t really account for the value of human life. I don’t consider someone who can take a life without thinking about it pure, rather ignorant or emotionally stunted. In either case Magata is most certainly not pure, she’s far too calculating to be so.

I am dropping any theories on the director’s wife being behind the killings as it would be a boring development and having seen the character in this episode I just don’t think she looks to be the type. Instead I have found myself a new prime suspect, one whom I feel has the perfect motive and skills necessary to pull this off. That person being, Dr. Magata herself. At this point I highly doubt that Magata is actually dead seeing as the only person to confirm it was the island’s Doctor. She’s the only one who can program the facility to have a bug at that exact moment and her dead body was the only thing to exit the room.As put forward in this episode, Magata hated being tied down and I have no doubt that being held on this island is completly agonising for her. This entire situation may be an elaborate escape attempt but it seems that something has gone wrong. The director’s death seems to signify that he was going to be the one to fly her off the island but he either said something she didn’t quite like or he got cold feet. One particular detail which I think cements Magata as the directors killer happens to be something that was revealed in this episode. We see a flashback where Magata went to a shop and bought a knife, this same knife was then given as a present to the director at the end of the episode. This is hinting that it was the director who killed Magata’s parents because she desired it but one thing that really catches my eye is the design of the knife. I am willing to bet that this knife is the exact same knife that is currently stabbed into the back of the directors neck.

When regarding Magata as the killer a lot of things start to make sense. On that note I must admit that another outlandish theory has occured to me. Is it possible that Moe Nishinosono and Shiki Magata are one in the same? The reason I have been having this thought is because Magata seems to have a large connection to Moe despite not actually knowing her. Magata make presumptions as to how Moe’s parents died and one detail that really spurs this on is that when Magata questions her on what she was wearing when they died, a flashback Moe has shows a girl in a purple dress with black hair. The biggest torn to this theory is that Moe’s family seems to be a fairly famous name and when it comes to murder mystery in general, the detective being the killer is generally disapproved of. I still would like more information on the other characters but I am very much ready for more Subete, it’s such a pity I need to wait a week to get it.

Posted on 31 October 2015 with categories: Currently Watching:, Subete ga F ni Naru

The plot thickens as we are given a little more insight into Dr Magatas room. In this episode we learn quite a few things. That in Magata’s room she has a robot called Michiru which seems to be built with the sole purpose of imitating Magatas voice and to lock the door, and that Dr Magata suffered from DID.(Dissociative Identity Disorder) However I find myself wondering if her case of multiple personalities is genuine as she seems to be far too much in control of it. If anything it looks more like she invented her other personalities as a means of dealing with loneliness. This episode makes clear that none of Magatas other personalities were involved with her parents murder and states that the only one who could kill them was her core personality. However she claims that a doll killed her parents which according to the main characters could suggest that Magata did kill her parents but was forced to by someone else. Other interesting facts was Magatas messages on her computer which suggest that she knew that she was going to die. In murder mystery, usually everything introduced is in someway related to the murder and this one certainly makes it hard to connect the dots. But allow me to speculate a little. There is heavy focus on the director’s relationship with Dr Magata so it’s clear that is related to all this.

The easy explanation would be that the director killed Magata and that would clear up some issues. After all the director has the most access to the facility and from Magata knowing she was going to be killed, she would be more willing to accept it if it was someone she loved that was ending her life. Her interview with Moe would also factor into this as maybe she felt a connection to someone who was also in love with an older man. But if the Director killed Magata, then who killed the Director? Again, a easy assumption but it could have been his wife. Having learned about there relationship she might not have taken to kindly to it and killed the Director. There is a certain disconnect between the two murders. The first was clearly very calculated, and yet the second looked more like a impulse murder with a simple stabbing. But the directors wife lacks the screen time to consider her major factor. But another question is on my mind, is Magata truly dead? The show itself seems reluctant to have the characters examine her body as Moe was interrupted by Souhei before she could get a close look. The first to pronounce her dead, the doctor, did it rather suddenly. He was strangely not put off by the situation and straight away when to check her Pulse. It’s potentially possible that he was told to lie. Who knows, maybe Dr Magata is actually hiding inside the Robot, pretending to be an AI? Well alright, that’s rather ridiculous.

I rather liked Moe’s reaction to the dead bodies. Often in murder mystery the actual effect of death on people is played down so as to not let the drama effect the puzzle of the murder. Still here we have Moe attempting to brush off her shaken up nature and attempt to play detective. Yet her feelings are clear to everyone present. I still find the lack of character development on the others to be detrimental as I want to start pointing fingers but can’t really do that if the side characters have no characterization as of yet. There is also a issue with the shows rather bland presentation as while trying to find screenshots for this episode I found it difficult. While the shows substance is excellent and intriguing, I find that there doesn’t seem to be an effort to make it visually interesting. Counters to that claim would be that dream sequence at the end of this episode or some of the other more surreal moments. But other than these moments it just feels very…static. Though to the animators credit, there is only so much one can do with a story that has characters primarily talking in a room and not much else. But perhaps use of more visual metaphor could make things more dramatic though that runs the risk of ruining the mood of the scene. I may complain about that but I must admit to loving this series, nothing quite gets my brain working on all cylinders like a good murder mystery. Come up with a theory, watch it get shot down, come up with another one. That’s what makes these kinds of stories special.

Posted on 28 October 2015 with categories: Currently Watching:, Subete ga F ni Naru

Subete certainly isn’t rushing anywhere and that’s alright. The first two episodes looked to be setting up the closed circle and the third a closed room murder. What I like is that we are being clued in on the facts while the characters are so there aren’t any aspects like with Ranpo or Sako were the detective suddenly breaks the Knox commandments and presents evidence that was withheld from the viewer. We already have good ingredients here to ponder. We have two bodies, Dr Magata who had her legs and arms Amputated and was placed on a robot torolly. And the director who was murdered with a knife in the helicopter. Dr Magata was murdered in room that has only one entrance and exit. In the day she was murdered, no one entered or exited her room besides her corpse and The teacher confirmed that only the corpse exited the room and no one else slipped out during the confusion. The system had been programmed to mess up at that exact moment and that system was programmed by Dr Magata herself. Dr Magata herself was also in an adult relationship with the director despite being underage. On top of that there is a clear connection to the murder of Magatas parents 14 years ago which resulted in her getting detained here and this current murder. The pieces are fragmented but allow for speculation, this ladies and gents is true murder mystery. The difference between this and the quick fire no thought required mysteries of other shows is in just how much intelligent writing and misdirection is required to make it work. Because if at any point the author provides too much and gives away the payoff then the story is ruined. It requires a steady stream of information, never revealing the full hand. The big minus of these kind of stories however  is in how they can really only be experienced once as on a rewatch you know all the answers. Still as a great mystery writer Ryoukishi wrote “Tales can be enjoyed twice. First you love them. Then you tear out their guts.”

At the moment my issue with this show is that we haven’t been given much of an introduction to the side characters. Our mains have been given plenty of attention but without much detail on the others on the island it’s difficult to draw up suspects to the murders. I would like the next episodes to flesh out the motives and personalities of the others on the island. Particularly Dr Magatas sister who I currently think is integral to this entire mystery. Our main duo continues to have great chemistry and play off each other wonderfully. What I particularly like is how both of them are on the same level. There is no Watson in these two, both act as blacksmith’s tempering each other’s blades. Whenever one goes along the wrong line of thought the other counters and shows them how they are wrong. It’s a far more interesting power dynamic than having a Watson for Sherlock to explain his thoughts and show how brilliant a detective he is. The method in this show shows what the detectives are thinking while developing their characters and most importantly, showing that they are not all knowing gods of logic. What we have here is two very smart individuals trying to put together a fragmented puzzle and that’s just the way I like it. What is needed for the next episodes is clear, more information, more murders and more character development. Build on the foundation and at the right moment let it all come together in a giant payoff. The factor which will ultimately decide the final quality of Subete ga F ni Naru.

CHANGE USERNAME
Lenlo
Ground*. I hate it when I fat finger something.
Lenlo
Thats always the worst, when a story starts off promising and then someone runs it into the grouhnd
AidanAK47
@Mario, so it's still at it. To me it's like someone was given an interesting story and made it his mission to ruin it as much as possible.
SuperMario
@Aidan: it's still the same crap. I have a feeling that Sagrada Reset gives a middle finger to us viewers. The plot with development and characters that we have no way to figure out ourselves. The characters who change motive and even personality after each timeline. The main lead girl who act like a robot. I gave this show too many chance so I won't bother to spend more time watching it.
Anonymous1052767
Eromanga sensei
AidanAK47
@Mario, Oh ho, what was the dealbreaker? Just that it didn't change or did something really stupid happen?
SuperMario
Sagrada Reset (long sigh) (scratching my head) (eyes rolling). Dropped
AidanAK47
Hey you.
Konstantinos
Yeah, at this point, this season looks good.
SuperMario
Quite happy with ID-0 and Zero in particular. Zero charms me to no end that I'm still debating whether I should blog it. The trio Re:Creators, Kado, Atom still doing pretty well and the sequels MHA and Bahamut are enjoyable as expected. We have a wide range of anime offerings this season.
SuperMario
Sagrada Reset & SukaSuka I will give it another episode, at least until this current arcs over. They both have potential but Sagrada Reset tries so hard to sound smart, and SukaSuka still falls into its LN tropes which bugged the show down.
SuperMario
*no real urge
SuperMario
I've finally catch up with all other series I wanna follow this season. Alice & Zorouku will be off my list for now, Zorouko is a great character but everything else falls flat so far. I have real urge to continue Attack on Titan and Berserk so I'll wait until they're finished.
Vonter
I watched some episodes of KonoSuba yesterday, reminds me of Those Who Hunt Elves. And I suppose it might be an easy recommendation because it mainly comes down to; do you find it funny? or fun? If not, skip.
Kaiser-Eoghan
While yes its true of watching those slice of life shows week by week is better, I felt that when reading the manga for Aria it was easier to marathon by reading it rather than watching.
SuperMario
Flying witch have the same atmosphere, but it's a purely slice of life anime. I love Aria too and I agree that watching it 1 episode a time is the best way to enjoy it. Can't think of other serious anime that have those calming elements for now
Anonymous1042537
Yeah, I noticed they all have pretty different structures from one another (ACCA's political, Mushishi's naturalistic, Monster is a thriller, Rakugo's about a specific art form, 3-gatsu is ostensibly about Shogi, etc.) but I found that I found some similar calming elements in them (to different degrees of course).
Anonymous1042537
Thanks, I'll definitely check Aria out!
AidanAK47
One of the hardest shows to marathon besides Bakemonogatari. Though Bakomono gave me a headache after a few episodes whereas Aria just had me so mellow that I could drift into sleep at any second.
AidanAK47
Don't know if you could call it a sub genre as the examples you listed are all really different from each other.
Though in the vein of calming shows I think you can add the Aria series to the list. That show is so relaxing that you find yourself nodding off to it. Not out of boredom but it just has that effect on you.
Anonymous1042537
Do you guys know if there's a specific subgenre like this, or am I making it up? And are there other anime with that kind of feel. Not exactly slice of life, but in the general vicinity of it.
Anonymous1042537
The Great Passage was another great example. It delved into the seemingly boring subject matter of dictionary-making, but it was a surprisingly charming show. 3-Gatsu no Lion also looks promising, I enjoyed a lot of the first season (but wasn't a fan of the forced comedy sometimes).
Anonymous1042537
Like the episode where Tenma first meets Grimmer on the train to Prague and they have a picnic on the mountain was so dang good. I really need to rewatch that.
Anonymous1042537
There are some elements of that style in other shows too, but to a lesser extent. Like some parts of Rakguo (mainly season 1) was very soothing. Naoki Urasawa's Monster had some fantastic, almost melancholic episodes like this.
Anonymous1042537
It seems that most anime w/ that kind of style usually also have another genre mixed in. Mushishi was also very naturalistic, ACCA had a political underpinning.
Anonymous1042537
It's sort of in the vein of a "Mushishi" style show. I suspect it's an emerging subgenre of slice of life that's meant to be very calming, relaxing, atmospheric which I really am digging.
Anonymous1042537
I really hope there are more shows like it; not that it was perfect, but it was certainly unique and hit a lot more than it missed. I really like those cool, quiet shows you can enjoy with a nice cup of tea before you go to sleep.
Anonymous1042537
Ironically though, I would say that the first half of ACCA (up until the big flashback) is better enjoyed week by week, or at least that's what I found.
Kaiser-Eoghan
@Mario: It felt good marathoning a show again rather than waiting week by week and next weekend I'll probably marathon house of five leaves.
Kaiser-Eoghan
@Mario: Forgot to mention...there were certainly a share of moments in Acca that feel fanservish to the female audience =P
SuperMario
@Aidan: haven't noticed that. Will fix it soon.
AidanAK47
@Mario, Only problem I can see is that the posts have no spaces in between paragraphs.
SuperMario
... to be near my laptop for an entire week. First time that I had to blog entirely through my phone. Seemed to work out fine but I had to borrow screenshots from other source (I thank you that other source) ^^
SuperMario
*unless* rather than *as long as*. This has been a crazy week for me as I didn't have a chance
SuperMario
@anon1039488: I find the idea of limiting excess to exclusively stream an aime is a dumb idea; because as long as people have a chance to expose to the anime they won't really care to check it out. So I detest owning the legal streaming account, but I always pay back by buying DVDs/Blurays that I liked
SuperMario
I watched House of Five Leaves by the same mangaka and I really enjoyed it. Nataume Ono is a pretty excelent storyteller (a bit mixed on her art-style thou)
SuperMario
@Kaiser: I agree that the first dew episodes of ACCA were not that engaging but the endingg neatly tied up all loose ends. I still feel Grossular's act is kind of messy (why was he under such control from Lilium? He's not that kind to be in such passive role to be honest) but other than those I don't have any real complaints.
Anonymous1039488
Competition is good, but it makes it cost so much to legally watch everything. That's why a lot of people pirate I feel.
Anonymous1039488
You have Crunchryoll and Funi, fine. Then there's Daisuki which is kinda random. Then Amazon, Netflix, and Hulu all have some random anime, though it seems that mainly Amazon has current series
Anonymous1039488
I don't have Amazon Strike, which is like their new venture into anime I guess. There's too many streaming services to keep up with tbh
Kaiser-Eoghan
To be honest I'm pretty crap when it comes to supporting things, I don't pay for almost all the things I watch/read/play, I don't have a crunchy or amazon account, I still pirate legal streams.
Kaiser-Eoghan
@Anon: Is it a case that your country is blocked? Maybe go for a vpn? If you absolutely have to you could pirate the show...
Anonymous1039488
I wanna watch Re:Creators but don't have Amazon... :( alas
Kaiser-Eoghan
I feel like I need to wait and see approach with sekaisuru Kado...this prologue phase is...long...
Kaiser-Eoghan
I wish it had been 24 episodes long though to better organize itself.
Kaiser-Eoghan
Favourite characters were Jean, Groslur and Nino.
Can’t say I cared for the goofy interactions between Jean’s workfriends though.
Kaiser-Eoghan
Yet for whatever I could say about the pacing, when the twists happen they creep up on you and the show mostly lands every one of them, even if I’m not exactly pleased that sometimes the series does the “I pulled it out of the hat/ass” approach.
I’m relatively indifferent on the art/animation.
Kaiser-Eoghan
I did feel it picks up, improves by the mid-mark and to an extent the wait is worth it and things do come together even if I wasn’t always totally confidant with how it was getting there.
Kaiser-Eoghan
Having the protagonist go from district to district to flesh out the settings a decent enough idea and the main characters a fairly chill, cool guy.
Though the dialogue does create suspicion, intrigue, it does also plod/pad in equal measure at times.
Kaiser-Eoghan
Finally decided to sit down and watch Acca.
This show had its lovers/haters I’m sure, having watched it my feelings are mixed.
It is a slight breath of fresh air I’ll give it that and makes me want to maybe re-assess of adaptations of the author’s work.
Kaiser-Eoghan
@Mario: The only assayas film I've encountered so far that I disliked was Irma Vep, even though the lead actress was great, the surrounding performances, especially by Jean-Pierre-Lenaud were awful. Sils Maria I was initially evasive of because I'd heard that the relationship between Binoche and Stewarts characters was under-unexplored.
SuperMario
@Kaiser: Weersathakul's films are something else entirely...Otherworldly yet still cinematic. I feel a bit underwhelmed after watching the Unknown girl. The identity of the culprit, for example, feel forced for me that take me out our their naturalistic style. I'mmin between Clouds of sils maria too, know it's a good movie but it feels pretentous at times, like the movie Youth
Kaiser-Eoghan
@Mario: I also got round to watching Unknown girl by Dardenne, it carries enough moments of their brilliance but I felt they didn’t have as much mastery over their usual pacing style this time round, for the first time it felt like a thriller that played out like a drama, rather than a drama that has a pseudo thriller feel to it.
Going to watch Clouds of sils Maria next.
Kaiser-Eoghan
@Mario: The entire second half, which I’d have watched an entire film about is very atmospheric and dreamy/esoteric nearing just exactly the kind of thing I like.
The way he uses/shoots Thailands geography along with his cinematography is impressive, particularly in that second half.
Kaiser-Eoghan
@Mario: He shoots something simple like a chopping scene in a strangely engaging way, the scene with the old woman going into the cave is also very impressively shot and that one driving scenes with that pop song in the background has an airy feel to it.
In some ways I agree that there’s a bit of sensuality to it.
Kaiser-Eoghan
@Mario: It’s the kind of film that feeling tired/relaxed when watching it isn’t a condemnation of it(although a share of moments in the first half could be patience testing), it’s the sort of film where you aren’t really aware of anything outside of watching the film when you watch it.
Kaiser-Eoghan
@Mario: I finally looked into a Weersathakul film, Tropical Malady. I don’t even know how to give a star rating for this film.
SuperMario
I'm still on the fence with Alice & Zouroku. Like the title suggests, the warm chemistry between those two are its strongest point, but those moments are far and few in between as the story progresses and I don't care one bit about the Red Queen storyline. I might drop this one if the story doesn't improve
SuperMario
@Lenlo: 3 episodes anf Berserk still hasn't grabbed me as much. Yep facial expressions are really off-putting
Lenlo
Man... the facial expression in Berserk for the 3D models are, ever so slowly, killing me.
AidanAK47
Alright. Tommarrow I will get out all those posts I am late on seeing as the impressions are all finished.
AidanAK47
SukaSuka still has me mixed. On one hand there really are some great ideas and some well executed moments. But some of the dialogue is a bit typical of a light novel and the fanservice is really shameless. The massage at the end of the episode was something the show could really do without.
Konstantinos Travlos
I am in love with RE:Creators. I have no idea if they will keep it as good, but these two first episodes did all the right things.
AidanAK47
Alright, Easter made me lazy so it's time to play catch up.
Kaiser-Eoghan
@Puran: Or even Georgiou Nikolaidis while I'm at it, morning patrol is a great mood piece. Not familiar with the other guy.
Puran
@Kaiser: No Grammatikos recommendation? :)
SuperMario
I still enjoy Zero pretty much. I like the contrast between the beastfallen and Zero. The hilarious lines sound more like accidental to me, not the best product but I enjoy the ride so far
SuperMario
@Kaiser: agree with everything you said. Apparently Haneke put Flashmob on hold because the main actress was conflicting in her schedule, so he decided to do Happy End instead
Kaiser-Eoghan
@Aidan: Does the old man represent gritty anime of old? I don't know honestly I'm just throwing it out there.
Kaiser-Eoghan
@Mario: In case you hadn't heard, Haneke dropped the Flashmob movie and is now doing one about the refugee crisis.
Kaiser-Eoghan
@Mario: To whoever will be playing Godard in that biopic, I'd wonder if they could capture how incredibly douchey he sounds irl lol
Kaiser-Eoghan
@Mario: There is such a big divide between 50s/60s Bresson and 70s/80s Bresson.
Kaiser-Eoghan
@Mario: Lathimos and Avaranas remind me in an odd way of Tarr in that they're the only Greek filmakers people seem to talk about , Check out Koundorous and Theodorous Angelopolous' works if you can.
Kaiser-Eoghan
@Mario: Meh, I don't like that sort of overly on the nose social commentary some American films and tv shows do in recent years.
Kaiser-Eoghan
@Mario: Godards extremely hit or miss with me. Hazanavicius did the artist I think, but I'd sooner recommend Biancnieves as a stronger example of a modern take on silent cinema or maybe a Guy Maddin film.
Kaiser-Eoghan
@Mario: Lotznitza directed a gentle creature not Zvyagintsev, though the latter is a fantastic director, Leviathan's ending hit me very very hard, its gut punching and I appreciated that the return never went into too much detail regarding the father.
SuperMario
@Kaiser: off topic, I didn't realize Get Out having such buzz reception. It's coming here next week so I will get to watch it
SuperMario
@Kaiser: Michel Hazanavicius makes a biopic about Jean-Luc Godard and Anne Wiazemsky (the actress in Au Hasard Balthazard), which I think will be interesting. I considered The Lobster one of the best film out of that year so I anticipate his next movie a hell lot. Yep, I watched few movies from Andrey Zvyagintsev and he certainly is in my radar. Bleak, social commentary, technical impressive
AidanAK47
Oh, it's confirmed that was what was actually said in Japanese. Well...that's rather cringe worthy.
AidanAK47
@Anon, Can't say I am too fond of it myself. Though that arrow to the knee reference definitely sounds like something the translator added in.
Anonymous1026829
Holy shit Zero is hilarious. "I used to be a mercenary like you once. But then I took an arrow to the knee." "My magic is super weak so I need a powerful offering. Can you loan me your head please?" The comedy is so pointed and understated.
Vonter
I do like how contrasting Zelda is to Nier in the sense that. Zelda cares more about how the game plays and making the player have fun constantly but doesn't care about telling something. Nier Automata doesn't care what it throws to the player but cares a lot about it tells the things that happen to player.
Vonter
I think this is a hard game to score. Mainly because IMO the combat has wear out a bit do to the repetition and the sidequests have been a mixed bag with some being relevant to the plot or themes and some being just fodder to level up. On the other hand the game has a lot of implications, subtext and symbolism that so far has been enriching to reflect upon.
AidanAK47
@Vonter, Actually wrote up 4/5s of a review on Nier Automata but with the new season I haven't had time to finish writing the review. Though my thoughts on it are similar to yours.
Vonter
Nier Automata has a 10+ hour prologue. So far the game feels like it's more interested in delivering strong emotions than a compelling narrative, not that script is poor but seems disjointed in a way, circling around the themes of existentialism, purpose and truth without overexpositing about these things. It also some moments remind me of Fragile Dreams. Like the despair.
AidanAK47
The old man is the one I can't pin down. Been thinking he might represent the kind of anime that's critically lauded but sadly unpopular. Makes sense as he's one of the few on the opening that doesn't stand near ads for his anime. Or else he's a live action drama representative.
AidanAK47
Been wondering about the Re:Creators characters. We got the obvious representatives from Magical girl, Mecha, Light novel and video game. The knight girl looks like clear homage to Saber from Fate so a Visual novel representive? The psycho girl looks to be a chunni anime representative. And the guy who appeared at the end of ep 2 is clearly Shounen.
Kaiser-Eoghan
@Mario: The Ramsay one sticks out as the most interesting to me as does the lathimos one. I'm curious about that Russian one about the woman looking for her imprisoned husband as I'd like to watch more contempory Russian films.
Kaiser-Eoghan
@Mario: If you can get passed the accents Ramsay did a strong piece of social realism in the 90s called Ratcatcher.
Kaiser-Eoghan
@Mario: I think the only Baumbach film I've seen is Frances Ha and I liked the new wavey feel it had. With The lobster and re-watching dogtooth I was able to get into Lathimos' pitch black humour alot more. I've never actually seen a hong-sang so film.
AidanAK47
@Amagi, I still really enjoy it but I do get what you mean. Looking at the series overall so far it does feel like there was lost potential.
Amagi
I honestly still don't know what to think of LWA. I wasn't a fan of the formularic first half but the second half doesn't really catch me either. I loved the first OVA though.
AidanAK47
Well I will be damned. That G Koh commenter managed to predict the inclusion of Yggdrasil in Little Witch Academia. Nicely done.
SuperMario
@Kaiser: sadly i won't make it this year. I wanna try the Toronto International Film Fest next time whenever I have a chance
SuperMario
@Kaiser:you heard about this year's Cannes selection?Overall it's solid, not many that scream "masterpiece" for me.Overall I'm exciting for Hong Sang Soo's new movies (he has 2 movies screening at Cannes and 1 already aired at Berlin.What the hell),and The Killing of the Scared Deer(Yorgos Lnthimos), You were never really here (Lynne Ramsay),Okja(Bong Joon Ho) and Meyerowitz Stories(Noah Baubach)
Kaiser-Eoghan
Hmmm...just found out That Blame! 2017 is being done by a the Ajin director, not sure how I felt about that.
AidanAK47
Think this is the best time to end the series too as the difficultly was getting to be a bit too cheap.
AidanAK47
Lore wise it's pretty disappointing. Ending the game with an enemy that doesn't really have that much relevance. But Gameplay wise it was excellent. The final area was just beautiful.
Lenlo
Ringed City was a great piece of DLC and a good way to end the series imo.
AidanAK47
Dark souls sure can give you workout. Finally got around to finishing the ringed city DLC. Funny thing is that people were raving about how hard Midir was when I didn't have that much trouble with him. Gaol gave me some trouble but I managed it. Hardest was the demon prince and god I hate multi stage boss fights. Such a goddamn pain.
SuperMario
Atom still waiting for suitable subs. I swear to God, for a completist like myself the wait is unbearable, especially it should've been available already
HelghastKillzone
Yes it is.
Anonymous1020539
I mean...
Anonymous1020539
Re:producers is really great
Kaiser-Eoghan
@Aidan: I can see myself chancing more of it, I kind of caught into its rhythm a bit.
AidanAK47
Novels are actually really short. About 90 pages long per volume. They really could cover this in a single cour.
AidanAK47
@Kaiser, SukaSuka? From what I could tell it covered the first two chapters of the light novel. Each novel has 5 chapters. Though the first and last chapter are more of a prologue and epilogue respectively.
Kaiser-Eoghan
Actually if shuumatsu's first episode is going faster than the novel, roughly how much so? Its still obviously a slow burn in animated format but how much was covered in episode 1?
AidanAK47
Could have done without the huge infodump but otherwise still loving Re:Creators. Seeing a magical girl shocked over her own level of destructive power was great.
Kaiser-Eoghan
Eh, I liked the use of music early on in shuumatsu and theres a good mood set up early on along with a good opening scene but the later parts of the episode except maybe for the after credits bit get a shrug from me.
Kaiser-Eoghan
@Mario: Kado has made its hook, now it needs not to keep holding its cards and get going.
SuperMario
hmmm, don't know what to think about Kado ep2. Still good but I expected more
SuperMario
But really my mentality is that this site comes first. Getting more traffic and improve the site are my top priorities, then "what I wanna do for myself" comes later
SuperMario
@Travlos: guess you won't have to read me this season :). Haven't checked out the last episode of Kado yet but based from the first 2 episodes I think you'd enjoy that show.
Don’t worry. It’s something Aidan and me both agree on. We pretty much write for ourselves, otherwise we couldn’t have stayed this long. I get a chance to go off track once in a while to write something I wanna write.
Konstantinos Travlos
@SuperMario. I am definitely watching Shingeki no Koyjin 2, Shingeki no Bahamut 2, Re:Creators, Little Witch Academia, and probably Kado and Zero Kara. I may also do Zipang this season.
On the reaction reaction. What you say is ok. But remember, a hobby is something you do for yourself. There is a limit to how much you should care about the views of others. :)
Kaiser-Eoghan
@Lenlo: Or if I can use a quote from Chang from Black lagoon : "A fragranced shit will forever still retain the smell of shit"
Lenlo
As most likely the biggest Berserk fan in this chatbox, its better but that doesnt make it good. Spraying fabreeze on crap doesnt make it any more appealing. Yet I will watch it anyways.
Anonymous1018231
You don't even know
Anonymous1018231
Lies Aidan it is soooo much better
Anonymous1017807
Tbh I'm enjoying Alice to Zouroku so much simply because I identify with the old guy's no-nonsense attitude. It's fun to see the annoying loli get put in her place. X.D
AidanAK47
Anyway Bam is supposed to be covering it. Seeing as he covered the first season.
AidanAK47
@Anon, I watched the first episode of the second season. Better? Yes, but only slightly.. It has all the same problems as the first season.
Anonymous1017501
and nobody's covering it lol
Anonymous1017501
Like dramatically
Anonymous1017501
It really is much better
Anonymous1017501
You know guys its not too late to start watching Berserk Season 2...
AidanAK47
I just get annoyed when interaction is like "HUMAN, YOUR EMOTION RESPONSE IS DIFFERENT. I THEORIZE THIS IS THE REASON YOUR EMOTIONAL RESPONSE IS DIFFERENT."
Their is a definite layer of pretentiousness in how it's written, seeing how nobody gets annoyed when every character tries to psychological profile them.
AidanAK47
@Mario, I have heard word that these two episodes were a prologue story and the real story is going to kick into gear next episode. But if the characters keep talking like this then it's not going to matter what happens. It will just be terrible.
AidanAK47
@Anon, Jojo part 5 died for this. That makes it all the sadder. Plus it's two cour so this show is gonna be on for half a year.
SuperMario
Being said all that I will follow it for 1 more episode
SuperMario
And then that girl who passed away because of the reset. I feel my emotions drying up at that point. Tasteless. Heartless
SuperMario
Wanna say the same thing regarding Sagrada Reset as well. I have the feeling the show tries to sound smart that ultimately if I hear someone talks like this in real life, I would go punch his face. Manipulating the social worker by slitting your own wrist? WHAT? Asking a girl about her rules, then whenever she answers you give your own warped opinions on it to sound like you know it all? WHAT
Anonymous1016169
@Aidan: Lol, Sagrada reminds me of how I used to write. Pretentious, overly complex dialogue that nobody would use in real life unless they were trying too hard. It grits on my ears so much that I don't think I can keep watching it, especially because this is probably how it's going to be for the whole series.
Anonymous1016169
@Amagi: I feel your pain. I used to enjoy those types of shows, but I've found more and more since getting out of high school that they just make me want to take a nap. It doesn't help that they're everywhere. X.D
AidanAK47
God Sagrada Reset is frustrating. So many good ideas, all absolutely ruined by the dialogue and characters. If you just changed the dialogue a bit and made the characters emote more then this would be so very interesting. But they manage to drain the life out of the story.
AidanAK47
@Amagi, in most cases you can easily write off the ones not worth your time based on the summery. Occasional those kinds of show can turn out to be worth watching but it just doesn't happen often enough.
Amagi
Nothing against those types of anime in general, but it's just not aimed at me I guess. - I also should specify: school (semi)harem, not school alone. I enjoy Tsuki ga Kirei.
Amagi
I really love this season but I should stop testing the school- and shoujo stuff. It's almost never worth the time and it always bores me so much that I have to stop watching anime for a few hours.
Anonymous1016169
@Travlos: Why does a hobbyist artist care when someone critiques their art or a fanfic writer care about reader feedback? When you do something you enjoy, it's normal to want to improve and other people's opinions are important for that.
SuperMario
@Travlos: because 1) We still need to listen to what readers say to improve and 2) we're debating more about rating system, which I also feel the need of upgrading. btw, any shows that catch your interests so far this season?
Konstantinos Travlos
Why do you guys care about what someone thinks about your reviews? You are doing a good enough thing as is, and t is a hobby. Do your thing and do not lose time on this.
Anonymous1015915
I think I'm just gonna follow sukasuka and re:creators this season. Seem to of shown the most potential universally.
Anonymous1015442
Soy and almond milk are also available as alternatives for the lactose intolerant.
Anonymous1015442
From the manga it seems like it would translate well into an anime with the right production values so I think I'm going to try it. I was mostly concerned that they'd push the melodrama even more through the roof, haha. I did see some of the reviews on it here and they made me hopeful that it was fairly well-executed.And of course the milk can be chocolate. Just not vanilla, vanilla milk is yuck i
Lenlo
Its certainly making me happy I waited until the end of the season to binge it.
SuperMario
I'd have the milk as well... Need more milk to my life.
SuperMario
Hope Scum's Wish entertains you, Lenlo. ^^
Lenlo
I will say the sound design has been great for Scums Wish though I have not read the manga to see how it matches up
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I remember after watched a movie called “Requiem for a Dream” a few years back, I felt devastated for an entire week. The ending hit me so hard that after finished that movie I had to walk around my area for 2 hours in the middle of night to settle my feeling and I thought […]

Shouwa Genroku Rakugo Shinjuu Review – 90/100

When you have watched a large amount of anime you can come to assume that you have learned a lot about Japanese culture. Though I think it’s testament to how limited it is to view Japan through anime when you come to realize that despite watching so much, you have never heard of Rakugo. Rakugo […]

Youjo Senki Saga of Tanya the Evil Review – 80/100

Isekai stories have become somewhat of a tiresome genre as of late. There have been many stories of people being transported/reincarnated into other worlds where they shed their once pitiful exterior and become some legendary figure in another world. In most cases it’s trit, balant childish wish fulfilment and the stories often become tiresome when […]

ACCA: 13-Territory Inspection Dept. (Winter 2017) Review – 83/100

Imagine my utmost amazement when a show that I wasn’t that confident on taking in the beginning turned out to be one of the most solid offering this season had to offer. ACCA is the most recent anime adaptation from mangaka Natsume Omo, which despite isn’t a household name, many of her works (6 titles […]

Demi-chan wa Kataritai (Winter 2017) Review – 62/100

Demi-chan is one of the newest addition to the monster girl subgenre, which usually feature a human helpless male lead get stuck in a harem of mythical creatures, in form of oversized boob girls of course (why usually those monsters are in female forms anyways? Aren’t they sexless?). In this case, we have monster girls […]

Seiren (Winter 2017) Review – 51/100

Let me say this out front, Seiren is NOT a good show, it’s a highly uneven one. Throughout its run, I can see some solid moments and fresh ideas that could potentially raise it above the bar, but ultimately, view it as a whole, Seiren is a show that isn’t worth recommending. At first, I’m […]

Flip Flappers (Fall 2016) Review – 93/100

What makes Flip Flappers stand out from the rest of the anime field? I found a lot of people asking that question along the way. Well, first off, Flip Flappers isn’t your ordinary anime offering, that’s for sure. Its visual styles are too much and too incoherent for one thing, the narrative never really reveal […]

Sound! Euphonium 2 (Fall 2016) Review – 86/100

I must admit that out of all the series I was blogging last year, Sound Eupho 2 was the one I’m saddest to see it ends; not because it was my absolute favorite anime last year, but because the sheer amount of their attention to details and their ridiculously quest for perfection are something that […]