Posted on 26 March 2008 with categories: Anime Reviews, Suteki Tantei Labyrinth


Suteki Tantei Labyrinth is one of these series where there’s one thing you absolutely mustn’t do: take it seriously. Once in a while, a series appears that doesn’t really care about making sense. Still, even though Suteki Tantei Labyrinth may not have the most exciting plot, it does deliver quality entertainment.

I think the best way to understand this is to look at the two most prominent staff-members for this series: Hiroshi Watanabe for the direction, and Natsuko Takahashi for the series composition. Natsuko Takahashi is basically a very experienced and talented scriptwriter, who worked on many different series like Jigoku Shoujo, Moyashimon, Full Metal Alchemist, Gankutsuou, Popolocrois, and those are just the best among her repertoire. She made sure that each character in this series has a motivation, and is well-fleshed out. There are no loose ends left behind, and the screenplay itself is quite impressive.

Then there’s Hiroshi Watanabe, who is in my opinion the strangest director out there. He directed epics as the Law of Ueki, Orphen and was the one who proposed the concept for Jigoku Shoujo, and yet he is also the mastermind behind flops as the final parts of Star Ocean Ex, and the abominable Shining Tears X Wind. This guy really has a strange idea of what is good, and that strangeness is exactly what makes this series so enjoyable.

Enjoyable, but far-fetched. The first half of the series basically consists out of random mysteries that our main character has to solve. They range from enjoyable to absolutely ridiculous. One particular villain goes through the trouble of spiking the body of his victim on the tip of a huge radio-mast, and the extreme focuses on tea become rather jarring after a while. Thankfully, the second half removes any traces of murder-mysteries, and instead it starts developing the characters and turns into a really entertaining family-drama, full of cheesy plot-twists that just have to entertain.

This series is basically what you’d get if a series is at some parts incredibly good, while at others incredibly bad. The storytelling is quite impressive, and it definitely succeeds in keeping the rather… flawed story interesting throughout the run of 25 episodes. The characters are also enjoyable to watch, especially in the second half, and some of the drama can be surprisingly good. Still, you’ll get the most enjoyment out of this series if you like a good dose of cheese once in a while.

Posted on 25 March 2008 with categories: Suteki Tantei Labyrinth


Whaa! I could have sworn that this series had 26 episodes! To think that this was the final episodes, this series sure features a lot of series that end sooner than I expect.

And the cheese! The overwhelming cheese. This episode may not have been my idea of top-notch writing, but it sure as hell was entertaining! I remember predicting that this episode would be over-the-top, and I was right in a way. This episode was over-the-top, but not with action and manliness, but with melodrama. Seijuu ends up dead, along with Byakko, because he tried to see the future but couldn’t due to Mayuki’s mother’s influences. Mayuki tries to stop him by the request of his mother, but in the end fails.

And teh TEA IS BACK!!! After Seijuu is dead and all, Mayuki falls asleep due to exhaustion, and doesn’t wake up for days. Guess what saves him? His favourite blend of tealeaves. Things get even better when every female ends up in tears when they find out that Mayuki has woken up, and when they see him again it’s like a fest of smiles and “glad to see you back again”.

But the creators really saved the best for last. Don’t ask me how or why, but a reincarnation of Mayuki’s mother shows up at the last moment. That scene will get an “OMG” or “WTF”-reaction off almost everyone. The plot-twist is ridiculous, but I absolutely loved it. It’s good to have such a cheesy series once in a while.

Now, to get a bit more serious, it’s a shame that Seijuu didn’t really develop in the end. Sure, he was fleshed out, his motivations were shown, but he never really changed. One thing that the creators could have done better is make one of his plans fail badly; it would have been much more interesting to actually see him challenged, rather than simply defeated in the end. I like how Byakko ended up, though. She has been a character that was developed, she has questioned her master many times, and yet at the end she decided to stay with him, and I’m still not sure whether this was because she was brainwashed, or just really changed. I doubt that Seiju really in his final moments was in the mood to take everyone with him, and something really tells me that she committed suicide out of her own will.

Posted on 19 March 2008 with categories: Suteki Tantei Labyrinth


And another series where its finale has begun. So far, it hasn’t been anything amazing yet, but I never expected this series to deliver an awesome climax. For now, it was entertaining and without flaws; it was built up well, so I’m happy. The fights were entertaining, and the themes on friendship may not have been as well-developed as in, say, Higurashi, but still there’s nothing wrong with it.

In this episode, Seijuu basically gets his hands on the path that leads to god. It turns out to be the music box that Mayuki’s mother gave him when he was one… which makes me wonder why he didn’t just get it in the first place, but I think that that can be explained because Mayuki unconsciously led him towards it. So anyway, the end of the episode shows Seijuu getting into God-mode, and if things go as I think they will (which is very likely), then the next episode will feature a very flashy fight as a climax of the series, where Mayuki defeats Seijuu.

The entire success of that episode will probably depend on how Seijuu will develop. There’s still one question left: why did he leave is wife to become God? I’ve seen this series long enough to know that it can very well give background and push its story forward at the same time, so there should be no worries about this series having a rushed ending, or questions that are left unanswered, that plague quite a few other series.

One thing I do hope is that Seiran, Sanae, Hitsumi and Byakko find something to do in the next episode. One very common pitfall is that final episodes very often neglect side-characters, and these guys often end up cleaning things up after the main character and his antagonist. My prediction is that Seiran/Sanae/Hitsumi will give Mayuki the final edge in defeating the big bad Seijuu because of their friendship, but Byakko could prove to have one final card up her sleeve.

In any case, I think that this explains pretty well why I like endings that try to do something different. I’ve seen so many anime end now, that I’m getting better in predicting how they’ll end, especially the ones with generic formulas. Series like The Third and Night Head Genesis are great examples of series that really tried to be different in their endings. Series like Bokura no and Kemonozume both really succeeded in their endings that had a completely different mood, and Ooedo Rocket greatly subverted the overdone ending-trope. I’m hoping that the end of this season will add one more series to this very small list, but that one most definitely won’t be Suteki Tantei Labyrinth. :P

Posted on 12 March 2008 with categories: Suteki Tantei Labyrinth


Well, this was not the most exciting episode, but that’s because it was just an intermezzo: an aftermath of the previous episode and an introduction to the finale of this series. I’m really curious as to how the director plans to end this series. Based on his previous works that I’ve seen, it can go really anywhere. Orphen’s end was actually quite good, and the same goes for The Law of Ueki (even though the pre-ending episodes were rather disappointing there). In the meantime, Star Ocean Ex’s finale was one horrible trainwreck and the way Shining Tears X Wind ended was just plain bad.

Especially with a series like this one. If he’s crazy enough to include “the star-wars plot-twist”, then who knows what he’ll have in store for the final three episodes? The only thing that I can say with any hint of certainty is that it’ll be over-the-top, but it would be a bit anticlimactic for Mayuki to just bust up his father and then end with it.

Thankfully, there are still three episodes left, so it’s perfectly possible to get a satisfying ending down, but if you want to put down a good ending, you really have to try, and there have been enough cases where the ending made or broke a series for me. After all, it’s the ending that decides whether or not a series will leave a bad taste behind. Ah well, at least the director made sure to answer all of the questions he asked, so that’s already one point in the right direction. Now all that’s left is to finish it!

On a side-note: I’m curious: am I really the only one who still watches this series, or is there some soul out there who follows this one as well?

Posted on 5 March 2008 with categories: Suteki Tantei Labyrinth


Oh my god… you’ve got to be kidding me! This really was an awesome episode, even though this was for the wrong kind of reasons. For those who’d still like to remain in the dark about this series: a major spoiler is coming up ahead. This is really one of these plots that can be absolutely bad and still rock due to its great sense of storytelling.

I should have known! I should have known that the creators would be crazy enough to make Seijuu the FREAKING FATHER of Mayuki! I only began to suspect something when this episode showed the child-version of Seijuu. He looked suspiciously much like Mayuki back then. After then another scene was shown of about eight years later, where we see Seijuu and Mayuki’s mother in the same scene, it got me thinking that this series has been awfully silent about Mayuki’s father, and then I realized the kind of director that was behind this series, and he’s been notorious for these kinds of plot-twists.

Still, I really have to say that the build-up for this twists was excellent. The entire episode was just excellent and kept me interested, and I think that the creators too knew that they were dropping subtle hints, and as an addition, it was also really nice to see the added background for Seiran, Chien and Seiju from when they were young. The timing for the revelation was also perfect, just as the atmosphere was getting a tad too cheesy for its own good.

I can understand why the subs for this series have… rather stalled. Still, it would be interesting to see this series fully subbed one day, as it’ll definitely entertain its viewers. :)

Posted on 27 February 2008 with categories: Suteki Tantei Labyrinth


Ah, finally Byakko gets her background! I must say that this has turned into quite an interesting family-drama between Seiran, Chien and Seijuu. Their background doesn’t feel complete yet, but then again, there are still five episodes left and these can be used to fill in the blanks that we’re still missing like their parents and why Seijuu has decided to go after the Hyuugake Gentoushuu in Mayuki.

At this point, I’ve also started doubting whether Byakko will change sides or not. At the beginning of the episode, we see her about to kill her master, until he reminds her how he gave her the name Byakko. It turns out that she grew up with Youko (that was her name, right?). Then Chien took Youko away and she was all alone until Seijuu picked her up.

Seriously, Byakko’s mood took huge swings throughout the entire episode, especially after Mayuki (in Hyugake Gentoushu-mode) pointed out towards her cocky mode that she was in fact really unsure of herself. She was really fun to watch, though. One moment she was crazily uttering her name over and over, the next she dresses up in a fancy costume to lure Mayuki’s friends to a deserted location.

And I must say, that this has been one of the most solid episodes of this series yet. There’s no botched storytelling, nor any far-fetched mystery and for once everything felt believable, even Byakko’s insanity (the series built up very well for that, in my opinion). It was also refreshing that for once Seiran was out of the picture, so that none other than Chien had to protect Mayuki.

Posted on 20 February 2008 with categories: Suteki Tantei Labyrinth


This episode featured one of the best fights of this series yet. I mean, what’s not to like about Seiran, driving his van off a cliff, jumping out of it just to get to Mayuki faster. Talk about an entrance. Also Byakko’s new weapons were quite creative. I’ve seen these claws before, but never were they attached to the feet of the wielder. You can say a lot about the director, but he does know how to create a good fight if he wants to. :P

About the rest of the episode, there was a lot of talking much more than usual, which means that I’ve had more trouble than usual trying to understand it. Apparently, Sanae’s mother plays a quite a big role in this as some kind of neutral party, when both Seiju, Chien and Seiran visit her. Seiju apparently wanted something from her, in her memory. According to Byakko, this is supposed to be the “path that leads to god”. In a flashback, we see how Byakko thinks that Seiran has it.

This episode also continued to develop Byakko and Seiran, probably the ones who suffer the most from the conflict between the three brothers. We see Chien feel pity for what happened to Byakko, though we don’t see the reasons for this yet. Later this episode, she yet again tries to go after Mayuki, though as she’s about to kill Seiren (who randomly appeared with that entrance described above), Seiju yet again stops her from doing so. Seiran in the meantime is getting more and more desperate to get rid of Seiyu, especially now that he knows

Posted on 12 February 2008 with categories: Suteki Tantei Labyrinth


You know, it’s clear that I had a lot of doubts when I started this series. Especially the first half with its “mystery of the week” tested my patience more than enough. But with this episode, I can finally say for sure that I’m glad that I continued to follow this series. With the second half, this series has become so much better, and the things that were the worst about the first half (ludicrous mysteries and extreme focus on TEA) have been removed entirely. Instead, Mayuki and Seiran have gotten much more attention, not to mention that the comedy has turned out hilarious.

This episode was one of the most serious ones of the series, although there was plenty to laugh at as well (Seiran in a loincloth!? Oh my god) and a lot of background information has been revealed. We get to see how Mayuki met Sanae, how he met Hatsumi, how Byakko turned up three years ago and how Seiran transformed Hatsumi and Sanae into his servants. Oh and OMG TWIST: Seiju is Seiran’s brother. I’m looking forward to find out how that all came to be, and what role Chien plays in this.

The animation also was of top-quality this episode. You can say a lot about this series, but the fights are a feast for the senses, although the choreography could have been a bit better.

Also, it was kind-of strange to see Byakko so young. And what idiot just walks into a forest, sees a strangely specked red mushroom, and EATS it?

Posted on 6 February 2008 with categories: Suteki Tantei Labyrinth


Well, the second half of this series continues its trend of having utterly bizarre episode-openings… This time: Mayuki’s baby-photos. I’m not sure whether to commend or shun the fact that the creators have absolutely no sense of shame, because one of these pictures was particularly disturbing. You’ll understand when you see it.

The rest of the episode was about another one of the strange games by Seiran’s brother, which among others involved Mayuki and the others being chased by angry ostriches. You have to give this series credit for not screwing up the drama-part, though. It may seem really silly at times, but this episode showed yet again that this episode is quite capable to be interesting without the comedy. This really is something I miss in 90% of all other comedies. They may be funny, but their forced attempts at drama at the last minute is just weak.

I was surprised to find out that Shien was actually the older brother of Seiran. For a bipolar villain like him, he’s pretty interesting. We also learn that the reason he came was Seiju (whom we haven’t seen in weeks, incidentally). I wonder how he’ll fare against Byakko and Seiju, whenever they show up again. The fact remains that Byakko is dangerously close to convert over to the good side, so she definitely needs some more development. Heck, we still don’t know why she ended up with Seiju in the first place.

And really, first alligators, now ostriches. What’s next? Rhinos?

Posted on 30 January 2008 with categories: Suteki Tantei Labyrinth


Okay, now I know for sure: this show’s crazy!

I’m not sure what it is that the creators have taken, but I wonder where I could get some. I now finally understand how the director (Hiroshi Watanabe) could have produced series that are so incredibly different in overall quality. The guy is just incredibly dependant on the source-material that he has to adapt, and somehow manages to increase the most defining feature of said source-material. Shining Tears X Wind was rumoured to be the “worst RPG ever”, so of course you’d get a very crappy anime. The Law of Ueki, on the other hand, came from a very creative manga, and that worked just perfect with the strange sense of humour of Hiroshi Watanabe. And now Suteki Tantei Labyrinth has been adopted from a manga that according to Usagijen already was quite bizarre, and the result is… well… this.

The fact remains that nearly every of Hiroshi watanabe’s works left some kind of lasting impression on me, whether good or bad. I still cringe at how horribly cheese the twelfth episode of Shining Tears X Wind was. I still consider The Law of Ueki to be the single best shounen-fighting series out there. The final parts of Star Ocean Ex bombarded me with its horrible deus ex machinas, and it was exactly that series that made me realize how bad these are for the overall storytelling, and Suteki Tantei Labyrinth is currently fighting along with Power Puff Z for the title of “weirdest storytelling”. In the same way, I’m getting rather curious to check out his works on Tactics and Matantei Loki Ragnarok. The guy should try to animate some ideas of his own, though. I mean, he definitely has enough creativity to pull it off; he was the one who proposed the concept for Jigoku Shoujo, after all.

Anyway, about the episode… it really was one of the weirdest yet. The show may be heading further and further away from the “detective”-part in the title, but in exchange for that it has turned into a(n unintentionally) hilarious anime that just screams “don’t take me seriously”. Basically, Seiran’s brother seems to have made it to the new school-headmaster, and for that, he organizes a running-event. Mayuki, being by far the slowest person in the class, obviously doesn’t like this.

Hold on, though, it gets much weirder. When Mayuki is all alone, Hatsumi comes from out of nowhere, carrying a huge backpack full of meat and vegetables, in an attempt to replenish Mayuki’s energy (…yeah). She then falls into some kind of trap-door (yes, in the middle of a street), and both she and Mayuki end up in some kind of underground building, probably from before most of the buildings got destroyed. After a small conversation with his good and bad angel (am I the only one who was disturbed by the fact that these angels were wearing dresses?), he decides to cheat and take a shortcut.

Unfortunately, the plans of cheating are short-lived when the two of them get lost. Incidentally, he suddenly seems to have become much better at running… In any case, now we get to the really strange part… they run into a strange man who is trying to get rid of some rocks in one of the corridors. After they try to help him a bit (to no avail, by the way), he points them to a door, that’s supposed to be the exit. Behind that door, is an alligator.

Yes, don’t ask me where the heck that alligator came from. I have no freaking idea myself. After a hilarious chase, Mayuki uses the meat that Hatsumi was carrying (gee, what an incredible coincidence :P), to lure the beast away, and clear the rocks in the process. It then seems that the strange man was after a time-capsule, in which a demo-tape of his early days as a rock-band guitarist was kept. Unfortunately, the band went nowhere, and they broke up, and this demo-tape was the only thing that remained of their works. It seems that he was just being nostalgic.

The story isn’t over with just that, though. The rocks were not only blocking that time-capsule, but also some kind of underground water. Oh, and Maru ran off on his own when he smelled food. Hako uses this chance to secretly attack Hatsumi for no apparent reason, and Seiran, who also came from nowhere, tries to stop her, but fails. In the end, everyone flees from the water. For some reason, in the aftermath we see water come from the top of a huge building, which would be physically rather impossible. But then again, this is at least better than the murder on top of the radio-tower…

The episode ends with a very strange twist: The owner of the previously mentioned alligator is Shien, and he seems to have called her “Catherine”. Incidentally, it hasn’t eaten the meat from Mayuki at all, and strangely enough, the two of them end up hugging each other… Really, looking back, this series has so many bad storytelling-errors, but I’m really beginning to think that this was intentional…

CHANGE USERNAME
AidanAK47
@Mario, so it's still at it. To me it's like someone was given an interesting story and made it his mission to ruin it as much as possible.
SuperMario
@Aidan: it's still the same crap. I have a feeling that Sagrada Reset gives a middle finger to us viewers. The plot with development and characters that we have no way to figure out ourselves. The characters who change motive and even personality after each timeline. The main lead girl who act like a robot. I gave this show too many chance so I won't bother to spend more time watching it.
Anonymous1052767
Eromanga sensei
AidanAK47
@Mario, Oh ho, what was the dealbreaker? Just that it didn't change or did something really stupid happen?
SuperMario
Sagrada Reset (long sigh) (scratching my head) (eyes rolling). Dropped
AidanAK47
Hey you.
Konstantinos
Yeah, at this point, this season looks good.
SuperMario
Quite happy with ID-0 and Zero in particular. Zero charms me to no end that I'm still debating whether I should blog it. The trio Re:Creators, Kado, Atom still doing pretty well and the sequels MHA and Bahamut are enjoyable as expected. We have a wide range of anime offerings this season.
SuperMario
Sagrada Reset & SukaSuka I will give it another episode, at least until this current arcs over. They both have potential but Sagrada Reset tries so hard to sound smart, and SukaSuka still falls into its LN tropes which bugged the show down.
SuperMario
*no real urge
SuperMario
I've finally catch up with all other series I wanna follow this season. Alice & Zorouku will be off my list for now, Zorouko is a great character but everything else falls flat so far. I have real urge to continue Attack on Titan and Berserk so I'll wait until they're finished.
Vonter
I watched some episodes of KonoSuba yesterday, reminds me of Those Who Hunt Elves. And I suppose it might be an easy recommendation because it mainly comes down to; do you find it funny? or fun? If not, skip.
Kaiser-Eoghan
While yes its true of watching those slice of life shows week by week is better, I felt that when reading the manga for Aria it was easier to marathon by reading it rather than watching.
SuperMario
Flying witch have the same atmosphere, but it's a purely slice of life anime. I love Aria too and I agree that watching it 1 episode a time is the best way to enjoy it. Can't think of other serious anime that have those calming elements for now
Anonymous1042537
Yeah, I noticed they all have pretty different structures from one another (ACCA's political, Mushishi's naturalistic, Monster is a thriller, Rakugo's about a specific art form, 3-gatsu is ostensibly about Shogi, etc.) but I found that I found some similar calming elements in them (to different degrees of course).
Anonymous1042537
Thanks, I'll definitely check Aria out!
AidanAK47
One of the hardest shows to marathon besides Bakemonogatari. Though Bakomono gave me a headache after a few episodes whereas Aria just had me so mellow that I could drift into sleep at any second.
AidanAK47
Don't know if you could call it a sub genre as the examples you listed are all really different from each other.
Though in the vein of calming shows I think you can add the Aria series to the list. That show is so relaxing that you find yourself nodding off to it. Not out of boredom but it just has that effect on you.
Anonymous1042537
Do you guys know if there's a specific subgenre like this, or am I making it up? And are there other anime with that kind of feel. Not exactly slice of life, but in the general vicinity of it.
Anonymous1042537
The Great Passage was another great example. It delved into the seemingly boring subject matter of dictionary-making, but it was a surprisingly charming show. 3-Gatsu no Lion also looks promising, I enjoyed a lot of the first season (but wasn't a fan of the forced comedy sometimes).
Anonymous1042537
Like the episode where Tenma first meets Grimmer on the train to Prague and they have a picnic on the mountain was so dang good. I really need to rewatch that.
Anonymous1042537
There are some elements of that style in other shows too, but to a lesser extent. Like some parts of Rakguo (mainly season 1) was very soothing. Naoki Urasawa's Monster had some fantastic, almost melancholic episodes like this.
Anonymous1042537
It seems that most anime w/ that kind of style usually also have another genre mixed in. Mushishi was also very naturalistic, ACCA had a political underpinning.
Anonymous1042537
It's sort of in the vein of a "Mushishi" style show. I suspect it's an emerging subgenre of slice of life that's meant to be very calming, relaxing, atmospheric which I really am digging.
Anonymous1042537
I really hope there are more shows like it; not that it was perfect, but it was certainly unique and hit a lot more than it missed. I really like those cool, quiet shows you can enjoy with a nice cup of tea before you go to sleep.
Anonymous1042537
Ironically though, I would say that the first half of ACCA (up until the big flashback) is better enjoyed week by week, or at least that's what I found.
Kaiser-Eoghan
@Mario: It felt good marathoning a show again rather than waiting week by week and next weekend I'll probably marathon house of five leaves.
Kaiser-Eoghan
@Mario: Forgot to mention...there were certainly a share of moments in Acca that feel fanservish to the female audience =P
SuperMario
@Aidan: haven't noticed that. Will fix it soon.
AidanAK47
@Mario, Only problem I can see is that the posts have no spaces in between paragraphs.
SuperMario
... to be near my laptop for an entire week. First time that I had to blog entirely through my phone. Seemed to work out fine but I had to borrow screenshots from other source (I thank you that other source) ^^
SuperMario
*unless* rather than *as long as*. This has been a crazy week for me as I didn't have a chance
SuperMario
@anon1039488: I find the idea of limiting excess to exclusively stream an aime is a dumb idea; because as long as people have a chance to expose to the anime they won't really care to check it out. So I detest owning the legal streaming account, but I always pay back by buying DVDs/Blurays that I liked
SuperMario
I watched House of Five Leaves by the same mangaka and I really enjoyed it. Nataume Ono is a pretty excelent storyteller (a bit mixed on her art-style thou)
SuperMario
@Kaiser: I agree that the first dew episodes of ACCA were not that engaging but the endingg neatly tied up all loose ends. I still feel Grossular's act is kind of messy (why was he under such control from Lilium? He's not that kind to be in such passive role to be honest) but other than those I don't have any real complaints.
Anonymous1039488
Competition is good, but it makes it cost so much to legally watch everything. That's why a lot of people pirate I feel.
Anonymous1039488
You have Crunchryoll and Funi, fine. Then there's Daisuki which is kinda random. Then Amazon, Netflix, and Hulu all have some random anime, though it seems that mainly Amazon has current series
Anonymous1039488
I don't have Amazon Strike, which is like their new venture into anime I guess. There's too many streaming services to keep up with tbh
Kaiser-Eoghan
To be honest I'm pretty crap when it comes to supporting things, I don't pay for almost all the things I watch/read/play, I don't have a crunchy or amazon account, I still pirate legal streams.
Kaiser-Eoghan
@Anon: Is it a case that your country is blocked? Maybe go for a vpn? If you absolutely have to you could pirate the show...
Anonymous1039488
I wanna watch Re:Creators but don't have Amazon... :( alas
Kaiser-Eoghan
I feel like I need to wait and see approach with sekaisuru Kado...this prologue phase is...long...
Kaiser-Eoghan
I wish it had been 24 episodes long though to better organize itself.
Kaiser-Eoghan
Favourite characters were Jean, Groslur and Nino.
Can’t say I cared for the goofy interactions between Jean’s workfriends though.
Kaiser-Eoghan
Yet for whatever I could say about the pacing, when the twists happen they creep up on you and the show mostly lands every one of them, even if I’m not exactly pleased that sometimes the series does the “I pulled it out of the hat/ass” approach.
I’m relatively indifferent on the art/animation.
Kaiser-Eoghan
I did feel it picks up, improves by the mid-mark and to an extent the wait is worth it and things do come together even if I wasn’t always totally confidant with how it was getting there.
Kaiser-Eoghan
Having the protagonist go from district to district to flesh out the settings a decent enough idea and the main characters a fairly chill, cool guy.
Though the dialogue does create suspicion, intrigue, it does also plod/pad in equal measure at times.
Kaiser-Eoghan
Finally decided to sit down and watch Acca.
This show had its lovers/haters I’m sure, having watched it my feelings are mixed.
It is a slight breath of fresh air I’ll give it that and makes me want to maybe re-assess of adaptations of the author’s work.
Kaiser-Eoghan
@Mario: The only assayas film I've encountered so far that I disliked was Irma Vep, even though the lead actress was great, the surrounding performances, especially by Jean-Pierre-Lenaud were awful. Sils Maria I was initially evasive of because I'd heard that the relationship between Binoche and Stewarts characters was under-unexplored.
SuperMario
@Kaiser: Weersathakul's films are something else entirely...Otherworldly yet still cinematic. I feel a bit underwhelmed after watching the Unknown girl. The identity of the culprit, for example, feel forced for me that take me out our their naturalistic style. I'mmin between Clouds of sils maria too, know it's a good movie but it feels pretentous at times, like the movie Youth
Kaiser-Eoghan
@Mario: I also got round to watching Unknown girl by Dardenne, it carries enough moments of their brilliance but I felt they didn’t have as much mastery over their usual pacing style this time round, for the first time it felt like a thriller that played out like a drama, rather than a drama that has a pseudo thriller feel to it.
Going to watch Clouds of sils Maria next.
Kaiser-Eoghan
@Mario: The entire second half, which I’d have watched an entire film about is very atmospheric and dreamy/esoteric nearing just exactly the kind of thing I like.
The way he uses/shoots Thailands geography along with his cinematography is impressive, particularly in that second half.
Kaiser-Eoghan
@Mario: He shoots something simple like a chopping scene in a strangely engaging way, the scene with the old woman going into the cave is also very impressively shot and that one driving scenes with that pop song in the background has an airy feel to it.
In some ways I agree that there’s a bit of sensuality to it.
Kaiser-Eoghan
@Mario: It’s the kind of film that feeling tired/relaxed when watching it isn’t a condemnation of it(although a share of moments in the first half could be patience testing), it’s the sort of film where you aren’t really aware of anything outside of watching the film when you watch it.
Kaiser-Eoghan
@Mario: I finally looked into a Weersathakul film, Tropical Malady. I don’t even know how to give a star rating for this film.
SuperMario
I'm still on the fence with Alice & Zouroku. Like the title suggests, the warm chemistry between those two are its strongest point, but those moments are far and few in between as the story progresses and I don't care one bit about the Red Queen storyline. I might drop this one if the story doesn't improve
SuperMario
@Lenlo: 3 episodes anf Berserk still hasn't grabbed me as much. Yep facial expressions are really off-putting
Lenlo
Man... the facial expression in Berserk for the 3D models are, ever so slowly, killing me.
AidanAK47
Alright. Tommarrow I will get out all those posts I am late on seeing as the impressions are all finished.
AidanAK47
SukaSuka still has me mixed. On one hand there really are some great ideas and some well executed moments. But some of the dialogue is a bit typical of a light novel and the fanservice is really shameless. The massage at the end of the episode was something the show could really do without.
Konstantinos Travlos
I am in love with RE:Creators. I have no idea if they will keep it as good, but these two first episodes did all the right things.
AidanAK47
Alright, Easter made me lazy so it's time to play catch up.
Kaiser-Eoghan
@Puran: Or even Georgiou Nikolaidis while I'm at it, morning patrol is a great mood piece. Not familiar with the other guy.
Puran
@Kaiser: No Grammatikos recommendation? :)
SuperMario
I still enjoy Zero pretty much. I like the contrast between the beastfallen and Zero. The hilarious lines sound more like accidental to me, not the best product but I enjoy the ride so far
SuperMario
@Kaiser: agree with everything you said. Apparently Haneke put Flashmob on hold because the main actress was conflicting in her schedule, so he decided to do Happy End instead
Kaiser-Eoghan
@Aidan: Does the old man represent gritty anime of old? I don't know honestly I'm just throwing it out there.
Kaiser-Eoghan
@Mario: In case you hadn't heard, Haneke dropped the Flashmob movie and is now doing one about the refugee crisis.
Kaiser-Eoghan
@Mario: To whoever will be playing Godard in that biopic, I'd wonder if they could capture how incredibly douchey he sounds irl lol
Kaiser-Eoghan
@Mario: There is such a big divide between 50s/60s Bresson and 70s/80s Bresson.
Kaiser-Eoghan
@Mario: Lathimos and Avaranas remind me in an odd way of Tarr in that they're the only Greek filmakers people seem to talk about , Check out Koundorous and Theodorous Angelopolous' works if you can.
Kaiser-Eoghan
@Mario: Meh, I don't like that sort of overly on the nose social commentary some American films and tv shows do in recent years.
Kaiser-Eoghan
@Mario: Godards extremely hit or miss with me. Hazanavicius did the artist I think, but I'd sooner recommend Biancnieves as a stronger example of a modern take on silent cinema or maybe a Guy Maddin film.
Kaiser-Eoghan
@Mario: Lotznitza directed a gentle creature not Zvyagintsev, though the latter is a fantastic director, Leviathan's ending hit me very very hard, its gut punching and I appreciated that the return never went into too much detail regarding the father.
SuperMario
@Kaiser: off topic, I didn't realize Get Out having such buzz reception. It's coming here next week so I will get to watch it
SuperMario
@Kaiser: Michel Hazanavicius makes a biopic about Jean-Luc Godard and Anne Wiazemsky (the actress in Au Hasard Balthazard), which I think will be interesting. I considered The Lobster one of the best film out of that year so I anticipate his next movie a hell lot. Yep, I watched few movies from Andrey Zvyagintsev and he certainly is in my radar. Bleak, social commentary, technical impressive
AidanAK47
Oh, it's confirmed that was what was actually said in Japanese. Well...that's rather cringe worthy.
AidanAK47
@Anon, Can't say I am too fond of it myself. Though that arrow to the knee reference definitely sounds like something the translator added in.
Anonymous1026829
Holy shit Zero is hilarious. "I used to be a mercenary like you once. But then I took an arrow to the knee." "My magic is super weak so I need a powerful offering. Can you loan me your head please?" The comedy is so pointed and understated.
Vonter
I do like how contrasting Zelda is to Nier in the sense that. Zelda cares more about how the game plays and making the player have fun constantly but doesn't care about telling something. Nier Automata doesn't care what it throws to the player but cares a lot about it tells the things that happen to player.
Vonter
I think this is a hard game to score. Mainly because IMO the combat has wear out a bit do to the repetition and the sidequests have been a mixed bag with some being relevant to the plot or themes and some being just fodder to level up. On the other hand the game has a lot of implications, subtext and symbolism that so far has been enriching to reflect upon.
AidanAK47
@Vonter, Actually wrote up 4/5s of a review on Nier Automata but with the new season I haven't had time to finish writing the review. Though my thoughts on it are similar to yours.
Vonter
Nier Automata has a 10+ hour prologue. So far the game feels like it's more interested in delivering strong emotions than a compelling narrative, not that script is poor but seems disjointed in a way, circling around the themes of existentialism, purpose and truth without overexpositing about these things. It also some moments remind me of Fragile Dreams. Like the despair.
AidanAK47
The old man is the one I can't pin down. Been thinking he might represent the kind of anime that's critically lauded but sadly unpopular. Makes sense as he's one of the few on the opening that doesn't stand near ads for his anime. Or else he's a live action drama representative.
AidanAK47
Been wondering about the Re:Creators characters. We got the obvious representatives from Magical girl, Mecha, Light novel and video game. The knight girl looks like clear homage to Saber from Fate so a Visual novel representive? The psycho girl looks to be a chunni anime representative. And the guy who appeared at the end of ep 2 is clearly Shounen.
Kaiser-Eoghan
@Mario: The Ramsay one sticks out as the most interesting to me as does the lathimos one. I'm curious about that Russian one about the woman looking for her imprisoned husband as I'd like to watch more contempory Russian films.
Kaiser-Eoghan
@Mario: If you can get passed the accents Ramsay did a strong piece of social realism in the 90s called Ratcatcher.
Kaiser-Eoghan
@Mario: I think the only Baumbach film I've seen is Frances Ha and I liked the new wavey feel it had. With The lobster and re-watching dogtooth I was able to get into Lathimos' pitch black humour alot more. I've never actually seen a hong-sang so film.
AidanAK47
@Amagi, I still really enjoy it but I do get what you mean. Looking at the series overall so far it does feel like there was lost potential.
Amagi
I honestly still don't know what to think of LWA. I wasn't a fan of the formularic first half but the second half doesn't really catch me either. I loved the first OVA though.
AidanAK47
Well I will be damned. That G Koh commenter managed to predict the inclusion of Yggdrasil in Little Witch Academia. Nicely done.
SuperMario
@Kaiser: sadly i won't make it this year. I wanna try the Toronto International Film Fest next time whenever I have a chance
SuperMario
@Kaiser:you heard about this year's Cannes selection?Overall it's solid, not many that scream "masterpiece" for me.Overall I'm exciting for Hong Sang Soo's new movies (he has 2 movies screening at Cannes and 1 already aired at Berlin.What the hell),and The Killing of the Scared Deer(Yorgos Lnthimos), You were never really here (Lynne Ramsay),Okja(Bong Joon Ho) and Meyerowitz Stories(Noah Baubach)
Kaiser-Eoghan
Hmmm...just found out That Blame! 2017 is being done by a the Ajin director, not sure how I felt about that.
AidanAK47
Think this is the best time to end the series too as the difficultly was getting to be a bit too cheap.
AidanAK47
Lore wise it's pretty disappointing. Ending the game with an enemy that doesn't really have that much relevance. But Gameplay wise it was excellent. The final area was just beautiful.
Lenlo
Ringed City was a great piece of DLC and a good way to end the series imo.
AidanAK47
Dark souls sure can give you workout. Finally got around to finishing the ringed city DLC. Funny thing is that people were raving about how hard Midir was when I didn't have that much trouble with him. Gaol gave me some trouble but I managed it. Hardest was the demon prince and god I hate multi stage boss fights. Such a goddamn pain.
SuperMario
Atom still waiting for suitable subs. I swear to God, for a completist like myself the wait is unbearable, especially it should've been available already
HelghastKillzone
Yes it is.
Anonymous1020539
I mean...
Anonymous1020539
Re:producers is really great
Kaiser-Eoghan
@Aidan: I can see myself chancing more of it, I kind of caught into its rhythm a bit.
AidanAK47
Novels are actually really short. About 90 pages long per volume. They really could cover this in a single cour.
AidanAK47
@Kaiser, SukaSuka? From what I could tell it covered the first two chapters of the light novel. Each novel has 5 chapters. Though the first and last chapter are more of a prologue and epilogue respectively.
Kaiser-Eoghan
Actually if shuumatsu's first episode is going faster than the novel, roughly how much so? Its still obviously a slow burn in animated format but how much was covered in episode 1?
AidanAK47
Could have done without the huge infodump but otherwise still loving Re:Creators. Seeing a magical girl shocked over her own level of destructive power was great.
Kaiser-Eoghan
Eh, I liked the use of music early on in shuumatsu and theres a good mood set up early on along with a good opening scene but the later parts of the episode except maybe for the after credits bit get a shrug from me.
Kaiser-Eoghan
@Mario: Kado has made its hook, now it needs not to keep holding its cards and get going.
SuperMario
hmmm, don't know what to think about Kado ep2. Still good but I expected more
SuperMario
But really my mentality is that this site comes first. Getting more traffic and improve the site are my top priorities, then "what I wanna do for myself" comes later
SuperMario
@Travlos: guess you won't have to read me this season :). Haven't checked out the last episode of Kado yet but based from the first 2 episodes I think you'd enjoy that show.
Don’t worry. It’s something Aidan and me both agree on. We pretty much write for ourselves, otherwise we couldn’t have stayed this long. I get a chance to go off track once in a while to write something I wanna write.
Konstantinos Travlos
@SuperMario. I am definitely watching Shingeki no Koyjin 2, Shingeki no Bahamut 2, Re:Creators, Little Witch Academia, and probably Kado and Zero Kara. I may also do Zipang this season.
On the reaction reaction. What you say is ok. But remember, a hobby is something you do for yourself. There is a limit to how much you should care about the views of others. :)
Kaiser-Eoghan
@Lenlo: Or if I can use a quote from Chang from Black lagoon : "A fragranced shit will forever still retain the smell of shit"
Lenlo
As most likely the biggest Berserk fan in this chatbox, its better but that doesnt make it good. Spraying fabreeze on crap doesnt make it any more appealing. Yet I will watch it anyways.
Anonymous1018231
You don't even know
Anonymous1018231
Lies Aidan it is soooo much better
Anonymous1017807
Tbh I'm enjoying Alice to Zouroku so much simply because I identify with the old guy's no-nonsense attitude. It's fun to see the annoying loli get put in her place. X.D
AidanAK47
Anyway Bam is supposed to be covering it. Seeing as he covered the first season.
AidanAK47
@Anon, I watched the first episode of the second season. Better? Yes, but only slightly.. It has all the same problems as the first season.
Anonymous1017501
and nobody's covering it lol
Anonymous1017501
Like dramatically
Anonymous1017501
It really is much better
Anonymous1017501
You know guys its not too late to start watching Berserk Season 2...
AidanAK47
I just get annoyed when interaction is like "HUMAN, YOUR EMOTION RESPONSE IS DIFFERENT. I THEORIZE THIS IS THE REASON YOUR EMOTIONAL RESPONSE IS DIFFERENT."
Their is a definite layer of pretentiousness in how it's written, seeing how nobody gets annoyed when every character tries to psychological profile them.
AidanAK47
@Mario, I have heard word that these two episodes were a prologue story and the real story is going to kick into gear next episode. But if the characters keep talking like this then it's not going to matter what happens. It will just be terrible.
AidanAK47
@Anon, Jojo part 5 died for this. That makes it all the sadder. Plus it's two cour so this show is gonna be on for half a year.
SuperMario
Being said all that I will follow it for 1 more episode
SuperMario
And then that girl who passed away because of the reset. I feel my emotions drying up at that point. Tasteless. Heartless
SuperMario
Wanna say the same thing regarding Sagrada Reset as well. I have the feeling the show tries to sound smart that ultimately if I hear someone talks like this in real life, I would go punch his face. Manipulating the social worker by slitting your own wrist? WHAT? Asking a girl about her rules, then whenever she answers you give your own warped opinions on it to sound like you know it all? WHAT
Anonymous1016169
@Aidan: Lol, Sagrada reminds me of how I used to write. Pretentious, overly complex dialogue that nobody would use in real life unless they were trying too hard. It grits on my ears so much that I don't think I can keep watching it, especially because this is probably how it's going to be for the whole series.
Anonymous1016169
@Amagi: I feel your pain. I used to enjoy those types of shows, but I've found more and more since getting out of high school that they just make me want to take a nap. It doesn't help that they're everywhere. X.D
AidanAK47
God Sagrada Reset is frustrating. So many good ideas, all absolutely ruined by the dialogue and characters. If you just changed the dialogue a bit and made the characters emote more then this would be so very interesting. But they manage to drain the life out of the story.
AidanAK47
@Amagi, in most cases you can easily write off the ones not worth your time based on the summery. Occasional those kinds of show can turn out to be worth watching but it just doesn't happen often enough.
Amagi
Nothing against those types of anime in general, but it's just not aimed at me I guess. - I also should specify: school (semi)harem, not school alone. I enjoy Tsuki ga Kirei.
Amagi
I really love this season but I should stop testing the school- and shoujo stuff. It's almost never worth the time and it always bores me so much that I have to stop watching anime for a few hours.
Anonymous1016169
@Travlos: Why does a hobbyist artist care when someone critiques their art or a fanfic writer care about reader feedback? When you do something you enjoy, it's normal to want to improve and other people's opinions are important for that.
SuperMario
@Travlos: because 1) We still need to listen to what readers say to improve and 2) we're debating more about rating system, which I also feel the need of upgrading. btw, any shows that catch your interests so far this season?
Konstantinos Travlos
Why do you guys care about what someone thinks about your reviews? You are doing a good enough thing as is, and t is a hobby. Do your thing and do not lose time on this.
Anonymous1015915
I think I'm just gonna follow sukasuka and re:creators this season. Seem to of shown the most potential universally.
Anonymous1015442
Soy and almond milk are also available as alternatives for the lactose intolerant.
Anonymous1015442
From the manga it seems like it would translate well into an anime with the right production values so I think I'm going to try it. I was mostly concerned that they'd push the melodrama even more through the roof, haha. I did see some of the reviews on it here and they made me hopeful that it was fairly well-executed.And of course the milk can be chocolate. Just not vanilla, vanilla milk is yuck i
Lenlo
Its certainly making me happy I waited until the end of the season to binge it.
SuperMario
I'd have the milk as well... Need more milk to my life.
SuperMario
Hope Scum's Wish entertains you, Lenlo. ^^
Lenlo
I will say the sound design has been great for Scums Wish though I have not read the manga to see how it matches up
Lenlo
I dont think "enjoyed" is the right word for this kind of show, but I do know im going to finish it.

Also, can the milk be chocolate?
Anonymous1015350
@Lenlo: That's true, but I also feel like everyone here needs some milk. And I've been reading the Scum's Wish manga and can't decide if it'll be worth it to watch the anime.
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