Posted on 24 December 2009 with categories: Anime Reviews, Umineko no Naku Koro ni



When it aired, Higurashi no Naku Koro ni really blew my mind with its mystery horror combination, so obviously I was looking forward to its spiritual successor: Umineko no Naku Koro ni. It really managed to take the Higurashi formula, and take it into a new, fresh and original direction with a really mind-blowing mystery-story.

Umineko at heart is a murder mystery-story with so many layers, so many red herrings and so many times at which the viewer is forced to look beyond the box for new clues as to the identity of the real killer. Higurashi already had me forming wild theories about what was going on, but this effect is even more noticeable in Umineko. It’s a really thought-provoking story that makes you think you have a clue as to what’s going on, only to throw a plot twist that renders all of your speculation useless. This mystery really is why you want to watch this series, because it really does this like no other.

It’s just a shame that the story’s incomplete. There’s no second season announced at this point, so at the end of the series, you’re not going to know what the heck happened throughout the majority of the series. This really is the thing that I hate the most about modern anime: that the shows with weak sales don’t get their much-needed sequels. Umineko is at the verge of becoming yet another one of them. NOTE TO SELF: delete this paragraph in the unlikely event that a second season does get announced.

Okay, so how about the execution? Unfortunately, it’s a bit rushed. Apparently, the creators tried to stuff 50 hours of visual novels into just 26 episodes, so a lot had to be cut. While the cuts were made skillfully so that the entire storyline is still intact, the direction feels rushed at times, and not as captivating as it could have been. The animation is rushed as well, but thankfully neither are bad enough to get in the way of what’s really important.

Because of that, I can say that I really enjoyed this series. It’s a thought-provoking series that really brings mystery to a whole new level. But where the heck is that second season?

Storytelling: 8/10 – Direction could have been better, but well paced which keeps your attention.
Characters: 9/10 – Large and varied cast of characters where nobody feels redundant.
Production-Values: 7/10 – Good music, rushed animation.
Setting: 10/10 – Incredibly thought-provoking. Brings mystery to new levels.
Posted on with categories: Umineko no Naku Koro ni



Okay, so apparently this episode was terrible for the visual novel readers. I however am just watching this anime, so I don’t care. This episode was pretty good, and the only thing I’m raging about is that bloody cliff-hanger, especially considering that that second season might not even come!

However, I do agree that Umineko was really, really rushed. How could this have happened, really? People keep saying “DEEN! DEEN! DEEN!”, but they’ve made plenty of great series and adaptations in the past, so that can’t be the only thing. In the end, my eye still falls back to Chiaki Kon, the director. I don’t like her. While she adapted the Higurashi novels really well, with nice balance and a strong direction, she was able to do so because she really didn’t have anything else to do at that time. It was her debut, so she really had to prove that she could direct something right.

But take a look what she’s up to from the past spring: 20 episodes of Hanasakeru Seishounen, 26 episodes of Umineko no Naku Koro ni, and when this is over she’s going to do Nodame Cantabile’s finale. That’s more than 52 episodes within one year! She really took way too much on her plate, and like Shinbo I’d wish that she’d just concentrate on one single series and make that one right, instead of trying to do everything at the same time. Now all of those shows are just going to be really rushed, and they’ll miss the strong direction that Higurashi had. Most directors manage to produce one series every two years, or perhaps even one series a year. Counting the upcoming winter-season, Chiaki Kon has directed six series in two years. Somebody stop her and hand those series over to some other directors. I mean, Studio Deen has enough other talents walking around.

At this point, I have a really hard time deciding how to judge this series. Rushed or not, Umineko has one hell of a backstory. It was always fun to formulate theories, trying to figure out what’s going on. This is why I’m not going to recommend this series to people who already played the visual novel. Not because it’s badly executed, but by far the best thing about Umineko is its mystery. When you already know what’s going to happen, then what’s left? What’s the fun in reading a detective novel if you already know exactly how everything is going to happen?

As for the people who haven’t played the game, it’s a bit trickier, though. It’s a great watch, but I sure as hell ain’t going to recommend this if a second season isn’t being produced. It’s like reading a detective novel, only to discover that someone ripped off the entire second half. This is probably the thing I like the least about anime: it’s “let’s just animate the first part so that we can only animate the conclusion when the sales are good”-mentality. Imagine if Monster or Legend of Galactic Heroes were animated this way.

EDIT: ah, forgot to talk about the episode. It’s interesting how Beatrice basically let Battler bombard her with theories that she could in fact just have blown all away, as if she wanted to lose. At first I thought that she was simply acting again, but for some reason I don’t think she really did that here. Kinzou’s death actually being confirmed was a major revelation, of course. The question really is: who the hell is this guy? If he is one of the seventeen people alive, the servants must be playing a really strange game.

At this point, it’s pretty clear that at least one of them is in on the game: there are only a few family members who knew about Kinzou’s death, while they were in on it all along since they lived inside his house, and otherwise the closed room murder in the third arc would be pretty impossible, but actually plausible: they knew that Kinzou was already dead, and made it seem that he was killed along with the other six to cover him up.

I also wonder, at the end we see Lambdadelta and Bernkastel talk about how Beatrice must never win. Again, big clue: the two are working together and somehow have interest in keeping the game going on forever. And how is Bernkastel’s magic going to play in, I wonder? I mean, her magic is to make anything happen as long as the possibility isn’t zero. If Beatrice is going to be able to win of her she’s going to have to be able to create such a lock-down that there’s no possibility for escape.

There. Happy now? ;)
Rating: * (Good)

And remember: even though the series is finished now, I still reserve the right to delete any comment that spoils beyond this point in the novel

Posted on 17 December 2009 with categories: Umineko no Naku Koro ni



This episode was evil. The previous episode left with a huge cliff-hanger, so I was really looking forward to see what would happen with Beatrice next… and here this episode comes and focuses entirely at Ange. That’s definitely not what I expected for a semi-final episode.

It wasn’t exactly a major episode, though for some reason the characters kept using different names for older Eva and Maria’s diary. For some reason, old Eva now changed her name to Kasumi, though this was probably to escape the links she had with the Rokkenjima murders. Maria’s diary somehow is called Mariage Sorciere. We still don’t exactly know the how and why of this, but my guess is that it’s Maria’s magical alter ego who wrote the diary, explaining why the handwriting is different.

I think the most confusing part of this episode was right after Kasumi showed up from out of nowhere, as it took a while to sink in what the heck she was talking about. Basically, Eva refers to Kyrie as her older sister, meaning that she’s actually a part of the Sumadera family. Then really, what does this mean for the Ushinomiya-family? Is Hideyoshi actually Kinzou’s child? On top of that, Kyrie was about to marry this mysterious Hideyoshi, but instead married Rudolf, who then had a son called Battler who isn’t the same Battler as meta-Battler. Damn, and I thought the previous episode was complicated.

EDIT: Ack, I just realized that there are two old ladies in Ange’s timeline: her first aunt is Eva, who apparently did die a few episodes ago. Her second aunt is Sumadera Kasumi, who is Kyrie’s sister. And I kept thinking that they were the same person! Well, this at least makes things a little less complicated, and this episode much more straightforward. Which is a bit of a shame considering that there’s only one episode left!

Ultimately, this was an episode of building up. Which is a goddarn shame considering we have to wait around two years before actually seeing it being paid off.
Rating: (Enjoyable)

Posted on 10 December 2009 with categories: Umineko no Naku Koro ni



Very nice, the plot twists just keep heaping up with this episode. While not as interesting as the third arc yet, there’s plenty of potential left for this in the final two episodes.

The first half of this episode was the usual slaughter-fest in which members of the Ushinomiya-family die rather one-sidedly, though there are several interesting questions raised here: has non-meta-Battler ever directly seen magic up till now? The only point I can think of is the end of the second arc, and that could easily have been an illusion. My guess has always been that what he saw with his eyes happened in real life, and this puts the three phone-calls he made during the first half in a very interesting light.

Right now, my guess is that the murderer used some sort of psychological attack to kill these people. Perhaps some sort of drug or mushroom that made them think that there are things that there actually aren’t. We’ve never really seen Nanjo check for any drug effects, and I can imagine how the killer could have created the flesh wounds afterwards to confuse people and hide the real causes.

A different theory is that the three characters in question found out who the murderer was, and why they were committed. As this seems to have been a very good reason, and simply resigned to their fate.

Because that second half gave a very interesting twist to the whole matter. Beatrice could have acted this again (I see her crazy enough to just ignore Battler like this), but I think that this was one of the first time in which her actions were genuine. Otherwise it would not have made sense for Lambadelta to have shown up.

So the way I see it, Beatrice made a mistake. Something happened six years ago that for some reason really upset her, and she believed Battler to be the culprit… and yet he wasn’t. This wasn’t a case of simple amnesia, he really had no clue what happened. The thing that would make sense is how Rosa killed Beatrice, but this doesn’t make any sense because Beatrice would know this, and she’d be going after Rosa instead.

My guess is that the creators have yet to reveal the exact reason, but I do believe that six years ago multiple things happened that set everything in motion, Rosa’s sin being one of them: I can very well imagine that Kinzou wasn’t really happy when he found out what happened to Beatrice. Also, why couldn’t Battler claim that he’s the son of his mother? Was he switched as a baby with someone else or something? In that case, what happened to the real Battler? And how did this create Battler’s “sin”, six years ago.
Rating: * (Good)

Posted on 4 December 2009 with categories: Umineko no Naku Koro ni



Oh wow, now this is indeed more like it. Talk about an intriguing episodes after the rather boring past three episodes. This episode returned Umineko where it’s good at: mind-numbing mystery. How the heck are the creators going to write themselves out of this? It’s a bloody shame that we have to wait for more than a year to get to see those answers animated.

The biggest question mark of this episode was obviously George becoming the demon king. While I have no idea what that meant, he now also has his own magical powers (a shield, which is something which he somehow learned from his mother, who I guess knows martial arts…), with which he pwned Gaap in this episode.

We still follow Ange as well, and the mystery gets yet another extra dimension: all of the children of the people who died on Rokkenjima received a key to a lot of cash, presumably the Ushinomiya family fortune. If it were just Ange who received it it would have made sense, but why did the son of Nanjo, who is totally not related to this case nor the headship of the Ushinomiya family, receive access to this fortune as well? Also, what was that thing that Ange saw in that plastic bag?

What also surprises me is that meta-Battler doesn’t make an appearance whatsoever in this episode. In this way, it becomes a bit tricky to see what Beatrice is planning with this incredibly elaborate set-up. I mean, if her goal is indeed just to keep the endless loop, couldn’t she simply show the first arc over and over? Something tells me that she’s really wanting Battler to acknowledge magic, and that this isn’t because of the job she received from Lambdadelta.

This also makes me very curious to see what Kinzou has in store for Battler and Maria. Battler will probably have the option to kill off Kyrie, while Maria just lost her mother. who is the one who is listed on her trial? On top of that, the two of them have a far weaker resolve than Jessica and George. Meta-Battler excluded, Battler has so far struck me as someone with a strong opinion, but also stubborn and not the most competent. To come with a comparison: Jessica doesn’t just talk about protecting her loved ones, she also acts upon it. Battler just talks. Now that I mention it, has he ever actually done anything significant?
Rating: ** (Excellent)

Oh, and just a reminder: I don’t know exactly when chapter six, seven and eight will be released, but remember that I will unceremoniously delete any spoiling comments about them. I’m not repeating this message because the commends during the past few entries have gotten out of control, but rather for after this series finishes, in the case that some random visual novel player stumbles upon this page and finds it a good idea to let the anime-only viewers know about what’s going to happen in the end.

Posted on 27 November 2009 with categories: Umineko no Naku Koro ni



So now we’re back at the island again, and this episode portrayed a new character as the villain: Kinzou. Like all villains of Umineko, this guy is way over the top, but then again, that’s part of the fun. You don’t exactly watch this series for its realism. We also see a new servant introduced: Gaap (not the most fortunate name: it means “yawn” in Dutch, which makes it a bit hard to take her seriously).

What’s also interesting is that in this arc, we never get to see the corpses for the first twillight confirmed. All we see is Beatrice smirking and claiming that it’s the same as the previous first twillights, but the massacre scene was just like any other magic scene in this show so far: an illusion. Who is to say that these people really died? This is especially notable because one of the biggest suspects right now (Dr. Hanzo) could have used this to his advantage and pretend to be dead, killing everyone from the sidelines.

Still, this also supports the theory that there are multiple killers. My prime theory at the moment is that Kinzo is responsible for the first twillight (see the third arc, in which the murders had to be committed by one of the six people who died there), and after that Hanzo took over with the rest of the murders.

And boy, that scene between Maria and Rosa was intense. This also explains why the scene between the two of them in the last episode felt a bit incomplete, and now you can really see where the twisted personality from Maria came from. However, Rosa does raise a few questions: if this supposedly happened in every single arc (of which I’m not convinced of at the moment), then it doesn’t really fit with her behavior during the second and third arc. Having been killed more than a 100 times, Rosa should now be terrified of of her. I didn’t exactly get that impression from them, aside from the first arc, perhaps.

Now that the first season has nearly ended, I do have to say that so far, I do consider Higurashi to be better than Umineko. We’ve now seen 22 episodes, and while the potential for mystery on both series is just as interesting, Higurashi had far better characters at this point. And while Studio Deen’s influence really contributed to the creepiness and atmosphere of the first season, I’m not feeling the same as with Umineko.

Overall, I’ve been getting a bit disappointed by Studio Deen for the past year. They used to be one of my favourite studios, but their shows seem to have dulled, and ever since Amatsuki, their good shows have either been good shows because they had awesome source material, or because they were sequels of already good shows (Jigoku Shoujo and Higurashi Rei). I’m missing that typical Studio Deen-esque feel that can make already good premises even better.
Rating: * (Good)

Posted on 19 November 2009 with categories: Umineko no Naku Koro ni



Well, the third arc was awesome: it had a new twist in just about every new episode and kept holding the balls in the air with increasingly astonishing plot twists. In comparison, the past two episodes have really been a let-down. Especially considering how the creators have the arduous task of filling about 50 hours of visual Novel in just 26 episodes, they really could have used this episode better.

My problem with the past three episodes is simple: who the heck is Ange? Why the heck should I care about her? And why the heck does she have more background than nearly all of the other characters so far? This backstory of the past three episodes could easily have been squeezed in one episode, just like what the creators did with the first arcs. That would actually have left plenty of room for background on some of the other characters who deserved this, instead of this rather one-sided mini-arc that’s just there to show that Ange feels lonely and gets bullied by really, really, really stereotypical evil classmates.

The fun in Umineko comes from creating the theories and the crazy out of control plot in which you really have to guess what’s going on, and you can trust nobody. This episode… I just can’t make anything from it.
Rating: – (Disappointing)

Posted on 12 November 2009 with categories: Umineko no Naku Koro ni



Whoa, the CG Shaders have found Umineko at last. I have to say, that now that the properly shaded characters actually look pretty good. That’s the thing with Studio Deen’s graphics: it either looks really good or really bad. There’s hardly any in between.

Anyway, this episode rounds off the second part of Ange’s background. We learn that she’s not only revived Maria, but also she attempted to train as a witch, which eventually went wrong. On top of that, Maria is also revealed to be not just a witch, but also as Beatrice’s ally. Which does at the moment make no sense because I have no idea on whose side Maria truly is. If it is true that magic even existed in the first arc, it would explain her strange behavior there: she indeed was on Beatrice’s side, and merely enjoyed Beatrice’s little game a bit too much.

The question of course remains: if this is true, then what was up with her in the subsequent arcs? And I think that that’s where the real killer comes in. My guess is that as a little kid, she knew Beatrice and she really believed that whoever was behind the murders was Beatrice. This worked in the first arc because she was one of the people that the killer apparently let live (or at least, killed the last), however in the subsequent arcs (especially the third) she wasn’t as lucky and realized that someone other than Beatrice was on a killing spree.

I really suspect that Maria is able to remember every single arc. That would explain her huge change in character, and more importantly why she was able to write down every single detail about all of the arcs so far. It’s a bit of a mystery how she ended up writing about her own death, but again: at this point we have no idea exactly how much influence magic has in the real world. The witches must have been able to use illusions: otherwise people would not have been able to see them, and if magic really was the culprit then it doesn’t make any sense that it completely disappears once the magic scenes are over.

Lambdadelta comes with an interesting twist at the end, although I don’t think I fully understand it. She mentions how, when Battler wins the game he gets sent back to 1986, not 1998. However, doesn’t that mean that Ange still gets to meet her brother, only his 30-year-old version? Or did she mean that Meta-Battler gets sent back to the dimension he came from, while the other Battler simply remains dead? After all, it actually seems that Battler survived in the second arc. I’m actually pretty interested to see what happened to the Ange of that world.
Rating: * (Good)

Posted on 6 November 2009 with categories: Umineko no Naku Koro ni



This episode takes a bit of a step back as it explains more about “Gretel”‘s past. Her classmates were… stereotypical to say the least, but at least it’s good to see a bit more attention for her, and a bit of a more detailed report of what happened to Eva after the massacre of the third arc.

Maria was surprisingly tolerable in this episode, though. There’s one thing that I agree that the anime adaptation screwed up: the first few arcs showed her evil side way too much. The past two arcs actually gave her a bit of a character. The way she teased Battler with his fear of flight and how she was resurrected by Ange through magic (again, questioning how much magic there is in this world, and whether the world she came from is the same that Meta-Battler came from).

This episode also showed that even the starting events of each arc don’t necessarily have to be the same: we don’t know whether Rosa confessed about how she killed Beatrice in every single arc, because in this arc we see how Kinzou himself decides to attend the family meeting due to Krauss’ incompetence. This episode also raises the question: is Kinzou really alive? We’ve seen him a few times, but that says nothing: we’ve also seen Beatrice once in a while, and she too clearly wasn’t there. The only question is the point at which Natsuhi talked to him in the first arc: I’m still not sure whether that arc was completely free of magic, or whether it too had magical elements in it.

By the way, now that we’re nearing the end of this series’ airtime: has a second season already been announced? I know that the “no naku koro ni”-franchise should be popular enough to warrant a sequel that animates the answer arcs, but lately I’ve seen too many series that are in need of a sequel, yet never ended up getting one.
Rating: * (Good)

Posted on 30 October 2009 with categories: Umineko no Naku Koro ni



It’s episodes like this that really remind me why I’m still such a fan of anime. This episode was just… beyond awesome. Major spoilers coming up, do not read this entry if you haven’t seen the episode, and for the rest I can say little else than:

What the Fuck!?

I sort-of suspected that this episode would end with a bang, but this kind of a bang… I never saw coming: freakin’ Beatrice set everything up. The reason why her acting felt so forced was that it was SUPPOSED to be acting: there’s no way Battler was going to notice, and instead Beatrice started playing the innocent victim, while creating a new villain in Evatrice. Holy crap, talk about an awesome plot twist!

I’m now starting to see why Beatrice was supposed to be such an awesome character. The sheer cruelty in which she continuously keeps thinking of scenarios to fool Battler, and does it every time, and at the same time you can see that she isn’t perfect. My guess is that she originally didn’t plan to include the Evatrice plot in this arc, and instead just tried to use her Teacher to confuse Battler, but when he cornered her (when Ronove interrupted her when she was about to give away an important clue) and they went into that emergency meeting of theirs, they decided to go for such an elaborate illusion.

On top of that, Beatrice seems to have two intentions that contradict each other: her first goal is to “win” from Battler: make him acknowledge that she’s a witch. However, on top of that it’s also her “job” to “win” the game endlessly, and she seems to be under the orders of Lambdadelta. While seemingly contradicting each other, could it be that the first goal of hers is also just a red herring? That she simply already is a mage, but needs to keep the Ushinomiya-family in that endless loop of theirs for some reason? That could explain why Battler’s sister suddenly popped up as a major player.

Anyway, back to the murders: the survivors this time are Battler, Eva, Jessica, Krauss and Rosa. It’s interesting how Evatrice confirmed that Jessica isn’t one of the murderers, and neither Eva nor Battler killed Nanjo. However, that doesn’t go for Krauss and Rosa. In fact, while I don’t think that Krauss was the murderer in the first two arcs (perhaps he got killed off before he could get started), but he actually seems like a pretty likely suspect this arc: remember how he said that surprisingly nice comment about how he regrets having been so mean to his family members? After Beatrice’s act and all, I don’t believe one word from that anymore.
Rating: **** (Fantastic)
And remember, I reserve the right to delete posts that talk about what happens in the novel after this episode

CHANGE USERNAME
Kaiser-Eoghan
Ha, and they played Mario Kart in this episode =)
Kaiser-Eoghan
Generally a good thing when something really surprises you, I would have initially dismissed wotaku if not for the writeups on it here, never expected to get anything out of it but it makes me laugh a bit.
Kaiser-Eoghan
Even if it had been true, that still wouldn't have been enough to push me to watch it.
Lenlo
He tricked us. He tricked the world. This is what happens when series people make jokes. No one notices its a joke
Lenlo
Dangit
AidanAK47
@Lenlo, I fell for it too but that was a joke. They really should have clarified it better in that video.
KTravlos
I watched the new Yamato 2202 episodes. Very good. Especially episode 13.
SuperMario
I don't get it either, and I'm still up to date with Franxx
Lenlo
I know. I dont understand it
SuperMario
It sounds... completely random to me.
Lenlo
Crap, I have to watch the whole season now
Lenlo
Miyazaki of Ghibli fame is directing the last episode of Darling in the Franxx?
Lenlo
Wait wait wait
Kaiser-Eoghan
*nearly two
Kaiser-Eoghan
On the golden kamuy manga, two volumes adapted in three episodes....is this going to be a rush job?
Kaiser-Eoghan
of course when I started watching it, I wasn't aware how far his character would come.
Kaiser-Eoghan
*off at the beginning
Kaiser-Eoghan
Ah, now thinking it over, I understand why it took so long for Julian to click with me as a character, he was the one adolescent among them all and that initially threw me off initially, at the same time, this did allow for great character growth.
KTravlos
I also dig the Hussar pelisse's in the imperial uniforms. Kudos for making Anschbach and Mecklemburg still fairly rational characters.
KTravlos
The new one is not bad, but unlike in the old series, here I enjoyed the Yang episode more.
KTravlos
One problem I have with the new LOGH. The new Reinhard does not evoke the charisma of the old one. The old one was a magnetic character. Hate it or like him, I would love to drink a beer with Yang Wen Li, but I was glued on the screen whenever Reinhard was on it. The voice actor had a way to convey a feeling that this guy is truly exceptional. The pathos, the authority, the charisma.
Kaiser-Eoghan
So hearing that the third season is apparently darker is a plus.
Kaiser-Eoghan
See that was my problem with full metal panic, genuinely disliked the school comedy bits and wanted it to focus solely on the war story.
Anonymous2049774
Besides that for the most part I'm really enjoying. The backgrounds are great, I think the CGI is actually pretty good with the ships, only thing missing is that classic Imperial/FPA themes, but I suppose they have to make new ones.
Anonymous2049774
Actually, Julian also looks pretty young right now, but that's probably because... he is at this point in the story. But I just hope throughout the series we get to see his character design grow.
Anonymous2049774
I agree. I honestly don't even mind most of the designs, there are only a handful of characters I feel like they missed the mark; only problem is most are pretty important characters (most notably Kircheis, I think Yang's design is somewhere in the middle for me)
KTravlos
just one issue. Annerose's weird eyelashes. They stood out. More than Reihards. But they did.
KTravlos
Episodes 3 and 4 of the new LOGH have won me over. Very good, good use of music, and economic but to the point. Episode 3 did a better job than the original in getting across the depravity of the nobility. And Jessica in episode 4 was great.
Kaiser-Eoghan
I have successfully managed to ignore Darling in the Franxx.
Kaiser-Eoghan
@Masky: I keep up with it because I'm so far in, some of the intrigue is gone, their just fighting the monsters now.
AidanAK47
Funny enough whle I was really into the promised Neverland before, I now have no real interest in it. After the first arc ended my engagement died out
Masky
Hmm, *bother to care at all makes more sense I think
Masky
If what is pretty much best of it that is out nowadays is just "semi" on level on caring, why ye care to care about shonen at all? :D
Kaiser-Eoghan
@Mario: One of the very few shounen I semi-care about.
SuperMario
Good news, the Promised Neverland will be adapted into anime https://www.animefeminist.com/the-promised-neverland-gets-anime-adaptation/
AidanAK47
Heard of it, don't know anything of it.
Anonymous2043546
anyone know OpenGL
Kaiser-Eoghan
Rather nice inclusion that they had the voice actors actually speaking Ainu in Kamuy's third episode.
Anonymous2040262
its almost like he could be an antagonist
SuperMario
For me I don't mind if I have to pay to watch the series/ films, but damn it don't restrict me to access it. Entertainment medium is meant to be an exposure (for the lack of better terms), it's supposed to be available to the mass and nobody care for a series that isn't available for streaming. We have way too many other options out there
SuperMario
"Piracy is almost always a service problem and not a pricing problem". Someone said that and I couldn't say it better
SuperMario
@Amagi: which part of Firework that you stopped? It's the movie that make less and less sense as the story goes on so I feel you on that
Amagi
I really wonder what's up with this guy. Considering the hype and VN screens he gets he seems to be more than just random side-protagonist. Looking forward to the rest of this series.
Anonymous2039704
One of my favorite OPs this season
Amagi
Now I textwalled again and feel bad.
Amagi
In short: be it indie-products or official series or papers, just upload everything on a virtual plattform and you'll get a bigger audience, many of them even willing to pay as long as they get what they want in high quality.
Amagi
Something might only become popular 4 weeks later but it doesn't matter because it's still there and people can watch it whenever they want and the other series don't matter since it isn't a classical rivalry as we know it from tv.
Amagi
"Less people watched the first episode than the 1000th iteration of [insert some "classic" movie old people watch for the sake if it]. With streaming plattforms like Netflix and others series just get dumped and are always accesible.
Amagi
Another reason for why I prefer streams and stuff: TV and quotes are a horror. They often cancelled series after one or two episodes because the quotes didn't live up to what they wanted. Instead of giving a new series some time. It needs time to get a fanbase and people often need weeks to even know about a new series, but nope.
Amagi
In the end such things are usually screened in ~3 places around the country for a day or two. So if you aren't living nearby or have work to do on that day: good luck.
Amagi
Sometimes it isn't their fault though, like when there is an anime or some indie guy from my country is making a movie - and nobody wants to show them.
Amagi
Same here. I really want to give small companies or indie/artists a chance, but it's not always easy.
Kaiser-Eoghan
What baffled me was the British film institute blocking Irish users using their legal streams.
Kaiser-Eoghan
Believe it or not I actually WANT to support.
Kaiser-Eoghan
While I do pirate alot, in cases where an obscure film actually gets a cinema release I make sure to pay to see it at the cinema, I support all the rare anime screenings too.
Amagi
There is so much stuff I had to pirate or I would have had to relinquish it completely. Even with non-fiction books for my university studies.
Amagi
lmao. But I 100% agree. Maybe you're lucky if you live in the US but otherwise you are often enough f*ed. Bad marketing.
Kaiser-Eoghan
Point I was trying to make is that, region blocking is only encouraging piracy more.
Amagi
narf~ couldn't manage to finish that Firework movie, do I miss much? It seems like something that might have a bunch of good ideas for the later part but the first half just bored me and I couldn't get into it for some reason.
Kaiser-Eoghan
Release your damn indie project on a reputable site or at least offer a paypal option and if its something off-colour in content, send the bloody thing digitally and not as a dvd.
Kaiser-Eoghan
Oh look, funimation releases eng dub trailer...think I'll...wat....oh wait this video is not available in your region"
Kaiser-Eoghan
"This video cannot be streamed outside of"
"Sorry we do not deliver to Ireland"
"Sorry this film from less than a decade is out of print"
Yeah, fuck legal streaming, just for that I'm pirating you.
Kaiser-Eoghan
@Mario: Truly you have become the most super of Marios.
SuperMario
Finally pulling those reviews out. Guys, if you're expecting for Hinamatsuri and Masotan posts, the former will be done tomorrow and if I have more time I will do the second one too. Enjoy for now
Anonymous2037529
LWA academia is probably the only trigger project i've truly cared about. I haven't watched KlK to completion or luluco for that matter(i got to get around to that) but ive seen everything else and i just don't give a damn about any of em
Amagi
But to say something positive - I liked the second episode of Kamuy way better than the first one. Budget seems to be really bad but the rest makes up for it it seems.
Amagi
I think Luluco was the only one I enjoyed after KlK which already had a bunch of problems - but overall it was far too entertaining for me to seriously care about those.
Amagi
Guess the last 1/3 might be more interesting when they start with the actual world building for once, although they could probably slam the love stuff even more in our faces but who knows. Not fond of any of the latest Trigger anime to be honest.
Amagi
Also they're really overdoing it with all that obvious message stuff and the "love superpower" trope I always hated anyway. Still watching I mean at least it has a plot and tries.
Amagi
I still can't care about anyone or anything in this series I think it's really not made for me. I might have liked Goro but he's too unimportant and the sauros revelation was kind of a letdown since it's the most common twist for these kinds of things.
AidanAK47
Alright Franxx, you are forgiven for episode 14.
Kaiser-Eoghan
@Mario: Do you ever go to those surprise horror/thriller preview screenings? Where they don't tell you what film it is until it starts?
Kaiser-Eoghan
*worrying about
Kaiser-Eoghan
@Mario: Its saying something, when I haven't seen eternal sunshine since it came out, but even by re-watching the trailer, the feelings, the whole film comes back. At that point I'd grown out of Jim Carey's comedy, so seeing him play against type was refreshing.
Kaiser-Eoghan
@Mario: Ah, I'm more forgiving then, I'm likely to give higher points for sheer imagination that I'm not as bothered by worry about the story.
Kaiser-Eoghan
@Mario: Any negative argument against mood indigo by him can be countered by the fact it has Audrey Tatou in it.
Anonymous2035464
jhonrhean
SuperMario
and I just watched A Quiet Place. A solid indie horror one. It builds on atmosphere and it does the family chemistry right
SuperMario
I don't like The Science of Sleep to be honest. Tons of interesting ideas and visually creativeness but the story itself is a mess
Kaiser-Eoghan
@Mario: Gondry needs to avoid making any more commercial comedies, he also needs to start working with Kaufman again, they brought out the best in each other, although on his own, he can be playful and inventive with his films, such as mood indigo and science of sleep.
SuperMario
But check out his other movie Eternal sunshine of Spotless Mind. It has an inventive mind control/ mind altering concept in there
SuperMario
Jim Carrey is kind of mind controller himself. I couldn't take my eyes off him
SuperMario
@anon2028818: it was indeed season 5. SORRY FOR MY IGNORANCE :)
Vonter
The Jim Carrey movies.
Vonter
Dorei-ku seems like a Kakegurui. You see one episode you've seen all. It'll be better if it was crazier like Mirai Nikki. Mind control IMO could be a very creepy setup if it's watched through the perspective of the victim rather than the perpetrator. Losing notion or reality and control. Could liar liar and Yes man be considered mind controlled stories?
Vonter
Ore Mahou Shoujo, baffles me, since I had to skip another long musical off key number, which makes me wonder where the budget cut starts and where the trolling begins. Also makes me sad, there aren't a lot of female to male transformations since it'll be interesting watching that perspective. Maybe a love triangle from both genders could apply since females are more accepted to be bi, in media.
Vonter
Megalobox could be something really special, but I hope like with Ashita no Joe, the anime isn't solely boxing. Joe, had social commentary, had a personal struggle do to the protagonist origin, attitude and view of life, since he started very immature and rebellious.
Amagi
Megalo Box, Tiramisu (I find this genuinely funny), S;0, GGO which is so much better than SAO, Wotaku, Hinamatsuri, Cutie Honey, LotGH, Hisone to Masotan and so on
Amagi
I really love this season as well.
Lenlo
Also personally I am enjoying this current season a alot. But I also know/like a good bit of the reboots/sequels
Lenlo
Oh man... 2015 winter was good. Forgot thats when those came out
Anonymous2028818
@SuperMario: Wasn't that Natsume season 5?, pretty sure season 4 was several years earlier.
SuperMario
Another strong anime season for me was 2015 Winter, where we had YuriKuma Arashi, Maria the Virgin Witch, Death Parade, Durarara whatever season, second cour of Shirobako, Parasyte and Your Lie in April
SuperMario
Even so, with this season I'm still willing to give some shows another chance, like Caligula or Cutie Honey Universe(!)
SuperMario
For me, the best season in recent years was Fall 2016 when we had Flip Flappers, Sound Eupho 2, Yuri on Ice, Natsume 4, Fune wo Amu, Drifters and 3-gatsu no Lion. But I know that Aidan would disagree with me on this
SuperMario
@anon2028201: it's me who said this season is a mixed bag. It's like you said, this season is too heavily on sequels/ reboots and only some new anime stand out, the rest of the pack is just meh.
Anonymous2028201
To me this seems like a pretty good seasons, but judging some of the impressions, it's a bit more of a mixed bag for most. Just curious, what were the best seasons for recent anime? This one seems good to me, but to early to tell right now
Anonymous2028201
Lovin this season so far: a lot of reboots/reimaginings and sequels, but I'm enjoying them all. MHA S3, LOGH DNT, S;G 0, Megalobox, Golden Kamuy are what I'm watching right now. I hear Full Metal Panic is good as well, but I haven't gotten around to watching the original series.
Anonymous2028258
so i just recently rewatched fullmetal panic fumoffu and i gotta say that this is easily one of Kyo ani's best works. It's such a surprise that this was their first anime; it's a damn good romance comedy
Kaiser-Eoghan
@Anon: Lol I love B-movie type stuff, because the rules are off.
Kaiser-Eoghan
I was the only person who watched Mazinkaiser skl and shin mazinger and skullman.
Anonymous2026379
@Kaiser Takeshi Koike really wanted to really sell it as a grindhouse feature and I ate that shit up; I really dug the tone he was going for.
Kaiser-Eoghan
@Anon: It was strange seeing that Goemon short, much as I enjoyed it, thats the goriest I seen lupin get.
Anonymous2026379
Megalo box is pure retro while lupin is a mix of old and new...and you're right; people just think they can't jump right into it. But that's why more people should be talking about it; to let the masses know that you don't need a starting point to get into the Lupin franchise
Kaiser-Eoghan
I'm a massive fan of the devilman manga and I thought devilman crybaby was better than it.
Anonymous2026379
90's-esque throwback feeling shows like lupin and megalo box have been giving me
Anonymous2026379
Luoin part 5 is definitely mixing the best of new and old. Honestly, I've been having a blast with it as well as this generally 90
Kaiser-Eoghan
I think the problem is, people see lupin as this long thing they can't get into, when really its so episodic/standalone mostly you can pick up and watch.
Kaiser-Eoghan
And of course getting the best bits out of old and new.
Kaiser-Eoghan
*visual style
Kaiser-Eoghan
I'm a fan of this hybrid old and new style, megalobox does it too, mine fujiko aswell and casshern sins.
Kaiser-Eoghan
I was surprised by how well the Fujiko mine show came together in the end.
Kaiser-Eoghan
I'll be interested in picking up more facts about thrm.
Kaiser-Eoghan
Come think of it, Akira Kurosawa did some old western (eastern?) in Russian, that had an Ainu in it.
Anonymous2026379
Asirpa is sooooo adorable.....almost feels patronizing to say that about her due to how badass she is
Anonymous2026379
What makes Fujiko work so well as this sexy icon is that she isn't just sexy: she's smart as shit and uses that sexiness to dominate and control her opponents (similar to bayonetta) rather than be chained by the objectification of her opponents (and the viewers for that matter)
Anonymous2026379
I wonder what other obscure cameos we may get this season. And yea you're right about some of Lupin's potentially sexist traits being assuaged by his level of cool and the genuine respect he shows a good deal of the women he has encountered throughout the series
Kaiser-Eoghan
@Anon: Yet still a fun film at the same time.
Anonymous2026379
@Kaiser Yea, mamo was a pretty dark element introduced to the lupin franchise; and considering the tone of the gravestone of Jigen, it makes sense he would cameo there
Kaiser-Eoghan
@Mario: Help I want to kidnap Asirpa =<
Kaiser-Eoghan
@Anon: I'm probably as surprised as you, at finding someone to talk to about Lupin on here.
Kaiser-Eoghan
@Anon: And through comparing/contrasting the jigen grave stone and Fujiko mine, with some of the sillier older ones, it shows the Lupin characters are flexible enough to work both in a darker AND sillier context.
Kaiser-Eoghan
*character
Kaiser-Eoghan
@Anon: Fujiko is precisely how a fanservicey character should work and how built in/essential it is to her haracter, without becoming an irritant.
Kaiser-Eoghan
@Anon: By all means Lupin himself shouldn't be a character we like, much like Bond, but like Bond theres a coolness to the character that allows us to love him.
Kaiser-Eoghan
@Anon: Another great thing about Lupin is how it uses its 60s cool to get away with what would normally probably be considered fairly sexist.
Kaiser-Eoghan
@Anon: I had a big smile on my face when Mamo made a cameo appearance at the end of one of the recent ones and thats because I remember the Lupin Mamo movie was one of those first anime that I watched about 20 years aago.
Anonymous2026379
not to mention that its one of the few anime this season that actually knows how to utilize dialogue to explore flesh out its characters rather than exposition or contrivance: looking at you darling in the franxx
Anonymous2026379
@Kaiser-Eoghan Nice fun facts; but yea Lupin III is a series that has always had an amazing sense of pacing and adventure, traits that are definitely on display this season
Kaiser-Eoghan
@Anon: Its a huge franchise too so I'm often never sure where to go next.
Kaiser-Eoghan
@Anon: You may or may not know this, but the voice actor for solid snake voiced Lupin in one of the dubs.
Kaiser-Eoghan
@Anon: I watched a few episodes of the Italy set lupin show too .
Its a fun franchise due to its cast but its something I have to follow irregularly, lest it get repetitive.
Kaiser-Eoghan
@Anon: Fun fact, guy who directed the gold of babylon film was a famous B-movie noir director in the 60s.
Lenlo
Dont trust anything written by the original SAO author. Everything is his fault. Kirito is not in this series.
Lenlo
Even the original SAO author has little to do with it, which is why its actually good
Lenlo
So SAO Alt is basically completely removed from the rest of SAO
Kaiser-Eoghan
@Anon: Lupin is one of those things I dip in and out of, whatever part of the franchise it is. I've seen birdcage kingdom, Mamo, cagliostro, nostradamus, Jigens grave stone, mine fujiko and the recent Goemon centred special.
Anonymous2026379
it's a damn shame not a lot of ppl are talkig about/watching lupin the third this season
Kaiser-Eoghan
But for all I know with that team behind it, its an improvement, but theres probably not much point in me watching as I dropped the first season after less than 10 episodes.
Kaiser-Eoghan
See how he attempts to seduce me into watching something related to sword art.
Lenlo
Huh... I didnt know the writer for SAO Alt was written by the Kino's Journey creator and produced by the Flip Flappers people. Explains a lot
Lenlo
I wish I knew what you meant by shaman girls, and I cant wait
AidanAK47
@Lenlo, Oh I know Leskinen. May he find his Japanese Shaman girls one day. But seeing as I know the story I wanna experience it differently.
Kaiser-Eoghan
@Mario: Its even set in hokkaido, Korean/Japanese director, Japanese cast, Ken Watanabe is in it: https://letterboxd.com/film/unforgiven-2013/
Lenlo
Also, I love the ED. Really, 2 episodes in, I love S;G all over again.
SuperMario
@Kaiser: really? They remade Unforgiven in Japanese?
Lenlo
its*
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Featured Posts

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