Posted on 5 May 2012 with categories: Un-Go

Fr4anchise based movies have always been this interesting beast and I’ve noticed myself that it’s always difficult to rate them. I’m not sure why, but the format of a movie is rather difficult to correctly mesh with the format of a movie; that’s how different these two formats are. And on top of that, there are so many different ways in which to execute these movies: sequel, prequel, side-story, filler, completely new story, background movie, recap story, done in the same style, with a completely different style or a style that’s similar, but not quite the same, or just going for an entirely different alternate retelling. All these options have had their examples that worked really well and that didn’t work at all. Un-Go went with a prequel movie that’s done in the exact same style as the TV-series. And it delivers.

This movie is set to answer some of the questions that are left behind by the TV-series. Not all of them, unfortunately. We get to see a lot of details and new information on the two leads, along with Bettenou, and it subtly answers a few questions about the final arc of the TV-series. Characters like that one prisoner however never make an appearance. For me though, this series did answer as many of the most lingering questions without forcing things in and I’m overall very happy with the result. Shinjirou, Inga and Bettenou definitely emerged as better characters out of it.

Now, the reason why I’m not going to rate this movie is because it really is just another episode of Un-Go. It fits right in with the series, unlike for example the Eden of the East Movies. If you’d package this as a 13-episode series, you wouldn’t notice the difference. This movie blends in perfectly, it rocks for the same reasons as the TV-series, and if you’ve liked the TV-series, then there is no reason to not watch it.

The storytelling really packs the same punch that made the TV-series so good, combining interesting characters with a fast-paced dialogue and throwing in many twists along the way that lead into very satisfying conclusions. Again it succeeds in fleshing out quite a few new characters in a minimal amount of time; something that very few other series can boast. It’s all-around enjoyable and had me consistently fired up.

Posted on 22 December 2011 with categories: Anime Reviews, Un-Go



Ah, the Noitamina Timeslot. It’s been going solid for more than six years now. Making a Noitamina series is a tricky thing to do, especially with the way that timeslot has evolved during the past three years. Series in it need to be both ambitious, yet fit in a very limited time and space (with only a few exceptions). There have been quite a few who miscalculated on this, like what happened with No.6, Eden of the East or C. Or Library Wars, Jyu Oh Sei and Moyashimon for that matter.

Here comes a show that does this in a different way, though. Un-Go realizes that its time is very limited, and yet it tries to put a lot of stuff in each of its episodes. This is a formula that can screw up in so many different ways, and yet here the creators actually nailed that balance that gets everything right. This show is half-episodic and half-continuous story, and for each of its arcs, even the ones that just take place in one episode, it makes sure that their murder mystery stories deliver. It’s great at build-up, and the twists it delivers all kick ass. It’s fast, but never too fast or too rushed. It’s definitely something where you need to pay attention if you want to be able to get it, but that’s the great thing: it forces you to think and pay attention.

As for how this show managed to be able to do this? Well, it just has no space reserved to flesh out the characters. There are no scenes in this series where we can just see the characters take a bit of time, and show off their characters’ sides. Every scene and line of dialog has a meaning to the plot. This posed another challenge to the creators, because they had to find another way to make these characters interesting and make them carry the story. The result is that the characters are fleshed out through their actions, ways of speeches and their reactions. It’s all carefully intertwined with the dialogue. This doesn’t lead to the most memorable cast, but still to one that works. The characters in this series somehow end up being fun and nice to watch.

The mysteries in this series are also carefully intertwined with this series’ setting. It’s post apocalyptic, but it uses this really well to spice up its stories, and it does so in quite some imaginative ways. This series really loves to pull heel-turn twists, in which things turn out to be completely different from what they seem at first. You can definitely see that a lot of time was spent on the script of this series, and that makes it consistently enjoyable for those who are in for something with a very fast pacing. It may seem overwhelming at times, but it’s because of this that the creators were able to put so much in so little time and somehow make it work.

Storytelling: 9/10 – Some excellent mystery storytelling here. Very fast paced, though.
Characters: 8/10 – They’re not fleshed out in the usual ways, but they still have some nice details to them.
Production-Values: 9/10 – Very solid graphics, but in particular the music backs up the show really well.
Setting: 9/10 – Uses its setting really well in the backgrounds of each of its stories, with a great look at modern technology.

Suggestions:
Mononoke
Shigofumi
Yojou-han Shinwa Taikei

Posted on with categories: Un-Go

And here we have Un-Go’s ending, which I must say pleased me a lot. There are some parts that never got answered, like what really went on in the previous arc, but this was very worthy as a finale itself.

Probably the weakest part was the motivation of the bad guy, which while plausible, also felt a little weak. I personally believe that he also had a grudge against Kaishou’s practices during the war, and that that together, along with coming in the possession of someone as powerful as Bettenou caused him to do it.

This was a great murder mystery though. What made it especially interesting was that Kaishou, despite being innocent in this case, still isn’t entirely clean. He could easily have pulled off something like what he was framed for, and I think that that was what made the previous episodes so believable. The string of revelations at the studio also was great. The pacing again caused the story to come together very nicely.

What’s also interesting is that this episode didn’t have the biggest budget. It was mostly just very good explanation and exposition, with one really big explanation. Suddenly Inga came up from out of nowhere and started chasing Bettenou with some awesome animation. It probably wasn’t even the case of a big budget here, but rather that Bones got themselves one really good animator, and specifically put him on that particular scene. It works perfect to give a bit of an action-packed climax here in an otherwise dialogue-filled ending.

Overall, this season was unique in the way that my three favorite series all somehow ended up airing on the same day: for me Penguin Drum, Hyouge Mono and Un-Go rank as the top of the past three months, and Aikawa Shou did it again. I really like this guy as a scriptwriter and with this, he also shows that he’s great at noitamina series. There still is a prequel OVA left, to which this episode dropped a lot of hints. Looking forward to it!
Rating: ** (Excellent)

Posted on 15 December 2011 with categories: Un-Go

Now that we’re nearing the climax, the dialogue in this series moves even faster than ever. But really: I don’t mind. In fact, I actually encourage this series to continue with this style, and where you really have to put in effort to follow everything. This is a great way to involve your audience, and it’s been a long while since I watched a series that did it so well. The best way to illustrate this effect is to mention Boogiepop Phantom: if you thought that this series moves fast, you haven’t seen anything yet: that series is a complete puzzle to figure out. Your mileage may of course vary very much, but I really enjoyed having to puzzle to get everything out of the story.

Bettenou’s powers proved to be a terrific end boss here. What the hell here is real? In this episode the creators also suddenly came with small details like this handkerchief that had been tampered with. On top of that, the creators keep throwing us for a loop with multiple attacks on Kaishou. It’s indeed a very plausible theory for him to fake his own death, but who was this shady figure who stood behind Bettenou in that one shot? And why would Bettenou ask Inga to expose some of Kaishou’s deep secrets if she was working together with Kaishou? And what about that taxi driver who happened to be familiar with that female investigator?

With one episode left, I’m pretty confident to say that Noitamina did it again: Un-Go so far stood head and shoulders above all other Autumn Season Series, and the other shows are going to have to try really hard next year if they want to be able to top it. I mean, if the ending actually delivers like I hope to, then this pretty much is the example of how to do a fast paced Noitamina right. Instead of just rushing through its storyline, it actually made optimal use of its time. Compared to No.6 or C, which ended up skipping details, this show actually managed to focus on them.
Rating: *** (Awesome)

Posted on 8 December 2011 with categories: Un-Go

And with this, we’ve pretty much abandoned the episodic nature of this series and are heading off to the finale where everything will come together, even though we’ve still got to wait for the preview movie to explain everyone’s backgrounds.

There is some serious potential for the ending of this series. At this point we already know that the writers of this show are just terrific: in terms of storytelling. Along with Hyouge Mono and Penguin Drum, we’ve got three upcoming endings who really have the potential to become amazing. There is a very big but here though.

Simply: Bettenou will either make or break this finale. I say this because she has some really good points, but also some bad points. The good points turn her into one of the most interesting villains around: the mystery around her. it’s a very neat idea to have the main villain of a show be a master of illusions, who can even bend those illusions into reality. Because of this, there was no way of knowing what was real. This was a very paranoid episode, because how much of it really happened? When this was revealed, it made all the more impact.

At the same time though, all we got to see of her was a bunch of random images. Heck, did she even speak yet? At the moment she’s only being fleshed out through her illusions, and the people’s reactions around her. This worked really well for Kaishou in this episode: as a side-villain he rocked. Again you don’t know exactly what his motives are, but there are a ton of possibilities with this guy. This show may not spend time fleshing out its characters, but it found some very interesting alternatives to still have a memorable cast by forcing us to read between the lines about them. As for Bettenou though, will that work as well? We’ve seen so little about her. Hiding a villain until the end is very tricky to pull off right. Blood-C pulled it off, but there the main villain’s air was all over the series. Un-Go is different and Beauteou is only one of all the different villains who all have hardly anything to do with each other.

It’s going to be important to bring everything together, and show the power of a conclusion of a semi-episodic series. Bring both the setting and characters to a new level, while retaining the same sense of storytelling that made the previous episodes so good.
Rating: ** (Excellent)

Posted on 1 December 2011 with categories: Un-Go



Yet another amazing episode. Last week gave us one heck of a mystery, and this week did a terrific job of playing with it. From the start it was clear that this was some sort of illusion, but the how and why were what made it interesting. I love how the start of this episode showed what happened to the rest of the cast during the previous episode (especially Izumi was hilarious).

After that they found a very neat way to bring back Shinjuurou back to his senses and have him solve the murder. Or have him use Kaishou’s deduction in this case. What makes this interesting is that the novelist probably would have gotten away with things if it wasn’t for the people around Shinjuurou helping him, in particular Kaishou and Kazamori. The murder mystery was also very neatly wrapped up, and it indeed made great use of the previous episode’s build up in which the three actresses had no idea what to make of the script.

What’s also interesting is that Shinjuurou doesn’t care about retribution. So far in these past eight episodes, there has been no showing of victims getting punished or arrested: that all happens off screen. This may seem rushed, but remember why Shinjuurou is solving mysteries in the first place: it’s not because he wants to fight crime. Instead, he’s doing all this because he happened to be unfortunate enough to meet Inga, and he happened to be very good at solving mysteries. In order to keep Inga from running rampant, he continuously has to solve mysteries. What goes beyond that simply doesn’t involve him anymore.
Rating: *** (Awesome)

Posted on 24 November 2011 with categories: Un-Go



Holy crap! This show just continues to get better and better. With this episode, it once again surpassed itself. This really was everything that an episodic series should be. And heck, this is why I’m a fan of the genre: because they’re able to put in episodes like this. What a trip.

To be fair though, the reason I’m a fan of this genre mostly stems from quite a few years ago. During the past few years the genre has dulled in a bit because it lost sight of what made it really special: the way in which it allows a much more diverse outlook on its story and setting compared to if it was just a continuous storyline. I’m not sure what caused the decline, but overall a big difference of episodic series of the last years is that nearly always, the episodic stories are kept similar to each other, with little chances to branch out, like what this episode of Un-Go did.

I’m not sure exactly why this happened. Heck, back in 2003 you’d even have series that were collections of short stories that are completely unrelated to each other (Human Crossing, Sentimental Journey, Rumic Theater). That’s something that’s completely unthinkable nowadays. Probably a factor was that around 5 years ago, fillers got really notorious. With the arrival of the internet, and how the number of anime each season exploded, audiences got less patient and random episodes that were meant to just fill time pretty much died out apart from kids’ series and popular shounen series. This lead to a huge decrease in filler episodes, but also episodes that want to try a different story for a change.

The suspense in this episode was really great. It was a very interesting idea to just stuff the male lead into this position where nothing makes sense, and it’s up to him to figure out not just what’s going on (this probably is an illusion), but also why everything is happening. It was delightfully paranoid, and the pacing of this episode was completely different from the rest of the series. I also liked how the actresses were used in this episode: on one hand their characterization was very good as they tried to relate to the plot in their own ways, but on the other hands this was about a movie that has girls running around in their underwear as some sort of criticism of modern entertainment. Un-Go may technically not be episodic because of how some of its episodes flow into each other, but it has the same air, in which it tries to flesh its setting and themes out through vastly different cases, and individual episodes that could very well be all perfectly fine standalone stories.
Rating: *** (Awesome)

Posted on 17 November 2011 with categories: Un-Go



This show is clever. Every single episode contains a single story, but the first episodes of all the multi-episode arcs all contain these slight hints that things aren’t over with. This episode was the same: it already was a great standalone story, and yet there still are a few things that don’t add up.

Of course there was the obvious end of the episode, in which what feels like the main antagonist made his formal introduction, but also: why was the critic of this episode in jail? Why did Kaishou not reveal that he had this guy’s children taken away from their mother? Why did this guy refuse to ask Kaishou about what was up with the books? There is still a whole storyline here that has yet been explored, even though the end of this episode made it seem like the end of the story was reached.

In any case, this episode once again was just wonderfully written. Once again, this show just comes with twist after twist after twist, and things that seem completely random at first make complete sense once everything is revealed. Beyond that, in order to make up for the way in which this series doesn’t have time to carefully flesh out its characters, it does make the cast fun. This episode inserted these small jokes at the points where they didn’t get in the way of the real storytelling, and especially the android has helped here. This leads to quite an interesting chemistry between the characters.

Heck, I’ll be surprised if this show doesn’t end up as the best Bones show of the year.
Rating: *** (Awesome)

Posted on 10 November 2011 with categories: Un-Go




Another excellent episode. Perhaps it wasn’t as good as the previous two episodes, but it still rocked, was well put together and very thoughtful. If only because of how it subverted a very common cliche: the big corporate bastard did it.

In this episode, even the main character got clouded by it, and the corporate bastard indeed wasn’t exactly Jesus in purgatory. He used the death of his subordinates for his personal gain and publicity and embezzled a ton of gold illegally. Normally in anime, this would be the bad guy. Instead though: he’s not a murderer. Finally we get a portrayal f these people that isn’t completely evil at its core.

Also, with the lack of time this show spends on characterization, I do have to say that it has found interesting yet subtle ways to still flesh out its main cast. This isn’t only done by making their beliefs and values a core part of each episode, but also with small things, like when Shinjuurou grabbed all the towels in the restroom. It perhaps doesn’t work as well as just showing these characters during moments when nothing plot-related is going on, but this works too.
Rating: ** (Excellent)

Posted on 4 November 2011 with categories: Un-Go



Holy crap. So yeah, last week Un-Go already delivered my favorite episode of all of the new series of the Autumn Season. This week, it surpassed itself. Now this is storytelling!

This episode… it just turned everything about the previous episode upside-down. This episode was brilliantly written and delivered some amazing twists, in the same quick fire delivery of the previous number of episodes. This is also what I love about Science Fiction: there are so many different angles at which you can look at the evolution of technology. This show here is yet another completely new look at it.

On top of combining its plot with its philosophy, this episode also had those nice details, like the talking fridge that reminds you of eating more healthy foods as a poke towards those modern useless programs that exist today.

I also disagree that Un-Go’s pacing is too fast, like what happened to C. The differences between the two are subtle, but if this keeps up, Un-Go is going to end up much better. The thing with C was that it tried to flesh out its characters and develop them, while at the same time telling an epic story about money. Un-Go however is entirely focused on its storytelling and presenting its ideas and theories. It’s in essence a collection of stories, told by its characters and every single line and scene has its purpose. The result is a show with a flat cast, but an amazing sense of pacing, storytelling, twists and setting.

Oh, and on a final note: the music was on fire in this episode. More of this, please!
Rating: *** (Awesome)

CHANGE USERNAME
Kaiser-Eoghan
That caught my attention, some kind of suspense manga set in world war II, for obvious reasons you don't often see manga/anime set in that time often enough so thats interesting at least.
Anonymous1124748
KTravlos here: On RE-Creators Saouto. Remember we are talking about a 14? year old kid who believed made his girlfriend commit suicide. I get the point and frustration, but do keep that in mind.
Lenlo
@Mario, for Hero Academia, just wait. The hype is real for Shouto vs Midoriya.
SuperMario
This is one of Saekano's biggest issue: while there are 5 main casts, the show seems to care to develop 3 of them. When that rival-guy begs Tomoya to continue the circle, and stresses that "Don't lose Eriri and Utaha". I just feel... dishearten. No recognition for Kato and Michiru then
SuperMario
Another 2 shows that I want to mention this week: My Hero Academia's last episode fight between Ecchan and Urarawa is my favorite match out of this Tournament arc. Saekano's last episode actually frustrated me. When it's obvious that this is the time for Kato's conflict, the show still spends too much time on Eriri and Utaha.
SuperMario
KTravlos: based on the content I thought it's you as well. I actually enjoyed Virgin Soul. It's an important episode actually, where all of out mains are locked up/ imprisioned. Yep, Re:Creators was great as well. But hell, Souta... his character's annoying. The creations, on the other hand, are developing quite nicely
Anonymous1123421
KTravlos here. Hmm wordpress has cast me out :p
Anonymous1123392
what a great RE:Creators episode. I do not know how Mamika will end up. But manly tears shall be shed. A great character.

Virgin Soul had a so-so to disappointing tonning down episode. Expected. Still they are smart to put Favoro there as a "sorry for that mates".
AoT, knowing what I know from the manga, made this episode all that more striking.
Anonymous1123296
Woah, Alice n' Zokuro has some of the most amazing writing I've seen this decade!
Kaiser-Eoghan
@Mario: And because of the negative space in the picture and guy in the background, it might also emphasize distance.
SuperMario
@Kaiser: This was an obvious shot choice (come on, because they KISSED), but the one I liked the most was the top right one. The characters aren't in the center of focus, and a bit too close to the screen tell us how much Chinatsu wanted to get close to Kotarou, at the same time we feel a bit uncomfortable just like him (too close). Smart visual telling there
Kaiser-Eoghan
I should start giving attention to shots in anime as I do in art films. You've chosen a good one for tsuki ga kirei on the bottom right.
Kaiser-Eoghan
@Mario: Speaking of shots....some of the static photography is Tsai ming liangs Goodbye dragon in is stunning. I saw an Ozu film where the framing was absolutely masterful.
Kaiser-Eoghan
@Mario: The eyeball scene in the restaurant OMO, scenes like that had very good way of creeping up on the viewer.
SuperMario
... and the fireworks in the end. Emotionally satisfied for that bleak film
SuperMario
Thanks Kaiser. Still think Black Coal is a very stylish and well-done neo-noir. One shot in particular still stick with me is the one long, unbroken shot that combine the past with the present.
Kaiser-Eoghan
*reviewing
It was your review that got me interested in the film mario.
Kaiser-Eoghan
Ah, I know that feeling, having to get out all my thoughts immediately. I also stream of consciousness what I write whether it be a poem or review then go back to edit, shows the passion a person has for what they're review.
SuperMario
It was just 3 years ago. I think I MUST review everything as soon as I finish, otherwise I will forget. Getting old now. Dang it
SuperMario
It was a great review, Kaiser. I also feel comparing Black Coal to Memories of Murders don't do this film justice too (although to be hinest I don't see the comparison). Your review just reminds me that I did review that film on Letterboxd, thou for the life of me, when I read ny own review I had no clue that i did write it
Kaiser-Eoghan
@K-off: Constantine was really the only reason I would have considered seeing the film, as I enjoyed some of the comics he appeared in.
Lenlo
Yaaay! Favaro is back!
Kaiser-Eoghan
@Mario: Ah, now I remember, I stopped watching ghost hound at around episode 14 or 15 years ago.
K-Off
Justice League Dark ended up being one of the weakest among the recent animated dc films. The opening was intriguing but it drops the ball as soon as it focuses on Zatanna and Constantine...The demonic manipulation of people isn't tied well enough to the villain, so that premise ends up feeling pointless, everything is inconsequential by the end. Why was this even made?
SuperMario
And for once, I feel that developing the characters isn't a appropriate choice for this type of show. The main cast need to develop, yes, but most of the supporting cast was presented as ambiguous and mysterious, thus making them change in the end feel just wrong
SuperMario
The main kidnapping was never addressed thoroughly, and it should be the main overarching arc, instead of this ending.
SuperMario
So... I've just binged through Ghost Hound. It starts as a compelling psychological mystery series, and ends up being... thriller of sort? The first half, building up stage was its best, and then unfortunately it run out of steam
KTravlos
Hey Favoro is like a good whiskey. You gotta drink it slow and enjoy it :)

I liked Predators.
Spike
8 episodes in we finally get to see who we were all waiting for in Bahamut! ...for 2 seconds.
Vonter
I did watch the version with the alien coming out of the ox. I haven't watched Predators, AVP1 was ok, like the newer movies its just the human element that has consistently gotten worse and unmemorable. I think that element in particular made me enjoy watching Alien 3 now, than if I had watched it in order, considering how it begins.
Kaiser-Eoghan
Thankfully the franchise can never fall as low as the predator reboot or alien vs predator.
Kaiser-Eoghan
@Vonter: Be sure you're watching the extended version.
Vonter
I liked 3/4s of this film, as the plans to kill the alien got more cumbersome the film got more tiring. And I think it was obligated to annihilate the cast considering they take the time to take out a whole bunch of them. I also think it's very noticeable the tiring production this had, and while people praise practical effects now, this movie sadly didn't integrate well the alien puppet.
Vonter
I've just watched Alien 3, the only Alien movie I hadn't seen do to the diviseness towards it. I think I went with the best expectations considering now on hindsight newer movies have made it look more competent, having more weight. This movie has characters, integrates the religious motiffs better, the Alien more than a closet monster is a formidable force of nature.
Kaiser-Eoghan
.....It just dawn on me looking through my letterboxd account...I have never seen afro samurai...
SuperMario
@Kaiser: I'm on hold with SukaSuka as well after 5 episodes. Ejoyable so far but its LN's tendencies hurt the show
SuperMario
@Kaiser: yeah, like I said in one of my weekly post, Tsuki ga Kirei is simple, but isn't easily obtained. At this point, I'm truly invested in these kids that it makes me tense just to see how they keep up with their relationship, haha.
Kaiser-Eoghan
I have yet to catch up with sukasuka and don't care about bahamut all that much.
Kaiser-Eoghan
I feel its sweet and sensitive approach has a rhythm to it that I started going along with.
It’s obviously slow but I began not noticing the time go by as I watched more.
The art makes me think of Shimura Takako’s and makes me wonder what the series might have been like if she wrote it.
The dub is mediocre so after 3 episodes I switched to subs.
Kaiser-Eoghan
The relative quietness and how scaled back in comparison to other anime romances is welcome and it never becomes dramatically or comedically obnoxious which I think is in its favour.
Kaiser-Eoghan
I decided to catch up on tsuki ga kirei. We said this before, but that scene where he meets the publisher about his writing is a stand out one.
For the show overall so far itself, above all I see it as something simple, un-demanding to watch, its good a break from all those old/art films I have to concentrate on harder to follow.
Kaiser-Eoghan
Maybe Goth would count but its more o a mystery manga.
Kaiser-Eoghan
Not familiar with shibito or sugar life. May as well recommend everything by Kazuo Umezu and Junji ito. 6000 ended disappointingly, I fell behind in dead tube. Does sugar dark count?
Lenlo
I am a Hero is a personal favorite of mine
AidanAK47
@Anon: Uzumaki, Shibito no Koe o Kiku ga Yoi, Happy Suger Life, 6000 and Dead Tube. I suppose.
Anonymous1116992
What is some good horror manga
K-Off
@Mario I also noticed that korean thrillers are way too obnoxious with shakycam.
Lenlo
@Mario, about LWA, that was how I felt. Its just not as magical, as special, as the original OVA was to me. I suppose thats to much to ask for a 25 ep series, but it turned me off
AidanAK47
@Mario, TV Diana has some charm points but I think OVA Diana provided a better dynamic. I mean sure, She was essentially female Draco Malfoy but her attitude made reveals like her being a secret Chariot fan more impactful. Plus her tsundere act torwards Akko was rather adorable.
SuperMario
about LWA again, unlike Aidan I actually enjoy this version of Diana. I know she's one note, too perfect but she's charming. Too charming haha which serves well as a contrast to Akko
SuperMario
...just pop one random film from him. His films are not without its bad side thou, in particular I find the dialogues shapeless and dragging. But well it does add to the naturalness of his films
KTravlos
on LWA I would also recommended it. It is a fluffy show, with a sense of wonder. Some episodes are better, some are more flat, and the over-arching storyline leaves me bored. But it does have that sense of childlike wonder, which I had missed among all the "grim" shows.
SuperMario
@Kaiser: I have a bit of problems with Korean movies lately as now they're heavily thriller style-over-substance films, so films that have very simple style like Hong-Sang-Soo's joints are the welcome change of air. One thing about his films thou, If you watched one of his film, you've watched them all. They're so similar in tones and concepts that I reckon if you feel like watching his films...
SuperMario
So I say it's still worth finishing. It's good but I don't feel the sparks that made it so great from the OVAs anymore
SuperMario
@Lenlo: about LWA. Plus side: Those hijinks. I mean the show is fun and magical. Negative side: I wish the show's storytelling is a bit tighter, each episode feels so loose it doesn't add up much and more like different variations of Akko + one member of the cast's hijink. Doesn't help either that the other casts just disappeared until they have an episode for 2 for themselves
SuperMario
@Anon1113829: I "enjoyed" Beyond the Boundary, but that show was a mess. The episode 10 was stand out for me, and the ending was kinda... a wreck. Certainly interesting but quality-wise I wouldn't reccommend it
Anonymous1113829
@SuperMario KyoAni fan? What did you think of Kyoukai no Kanata? I really wanted to like it, I thought it had some potential, but IMO nothing worked right.
AidanAK47
@Lenlo, It's good. Fun to watch certainly. Though sadly it falls short of being great.
Lenlo
So question: Is Little Witch Academia worth finishing atm? I started it last season, but for some reason it just fell off my radar
Kaiser-Eoghan
@Mario: Thankfully, while not entirely satisfying, day he arrives is just the Korean film I've been looking for, refreshingly more low key, quieter and I enjoyed the new wavy combined with raw style, making it all feel very natural.
Kaiser-Eoghan
@Mario: Well then, thanks for the rec on Hong-sang-so, I looked at The day he arrives. Y'know the reason I sometimes dread going into films featuring romance is because I'm conditioned from seeing the bad ones.
Kaiser-Eoghan
....I may actually read this, the last time I read a manga steeped in politics was Sanctuary: https://en.wikipedia.org/wiki/Eagle:_The_Making_of_an_Asian-American_President
Kaiser-Eoghan
@Aidan: I actually have very limited experience with Ellis as a comic book writer, only read Transmetropolitan, I know he's writing the Castlevania adaptation.
SuperMario
@Aidan: I heard the same thing; can't help being a completist though so I'll eventually get to them
AidanAK47
@Mario, From what I heard, it doesn't get better.
SuperMario
@Kaiser: that scene from the 1st episode of Phantom world lost me... but even then I'm willing to give the show another chance. That's how far I would go ^^ https://mobile.twitter.com/aaapodcast/status/687148875052892160/photo/2
AidanAK47
@Kaiser, Looks like they are putting some real effort into it. May actually turn out pretty good after all.
@K-Off, Under the Red hood is a damn fine movie. Likely one of the best of the DC animated universe. Though try Superman vs the elite out. It's pretty good.
Kaiser-Eoghan
Even phantom world Mario...even phantom world ? =)
Kaiser-Eoghan
Just the teaser trailer, not much to go on, but heres a short preview of that netflix castlevania thing that got mentioned on here a while back, up the quality to 360p:
SuperMario
At this stage, I'm pretty much KyoAni fanboy now so with every new material, I'll hype it up to the sky ^^
Kaiser-Eoghan
@Mario: I did follow it up with The spy who loved me though to cheer myself up =P Given that Rodger Moore just died =)
SuperMario
@Kaiser: just looked through what Short Men Behind the Sun is about: "human experiments carried out by Japanese army during WW2?" Already sound grim and too real. Then "a graphic depiction of the human experiments" haha no wonder you felt unsettled Kaiser
VyseLegendaire
My favorite Exploitation Flick is An Inconvenient Truth 2.0
Kaiser-Eoghan
@Mario: Long story short men behind the sun is finally the exploitation flick that defeated me and actually made me unsettled.
Kaiser-Eoghan
@Mario: I remember you talking about how Salo really affected you as an exploitation film, generally exploitation films don't shock or disturb me, but I just watched the cantonese dubbed version of Men behind the sun.
Kaiser-Eoghan
And the worst thing about beyond the boundry and phantom world, it discolours my opinion of kyoani as a whole, making me negatively reflect on older work they did .
AidanAK47
Yep, that's the new KyoAni one. Like Puran I don't have any expectations of it. The premise certainly seems like the closest they have come to breaking out of there usual format but I am sure they will find a way to shove in Moe antics. Though based on what is seen so far it looks like they are trying to emulate Key.
Puran
Is that a new KyoAni anime?.. I have lost faith in them a long time ago. Last Anime from them that I cared about was probably Hyouka
SuperMario
Bring you some news, Violet Evergarden will be aired as an anime TV. Though many sources saying it gonna air this year, it has a better possibility to air next year
SuperMario
Well, aesthetically, he's pretty much on par with Yang and Wong. It's just that his films are often emotionally distant, feel more like watching the paint dry hahaa
Kaiser-Eoghan
@Mario: I connect more emotionally with Yang and Wong.
Kaiser-Eoghan
@Mario: I went in expecting Edward Yang and Kar-wong-wai levels of quality, which may have been quite unfair standards to put him up against.
SuperMario
I myself find his films difficult to watch, but when the films end they usually hold up very very well. Both The Assassin and 3 Times in particular are my favorite of the year
SuperMario
@Kaiser: I completely understand your reaction because his films are demanding as hell. I remembered watching The Assassin in big screen, 3 people next to me fall asleep, one of them snoring and the other one fall asleep within the first 10 mins. That Hou Hsiao's movies for you
Kaiser-Eoghan
@Mario: Its such a shame because he makes gorgeous cinema and City of sadness is actually pretty informative account of the times....I just can't jive with him and I actually like "slow cinema" but watching his work is insanity inducingly boring for me.
Kaiser-Eoghan
@Mario: ....I'm really sorry, I don't mind long slow even spiritual, talky, non-narrative, old, complex,meditative , art films but I'm really really finding it hard to watch Hou Hsiao's work, I've tried time to live and the Assassin and I just bailed after 2 out of 3 hours on city of sadness.
KTravlos
I have to say Akko is developing nicely as a character in LWA. Also Magane in Re:Creators reminds me of Hannibal as palyed by Mads Mikkelsen. There is that same est for life married to sociopath that is a bit charming :) Mamika's character is also just cool. Beyond that AofT and Bahamut both delivered competent episodes, with Bahamut a good mix between comedy and tragedy.
K-Off
@Aidan Assault on Arkham was fantastic. Between that and Under the Red Hood, a classic.
SuperMario
@Kaiser: I have a lot to say in this week's Eccentric Family. Review will come up later tonight when I get back home from work.
AidanAK47
Seen Assault on Arkham or what it should be called, The animated Suicide Squad movie. Thinking of checking out Dark.
Kaiser-Eoghan
@Aidan: Have you seen assault on Arkham or the justice league dark film?
Kaiser-Eoghan
@Aidan: It isn't so much because its Talia x Batman, moreso that it feels odd shipping Batman with anyone.
Kaiser-Eoghan
While kind of amusing, initially I wasn't too into Uchouten this week, the hot spring part got me groaning, but then someway through dramatically it really picked up.
Kaiser-Eoghan
From reading comics a few years back, I still feel that they adapt better to animation.
Kaiser-Eoghan
@Vonter: And I say this as someone who was able to defend Alien 3 and Ressurection.
Kaiser-Eoghan
Covenent felt like an Infantilized version of Alien.
Kaiser-Eoghan
I wouldn't call either John Wick film or free fire amazing or anything but they had great fight scenes that were actually visually coherent , of course they weren't given a proper release.
Kaiser-Eoghan
I'm not watching/paying for anymore of these reboots/remakes/shakey cam pg rated action films anymore. I'll stick with my balls to the wall Hong-Kong/Chinese ones.
Kaiser-Eoghan
@Vonter: It also had really uneven pacing aswell.
Kaiser-Eoghan
@Vonter: ....The dialogue is so embarassing, they don't do enough with this backstory, they just keep teasing, none of the new characters have the same charisma , the editting in the action scenes shakes all overtheplace.
Kaiser-Eoghan
@Vonter: I gave Covenent a fair chance, I thought it would be an exception to the reboot thing. I'll admit theres the sets, the atmosphere, Fassbenders performance , the idea to expand on the franchises mythos is cool but....
Kaiser-Eoghan
It really really hurts as a film fan, trying to find older, genuinely quality foreign films , finding that no-one is seeding them and theres no proper/in print dvd release anymore. Then finding some awful shakey cam modern American superhero film with billions of seeds and a bluray release.
AidanAK47
@K-Off, I don't know. Todd was more the imperfect son always aiming for batmans approval. Damian is more an assasin wondering why the hell he can't just kill his enemies. I hear that Comic Damian works better than Animated Damian. I do think that if given a personality he could work but as he is currently you are right that he's essentially a mishmash of past robins.
Vonter
I watched Alien Covenant and I don't know if it improves by being more dumb and less pretentious or if it os the final nail in the Alien franchise coffin. Not since the StarWats prequels there has been a retcon that changes your view of the original movies.
Kaiser-Eoghan
I can recall enjoying a certain Jason Todd centered story called Batman:death in the family.
K-Off
Well, even when Damian does completely cross the line and become a villain, he's not even that interesting, i.e Injustice. Yup, Jason Todd already covered everything, but better.
AidanAK47
Problem is that he's an edge lord cocky piece of shit that just doesn't have enough likeable traits for this to be compelling. What really pushed him over the edge was mocking Nightwing over his parents deaths. That shit is not on.
AidanAK47
@K-Off, I like the contrast that Batman refuses to cross the line and kill but Damian has crossed that line. As well as his potentail to become a villain. Tim and Dick didn't really have that though Jason sort of did. Damian's arc is more about teaching him the morality of a hero.
K-Off
@Aidan I'm not sure I like Damian's concept to begin with. The Bat-son dilemma's inherently addressed by the Robins for all intents and purposes. Damian just goes through the same motion, only difference being he's biologically related.
K-Off
Yup. Wonderwoman either doesn't need to have a love interest, or it needs to be with Steve Trevor, the two have a solid backstory that the movies unnecessarily removed.
AidanAK47
@Kaiser, I don't mind the Taila X batman pairing. Makes more sense than Batman and Batgirl. But if there's one pairing pushed in the new movies that I just find wrong is the Superman X wonder woman. I just don't get that one.
AidanAK47
@K-Off, I like the concept of Damian as a character. But it's executed so badly.
Anonymous1105941
Teen titans needs one more season to wrap up all the loose ends. Such as what happens to Slade, and Blackfires revenge. The creators clearly wanted to explore those plot lines but got cut short.
K-Off
Teen Titans hasn't aged very well, but one thing I still do like about it is how contained and local the setting and cast were for the first half of that show. When godly superpowers are involved, that appeals to me. Much of the same reason why I like Logan and Raimi's Spiderman so much.
Kaiser-Eoghan
Very rarely watched teen titans when I was younger, I was vaguely interested in slade, stopped watching around when Terra appeared. I actively avoided comics where Damien appeared, never liked that Talia x Batman pairing much, I can only imagine how much worse it is to listen to Damien than read him.
K-Off
@Aidan, I like some aspects of those movies, but I'm not a big fan of the new continuity and art style in general...and yeah it doesn't help that Damian is irredeemably unlikable.
AidanAK47
@K-Off, There is also the DC animated Teen Titans movies like Teen Titans vs Justice Leage and Teen titans the Judus contract. Though it's not the same as the the TV series and Damian is such a dick.
K-Off
@Anon I don't think Teen Titans needs another season. The last season wasn't that good, but the movie ended the series on a high note and Young Justice pretty much rebooted everything, at least in terms of replacing people's want for a more mature DC cartoon about the Titans.
K-Off
Yeah it's become more of a hassel (for myself and my friends) to set aside time to go to a theater.
SuperMario
I guess in the end it all comes down to how easily it reaches the viewers. Give us a hard time and we don't give a damn to check the new movie/show out
SuperMario
... otherwise have to wait for a year, even more before it reaches Australia. But many companies will raise in the wake of Netflix and that will be where problems arise
SuperMario
This trend isn't happening within the anime industry, but it's happening in the movie world as well. In the past 2 years, Netflix starts to exclusively distribute many films, meaning that they won't have theatrical release, but straight to Video on Demand which caused quite a stir in the industry. Personally, I actually don't have much problem with it as now I will get a chance to see a film that
SuperMario
Dive!! , a series that will air next season on noitaminA slot will stream exclusively on Amazon Prime Video. Not that I'm eagerly looking forward to Dive, but that news again makes me frustrated. No one will watch it and then all the hypes it might have will die down eventually.
Anonymous1105394
Considering I didn't even expect a season 5 it's more than I could've evr wanted. Now if only if only Teen Titans could get the same chance.
Lenlo
Oh yeah, it turned out well. Didnt mean to say it didnt.
AidanAK47
@Lenlo, Considering that the ratio of great to alright episodes is 8 to 2 I say that it turned out pretty well.
Lenlo
I have to say, the Samurai Jack season started stronger than it ended imo
AidanAK47
So this is how Samurai Jack ends. 16 years in the making. Honestly considering how much needed to get wrapped up I knew the ending would be a bit flawed. Really think Gen should have givin it one more episode to flesh out the ending and then it wouldn't feel so rushed. Overall despite it's flaws, it's a decent ending. Not prefect by any means but it will do the job.
Kaiser-Eoghan
Lol theres a surprise, seriously, Black Lagoons manga is updating again.
KTravlos
worst recap ever for me? Gangsta. That was a stupid recap episode. Really like a Public Announcement. Useless, stupid, and ruining atmosphere. Utter stupidity. There I got it our of me :p
Kaiser-Eoghan
@Masky: Unfortunately too far behind in the sequel manga to catch up, I did take a look at THAT in the latest chapter though.
Masky
Huh, for some reason thought Tokyo Ghoul was under shonen when its seinen. Welp now that makes more sense, I was thinking story about cannibalism would be kinda absurd for shonen.
Spike
They serve no purpose except to fill airtime when production gets fucked up. They have 2 bad choices - run a recap or run an unfinished episode. Recap is generally the less dogshit choice. I've seen a few anime that ran the episodes with unfinished animations and still frames.... the backlash was about 100x what a recap is.
SuperMario
I'm about to say that to you as well Kaiser, maybe watch the recap and then continue on. The only thing I kind of take from the recap episode is the editting: how they chop off the fat of 6 episodes to still give you important developments. But as a way to catch up/ to reintroduce the series, it's freaking useless
Anonymous1104087
I don't think anyone should start from the recap episode. Unless there was a long hiatus, a recap in between episodes is unnecessary for new viewers and old
Lenlo
I mean, aside from whatever happens with Mugaro.
Lenlo
Next episode seems early, out of 24 episodes, for Nina to learn the Prince is Chris, yet that seems to be what the confrontation is leading towards, and then she freaks out and he learns shes the dragon. Becomes the conflict for the rest of the season?
Lenlo
Seems I was right, Azazel didnt predict that Nina might not be so easily riled up as she once was. To bad so sad Azazel, she has someone she loves now.
Kaiser-Eoghan
How useful are these recap episodes anyway/actually? Hypothetically lets say I was feeling lazy and decided to watch tsuki ga kirei starting from the recap episode.
Kaiser-Eoghan
[link src="https://www.anirena.com/?s=blame

http://anilinkz.io/blame-movie"]
Lenlo
So long as there are consequences for how hes acting, then I am ok with it. I just dont want him to turn into some MC hero when hes acting like this.
AidanAK47
And in Re:Creators Sota is still being a goddamn pussy. Now that the exposition has gone down I am really starting to hate this kid.
SuperMario
It's the presentation that they differ. Ghost Hound focuses more on the atmosphere, so those details I mentioned before work for their benefits; whereas Sagrada Reset focus on plots (and confusing themes) so those stick out like sore thumb.
SuperMario
4 episodes into Ghost Hound so far. This show also reminds me a bit of Sagrada Reset this season- the way they both emotional distant, complex plots; keep viewers away at arm's length, and feature characters that have robotic facial expressions. Yet I enjoyed Ghost Hound so far and couldn't engage in Sagrada Reset at all.
SuperMario
@Spike: I was like... "tsuki ga kirei has a recap episode, so let's move on to Kado"... another recap. Tsuki ga kirei I'm not too worry as it confirmed that it'll have 12 episodes, but I'm not confident on Kado
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