Posted on 16 January 2019 with categories: Anime Reviews, Finished Series: Adventure/Fantasy/Science Fiction, Planetes, Throwback Thursday

If there is one thing I have lost watching seasonal anime, it is patience. Every week I expect something to happen, some kind of payoff, to make watching that week worth it. Luckily, Planetes as brought that back to me. Its depth of writing, characters, and general structure belay an anime of a different age. Before Moe and Sis-con took over the seasons. Back when a series was allowed to take things at its own pace, and actually finish its story rather than languishing in sequel hell. Of course, what else can you expect from the first work of Makoto Yukimura, the author of currently published Vinland Saga.

Lets jump in!

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Posted on with categories: Anime Reviews, Goblin Slayer

The controversial nature of this shows opening episode may have many turning away from it due to believing it’s nothing but shock value but that truly isn’t what Goblin Slayer is. I will say that the manga may hold some truth to that statement but thanks to some tasteful censoring(Yes, sometimes censoring can be a good thing) this story could at least be something more closer to a fantasy adventure series. In truth Goblin Slayer is more a love letter to low level Dungeons and Dragons so for those who happen to have a nostalgia for such a thing, this series could have a big appeal. However for the average anime watcher I can say this, this show is called Goblin Slayer and you can bet that’s exactly what you are gonna get.

Goblin Slayer slays goblins. It’s what he does in the first episode and you can bet it’s what he does in the last. This is essentially a series where you watch the equivalent of goblin slaying Batman go about his business of killing as many goblins as humanly possible. For some watching him do this is enough and I admit that his single minded obsession can be a source of some pretty good comedy. However if you find that isn’t enough and are looking for this series to maybe provide something deeper in regards to world building or characterisation then you will be sorely disappointed. The Goblin Slayers party of adventures are staple D&D archetypes with little in the way of interesting traits of backstory. The worldbuilding pretty much borrows a lot of it’s lore from other more notable works and not much is really expanded upon besides the small detail of goblins being the worst despite being regarded as a minor pest by adventurers. There is quite of number of light novel tropes such as Goblin Slayer having a whole harem of girls after him despite never taking off his helmet and never talking about anything other than killing goblins.

This is essentially a anime with a limited appeal and a simple objective which can be entertaining but not something you would hold in high regard. White Fox did an excellent job in adapting it for the most part in how they toned down the less unsavory aspects but there are times where the animation for action scenes is on the unimpressive side. The plot doesn’t really move beyond killing Goblins and Goblin Slayer slowly warming up to other people. Some moments have fanservice that is just ridiculously inappropriate and unnecessary. But get past that and the rather grimdark first episode and you have a show that makes for a decent watch for some.

Posted on 15 January 2019 with categories: Anime Reviews, Currently Watching:, Zombieland Saga

Zombieland Saga was a show that came out of the gate guns blazing, no one expected it nor did anyone predict it but it left a strong impression when it first aired it’s starting episodes. Originally considered to be another zombie apocalypse anime, it overthrew expectations by turning out to be a zombie idol anime. Outlandish though it may be this actually worked as the idol shows ranged from death metal to Rap and the comedy hit all the right notes with special mention to the manager who is equal parts ridiculous and bombastic. It looked like this was the series to take a look at the idol anime genre and poke fun at it’s ever so tiresome tropes.

But ultimately the greatest failing of Zombieland Saga was becoming that which it originally parodied. The end result isn’t something that I would consider a trainwreck like Kado as while Zombieland becomes something lesser, it’s still at least a decently enjoyable watch. The problem is that it’s opening episodes promised something greater and could have potentially been the anime to point out and mock the very nature of idol anime itself for it is something that has been long overdue such a scathing. Sadly the case is that once episode three hits the story gears more towards traditional idol anime and the fact that the idols are in themselves zombies becomes less and less relevant. What at once was a great surprising anime just became another idol anime.

There is fun to be had with the show and sometimes it can bump up from being alright to pretty good. The opening is quite excellent and the comedy has some great highlights with Yugiri’s mistimed slaps and Yamada Tae just being the legendary Yamada Tae. Though when the series aims to hit a more emotional tone this often contrasts far too greatly with the general slapstick nature of the show itself, often not making its mind up on whether it wants to make you cry or laugh. Episodes become more formulaic as well with each often starting that a pep talk session with the manager so he can ham it up for comedic effect. Coupled with an ending which acts more as a midpoint finish rather than a finale and you have a show that’s rather half baked in nature. Overall this show can be a fun watch but it once held the potential to be greater but then went for something more more marketable but more generic as a result.

Posted on 2 January 2019 with categories: Anime Reviews, SSSS.GRIDMAN

Let it be known that I’ve never been a fan of Trigger. For me, they’re one of the most style-with-no-substance studio on Earth with a tendency for god-awful fanservice, and total nonsense in terms of story and characters. Yet GRIDMAN completely caught me off guard in the first two episodes, and from there, there was never a dull moment. On the surface, it shares many of the studio’s (good) trademarks: an unconventional storytelling, bombastic action sequences and and eye for arresting visual. Yet its approach is completely different that the visual approach becomes a character of the show itself. On the next surface, GRIDMAN is a love letter to those tokusatsu shows, the Gridman franchise and even Transformers franchise that we see the sheer love from the staffs to all these homages. While you don’t need any of prior knowledge in order to follow this show, the ones who do know about these homages might enjoy the show more wholly. For my money, along with Revue Starlight, GRIDMAN is one of the best visual directed anime this year 2018 has to offer. A visual where not only it’s striking to look at, but also support its themes and laid out many small details about its world-building.

The main vibe GRIDMAN offers in the first few episodes lie in how offbeat everything happens on screen is. Character waking up with an amnesia; there are kaiju monsters standing motionless in the background. The school appears to be normal a day after its destruction. This offbeat sense could very well turn many viewers off, but not until later do we find out about the truth of this world and its characters that everything starts to fall into place and its visual choice starts to make a whole lot sense. If I have to point out another quality of GRIDMAN, that would be there’s a clear line between “minimalistic” and “going all out”.Usually, the battle scenes go is bathed with its bright color, dynamic CG sequences and epic feeling, but in its quieter moments (which usually happening ⅔ of the episode), it goes for saving-energy mode: minimal music, repetition shots, realistic dialogues, “camera” is in static mode. This is a bold choice since clearly dividing its segments like that would cause a tonal inconsistency or even not holding audience’s attention at all, but it’s a rewarding one because GRIDMAN creates a real sense of its mysterious world that feel wholly unique and unforgettable.

Some could argue that because of these clear dividend, GRIDMAN is a show of two halves: its mundane slice-of-life half through the point of view of Rikka, and its Gridman vs Kaiju monsters origins narrated by Yuuta. In fact, part of the claim is true. Looking back, GRIDMAN doesn’t seem to have a clear protagonist, as we were introduced to this world through Yuuta’s eyes, himself is a blank state, then all the emotional core is progressed through Rikka as she goes through her normal life and then the show leaves its climax arc to Akane, her God-like status and her existential crisis. Not all of these work well (Yuuta’s part is clearly GRIDMAN’s weakest part), but I’m surprised that this show brings another level of complexity to Rikka and while I’m a bit let down by the ending, the dream episode remains the best episode I’ve seen in 2018, and the single sequence of Akane jumping off the crane remains one of my favorite scene of the whole year.

GRIDMAN is also one of these shows where it embraces “show, don’t tell” school the the fullest. The visual style always give the sense of scale between the characters and how huge the kaiji monsters are. It features many distorted lenses, further informs us visually that the world these characters inhibit in are not necessary real. Most impressive of all, in my humble opinions, is how the show uses the distance between its characters to signify their chemistry. The best examples of this approach is Akane and Anti’s relationship, where you can see the clear distance, most of the time Akane is in higher position, looking down at Anti. In addition, My favorite one is in episode 3 that details Rikka and Shou’s getting sucked into their own misery. The visual framing, which frames these two looking different ways through mirror is the textbook example of how to inform character’s inner struggle purely through visual alone.

This show is also in love with putting as many details in its world-building, a bit obsessively like the way Wes Anderson usually spend to his worlds – mostly through the objects that surround the characters. While these details might not necessary relevant to the main plot, uncover these Easter eggs might prove rewarding and might open up to more interpretation this show aims to be. This is the show that the more you dig into it, the deeper the Rabbit hole goes, but damn I really do prefer if the show confirms some of its theory. The live-action sequence at the very end of show, for example, nicely sum up this show thematically, at the same time raising a hell lot of ambiguity to the table.

And for me, that is exactly the kind of anime I’m yearning for. It might not be perfect, it might be for an acquired taste (although I heard that it sells surprisingly well in Japan), it might not wrap up the best way it can, but it never afraid to take risk and ultimately it comes off as its own thing. I sure hold Akira Amemiya in high regard now.

Posted on 31 December 2018 with categories: Anime Reviews, Thunderbolt Fantasy

If anyone has been familiar with the first season of Thunderbolt Fantasy, you’d find yourself a lot to enjoy in this second installment. Served as a sequel, but not a direct continuation to the first, viewers don’t need the knowledge of the original in order to enjoy this ride. Thunderbolt 2 carries many trademarks that make this show such an install success since it came out: the puppetry technique makes it an unique viewing experience amongst anime fandom; the larger the life characters whose characters are the central protagonist in their own stories; the camp value of cheesy lines and back-and-forth conversations; and the somewhat unpredictableness of the plot. It serves as an entertaining and engaging ride on its own right, but to be fair, it’s pale compare to the freshness of the first season.

In this second season, we have a whole new supporting cast aside from our hero Shang Bu Huan and Gui Niao the Enigmatic Gale. The cast includes Lang Wu Yao – the ginger singer with his talking pipa, the Princess of Cruelty Xie Yinglou, the Dirty Cop Xiao Kuang Juan and the amoral monk Di Kong. While Thunderbolt proves once again it more than has its chops when it comes to make these characters as stand out as possible, for this season it falls more into straightforward side.There’s a clear line between the good guys and the bad guys, which makes a lesser impact compare to the ambiguity of good/evil in the original series. Princess Cruelty, for example, has haer redemption arc that, while still good, is the most conventional arc Thunderbolt has done so far.

The main storyline is another straightforward aspect of this season. It has a clear set of goals and well planned-out (too well indeed) goals: Shang Bu Huan wanted to get rid of his Index of Swords, unfortunately the plan fails and the enemy gets a hold of two evil swords. One thing that this season does improve is that we get a chance to see more legendary swords and their dangerous powers. These two new swords, Seven Blashphemous Deaths and the Night of Mourning, have a distinct designs and formidable powers. The former especially has quite a character for her deadly charming voice and her femme fatale personality. My favorite addition, however, is the one-wing Dragon who spits fire and talks human language.  

Speaking of characters, I’m glad to say that all the main players this season fit into this universe like a T. They’re over the top, but not simple. They’re all too proud of themselves and they bounce off with each other extremely well. Normally it’s an one-on-one conversations where these different personas clash, and most of the time it’s a treat to watch. Di Kong and Lang Wu Xao serve to be an excellent cast on its own, the former on how he’s dangerous purely because he has no evil temptation, and the latter because of his strict sense of justice. The Dirty Cop’s character is your love-to-hate type and his corruption is a bit to extreme to leave any ambiguity, and it’s a shame his character is the least relevant to the main plotline.

The visual has gotten much more flashy too. Characters doing their own “remarks” while speaking, the special effect, namely the spitfire and the blood-gushing are still something to behold. Even the way these characters run have a quirk of its own, making Thunderbolt a product that never fail to be anything less than spectacular. I think we’re in good chance for the final season that closes everything here. Witty, refreshing, never take itself seriously and always have the right amount of campiness and flashiness, puppets are here to stay.

Posted on with categories: Anime Reviews, Irozuku Sekai no Ashita kara

In the last few years, it’s great to see P.A Works has slowly created their own studio identity, putting more original works with consistent production values. Just in 2018, they produced 4 shows (quite a good number if you ask me), 3 of them were original: Maquia, Sirius the Jaeger and Irozuku. As I said, it’s a encouraging sign to see a studio that has control of its titles, but at the moment they still haven’t reached their full potential yet. The same pitfalls between Irozuku and Sirius the Jaeger, in particular, lies in its writing. They’re unremarkable and in Irozuku’s case, drags on for too long. Irozuku is a show that has a well-realized settings, a solid theme of finding love and gorgeous production, but it’s one of the case where it has no real plot, as a result in the middle chunk it feels as if the cast just wanders around in search for the plot.

You can see that aimlessness from our main lead, Hitomi, who is colorblind, afraid to use magic and shut off her own feeling. When she’s transported back to her Grandma’s timeline, she doesn’t know what her purpose is, or what she should do. Comes the supporting cast from the Art/ Photography Club who has different personality traits, but “surprisingly” always in sync when it comes to group decision. I take it as lazy-writing since at the end of the day, none of the cast raise above their established traits. The addition of energetic Kohaku moves the show forward a bit, but she’s also bogged down by the same approach.

I normally avoid to criticize a show for “nothing happens”, but it’s exactly the case here for Irozuku. The middle portion consists mostly of the cast hang out doing their club activities that both feel random in nature and nothing has progressed whatsoever. Although they spend majority of time together, the chemistry of the cast isn’t necessary strengthened, because they repeat the same atmosphere all over again. Not all of these relationships are one-note, however. Aoi and Hitomi has some neat moments together, as they settle down their own feeling for each other. Kohaku has some solid developments too on how she takes the responsibility of bringing Hitomi safe and sound.

Irozuku is the show that mixes between magic and the normal day lives; and it’s the magic parts that are the highlights of the show. Whenever it comes to these scenes, the visual never fails to impress. Whether they’re colorful fireworks, the magic train or drawing-styles paintings or the sparks of the magic spell, everything looks gorgeous and it’s the visual alone that carries the message more than the narrative. It takes a trip to Aio’s painting with the black figure hopelessly chase the dead golden fish that tells much more about Aio’s artistic struggle than any word can convey. The same goes for Hitomi’s monochrome vision, every time it switches between color to black and white world, we see the world in her point of view and there’s always a hint of sadness carries across.

Thematically speaking, Irozuku centrals on finding your own happiness and love yourself as part of embracing and living the world. Throughout its run, Hitomi progresses from a shy little sad sack to someone who knows what she likes, from a girl who is afraid of her own magic to someone who finds the beauty in magic and the colors in her life. As it stands, I still believe Irozuku would be much stronger if it only had half of its runtime, or had a more solid middle arc. It remains a show that has clear starting and ending point, but don’t know the road the get there efficiently.

Posted on 30 December 2018 with categories: Anime Reviews

In the wake of many a school based light novel show this may be the small bits of fresh air was can savor out of this overdone setting. Rascal does not dream of Bunny Girl(Or by its japanese title above) is a series not about rascals or bunny girls but instead about contextualising common high school student problems with a supernatural twist. The story mainly follows a guy called Sakuto who encounters various girls afflicted by some supernatural disorder ranging from invisibility to body switching. Generally caused by some mental problem or trauma the girl is dealing with which the supernatural disorder is forcing her to face. There is some rather weak attempts to explain said phenomena with quantum physics but believe me when I say you really shouldn’t take that into account as this show basically gives up on that idea as it continues.

The series works in an arc format with each ranging from three to four episodes dealing with a certain girls story arc. However while each arc does deal with Sakuto helping girls, this does not lead to the typical situation of Sakuto building up a harem of girls infatuated with him as he helps them. Instead there is more of a focus on Sakuto building a relationship with one girl as he helps others which really does progress well as the two have fantastic chemistry. Indeed the strongest aspect of the show itself is the interactions between the characters which do have fine comedic banter but also feel more grounded and real than most shows.

The opening theme song is a massive earworm set to have you repeating it throughout the day and the ending works well as it changes based on who is the focus of that particular arc. There are some negatives in that some arcs are weaker than others and with each arc(Aka Light novel Volume) being covered in three/four episodes instead of a standard six which results in the pacing speeding up at times and lots of time jumps. As it is by the author of Sakuraso it also has a tendency to delve a little too deeply into overdramatic territory which can ruin some moments. Other than that it is a highly solid show bound to keep anyone watching with it’s episodic cliffhangers and engaging narrative. For those whom have watched the likes of Haruhi, Snafu or likewise then this would make for a good show to put next on your list.

Posted on 23 December 2018 with categories: Anime Reviews, Banana Fish, Finished Series: Slice of Life/Drama

Some days, I wonder what it is with America and anime about organized crime. Baccano!, 91 Days, Blood Blockade Battlefront, all set in America, all involving criminal underworlds. Today, I get to add another to that list in the form of Banana Fish. Much more grounded than the others, it’s story dates all the way back to the 80’s. The Vietnam war has recently come to a close, and Organized Crime is being forced to adapt to new times. Banana Fish takes this story and adapts it for the modern age, with smartphones and the Middle East. It attempts to touch on all these weighty subjects and conflicts, but in the end, can only manage a story about two young men, in over their heads.

Welcome to Banana Fish. Lets jump in.

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Posted on 30 October 2018 with categories: Anime Reviews, Finished Series: Adventure/Fantasy/Science Fiction

According to much of the Western Anime community, this series wouldn’t be relevant for a site like this. Being made in the West by Americans, and English being its first language, many would disqualify it from the start. However I name them all fools for Castlevania, Directed by Sam Deats and Ryoichi Uchikoshi is clearly inspired by and modeled after Anime. Just like Avatar: The Last Airbender or the currently airing RWBY, let Castlevania stand as a testament that Anime can be produced beyond the borders of Japan. A damn good one at that.

Lets jump in, and beware of spoilers!

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Posted on 19 October 2018 with categories: Anime Reviews

In a year where comedy shows gain an unexpected strong showing, somehow a show about 3 cute girls and their pass-timer club emerges as one of the best comedy around. Yep, forget Hinamatsuri, forget Grand Blue, forget Chio-chan, Asobi Asobase delivers some hilarious absurdist laugh-out-loud moments for the ages. It helps that we were in for some trolling even before the series starts. Asobi Asobase is a prime example of a huge disparity between “what the shows is selling us” and “what it is actually about”, and for all the better of it. In all promo arts before its airing, and watching the deceptive OP that introduces the show, one would have assumed they’re about to watch for a comfy CGDCT. The truth is, where are those cute girls in the OP? It consistently displays how nonsensical, degraded our trio are and their situations they find themselves in.

Asobi Asobase’s main source of humor comes from how it introduces the mundane situation, then escalate it and flips the situation over to the most absurd level, usually with the expense of our trio. The jokes often land due to how unpredictable and crass it can get, and it benefits from a bombastic chemistry between the trio, along with the rest of the cast. In fact, in term of “stealing the scene” the supporting cast does a damn fine job with their personality is even bolder than our main girls. We have a shogi captain who goes at great length to teach the trio about “going all out for pass-time games”, we have a senpai who might or might not be a trap (my favorite recurrence gag), we have a girl who is designed like a Japanese classic painting, but she’s a total foil for our Olivia with her great mix of Japanese and English sentences; we have a live-in butler (or whatever role he is) of Hanako whose “special ability” is so bizzare we can’t help but tip our hats for its sheer creativity (it involves shogi as well), and guess what? The best part is that Asobi Asobase is crazy enough to build a proper backstory for his condition that involves alien and touching ass. Yes, Asobi Asobase is that kind of show.

While all the jokes are built in an absurdist manner, Asobi Asobase makes it ten times better with all the crazy reaction shots from the girls. The degraded reactions consistently betray their first cute appearance, making it hilarious in the delivery. Now, to our main three girls. We have Olivia, the non-foreign foreign girl who has a tendency to bend the rules (she’s my favorite character but I ‘d love to see her awfulness more), then we have Kasumi who is the least stand-out, but she possesses many hidden hobbies (chief among them: BL-fanfic story and her afraid towards men – see how contradiction she is) that it becomes a great source of laughter whenever Asobi Asobase delves into it. Finally, the star of the show Hanako (the simplest way to describe her is that she has a few loose screws. Like, seriously) who is basically responsible for all these stupid hijinks, and her rapid mood swing somehow just becomes funnier and funnier as time passes. In addition, not only the voice actress clearly kills it with their performances, I consider the VA of Hanako – Hina Kino a true breakout with her fearless performance that keeps raising the bar to the absurd level. Just listen to the “don’t give a fuck” metal ED to hear her voice screaming. She brings so much energy to this show.

Admittedly, some gags are weaker the others and sometimes it can cross the line between crassly enjoyable and mean-spiritedness (the portrayal of Olivia’s brother nerdiness for example) but that’s the thing because Asobi Asobase is excel at taking us outside of the comfort zone, or to be more precise, the comfort zone that CGDCT genre often doesn’t dare to go. Moreover, while other viewers see this show as “cute girls who is mean to each other”, I don’t really see any mean intent from the girls. While it’s true that most of the times the consequences go out of their hands, it’s also true that they have a blast of a time. And so did we watching and laughing at all the nonsensical hijinks from a show that simply doesn’t give a crap.

CHANGE USERNAME
Lenlo
That was an interesting comparison. Cool to see how far anime has come.
Lenlo
I cant wait to watch Kaze Fui tonight to answer those questions Kazier!
Kaiser-Eoghan
@Lenlo: Someone has done a comparison video for Dororo for a scene in the new one, comparing it with the old one: https://www.youtube.com/watch?v=j38anJY3BtA
Kaiser-Eoghan
Maybe some people found the flashback scenes too dramatic, but I didn't mind, they worked for me.
Kaiser-Eoghan
@Lenlo:One thing that has come to mind, how would it go if he encountered the coach again, but in the present?
Kaiser-Eoghan
@Lenlo:I also liked how the flashback was done in a grainy looking style.
If I found someone who was finding it hard to get into this show, I think that this episode would win them over and it’s the episode I found myself feeling the most.
Kaiser-Eoghan
@Lenlo: Episode 13 of Kaze ga tsuyoku is the fitting and perfect culmination of what has come before it and all is now essentially out on the table dramatically and all the better for it because of how well this series has built itself up.
Animosh
In essence it is still a battle shounen though: even if the fights always have narrative weight (it's not just fighting for the sake of fighting), the characters are to a significant extent developed through fights. So if that's not your thing it might be a hard sell even with its amazing animation and sympathetic cast.
Animosh
@Lenlo/Kaiser: the problem with Mob though is that its first two episodes are by far the worst of the series. So if you give it a try you should watch at least until the third episode, and possibly even episode 4/5 (since it's the first really good arc of the series imo).
Animosh
Yeah, it must be tough to blog three shows in the span of two days, especially with how long your posts tend to be. I find it hard enough already just to keep up with everything!
Lenlo
Ugh. Didnt get to Kaze Fui tonight. A shame. This whole Dororo/MobPsycho then Kaze Fui air schedule is gonna be a pain. You can expect Kaze Fui's maybe... Thurs? Not sure yet. Busy night
Kaiser-Eoghan
*newer not old
Kaiser-Eoghan
Some additional things I always notice in certain things, sometimes in these old medieval films or shows, in the American ones the characters occassionally don't look earthy enough.
Kaiser-Eoghan
Koyomi from clannad i mean
Kaiser-Eoghan
Somewhere in my head Koyomi is this weird anime take on an autist.
Amagi
All she did what stupid, but everyone was saying that she was a genius that would probably soon develope the theory of eversthing so it must be real even if she's only ever smart when the plots needs her to do some sudden computer hack or something.
Amagi
Smart characters can only be written by smart writers. So sometimes writers just tell that the characters are smart but you don't actually witness it. It's either shown by using such wise one liners or just because someone else is telling the audience they're smart. Reminds me of that one Kyoani genius girl.
Kaiser-Eoghan
Can't do the walk, don't do the talk.
Kaiser-Eoghan
I can buy it more for a tough old dude.
Kaiser-Eoghan
On more thought, alot of it has to do with who is saying them. Men who look like children with no charisma.
Amagi
I absolutely hate these one liners too. Especially when you can already hear them in the trailer.
Kaiser-Eoghan
I hate it when scripts coverup for awful characters by spamming quips at you.
Amagi
It's why I dislike so much stuff that gets released today. All these run-of-the-mills, copies, clones, alternative universes, sequels and so on.
Kaiser-Eoghan
But, beyond cgi, its the modern take wise-ass stuff that drives me nuts.
Amagi
Even if you're just drawing a landscape you need creativity. Where are the shadows, the lighting, what atmosphere should it trigger and so on. Maybe even a hidden motif.
Kaiser-Eoghan
ANARCHY KINO-MACHE!
Amagi
Yeah creativity is, well, should be among the most important things out there. I mean movies, anime, etc are actual art, art is meaningless without creativity. At least the narrating type of art.
Amagi
Kinda miss these anime. They're rare to begin with but I can't imagine anyone creating such a thing nowadays. Like Blame/Ergo/Texhno, even Lain. They never sold though, so I can even kind of understand it.
Kaiser-Eoghan
Ergo worked for me up until the ending.
Kaiser-Eoghan
I think clever is too often a miused word by people when they describe things. They reduce it to being "Just a smart storyline", when really it is more suited a word to something in tune with its creative side.
Amagi
Ergo Proxy even had a dense/heavy plot that was developing while you're busy figuring the setting out. And many things were shown indirectly. It was one of the rare anime I had to watch twice to get it. Texhnolyze is also such a thing but more bizarre in my opinion, less logical than Ergo, but still great.
Kaiser-Eoghan
@Amagi: Its really really nice knowing that I can talk to someone like you about this on my level .
Amagi
It's why I love series with strong settings so much. See Blame for example. Even Made in Abyss. You never know what kind of landscape you will see next and in Blame everything is fucked to behin with.
Amagi
Yeah. Well we do watch movies to feel excitement, and you can't really feel that if you can guess what happens next.
Kaiser-Eoghan
Now obviously these types of things can end up a coin toss of it either works or it doesn't, but I appreciate the risk taken.
Amagi
I tolerate it for games because whereas I still don't like it there, at least the game as an additional value which is the gameplay. So even with weak atmosphere I am still enjoying it for being a good game. But when I watch a movie I want get sucked in to some degree instead of being aware that I am just the audience (or the player).
Kaiser-Eoghan
I like that feeling of I don't know whats going to happen next.
Kaiser-Eoghan
I like the idea of a madman getting to do a movie and running with his imagination.
Amagi
It's like dreaming and suddently hearing your real life cat meowing and realising that it's just a dream, you're in the bed and about to wake up. And yes this is exactly why I dislike CGI
Kaiser-Eoghan
But sometimes people cry pretentious wrongly, when there wasn't really any intended thing to get.
Amagi
It's why I am so easily angered over little errors or writing problems. Because they destroy the atmosphere more than anything else.
Kaiser-Eoghan
I mean, I do like themes, characters etc, but my favourite experience is nightmare/dreamscapes.
Amagi
If the atmosphere is missing it doesn't matter what story you are telling, everything feels kinda hollow. Doesn't mean that show with weak atmo and great plot is bad, but it would be ten times better with the proper atmosphere.
Kaiser-Eoghan
I hate this modern idea of "It HAS to be coherent or mean something or follow some kind of linear or logical thing or some kind of rules"
Amagi
@Kaiser: Yeah it's why I often say that atmosphere is the most important part of a story, actually.
Kaiser-Eoghan
With cgi I am constantly reminded I am watching a film.
Amagi
Don't know all of the titles you mentioned, will probably look into a few of those I don't know.
Kaiser-Eoghan
What I love about these old slavic art films, is no longer being aware of the world around me when I watch them. They use actual crafted cinematography so they can still feel like you're living it, despite being so unreal.
Amagi
Technobabylon and Gemini Rue are my favorites. These games capture this fucked up feeling of noir-punk and dark cyberpunk perfectly and have a bunch of great twists and character arcs.
Amagi
I like this type of darkness somehow, as well as trash punk and noir stuff. I do enjoy the Wadjet Eyes games for that reason.
Kaiser-Eoghan
Naturally I loved both
Kaiser-Eoghan
Hard to be God and On the silver globe are insane, there's this sense of what the utter hell am I watching? But you feel like you've been transported someone else entirely.
Amagi
"We" (Мы) is also a Russian dystopia novel, it shared a bunch of similarities with 1984 but was written long before Orwell had had even started with 1984.
Amagi
STALKER has also made me check out a bunch of Russian/Ukrainian novels. I love their ideas. Their dystopias and everything.
Amagi
Slavs are doing good games right now. Looking forward playing this Russia Fallout clone.
Kaiser-Eoghan
I can't remember the name of the Soviet animation with the robot that keeps on working after everyone's dead.
Kaiser-Eoghan
But crappy puns aside. Dead mans letters, letters never sent, Ivan's child hood, Andreii Rublev, Cranes are flying and I am Cuba have amazing cinematography.
Kaiser-Eoghan
I wanna b a Potemkin master....
....like no-one ever was =P
Kaiser-Eoghan
Dead mans letters is up there with Threads as being one of the best apocalypse films.
Kaiser-Eoghan
*evangelion
Kaiser-Eoghan
Or would that be Nyguen genesis Evagelion =)
Kaiser-Eoghan
@Mario: You'll always be my ho chi main man minh Mario =)
SuperMario
I love Soviet cinema. Yeah the Mirror has that monochrome part. And they aren’t that big as they used to be but Soviet animation has great history
Kaiser-Eoghan
Stalker is an excellent science fiction film and not neccesarily because of need to anaylze it, but because it works of a visual-psychic level.
Kaiser-Eoghan
@Amagi: Zerkalo/mirror is a great example of this, just a stream of the directors thoughts, all visual impressionism, there might be a scene where I couldn't tell you the why or the what, but it'd make me feel something.
Kaiser-Eoghan
@Amagi: Basically where to understand, is simply to feel.
Kaiser-Eoghan
@Amagi: Its always fascinating that some filmakers have the ability to just let the film wash over you and move you with intricately crafted arthouse visuals. That they can do that, without character arcs/intellectual message/monologues.
Amagi
Speaking of soviet stuff I kinda want another movie or maybe even a cartoon like some of these old soviet movies that were partly monochrome and partly colored during important scenes. Didn't solaris have that too? - I know the monochrome parts were done to save money, but it was kinda impressive seeing colorless movies turning colorful ones during emotional scenes.
Kaiser-Eoghan
@Lenlo: Definately something that would appeal to me in terms of alternate style of animation. I'm actually quite a fan of different, out there animation styles.
Lenlo
Heres the ED
Lenlo
Yup, paint on glass. The entire ED for the first season was done in that style. Mob loves to use obscure or generally unusual art styles to sell the other worldlyness of its spirits.
Kaiser-Eoghan
That sounds pretty cool.
Kaiser-Eoghan
Excuse me....paint on glass effects in Mob? There was a Soviet animator that used that style.
Kaiser-Eoghan
*earlier
Kaiser-Eoghan
@Amagi: Again you psychically read my mind =P I was just thinking that about Farnese arlier.
Kaiser-Eoghan
@Amagi: I think I've accepted there are some manga I need to wait until they're finished before go back to them either due to slow scans or because they've gone on so long or go on hiatus.
Amagi
I think the later half as well as the hiatus killed it for me. Can't deal with that two chapters per year policy.
Lenlo
I, however, am still a rabid Berserk fanboy. :D
Amagi
I am also never a fan of characters completely changing personalities once they're redeemed. Farnese was an interesting villain and while I agree that she needed to overcome her trauma the current Farnese is just some soulless helpful big sister type. She only exists to care for Cjaskar and at some point even Cjaskar's eternal problem was starting to get on my nerves.
Amagi
@Kaiser: Same opinion on Berserk again. The arc before that with the inquisition tower was one of the highpoints of the manga, everything went downhill once Schierke had joined which is kinda sad since it was one of my favorite series before that.
Lenlo
Mob is much more character focused than OPM. OPM riffs on Shounen, while Mob is a much more character driven drama kinda series, with shounen elements. I would give it a shot for an episode or two.
Kaiser-Eoghan
@Amagi: Berserk started losing me when he started travelling around with those kids.
@Amagi/Animosh: Do you believe that Mob has better choreography than onepunch?
Kaiser-Eoghan
@Amagi:I will give exceptions to magical elements if a show can produce an adventure narrative worthwhile or if it’s a magical girl show.
If magic is featured in an occult horror fashion or in an exploitative way, I will also lean toward allowing it.
Kaiser-Eoghan
@Amagi: While I very much doubt Mob would be my thing, given how I generally felt indifferent to onepunch man and bias against shounen action, yes the art for Mob, when elevated by an anime adaptation lends itself to something unique looking and I can praise that.
Lenlo
I think ONE's style fits Mob better, and Murata's style fits OPM better. So yeah, Bones chose well on that front
Amagi
Not only are overdesigned characters really bad for movement which is actually needed to make a series and their characters feel alive but they also often look really bad in my opinion and there is a limit on how overdesigned a character can be until I stop taking them seriously at all.
Amagi
Yeah. I also honestly think that many anime are suffering from overdesigning.
Animosh
And I like Mob's artstyle a lot as well. It gives the series a unique look, and it gives the animators all the freedom they could wish for to play around with the characters (and basically everything else) as they see fit. Add Bones to the mix, and you have one of the best-looking series out there.
Animosh
I prefer the full ONE experience too. It's part of the reason why I slightly prefer Mob Psycho. OPM looks great and all, but there's way too much meaningless fighting going on in the manga lately. I prefer the tighter and more consistently subversive storytelling of the webcomic, although I still enjoy the manga a lot as well (and the story climaxes in particular tend to look freaking amazing).
Amagi
Different example since this is actual fantasy but I also prefered the early Berserk series over the later parts. When the supernatural horror stuff was more of a hidden thing appearing around Guts and otherwise just on special occasions, while most people didn't even believe such things exist. I prefer that over the high (dark) fantasy we have now although I get what Miura is aiming at.
Amagi
I guess I just have a thing for this secret-club mentality. I prefer it over worlds with blatan magical powers everyone uses and knows about.
Amagi
It's weird but I almost always hate anime with and about magic, the more fantasy it is the less I like it (usually, not always), but then again occult stuff is always totally my thing.
Amagi
I am quite happy they stick with the original Mob Psycho designs from ONE for this series. The OPM manga is probably one of the best looking things out there but ONE's artstyle has a lot of charme and makes characters more unique, especially if looks as polished as in the anime adaption.
Lenlo
Mmm cant wait to watch it. Kaze Fui, still great
Anonymous3309336
I really like how Kurahana admitted that he let his emotions get to him when he threw that punch at the coach back then. Now he feels remorseful about that day and how he made enemies from his former teammates.
Anonymous3309336
Meanwhile, looks like the next episode will focus on Prince again and his attempts to further improve his time.
Anonymous3309336
Meanwhile, his new teammates understand the pain he's been going through and want him to move on from that. Definitely as some of the best writing of this season.
Anonymous3309336
That punch he threw at the coach was certainly well-deserved, but I can see why the other teammates including Sakaki would come to despise him.
Anonymous3309336
This episode of Kaze ga... was great as always, as we see more of Kurahana's past and how his awful coach made Sakaki and the rest of his former team turn on him.
Kaiser-Eoghan
I wouldn't have minded reading several volumes of seeing Satou on the run.
Animosh
Thanks! That's good to know. An alternate ending could have been fun, but I suppose the ending of the anime was fitting, and if it ain't broke don't fix it.
Amagi
Looks like it's going to end. I guess it ends the same but we can't say for sure yet.
Animosh
For those of you still reading Happy Sugar Life: is the manga continuing past the anime? Or does it look like it's going to end in the same way? If it takes a different path it might be worth checking it out.
Anonymous3307077
children of the whales
Lenlo
Holy crap. Mob Psycho 100 is the best thing since sliced bread. BONES thank you.

And thanks Kaiser!
Amagi
well we have a döner kebab ship at least.
Amagi
I am from Frankfurt, another one of the biggest German cities but there isn't much to see here aside from skyscrapers and banks.
Kaiser-Eoghan
*had **taught
Kaiser-Eoghan
I hah had some notion that the Japanese didn't really know English or it wasn't well thought over there?
Kaiser-Eoghan
Lenlo's taste continues to be impeccably based.
Kaiser-Eoghan
lol I thought coolass47 was covering Kaguya.
Kaiser-Eoghan
Germany, both Koln and Berlin, especially Koln felt like a home to me and felt the less alienating/foreign.
Kaiser-Eoghan
.....probably embarassing but, I think I'd be put off sleeping on the floor in a futon or using one of those weird Japanese toilets.
Kaiser-Eoghan
Truly I am the Kaiser Eoghan.
Kaiser-Eoghan
Beyond that I've been to Belgium, Spain, France, Italy, Northern Ireland and Wales.
Kaiser-Eoghan
I've never been outside of Europe. I didn't have problems getting around Germany though when I went because my then girlfriend was from there and I knew enough to cope on a Holiday.
Amagi
also no matter which country I visited till now people were always friendly
Amagi
Yeah, now thinking about it, I could even find everything in Iran so I guess Japan should work too. Most people knew enough random English or German words to somehow lead you to the place and you want to visit unless it's some really weird relief or a small town that's difficult to reach but tourists usually stick with the big stuff.
SuperMario
... years ago and Japan is pretty safe and the signs are easy to follow in general. Even the locals who don’t speak English they are pretty friendly and help you the best they can. You don’t need to be worry on that front
SuperMario
I did it alone few
Amagi
Not sure how he did it (he went completely alone too) but it seems to be possible somehow. Not sure if I would make it though.
Amagi
Someone I know managed it alone and he isn't even that good in English.
Lenlo
I think I can manage. Lots of English signage in places like the rail systems and such. That plus the small amount I am learning in preparation and how much english they teach them over there, I should be ok
Kaiser-Eoghan
@Lenlo: Do you feel you'd be able to get by in Japan? As far as I know you don't speak any Japanese.
Animosh
Mob was great again too. The adaptation is really knocking it out of the park. And looks like we'll be getting one of my favorite side stories next week.
Animosh
I love how upbeat Slime continues to be. If only all wars were resolved like this. And then he goes on to improve everyone's lives by building homes, infrastructure, and coalitions based on common interests? Rimuru for president!
Anonymous3303364
I retired from the force in middle school enjoying my retirement, I still see the faces of the comrades we lost when we defeated the big bad and saved the world, I haven't seen my cute marketable mascot in 3 years, but I like this new life I'm living, I thought I found peace but the battlefield always calls out to me, why? Because war never changes.
Anonymous3303364
I love this comment since it's more well put on what this dark magical girls show really is:
Vonter
Perhaps in ten years when the next trope comes. I wonder if some will look back to the tropes from now with different eyes. Like they say, you don't know what you have until you lose it.
Vonter
Yeah, maybe I could watch some of that schlock. In a way some of it has become more endearing over time. Since times have changed.
Kaiser-Eoghan
Vampire wars was fantastic though, used shitfuck as a word from what I remember.
Kaiser-Eoghan
Yes! Finally they're saying it.
Kaiser-Eoghan
Watching a compiliation of dub cursings for angel cop, not enough F-bombs yet.
Kaiser-Eoghan
I always wish some of these old ovas got to go on for longer, especially AD police and bubblegum crisis. I'd have loved a full gunsmith cats or riding bean show.
Kaiser-Eoghan
I have to watch Angel cop some day I really do.
Kaiser-Eoghan
And I think vonter, if magical girl ops can't achieve the exploi angle then it has failed all the further. We'll have to see.
Kaiser-Eoghan
@Vonter: I was disappointed when I saw the more modern anime! Because it didn't have the art I liked in the ovas.
Vonter
I do remember now. Did you watched the Birdy The Mighty OVA (not the series, the OVA). That one I remember liking because it was cheesy, visceral, had IMO better designs for the aliens than the ones in the TV series and I digged the dynamic of the two leads. However it was cut short. Perhaps it was too derivative for the time.
Kaiser-Eoghan
Sometimes I can actually take ridiculousness much better when its a live action exploitation thing if it happens to fail in animated form. That Jeanne d'arc anime and maybe magical girl spec ops would have made hilarious 60s/70s Eurotrash films.
Kaiser-Eoghan
One of the only modern anime to do the exploitation angle right was Freezing.
Vonter
I want to believe there's something like that already out. But I'm blocked. I can only mention that I now want to rewatch some of Devilman Lady. It does have a female lead battling monsters with an 80s sci fi horror vibe, I don't know it reminds me for some reason to movies like Godzilla 1985 or King Kong Lives.
Kaiser-Eoghan
@Vonter: Or go mental.
Kaiser-Eoghan
@Vonter: Thats one I still need to get around to. If I have to have a darker magical thing, it either has to be camp and goofy enough while taking itself dead seriously or keep some of the fun .
Vonter
@Kaiser-Eoghan - If you haven't check a couple of episodes of Lady Devilman. Despite being formulaic, the monsters on that anime are really well made and feel creative, morbid and creepy.
Kaiser-Eoghan
@Vonter: lol Damn, now I want to see Go Nagai's take of Magical girl ops.
Kaiser-Eoghan
And I love how some old ovas would sometimes take place in America, but in this IDEA of it, getting it wrong.
Kaiser-Eoghan
@Vonter: I love how they added in those stupid curse words every few minutes aswell, wonderfully incompotent.
Kaiser-Eoghan
@Vonter: Mad bull 34 was lovingly perverse , like a Japanese equivalent to those wonderful Italian police things.
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