Posted on 12 September 2014 with categories: Anime Reviews

Let me talk a bit about Ryousuke Nakamura. For a long time, this guy was my hero. He started off as an assistant director to Monster, in my opinion a big reason why that series got such a ridiculously solid adaptation, and then in 2008 he came with the groundbreaking Mouryou no Hako. No TV-series was like what we saw there. A year later, he completely rewrote the classic story of Hashire Melos to the point of brilliance, while he still kept incredibly faithful to the original work. This guy’s hands were pure genius. Afterwards, he left Madhouse, the company he was under contract of, and he started working freelance.

Now the problem with working freelance is that it’s a lot harder to land really good jobs. The best example of that is Dai Sato, a brilliant writer (think Erbo Proxy, Eureka Seven), who in the meantime of writing episodes here and there has resigned to writing kiddie shows in order to pay the bills. Ryousuke Nakamura thankfully fared better, but even then he has not gotten the golden opportunity that will give him complete freedom yet. The only television-series he did was Aiura, which was a 5-minute episode show about a bunch of girls that do nothing. It was incredibly well executed and all, but you can’t do anything with that kind of a setup. Beyond that he’s done all kinds of jobs here and there, from episode directing to storyboards, to production progress, to also just animating.

There is only one serious thing that he took the main seat as the director at… and its biggest focus is a romance between middle schoolers. That’s also its biggest problem right there: Monster! A tense thriller across Germany! Mouryou no Hako, a ground-breaking mystery chockful of Japanese folklore after World War II. Aoi Bungaku! A look into the mind of the writer of Hashire Melos! Nerawareta Gakuen! A teenaged romance with time travel!

So yeah, there are cliches. He doesn’t shy away from that. In some cases, he even takes cliches, gives the illusion of subverting them, only to subvert those subversions again and adhere to the cliches, repeats that several times after. And yeah, when you take into account that there will be lots of teenaged hormones… this pretty much is a beautifully executed movie. It takes care to make its four main characters well rounded, the side cast all are enjoyable and likable, the story brings in enough twists. With the cliches ingredients, it tries to make as much of it as it can and the themes that it uses, and the ideas that the whole story revolves around are actually pretty damn interesting. This also is not one of those romances in which nothing happens. Stuff does happen. It’s cliched obviously, but the most important part is this: both the characters and the relationships between these characters are constantly evolving.

Visually this show is perfect. You can see lots of the signature tricks that Ryousuke Nakamura loves to pull for his series. There obviously are the shots that are spammed with sakura leaves, but also the more subtle things. When characters move, they move full of energy and inspiration. Their facial expressions are full of emotions. All of this leads to a cast that feels very believable and relatable. This movie is already more than a year old and I didn’t notice any sort of buzz around it. It’s a pity, because it’s pretty damn charming for what it is. I’d say that the acting in Toki wo Kakeru Shoujo was a bit better than this one, but it’s definitely not by much.

Then there is the ending. I want to talk about it, but I’ll be as vague as possible for the sake of spoilers. At first sight the ending seems to suggest that it was rushed. Things happen fast. However, I believe that it somehow worked out very well. It’s the kind of ending that doesn’t explicitly spell everything out for you. It allows you as a viewer to fill in the blanks, and it’s even a bit open to interpretation at some points. I would not call it rushed to the point where it becomes flawed. Instead it makes the ending work and gives you something to think about. Not bad for a movie targeted at kids.

Posted on 30 December 2013 with categories: Anime Reviews

Okay, so I didn’t want to exit 2013 without having seen Masaaki Yuasa’s Kick Heart. It’s only twelve minutes anyway, and I consider him to be one of the best anime directors out there.

The story here is pretty silly and mostly serves as a backdrop, so I mostly want to talk about the nature of this little short: how it was crowd-funded and they actually got Masaaki Yuasa to direct it, Mamoru Oshii served as the consultant to make it happen, and They got a lot of talented animators involved. Because of this I love it. The creative team here attempted something really ambitious, and they actually succeeded in it.

Because of that, it’s also not surprising that Masaaki Yuasa got full creative control over the animation, and this probably is his most personal work since Mind Game. Especially with Yojou-han Shinwa Taikei you could see that it wasn’t just his work, albeit it still was really well executed, Kaiba was probably also forced into at least a normal storyline (for very good reasons by the way, because it turned out amazing), and even Kemonozume looked like some compromises had to be made. Here, the only compromise was the short length of only 12 minutes. He could really goof off as much as he wanted here, and the result is incredibly trippy. The animation is utterly gorgeous because of it.

This short made me learn a lot about Yuasa’s style, and I’m even more amazed at how well he works together with other people. This guy, when he is on his own, he can create completely unique stuff like Mind Game, but when he’s more under control he actually manages to get the best out of everyone, leading to the masterpieces that were Kaiba and Yojou-han Shinwa Taikei. He really is one of the most talented directors out there.

Kick Heart was incredibly silly, so don’t expect the same emotional intensity of is other works, but still his talents really show here and it was a great watch, and it serves as an example of how to do anime right.

Posted on with categories: Anime Reviews, Kyousogiga


Everyone’s taste is different, and that’s a wonderful thing because that allows us to have so many different forms of media that all aim toward their own niche. My blog is obviously written from the perspective of my own taste, and even when a show doesn’t cater to it (which is nearly always), I love getting worked up a bit about what if the show did get everything right. That’s why there is no one “best series” out there.

A show that I really didn’t have anything to say against, that really seemed to cater exactly to someone with my tastes, is Kyousogiga. Seriously, to me, that show was perfect and it hit every right note.

This series is really well made: the animation is consistently good, with very few moments of weaknesses. The series looks really good, but that can be said for a lot of series this season. What the animators also did however, was that they made the faces of the characters incredibly expressive, more than any other show that aired alongside it. The variety is great, and the camera always knows how to capture them in the most genuine ways. The way in which they’re able to keep this up for more than 10 episodes shows that this was a series made with a lot of passion.

This is a series that’s deeply rooted in Buddhist themes: not only are there many monks in the series, but also many characters from Buddhist folklore make cameos, the whole world this is based on has many winks here and there to the religion (although Shinto also has its noticeable roots here), combined with plenty of ideas of its own. This all combined leads to a very detailed and imaginative setting that is perfect for a short and whimsical series that can be enjoyed by all ages.

One complaint I’ve hear a lot is that the big conflict of the series isn’t really that big, but that’s something I actually liked a lot. To be vague for the sake of spoilers, Kyousogiga is about the inner turmoil of a family of characters with world-changing powers. The latter may seem serious, but the end resolution is much less dramatic than what you might expect. And I loved that! It’s got plenty of conflict, but for once it isn’t all gloomy. There is really no villain whatsoever, nor anyone who even remotely looks like the stereotypical evil villain who is out there to destroy the world for some superficial reason, even though this might appear to be the case at times. The entire series however is focused on the characters: them coming to terms with their identities and the ones around them. It’s one of the few series that in the end, manages to be epic while keeping the focus on the characters and their issues, without taking any cheap writing-tricks to simplify things near the end. It’s got plenty of touching moment, its just not as grand as what it was made out to be.

I was a long-time fan of this series, so obviously I’m biased. The creators actually managed to incorporate the OVAs into the series and integrated them seamlessly, so you do not need to watch anything before starting the TV-series, aside from episode 05 of the second OVA, and even that isn’t really necessary. This series makes use of vague storytelling: not everything is told or stated explicitly, but you’re also expected to think a bit for yourself and piece things together, and it does that in an intelligent way, rather than what you usually see where the creators obviously ran out of time (this series is also perfectly paced, not too slow nor too fast).

If you want to know whether this series is for you or not, ask yourself the question of what you want to watch. If the answer comes close to a series which excels at bringing animation, music, story, characters, setting, and all together flawlessly, then by all means give this a chance. If you’re looking for complexity or grandeur, or something mundane though, then there are better choices.
One-Sentence Review: Lots of love and passion
Suggestions:
Mahou Shoujotai
Strange Dawn
Ooedo Rocket

Posted on 13 December 2013 with categories: Anime Reviews

Noucome! You do not want to know how long I have been waiting for a series like this. More than half a decade, at the very least. Finally a series comes along and puts the incredibly overused harem genre in its place. And it actually does it well. Thank you!

So to elaborate: the harem genre is one of the worst genres in anime, and it has been so for about a decade now. The worst part is the sheer amount of series that have been made of it. They give anime a bad name and the vast majority of them just completely sucks. Over the years of course, enough attempts at parodies have appeared.

The problem with these parodies was that they weren’t really parodies. They’re just harem shows with their tongue in their cheek. When you have this mentality though, you only make things worse: you’re not funny, and the tongue in the cheek is just an excuse to put in even less effort into your writing because any flaws can be overlooked this way. A lot of parodies make this mistake and just adhere to the things they’re trying to make fun of, and with the harem genre this resulted into one giant mess. The only successful series so far probably was Ben-To, but that was just a really well executed series first and foremost.

Noucome though, goes all the way. This series finally aims to highlight the stupidity in the harem genre, and it finally aims to really make everything about it look ridiculous to show what so many series nowadays are getting away with. It finally takes the usual tropes like the quiet girl, the ditzy girl, the energetic girl, the student council, and with some great jokes and its premise shows how bad these things are. The protagonist is wonderful in fully acknowledging what a horrible person he is while this show keeps finding ways for him to enact generic harem scenes, and take them to the ridiculous. For that effort alone, I applaud this series. Because it has a lot of flaws, unfortunately.

Like most series, this series does lack an editor. The writers have great ideas, but other ideas are just plain bad. For example, everything about the main female lead (the one who falls from the sky) just doesn’t work: where all other characters are meant to highlight the flaws of their stereotypes, she’s just the generic dog-like girl with no brains and a huge appetite that we’ve seen millions of times before. She gets old really fast.

Second, it’s unfortunate to see that the writers can’t keep up their wit for the entire run of the series. With only 10 episodes, this is delightfully short (a comedy really does not need to be long!), but even then the second half has a few bad episodes, and especially the last arc is a pool episode that, while still containing some good jokes, is also full of pointless repeated boob-jokes that don’t go anywhere and an incredibly rushed and hacked ending that doesn’t really resolve anything. It’s a really clear example of the creators not knowing whether there is going to be a sequel, and therefore they try to include a bit of both, resulting in a really big mess of a final episode. It’s a shame, because there really is comedic gold in good endings, yet the amount of comedies that actually go for this can be counted on two hands. Another problem this series has is that everyone and his dog conveniently gets anmnesia when the writers need it the most. It’s passable when done once, but the writers just keep relying on it.

Nevertheless, Noucome first looked to be a series with the worst premise you could imagine. It turned out to be the biggest surprise of the year for me, and especially the first half was pretty much the best way in which such a bad-sounding storyline could ever have been animated. Can we now kill the harem genre. Please?
One-Sentence Review: The first harem parody that actually is a parody. Terrible ending though.
Suggestions:
Ben-To
Touka Gettan (Also not really a parody, but another great example of how to spice up the harem genre)
Aquarion Evol

Posted on 8 October 2013 with categories: Anime Reviews

Normally I try to avoid spoilers with these reviews, but screw it, it’s Pokemon. Pokemon The Origin is a bomb of nostalgia. If you haven’t played Pokemon Red, Blue or Green, then you will not enjoy this one slight bit. This really is made as pure undilluted fanservice for the fans of the first games. Pokemon was the first anime that I watched on Dutch television that made me aware of the existance of anime. Pokemon Yellow was the game that had me hooked, more than any other game when I was younger. So yeah, I am a fan, Pokemon holds an irreplaceable part in my childhood. And biased.

Here’s the interesting bit about this OVA: it’s got so many things that the television-series did really badly. And yet at the same time, it’s got some huge flaws that the TV-series was better at.

Let me start with the positives: finally, after more than a decade of pokemon, we’ve got it: a Pokemon anime without Ash. Team Rocket is present, but Jesse, James and Meowth are completely gone. in fact, the only regular characters who do return are Giovanni, Professor Oak, and Brock and Misty as Gym Leaders. This is what I’ve been waiting for: the pokemon universe is open to so many different stories and interpretations, so it sucks that it always has to be the same thing. I gave up on it years ago for a reason.

Next up: the length. At four episodes of just 20 minutes, finally Pokemon has come in bite-size chunks. The TV-series was absolutely notorious for wasting time, for running for way too long and including so many pointless stories that dilluted the experience. In these four episodes the creators picked the best parts of the game and brought that to animation.

All of the characters, in terms of acting at least improved from what we’ve seen of them: Giovanni actually has a personality, Brock stopped being the womanizer and now is just a gym leader, and all of the pokemon stopped trying to look and sound cute. They behave much more like animals. Heck, there was one brief appearance of Pikachu, and somehow the creators managed to give it mouse noises. That is one thing that I did not expect them to get past the marketing machine.

Now, the bad stuff: you obviously can’t stuff one entire game in four episodes. The solution of the creators is to have Red recap the things that happened off-screen. Great for fans of the game, but anyone not familiar will just scratch their head, wondering what the hell is going on. The only single reason I tolerate this is because it’s pokemon: any other show attempting this would have not worked at all. Adaptations need to stand alone, not give the message of “you need to check out the game/manga/whatever if you want the complete story”.

What also stood out was that this OVA became quite a good example of the difference in adaptations between today and fifteen years ago: adaptations today follow much closer to their original source material. On one hand this creates less obnoxious filler, but on the other hand this also limits the creators when they take over something stupid, or something that doesn’t work. This stands out especially in game adaptations.

There’s something bizarre in the entire game meta being visible in these OVAs, like pokemon have life bars now, they talk about level. People hand out sics with moves on them. Oh, and the battles themselves also become really weird because of this where the main focus is adhering to the game rules, rather than common sense. Take the fight against Brock for example: oh yeah, it may follow the game’s rules and all, but what we saw there was the equivalent of a big tank being drop-kicked by a hamster. Pikachu’s victory against the Onyx actually made sense. You can give the original series a lot of flack, but at least they looked at the different powers and used their heads, whereas in The Origins you have a Charizard whose tail keeps burning even when he’s underwater.

The characters also really suffered, and the creators I think made the explicit decision not to flesh them out or give them much depth. They get all their depth from the nostalgia with the games. This worked particularly strange with Giovanni, who behaves really weird throughout the parts he’s featured in. Heck, he loses to a kid and just abolishes his entire organization, even though losing to a kid just a few minutes earlier did nothing to him. But yeah, this entive OVA fails to make any ounce of sense. The original series has more logic in it than what we saw here.

But here’s the thing: When I first learned of this OVA, I imagined that it would be this big budgetted OVA, or at least something really solid. This was everything but solid, and the animation budget in particular wasn’t that impressive. This leads me to believe that this was a simple experiment: a test to see whether it’s worth it to also cater to the older fans of Pokemon. A pilot, if you will. And that idea, I really support.

Pokemon deserves to have some stories in it that target a different demographic than the usual kids. There are plenty of adult players who would like to see a more mature storyline animated, I would definitely see a market for that. For future experiments, I would really suggest: try sometihng standalone. Don’t depend on the games. Make sense. Take yourself seriously. Have a main character who isn’t a kid. I know that the last point is really stretching it, but hey you made Pikachu talk like a mouse, so apparently you do have freedom.
One-Sentence Review: A nostalgia bomb and not much more; do not watch if you haven’t played Pokemon Red, Blue or Green.
Suggestions:
– Pokemon, The Indigo League Season

Posted on 27 September 2013 with categories: Anime Reviews, Tamayura


I’m not going to dedicate a post for my impression for the final three episodes of this series. It was just too boring to write much about. I guess that that gives a pretty accurate indication of what I think about this series.

Right at the start of Tamayura’s second season, I asked one question: why did this series, of all shows, get a second seaso? What can it add to the OVA and the first series? The big problem with this show is that now that it’s ended, I still haven’t gotten an answer to that question. Yeah.

So what does this second season end up doing? Well, in terms of characters… Potte starts a photography club. You’d think that that would train her leadership skills, but in the end only one girl ends up joining it. That one girl gets the most character-development out of the entire series, but it’s surprisingly similar to the development that Potte went through in the first season. The best part was probably the attention to Potte’s dead father. Again most of it was already done in the first season, but there was one particular episode that brought something new to the table.

And as for the side-characters… oh dear god. They were definitely the worst part of this sequel, because all of them have been reduced to simple stereotypes. In the first season they were diverse character. Here however, they eitehr are neutral, or force their quirk way too much, with hardly anything else. This series seems to think that once you have developed your characters, you can just leave them as they are and they’ll keep magically working. Quite a misguided idea!

As for the stuff that the characters do in this season… it’s okay. It’s still a good show to relax with and all, but everything they do is again so surprisingly similar to the first season: they go on random trips with Character A, they go to visit Character B;s house, they drop by Character C. Everything just strikes me as if the creators had no idea what to really do with this series once it started, and then just settled with some vague idea that just kept the status quo.

Tamayura was supposed to be the spiritual successor to Aria. Aria’s second season took its characters and developed them to actual characters. Tamayura’s second season likes to repeat itself. Perhaps those with more patience than me will appreciate it for what it is, but I’m quite a bit disappointed.

Oh and if you want to know why the second season has such a weird subtitle: ‘More Aggressive’ is just a bad translation to which the creators got the contextual meaning completely wrong. Sortof like that guy who got a Chinese tattoo on his arm.
One-Sentence Review: It’s not really necessary to watch this: it doesn’t really add anything to Tamayura, nor its characters.
Suggestions:
Aria
Kaze no Shoujo Emily
Maria-Sama ga Miteru

Posted on 25 September 2013 with categories: Anime Reviews, Silver Spoon


When Noitamina started airing two series per season, it was amazing. It’s a timeslot that on average tends to be aimed at a much older audience than usual, and having two series with the same mentality definitely helped to bring more diversity to anime overall. Unfortunately it’s a schedule that could not be kept up forever: last season saw a rerun, and this time there only is one new anime, with the name of Silver Spoon. But it’s worth the watch!

The series you can compare this to the most easily is probably Moyashimon. Both series are about agricultural college with an oddball entering. Where Moyashimon focused on plants and germs, Silver Spoon focuses mostly on actual farming, and farm animals. The big differences come in the way the series are laid out: Moyashimon is random, silly, and overall rather shallow, compared to Silver Spoon being very meticulously constructed, and deep. And don’t get me wrong, it can get silly at times, but even that is very well plotted out. Compare it to how precise the comedy in Full Metal Alchemist always was.

Watch this show for the depth though: this series takes a look at the less pleasant sides of farming. And it does so with such grace! It doesn’t shy away from showing the fact that the animals in this series are destined for the slaughterhouse. It managed to create these very sympathetic characters who all have different roles and views on it, and they’re all affected by each other’s actions: some people accept it like it’s normal, others really need to take more time. The main character in this series is actually a really good one, because he challenges that view in nearly all of the characters. Of his age, in any case.

Beyond that it’s just an all around fun series to watch that goes into a lot of detail in some of the other aspects of working on a farm. There’s a second season coming up, but you can just as easily view this series standalone. There are a few episodes that perhaps break a it of the flow, or go on for a bit too long with the drama, but overall it’s a series that’s well worth the watch.
One-Sentence Review: This show is about farming, and it shows this in depth.
Suggestions:
Moyashimon
Nodame Cantabile

Posted on 3 July 2013 with categories: Anime Reviews


Reviewing a comedy sequel usually is quite simple: in most cases it just drops the bomb and runs out of inspiration, and in rare cases it actually manages to stay hilarious. The tricky thing with these kinds of series is that you need to remain funny, and you need to have the inspiration for that. The usual two methods are 1) doing the same thing over and over again or 2) take the prequel and make it more over the top at the areas that it excelled in. Azazel-san chose option 2, but it became both much better and much worse than the first season.

What I mean by that is that is that on one hand, I laughed much more and harder at its jokes. Seriously, the first arc is the best out of the entire series, including all of the OVAs that were made. Moloch has always been a fantastic character, but Azazel-san also grows into this character who just continues to bring me to stitches. And this show knows how to use the two of them. It loves to just kick them into situations that show their funniest sides. And at their best, the banter between the characters is just hilarious and the funniest thing I’ve seen all season.

At its worst though… dear god, this show descends into some depths here. The first season was incredibly vulgar, but the show did manage to make it interesting and varied. It was admirable how much bile it threw at the viewer and how unapologetic it was. So what was the answer of the second season to this? Sex jokes. Lots and lots of bad sex jokes, ranging from bleeding asses to bsdm and lots of willies.

This show doesn’t know what it’s good at. At one moment I’m nearly falling off my chair laughing, at others I’m yelling at the screen for the umpteenth penis that the creators wanted to shove in, and this is especially prevalent in the middle arcs of this series. Still, unlike the first season, I can’t find any arc that was completely boring: every arc, no matter which depths it descended into, made me laugh.
One-Sentence Review: This show’s pitch-black humour is second to none, Azazel and Moloch are awesome, but prepare for a slew of really bad sex jokes.
Suggestions:
Hen Zemi
Detroit Metal City
– Jungle wa Itsumo Hale Nochi Guu

Posted on 2 July 2013 with categories: Anime Reviews, Gargantia on the Verdurous Planet



Gargantia on the Verdurous Planet tells the storyline of a planet that is completely submerged, with only giant ships residing on the surface, while one of those ships gets visited by this guy and his AI-mecha from this very technologically advanced civilization. Yes, this show is about world building.

What this show managed to do really well is create a culture for the people who live on these ships, complete with customs, a new religion, a clothe style, a way of behavior. They use the technologically advanced culture well to explore this culture by clashing it, and show the differences. The show can keep this up, and it definitely has some interesting ideas to explore.

The shame is that this is a 13-episoded series that really just needed 26 episodes. It’s not rushed because of that, but it does have pacing issues, and glosses over a lot, and doesn’t really get to explore this setting to its fullest.Same goes for the characters: there are some good ones here: Ledo and his AI have this really good chemistry, and the acting in general is also quite good and down to earth… with some notable exceptions though. There are a number of annoying characters, and really weird character character-decisions that don’t make much sense. The storyline has nice ideas on one hand, but it does get a bit boring and redundant at others. Especially the beginning is good, and the conclusion also has its moments, but in the middle there are a few episodes that could have been better used; they waste too much time.

It’s a solidly produced series, and the creators managed to make this show stand out with tis visuals that manage to remain expressive. Gargantia is a show with issues, but I personally think that the pros weigh over the cons and it’s worth a watch. Just don’t go out of your way to watch it though, because there just are better series.
One-Sentence Review: Good world-building and characterization versus some big pacing issues causing this show to not get the full potential out of its ingredients, by far.
Suggestions:
Blue Submarine No.06
Heat Guy J
Nausicaa of the Valley of the Wind

Posted on 1 July 2013 with categories: Anime Reviews


I like surprises, like when a series comes that just turns out to be good against my expectations. Yahari Blahblah from the outside had all the signs to turn into yet another one of those high school comedies: snarky male lead, pointlessly long title that fails at being witty, various other cliched side-characters. And they made something good out of it!

The credit here goes to the original light novels this was based on, because for once, this show aims to stray away from mindless fluff, even though it may not seem like that at first. The lead character at first seems like the umpth snarky male lead, but eventually he sets himself apart to be different by actually using the weaknesses in his own personality as a weapon. This gives him wit that leads to some very insightful character-development, and the great thing is that this series never claims that he is just right, but instead it provides multiple viewpoints at the same issue. The original source material was very well written, and thankfully the creators of the anime managed to carry that over in their adaptation.

The side characters also surprised me. They range from intelligent to… not so intelligent, but I was quite impressed with how so few actually try to play up their own stereotypes. For example, you have the typical blond girl who is the most popular girl in the school, and while she acts cocky, she actually has more to her character than that, and she never really just starts acing like a complete spoiled princess. The lead female at first seems like a Senjogahara-clone, but quickly develops her own traits that make her far less one-dimensional than what you’d expect.

There is a lot of standard high school fare, and this show does linger along at places, not to mention that I feel like its ending is quite rushed and inconclusive. The visuals also aren’t anything special: they are adequate, but the animation never stands out nor falters. Still, for a high school “romantic comedy”, this was pretty damn good.
One-Sentence Review: Takes the generic high-school love-comedy set-up, and makes it good with some deep characters.
Suggestions:
Umi ga Kikoeru
Hana-Saku Iroha
His and Her Circumstances

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  • Bam
    (Thursday, Sep 18. 2014 09:28 AM)
    going afk to watch GITS:Arise Ep03. Will be back in a bit.
  • Bam
    (Thursday, Sep 18. 2014 09:24 AM)
    A compartment dream gives the sensation of dreaming in a dream, and sometimes even the act of waking up within that dream. They have something to do with Dopamine Reuptake Inhibition and are very rare, but the details of the mechanism escapes me.
  • Bam
    (Thursday, Sep 18. 2014 09:22 AM)
    @Emma: oh man, regarding the drug experiences I have enough to write a series of Dan Brownesque books of mystery and intrigue, so we definitely need a chatline for that :)
  • Emma
    (Thursday, Sep 18. 2014 09:21 AM)
    @Bam: I’ll keep it in mind and get to it.
  • Emma
    (Thursday, Sep 18. 2014 09:20 AM)
    @Bam: I have had a dream where I was asleep in the dream and having a dream.
  • Bam
    (Thursday, Sep 18. 2014 09:20 AM)
    I can go incredibly in depth with these since I’ve done quite a bit of research on the subject, but that is definitely not for the confines of the shoutbox. Message me on DeviantArt if you want to chat about it.
  • Emma
    (Thursday, Sep 18. 2014 09:19 AM)
    And about these drugs experiments of yours you’ve hinted at Bam, what sort of things were coming to mind/were you seeing under the influence?
  • Bam
    (Thursday, Sep 18. 2014 09:18 AM)
    @Emma: Deja vus and Jamais vus are in my opinion usually one of three cases:
    -We experienced it in a dream.
    -We have experienced it similarly before.
    -A mistake of the brain.
  • Bam
    (Thursday, Sep 18. 2014 09:16 AM)
    @Emma: interesting angle, as if they see beyond the masquerade and into the realm of pure Platonic forms. Reality is, as it has always been, subjective so it begs the question that “whose reality is closer to the truth?”. Artists happen to be the outliers and the anomalies, so they are either closer to the actuality or incredibly far from it. Either case makes their perspective unique and interesting.
  • Emma
    (Thursday, Sep 18. 2014 09:15 AM)
    Tell me Bam about your take on deja vu sometime if you can.

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Ping Pong – 05 & 06

Episodes 05 and 06 are dedicated to character-development. It’s here where Ping Pong shows that it also knows its stuff in terms of storytelling; the develoment doesn’t start too early or too late, and these two episodes really added depth to all of the different characters, despite that there were no big matches. I’m currently […]

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Mushishi – 03 – 06

I have not forgotten about this show. Not at all. I just finished marathoning these four episodes, and holy cheeseballs on a stick! this is the best anime in years! This was everything I could have hoped for and blows just about everything else out of the water. Talk about raw, powerful storytelling. I now […]

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Jojo’s Bizarre Adventure – 03 – 05

Jojo really is not kind to its females. Every time a hint is even dropped to a girl kicking ass here, it comes with this weird plot-twist that undermines any fighting potential of them. In this arc, it’s the rule that says that your stand will kill you if youaren’t strong enough. And so, Joseph’s […]

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Ping Pong – 03 & 04

The opening of Ping Pong wasn’t done in time, so the first two episodes showed a sortof montage as a placeholder. Now we know why, with episode 03 and 04. The creators actually got the single best animator currently in the business to oversee it: Shinya Ohira. This guy understands animation like no other. The […]

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Ping Pong – 02

Yes, I know that more people here were involved in making this series beyond Masaaki Yuasa. It’s written by the creator of Tekkon Kinkreet, Taiyo Mashimoto. That guy is awesome. And the combination between those two makes this series even better. Because here’s the thing: anime is significantly different from manga or light novels. Beyond […]

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Jojo’s Bizarre Adventure – Stardust Crusaders – 02

We can never quite get rid of magic fights at a school, now can we, Jojo. Ah well, I forgive it this time, just due to how hilarious it looks seeing these ridiculously bulky men walk around pretending to be high school students. It’s just so over the top, and yet Jojo sets itself apart […]

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Mushishi Season 2 – 02

Oh yes. This is it. This is what storytelling should be about: telling real stories about real people, all with their own problems that need to be overcome. And this show does that time and time again in just one episode. I still can’t believe how authentic this series is. The thing is, when I […]

Latest Reviews

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Nerawareta Gakuen Review – 84/100

Let me talk a bit about Ryousuke Nakamura. For a long time, this guy was my hero. He started off as an assistant director to Monster, in my opinion a big reason why that series got such a ridiculously solid adaptation, and then in 2008 he came with the groundbreaking Mouryou no Hako. No TV-series […]

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Kick Heart

Okay, so I didn’t want to exit 2013 without having seen Masaaki Yuasa’s Kick Heart. It’s only twelve minutes anyway, and I consider him to be one of the best anime directors out there. The story here is pretty silly and mostly serves as a backdrop, so I mostly want to talk about the nature […]

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Kyousogiga Review – 90/100

Everyone’s taste is different, and that’s a wonderful thing because that allows us to have so many different forms of media that all aim toward their own niche. My blog is obviously written from the perspective of my own taste, and even when a show doesn’t cater to it (which is nearly always), I love […]

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Ore no Nounai Sentakushi ga, Gakuen Lovecome o Zenryoku de Jama Shiteiru Review – 80/100

Noucome! You do not want to know how long I have been waiting for a series like this. More than half a decade, at the very least. Finally a series comes along and puts the incredibly overused harem genre in its place. And it actually does it well. Thank you! So to elaborate: the harem […]

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Pokemon: The Origin Review – 75/100

Normally I try to avoid spoilers with these reviews, but screw it, it’s Pokemon. Pokemon The Origin is a bomb of nostalgia. If you haven’t played Pokemon Red, Blue or Green, then you will not enjoy this one slight bit. This really is made as pure undilluted fanservice for the fans of the first games. […]

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Tamayura – More Aggressive Review – 75/100

I’m not going to dedicate a post for my impression for the final three episodes of this series. It was just too boring to write much about. I guess that that gives a pretty accurate indication of what I think about this series. Right at the start of Tamayura’s second season, I asked one question: […]

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Silver Spoon Review – 86/100

When Noitamina started airing two series per season, it was amazing. It’s a timeslot that on average tends to be aimed at a much older audience than usual, and having two series with the same mentality definitely helped to bring more diversity to anime overall. Unfortunately it’s a schedule that could not be kept up […]

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Yondemasuyo, Azazel-San Z Review – 82,5/100

Reviewing a comedy sequel usually is quite simple: in most cases it just drops the bomb and runs out of inspiration, and in rare cases it actually manages to stay hilarious. The tricky thing with these kinds of series is that you need to remain funny, and you need to have the inspiration for that. […]

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Gargantia on the Verdurous Planet Review – 81/100

Gargantia on the Verdurous Planet tells the storyline of a planet that is completely submerged, with only giant ships residing on the surface, while one of those ships gets visited by this guy and his AI-mecha from this very technologically advanced civilization. Yes, this show is about world building. What this show managed to do […]