Posted on 1 July 2018 with categories: Anime Reviews, Megalo Box

Ah boxing, the quintessential manly man sport of beating each other unconscious. In anime, the sport was first forged in the fires of Ashita no Joe, and some would say later perfected by Hajime no Ippo. Both fantastic series in their own right. Both filled to the brim with epic clashes of wills, phenomenal characters and some of the best fight scenes in anime. Some would probably count Megalo Box among them, near the top of sports anime. I am not one of them. For you see, Megalo Box is not a boxing manly mans sports anime. Megalo Box is a character drama. With boxing.

Lets jump in!

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Posted on 28 June 2018 with categories: Anime Reviews

This is a remake of a series made way back when which is one of the most highly acclaimed anime in the medium. It is of legendary status but you would be hard pressed to recommend it as to many the barrier of entry is too high to consider. A 110 episode OVA with dated animation and art is hardly an appealing show looking from the outside. Thus we have Die Neue These, a remake which takes the story of LOGH and sticks closer to the original source material of the novels. Acting as a small offering of what makes this series so highly regarded. LOGH is a story set in the future that plays out like actual history, for the stage is grand and the cast is huge. It is about a war between the Free Planets Alliance and the Goldenbaum Dynasty, one being a democracy while the other a autocracy. The series explores these two systems exposing the ideals and flaws of both as while there are large space battles, the true worth of this series is the great amount of politics that surround this war. Even though the story was made over thirty years ago, it’s messages still ring true today making it excellent food for thought.

The series mainly follows the two heroes representing each side, with Yang Wenli being the believer of democracy and a man who seeks a easier life but is pulled time and time again into historic battles due to his talent for strategic combat. Reinhard is the young upstart of the empire who wishes to rise through the ranks to reform the heavily corrupt society of the class system of the empire. The story can be a bit erratic as it jumps forward in time and it can be hard keeping track of the large cast of character which just seems to expand infinitely. The space battle remain the weaker aspect of the series and from word of mouth it appears the strategy employed is only base level tactics. There is also a common factor of highly incompetent people in high positions that gets reused time and time again as justification for the actions of the plot though not necessarily unrealistic. Also is the factor this is very much only a tenth of the full story of LOGH and when this show reaches its final minutes you may not even realize that it has concluded for the story just cuts off like someone slamming a book shut while you were in the middle of a chapter. There is plans for movies to continue the story but you will be left hanging quite a bit if you don’t intend to watch the original OVA.

Presentation wise aside from some rather odd character designs this series is leaps and bounds over it’s older counterpart. Thus I can conclude that this series is the prefect means to recommend this series to a newer fan of anime to encourage them to check out some of the older greats the medium has to offer. Even after all this time this series remains a standout tale within animation and one anime fans should at least attempt to watch in their lifetime. It loses points for being only a part of a story which has barely begun but for those seeking something that’s away from high schools and teenagers with more mature themes then LOGH is right up your alley. Perhaps even sparking an interest in shows of a bygone era.

Posted on 26 June 2018 with categories: Anime Reviews, Hinamatsuri

Comedy anime doesn’t always yell out confidence, so imagine our hype when there’s one that been on everyone’s lips since the manga come out, Hinamatsuri. The show starts with simple premise: a girl with supernatural power unexpectedly drops into the house of a yakuza, hilarity ensues. This concept sums up very well the source humors of Hinamatsuri. We have seemingly stock characters at first, put them into some bizarre situations where they are out of their comfort zone, and observe how they react. As such, Hinamatsuri is at its best when it turns these absurd events into unpredictably directions; and when the show uses these absurd elements to flesh out the characters. It’s so succeed in giving hearts to the characters that, for me, it stops being a laugh-out-loud show somewhere in the middle and now in the end, I’m not quite certain if I still consider Hinamatsuri a comedy show.

But stop being an all-out comedy show isn’t a bad thing at all. One of Hinamatsuri’s best assets has always been a strong and memorable cast, especially from the younger ones. Hitomi and Anzu, in particular, make one hell of an impression. They embrace these two qualities I mentioned earlier, not only it’s hilarious to see how these girls behave when they’re thrown out of their elements, but also throughout those bizzare events our girls have matured right before our eyes. We have the always kind-hearted girl Hitomi finds herself making cocktails in an adult bar (and eventually come to love that job); to the bratty Anzu finds the meaning of responsibility and home in homeless group. Some segments just are down right heart-warming that they ring sad and sweet in equal measure. Even a proper drama show can hardly do that right, let’s alone a comedy one like this.

Other characters still manage to make an impact just from the little segments they’re in. The trick is that they all have different voices and add different energy to the show. It’s no coincidence that Hinamatsuri is fond of introducing new characters, even late in the game. Being said that, the central relationship between Nitta and Hina isn’t as well-developed as say, the developments of their side characters. At the end of the journey, when Nitta thinks about their journey so far, it just hits me that we haven’t really invested to them much. If we’re looking for a parental bond we’re set to be disappointed. If we’re seeking for a buddy bond, it was underwhelming too. Their relationship is some kind in the middle, where they can easily ditch each other but there’s still something that bring them back together.

In term of visual execution, feel does a pretty decent job of transferring the essence of the manga to this adaptation. The visual hits its mark whenever it embraces the quirky visual that only Hinamatsuri can do. I’m talking about whenever these girls doing their supernatural power, or when Hina just floating around in the air in the middle of a conversation. That brings me to another complaint. By design, this whole season is about these “gifted” girls accustomed themselves to the new, ordinary world. As a result, there’s simply not enough crazy, wild fights. This lack of truly over-the-top superpower hurts the show’s chance, as Hinamatsuri has a knack of bringing whimsical humor by their visual. Secondly, the lack of these supernatural power means that the show’s more content for traditional slice-of-life shenanigans, which in truth countless number of anime shows doing the same thing.

In term of segments, I noticed that the anime adaptation change the order from the manga, which I think work for the show’s benefit. We have more direct continuation from Anzu and Hitomi, for example, and so far I can see the love from the creators to make this show as memorable as possible. Only one plot thread I feel rather weak and uninteresting in general is the Nitta’s yakuza part, which rank amongst my least favorite segments. Hina has become more active in the second arc, despite my early criticism that she might not hold her own. This series, as entertaining, whimsical and surprisingly heartfelt as it might be, might never seen the day of life for another season. While personally I’m not over-excited about this show, it still remains a solid offering. The show that has its own voice and visual quirks. That alone make it a far better show than your average anime crop.

Posted on 11 May 2018 with categories: Anime Reviews

We have seen an influx of Fate adaptations over the last year and sadly each has proven to be disappointing except for a cooking slice of life short series which is weirdly better than it has any right to be. This movie was the last of the Fate adaptations that I needed to see but sadly remained out of my reach due to screenings being nowhere near where I live. So I waited and now with the Blu-ray release I can finally experience it and by god it’s perfect. This is only the first of three movies covering the Heaven’s Feel route of the original visual novel. As for what that means to the uninformed, the original first visual novel of Fate/Stay night was a choose your own adventure style game where the story could turn out one of three completely different ways. The first path where Saber is the main heroine is called Fate, was adapted by Studio Deen in 2006 but while the only adaption of this route it is considered lackluster. The second route is called Unlimited Bladeworks where Rin is the main heroine and has been adapted by Deen into a movie and again by Ufotable into a TV series. This movie is the very first adaption of the previously unadapted third route called Heaven’s Feel where Sakura is the main heroine and more or less is the grand finale of the original game. When compared to the other two routes Heaven’s Feel is generally considered darker in tone and quite a few consider it the closest thing to a true sequel to Fate/Zero. Take that statement with a grain of salt however as it certainly isn’t intended to be a sequel but rather a conclusion to the original game. As a long time fan of the series I was curious as to how Ufotable would handle the adaptation and if this first movie is an example of what the full trilogy will be I would consider it a prefect adaption. Not only did this first movie cover the important points of the beginning of the route but actually improved the pacing and story with extra scenes.

In the visual novel it was briefly mentioned how Sakura started to come to Shirou’s house to help out but Ufotable actually shows it right from the start which I feel was a great introduction for her. The expanded action scenes and original scenes of things that happened outside of Shirou’s perspective really added much needed context to the story while giving justice to characters whom in the visual novel were sent off less ceremoniously. If there is a character that truly benefited from the animated adaptation it’s most definitely true Assassin. It’s nice to see a master who uses an Assassin class servant as they were intended to be used and despite being an antagonist you could always see how under powered he was when compared the powerhouses that are other servants. The animation really shows Assassins fighting style of avoiding direct confrontation and relying on traps and tricks to catch servants off guard. Even Shinji was given more context which made him more understandable though obviously still not likeable. The small nods to Fate/Zero help continuity better than the original story did as of course Zero was originally made after it. Animation of course was fantastic as this is indeed Ufotable with a movie budget and clearly no expenses were spared in making this thing as gorgeous as humanly possible. The fight scenes are absolute works of art and exhilarating to behold. Soundtrack was also quite excellent and despite my misgivings with Yuki Kajura I found this soundtrack quite effective and only remembered it was Yuki’s work when the choir jumped in at the opening credits. Through admittedly I wasn’t quite paying attention to the soundtrack but that in itself is a sign of grown from Kajura as her soundtracks had a tendency of stealing attention away from a scene whereas here the soundtrack worked more in tandem with the visuals.

Out of the original three routes, Heaven’s Feel is considered the darkest story and for good reason. As dark as Fate/Zero? Not certain if it’s that level but we are dealing with some pretty heavy stuff here. For one it’s clear that this version of the Holy Grail war has far more collateral damage than any other. It was said in the background that accidents where happening and people were dying in the background of other series but here it’s gotten to the level of being a massive concern. The people of Fuyuki know that something is going on and more and more incidents are happening. Shirou’s friends are no exception to this as even they are victims of the war. On top of which we got this mysterious creature floating around draining people into comas and the movie certainly shows how eerie this thing is as well as how dangerous. With Sakura being the main heroine as well we glimpse the abuse she has to endure at her home. This is a pretty heavy story for both the servants and the masters with bleak prospects to come.

The movie of course isn’t without flaw. It assumes you have at least seen the Unlimited Bladeworks adaptation and makes no effort to ease in newcomers as it quickly montages things previously covered. Small references to Fate/Zero have been added by Ufotable too so some knowledge of that can help. Despite efforts to improve the pacing of the story there are points of this movie which feel rather slow and rely on it’s atmosphere and soundtrack to carry it. The CGI while well done can be distractingly noticeable at times such as the scene between Lancer and Assassin on the truck. I would even go so far to say that maybe Ufotable over polished it. Also indeed this is a film for Fate fans so those who couldn’t get invested in previous iterations most likely won’t find anything here to change their mind. Naturally as well this film is only one third of a story so it doesn’t end conclusively and only is one part of a story. But for a Fate fan such as myself I loved it and thought it was the best it could ever be. If the other two movies are as good as this we could very well see the Fate anime to call Fate/Zero’s undisputed position of best Fate Adaption into question.

Posted on 22 April 2018 with categories: Anime Reviews, Violet Evergarden

Violet Evergarden’s existence has surely been a public one. Acclaimed before everyone lick a taste of it (it was awarded for grand prize in the fifth Kyoto Animation Award’s novel category in 2014 – read, KyoAni awards), it goes without saying that Violet Evergarden is one of the most anticipated show of the sparse Winter 2018 season. As with my first impression, I left the show feeling a bit torn about it. On one hand, the production is top notch and when the show hits right, it sweeps you right away. On the other hand, I don’t buy much of Violet’s central conflicts and the show has a tendency to go over-soapiness and try to explain too much, which I never fond of. To be fair, Violet Evergarden has never known for its subtlety, its intend is always to pull as many punch as possible. Violet Evergarden, therefore, is at its strongest when it uses Violet as an observer, to put her as a background for characters with their own struggles have to finds ways to overcome. When she stays in the spotlight, however, the amount of predictable development and cheesy moments always overwhelm the show’s own emotions.

Let’s begin our journey with the way KyoAni adapts these Light Novels into anime form. The Light Novels start with Violet as an already established Memory Doll, and makes it ambiguous as to whether Violet is a robot or a human. Throughout many encounters with clients should we learn more about the violent pass of Violet, and her super-soldier self. To put it another way the Light Novels uses her more as a reporter with set personality. In the anime version however, KyoAni decides to shift the focus to the whole character arc of Violet. Make her vulnerable at first, and then build her character gradually. I appreciate the intention (in fact about half of their episodes are original material. Impressive), since anime medium works different than written form so it’s always a wise move to modify the content, so it’d fit with the visual medium; BUT I’m not sure if these changes improve the narrative. The thing is, Violet as a central narrative is a boring lead and she’s utterly unrelatable. She doesn’t possess any personality traits and repetitive responses get pale really, really fast.

But to build Violet the character from ground zero also means that when she changes, the changes will be massive. Violet is suppose to be a robot, at least in terms of narrative sense. Everyone regards her as a killing machine, she sees herself as someone’s royal dog, the show visualizes her as a bleeding doll, and the novel purposely frames her as a robot, anything but a human. It’s also the show’s narrative that Violet needs to learn these emotions in order to truly become a full-fledged human. There are some neat ideas behind it, namely the way she realizes the bad deeds she has done in the past. When she doesn’t realize, it’s okay to live on, but when she does, the fact that she ends many people’s lives comes back to hurt her. Relying on someone else to live (in this case, Gilbert), is as sad and unbalanced as it might get, and her own arc has to do with her coming to terms with the fact that Gilbert is no longer there for her and raise independent on her own. It comes to episode 8 and 9 which feature one huge flashback to the day Gilbert died and Violet experiencing her grieving process. While I personally feel this flashback a huge waste of time given we don’t learn anything new, it feels like a complete arc for Violet. That is the reason why the real climax in the end doesn’t do much to me since we already see her arc done in previous episodes.

Violet Evergarden’s best parts are the standalone episodes where Violet doing her jobs – reciting or writing letters for their clients. At heart, these letters represent the desire to connect between people, they represent all those raw feelings that can’t be said out loud, and Violet is in middle of its own trying to translate those feelings into written words, and learn about emotions in the process. All these little stories, from a playwright making a new children-play, to the sick mother write future letters for her daughter, to write love letters from the heirs of two nations, each of them adds more layer to the concept of ghostwriting and her job of connecting the hearts of people together and most of them give a satisfying emotion to their story. The best episodes amongst them are episode 10 (sick mother and her daughter) and episode 7 (playwright).

The production by and large is impressive with detailed character designs (it’s one rare production where all the background characters are fully portraited with their own costumes and figures), consistent animation and striking background designs. Each story where Violet performs her jobs has different kind of settings, and Violet Evergarden really gives it their own on breathing life to those places. The lighting, however, doesn’t give the show a justice here. All interior scenes feel too dark, for one thing, and the way Violet Evergarden uses their focus lenses which make the centre of focus detailed and the rest blurred) hurts the show more than support it. It’s one of the case where I consider they over-playing with post-production. Such a shame since it feels like they don’t have enough confidence to their raw production.

As for characters, it pains me to say that the supporting cast doesn’t reach their full potential either. There are many anime original characters, and most of them have their own episodes to shine. But Hodgins and Cattleya are surprisingly underdeveloped despite appear almost in all episodes. Gilbert is just a vessel for Violet’s personal growth and the appearance of Dietfried in the end doesn’t leave much impact either. There is a hint of the aftermath of postwar era, which I somewhat enjoy but I don’t feel that it reaches its full potential. And all the drama is over-blown, which kind of bang me hard in the head.

All in all, Violet Evergarden is a roller coaster of emotions, in more ways than one. It either sweeps you away with its grandeur approach, or it doesn’t (like myself). The central development is a conventional and predictable one, and the show’s best moments are the ones where they move away from Violet as the central conflict. Despite my grumpy it’s still a solid made and worth watching at least one, if only for the beautiful CG-animated mechanical hands of Violet.

Posted on with categories: A Place Further than the Universe, Anime Reviews

Cute girls doing cute things is a genre that been done to death at this point. Even within this Winter 2018 we had been overloaded with big eyes fluffy face girls doing a lot of different things of interest. It takes a standout concept or a deeper narrative to make one stand out from this crowded pack. Enters Universe, an original show from Madhouse that has both of these. The show’s concept, after all, is about a group of high school girls making their trip to Antarctica, also known as the place further than the universe. Universe isn’t without its issues, the pacing in particular takes the girls way too long until they reach the destination. But to its defense this show is always more about the journey than the destination. It’s about experience life to the fullest and make friends who share the same interest in the process. The “friendship” bits can be contrived at times, but even with me (who isn’t that enthusiastic about it) realizes that the drama in this series is done quite well, as it always gives a satisfying emotional response to the conflicts it creates.

If there is one thing that I’m sure this show will be remembered for years to come, it’s the concept. Touring oversea isn’t that difficult nowadays compare to say, 20, 30 years ago, but a trip to Antarctica? Really? High school girls you say? What’s there to see in that icy place? How the hell do they get in there? Money? Lots of questions bound to come up upon hearing this premise and I’m happy to say that Universe never glosses over those issues, but instead approach them with a thoroughly research. Every stage of the trip is planned carefully, they never make light comments about high-school girls going for such harsh trip and indeed, they point out many times how extreme this trip can be. The expedition ship and the Antarctica place are so detailed that it’s easy to see the staffs made the same trip for their own research. It’s a joy to watch and know more about this little unheard place, to the point sometimes I feel this show is an advertisement for Antarctica (well, I’m sold). Moreover, a show that gives a detailed treatment to Singapore is always a plus (and I love durian!!).

What Universe also sells us is the way they frame this trip as a self-discovery, as a way to embrace the youth to their heart’s content. Mari, the show’s protagonist, is the perfect character for this trip. She worries about how she steps out of her comfort zone, and this trip makes a life-changing event, not necessary in terms of the specialty of Antarctica, but more about maturity. It also helps that the girls’ goal to reach the South Pole is much more than just “follow your own dreams”. Shirase is a girl that had her Mother disappeared in that very place, and it’s one of her resolve to go there just to be closer to her Mom. There’s also Hina who takes high school off but wants to experience something before college and most importantly, there’s Yuzuki, an idol who gets caught up with this trip and just tag along because she wants to travel with her new friends. And those make this trip a bit richer because doesn’t matter their own intention is, it’s the experience that they share together is the most important factor.

The girls make up a great central cast for us to follow. All 4 of the girls have different personalities, they have their own goals and their own backstories, and they have their own voices. Shirase, for example, is a no-nonsense but extremely unstable girl, whereas Mari is cheerful and acts like the emotional force of the group. Hina, my favorite character, has a wise (and bullying) side of her and Yuzuki somehow feels much more relatable through the way she loathes her “star” identity. Moreover, they bounce off extremely well and it’s a blast just to see the four girls interacting with each other. But most important of all, each of them has their own arc to overcome, and while some it I felt were made for the sake of creating conflict (in other words, unnatural), they always have a satisfying ending that elevate the shortcomings of the conflicts.

While the main theme is about self-discovery, I was a bit surprised to find out most of the show’s episodic conflicts are about the notion of friendships. Mari’s drama with her best friend, Megumi, for example, cuts unexpectedly but it cuts deep, mind you. Or Yuzuki’s little drama about “When will we know if we are friends” or Hina’s past issues with her secondary school friends. As a whole, I find the concentration to friendships theme a bit overplayed. Granted, their friendships in a nutshell are interesting ones. They haven’t known each other for so long and apart from this trip, they have very different lives. Yet Universe argues that as long as they share something together – be it getting seasick, eating a thousand-year-old snow corn or enjoying a view of mystical Southern light– they will always have a special place in each other’s heart.

The character designs and the production in general are in the more conservative side, but taken as a whole it fulfils its jobs nicely. There is a large amount of insert songs – most of them pretty heart-warming- so the music of Universe is solid overall. The pacing remains its biggest issue, as it takes until the end of episode 9 for the crew to finally takes their feet onto Antarctica icy ground. They could do it much better if they cut a bit of a transit section (Singapore and Australia, as well as on a ship section – another 2 episodes). Ultimately, Universe is a journey itself. It remains a feel-good show with relatable message of enjoying youth to the fullest and the girls make the most of their time on-screen. Certainly amongst the top tier of its cute girls pack.

Posted on with categories: After the Rain, Anime Reviews

I suppose that most of us, even the perministic ones, enter After the Rain (Ameagari) with some reservations. After all, the premise about a crush from an 18-year-old girl to the store manager who is nearly 30 years senior raises a lot of red flags here. Yet the show handles this tricky premise with deep insight and offers us two of the more well written characters out there. Originally billed as a romantic drama, the last third of Ameagari steers away from any romantic tension to deliver something more profound. It explores the complexity of human emotion by examining the unlikely relationship between two individuals with broken dreams and how they influence each other to reach back their goals. While I’d love for the conclusion to be more impactful (the ending suggests their relationship is like… ahem… after the rain: fleeting, soft, momentary – I’d prefer for more storming here), this show remains one of the most intimate, sensitive – and ultimately – complex portrayal of bonding, and human relationship. This solid material is further elevated by the understated and strong visual storytelling, aesthetically pleasing visual presentation and color palette and one of the best soundtrack in recent years. Ameagari is pretty much excellent as a whole package.

Any decent romance story has to start with well-grounded and relatable main leads, and Ameagari offers us two characters that worth caring for. Both Tachibana and Kondou are complex characters, especially Kondou who first appears as a goofy likable old man, but through the course of its run, their personality, and their own dreams are revealed slowly. Behind their composure, there lies a huge disappointment of their current lives, and as we know them better, we learn that they have left behind the path they used to treasure the most – Tachibana with her injury that prevents her from running track again and Kondou with his passion for Japanese literature – and gradually lose the essence of who they really are, becomes a shell that has no more dream or desire (in one of the show’s most clever symbolism: he touches the shell of a cicada while speaking that lines).

Meanwhile, Ameagari follows mostly through the point of view of Tachibana. While the show’s never shy from exploring Kondou’s inner thoughts (and what poetic thoughts this guy has), we follow Tachibana mostly through visual cues: her gestures, her “sparkling moments”, the looks from her eyes. Why this difference in treatment? By giving Kondou an inner voice, we become certain that his feeling for Tachibana isn’t romantic or sexual interest, but more about how her reminds him of his own youth and his current lifeless life. For Tachibana, it’s more about fleeting first crush and the show more than nails it underlining those feelings with sensitivity of how first crush is like. As you can guess from the title, rain is the show’s motifs here, and it chronicles the progression of this romance, from gentle, quiet rains in the beginning, then “she comes like a rain” in the middle and bright in the end like a love after the rain.

The main selling point of Ameagari is undoubtedly the amazing chemistry between Tachibana and Kondou. Their back-and-forth exchanges always spark with so much dynamic that every time those two together, they’re bounce to have special moments together – a praise that you won’t hear me say often, especially in anime medium. We have The Confession, The Hug, the Kiss, The Final Confrontation… These moments are the highlights of not only this season, but for my money for the entire 2018 year. They’re impactful. They’re powerful. They’re just perfect. But even in those slower moments, whenever Tachibana and Kondou are seen together, they deliver a natural and positive influence on each other.

The supporting cast help expanding the lives of our two characters, although in retrospect, they still leave a lot to be desire. Chief among them is the inclusion of Kase in one particular episode that leaves a sour taste in the mouth for most of us, but what bad is the way he reverts back to background character and we never learn much about him again. Tachibana best friend, Haruka, receives more attention in the second half and she provides a welcomed conflict to Tachibana’s current crisis, but it feels unfocused when we have a section about her and the ex-captain of the football club (it’s as important as the second copy of the second will). Kondou’s long-lost friend Chihiro, on the other hand, provides an excellent supporting role by the way he counters Kondou about his writing’s passion or reflects further to the path of life that Kondou left behind.

The visual presentation of Ameagari furthers elevate this sensitive love story and makes it a total feast to the eyes. I admit that I didn’t have a high opinion to Wit Studio, mostly because the production approach in Attack of Titan was my least favorite, but I have totally changed my mind with this subtle yet gorgeous visual styles of Ameagari. The reason I bring up Wit studio in particular is because they have their own “make-up animation” team, which is a team who apply special effects to certain important scenes and they sure did the job marvelously here with downright impressive visual palette and strong direction. The soundtracks are simply mesmerizing. They not only bring out the best emotionally from these moments, listen to them alone can transfer you right back to these certain scenes. I could totally picture Tachibana in the rain, or moment when Kondou sees himself in his teen self or the moment they hug each other. I also enjoy the way the show leaves their characters a space to breathe. There are many wordless sections just to record simple daily activities of Tachibana, like when she misses a bus, walks to the train station or when she offers a stranger to walk them with her umbrella.

In conclusion, I know the word “done right” can justify anything but Ameagari is a glaring example of a show that done right in every aspect, from its concerning romance premise, to its visual approach and the way it handles the developments of these characters. What makes it raise above everything else this last season is that, all these excellent components are all in the service of its theme. As a result Ameagari feels like a complete product with no real weakness, as the same time delivers special relationship that reminds us once again about the complexity of our own emotions.

Posted on 12 April 2018 with categories: Anime Reviews, Kokkoku

There are lots of bad anime out there, for one reason or another. Whether it be stilted animation, terrible writing or bad direction, a good portion of each season is simply not worth it. Kokkoku is not a bad anime. It is something much worse. Kokkoku is a mediocre anime. Bad ones get talked about, jokes pop up, they become lessons on what not to do in the future. Mediocre anime however simply get forgotten. Kokkoku, for all the promise it started with, will not be a cult classic. It won’t get sub-standard fan-fiction or people arguing on whether its amazing or terrible. No, the best it will get is a review on a couple random blogs that few people will ever read.

Lets jump in!

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Posted on 7 April 2018 with categories: Anime Reviews, Junji Ito Collection

In the realm of manga there is a man whose name is inescapable when the genre of horror is brought up. That man is Junji Ito and his work is considered legendary for its artistic detail, mastery of manga paneling and it’s outlandish imaginative concepts. Up till now his work has yet to have an adaptation that fits his legacy despite a number of attempts to do so. And now with completion of the Junji Ito Collection anime I can sadly say that fact still remains. This animes greatest failing is the lack of effort to truly adaption Junji Ito’s work to animation with the animation being bare bones to truly awful and the art not even coming close to his iconic style. This anime at least can be watchable due to the creativeness of the material but having passable animation, voice acting and music isn’t a good enough trade for the quality of the source itself.

The stories all have a problem with endings where many of them just cut off abruptly and move on to the next tale without much breathing room. Few have conclusive ends to the story being told and can feel like they were cut off in the middle of the tale. Some stories also are questionable choices with the main examples being the Souichi stories when are more black comedy than horror and stick out awkwardly when compared to the other content. The horror stories themselves fail to be scary though some do have some disturbing ideas while others prove to be far too silly to be taken seriously. Otherwise Ito’s general weakness with characterisation can have people acting in awkward or idiotic ways.

Horror anime is unfortunately a rarity and it was a solemn hope of mine that this could be something special despite skepticism. Sadly be it due to staff or studio there felt like no real heart put into this production. A meer attempt to cash in on the legacy of some who puts tremendous effort and time into his craft. A man that deserved better than this.The soundtrack has no notable tracks, the opening is a questionable rock song and the presentation weakens the content that while not making a terrible show, unfortunately turns it into a mediocre one. I do not recommend this be your first introduction to the works of Junji Ito and this isn’t really an anime worth watching, nor remembering.

Posted on 1 April 2018 with categories: Anime Reviews

I admit that I underestimated Yuru Camp back in its first few episodes. I took it as a standard, run-on-the-mill slice of life show and I fully expected to give it 3 episodes at max before throwing it into the deep sea of forgotten anime. But as time pass, I can certainly see many good strengths about this little show and it becomes one of the show that I enjoyed the most this season. In fact, Yuru Camp’s appeal never really goes beyond its genre offering but as far as slice-of-life genre goes, it certainly offers more than enough to be a solid recommendation. Structure-wise, Yuru Camp is a show made up (mostly) of two half: one with the fluffy pink cupcake that is Nadeshiko and her camping experience with her Outclub’s members, and the other is Rin’s solo camp. Looking at each part, not only individually they are above your average cute-girls shows with distinctive, warm atmosphere and delightful chemistry from the cast, these two segments also complement each other well.

I’ll say it now, Rin’s solo not-quite-as-bizarre adventures make up for best parts of Yuru Camp. Usually, cute-girls shows elaborate the theme of happily spending time together with friends as their selling point (and as the natural way of life, apparently), and while Yuru Camp certainly has that aspect, the show also respects Rin’s little personal space. Maybe it resonates with me more than most people, but I’m always in the camp who believe that you’re truly happy when you can appreciate moments of nothingness. They’re moments when you can truly let go of all the burdens, connections of life that tie you tightly and just enjoy that exact point in time as it is. THE BEST HEALING METHOD IT IS. I get that same feeling while watching Rin sitting in her chair, late at night, totally alone, in the middle of camp site (If you want to see what I mean without bothering to watch the show, check out its ED). Rin is a loner, but she isn’t the type of loner who secretly looks for friends. She enjoys her time by herself and all little moments from her solo trip: from talking with a dog in a passing car, making conversations with other strangers, or quietly observing the place and – my favorite – finding obstacles along the way (block road, no water, etc) and managing to go through them and lastly, eating yummy foods are all rewarding in their own way and certainly make her trips a real treasure to watch. Moreover, Yuru Camp never frames her preference as being anti-social. Through the course of its run eventually Rin discovers the fun of camping together with friends, yes, but in essence she’s the same person who always enjoy camping alone. And the show and the girls all respect her little solitude space.

Outside of Rin’s solo camps, the show still has a lot to offer. All the characters are a delight to watch, Nadeshiko is a big teddy bear to hug and while you could argue their characters’ traits have been done to death, it’s the chemistry those girls share together that makes it all ticked. Their banters (and there were tons of it) feel exactly like conversations you have with your best mates, with easy-going attitude but weirdly sharp and fun at the same time. Their time spent together on the camping trips sing well too, with ahem… laidback tone and nice sceneries all around, which isn’t that surprising when the settings are mainly surround the Mount Fuji. The foods they make, contributes a huge parts to the success of this show. Just like how Rin comments about Nadeshiko: “look at her happy eating face makes the food itself looks tasty”, it’s the feeling that I get too (consider my hesitation on food-centric shows, this comes a rare recommendation). In addition, the fact that the show is set mostly in winter makes it a surprisingly appropriate show to watch this season and further makes camping-during-winter premise such a nice ring to it.

Yuru Camp is not without its issues, however. The cartoon tips about camping and getting the right camping materials distract the flow of the anime and I believe it’d be much better if they cut them entirely. Being a slice-of-show also mean that there’s no real character development and there’s minimum conflict whatsoever and where are the male species? It’s hard to fault the show for those, but it also means that apart from the strong atmosphere, many beautiful scenic backgrounds and delightful characters, there isn’t much else to offer. The score is pretty good as I can recall some of its score vividly and the night time in winter never look more appealing than this, so the background arts are a winner. Overall, Yuru Camp has all its ingredients for a solid slice of life show, and they pull it off. I will remember these girls’ banters, and most of all, the peace of being alone, rather fondly, but it’s also clear that people who don’t like the genre won’t have much to revel in here.

CHANGE USERNAME
Kaiser-Eoghan
Wheras I'd delight in anything left field or out of the box, because I love being constantly buzzed or surprised or seeing something do something uncompromising or weird.
Kaiser-Eoghan
*sense of
Kaiser-Eoghan
But I understand that people feel belittled when they watch something they can't make traditional sense or or morally work out .
Kaiser-Eoghan
But I've accepted that the stuff I really really like is going to be alien to a majority. I'd watch a lurid ova or b movie over any popular shounen or most post 80s hollywood films.
Kaiser-Eoghan
There would have been a time where I'd thought I was doing it wrong or that people would just think me some kind of hipster or contrarian for not liking popular/mainstream stuff/what everyone in the same room/site likes.
Amagi
Same with movies. I guess in the end it's always about being able to relate. If there is a strange character only certain people can relate to they'll enjoy it while everyone else falls asleep and vice versa with more typical characters. Hell I have seen a ton of non-stop action movies that literally put me to sleep because there was nothing for me to root for nor any great twists to expect.
Amagi
It's strange but whenever people hate a series for being too boring it turns out to be a series I like which is weird because I consider 80% of all existing series boring, including many series most people actually consider exciting and/or enjoyable as hell.
Kaiser-Eoghan
I remember there was a devil may cry anime, the guy subbing it didn't do a very good job but it was an okay extended advert for the game.
Lenlo
The man has also said that if someone would get him the rights to Berserk, he would do that to.
Animosh
Well, you still deserve credit for suggesting the series, because otherwise I wouldn't have even known it existed. :) But yeah, I like that people here are so open-minded. Anime is great and all, but there's plenty to discover outside of it (though to be fair, I'm lagging behind with many of them: following anime seasonally is great for discussion, but it can eat up a lot of time).
SuperMario
@Animosh: don't mention it. I'm glad you enjoy it. I don't take credits in this case since I myself haven't watched it yet. I love it how this community is willing to try other medium and not exclusively anime
Animosh
Really surprised this isn't more well known. Not that there's been much competition, but it's easily the best (western) cartoon I've seen this year.
Animosh
@SuperMario: thanks again for recommending Lastman! I just finished it, and it was a lot of fun. It doesn't have much depth, but it was incredibly entertaining: it just keeps throwing these bizarrely over the top action set-pieces at you without pausing, it oozes style, and its soundtrack is killer (it reminded me a bit of Hotline Miami). And it can be pretty damn funny too. It even ends strongly.
SuperMario
"I swear if I see some nonsense like her not being able to stay “Professional” due to having a boyfriend then I will have to strangle something" --> is that why you had screenshot of kitties up there?
SuperMario
@Kaiser: little sister has a strong chance to be a protag in the last arc. I'm genuinely surprised that Futaba is the main girl in this arc thou
Kaiser-Eoghan
I want to see the little sister looking scared in bunnygirl agrain.
Kaiser-Eoghan
Yay! Sing and eiji are doing something and Ash's freakout while melodramtic and ridiculous was still bleak, learn a bit more about Blanca which is good. Didn't like the goofy bit with yut-lung.
Kaiser-Eoghan
@Mario: Not intellectually non-intellectual enough for me.
Kaiser-Eoghan
Bunny-girl has redeemed itself. Also my favourite part of this weeks episode was 7 or 8 minutes before the end .
SuperMario
I mean, just reading that title alone I might check out what this movie is about. lol
SuperMario
Well, I come across an unusual film title today. A Japanese film called "When I Get Home, My Wife Always Pretends to be Dead"
Kaiser-Eoghan
The Lafalle arc (as thematically I probably engaged the most here)and the final arc both elevated this series for me, even though I did enjoy the bit with Vann early on.
I’ve heard people don’t like the ending it hit with me.
Really solid.
Kaiser-Eoghan
Dramatically this even kind of clicked for me and the antagonist surprised me as did twintails girl and bestghosts eventual roles, comedy isn’t exactly funny but I did laugh at points.
Kaiser-Eoghan
Apparently I got third time lucky with Mizukami, because I found this a very fresh take on the re-incarnation genre while actually DOING something worthwhile with it, his pacing/story telling style definitely feels a better fit to me in a short manga like this.
Kaiser-Eoghan
After a degree of indifference to planet with and only liking Biscuit hammers last arc, I ended up approaching Spirit circle expecting to not really have any opinion on it.
Kaiser-Eoghan
@Mario: Just my kind of weird.
Anonymous3093267
sword eyes
SuperMario
Here's another experimental animated short for you, Kaiser, Tango (1981) https://www.youtube.com/watch?v=lo8O8lYDzIU
SuperMario
@Animosh: yeah the second part was released in VOD earlier this year and I watched it. Prefer the 1st one much better
Vonter
I don't know why, but I thought you were talking about Tomorrowland. That Disney movie that bombed and everyone seemed very lukewarm about. I suppose because I don't know exactly what was the problem with it, didn't see much discussion about it.
Animosh
@SuperMario: I think I've seen World of Tomorrow, but not 100% sure. There's apparently a second part out though, and I definitely haven't seen that!
Animosh
And Umfeld (https://vimeo.com/umfeld) is also worth mentioning. It kind of consists of shorts, it's technically animated (at least in part: it mixes real footage and CGI I think?), and it's definitely weird. It's a very polarizing work though. I love it, but it wouldn't surprise me if most people here hate it.
Animosh
Some other things that came to mind: Tim Burton's "Vincent" (it's stop-motion, but whatever), Loom (https://vimeo.com/24069938) and E-Baby (https://vimeo.com/25435555). And the stop-motion shorts by Lee Hardcastle are pretty fun, if you're in the mood for some needlessly disgusting horror.
Kaiser-Eoghan
@Mario: I enjoyed embrace of the serpent which has the same director as Birds of passage so I'll keep an eye out for it.
SuperMario
@Kaiser: I'm going to see Roma and Birds of Passage this weekend. Really excited for both
Kaiser-Eoghan
As for the she-ra thing well, as I've gotten older I probably have avoided kids stuff more.
Kaiser-Eoghan
I don't want to see tokenism being seen as acceptance when it isn't, it feels that people are putting forth the idea that something is only being/can be accepted because its being portrayed in a tokenistic way.
Kaiser-Eoghan
Its fine, obviously to have strong female characters, Ripley in Alien, Sarah Conner in Terminator, awesome....Rey in star wars....no.
Kaiser-Eoghan
I think too often shows and films, American ones today, are tokenistic or clicheed with inserting issues, merely just throwing them in or tacking them on for the sake of ticking boxes rather than any earnesty or doing anything.
Anonymous3086853
@SuperMario - I do. Yet at the same time it was a bit outside of my comfort zone, watching something like this considering that (let's be honest) msot shows are men oriented. Even the ones with great female characters. This one despite having tomboyish girls is mainly about these girls with male characters having supporting roles. I suppose that's were the uneasiness lies in my case.
Kaiser-Eoghan
@Mario: Just got done watching both earlier, his dark humour jives well with me and I liked the concept.
SuperMario
@Kaiser @Animosh: if you haven't seen World of Tomorrow plsssss check it out. I can't recommend it highly enough
SuperMario
@Vonter: Maybe it's a good things that shows for general audiences like this have queer context. Don't you think?
Anonymous3086853
Also because I'm a bit immature, this show is kinda gay. There's a lot of ship baiting moments, one same sex couple in the last episode and rainbows, pastel colors, emasculated male characters and some female crossdressing.
Anonymous3086853
The weakest aspect is that several secondary characters get lost in the shuffle. Kinda like Big Hero 6 in which the team had personalities but just didn't had the time to develop in any meaningful way. Still both the main cast and villains were good and like I say the protagonist and antagonist had strong arcs for a first season.
Anonymous3086853
So I now finished watching She Ra, and it got even better as it was building towards the season's end. Thes strongest aspect is the rivalry between Adora and Catra, the chemistry is very strong, kinda like Optimus and Megatron or Xavier and Magneto. In which both parts seem equally capable and to have mind games with the other.
Kaiser-Eoghan
Oh hey cool, rain town is done by the Penguin hhighway anime movie guy.
Kaiser-Eoghan
It looks like I haven't seen Don Hertzfedlts World of tomorrow films.
Kaiser-Eoghan
Also Prince Achmed and How Wang-Fo Was Saved.
Kaiser-Eoghan
Ah. yes, thanks animosh, I had a look at Rain town there, I like the style it was done in, it achieves the emotions its trying to convey well without needing dialogue, piano score actually helps rather than hinders.
Kaiser-Eoghan
Glassy ocean, that was another short I watched lately.
Kaiser-Eoghan
Oh inka isha is country doctor.
Kaiser-Eoghan
I know Mario has seen this style on animation, but anyone else see any oil on glass animation?
Kaiser-Eoghan
I actually prefer robot carnival to genius party but liked both.
Kaiser-Eoghan
Zepo, The Pride of Strathmoor were recent animated shorts I watched.
Kaiser-Eoghan
Recently I watched two shorts, death and the mother and pleasures of war.
Kaiser-Eoghan
I'd say any eastern european short films would be worth anyones time.
Kaiser-Eoghan
I'm not familiar with rain town or Inaka Isha .
Amagi
Kaiser: Have you seen Inaka Isha from Kafka?
Animosh
In the meanwhile, though, I'd also be very interested in recommendations! The shorts I mentioned are among my favorite animated works, so if you know anything similar, please let me know. :)
Animosh
For western animation I really like the Don Hertzfeldt shorts. And there was this short called "Rain Town" that was really impressively animated. I'm sure there were others, but my long-term memory is pretty lousy. If something else comes to mind I'll let you know.
Animosh
I'm pretty sure you're already going to be familiar with all of my favorites, but here you go: Morimoto's shorts are all fantastic (Dimension Bomb, Beyond, Noiseman Sound Insect, etc), and two others that come to mind are Cat Soup and Kigeki (or Comedy) by Nakazawa. There are also some great collections out there (like the Genius Party ones), but again, you've probably seen those already.
Kaiser-Eoghan
If anyone has any suggestions for weird short animations, I'm looking for excuses to watch some more and I'm in the mood for them.
Kaiser-Eoghan
@Masky: Mario's youtube link had cgi models of rem and ram in the video.
Masky
I'm confused when was Rem even mentioned
Kaiser-Eoghan
I only ever watched he-man and stuff related to it in passing when I was younger, Conan was more my thing back then.
Kaiser-Eoghan
For so long I'd always referred to she-ra as she-man.
AidanAK47
@Mario, What is this heresy!
....
....Rems always cute.
Anonymous3084910
Hilda is fine, though is very laidback kinda like a young reader's novel. It has its moments but its fantasy with slice-of-life coming of age.
Anonymous3084910
@SuperMario Yeah I know, She Ra is the twin sister of He Man. But strangely it seems Dreamworks may not have the right to those characters. It was a marketing idea trying to bring more girls to that universe but like most girls show from the time it had a very flat depiction of what little girls want to see.
SuperMario
Sorry Aidan, I know it's blasphemy but I have to post here. Enjoy the OP song with the twins https://www.youtube.com/watch?v=v9MUjISNm0U&index=4&list=PLU56jBSlcHw8-ol9Hi4lJ0GR0tU6EOf2a
SuperMario
I'll probably check out Hilda. Heard a lot of hypes about that show
SuperMario
@Vonter: I've heard of She-Ra, she's the female counterpart (well, sister) of He-Man (the most powerful man in the universe and the secret identity of Prince Adam). Sounds silly but I'm not even kidding
Vonter
All in all, despite not being a big thing, I think is an enjoyable recommendation. My only nitpick is that it maybe too light hearted for some kinda like above My Little Pony but below something Voltron. Also despite being less childish than the original is still kinda of girly with lots of pastel colors although it balances it a bit having girls being more tomboyish in different degrees.
Vonter
Like with Voltron it amuses me seeing anime tropes being played through western lens. Since I'm a bit hesitant to say that could this count as a harem series despite not being male gaze moments? Also having the most sensible hotspring episode I've seen.
Vonter
In this one this She Ra has pathos. A bit like Korra there's doubt in her role and also a complicated relationship with her rival. I do like the role reversal in the knight's tale this clearly is, in that most roles that would be played by men are played by women in this story. Matriarchy, displacement of both femminine beauty but also empowerment.
Vonter
So I've watched some of the new She Ra from Netflix. So far I'm in, it's not deep but it's quite charismatic. I do like there's more pathos in regards to these characters which pretty much were confined to their archetype to an extreme like the original Power Rangers.
Kaiser-Eoghan
It manages to make watching something like running engaging, when I'd otherwise probably not watch the sport. Also, last week the show ended up popping into my head when I was sitting around doing pretty much nothing and made me think "Ok fuck it, not sitting around doing nothing, going to go out for a run around the block"
Lenlo
I also agree, characters losing in sports is important. They can't start at the top, it makes the series lose meaning
Lenlo
I quite enjoyed Kaze Fui this week. I think your correct that the one who got the reality check was Kurahara, who thought he was the only one able to actually make it. I also thing that he has a competitive streak a mile wide, and might be a little afraid of failure. Doesnt think the team can make it, so why bother
Kaiser-Eoghan
Think I wasn't i the mood for honda-san this week even though I laughed.
Kaiser-Eoghan
Y'know I like it when sports series actually show the characters you know...actually lose.
Anonymous3083989
Huh, interesting in this episode of Kaze ga that it's Kakeru who got a reality check during the track meet since he was beaten by two other runners. I think we're due for an episode soon where he has to confront his past demons instead of fleeing from them.
Anonymous3083626
@Kaiser-Eoghan - Aging in fiction, I think has more to do with the story than the characters. I mean the jokes about Ash Ketchum, Detective Conan, Archie. The Flinstones tried to make different stories by aging Pebbles and Bam Bam. Or Batman having two Robins graduating into their own heroes. But in the end dynamics change, hence why most cartoons don't age the characters.
Kaiser-Eoghan
Which is why when aging does occur in anime/manga, such as in vinland saga or nanoha for example, its appreciated.
Kaiser-Eoghan
And of course, animated characters often don't age much.
Kaiser-Eoghan
I can remember enjoying the simpsons movie back when I watched it, but thinking about it it really was just an extended episode. Really the show peaked with the who shot Mr Burns episode. Catching bits of recent episodes and seeing them use modern stuff while they never age seems weird too.
Amagi
I do think series are allowed to move forward though, I am kinda interested in the Pkmn movie for example. But certain shows should just end, Simpsons for example was a parody of the 90s, it just can't work in a more modern setting IMO.
Amagi
I stopped with the Simpsons when Maude was killed/died, it was just a step in the wrong direction they should have never done and it killed the series for me. I disliked it before already though, I think I noticed the series getting worse since season..9? Or 10, not sure anymore.
Amagi
Anime for Dorohedoro announced.
Kaiser-Eoghan
Therefore ruining the fanservice fun for everybody.
Kaiser-Eoghan
My favourite beach episodes are ones where it rains and they end up not being able to go.
Kaiser-Eoghan
After that it was just the film for me.
Kaiser-Eoghan
Actually, regarding the simpsons, the episode I stopped on was sometime in the early 2000s, Homer was stuck on some island resort or something.
Kaiser-Eoghan
I suppose it was just as much a case of falling out of watching/playing too and then there being so many episodes/games catchup was impossible. I probably should read the manga someday.
Anonymous3081957
@Kaiser-Eoghan -Kinda like Sponge Bob, Power Rangers or The Simpsons, I can't blame those who move forward, It's imposible for a show to go that long without losing steam. I did check the Sun and Moon first season and while I think the personality and energy is better it doesn't exactly push the concept forward. Still somehow Pokemon is still a phenomenon.
Kaiser-Eoghan
@Vonter: Very strange hearing a Pikachu talk with Ryan Reynolds voice. But my days of pokemon are behind me.
KyokoHyuga
?????
KyokoHyuga
who likes pokemon here
SuperMario
@Amagi: I think the person who made the sub for Maquia did a pretty neat job. Not perfect but the translation flows well
Vonter
We've seen realistic Pokémon fanart, but how does a movie looks when it attempts it. https://www.youtube.com/watch?v=Q8CKgQFo5U8
Amagi
How are the subs for Maquia? I only heard anons complain about it.
Kaiser-Eoghan
*dealing with
Kaiser-Eoghan
Though you should really torrent it.
Kaiser-Eoghan
There is 1080p stream on kiss anime, if you hate deal with the ads on that site the 4up stream on anilinkz has the best quality of the available links
Lenlo
Where did you see Maquia online? I still need to watch it. PM it to me on discord maybe? Pretty please? <3
SuperMario
One fact that not many people know is that Penguin Highway is penned by Tomihiko Morimi. It indeed has many Morimi's signature inputs
SuperMario
This year, I'm doing well with catching up anime films (kudos for Australian's Madman who always license these titles very quickly). So far, I've watched Mirai, Maquia, Penguin Highway, Let Me Eat Your Pancreas and My Hero Academia the Movie
SuperMario
So I watched two anime movies this last week, Penguin Highway in theatre and Maquia online. Both of them are pretty solid in general, especially Penguin that has magical realism elements and some great chemistry. Whereas Mari Okada's writting still rubs me in the wrong way sometimes
Lenlo
D: He did, back in August actually apparently
Kaiser-Eoghan
@Lenlo: I heard Dino's voice actor died.
Kaiser-Eoghan
If we all took Goblin slayers attitude to trolls, then we would more easily ignore the trolls =P
Kaiser-Eoghan
Big twist in the golden kamuy manga.
Animosh
@SuperMario: remember that in the voice drama Rikka mentioned talking to Yuuta in their classroom during the ball game. Pretty sure it's about that.
SuperMario
@Animosh: i just watched the episode and noticed the lyrics as well. "The Promise" seems vague at the moment. Could be between Yuuta and whoever fits but I agree the "save someone from boredom" is about Akane
Animosh
You learn something every day. ;) Honestly though, I actually skipped the opening, so I hadn't even noticed that it had been translated until others pointed it out. And most of the time the lyrics are just cheesy one-liners, so I usually don't pay much attention to them either. But once in a while there's some nice hints hidden in there...
Kaiser-Eoghan
Y'know I never really ever paid attention to the lyrics in anime openings, I'd never thought to.
Animosh
The Gridman OP has been translated for the first time, and there's some pretty interesting reveals in there: it mentions a "promise" made in a classroom (so now we know how Yuuta and Rikka bonded in the past - glad it wasn't a simple confession), and talks of "rescuing" someone (presumably Akane) from boredom. So I guess she'll join the good guys eventually?
Lenlo
1200 words. I need to stop writing so much.
Kaiser-Eoghan
I haven't seen last weeks episode of Irozuku or this weeks =< I'm waiting now for a bit to see if the series paysoff.
Animosh
Goddamn those magic segments in Irozuku were stunning! It's a shame its humdrum drama can't live up to its visual beauty, but I'll take it.
Kaiser-Eoghan
I think Ash's design is based a bit on River phoneix.
Kaiser-Eoghan
Sorry Eiji but your Ash is in another castle.
Kaiser-Eoghan
@CoolerAnon: I was about to say that. Kidnapping gets used alot in shojo.
Anonymous3072040
Yeah Ash is basically Princess Peach
Kaiser-Eoghan
@Anon: I share your concerns, I don't know what studio is doing it. Some people want it to be mappa, some don't want it to be polygon pictures to adapt it. Its and long and violent manga, with some very funny at times dark humour, it could end up rushed and/or censored.
Anonymous3072021
As much as I love Dorohedoro I'm unsure if I should be happy or worried at it getting an adaptation, it isn't exactly the kind of story I imagine being easy to adapt well.
Lenlo
Yeah, I am touching on that in my writeup as we speak. The compressed story is causing Ash to be captured every other week.
Animosh
I agree Banana Fish was great this week though! My only gripe is that I'm getting sick and tired of seeing Ash get kidnapped again and again. He just escaped a couple of episodes ago! And he's just a lot more fun to watch when he's out there doing stuff.
Animosh
In a way the fights actually feel more realistic to me than those in Banana Fish. Sure, they're fantastical, bizarre even, but its battle system has a clear internal logic, and generally no power is infallible (each has its limitations). In Banana Fish the fights are rather poorly thought out by comparison. Their purpose is more to make Ash look cool than to give him realistic hurdles to overcome.
Animosh
@Kaiser: what sets Jojo apart from other battle shounen for me is how ridiculously creative its fights can get. Part 2 already shows some signs of this, but the introduction of the Stand system in Part 3 pushes it to another level, and in Part 4 the fights are consistently awesome. There are no simple beam struggles here: every fight is a battle of wits, between people with wildly different powers
Niel
Vinland Saga anime, and Now Dorohedoro just got announced. i'm really liking this trend.
Lenlo
Lots to writeup on Banana Fish this week.
Lenlo
Just finished it, I really like Blanca.
Lenlo
Because Jackie Chan and his stunt crew are some of the best in the world. There is a reason he has to insure his guys from his own pocket. No agency will take them
Kaiser-Eoghan
I have no idea how the hell Jackie Chan is still alive.
Kaiser-Eoghan
Action works best for me when I really feel that theres danger involved. Thats why when some actors do their own stunts, you can fear for the actors life, and also the character.
Kaiser-Eoghan
And thats why I'm a big fan of all that Chinese martial arts stuff from the 60s and 70s, that really expertly crafted chereography.
Lenlo
As for action, I like good choreography more than any super powers. Its why Cowboy Bebop, Seirei no Moribito, Sword of the Stranger and some Naruto fights are fantastic.
Lenlo
Im about to watch this weeks episode, so this chat makes me hopeful. I agree Ash and Eiji are the backbone of the series, and yeah me and Kaiser both agreed that the Gang war aspect was pretty weak, though I thought the finish with Arthur wasnt half bad
Kaiser-Eoghan
And I think Banana fish has a great grit to it for this reason.
Kaiser-Eoghan
I'm even more thankful to Banana fish too for that it keeps the action within the bounds of out of fantasy.
Kaiser-Eoghan
I've always been kind of a guns and swords and kungfu gut.
Kaiser-Eoghan
Black lagoons great example of anime action I can get behind.
Kaiser-Eoghan
I always found weapon combat and fist/kicking combat more raw and real,tangible than beamspam.
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Welcome fellow book lovers, to another dip into Honda-San! This week was a bit dull as we learn about the difficulties of stocking, but the second half manages to pick it back up. Lets jump in! So overall this week of Honda-San was pretty disappointing for me. Like usual it had some good gags in […]

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“They shouldn’t making episodes without kaiju in them “ It’s very cheeky of GRIDMAN to meta-comment on this episode, as indeed there isn’t any big fight between Gridman and kaiju monsters this week. We still get an introduction of new kaiju, however, and the fight in human forms. That’s the thing about GRIDMAN, it’s a […]

Irozuku Sekai no Ashita kara – 06 [Golden Fish]

Irozuku takes us to episode 6 for something significant happen, but even then it’s decidedly under-dramatic. This week, we have a whole lot more of magical moments that certainly are the feast to the eyes, and develop many underlying themes of its narrative. The central of the conflict this week is Hitomi and Aoi, as […]

Zombieland Saga – 04-06[Warming Dead SAGA/The Nice Bird SAGA in Your Heart/Because It’s Sentimental SAGA]

Forgive me for my lack of coverage on this series but you may have guessed that my enthusiasm for it has died down considerably. I always felt that Zombieland Saga was in danger of losing what made it great in its first two episodes and sadly that has come to pass. This show has ultimately […]

Banana Fish – 18 [Islands in the Stream]

Ah Banana Fish, back in form this week. Ash and Eiji act like a married couple, Blanca show’s everyone whose boss and Yut continues to have no idea what’s going on. Lets jump in! On a general note Banana Fish is really picking back up. The Gang War/Hospital were easily the weakest part of the […]

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