Posted on 27 December 2010 with categories: Autumn 2010 Kaleidoscope



I really would have liked to see Otome Youkai Zakuro go on for 26 episodes instead of just thirteen, but ah well, at least this was a great ending that was simple, yet very well told: all of the important characters reached their catharsis and the creators managed to add a very nice emotional charge to it. The three main couples all grew even closer together, Byakuroku and Daidai got themselves a great conclusion, and the final twist on Zakuro’s mother also made her into a really sympathetic character, where her love as a mother, that has been questioned throughout the entire series, was restored.

Only Omodaka got a bit of a short straw here with that suicide ending of his. I’m not sure what was up with that and what the creators wanted to prove with him just dying without any reason: he just chose to sit next to his mother as the house around him burned down. And I know that there is the golden rule of anime and all (no character is dead unless this is confirmed), but this is the final episode: there was no hint whatsoever that he survived, despite half the episode being dedicated to the epilogue.
EDIT: oh wait, it seems I missed an epilogue and he really did not die. ^^;

At the end of the episode, the bureau of spiritual affairs also got disbanded, only to reappear only minutes later (with a plausible reason, though). That twist was mostly there to get that kiss out of Zakuro and Agemaki. I guess that there wasn’t time to let it flow naturally between them (because granted, it’s probably going to take a long time for them to stop arguing if their relationship ends up happily ever after in the first place). It in either case was a charming bit of romance.

Overall, this blogging a different series each week turned out to be a nice experiment, that I might do again in another season where there a lot of shows about which I have something I want to say. I’m not going to do it next season, though: when Heartcatch Precure ends I’ll be able to cover nine new series: that’s half the total amount of series in the entire season.

I’m not yet sure which series those are going to be, though. I’m guaranteed to blog Level E, and things also have to be pretty strange if I’m not going to cover Yumekui Merry, Fractale and Hourou Musuko. For Supernatural it’s all going to depend on how the heck they plan to release it. For Rainbow Gate, Freezing and Infinite Stratos it’s going to depend on whether or not they have their mind in the gutter. Madoka Magica, Wolverine and Beelzebub have very notorious staffs so any hints towards that will play a big role in whether or not I’m going to blog those, and Gosick and Dragon Crisis will get covered if they’re not as childishly stupid as they seem to be at first sight. In any case though, I never had to choose nine new shows to blog in such a small season, so I’m at least thankful that it’s going to be a very diverse one.

Going back to Otome Youkai Zakuro, my initial worries were that it wasn’t ambitious enough with its story, and granted its story isn’t as complex as, say, Shinrei Tantei Yakumo, but it still developed into a very nice and simple story that pushed a lot of right buttons. A definite recommendation for those looking for some light romance.
Rating: ** (Excellent)

Posted on 24 December 2010 with categories: Autumn 2010 Kaleidoscope




Okay. That ending was awesome.

As for the climax itself, the first half of this episode was a bit dull, in which the creators pulled the usual twists that you’d expect at the end of a series. Panty loses her powers but gets them back after having sex with Brief, it was a bit too standard, although the farming scenes were really entertaining. The second half though had some very neat action scenes that really were worthy of this series’ finale. There was a ton of neat animation going on on a really epic scale, and the final twist was just completely bizarre, and yet worked really well.

I love the guts of this series with its ending, though. For one, Garterbelt’s revival scenes were hilarious (“GOD MY OOOOOHHHHHH!!!”), but the way it lead into its potential second season with Stocking’s complete and sudden betrayal was a really neat and nonsensical twist. Now, as for that second season however I do want to say this: there has been a series in the past that pulled a very similar twist right at its final episode. I refuse to spoil which one for obvious reasons, but despite so obviously pointing to a sequel the director later stated in an interview that that was never going to come. Also, that premise of that second season has to be pretty bizarre: “Brief and Chuck with Garterbelt”. Would that even work?

So let’s just wait for any official announcements. If there is going to be a second season, I’ll probably end up blogging it. The main reason why I didn’t blog this entire season was because of the mediocre episodes 2, 3 and 4. After that though, this series took some really neat advantages of its format with a ton of neat and experimental segments.
Rating: ** (Excellent)

Posted on 14 December 2010 with categories: Autumn 2010 Kaleidoscope



This is the episode in which the creators decide to reveal the past, and what happened to Zakuro’s mother. It’s pretty much the episode that explains it all, right before the final climax of this series. And with this episode, this series got even more solid than it already was.

This episode was both very tragic, as surprisingly deep. The role of Zakuro and her mother turned out to be much more at the centre of the entire story than I thought, with Zakuro’s mother’s existence even being the reason that these half spirits exist in the first place, all thanks to these disturbing corrupt practices that were going on in order to try and use her powers. I mean, this episode never explicitly stated it, but it’s pretty obvious at this point that Zakuro’s mother was raped multiple times in order to attempt some good off-springs.

There is a bit of the romantic cheese: Zakuro was born out of true love and therefore has inherited some incredible powers. This is obviously a bit of a flaw, but after this backstory I don’t mind, because this episode brought more than enough to make up for it. Especially Omodaka became a much better villain after this episode: after this episode I really hate this guy as an asshole, rather than this cheesy shoujo villain.

I’m also glad to finally see an actually justified hints at incest. Anime with incest nowadays are nearly all of the type “hey we have a boy who has this hot sister. Let’s make them fall in love with each other!” Zakuro’s family in contrast is so completely broken; Omodaka has been corrupted by his father from the start, he now turned out to constantly lust after Zakuro’s powers. It’s miles away from the lazy and shallow incest we usually see.

In any case, in the end this series did turn out to have just 13 episodes, which thankfully means that Mari Okada only has three series to worry about in the upcoming fall season. She’s an amazing writer, as shown by how well she treated Otome Youkai Zakuro, so I really hope that she can give all three of Hourou Musuko, Fractale and Gosick enough justice instead of rushing through all of them. Only once I’ve seen a more extreme version, this was in the Autumn Season of 2007 when Natsuko Takahashi wrote a whopping four series at the same time. The results were still good, but really unbalanced at times (but then again, that’s pretty much Natsuko Takahashi: she’s either really solid or makes really strange design decisions).
Rating: ** (Excellent)

Posted on 10 December 2010 with categories: Autumn 2010 Kaleidoscope



Of course it’s great to see Garterbelt’s past here, but what really made this episode for me was its brilliant second half. It pretty much was about nothing: Panty and Stocking sitting in front of the television being really bored. But the entire half was shot on the same camera on the same position. It only panned twice, it only cut three times. Apart from that, it was all about Panty and Stocking randomly talking, along with Chuck, Brief and Garterbelt who appeared along the way. I love these kinds of episodes that really take this unconventional way of storytelling.

And still there were plenty of things going on with that half being everything but boring. Panty and Stocking being bored was surprisingly interesting, especially when you learn about the bizarre context at the end of the episode: Garterbelt spending ten hours inside the kitchen in order to cook a lunch party to celebrate that his afro was announced as the best afro in the world. The voice acting was especially fun and excellent here, and I like how the animation brought the characters here to life without a camera that usually keeps changing positions. I also really liked the final punchline. That was some great comedic timing there.

A lot of the anime today are just too safe and hardly ever bother with episodes like this and that’s quite a shame, really. There’s a ton of potential here if you’d just wish to abandon conventions and that’s what I really appreciate this series for doing.

Oh, and it’s not like Garterbelt’s backstory was uninteresting either. I mean, with the entire history tour that this guy made, parodying everything from Adam and Eve to the vikings.
Rating: *** (Awesome)

Posted on 29 November 2010 with categories: Autumn 2010 Kaleidoscope



For the Autumn 2010 Kaleidoscope I’ve been talking about different series each week. Otome Youkai Zakuro’s ninth episode makes for the last series I want to say something about. For December, I’m going to fill this category with posts about the series that I think will have the most interesting finales, which probably will be posts focusing on Panty and Stocking and Otome Youkai Zakuro.

Oh and on a side-note: I’m probably not going to go a kaleidoscope for the upcoming winter season, because of the simple reason that TOO MANY SHOWS ARE ENDING at the end of December. With that as a result, I’ve got room for eight new series; nine when Heartcatch Precure ends. That’ll be plenty of room to blog all of the good shows, plus also a bunch of premises that I normally wouldn’t even consider.

In any case, this episode is a good point to talk about this series, because a) we’ve gotten some significant build-up at this point and know where this show is heading to, b) I can praise a lot about it and c) I can also criticize a bit about it.

Starting with a), Otome Youkai Zakuro definitely has built up the best cast out of all the shows I’m not blogging this season. It’s got three couples who play off each other really well, and the past episodes have developed some really genuine relationships between all of them. the most intriguing being Zakuro and the mystery behind her: she’s a really tragic character who was really well explored in the past eight episodes.

Now, this episode was meant as a bit of an intermezzo between the heavy arcs, mostly focusing on fleshing out the romances a bit. It was enjoyable because we’ve seen relatively little of the cast in light-hearted situations due to the short length of this series. This episode was enjoyable, simply because the characters have been very well developed at this point, and because of that they were fun to watch.

And yet, this episode also enlarged some of the major flaws of this series. For that I need to go back to the source material, or its original author Lily Hoshino. When you look at the different covers of some of the other manga she has written, there’s one thing that immediately caught my attention: they all look the bloody same! Nearly all of them feature two people looking mellow and hugging each other. I couldn’t find a premise for most of them on ANN, but the premises I did find were just completely stupid and cliched, most notably that one about a family which forces all of its children to marry guys.

The creators here really gave a wonderful adaptation of the Otome Youkai Zakuro, but at the same time you can see that the romance is bound by these stupid cliches. The romance is mostly mature, and yet because of that premise the characters never really become couples, even though how obvious it is that Susukihotaru and Yoshinokazura are into each other, with the same going on for Bonbori and Hoozuki and Hanakiri.

Zakuro also suffers from these romantic cliches, though slightly different. In her case it’s indeed more logical to become good friends with Agemaki due to the large tension between them, and I actually really liked the point at which her crush on Hanadate was revealed. But yeah: he’s a bad guy, making what could have been a mature love triangle into a cheesy shoujo affair and Zakuro closer and closer to a standard tsundere. It’s pointless twists like these that are really holding back the otherwise truly excellent execution of this series.

Again though, I really like this series despite these criticisms. What’s even more impressive here is that JC Staff is really busy this season: they’re working on four different series at once, and yet all four of them are actually pretty good. Obviously some are better than others, but compare that to AIC which was in the same position during the previous Summer Season, working on four moe shows at the same time, where in the end every single one of them turned out to be dull and boring.
Rating: * (Good)

Posted on 27 November 2010 with categories: Autumn 2010 Kaleidoscope



Okay, perhaps last week would have been a better time for me to blog an episode of Index, but I did not know that that arc would just take up two measly episodes. And besides, this episode was pretty much was as interesting as it was terrible, which is pretty much what Index is all about.

So far, the second season of Index has been a huge mixed bag, but that’s part of its charms: the first arc was rather dull, the second arc was surprisingly good for being the lost chapters of Railgun (I really liked how they just cut the crap there and went straight to the point instead of dragging on). The current third arc is definitely enjoyable: it’s not the most ambitious arc, but it puts a lot of emphasis on the chemistry within the cast, which was quite enjoyable.

But really… there is fanservice, and there’s taking these dull romantic cliches way too far. How many times did Touma walk into a naked girl? How many times did his face get planted in someone’s bosom? Why did the creators suddenly introduced yet another random girl for Touma’s harem? It makes no sense, it feels lazy and it was completely pointless, making it seem like Touma can’t be friends with a girl unless he gets some romantic tension with her or something…

Either way though, this episode wasn’t a complete waste. I liked Touma in the rest of the episode, where there were a ton of different things that were going on. That’s how I like these sports festival episodes: we’ve seen them done to death by now, but this episode made well use of it to show some good antics. Another piece of criticism that I can give here is that the magical items in this show are starting to become mere McGuffins: especially in this episode, you could have replaced that Stab Sword with for example the “magical pizza of the annihilation of something very important”, and it wouldn’t have changed this episode in any way.
Rating: * (Good)

Posted on 16 November 2010 with categories: Autumn 2010 Kaleidoscope



This week I want to rant a bit again, even though I’m probably still the only one left who still watches this series. Still, I do want to write a bit about the strange and horrible decisions that were made for this second season. I’ll try to explain my thoughts on this series so that they also become a bit understandable for people who have never seen anything from Marie&Gali.

The first season of Marie&Gali was awesome: it was a fantastic comedy that showed how fun science can be; every episode was full of hilarity and came with completely new material and jokes, never running old or repetitive. The characters started out as stereotypes, but they really grew on you as the over the top quirky personifications of famous scientists that they were. Everything was set to also close off perfectly after forty episodes.

And then, out of nowhere, a second season suddenly got announced.

Obviously I was delighted back then, but after watching more than 20 episodes of this second season, I get more and more the impression that the second season announcement was as much a surprise for me as it was for the creators. I’m betting my hat that they only learned of it, after fully planning out the entire first season. This meant that they had to create a completely new set of forty episodes from scratch, even though they already put their best material and inspiration in the first season.

There are many reasons why I believe this to be the case. The most notable are the following:
– They inserted a freaking Scrappy. Norika, a strange whiny princess-like little girl, just comes out of nowhere and completely takes over the show as the lead character.
– The first season never repeated itself. The second season does, devoting several episodes in a row on the same concept.
– The comedy in the first season felt natural. In the second season, it feels forced. And this didn’t happen gradually, it immediately turned from good to bad at the start of the second season. But more on that below.

I’m not really sure why Toei found it a good idea to give this of all series a continuation, because it really wasn’t their most successful series by far. Especially considering how they closed off their viewer ratings cannon of Kaidan Restaurant abruptly after only 23 episodes. This season just serves no purpose.

You can also see how the creators are having trouble to fill this season through the execution. The biggest problem is Norika: her whining gets old really fast, and because of her the entire nature of this series changed because the creators included the rule that Norika can’t leave the world she’s cast in until she gets to appreciate science. What followed were 23 episodes of Norika running and screaming around, refusing to accept science and blowing everyone away with her giant teddy bear.

The first season felt so fun because it basically was about a bunch of quirky scientists who loved to show off their accomplishments to Marika (the lead character of the first season). Nothing was forced, you just had the adventures of a bunch of eccentric people who really loved what they were doing. The scientific explanations really blended in well with the storytelling. The second season, however, just turned into a series that explains science for the sake of explaining science. By trying to force Norika to accept science, they also try to force the viewers to sit through it. It loses all spontaneity.

On top of that, a bunch of characters derailed as well: the first season featured some stereotypes, but the characters were more than that: Gali was this dirty old man, but at the same time you had those scenes that showed that he was quite the brilliant scientist. The second season however reduces these characters, back to their stereotypes. You can really blame that to the acting: balanced in the first season, but the second season contains way too much yelling, especially considering how everyone in every single episode, likes to introduce him or herself in this overenthusiastic way for some strange reason.

The show at this point is still mildly funny, but it’s nowhere near as good as the first season. It’s at its best when it at least tries to do something new, but even those episodes are rare. The current episode for example featured a contest between Gali and Leonardo Da Vinci: who can build the fastest flying machine.The show so far has had a ton of these kinds of episodes. Especially in the second season, whenever Leonardo comes into the picture the creators can only seem to focus on how he pwns everything about Gali.

Oh, and the “scientific” explanation on how airplanes fly in this episode… it was actually wrong. Read some xkcd dammit!
Rating: — (Lacking)

Posted on 14 November 2010 with categories: Autumn 2010 Kaleidoscope



This week, I’d like to apologize for not sticking with Yumeiro Patissiere’s first season. I originally stuck with it for five episodes before giving up, but here’s why:

The things I appreciated about this series back then was that even though this was a show in which people are accompanied by strange sweets fairies, it didn’t pull a la Corda d’Oro and suddenly make their characters incredibly talented: they still had to work really hard for it. The thing that turned me off however was that it was already getting dull and repetitive after five episodes. I especially didn’t like the cheesy drama around the arrogant rivals that appeared in front of the lead characters, and on top of that I was also bothered by a lack of creativity…

…so why did the drama in this series suddenly become so good? Where did the inspiration come from for the Professional arc? This second season acts like the two main gripes I had with the first season never existed. The current episode marks the end of the Sweets Kingdom arc, which really shows that better than ever.

The sweets kingdom is… bizarre. What mind came up with that and what kind of state was it in? For the past three episodes, the characters have travelled to various places to collect some conveniently located sweets ingredients. An entire forest made out of baumkuchen? What the heck? This episode went even further by explaining how Sweets Spirits are born. That was without a doubt the weirdest explanation of the “birds and the bees” that I’ve ever heard.

Just about everything about the Sweets Kingdom makes no sense, but that probably was the intention of the creators: to just make this very imaginative fantasy world. It definitely gave me a lot to laugh about for the past three episodes, not to mention Kashino walking around in a pink teddy bear outfit for the entire time. I’m really suspecting that the creators did that in order to avoid confusion with the Kasshi fairy, since the two look so similar. I have not watched the first season, but is there a reason why these three fairies look like Kasshi and the two others look so much like Kashino?

And regarding the drama… why did it suddenly turn this good? I mean, compared to the first season, the characters are much less obnoxious, it’s much less forced and actually quite genuine. Of course, you need to like the childish kind of series in order to enjoy Yumeiro Patissiere. I don’t think that I’m going to end up watching the first season anytime soon (50 episodes is looooong), but the new season definitely surprised me.
Rating: ** (Excellent)

Posted on 6 November 2010 with categories: Autumn 2010 Kaleidoscope




Ah, who cares? I’m just going to talk about two shows this week. Don’t expect it to turn into a habit, but this episode was just too awesome. Episodes 2, 3 and 4 probably turned off a lot of people, but the past two episodes really made up for it.

Episode five was mostly awesome because of Osamu Kobayashi (yeah, the guy from Gurren Lagann’s fourth episode), but this episode was really everything that this series should be: crazy and over the top fast paced action. The first few episodes made the mistake of focusing too much on the shock factor, which is neat for one episode but becomes boring quite fast.

The bitch-fight between the two angels and devils was completely awesome though. The focus was much more on the addictive chemistry between these four than the shock factor and dirty references, and the toilet humour instead got used effectively in the action scenes at the second half of the episode. This was really the first episode of this series where the chemistry between these characters really worked. On top of that, this episode was well paced and didn’t drag on like some of the previous episode as well.

It’s really these kinds of episodes that I expected when I first learned about this series. The second half of this episode just continued building up the action without getting boring: that’s how varied it was, moving from battles with angry cars to toilets, shootouts and random chases: there was a ton of creativity in this episode that went much beyond the usual gimmicks of this series. It’s also here where the music really helped making things even more exciting.

The big question now is whether this show will be able to keep this up. It is the perfect set-up for an action series without any bounds whatsoever, but the creators really need to make use of it and let their creativity run wild like the previous two episodes. If the remaining episodes will be like that though, then this will end up as an awesome series.
Rating: *** (Awesome)

Posted on 5 November 2010 with categories: Autumn 2010 Kaleidoscope



This week I’d like to talk about this surprisingly charming slice of life series. And I guess gather my thoughts about Shinbo at the moment. I mean, I consider him to be an excellent director. The thing I hate however is how he is working on way too many projects. Just get him to work on one single project every year or two years: that will make them extra special, especially with the wait time in between. Why can’t he just leave Shaft’s other projects to the other directors at Shaft? Why does he need to hold their hands for every single series?

My big annoyance with Shinbo is that I’ve just seen too much of his series and I really do not want to sit through another one of his uninspired series. At this point, those series are easy to spot because he ends up doing one of two things:
1. Repeat himself. The best example of this is Natsu no Arashi 2, in which the first four episodes talked about the exact. same. freaking. subject. But also Sayonara Zetsubou-Sensei. My guess is that that’s also why I can’t enjoy Arakawa Under the Bridge: there are just way too many similarities between the two.
2. Take his style way over the top to the point where it loses all its charms and ends up only getting in the way of telling the story. Examples of this (in my experience at least) were ef – a tale of melodies and Bakemonogatari.

Soredemo Machi is neither: it neither tries too hard, and while maids have been milked to death in anime, the delivery is fresh here. It doesn’t try to force down as many random jokes as possible, but instead focuses on just portraying the characters without trying to pretend to be anything more, and on top of that the different stories are varied and not repetitive. Finally.

Arashiyama is quite likable. In this episode she was mostly just a side-character, but even there she was pretty enjoyable as she tried to encourage Toshiko and her brother’s romances. It neither dragged on, and yet you could see that she loved to tease them. These kinds of romances are now also cliched as hell (‘I want to propose to you but I’m too scared so I just say something that sounds like “love”), but the creative characterization still made them enjoyable. If the characterization of Togainu no Chi was as good as this episode, I really would not have minded it being a dating sim.

On top of that, I’m glad that we finally have a Shaft series with a proper budget here. Especially the first two episodes had very good inbetween animation, but this episode too was very dynamically animated. I also like how all of the characters have their distinct character-designs, rather than just feeling like stock puppets with different eyes and hair pasted on top of them. On top of that, it’s also an interesting technique to use CG in frames that aren’t moving: it certainly took me a while before I noticed it.

It’s not perfect, especially in the way that those title cards get more annoying every episode, and there are times when it tries too hard (like with the chair in the previous episode), but I like its charms and how down to earth it is. It’s also got some good jokes as well (like the Czar and Luther).
Rating: ** (Excellent)

CHANGE USERNAME
Anonymous1420257
i like turtles
Kaiser-Eoghan
@Mario: I hadn't expected some of the dry/dark humour in sils Maria, I liked the themes/aging angst and its comments on hollywood in parts even if it needed to go a bit deeper. Stewart is a revelation in it. That X-men parody scene was fucking funny lol
Kaiser-Eoghan
@Mario: I actually kind of liked As tears go by. Mostly because of my experiences with hong-kong action flicks, much as I like John Woos films, the melodrama he tries to sell between the action never worked for me and left me just waiting around for the action to come round again. Wong was able to put genuine emotion into the hong-kong action film with this one.
Amagi
@Aidan: Somehow. The problem is rather Haruki anyway and it's canonically part of her character. Kei becomes more likeable IMO and the events get much more complicated and/or serious plus there are a bunch of characters getting added to the protag team which makes the whole thing more dynamic. The best comes when some other character joins around the middle though.
Anonymous1416115
Personally, I can digest the emotionless dialogue in the first place since I watch the series with the mindset that the main characters are innately "broken" in some ways.
Anonymous1416115
@Aidan Hmm...one might consider the emotion level increases in main characters' dialogues for Sakurada Reset as baby steps depending on how dramatic one expects a character to act in other animes. (The emotions increase do exist though) There are certainly emotional scenes and characters do develop in ways where one can't just say they're 100% robots.
AidanAK47
@Travlos, If you so wish then you can write a review for Bahamut virgin soul. Just let me know if you are up for it. If so I recommend writing it up on google docs, then when you have it done I can give your account contributer status and you can paste it into a post for us to look over and publish on the site. For screenshots our standard size is H240 X W138.
AidanAK47
Did they ever fix that emotionless dialgoue issue they had going on?
Anonymous1415748
You are not alone. The second half of Sakurada Reset made me so glad that I stuck with the series.
Amagi
Oh and I totally forogt Reset ended now too. Not sure if I am the only fan of that but the whole second half was one of the better things I've seen this year.
Amagi
Okay now thinking three others came into my mind, but that's still not much. A lot of series started interesting and turned out mediocre or cheap after a while.
Amagi
Considering that I love Made in Abyss, PrinPrin, Fate/Apo (so far) and 18if too guess this season was better than I've expected. 2016 was kind of a let down imo, animewise. Off the top of my head I only remember Rakugo, Fune wo Amu and Bokudake I think.
Amagi
I didn't expect to like Virgin Soul as much as I do. Especially the last ~5 episodes got me. The weird thing is that I was disappointed by S1 actually.
SuperMario
@Travlos: I don't mind if you do a guess review on Virgin Soul, but let's me check with other admins first.

On Virgin Soul, I'm not sure if I like the bew development. It suddenly does a 180 degree turn on King Charriot, which I don't feel rewarding.
KTravlos
Kakegurui will have an anime original ending. It might be better than the ongoing manga. We shall see. An enjoyable foray.

Virgin Soul is going for a nice explosive ending. If no one writes a review, I would be willing to write one.
Kaiser-Eoghan
*kind of
Kaiser-Eoghan
While its very much in the shadow of the first and the protaganist started out kind annoying, I kind of got caught up in the spectacle and sentimentality of gunbuster 2.
KTravlos
Urasawa is preparing a new manga
KTravlos
yes the episode where Julian watched the documentary was fun. The Caligula like character comes from one of the lesser episodes of the series, when Kircheis beats up some rebelling third rate noble in the Empire.
Kaiser-Eoghan
Goddammit, fail, it just changed the colour of the login name...
Kaiser-Eoghan
I declare in the red truth that the next anime I shall watch is Diebuster.
Kaiser-Eoghan
From what little I saw, I remember a Caligula like character in one episode.
Anonymous1409409
I remember there's an episode where Julian just goes on Space Netflix and just watches a documentary. I actually liked that lol
KTravlos
yup, a LOGH that run like the Altair anime would be bad. It needs to show the sweep of history
AidanAK47
@Anon, I actually liked that aspect. It made the history of the world feel real.
Anonymous1409027
It's compressible, as there are many episodes of buildup, but that's where so many of the interesting details and depth of planning become evident. Some of those episodes read like a history textbook though, so we'll see how the new adaptation handles them,
Anonymous1409027
*pleasantly
KTravlos
Tytania was ok.
Kaiser-Eoghan
On the Amakusa Shiro reference in the fate review, I've seen a film about him from the 50s , theres also an old josei manga where the protagonist ends up becoming essentially regarded as him.
KTravlos
Hi Kaiser. Supposedly this is a re-imagining of the original story. Thus independent of the OVAs (old serieis). What exactly re-imagining means is something I and you do not know. We shall see. But it does mean that you do not need to watch the old series to enjoy this one. The OVA was definetly more expansive than the novels. So my guess is they will stick to the novels.
Kaiser-Eoghan
There's another anime, called Tytania based on his novels but I haven't seen that series.
Kaiser-Eoghan
As in condensable in the way nothing much is lost? I assume there are fillers in the original?
Kaiser-Eoghan
I'm indifferent to the aesthetics of the new version. What I'm hoping for is that it will be accessible to newcomers and that I'll be able to jump on to the old series where the new one leaves off. I've seen very little of the original and it was a long time ago, is there any way the story is condensable?
KTravlos
The fact that they stayed away from the disgusting new manga is great. I am not too keen on the CGI ships, but they also did not rankle. It looks like it will honor the spirit of the old series, and I cannot ask for more. I am a massive LOGH fan. And the new video out gives me hope of revisiting one of the greatest sci-fi/historical settings out there. I am happy.
AidanAK47
I hope they are using the old anime as a base and not the new Manga adaption. As that Manga adaption is seriously lacking.
AidanAK47
@Anon, I like that they blinged up the space battles which is good because those things could get tiresome. But I really hate the design of Yang Wenli. They made him look so much younger and bishi. I don't think i could take this guy seriously if he started one of Wenli's signature hypothesis.
Anonymous1408919
Thoughts on that new LOGH PV? My expectations were low, so I'm presently surprised. Obviously they made everybody pretty boys, and Mamoro Miyano is voicing Reinhard I believe. But art and animation actually looks pretty decent overall. It's a PV, and LOGH's best quality is it's story and characters, so we'll have to see if they remain faithful or not. But it's nice to see it get a visual overhaul.
AidanAK47
By the way this site has the first chapters but check the other versions to find them.
http://mangapark.me/manga/tsurezure-children-wakabayashi-toshiya
AidanAK47
@Mario, Indeed. It's also a pity that over half the couples in the manga were not featured. We only got a small taste of Patricia.
SuperMario
Or maybe I'll try to read the manga. The last time I checked it online, the site doesn't have its first few chapters
SuperMario
@Aidan: man, Tsurezure Children sure is sweet. Really sad to see it ends
AidanAK47
So that's the end of Tsurezure Children.
....I'm gonna need a second season. Now.
....NOW GODDAMNIT! NOW!
KTravlos
As I said I understand the criticisms to RE:Creator, but ultimately I enjoyed most of the show. It could had been better, and it is a missed chance. But I have seen worse.
Kaiser-Eoghan
I gave up halfway through, there weren't even enough action scenes and those that were didn't justify waiting around for.
AidanAK47
Could have at least delivered on the action but that was rendered pointless due to the majority of the cast turning good and Altair being a complete cheat character.
AidanAK47
It would have been really fun to see characters discuss their stories with their creators or indulge in what our world has to offer but they really glossed over that part.
AidanAK47
It really should have gone deeper into the whole meta aspect introducing anime characters to the real world. Like they did with Mamika's powers being ridiculously destructive when outside a kid friendly setting.
AidanAK47
@Puran, I at least like the message of the final episode. But as for the show itself it was just missed potential on a lot of levels. I wanted Anime Genre battle royale and instead got a secondhand Shirobako with a crap shounen anime attached.
Kaiser-Eoghan
I have been forgiving of Anno as I've gotten older.
Kaiser-Eoghan
I also just re-watched gunbuster, I'd previously dismissed the ova after a few episodes when I was a teenager, I'd found it too slow, didn't have that issue with the 90 minute version I just finished. I've never see the sequels.
Lenlo
Ill have to finish Creators... at some point
Kaiser-Eoghan
I've been dipping back into the Lupin franchise, Gold of babylon was particularly screwball, kind of ridiculous comedy caper/adventure thing you just have to run with....turns out it was directed by a live action filmaker I especially like who made bizzare noir films in the 60s.
Puran
So that explains why Meteora had so much air time in Re:Creators. It's her story....

I hated the ending and I disliked the anime overall.
Kaiser-Eoghan
@Mario: It was a genuine surprise to see that Assayas decided to make a film framed around hentai =P
Kaiser-Eoghan
@Mario: I loved how incoherent demonlover was.
Kaiser-Eoghan
@Mario: The criticisms I'll give wind river, is a slight inconsistent performance from Renner and that very awkwardly inserted flashback scene.
SuperMario
@Kaiser: on Wind River, I agree it's a well-executed case of the week drama, although there are some plot pregressions that I don't get (how did they find out about the man's corspe again?). About Demonlover, man, the film gives me a chill down my spine. Heartless. And a bit misogynist.
SuperMario
@Kaiser: as much as I loved Wong (yeah I too prefer him over Malick), sometimes I do think Western cinema give him too much praise that sadly overshadow other Asian directors.
Kaiser-Eoghan
@Mario: Wong is important to me as a hong-kong filmaker, he offers something entirely different from the whole Woo/Lam Hong komg movies.
Kaiser-Eoghan
@Mario: On a more positive note Maggie Cheung did mention that she felt her early work with Wong was when she first truly became a proper actress.
Kaiser-Eoghan
@Mario: ....I had no idea he had such a sad background.
Kaiser-Eoghan
*investigation drama
SuperMario
@Kaiser: that film also marked/ signified a rather sad period of Hongkong showbiz. Leslie Cheung badically lived the live of the protagonist and commited suicide in 1997. His girlfriend on screen, during the filming, was kidnaped, raped and taken topless picture. The damnest thing is that everyone knowed the culprit but did nothing, and in the press it was just deemed as "kipnapped and assaulted"
Kaiser-Eoghan
@Mario: Wind river was a big surprise for me, just goes to show that with the right execution an ordinary police drama movie can be elevated higher.
Kaiser-Eoghan
@Mario: Thats the interesting thing, tracking a directors career.
Kaiser-Eoghan
Just binge watched the new dominion tank police ovas , admittedly these are kind of reptitive and extremely silly but its hard to hate on something so shamelessly fun that made me feel like a child again.
SuperMario
@Kaiser: you said it there. DoBW is rather raw and unpolished but that's one of the reason why I am drawn to it more compare to his other works.
AidanAK47
In all honesty, it would be nice to finally see a continuation after fusion as all games after that have just been adding chapters in-between.
Vonter
Finally I wonder, if Metroid Prime 4 will definitely branch out of the main Metroid's continuity. It's curious how an interquel subseries is still going to add things in between the first and the second entries in the main franchise.
Vonter
AidanAK47 - I think is nice we can see both takes. Especially since neither one despite a few qualms are still very solid entries for this franchise. I just hope Metroid moves forward, as IMO this is the only game that really needed a facelift do to the heavy limitations of the gameboy. And I hope the secret gallery at the end is teasing how the producer plans to move the plot forward.
AidanAK47
I thought it might be like that but it's good to know they are at least on a close level. I didn't really want Samus Returns to replace AM2R as the "Definitive" version of Metroid 2. Mostly because a lot of love was put into AM2R andit came at a point when it felt Nintendo didn't give a crap about Metroid.
Vonter
Like Zero Mission there's something added to Samus Returns but I'll just leave it at that.
Vonter
I think both have strong points. Samus Returns have better boss battles, gameplay mechanics and more intense action pieces. AM2R IMO has more atmosphere, takes advantage of elements Nintendo don't even try like the Federation subplot, and the ending portion narratively has more heart in AM2R, while in Samus Returns it feels mostly like "the final level".
Vonter
I also did got lost a couple of times in Samus Returns and aside from the big water section in AM2R, the latter is more linear game.
Vonter
I think the controls in Samus Returns bring more to the table though. The 360 aiming makes for better ways to shoot enemies and some of the bosses take advantage of that. If it weren't for the 3DS giving hand cramps because you're holding L and R at several points it'll be completely the most ideal way to play.
Vonter
AidanAK47 - AM2R is very good, I think it has the advantage that because it uses sprites IMO backgrounds and enemies are more vibrant and easier to appreciate. The Federation soldiers are better executed in AM2R and that secret section with the ship is very eery.
AidanAK47
@Vonter, How does it stack up to AM2R? I bought it and am still waiting on it to be delivered but I have the feeling that AM2R would be the better game when comparing.
Vonter
I took me 12 hours to 100% and I've heard the best ending is beating it in less than 4 hours. I think unlike Zero Mission item percentage don't matter, it's mainly to unlock an art gallery.
Vonter
My main criticism is this being a 3DS game. Small enemies can be hard to see or appreciate. And I think the 3DS wasn't made for heavy action packed games like this or Smash Bros. I got the rubber from the circle pad come off in two occasions. Also unless there was something big in the background, several areas felt lacking in detail. Still Samus and the bosses look good.
Vonter
In terms of difficulty, the game has the enemies packing more damage than in other 2D Metroids. Is difficult in the sense than you can't tank damage as in other iterations, you have to be aware of enemy behavior and bosses mainly get easier do to familiarizing with their patterns, since I did die a lot each time I faced a new boss. And got used to kill them faster as I went along.
Vonter
Ok, so I beat Samus Returns. It's quite good. Unlike Fusion that had dialogue at midst the gameplay. Samus Returns only has a prologue of exposition and any cutscenes mainly accentuate the reactions of Samus confronting a new enemy. The level design is dense, despite having isolated areas like in Fusion and the original Samus Returns, each area is very mazelike.
Kaiser-Eoghan
@Mario: =< Awww I kind of like demonlover actually despite all its flaws, it had great sound design and had this cold, clinical, un-nerving mood to it.
Kaiser-Eoghan
@Mario: Days of being wild does feel a bit un-realized/un-polished/rough compared to his other work definitely but its probably the rawest I've seen from him and that has its appeal.
Kaiser-Eoghan
@Mario: Haven't seen farewell my concubine come to think of it. Regarding the scifi element I felt I embraced it more further into the film when it started to intermingle more.
While I am more forgiving toward Malick's recent films than most, that decline in quality means I have to pick Wong.
KTravlos
by the way in RE:Creators we probably will be getting a future series focusing on the hunt for Magane :p Meteora probably playing the role of detective. I also bet her novel will be wordy and heavy in exposition :p
KTravlos
i.e his end game might had been a cross-species revolution against him anyway. We will see
KTravlos
In Bahamut Chris proves to not be totally evil, but he is totally crazy. That said I am seeing one of my hunches getting supported, the hunch was that his cruelty towards daemons was with the purpose of bringing them down enough that they would be willing to work with humans as euals (As they are in Jean's army) and thus via that create a more unified world. I
KTravlos
RE: Creators has come to its end. I know the problems everyone has with it, and while it failed to raise to the level of exceptional show, I loved it. As I said, it had been years since a show kept me so excited episode after episode. They blew it at some point, but ultimately for me this is an en-joyful show, and one I would happily binge watch in the future again.
SuperMario
@Kaiser: question for you though, between these two directors, which one do you prefer: Wong Kar-Wai or Terrance Malick?
SuperMario
@Kaiser: if you enjoyed both 2046 and In the Mood for Love, by all mean check out Days of Being Wild. The trio forms a loose trilogy and Days of Being Wild was the first film that Wong began his unique unconventional style. It's one of my personal favorite of Wong and it's a chance for you to watch the late Leslie Cheung acted (you might watch him already in Farewell My Concubine)
SuperMario
@Kaiser: 2046 is indeed a passionate film, and one of his best looking film. He tried something different in 2046 too, experimented with scifi (one of the best part in the film for me)
SuperMario
@Kaiser: it's stritcly Wong Kar Wai's romance we're talking about, since I don't find the rest of Chinese take on romance that interesting. Romance or melodrama is one of his main theme throughout his career
Kaiser-Eoghan
@Mario: It was slightly overly long however.
I've also seen chungking express, in the mood for love and fallen angels. I think this Chinese take on romance is really clicking with me.
Kaiser-Eoghan
@Mario: I also thought it was a very passionette film and I love how Kar-wong-wai uses the music in it. I also think its one of his best looking films.
Kaiser-Eoghan
@Mario: I had a look at that Chinese film 2046, very effectively melancholic take on fleeting relationships while also successfully being quite sensual while staying classy and without ever showing too much. Tony Leung and Maggie Cheung are two beautiful people =P
SuperMario
for those who still want to catch up with 18if, episode 11 has a huge recap, while wrapping up the show with a new overarching plot. Hopefully they don't pull another Matrix here
SuperWooper
It's shounen-y for sure. The competitions have been my least favorite parts of the show so far. If you're still watching, you might appreciate it more once the Tenpei Cup is over.
Anonymous1399692
Damn Ballroom looks so good. But I really can't enjoy it despite that I want to. It has too many of these typical shounen moments and plot points I can't stand.
Anonymous1399684
Omae wa mou shindeiru
Lenlo
Mononoke is actually what made me find Ayakashi. Also a good show.
SuperMario
Regarding Ayakashi, I only watched the Mononoke segment
SuperMario
"It was a long, long trip, and we're coming finally to the end of the journey. Thank you, Manoyama and Chupacabra. And thank you, 5 EURO" - Sandal-san.
Lenlo
Ayakashi was great for me Kaiser. I enjoyed my time with it
Vonter212
@AidanAK47 - The hard aspect has been commented in several reviews with bosses being able to easily kill you. (Although in my experience it might be just getting a pattern). In terms of length most 2D games can be beaten under 3 hours. This one seems to clock at at least 6 to 15 if you want to collect everything. Then again, we'll see in subsequent playthroughs.
AidanAK47
`@Vonter. It's out now but I don't remember seeing anyone claim it's the longest hardest entry 2D wise.
Kaiser-Eoghan
Going to watch new dominion tank police next and read violence action and Oddman 11.
Kaiser-Eoghan
It took me years to get round to it, but I finally watched Ayakashi and as expected like most anthologies, again its mixed, the first is a solid ghost story that improves after a weak start, but that third one with the cat spirit was great, really liked how experimental that looked.
Vonter
Soo a new Metroid comes out this week. It is said, it's the longest, hardest entry in regards to the 2D iterations. Still not as great as Super, and depending on your fanaticism it might or not be as good as Zero Mission.
SuperMario
But they didn't pull that scene off too well. It's just... unmemorable. In fact the whole show is very unremarkable. Now only 1 episode left I might as well finish it but I won't give it a full review
SuperMario
Koi to Uso has been disappointing so far. Episode 10 featured the sequence that i was looking forward the most in the manga: the former classmate tells the one sided crush of the main girl from her POV. For a romance that contrived and manipulated like this one, hearing this from the third person's perspective prove to be more powerful
Vonter
@HelghastKillzone - Good luck with that. I almost had my car's engine damaged since it has been raining heavily where I live. Had to ask for help the next day to pull it out of mud. Still not as bad as the other three cars that did get stuck in the water.
HelghastKillzone
Dealing with work and the total loss of my car really sucks at the moment so I'm quite tied up for this week.
KTravlos
I do agree to a point, but to be frank all the episodes of Princess Principal to date have been so solid I have a hard time deciding. Episode 5 though was still the best from a holistic point (action, direction, music etc) was the one introducing Chise
SuperMario
Agree. Dorothy has the biggest heart out of all the spy girls. Also "help" that her episodes are all melodramatic.
Amagi
This episode of PrinPrin showed again that Dorothy is the best character by far. Not just herself but her episodes as well are better written than the rest if you ask me.
KTravlos
It just hit me. The characters in Princess Principal may be very well working for IngSoc :p
AidanAK47
@Kaiser, in the seven chapters it's only really two of them that contain dark shocking content. Chapter three being the biggest one in that regard.
Kaiser-Eoghan
@Aidan: I read a comment where someone said subahibi shocked them more than saya no uta. While I haven't played it yet, I have seen some of a letsplay...it lleft me thinking....how many hours until this actually gets good/truly unhinged .
AidanAK47
After Reading SubaHibi, Made in Abyss's dark turn didn't shock me too much. Maybe I just got desensitised. I will have a review of SubaHibi hopefully up in a week though to clarify my feelings on it after just finishing it, It was interesting but disappointing.
KTravlos
well, well. Both Made in the Abyss and Virgin Soul do not hold back. Grim! RE:Creators is warping up. Comparing with these other shows I can fully appreciate the problems people have with it. But still I am glad I am sticking to the end. Altair's voice actor by the way did great.
AidanAK47
@Helghast, And Kings Field was the Demon Souls before Demon Souls came out.
KTravlos
having binge watched several of this season's shows I would say Princess Principal is the most rounded. Made in Abyss is good. Kakegurui and The Reflection as SuperMario said will depend on your tastes. There is also Shouko no Altair. You will like it if you liked Tanya Saga of Evil, or Legend of Galactic Heroes, or Arslan Senki or manga like Vinland Saga, Gunka no Baltzar, and especially Historie
Anonymous1385641
Jesus...me watching this weeks Made in Abyss https://www.youtube.com/watch?v=0ogzsWhZcmM
HelghastKillzone
So... Demon Souls was the Dark Souls before Dark Souls came out.
SuperMario
@anon1385426: the safest bets aside from Made in Abyss are Welcome to the Ballroom and Princess Principal. Kakegurui and the Refection are for more acqurired taste
Anonymous1385426
Aside from Made in Abyss, what's the best anime this season?
Lenlo
@KT, the pacing and the framerate early on are my two biggest issues. Later on the story starts to get abit more engaging, and they start doin things I didnt expect, but the pacing is still there. Some akward pauses.
Lenlo
Look, Berserk and Dark Souls are both amazing. But I only have 3 Dark Souls games, and 38 Berserk volumes. Im clearly biased
KTravlos
I sat down and watched the first 4 episodes of The Reflection. It is an interesting attempt, and I can see the people making it having fun doing so. But I did notice a pacing issue. For some reason the episodes felt like they dragged a bit too long.
AidanAK47
Dark Souls is the Berserk of Video Games.
Amagi
Dark Souls really went all Berserk if you ask me
AidanAK47
I am not one for putting down law but can we never ever compare anything to Dark Souls ever again? Cause it's actually become really tiresome how everything is the dark souls of something.
Lenlo
No other sentence has made me want to watch Made in Abyss more
HelghastKillzone
I guess we're finally at the point where Made in Abyss goes all Dark Souls/Bloodborne.
Amagi
Apo's Jack the Ripper had at least a nice idea behind it, it's just the clothes that are a bad choice. But there are just too many lolis for the sake of fanservice in that game. I accept it if there is at least a reason for this but it's usually just random.
Amagi
@Aidan: Same here. I was never a fan of genderbendings and turning historical people into lolis. The first one I can accept with people like Arthuria because it added a lot to her character, but most of them are just plain and generic. I just see no reason why pirates, grown up men or Blavatsky would ever appear as little girls. Especially since popular beliefs should influence their appearance.
SuperMario
On Altair, one commenter did an excellent job of poiting out the appeal of that show; and frankly the show is wearing on me now.
SuperMario
@Travlos: I'm glad you enjoy Princess Principal. I'm quite surprised myself that in the latter half the show slowed its pace down which mean the focus is switched from action to more characters interactions; which I greatly enjoy
KTravlos
Well I binge watched Princess Principal. That is a very good show. I was surprised. Good animation, good music, the art is good, hell I even did not mind the protagonist art. But what I really like is the stories. All the episode were pretty solid and interesting.
AidanAK47
Just won a fight by the skin of my teeth thanks to my Lancer, Cu Chulainn. You the man Cu!
AidanAK47
@Amagi, Been playing Grand Order myself. It's rather fun. There are some good original character in it but I notice with Quantity certain figures designs were pretty terrible. I thought Assassins of black was the worst but some Grand Order servents manage to top it in terrible. Why all the bikini's?
Amagi
Fate/GO has quite some interesting original characters there. Wish we'd see them in some actual manga or anime series with more backstory someday. - I also like that we finally have an overpowered, interesting and competent Hassan with King Hassan for once. His design is metal AF too.
KTravlos
Binge watched Altair. The pacing of the show is a problem, but in general the raw material is good. Altair is sympathetic, and the world is interesting. But I do feel this is the kind of show that would had gained by a Monster or LOGH type treatment. Also, man it is scary how accurate they got some of the traits of Greeks (Phoenicians in the show). I am a Greek, I should know! :p
KTravlos
forgot to mention. I saw the 91 Days special. Three side stories that give some depth to the events in the main anime, but nothing that goes beyond it's end. Still they were in general ok to good.
SuperWooper
It's got Jude Law playing "this kind of huge robot butler called Charles, who is also a rocket ship." What could possibly go wrong?
AidanAK47
Anime with Jaden Smith? Um..I don't know about this.
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