Posted on 27 December 2010 with categories: Autumn 2010 Kaleidoscope



I really would have liked to see Otome Youkai Zakuro go on for 26 episodes instead of just thirteen, but ah well, at least this was a great ending that was simple, yet very well told: all of the important characters reached their catharsis and the creators managed to add a very nice emotional charge to it. The three main couples all grew even closer together, Byakuroku and Daidai got themselves a great conclusion, and the final twist on Zakuro’s mother also made her into a really sympathetic character, where her love as a mother, that has been questioned throughout the entire series, was restored.

Only Omodaka got a bit of a short straw here with that suicide ending of his. I’m not sure what was up with that and what the creators wanted to prove with him just dying without any reason: he just chose to sit next to his mother as the house around him burned down. And I know that there is the golden rule of anime and all (no character is dead unless this is confirmed), but this is the final episode: there was no hint whatsoever that he survived, despite half the episode being dedicated to the epilogue.
EDIT: oh wait, it seems I missed an epilogue and he really did not die. ^^;

At the end of the episode, the bureau of spiritual affairs also got disbanded, only to reappear only minutes later (with a plausible reason, though). That twist was mostly there to get that kiss out of Zakuro and Agemaki. I guess that there wasn’t time to let it flow naturally between them (because granted, it’s probably going to take a long time for them to stop arguing if their relationship ends up happily ever after in the first place). It in either case was a charming bit of romance.

Overall, this blogging a different series each week turned out to be a nice experiment, that I might do again in another season where there a lot of shows about which I have something I want to say. I’m not going to do it next season, though: when Heartcatch Precure ends I’ll be able to cover nine new series: that’s half the total amount of series in the entire season.

I’m not yet sure which series those are going to be, though. I’m guaranteed to blog Level E, and things also have to be pretty strange if I’m not going to cover Yumekui Merry, Fractale and Hourou Musuko. For Supernatural it’s all going to depend on how the heck they plan to release it. For Rainbow Gate, Freezing and Infinite Stratos it’s going to depend on whether or not they have their mind in the gutter. Madoka Magica, Wolverine and Beelzebub have very notorious staffs so any hints towards that will play a big role in whether or not I’m going to blog those, and Gosick and Dragon Crisis will get covered if they’re not as childishly stupid as they seem to be at first sight. In any case though, I never had to choose nine new shows to blog in such a small season, so I’m at least thankful that it’s going to be a very diverse one.

Going back to Otome Youkai Zakuro, my initial worries were that it wasn’t ambitious enough with its story, and granted its story isn’t as complex as, say, Shinrei Tantei Yakumo, but it still developed into a very nice and simple story that pushed a lot of right buttons. A definite recommendation for those looking for some light romance.
Rating: ** (Excellent)

Posted on 24 December 2010 with categories: Autumn 2010 Kaleidoscope




Okay. That ending was awesome.

As for the climax itself, the first half of this episode was a bit dull, in which the creators pulled the usual twists that you’d expect at the end of a series. Panty loses her powers but gets them back after having sex with Brief, it was a bit too standard, although the farming scenes were really entertaining. The second half though had some very neat action scenes that really were worthy of this series’ finale. There was a ton of neat animation going on on a really epic scale, and the final twist was just completely bizarre, and yet worked really well.

I love the guts of this series with its ending, though. For one, Garterbelt’s revival scenes were hilarious (“GOD MY OOOOOHHHHHH!!!”), but the way it lead into its potential second season with Stocking’s complete and sudden betrayal was a really neat and nonsensical twist. Now, as for that second season however I do want to say this: there has been a series in the past that pulled a very similar twist right at its final episode. I refuse to spoil which one for obvious reasons, but despite so obviously pointing to a sequel the director later stated in an interview that that was never going to come. Also, that premise of that second season has to be pretty bizarre: “Brief and Chuck with Garterbelt”. Would that even work?

So let’s just wait for any official announcements. If there is going to be a second season, I’ll probably end up blogging it. The main reason why I didn’t blog this entire season was because of the mediocre episodes 2, 3 and 4. After that though, this series took some really neat advantages of its format with a ton of neat and experimental segments.
Rating: ** (Excellent)

Posted on 14 December 2010 with categories: Autumn 2010 Kaleidoscope



This is the episode in which the creators decide to reveal the past, and what happened to Zakuro’s mother. It’s pretty much the episode that explains it all, right before the final climax of this series. And with this episode, this series got even more solid than it already was.

This episode was both very tragic, as surprisingly deep. The role of Zakuro and her mother turned out to be much more at the centre of the entire story than I thought, with Zakuro’s mother’s existence even being the reason that these half spirits exist in the first place, all thanks to these disturbing corrupt practices that were going on in order to try and use her powers. I mean, this episode never explicitly stated it, but it’s pretty obvious at this point that Zakuro’s mother was raped multiple times in order to attempt some good off-springs.

There is a bit of the romantic cheese: Zakuro was born out of true love and therefore has inherited some incredible powers. This is obviously a bit of a flaw, but after this backstory I don’t mind, because this episode brought more than enough to make up for it. Especially Omodaka became a much better villain after this episode: after this episode I really hate this guy as an asshole, rather than this cheesy shoujo villain.

I’m also glad to finally see an actually justified hints at incest. Anime with incest nowadays are nearly all of the type “hey we have a boy who has this hot sister. Let’s make them fall in love with each other!” Zakuro’s family in contrast is so completely broken; Omodaka has been corrupted by his father from the start, he now turned out to constantly lust after Zakuro’s powers. It’s miles away from the lazy and shallow incest we usually see.

In any case, in the end this series did turn out to have just 13 episodes, which thankfully means that Mari Okada only has three series to worry about in the upcoming fall season. She’s an amazing writer, as shown by how well she treated Otome Youkai Zakuro, so I really hope that she can give all three of Hourou Musuko, Fractale and Gosick enough justice instead of rushing through all of them. Only once I’ve seen a more extreme version, this was in the Autumn Season of 2007 when Natsuko Takahashi wrote a whopping four series at the same time. The results were still good, but really unbalanced at times (but then again, that’s pretty much Natsuko Takahashi: she’s either really solid or makes really strange design decisions).
Rating: ** (Excellent)

Posted on 10 December 2010 with categories: Autumn 2010 Kaleidoscope



Of course it’s great to see Garterbelt’s past here, but what really made this episode for me was its brilliant second half. It pretty much was about nothing: Panty and Stocking sitting in front of the television being really bored. But the entire half was shot on the same camera on the same position. It only panned twice, it only cut three times. Apart from that, it was all about Panty and Stocking randomly talking, along with Chuck, Brief and Garterbelt who appeared along the way. I love these kinds of episodes that really take this unconventional way of storytelling.

And still there were plenty of things going on with that half being everything but boring. Panty and Stocking being bored was surprisingly interesting, especially when you learn about the bizarre context at the end of the episode: Garterbelt spending ten hours inside the kitchen in order to cook a lunch party to celebrate that his afro was announced as the best afro in the world. The voice acting was especially fun and excellent here, and I like how the animation brought the characters here to life without a camera that usually keeps changing positions. I also really liked the final punchline. That was some great comedic timing there.

A lot of the anime today are just too safe and hardly ever bother with episodes like this and that’s quite a shame, really. There’s a ton of potential here if you’d just wish to abandon conventions and that’s what I really appreciate this series for doing.

Oh, and it’s not like Garterbelt’s backstory was uninteresting either. I mean, with the entire history tour that this guy made, parodying everything from Adam and Eve to the vikings.
Rating: *** (Awesome)

Posted on 29 November 2010 with categories: Autumn 2010 Kaleidoscope



For the Autumn 2010 Kaleidoscope I’ve been talking about different series each week. Otome Youkai Zakuro’s ninth episode makes for the last series I want to say something about. For December, I’m going to fill this category with posts about the series that I think will have the most interesting finales, which probably will be posts focusing on Panty and Stocking and Otome Youkai Zakuro.

Oh and on a side-note: I’m probably not going to go a kaleidoscope for the upcoming winter season, because of the simple reason that TOO MANY SHOWS ARE ENDING at the end of December. With that as a result, I’ve got room for eight new series; nine when Heartcatch Precure ends. That’ll be plenty of room to blog all of the good shows, plus also a bunch of premises that I normally wouldn’t even consider.

In any case, this episode is a good point to talk about this series, because a) we’ve gotten some significant build-up at this point and know where this show is heading to, b) I can praise a lot about it and c) I can also criticize a bit about it.

Starting with a), Otome Youkai Zakuro definitely has built up the best cast out of all the shows I’m not blogging this season. It’s got three couples who play off each other really well, and the past episodes have developed some really genuine relationships between all of them. the most intriguing being Zakuro and the mystery behind her: she’s a really tragic character who was really well explored in the past eight episodes.

Now, this episode was meant as a bit of an intermezzo between the heavy arcs, mostly focusing on fleshing out the romances a bit. It was enjoyable because we’ve seen relatively little of the cast in light-hearted situations due to the short length of this series. This episode was enjoyable, simply because the characters have been very well developed at this point, and because of that they were fun to watch.

And yet, this episode also enlarged some of the major flaws of this series. For that I need to go back to the source material, or its original author Lily Hoshino. When you look at the different covers of some of the other manga she has written, there’s one thing that immediately caught my attention: they all look the bloody same! Nearly all of them feature two people looking mellow and hugging each other. I couldn’t find a premise for most of them on ANN, but the premises I did find were just completely stupid and cliched, most notably that one about a family which forces all of its children to marry guys.

The creators here really gave a wonderful adaptation of the Otome Youkai Zakuro, but at the same time you can see that the romance is bound by these stupid cliches. The romance is mostly mature, and yet because of that premise the characters never really become couples, even though how obvious it is that Susukihotaru and Yoshinokazura are into each other, with the same going on for Bonbori and Hoozuki and Hanakiri.

Zakuro also suffers from these romantic cliches, though slightly different. In her case it’s indeed more logical to become good friends with Agemaki due to the large tension between them, and I actually really liked the point at which her crush on Hanadate was revealed. But yeah: he’s a bad guy, making what could have been a mature love triangle into a cheesy shoujo affair and Zakuro closer and closer to a standard tsundere. It’s pointless twists like these that are really holding back the otherwise truly excellent execution of this series.

Again though, I really like this series despite these criticisms. What’s even more impressive here is that JC Staff is really busy this season: they’re working on four different series at once, and yet all four of them are actually pretty good. Obviously some are better than others, but compare that to AIC which was in the same position during the previous Summer Season, working on four moe shows at the same time, where in the end every single one of them turned out to be dull and boring.
Rating: * (Good)

Posted on 27 November 2010 with categories: Autumn 2010 Kaleidoscope



Okay, perhaps last week would have been a better time for me to blog an episode of Index, but I did not know that that arc would just take up two measly episodes. And besides, this episode was pretty much was as interesting as it was terrible, which is pretty much what Index is all about.

So far, the second season of Index has been a huge mixed bag, but that’s part of its charms: the first arc was rather dull, the second arc was surprisingly good for being the lost chapters of Railgun (I really liked how they just cut the crap there and went straight to the point instead of dragging on). The current third arc is definitely enjoyable: it’s not the most ambitious arc, but it puts a lot of emphasis on the chemistry within the cast, which was quite enjoyable.

But really… there is fanservice, and there’s taking these dull romantic cliches way too far. How many times did Touma walk into a naked girl? How many times did his face get planted in someone’s bosom? Why did the creators suddenly introduced yet another random girl for Touma’s harem? It makes no sense, it feels lazy and it was completely pointless, making it seem like Touma can’t be friends with a girl unless he gets some romantic tension with her or something…

Either way though, this episode wasn’t a complete waste. I liked Touma in the rest of the episode, where there were a ton of different things that were going on. That’s how I like these sports festival episodes: we’ve seen them done to death by now, but this episode made well use of it to show some good antics. Another piece of criticism that I can give here is that the magical items in this show are starting to become mere McGuffins: especially in this episode, you could have replaced that Stab Sword with for example the “magical pizza of the annihilation of something very important”, and it wouldn’t have changed this episode in any way.
Rating: * (Good)

Posted on 16 November 2010 with categories: Autumn 2010 Kaleidoscope



This week I want to rant a bit again, even though I’m probably still the only one left who still watches this series. Still, I do want to write a bit about the strange and horrible decisions that were made for this second season. I’ll try to explain my thoughts on this series so that they also become a bit understandable for people who have never seen anything from Marie&Gali.

The first season of Marie&Gali was awesome: it was a fantastic comedy that showed how fun science can be; every episode was full of hilarity and came with completely new material and jokes, never running old or repetitive. The characters started out as stereotypes, but they really grew on you as the over the top quirky personifications of famous scientists that they were. Everything was set to also close off perfectly after forty episodes.

And then, out of nowhere, a second season suddenly got announced.

Obviously I was delighted back then, but after watching more than 20 episodes of this second season, I get more and more the impression that the second season announcement was as much a surprise for me as it was for the creators. I’m betting my hat that they only learned of it, after fully planning out the entire first season. This meant that they had to create a completely new set of forty episodes from scratch, even though they already put their best material and inspiration in the first season.

There are many reasons why I believe this to be the case. The most notable are the following:
– They inserted a freaking Scrappy. Norika, a strange whiny princess-like little girl, just comes out of nowhere and completely takes over the show as the lead character.
– The first season never repeated itself. The second season does, devoting several episodes in a row on the same concept.
– The comedy in the first season felt natural. In the second season, it feels forced. And this didn’t happen gradually, it immediately turned from good to bad at the start of the second season. But more on that below.

I’m not really sure why Toei found it a good idea to give this of all series a continuation, because it really wasn’t their most successful series by far. Especially considering how they closed off their viewer ratings cannon of Kaidan Restaurant abruptly after only 23 episodes. This season just serves no purpose.

You can also see how the creators are having trouble to fill this season through the execution. The biggest problem is Norika: her whining gets old really fast, and because of her the entire nature of this series changed because the creators included the rule that Norika can’t leave the world she’s cast in until she gets to appreciate science. What followed were 23 episodes of Norika running and screaming around, refusing to accept science and blowing everyone away with her giant teddy bear.

The first season felt so fun because it basically was about a bunch of quirky scientists who loved to show off their accomplishments to Marika (the lead character of the first season). Nothing was forced, you just had the adventures of a bunch of eccentric people who really loved what they were doing. The scientific explanations really blended in well with the storytelling. The second season, however, just turned into a series that explains science for the sake of explaining science. By trying to force Norika to accept science, they also try to force the viewers to sit through it. It loses all spontaneity.

On top of that, a bunch of characters derailed as well: the first season featured some stereotypes, but the characters were more than that: Gali was this dirty old man, but at the same time you had those scenes that showed that he was quite the brilliant scientist. The second season however reduces these characters, back to their stereotypes. You can really blame that to the acting: balanced in the first season, but the second season contains way too much yelling, especially considering how everyone in every single episode, likes to introduce him or herself in this overenthusiastic way for some strange reason.

The show at this point is still mildly funny, but it’s nowhere near as good as the first season. It’s at its best when it at least tries to do something new, but even those episodes are rare. The current episode for example featured a contest between Gali and Leonardo Da Vinci: who can build the fastest flying machine.The show so far has had a ton of these kinds of episodes. Especially in the second season, whenever Leonardo comes into the picture the creators can only seem to focus on how he pwns everything about Gali.

Oh, and the “scientific” explanation on how airplanes fly in this episode… it was actually wrong. Read some xkcd dammit!
Rating: — (Lacking)

Posted on 14 November 2010 with categories: Autumn 2010 Kaleidoscope



This week, I’d like to apologize for not sticking with Yumeiro Patissiere’s first season. I originally stuck with it for five episodes before giving up, but here’s why:

The things I appreciated about this series back then was that even though this was a show in which people are accompanied by strange sweets fairies, it didn’t pull a la Corda d’Oro and suddenly make their characters incredibly talented: they still had to work really hard for it. The thing that turned me off however was that it was already getting dull and repetitive after five episodes. I especially didn’t like the cheesy drama around the arrogant rivals that appeared in front of the lead characters, and on top of that I was also bothered by a lack of creativity…

…so why did the drama in this series suddenly become so good? Where did the inspiration come from for the Professional arc? This second season acts like the two main gripes I had with the first season never existed. The current episode marks the end of the Sweets Kingdom arc, which really shows that better than ever.

The sweets kingdom is… bizarre. What mind came up with that and what kind of state was it in? For the past three episodes, the characters have travelled to various places to collect some conveniently located sweets ingredients. An entire forest made out of baumkuchen? What the heck? This episode went even further by explaining how Sweets Spirits are born. That was without a doubt the weirdest explanation of the “birds and the bees” that I’ve ever heard.

Just about everything about the Sweets Kingdom makes no sense, but that probably was the intention of the creators: to just make this very imaginative fantasy world. It definitely gave me a lot to laugh about for the past three episodes, not to mention Kashino walking around in a pink teddy bear outfit for the entire time. I’m really suspecting that the creators did that in order to avoid confusion with the Kasshi fairy, since the two look so similar. I have not watched the first season, but is there a reason why these three fairies look like Kasshi and the two others look so much like Kashino?

And regarding the drama… why did it suddenly turn this good? I mean, compared to the first season, the characters are much less obnoxious, it’s much less forced and actually quite genuine. Of course, you need to like the childish kind of series in order to enjoy Yumeiro Patissiere. I don’t think that I’m going to end up watching the first season anytime soon (50 episodes is looooong), but the new season definitely surprised me.
Rating: ** (Excellent)

Posted on 6 November 2010 with categories: Autumn 2010 Kaleidoscope




Ah, who cares? I’m just going to talk about two shows this week. Don’t expect it to turn into a habit, but this episode was just too awesome. Episodes 2, 3 and 4 probably turned off a lot of people, but the past two episodes really made up for it.

Episode five was mostly awesome because of Osamu Kobayashi (yeah, the guy from Gurren Lagann’s fourth episode), but this episode was really everything that this series should be: crazy and over the top fast paced action. The first few episodes made the mistake of focusing too much on the shock factor, which is neat for one episode but becomes boring quite fast.

The bitch-fight between the two angels and devils was completely awesome though. The focus was much more on the addictive chemistry between these four than the shock factor and dirty references, and the toilet humour instead got used effectively in the action scenes at the second half of the episode. This was really the first episode of this series where the chemistry between these characters really worked. On top of that, this episode was well paced and didn’t drag on like some of the previous episode as well.

It’s really these kinds of episodes that I expected when I first learned about this series. The second half of this episode just continued building up the action without getting boring: that’s how varied it was, moving from battles with angry cars to toilets, shootouts and random chases: there was a ton of creativity in this episode that went much beyond the usual gimmicks of this series. It’s also here where the music really helped making things even more exciting.

The big question now is whether this show will be able to keep this up. It is the perfect set-up for an action series without any bounds whatsoever, but the creators really need to make use of it and let their creativity run wild like the previous two episodes. If the remaining episodes will be like that though, then this will end up as an awesome series.
Rating: *** (Awesome)

Posted on 5 November 2010 with categories: Autumn 2010 Kaleidoscope



This week I’d like to talk about this surprisingly charming slice of life series. And I guess gather my thoughts about Shinbo at the moment. I mean, I consider him to be an excellent director. The thing I hate however is how he is working on way too many projects. Just get him to work on one single project every year or two years: that will make them extra special, especially with the wait time in between. Why can’t he just leave Shaft’s other projects to the other directors at Shaft? Why does he need to hold their hands for every single series?

My big annoyance with Shinbo is that I’ve just seen too much of his series and I really do not want to sit through another one of his uninspired series. At this point, those series are easy to spot because he ends up doing one of two things:
1. Repeat himself. The best example of this is Natsu no Arashi 2, in which the first four episodes talked about the exact. same. freaking. subject. But also Sayonara Zetsubou-Sensei. My guess is that that’s also why I can’t enjoy Arakawa Under the Bridge: there are just way too many similarities between the two.
2. Take his style way over the top to the point where it loses all its charms and ends up only getting in the way of telling the story. Examples of this (in my experience at least) were ef – a tale of melodies and Bakemonogatari.

Soredemo Machi is neither: it neither tries too hard, and while maids have been milked to death in anime, the delivery is fresh here. It doesn’t try to force down as many random jokes as possible, but instead focuses on just portraying the characters without trying to pretend to be anything more, and on top of that the different stories are varied and not repetitive. Finally.

Arashiyama is quite likable. In this episode she was mostly just a side-character, but even there she was pretty enjoyable as she tried to encourage Toshiko and her brother’s romances. It neither dragged on, and yet you could see that she loved to tease them. These kinds of romances are now also cliched as hell (‘I want to propose to you but I’m too scared so I just say something that sounds like “love”), but the creative characterization still made them enjoyable. If the characterization of Togainu no Chi was as good as this episode, I really would not have minded it being a dating sim.

On top of that, I’m glad that we finally have a Shaft series with a proper budget here. Especially the first two episodes had very good inbetween animation, but this episode too was very dynamically animated. I also like how all of the characters have their distinct character-designs, rather than just feeling like stock puppets with different eyes and hair pasted on top of them. On top of that, it’s also an interesting technique to use CG in frames that aren’t moving: it certainly took me a while before I noticed it.

It’s not perfect, especially in the way that those title cards get more annoying every episode, and there are times when it tries too hard (like with the chair in the previous episode), but I like its charms and how down to earth it is. It’s also got some good jokes as well (like the Czar and Luther).
Rating: ** (Excellent)

CHANGE USERNAME
Kaiser-Eoghan
Spacey and Rolf Harris were genuine surprises to me though.
Kaiser-Eoghan
Basically what I'm getting at is that I'm glad that we live in an era where people actually speak up.
Kaiser-Eoghan
Had attitudes been different, these people would have gotten their due sooner.
Kaiser-Eoghan
One of the reasons why its so much easier for all these people to be exposed now, is that because back in the 60s and 70s no-one gave a shit .
Kaiser-Eoghan
The worst I ever heard of celebrity sex scandals though was Jimmy Saville.
Kaiser-Eoghan
In some cases the people involved are difficult to look at their faces, Klaus Kinski is terrifying .
Kaiser-Eoghan
A film like Pretty baby could never ever be made now.
Kaiser-Eoghan
Suddenly American beauty is painted in a whole new light.
Kaiser-Eoghan
Think about Chinatown though, Noah Cross(the villain) gets away with raping and impregnating his own daughter , Polanski gets away with raping a teenager. I mean its a great mystery thriller but yeah theres the paralell.
SuperMario
The thing is, everyone inside the industry or had worked directly with Lasseter all know about this, and it had been going on for over 15 years now
SuperMario
I was fairly disappointed in Kevin Spacey's case since at one time I liked his acting so much, same goes with Lasseter but yeah, I can separate their outputs with the messy personal lives.
KTravlos
I too tend to try and separate the creator from his creations. But it is not always easy.
Niello
Also f*ck, Houseki no Kuni chapter 62 spoiler. Phos didn't have Rutile's permission.
Niello
@Eoghan, as long as I don't have to see their face it's not much of a problem for me. That's a good thing about animation I suppose.
Kaiser-Eoghan
In general I don't have much trouble keeping on with something even if the creator/creators are awful people, it doesn't really change the quality of the content of the work they produced.
Vonter
Man, this week there's been prospects of the US and European governments to regulate loot crate systems. And also the mangaka of the classic Rurouni Kenshi having underage material. And John Lasseter having bad manners around female employees. Is curious when one gets on the dilemma of separating the work from the creator.
AidanAK47
Damn it. Didn't get Scathach. I knew my chances were low but...still feels bad.
SuperMario
Finally back after several days that I didn't feel like blogging at all. Hope that was just a small slump of burnout and nothing too serious
SuperMario
@Kaiser: agree with you on On Body and Soul, the otherworldly dream sequences are the best part, the romance is so-so and the investigation is fairly weak that I still don't know its importance to the story
Kaiser-Eoghan
@Lenlo: It was you that got me to watch it actually, your posts.
Lenlo
@Kaiser I am glad you think so on Inuyashiki. Ive loved every episode of it so far
Kaiser-Eoghan
But Dies Irae is the best comedy of the season.....
Kaiser-Eoghan
Unless he means Kino? In that case I've never read the novels.
Kaiser-Eoghan
Juuni taisen is also better watched as it expands on its source material.
Kaiser-Eoghan
If you mean girls last tour then thats better off watched too as its more immersive that way.
Kaiser-Eoghan
Inuyashiki is a definite watch as the pacing is much better than the manga, houseki elevates its source visually so theres that.
Amagi
@Anon: It really depends on the series. If you mean a current anime, then watch. Because the current season is full of good manga adaptions (if you mean Dies Irea, then read)
Amagi
I am not even one of those who condemn fanservice in anime like Illya for example, but this.. welp. Guess I rather watch the new MahouTsukai episode now.
Amagi
@Kaiser: Why do they want to do that? I don't think this is a good idea. Man the whole world seems to go back instead of going forward the last yers
Amagi
Seems like it was actually 5 child prostitutes that's even worse. Maybe not even that but just school girls I can't into kanji and I only see the *chan thread right now.
Kaiser-Eoghan
@Amagi: Apparently in France they want to lower the age of consent now. They are also still protecting Polanski.
Amagi
Kaiser-Eoghan: Just saw it too, just wanted to see if the Kenshin mangaka thread was still there and now this too.
Anonymous1582168
Watch or read? Which do you recommend more?
Kaiser-Eoghan
@Amagi: I see Toriko's author was caught with teenage prostitutes.
Kaiser-Eoghan
And now I'm thinking, some of my enjoyment of the original Kino was partly due to watching it dubbed.
Kaiser-Eoghan
@Amagi: Its is true that I would prefer kino to go deeper than it is allowed to.
Kaiser-Eoghan
@Amagi: mild Asperger syndrome , in my case its a touch discomfort thing.
Amagi
Also, damn - I just a saw a thread regarding the Kenshin thing
Amagi
@Kaiser-Eoghan: Agree with Kino, there are a few things I prefer in the older version too. Although I have to admit that many plot points I would have viewed as deep 10 years ago feel very simplistic and naive by now, like how simple minded the people are, especially if plot dictates them to be. Welp. Also, there is another autist here?
Kaiser-Eoghan
@Anon: Maybe not, but you'd probably do well to watch the show.
Anonymous1581844
@Kaiser-Eoghan: Is Weed really for kid though? -.- Also, the pups are cuter in this one.
Kaiser-Eoghan
@Niello: Bitches don't know about my Ginga densetsu weed =P
Niello
This is very much a kid version of Wolf's Rain.
Niello
I finally found this thing. Been looking for it for years. The problem now is even if I know the name it's going to be hard to find a way to watch this thing again... https://myanimelist.net/anime/3355/Fortune_Dogs
Kaiser-Eoghan
The Kenshin author was caught with images of child sex abuse. Things have turned into a fallout since the Weinstein case.
Lenlo
I like to keep deadlines. Adds some consistency to things. Appreciate it though
Anonymous1581244
@Lenlo: No need to apologize lol. I don't think anyone expects you to drop everything in order to blog. XD Just do what you can and keep up the great work. d=(^_^)=b
Lenlo
Sorry for the slow turnaround on Mahoutsukai this week. Moving into a new apartment and work is abit busy. Should be up tomorrow though.
Kaiser-Eoghan
@Mario: I dug the premise and though there could have been more dream sequences its prettily shot, especially within those sequences, I was surprised by the suicide attempt and didn’t see it coming and it succeeded in being uncomfortable.
Although I did find the film sometimes a bit sterile and overlylong
Kaiser-Eoghan
@@Mario: I'm torn on Body and soul, speaking as someone who has autism, I genuinely felt that the depiction of the female protagonist was solid and was backed by good acting, as autism is generally overly associated with male characters, seeing it through a female focus was a bonus.
Kaiser-Eoghan
Its an odd season, with shows I had no expectations of being favourites and one I looked forward to being a disappointment.
Kaiser-Eoghan
I know we mentioned before on here but I honestly did wish that one episode, the 6th one WAS an additional backstory, it would have elevated the episode for me.
Kaiser-Eoghan
The original had a grittier artstyle that clashed less with the setting.
Kaiser-Eoghan
I do think some of these episodic shows could benefit from two parters, this kino season especially.
Kaiser-Eoghan
But its not a good sign when I forgot some episodes content of this new adaptation less than a week after their airing.
Kaiser-Eoghan
And I don't say it lightly about the original having a strong degree of consistent quality, even the best episodic series often can't avoid being uneven but again I never felt the original ever fell into that trap .
Kaiser-Eoghan
Its the consistency I miss in this version, I enjoyed all the episodes in the original, this being more of a mixed bag sticks out like a sore thumb.
Kaiser-Eoghan
Want to specify I did love the Murder country episode and the Liar country episode, the ship country episode was an episode of two halves, the latest episode was too slight .
Kaiser-Eoghan
Honestly I think I'll play it safe with the new Kino and just wait till it ends and pick the most recommended stories.
Anonymous1580206
The ED of Silver Spoon Season 1 is also amazing.
SuperWooper
"Fighter" by Bump of Chicken is the best I've heard in the last few years (3-gatsu ED 1)
SuperWooper
"Ride on Shooting Star" by The Pillows is my favorite (FLCL)
Nie
Also Akatsuki no Yona ending https://www.youtube.com/watch?v=Nepa6vDr-gM
Nie
Seriously though, Freedom Opening is too underappreciated: https://www.youtube.com/watch?v=gbIy0zMukn4
Nie
if not just song then: Eden of the East, ERASED, both SSY EDs, FMA ED2, Welcome to NHK, Kekkai Sensen, Conan 40
Kaiser-Eoghan
Honestly I skip the op/ed themes for everything, there are some I haven't even heard.
SuperMario
@anon1579752: personally don't care much about EDs, since I hit the close button as soon as the episode's over. But this one is easy, Flowers of Evil ED
Anonymous1579752
321...best anime EDs of all time...GO
Nielo
Oops nvm IGNORE MY COMMENT
Nielo
@KTravlos: Which part of Chielo? How many heads?
KTravlos
Finally a great Altair episode. For once the pacing was a boon rather than a bane, and I loved the idea of Chielo.
Nielo
I have the Vagabond volumes...still haven't touch it. I just don't feel like starting another manga I'll have to wait forever.
Lenlo
Vagabonds only issue, to me, is the lack of release. I love it, its beautiful, and my god I have waited years for it to update. Its like Berserk all overagain
Kaiser-Eoghan
If I could changed something about kujira no kora, it would be toning down that overthetop shounen-kid villain henchman.
Kaiser-Eoghan
I feel as if I would read more of vagabond if the author ever finished it, the art however is beautiful.
KTravlos
A thing I really like about there stuff is that since they are set post-One Year War, most characters are veterans and they actually behave like veterans. Thus battles are more than just curbstomps etc. I really suggest their gundam stuff. Manga wise start with the Plot to Assassinate Gihren.
KTravlos
I have to say the ARK Performance gundam-verse is one of the favorite uses of the gundam concept . They really do a good job tying their stories together and with the original series.
Lenlo
If were talking manga as well, since I dont realy VNs/LNs, Vinland Saga, Vagabond, Berserk and Basara are all way up there for me
Anonymous1579124
I can probably disect pages on end of Kyousougiga. As for Sun Knight, it's translated from Taiwanese, so the chance of it getting an anime is a big fat zero. Not to mention that it is probably one of the hardest thing to translate into video format, movies or series, animated or not.
Anonymous1579124
@SuperMario Animation vs. Animator?
SuperMario
Kyousougiga was a creative and passionate anime. You can clearly see the love of the creators put into it. But of the year 2013 nothing can beat The Eccentric Family and Flowers of Evil for me
SuperMario
@Niello: I'm willing to give Sun Knight and Dorohedoro (or I should wait for the anime adaptation in few years?) a try but not anytime soon. My next of queue is Night is Short and re-watch of Now and Then. Sorry if I sound like a broken records but lately I haven't had that much time for myself.
SuperMario
..."Mario, what the heck is this??". so we stopped. My friends weren't trying to be rude so I didn't feel any offense, but the thought of watching a stick figure never cross their mind, hence the reaction. Anime fares much better in that regards since people still willing to watch it
SuperMario
(about people's hesitance towards animation medium): Tell me about it. Few years ago I had a Saturday movie night with my mates, one time I convinced them to watch a short animated film "Come one, it's one of the best thing I've seen this year" "It's only 15 minutes so you guys can watch them easily". So they agreed but as soon as the stick figure comes onscreen. My friend turned off...
Anonymous1578845
Lol just found out that there's a Sense8 (on Netflix) easter egg in "Just Because" ep 3 xD, made my day!!!!
Anonymous1578826
Forgot to say this, but anyone willing to give the Sun Knight novel a try, in some ways, it is quite similar to Houseki no Kuni. While it is mainly comedy....it also has a lot of suffering.
silver
@Niello/Anaon1578774?: I watched Kyousougiga maybe 6mos. ago, so I think I'll enjoy it more when I rewatch it sometime in a year or so. Seems most of my top picks cemented their place after a second viewing
Anonymous1578774
@Silver It speaks to me on a personal level no other fiction has comes close to matchin. so it has a very special place in my heart. It's also one of those that get better with each rewatch. I seem to have a penchant for liking what often get described by others as convoluted, this is one of them. I also adore Matsumoto's directing and all the symbolisms.
silver
@Kaiser: I neglected film in my youth as well.. and also in adulthood. A popular gag amongst my friends is that, "silver's never seen any movie ever." I hadn't seen star wars until a girl I dated in uni forced me to watch 4-6...
silver
Hah when I posted about liking works adapted from every medium I wondered if it was going to spark a 'top 10' discussion, but when I was trying to mentally rank them I remembered how hard it was...
@Niello: interesting that Kyousougiga is your all-time #1. I thought it was lovely but probably doesn't make the cut for me
Kaiser-Eoghan
Novels are somewhat alien territory to me as I tend to watch adaptations be they film or otherwise.
Kaiser-Eoghan
@Niello: I've watched thousands in the past few years because I neglected the medium in childhood.
Nielllo
Unless you mean animated only.
Nielllo
@Eoghan: I don't think I watched enough films at all, and that's made even worst when I forget most of them after a couple of years.
Nielllo
@SuperMario: I really recommend The Legend of the Sun Knight novel. Think it's something you'll probably enjoy quite a bit. It's quite cleverly written. You can read the official fan translation online.
Kaiser-Eoghan
@Mario: A top ten film list for me is even harder, I can't even attempt.
Kaiser-Eoghan
Akumetsu> death note
FITE ME.
Kaiser-Eoghan
Gunslinger girl gets such a strong mention from me because I feel that action stories often work better when you care about the characters.
Kaiser-Eoghan
<No Freesia adaptation
<No Eden adaptation
<No full production IG Alita film series
<why live =<
Nielllo
@SuperMario: There are some anime I'm not going to watch just because the manga is superior, period. Good examples are Monster and One Piece.
Nielllo
@Eoghan: Oh, I knew about Wolfram mangaka's apprenticeship already :p
Kaiser-Eoghan
@Mario: First however, When mountains may depart, By Jia Zhangke, I am full romance mood.
Kaiser-Eoghan
Planetes and Vinland saga have to go somewhere on a list. Oddly they share the same creator.
Kaiser-Eoghan
@Mario: Reminds me Dreams by Kim-ki-duk.
Kaiser-Eoghan
@Niello: I mentioned Dorohedoro's author was Nihei's apprentice, but heres another interesting one, the mangaka for Wolfram apprentice under BOTH Kento Miura and Kaoru Mori.
SuperMario
@Kaiser: gladly. On Body and Soul is a weird mix of romance drama, character study and a weirdly magical bond between two people who share the same dream. That weirdness is what make the movie so memorable, although I do feel the ending stays out its welcome
Kaiser-Eoghan
Nihei, Umezu and Itou belong somewhere among my favourite mangaka.
SuperMario
I don't know why you'd mix manga/anime together, but my own top 10 is in my profile (click over my username), I've included anime/ movies together but if the list is purely anime shows I'd add Haibane Reimen as #9 and Humanity Has Declined as #10
Nielllo
Apart from Kyousougiga which is always no.1, and The Legend of the Sun Knight, Dorohedoro, Shinsekai Yori and Monster whose places are swappable, the rest I'm quite flexible with. Saint Seiya is in if it's a favorite list, and out among the bottom of the barrel when it comes to quality list, with the exception of The Lost Canvas.
Nielllo
Hmmm, atm it's 1. Kyousougiga (a) 2. Monster (m) 3. Dorohedoro (m) 4. Shinsekai Yori (n) 5. Baccano! (a) 6. Ran to Haiiro no Sekai (m) 7. Saint Seiya (my guilty pleasure, I can't defend it in anyway) 8. Franken Fran (m) 9. The Legend of the Sun Knight (n)(1st tier comedy) 10. Haibane Renmei/Toradora!.Honorable mentions to Gamaran, Beck, GTO, Mushishi, Kaiba and Grave of the Fireflies.
Kaiser-Eoghan
Damn....its a harder question to answer than it looks =<
Kaiser-Eoghan
Although Cruel God reigns in heaven would com close.
Kaiser-Eoghan
Nah, nothing would dethrone Gunslinger girl for me.
Kaiser-Eoghan
Or even Utena but I feel it somewhat overated as I do Bebop despite enjoying both.
Kaiser-Eoghan
One of those on the top ten could easily be switched for honey and clover.
Kaiser-Eoghan
I also love the works of Shimura Takkako, early takahashi and early Clamp.
Kaiser-Eoghan
Shiki would work its way onto a recent favourites list.
Kaiser-Eoghan
My favourite visual novels are Kara no shoujo, saya no uta and Sharin no kuni.
Kaiser-Eoghan
I've a soft spot for ah my goddess, basara, 7 seeds , nanoha and Red river.
Kaiser-Eoghan
If I was making more modern lists for recent favourites I'd probably add flipflappers somewhere or yuasas works.
Kaiser-Eoghan
Eh my top ten by mixing manga and anime into the same list? 1. Gunslinger (both) girl 2. Ghost in the shell (anime) 3. Earl cain saga (manga) 4. Angel Sanctuary (manga) 5. Texhnolyze (anime) 6. Lain (anime) 7. Perfect blue (anime) 8. Fruits basket (manga) 9. Monster 10. Kare kano.
Nielllo
I don't think anything will ever dethrone Kyousougiga for me though.
Nielllo
I still need to watch Tatami Galaxy and a bunch of other staple shows...
Lenlo
We could put out a site-author Top 10 list sometime maybe... Some of mine are Mushishi, Steins;Gate, Tatami Galaxy and Your Lie in April. Its got a spectrum of genre.
Nielllo
So what are people's top 10?
silver
Certainly on my top 10 list I have works adapted from VNs, manga, novels, LNs, and originals. I just think originals have a higher rate of efficient visual storytelling compared to adaptations
silver
@Kaiser: I like SEL and Haibane and texhnolyze is on my ever-growing list of things to watch. I also really like Gurren Lagen and Kill la Kill although they're both better if you've seen enough anime to know what they're parodying. My ex who loathed most anime because of the aforementioned over-exposition issue also introduced me to Dennou Coil which I really enjoyed.
Kaiser-Eoghan
@Mario: Body and soul just got released on a webdl , sell me on the film if you can =)
Kaiser-Eoghan
@Silver: Texhnolyze/Lain/Haibane are excellent examples.
silver
I think original anime offers a different experience than adaptations, particularly regarding 'show don't tell.' By necessity most anime source material is dialogue and exposition heavy and can't always utilize the medium efficiently. Of course, I've watched masterpieces adapted from every kind of source, so it's all good
Niello
I'd love to see this thing animated some day. Preferably with movie budget: http://thepropertyofhate.com/TPoH/Ex position/312
Niello
@Eoghan: Try searching in some Asian languages and you might have better luck.
silver
Most open-minded people I talk with don't have anything against animated entertainment. Shows like Bob's Burgers, Archer, and Bojack Horseman have carved a modern niche for 'adult' animation. Having a show about talking alcoholic horse would be pretty cheesy with live action.
Niello
Never mind, Mario said it. But I also don't agree that idol shows or incest shows are intrinsically bad. On top of idol being a trend in Japan first and anime pick it up because it's part of the culture.
Kaiser-Eoghan
The reason people see the worst side of things, is because that is what is made most on the surface and immediate,
Niello
@Amagi: Considering that all the ones you listed are originally manga, I think you should give manga more credit...
Kaiser-Eoghan
And by finding I mean, hard to buy or torrent .
Kaiser-Eoghan
The infuriating thing is how poorly distributed some things are. I hate seeing Godammn blurays of shit hollywood films everywhere and I have to struggle to find some old/quality eastern film.
Amagi
I think it's the same problem as with endless shounen. Sometimes series get dragged on purpose to make more money.
Amagi
The tons of seasons is what scares me away sometimes
Kaiser-Eoghan
I keep thinking, why pad a 90 minute-9 1/2 hour story in a billion one hour per episode seasons.
Amagi
Yeah it's always like that, with cinema movies too.
Kaiser-Eoghan
I also hate ensemble/mosaic storytelling for the larger part, with some exceptions.
Kaiser-Eoghan
I know this excuse won't work with people who love serialized live-action tv dramas but...I don't like most tv shows because of how padded they are and that they go on far too long and the acting is tv standard and not film standard.
Lenlo
I dont want TV that much, but my experience has been there are very few shows worth watching. Just like anime.
Lenlo
Well, in the argument that anime has alot of bad trends to, I would say so does regular television. How many TVs per year are as good/acclaimed in the "best" anime of each season are in the community?
Amagi
I think it's just sad that there are so many people (the big majority) that refuse to watch cartoons in general because they consider them as either childish or a worse version of "real" series. They'll always miss the good sides anime/manga have and therefore certain sub-genres as a whole.
Amagi
@SuperMario: Yeah you're right. I should have specified it to Japanese drawn media in general (VNs too). And yeah most anime/manga are rather trashy or blatantly bad. But the good series are often something live acting can't create and we'd miss without Japan. There are good cartoons too, though
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