Posted on 29 March 2012 with categories: Winter 2012 Kaleidoscope

And so, I’ll end this Winter 2012 Kaleidoscope the same way I started it: with Inu X Boku SS. This really was a series that got on my nerves a lot. Not because it was bad or anything, but because it’s David Production. These are the guys who always try to do something extra. They take their series, and add stuff, try to do something new and really put thought into how to make their series work best. Inu X Boku did not have that. There were flashes in which it was really good. That’s the reason I originally picked it up to blog. And yet it got side-tracked so often. It’s not like it was full of filler, but instead all of the episodes didn’t even seem to be trying to be engaging, and the underdeveloped cast of side-characters also didn’t help either. It really was just this series that was fun and watchable, but really not much more.

And then the final two episodes aired. And what do you know? They were actually quite brilliant. In fact, save from perhaps Natsume and Chihayafuru, they were the best final two episodes out of the entire season. I did not expect that. At all.

I’m not sure what happened. Suddenly the writing got like 10 times better. In two episodes this series actually succeeded in breathing a tiny bit of life into the bishie genre, which has been so overly polluted during the past few years by the likes of Studio Deen, A-1, Production IG, etc. For the first time since… Kuroshitsuji II I think we’ve gotten another romance involving bishies that is actually really good. The main couple totally redeemed themselves for me here. Like it’s nothing, this series suddenly took all of the build-up of the first 10 episodes, and brought it together, and did it creatively. In fact, this creativity is what set this series above Ano Natsu de Matteru for me. They both are flawed, but where Ano Natsu depended on well executed cliches, this series actually delivered some creative twists that I absolutely loved.

The previous episode was already wonderful in outlining Miketsukami’s background and how everything fits together, I expected this episode to be a boring aftermath again, and it sure started out this way, save for some well written very last minute character development on random side-characters that suddenly made them a lot better. The bartender and his kid in particular. The time capsule was fairly standard for an inconclusive ending… and then Ririchou from out of nowhere realized that she got two letters mixed up. This is a common trope, but I can’t think of another anime in a long time that did this as well as this episode.

It came out of nowhere that this happened, since everyone was treating this as a very sentimental moment, and afterwards the creators went really deep into the characters’ minds. Both Ririchou and Miketsukami were forced to deal with their own insecurities, after the entire series has built them up as being so distant and afraid to show their own feelings. It was an amazing conclusion.

So yeah, reviewing this series will be a bit of a problem: I loved these past two episodes. The majority of the rest of the series though… not so much. I need to get my thoughts sorted out on this a bit.

Overall though: I’ll be keeping my eye out on this new director, because he has shown to be able to get good stuff across in his adaptations. He has flashes of brilliance, but at the same time you can see that he lacks experience, due to all of the wasted potential of this series. If I had to give him one advice, it’s this: keep a leash on your side characters. There are a few who really ruined the fun a bit. The worst offender is the fangirl: she only did one thing over and over. Balance that character out more. You also had this great and colourful cast of characters in the staff of the hotel everyone is staying in, but you hardly ever used them. Such a waste of potential! I know this is an adaptation, but it’s still the job of the anime staff to choose what to focus on, what to cut, and what to spend extra attention on. You may have excellent source material, but if that results in an adaptation like Persona 4’s, then it doesn’t really matter.
Rating: *** (Awesome)

Posted on 23 March 2012 with categories: Winter 2012 Kaleidoscope

So you can call me crazy, but I actually liked these final episodes of Black Rock Shooter. Sure, it was rather sappy and all, but despite that, I liked the direction that the plot took, finally relating the Black Rock Shooter world and the real world together, and creating an interesting setting based on that. Mato also became more interesting as she separated from Black Rock Shooter (and was basically out of the picture being unconscious, allowing the rest of the cast to play out).It’s still full of teenaged angst, but I felt that that angst was much better than in the first half. It actually was about something: about being scared to face reality.

Based on that, I really can’t lump this together with the worst of Noitamina. It obviously is nowhere near the best, but at the very least the creators didn’t turn it into a gigantic flop. It’s certainly better than that m ind-numbingly boring OVA. Library Wars? At least this show had a beginning, middle and conclusion. Jyu Oh Sei? At least this series didn’t overpace itself. Guilty Crown? None of the characters here is as bad as the cast of that show. Fractale? Hell, this show actually did something with its setting.

In the end though, this remains a series where the creators should have put more thought into how to make it work, especially due to that first half. The worst character in this series is by far Yomi, and this show dabbled way too much into her uninteresting angst. The teacher also needed more work. Yeah, she got an explanation and I have no problems with her part in the story, but that still doesn’t make me buy her really weird behavior in the first half.

The action of this series also made up for a lot, because this was genuinely good, compared to the dull action sequences of Guilty Crown. The only shame is that everything had to be in 3D CG, but ah well: without it the creators would never have been able to animate as much as they did here.

My request to Noitamina now is: keep experimenting. You tried to dabble into teenaged series for a while. Now, let that go and start to focus on different series with yet another target audience. Tsuritama and Appolon? Keep that direction going. Don’t just suddenly announce K-On 03 or Shana 04 for your Summer Line-up.
Rating: *+ (Great)

Posted on 16 March 2012 with categories: Winter 2012 Kaleidoscope

Okay, it’s time to make up the balance. With these two episodes we’re probably done with the heaviest romantic stuff, and it’s time to see whether this series ended up delivering on the things it promised.

Ichika, Mio and Tetsuro: these are for me the strongest characters. Mio is the one who changed the most as a character, and especially came to her right in this episode. Her back-story was really weird and bordering on fanservice, but I can’t deny that I like her growth a lot. Ichika meanwhile rocks in how she subtly gotten used to her life on earth. Her story is no nonsense: she’s not wrapped up in complicated love triangles: she likes Kaitou, it took her a while to confess, but when she did it was great. She finally has someone to confide in. I also like her portrayal as a real character, rather than just another romantic interest. Tetsurou meanwhile mostly rocked for being so direct and eloquent in the first half of the series. I’m not a big fan that he turned this show in something resembling a love tree (Tetsuro has Mio and that beach slut who are into him, he himself is in love with Kanna, Kanna is in love with Kaito, just like Ichika and that random childhood friend; the only exception to this is Kaito liking Ichika back). Still, looking back I like his character development and place in the story here.

Kaito… is a bit of a tough one. He’s got his good points, but also his lesser. On one hand, he actually knows what he wants. Thank GOD, he knows what he wants. As for his portrayal, though… I’ve got to confess something I realized when typing up this entry. I keep confusing his name with Senkawa. Yes, the lead for Birdy the Mighty. I really have to force myself to get his name right. It’s not a matter of the characters being too similar. Heck, Senkawa was far more annoying than Kaito in the first half of Birdy the Mighty Decode, and far more interesting in the second half. However, even in his annoying phase, he stood out. Kaito doesn’t. In the end he just didn’t escape his generic bland stereotype for me.

Then there are Kanna and Remon. Remon is just a walking catalyst: she’s got no character out of her usual snark, just acts there to spark up the romance between the other characters, and provide a light-hearted tune, but I can’t think of any scene where she really caught my attention. Kanna did have those scenes, most notably last episode. However, beyond that she disappointed a bit. In the end, she too isn’t really a character. Her only purpose in this series is to spice up the love triangles. On one side it’s to add tension for Kaito and Ichika, on the other hand it’s for the Mio and Tetsuro story. Beyond that, I don’t think that this series put any effort in giving her an actual character. The rest of the cast of this series can work when you subtract the romance. She can’t. She isn’t the worst character of this series.

The worst character of this series? That honour goes by far to that mascot.

So yeah, it turned out a bit of a mixed bag, but in the end the pros outweigh the cons. Romance series are something bizarre to me. A lot of the romance shows I like have huge flaws and annoyances to counteract some parts that they do incredibly well, and Ano Natsu fits that pretty well. The solid execution doesn’t make it a stand-out and I do feel that it could have tried more to set itself apart from its cliches (especially during that horrid beach arc) but I enjoyed it so far.
Rating: * (Good)

Posted on 8 March 2012 with categories: Winter 2012 Kaleidoscope

Gasp! Could it be? Guilty Crown actually observes some basic rules of storytelling for once? The flashback that took up the majority of this episode was pretty much the best part of Guilty Crown so far, because 1) it actually bothered to explain things rather than pulling whatever is the most convenient out of its ass, and most importantly 2) it had no bloody Shu in it. Of course the ending of the episode ruined things again, with Shu still being in Jesus-mode and all.

That’s not why I decided to devote this week’s Kaleidoscope to what is in my view the worst Noitamina show ever made. Instead, I found out something interesting that I’d like to share and talk about: Noitamina’s tv-rankings. For a while, I was really afraid when I found out that Guilty Crown was selling so well. I really feared that this show will set horrible standards for the future of Noitamina. However, the success of Noitamina isn’t just based on sales, isn’t it? What made the timeslot big in the first place wasn’t the sales at all; it was the ratings it got. I mean, at its height, the timeslot was by far the most popular late-night timeslot out there.

Because of that I decided to look up the ratings of the different Noitamina-shows. They were by all means weird and very inconsistent, but also very interesting. I made a compilation of the average ratings for each pair of series (unfortunately I couldn’t find ratings for each individual show for the double-slots), using data gathered from here, here and here. This season’s Noitamina shows are up to last week’s episode. All of these ratings are in percents.
Honey & Clover – 3,04
Paradise Kiss – 3,19
~ayakashi~ – 3,5
Jyu Oh Sei – 3,5
Honey & Clover 2 – 3,2
Hataraki Man – 4
Nodame Cantabile – 4,39
Mononoke – 3,48
Moyashimon – 4,56
Hakaba Kitarou – 4,8
Library War – 3,47
Antique Bakery – 3,45
Nodame Cantabile Paris – 4,62
Genji Monogatari Sennenki – 3,32
Eden of the East – 3,96
Tokyo Magnitude 8,0 – 3,56
Kuchuu Buranko – 2,66
Nodame Cantabile Finale – 3,25
Sarai-Ya Goyou/Yojou-Han – 2,08
Shiki/Moyashimon Live-Action – 2,56
Shiki/Kuragehime – 2,38
Hourou Musuko/Fractale – 1,76
C/Ano Hana – 2,63
No,6/Usagi Drop – 2,12
Un-Go/Guilty Crown – 2,18
Thermae Romae/Guilty Crown – 2,17
Black Rock Shooter/Guilty Crown – 1,86

Let’s first look at the decline of these ratings, which started with Kuchuu Buranko, and really set through when the timeslot went double length with Sarai-Ya Goyou and Yojou-han Shinwa Taikei, where it reached staggeringly low numbers when you compare it to the previous ratings. After Shiki which aired right afterwards, this also was the last time where Noitamina lost a lot of its experimental touch in terms of animation and scenario and series structure. Quickly afterwards, their strategy of appealing more to a teenaged audience started, with Fractale. This is where the timeslot reached its all-time low with a rating of 1.76.

C and Anohana meanwhile managed to lift up the ratings again slightly, by being overall really well made series (Ano Hana was my favorite series of 2011 for a reason), but the focus at a younger audience remained, culminating in this season, which pretty much is the worst that in terms of actual series (for me at least). The thing is though, that Noitamina’s audience seems to agree. Last week’s ratings were really, really low for the timeslot and that landed it a on the second worst spot, just before Fractale and Hourou Musuko. In other words: the experiment of appealing more to a younger audience… has pretty much failed in terms of rating.

Now, if we look at the kinds of series that in the past did lead to really high ratings, things get a bit weird, because these numbers are rather inconsistent at times. There seems to be one red thread amongst the top performers though: fandom. What’s the best rated Noitamina series out there? It really surprised me when I found out for the first time, but it’s Hakaba Kitarou of all things. The one thing that series did was appeal to everyone who grew up with Gegege no Kitarou, while also giving it a new look and feel. After that comes Nodame Cantabile, which also has a very big built up fanbase, and it also really helped that the first season was incredibly good, solid, and really hard to dislike.

When looking at the series after that though, things get really weird. By far the strangest is how well Ayakashi Japanese Classic Horror did. Out of all the Noitamina-series, that was by far the most experimental and yet it didn’t alienate its audience and delivered a really solid rating of 3.5, the best of the timeslot so far, and until Hataraki Man surpassed it with a random story about a working lady.

And I think that that’s also one of the appeals of why the early slice of life series of the timeslot scored so well: they were really easy to relate to. They were written in a very down to earth way. The latest Noitamina shows however? you can’t really relate to those. Except perhaps for Usagi Drop. Even Anohana: I obviously loved it, along with a lot of other people. But mainstream appeal? It was just too dramatic for that.

And here is the thing: the audience of Noitamina can very much appreciate a good series. Of course I don’t agree with the relatively low ratings for Sarai-Ya Goyou and Yojou-Han, but I love that there is an actual audience for Ayakashi, Mononoke, Nodame Cantabile, Hakaba Kitarou, Honey and Clover, Hataraki Man, Eden of the East, Tokyo Magnitude, and even Genji Monogatari and Antique Bakery. It’s a shame that a lot of the audience was lost during the move to the double time-slot, but it’s also very interesting that another part of the audience doesn’t agree with the move to a younger audience.

You see Noitamina, the reason why that doesn’t work is simple: competition. You started with enabling a hole in the market: series aimed at an older audience at ta time when they are easy to watch, yet they contain a lot of substance to actually make it worth the limited time that adults have inbetween their jobs and studies. However, when you move over to a younger audience, you’ll enter a much more saturated market, in which it’s much harder to stand out. That market is completely different in the way that they consume anime, as shown by the really high dvd sales of Guilty Crown, yet really disappointing ratings.
Rating: (Enjoyable)

Posted on 2 March 2012 with categories: Winter 2012 Kaleidoscope

Well, since this was the best BRS episode so far I might as well dedicate this week’s kaleidoscope entry to Black Rock Shooter and share some of my thoughts on it. This really is a show that symbolically links stories together. It’s not just the battle world, but there also is the picture book about the bird that keeps returning, and this episode also showed a brief scene of a class that was about literary analysis (or “the protagonist in this book died because… etc”). That could have been very good, really.

My big issue with this series is: why? What does everything boil down to in the end? Unfortunately, the answer to that seems to be forced teenaged emo. The entire plot basically revolves around this mentally deranged character. I can live with that, but the reasons that pushed her in the situation she’s in now… I failed to buy them. The blond girl is one thing, but that teacher in particular is just a walking plot device.

Emo of course doesn’t have to be bad. I’m personally a big fan of Narutaru (or in any case the anime of Narutaru, having not read the manga), which also was a very dark show about teenagers and the issues they can have. The big difference between the two lies in the build-up: Narutaru first created relatable characters and showed scenes in which… they weren’t actually emo. Yomi however, is poorly fleshed out to me: all she has been doing in this series is be mentally depressed. In fact, every character in this series is very one-sided. They’re more plot devices than actual characters and their issues are all just so simple when you boil down to it.

The only interesting character really is the main character, because she is the one who links everything together, in a much more extreme way than usual. She connects all of the different stories together, she is the only one who knows all of the other important characters well. Everything in this series revolves around her, and even the things that don’t at the beginning, end up doing so because of how her symbolic character in the other world ends up fighting everyone.

In this episode things got interesting, as all of these different stories started to intertwine. I admit, I did not expect Yomi’s part to be resolved this early. At the very least the show still seems to be building up to something, so let’s hope that at least that part of its buildup will be good. I adit that I liked the action and the soundtrack in this episode.

I can understand what Mari Okada is doing: the OVA was so dull, something had to happen to it to make it actually worth watching as a full fledged TV-series, and if the build-up was better then this episode actually would have worked really well, however I do think that she took the wrong approach. This type of characterization definitely isn’t her best, and I also believe that the characters in the action world should have… actual personalities and characters. I don’t care if it offends the fanbase of Black Rock Shooter. The creators are already raping the fanbase of Noitamina, so why stop there?
Rating: (Enjoyable)

Posted on 25 February 2012 with categories: Winter 2012 Kaleidoscope

If I had to give this season a label, it’d be the Winter of WTF. Seriously, Nisemonogatari: you as well?

Anyway, for the reason of this post: there just wasn’t anything interesting this week. Danshi was more miss than hit this week, Ano Natsu continued with that boring beach arc (though admittedly it was much better than the week before), Inu X Boku was the same as what it’s always been and I don’t want to repeat myself on it yet again, Black Rock Shooter has completely descended into forced emo and Smile Precure still is in that boring introduction arc of its. Which brings me to Nisemonogatari.

To my complete surprise: I actually liked Nisemonogatari this month. Heck, for the past weeks, it did exactly what I hoped it would do. Something actually happened, and I actually really liked the way the Karen Bee arc was resolved. It was an anti-climax, but it worked well and was very well built up. Finally I actually got the chance to enjoy this series for what it was and marvel at its animation without being bothered by everything else.

However, the fact remains: this show is just way too long. The first episodes of Nisemonogatari were pretty much Araragi walking around until something happened, and passing the time with tons and tons of fanservice. And it lead to this episode. I have very mixed feelings for this episode. I really want to praise the creativity here. The toothbrush scene was just weird in every single way. The animation and direction were also excellent. At the very least: this was a great piece of animation. But this show has also just completely turned into a farce. Is this show too going for the incest? I thought we finally dropped that dead horse. If this was an attempt to be subtle and clever, that part of it at least failed, because it 1) has already been done by a ton of other shows and 2) exactly went back to the themes of the first few episodes in which hardly anything happens aside from tons and tons of fanservice.

I really consider Nisemonogatari better than Bakemonogatari at this point. Another great annoyance that’s gone now: the series no longer feels like watching a bunch of voice actors narrating over a slide-show. They actually animate the characters here. This episode had some of those “ahoge-shots”, but they were far more balanced than before.

I really noticed that after Bakemonogatari, the animation in the Shaft series improved significantly. They seemed to have especially invested a lot in inbetween animation, and the first series where this really stood out was with Soredemo Machi wa Mawatteiru. For once, this series actually doesn’t feel rushed. Now that they actually have a period of one year in which they release just one series, they can actually focus much more on making that show good. It’s just a shame that it wastes so much time on pointless fanservice over and over. If it was just some random fanservice I would not have minded, especially with the creativity that this show had been doing it. But there were just large parts of this show were nothing just happened aside from the characters talking about random smutty topics. It’s just too much. Still, this episode did show the most amusing ones, even though in the bigger picture it was just blah.
Rating: #%&! (???)

Posted on 17 February 2012 with categories: Winter 2012 Kaleidoscope

So, with Black Rock Shooter still in build-up mode, Ano Natsu coming with that horrid beach episode and Smile Precure still in introduction mode, I do have to return again to Inu X Boku. And don’t get me wrong: I have major issues with this series, but despite that, it’s consistently able to put a smile on my face.

This sixth episode was special: it was the first episode that didn’t introduce any new characters (aside from random classmates perhaps), and instead focused on Karuta (the skeleton). And with that, it did a surprisingly good job. At the very least, Karuta just was completely adorable in this episode. And on top of that, I also feel that the rest of the cast emerged from the better.

Still, my big issue with this show still stands: this is a David Production series, and it lacks ambition. Ristorante Paradiso was a unique look at the Iyashi-kei genre with a ton of really old characters who were all very well depicted, Armed Librarians was an awesome roller-coaster ride with awesome storytelling, Level E was one of the best comedies of the recent years, and Ben-To pushed the boundaries of the fanservice comedy genre. And here we have Inu X Boku… where we follow a bunch of half-youkai. This charm of the characters is nice, but this just isn’t up to their usual standards. Of course, it’s far from their worst (I mean, Dogs was an awful OVA), but still: I’d hate them to turn into another Manglobe.

Also, main character: the next time try to confirm that the monster you killed is actually dead… before turning your back to it.
Rating: * (Good)

Posted on 7 February 2012 with categories: Winter 2012 Kaleidoscope

Okay, my entries on Inu X Boku have now been turned into a Winter 2012 Kaleidoscope. That means that I’m pretty much going to blog either this, Inu X Boku, Black Rock Shooter, and Smile Precure, depending on what interests me the most. This week’s episode of Ano Natsu raised the bar a lot for the bunch, though.

The reason I’m not just going to blog this fully is because of the annoying romance cliches. I can fully understand it if this series decided to take it slow for its first half and let the cast play out. It dropped enough hints that it knows what it’s doing. However, I’ve gotten really annoyed with the romantic misunderstandings, not to mention how the male lead was very annoying to watch.

This time though, things just worked.There were some lesser parts. I’ve gotten a bit tired of school film projects in anime that just have to mirror the plot exactly. That’s all way too obvious, and I’m still not sure why nobody finds it strange that Ichika has this weird pet mascot thing that keeps following her around. At the moment, this feels like Birdy the Mighty Light, without the action, variety or intrigue. Yes, Senkawa was actually more annoying than Kaitou at the beginning, but he had 26 episodes and he used that to develop really well. This show doesn’t have that luxury.

And so there came this episode, where it finally really moves away from theusual cliches. In particular the second half of this episode was great, when Kaitou started filming Ichika for natural scenes of her. It’s there where he set himself apart from his cliche. Tetsurou made it even better afterwards, when this show seemed to go down the road of being yet another “just confess already!”-series, to actually telling Kaitou about the love triangle he’s in. That was great.
Rating: ** (Excellent)

Posted on 2 February 2012 with categories: Winter 2012 Kaleidoscope

Hmm, so I had hoped that that new character would bring in a bit of a dynamic. Instead he’s just another side character who happens to know some of the other side characters. Not the thing that you’d expect for progressing the storyline of this. I think it’s fairly safe to say now that Inu X Boku will be the worst TV-series from David Production for me.

With this episode, I’ve gotten a really clear picture of this series. It’s really a “feel good show”, and it actually cheers me up quite a bit when watching it. I can really see it work out… if it had 26 episodes to work with. That will allow this cast to properly grow. Unfortunately this is not the case and instead we only have 12 episodes. With that in mind, this episode wasted too much time and introduced too many characters, who were all one-sided, adding even more to the big problem of one-sidedness of this series. It was funny, but with this rate this show is never going to get the right development out of them.

The coming week I’m going to be shuffling around a bunch of series in my blogging schedule. I’ll give this show one more episode to redeem itself, but at the moment it’s the only show that I’m blogging that I’m dissatisfied with. I first want to wait until Smile Precure airs and Black Rock Shooter delivers its second episode for that.
Rating: * (Good)

Posted on 26 January 2012 with categories: Winter 2012 Kaleidoscope

This was the kind of drama that borders on cheese, yet stays away from it. It’s a bit forced at times, but the acting and direction actually managed to save it.

Unlike last week, this episode gets back on track again with the themes that made this show catch my attention: the loneliness of the lead character. This episode delved more into her upbringing, and showed how she turned into the character she is today: she’s got no problem with fancy dress parties or holding speeches in front of a lot of important people (in fact, that was so trivial that it was just skipped over), and the big focus of this was her desire of real emotions, rather than the fake ones. I like that.

On the downside it did get a bit too dramatic at times. Those two guys talking behind her back were a bit too much for example, but I guess that people love to bitch about the rich and famous (although this is rare to see in anime, where the rich are for some reason always celebrated and revered). It’s more that the acting still is rather one-sided, like how just one suspicious romantic mishap immediately causes her to blow a fit and dump the poor butler, and things like that need to change if this show wants to go anywhere. With a little hope that new guy will bring change in that.
Rating: * (Good)

CHANGE USERNAME
Anonymous781147
Is it possible to be self aware of your lack of self awareness?
SuperMario
Seiren is worse than I've hoped, but I still want to finish it, along with Demi-chan and Dragon maid
SuperMario
Onihei I will give it another episode but the episodic nature doesn't grab me as much anymore. I will follow Hand Shakers because for Christsake it's just something else
SuperMario
I enjoyed Akiba's trip (still fun to see an anime that inspired by other anime and appeal to anime fans only), Masamune-kun no Revenge (2nd episode wasn't good but the 3rd was alright), Urara and Gabriel Dropout but that's the end of my trip on them
SuperMario
Okay, since we reached the 3rd episodes (man, don't tell me we already passed a quarter of this season already), I'll give you a bit of recap on what I've been following this season:
AidanAK47
Guess we can put that down as one of the most important things a critic needs. Self Awareness.
AidanAK47
@Anon, I won't deny having an inflated sense of worth but Nostalgia blindness? You are reaching man.
Anonymous777074
Just like you :)
AidanAK47
Anyway I never heard of this guy and he seems like the usually case of Nostalgia blindness and inflated sense of worth. Nothing really worth concerning ourselves about.
AidanAK47
"How can I be pretentious when I mean everything I say?" Oh silly silly fool. Being an idiot doesn't mean you can't be pretentious.
Kaiser Eoghan
I bring him up because I feel he'd be more controversial than Tenka seiha/aroduc or digibro.
Kaiser Eoghan
Roriconfan/thatanimesnob/Peter Malousis: [link src="https://www.youtube.com/user/ThatAnimeSnob
http://youtube.wikia.com/wiki/ThatAnimeSnob
https://myanimelist.net/forum/?topicid=1483389"]
SuperMario
I don't know who would that be either Kaiser? A V-blogger?
Lenlo
Who?
Kaiser Eoghan
We talk about digibro on here, yet we never talk about Rorico.
Anonymous774043
I agree
Anonymous773640
Shitcunt is the greatest anime villain of all time. End of argument.
Lenlo
Best villain was clearly JJ. JJ is actually the best character for every category.
Lenlo
@SuperMario, I just felt there was some social context to the discussion with the boss that I missed.
Kaiser Eoghan
Bah, haven't you heard, the best villain category was for the dictionary in Lost passage, must have been bastard-hard effort getting that compiled =P
AidanAK47
To sum that up, don't bully my waifu or I will end you.
AidanAK47
@Mario, She only killed him once and tortured him for information once. Both times because he had something which showed he had a connection to the witch. Besides, the anime mainly showed off her good points but she still has a crushing inferiority complex and a rather delicate mindset.
SuperMario
Oh I have one. How about Lovepon? lol
SuperMario
@Topgavin: it was sarcasm actually, if we do it again next year we might cut down some categories. But I totally agree that we're lacking of good villains. Biba and that teacher are the worst as they actually dragged their shows down.
Topgavin
Honestly though there's been a real lacking of good villains last year. I hear some guy from Jojo was pretty good, but other than that they've either been okay or lackluster. Makes you wonder how FMA:B managed to get so many villians right in so many ways when shows usually fail to get even 1 half as good.
Topgavin
@Supermario Biba or Teacher-dude from Erased surely...
SuperMario
Maybe we should include the best villain next time, haha. I honestly don't know who to pick...
SuperMario
oh Rem, that demon girl who tried to kill Subaru many times over. Why is she the best girl again?
SuperMario
@Kaiser: I watched Moonlight last night in cinema and it was great. I had high expectation for that and it pretty much delivered. Also Janelle Monae was so freaking hot.
SuperMario
OMG, that 3rd episode of Rakugo was so greattttt. @Lenlo: don't need to understand the meaning of the rant thou, Yotaro doesn't understand either
Kaiser Eoghan
Think of the fine children/breeding stock Aidan and rem would offspring =P
Kaiser Eoghan
Dye their hair, make things confusing ;)
AidanAK47
@Anon, hahahaha, cool joke bro.....
...............................Don't make me destroy you.
Lenlo
The one with red hair of course
Anonymous765953
rem? who's that?
Lenlo
Having read the books, theres afew inconsistencies and I dont like some of the choices for actors.
Kaiser Eoghan
*couldn't
Kaiser Eoghan
Buh buh but Aiiiidan you still have the koe no katachi movie and thaaats kyoani =P But lol phantom world was so poor I couldn't get past the second episode. A shame that they could go with the darker spin the author ended up apparently going for in later volumes.
AidanAK47
@Lenlo, I am currently eh on it as well. Only at the second episode so far. I find it interesting but it has a lot of things that turn me off.
Lenlo
7 YEARS I SAT ON THAT BOAT!

Still havnt finished Flip Flappers. I like it, its pretty, each episode is different, but I can barely tell what the over-arching narrative is and thats a big deal to me
Lenlo
ITS REAL
Lenlo
BOAT TIER
Lenlo
@Aidan, Series of Unfortunate Events was eh. I wasnt a big fan of the TV adaptation, though I did like Neil Patrick Harris
Kaiser Eoghan
@Lenlo: BOAT TIER lmao.
Kaiser Eoghan
Thats why I LOVED flippflappers so much, where else can I get THAT anywhere, totally its own thing/beast.
Lenlo
My big ones for the year were easily Rakugo and Re:Zero. Disappointments, biggest one is Berserk. Ive been following it for years, have the entire series on my shelf, and I watched it like a captain going down with his ship
Kaiser Eoghan
At the same time well, yes its still good to see a non-highschool story in ANYTHING.
Kaiser Eoghan
Ah, you see I don't really award points to an anime doing something unique to anime, I judge by all mediums as a group/whole. 91 days may be a mafia drama, kabaneri may be a zombie show but theres already plenty of those in the world elsewhere.
Kaiser Eoghan
I could see myself getting some oldskool charm out of alderman if I watched it. I was waiting for yuri on ice to be dubbed. Drifters for all its problems was some of the most fun I've had in ages.
Kaiser Eoghan
The only thing I saw that I truly abhorred though was the new shinkai film.
Kaiser Eoghan
Most of the other stuff I didn't really bother watching. Its pointless for me to shit on about 91 days and re:zero because I was guaranteed to dislike both before seeing either.
Kaiser Eoghan
Biggest disappointments for me were erased , berserk and joker game. Whereas my surprise was lost passage. My favourites of the year were flippflappers and Rakugo. I wanted Kabaneri and dimesion w to save anime and bring back some oldskool charm but that didn't happen.
AidanAK47
Alright I spent over an hour formatting this thing and now I am knackered. Readers, this summery is over 23 pages long so be prepared as this thing is pretty huge. Don't say you were not warned.
AidanAK47
@Kaiser, Watch it. I bet it will be up your alley.
Kaiser Eoghan
Thats a problem with adaptations, put a voice on certain characters and it can become irritating.
Kaiser Eoghan
And to be fair on scums wish, that it deals with the sex bit in a teen story, well that makes it more daring and thats points for it.
Kaiser Eoghan
@Aidan: Largely stayed away from that series as I assumed it was for young children.
Kaiser Eoghan
@Aidan: Additionally the relationships in that manga got too convoluted, the comedy stands out worse in the anime too. Still though I DO dig the idea behind the show of two kids who are in a fake relationship.
AidanAK47
@Kaiser, you think that's hard to watch try watching Netflix's A series of unfortunate events. Because boy do I want to brutally murder the banker and his family. That may sound severe to you but trust me, you will feel likewise.
Kaiser Eoghan
@Aidan: You were right about it being harder to watch scums wish than read it. I want to hit the twin tails girl with a hatchet.
Kaiser Eoghan
I'm laughing now remembering an old ANN review where they stated golgo 13 was a stress reliever for 30 something Japanese office workers, I get that so much more now lol
Kaiser Eoghan
But seriously violence in fiction, anime/manga included is so damn therapeutic.
Kaiser Eoghan
As such I genuinely was able to enjoy the new M night shaylman flick lol
Kaiser Eoghan
Venting here largely because I can, I now imagine the teenage/twenty something audience members at horror/thriller films as the victims in the films, makes it more tolerable to deal with their existence in the cinema.
Lenlo
I cant help but feel theres some cultural aspect I am missing to the Rakugo rant scene. Makes me sad.
Lenlo
Rakugo, continues to be great and gets another time skip. Im always surprised by how engrossing it is just listening to these people talk.
Lenlo
Makes me sad, just like Berserk. Got an entire shelf dedicated to it but its just so slow. stupid boat.
Lenlo
Vagabond was phenomenal, but its been on hiatus for years now hasnt it
Kaiser Eoghan
....well without spoiling towards the middle of that rakugo episode and all throughout during that middle part, my opinion on Yotaro's character went far up.
Kaiser Eoghan
Struggling to remember the name of that josei samurai manga from the 90s (or earlier 2000s), had a gender bending theme.
Kaiser Eoghan
I've already read kenshin and vagabond, I loved shigurui death frenzy and sword of the stranger but found samurai champloo uneven. Theres a kagemusha manga but I haven't read it and I've yet to see/read blade of the immortal.
Kaiser Eoghan
At a glance I'll go against the grain and say I think demi-chan is funnier than konosuba, going on one episode of each.
I've been watching a fare share of samurai films in the last two years and lately so I'm open to wathing more anime/reading manga dealing with samurai.
SuperMario
Hand Shakers, how I love to watch it jumping off the cliff. This show contains lines like "I don't understand... even if I did understand... but I don't understand." It isn't a dialogue that we encounter too often I'm sure.
AidanAK47
@Mario, Sounds good to me. With me covering Little Witch Academia, Saga of Tanya the evil and Rakugo this season is well covered.
SuperMario
so I've decided to blog 3-gatsu, Scum's Wish and ACCA this season. A bit worry about the latter as I still don't have much to talk about that. Let's try it and see what happens; I say
SuperMario
Okay, I'm not hot on Onihei this week, as if the main theme about these two episodes were "people can be corrupted" then I'm not buying it. ACCA, on the other hand, was still very solid of building up the world and its big events to come.
AidanAK47
I have played all the big roguelikes and found they have the same problem. I argee on procedural generation. Even if the map is different every time you are essentailly going through the same rooms and doing the same things.
Masky
Though to be honest, I don't like procedural(or designed room and then game connects them randomly) games much. I much enjoy hand designed dungeons since I rarely play games through more than once anyway so roguelike's appeal of "Every time you play it through its different!" doesn't appeal to me much and hand designed dungeons are much more memorable
Masky
Can't really comment further on that since I don't know which roguelikes you have played, and neither I have played gungeon so I don't know if its badly designed to the point you can't do anything if rng says so. Though I guess there is nothing wrong about liking luck based games, if roguelike in question is truly unbeatable if rng says so, well, its really badly designed one if you ask me.
AidanAK47
Take my last run. Made it up to the fourth floor. Got plenty of guns but none were really useful. Even then ran out of ammo for all of them and the game was cheap about giving out ammo. Plenty of money but shops with nothing worth buying. Over 5 heart containers but no goddamn health. Died on the boss because I rolled out of a bullet into another bullet. Pretty much unavoidable.
AidanAK47
@Masky, that's the theory but in pretty much every roguelike I played its not the case. If the RNG decides you are going to have a bad time then you are going to have a bad time. Skill can only bring you so far. I have played this game for 7 hours and I know I could have finished it in 2. Only thing stopping me is a dice roll.
Masky
Like, the thing with roguelikes is that they can get easier/harder depending on luck, but well done one should be completable even without any upgrades at all if you are skilled enough.
Masky
Thats not the really case with roguelikes though, unless game design is bad and includes insta kill traps and such that are unavoidable if you are unlucky
AidanAK47
I hate roguelikes. Been playing enter the Gungeon and I just lost all patience with it. Getting real tired of my victory being decided by a RNG. It never feels satisfying to finish a roguelike because I know my victory was determined by pure luck.
AidanAK47
So we got to rely on fansubs for it when it's airing.
AidanAK47
@Mario, Nope. I think because netflix only puts up full seasons they are only planning to put it up when it's finished airing. Or when it's dubbed.
SuperMario
But how does the Netflix thing work? So of I have a Netflix account I can watch the show weekly?
SuperMario
@Aidan: that's a dumb way to do things really because unless you watch the show weekly, everyone gonna forget that it even exist. Just look at Re-Life last year
Lenlo
thought*. Words are hard.

Eventually found the actual first ep though and enjoyed it.
Lenlo
Was funny. I tried to find the first Ep for Little Witch, found original short made afew years ago, watched it and though "This is very similar to the original... Whats new".
AidanAK47
Little witch is one of the best shows this season and yet I can't get subtitles because Netflix doesn't release shows weekly. Motherf*cker.
Lenlo
Ore Monogatari I enjoyed. It was a nice romance that actually explored what happens after the confession. Also the 2 leads are just precious.
Lenlo
Alright but unmemorable seems like a good summation.
SuperMario
@Lenlo: one good thing about Seiren is if you don't like this romance, the whole thing gonna reset after episode 4 so there's a chance that you might end up like it. Agreed that the comedy wasn't very good. Alright but unmemorable
SuperMario
@Topgavin: I watched like first 3 episodes and stopped because I didn't have much time there, but I enjoyed what I saw. A well-written and endearing show in my book
Topgavin
Has anyone here watched Ore Monogatari before? Because in the 4 years I've watched anime, I've never heard of it (I guess it did come out 2 years ago) and yet it's turning out to be one of my favorite shows. Always great going into a show expecting nothing and getting pleasantly surprised.
AidanAK47
Only one more impression to go. Should have it up tomorrow.
Lenlo
Im really not feeling Seiren. Its "comedy" isnt for me and I just dont find it very enjoyable to watch so far. Im curious if it gets any better but 2 episodes in it just isnt that good.
HelghastKillzone
That ending scene is an entire side-story compressed into that. Don't expect anymore of it from here on out as the it sticks to ruthless military/fantasy pretty well.
LookingForKeys
@Topgavin I think it was good, making it the second episode. That way the first set up the world the story will be in, and showed how much of a monster the "little girl" really is right at the end, and then made ep.2 the explanation. Nothing against Tanya trying to rip "God" a new one.
That after-credits scene, though...
SuperMario
Hmm, as much as I like Seiren's omnibus format, it doesn't turn out really hot this second episode. Demi-chan, on the other hand, still maintains its endearing tone. Might blogging Demi-chan instead
Topgavin
Yeah, that second episode was much better than the first. Dunno why they didn't start with that to be honest, waste of an opportunity for a good hook episode. The voice for the main girl still sounds weird to me though; I get it's supposed to sound weird because it symbolizes 'her' being out of place and her personality and body being a mismatch, but it'll certainly take some getting used to.
AidanAK47
Youjo Senki, now we are talking. Like Helghast said, Did the god scene way better than the LN and manga. Made it less comedic and more intimidating.
Lenlo
Oh man that Rakugo intro. Not sure what to think, but first time seeing it I liked it
Kaiser Eoghan
I sort of like good will hunting because I kind of saw a bit of myself in Damon's character when I watched it ages ago.
Kaiser Eoghan
@Mario: Remaking psycho and ruining the shower scene, for shame van sant, for shame.
Kaiser Eoghan
Its easy to ripoff some obscure thing though and get away with it. The dogtooth director essentially stole an old Mexican film to make that.
SuperMario
@Kaiser: yeah, that following some guys from behind like they were on a RPG games, which I think actually fit with the tones of Elephant. I have such mixed feeling with Gus van Sant too. Don't really think he's a great director.
Kaiser Eoghan
@Mario: Although Istvan Szabo is probably a little more well known for that Mephisto film that updates the Faust story. Zoltan Fabri's the fifth seal is a very thought provoking war movie.
Kaiser Eoghan
@Mario: I remember seeing a film documentary that featured Gus van sant in one section, they showed clips of tarrs films, Sant ripped of the cinematography and stole the style from some British short film to make Elephant.
SuperMario
@Kaiser: agree on the other Hungarian filmmakers, I don't know much about them either.
Kaiser Eoghan
@Mario: Scorsese's Silence was a big comeback. I really really emotionally connect with spiritual crisis stories.
SuperMario
@kaiser: yep, definitely check wreckmeister down. Althought I admit that watching his 2-hour plus films will feel like 5-hour anyways
Kaiser Eoghan
@Mario: I'm more tolerant of darker teenage/coming of age films/stories. Les Demons was a big surprise.
Kaiser Eoghan
@Mario: Though its kind of frustrating, I do think Tarr probably takes attention away from other hungarian filmakers because no-body knows who the hell the others are.
Kaiser Eoghan
@Mario: Man, wreckmeister was so visually arresting I started getting dreams from it.
Kaiser Eoghan
@Mario: I would consider Tarr to be kind of a poor mans Janco, Angelopolus and Tarkvosky rolled into one. I don't entirely "get" wreckmeister and man from London but they are great atmospheric mood piece experiences.
SuperMario
@Kaiser: I had been wanting to watch Belar Tarr's Turin Horse and Werckmeister Harmonies for so long now. Well, Fat Girl is shocking haha, but I'm normally drawn into those kind of films anyway.
SuperMario
@Kaiser: Margaret took like 5,6 years to release because he couldn't cut it down in the way he wanted. The final cut if I remembered correctly was edited by Martin Scorsese
Kaiser Eoghan
@Mario: Only a HDcam for moonlight now.
Kaiser Eoghan
I looks like my lineup is witch academia, rakugo and youjo senki, well the most latter one until I get bored.
Kaiser Eoghan
@Mario: I sense a directors cut for manchester, it feels like it need another 30 minutes.
SuperMario
@Kaiser: right up my valley. Watch Kenneth Lonergan's previous works Magaret and You Can Count on Me. Magaret is very messy but have a raw dialogue and interactions as well
SuperMario
Now the first episodes are over, I will keep on covering 3-gatsu, as for the other twos atm I have 3 options: 1) full romance/anti-romance high school Seiren/Scum's Wish. 2) slice-of-life moe monster girls Demi-chan/Maid Dragon and 3) Mature,dark Onihen/Acca (which although I like them I don't have much to talk about).If you guys have any preference on which shows you like covered then let me know
Kaiser Eoghan
@Helghast: At this point I'm watching youjo senki as an entertaining guilty pleasure.
Kaiser Eoghan
@Mario: Too many reboots upcoming, will wait for the dvds instead. I want to explore more of manchester by the sea's director's work. I also want to finally get more into Bela Tarr's stuff.
Kaiser Eoghan
@Mario: I was rather shocked by A Ma souer/fat girls final act. Scenes with the Italian in the bedroom were initially creepy.
SuperMario
@Kaiser: it's a nice review Kaiser, a bit jealous with you that you've seen those 3 films which are touted as the best films of 2016. Also Fat Girl, haha, I love that movie.
Kaiser Eoghan
Poor yotaro =< you have so much stuff going down on you =<
HelghastKillzone
Youjo Senki episode was so good today. That revamped scene with God just fitted so right.
AidanAK47
A official release of that game in the west is apparently coming but it's been a few years and not much news about it.
Kaiser Eoghan
@Aidan: Ah yes that was the one.
AidanAK47
@Kaiser, Had to think for a moment on that one but I think I was talking about this. https://vndb.org/v3144
Kaiser Eoghan
Now I'd hardly consider myself a studio trigger fan, but I watched the first witch academia episode there, it was actually kind of fun, got the same reaction from me as flipflappers did, that magical, special feeling.
Kaiser Eoghan
@Mario: I also, of interest reviewed Kenneth Lonegrans new film: http://letterboxd.com/shao_liu_ringon/film/manchester-by-the-sea/
Kaiser Eoghan
@Mario: Moonlight got some feels out of me though it could of been more, it ends abruptly and with 20 extra minutes they could have spent a bit more time on each section of his life.
Kaiser Eoghan
@Mario: I checked out lala land, ending was very well executed, one of three scenes in the film that were impressive visually. The whole thing looked pretty and Gosling and Stone had some decent chemistry. Although it didn't resonate emotionally as strongly as the musicals of Jacques Demi did.
Kaiser Eoghan
MOM I want aiyoku no eustia and I want it now.
Kaiser Eoghan
I've never heard of himawari or tokyo babel. The hellsing comparison at least interests me in dies irae. What was the name of that visual novel again that was coming out soon, Aidan you described it as "And Kaiser would love it because its supposed to be really fucked up".
Kaiser Eoghan
I vaguely remember the anime for 11 eyes, it was very forgettable, even the voice acting was poor, hated the childhood friends and the pacing was poor, those black knight things were kind of interesting though.
Kaiser Eoghan
@Aidan: You'll have to add me onto the list of those unsatisfied with the ever 17 writer, I read one of those games and felt it was a bunch of interesting bait that never paid off.
AidanAK47
Anyway I plan on doing a review of 11eyes here when I finish it.
AidanAK47
Can't say I was a fan of Ever17. That was a really good twist but when it came to explaining it their was a lot of contrived development. Generally not a fan of the writer. Looseboy, Ryukishi, Gen and Nasu are more my kinda thing
AidanAK47
@Anon, it is nice that so many VNs are on steam but I wish they wouldn't be stupid with the whole no adult content thing. Not so much for myself but to prevent idiots from writing negitives reviews because the game doesn't have sex. VNs can grip you in a way anime simply can't and while they require pathence and time those can be some pretty powerful stories.
Anonymous678956
@Aidan, I am so happy steam's so VN-friendly now. I think it's a very good type of media. Like anime, it has nice visuals, music and some movement but also the inner monologue and text amount of books. It's the perfect combination. Plus, the routes, which are often puzzle pieces and PoVs you have to go through to understand the whole story. True routes like the one of Ever17 blew my mind.
AidanAK47
Hopefully the two VNs I bought of steam turn out better. Tokyo Babel is supposed to be alright and I heard really good things about Himawari.
AidanAK47
I am about a third of the way through the game and really not much of worth has happened. The concept is interesting but the execution is sorely lacking.
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