Posted on 14 July 2009 with categories: Anime Reviews, Genius Party



Genius Party gathers many different people with many different talents to create shorts. With Limit Cycle, this is monologues. It’s basically 20 minutes of monologue about religious and philosophical topics. Its director is Hideki Futamura, who isn’t really a big name. He worked on a bunch of the Animatrix shorts, did key animation for movies as Junkers Come Here, Vampire Hunter D Bloodlust and Perfect Blue, and he directed Jojo’s Bizarre Adventure. He’s definitely someone with talent, and here he finally gets to prove again what he can do.

In these twenty minutes of nothing but talking however, he makes the classic mistake that you can do with these kinds of shorts: he forgets to put anything into context. What we have right now is some random guy who rambles on about life, death, immortality, religion, et cetera. I just had one question on my mind, though: “what’s the point?” Why is this guy delving into philosophy? What does he want to achieve?

You see, the thing is that right now you have a string of dialogue of a level that even I could have come up with. Just give me enough time to quote a bunch of famous philosophers who talked about life, immortality and religion, and voila! This isn’t intelligent, this is just plain random. I think that what the director should have done is that he should have looked more at good examples, in which endless strings of dialogues and monologues do work. Most notably, if he watched Mamoru Oshii’s short on Twillight Q, or Mouryou no Hako, he would have gotten a good idea of what he needed to do to put some meaning behind these words. And give them impact.

Still, a complete waste of time this isn’t, because thankfully the visuals are utterly gorgeous. Along with Dimension Bomb, Limit Cycle definitely has the best aesthetics of all the shorts of Genius Party, and that has to say something. The compositions, character-designs, use of colours, and filters, all come together wonderfully along with great character-designs. If anything, the images were much more thought-provoking than the dialogue!

Anyway, to wrap up Genius Party: it really was a great opportunity to see so many different talents and styles, together in one package. These compilation movies of different short stories have been there before, but never in this scale, with so many different movies and I can only hope that Studio 4C (or any other studio for that matter) is going to continue making more of these, because I really enjoyed sitting through even the lesser ones.

As for my favourite ones, my top three consists of Dimension Bomb, Toujin Kit and Baby Blue. These three are definite works of art and really succeeded in what they set out to do. The other shorts also all have their own merits in their own single way.

Storytelling: 7/10
Characters: 6/10
Production-Values: 9/10
Setting: 7/10
Posted on 13 July 2009 with categories: Anime Reviews, Genius Party



Most of Genius Party’s animation is hand drawn or animated with cells. Deathtic 4 instead is nearly entirely CG, and feels the most like a platform to try out new CGI techniques. On top of that, the characters are all zombies and talk in some strange kind of Scandinavian-ish language that nobody can understand. The director is Shinji Kimura, a guy who mostly is involved with background art for big hitting movies as Akira, Angel’s Egg, My Neighbor Totoro, Steam Boy, Tekkkon Kinkreet and Prime Rose, and he also took care of the art of the first short of the Gotham Knight movie.

So as expected, the background art is very good. I didn’t notice it at first, but the he designed a very original city that at the same time doesn’t distract from the real art in the foreground. You can see that a lot of time went in designing every single building. On the opposite side though, the story and characters feel among the dullest of what Genius Party has to offer. It’s straightforward, there’s no real symbolism or depth to the story. It just feels flat.

But this is really the power of Genius Party: because it has directors with so many different backgrounds, there’s lots of stuff that you can see. Baby Blue had a director who is excellent at characterization, and so that short had the best characters. Instead shorts like this one, Toujin Kit and Wanwa the Doggy that are directed by animators and background artists have a very distinctive visual style instead. This is why I’m a fan of these compilation movies, and I can only hope that in the future, more of them are going to be released.

On a side-note, anyone know what happened to Le Manchot melomane?

Storytelling: 7/10
Characters: 7/10
Production-Values: 9/10
Setting: 8/10
Posted on 12 July 2009 with categories: Anime Reviews, Genius Party



Well… what can I say…?

Wanwa the Doggy is… different. It’s… I’m still not sure what it is; all I know that it was really, really weird. The one who brought us this abomination was Shinwa Ohira, an animator. He worked on the animation of various big-hitting movies, but also on stuff like FLCL, Gosenzosama Banbanzai, Gundam and a few television series here and there. But none of it really matches up in terms of weirdness to… whatever the hell it was that I just watched.

The best way to describe these thirteen minutes are as a very bad acid trip. Shinwa Ohira just continues to throw weird stuff at the screen throughout the entire 13 minutes of this short, one scene more nonsensical than the other. I guess that it was about a kid’s worries as his mother is having a baby, but even children don’t have that kind of imagination.

The animation was as good as usual : there was a lot of movement, and you can see that the creators used lots of imagination for nearly all of the visuals here. Just don’t ask where the hell this inspiration came from…

Storytelling: 8/10
Characters: 7/10
Production-Values: 9/10
Setting: 7/10
Posted on 11 July 2009 with categories: Anime Reviews, Genius Party



While there are other quiet shorts in Genius Party, Toujin Kit definitely feels to be the most down-to-earth no-nonsense movie of the bunch. At the end of the thirteen minutes, there is no doubt what the story is about: there’s hardly any deep symbolism, there is no over top action, and instead Toujin Kit is what it is, and because of this it definitely has its merits.

The director for this one is Tatsuyuki Tanaka, who is one of the lesser known names to participate in Genius Party. He’s one of Studio 4C’s key animators, and also worked on a few random other series. In Toujin Kit however, he definitely demonstrates that he belongs among the big guys. I remember Anonymous’s comments on the animation of Eden of the East versus Dimension Bomb, and after Toujin Kit I’m really starting to understand what he meant. Because of the attention to detail in today’s animation, animators are forced to cut a lot of corners in animation.

Toujin Kit has none of this: here characters are animated: they move realistically, and hardly ever stand completely still. The frame-rate is incredibly smooth, and the rest of this short is on purpose kept very simple and down to earth, in order to not have any cheap distractions from the animation. In fact, there isn’t even a soundtrack: just some background noises.

The characters and story however aren’t dull in any way either. Because they’re so well animated, they’re easy to connect to and well likable, despite the fact that none of them are really nice people. Some of their motivations are well explained, the others are easy to guess or imagine and together they form a very complete little story.

Storytelling: 8/10
Characters: 8/10
Production-Values: 9/10
Setting: 8/10
Posted on 10 July 2009 with categories: Anime Reviews, Genius Party



Moondrive is the oddball of Genius Party. It’s a full fledged comedy, much more than Shanghai Dragon was. It is really silly, and I got a great laugh out of it. The director of this one is a genius of aesthetics: Kazuto Nakazawa, who people may remember as the director of Comedy, one of the biggest visual masterpieces of the past decade. He also did the key animation for the OP of Ergo Proxy and the second OP of Blood+, the character-designs for Ashita no Nadja and was the animation director of Samurai Champloo. This is one guy who knows how to make things look good.

And it shows in Moondrive as well. The visuals in these fifteen minutes were absolutely fantastic. Don’t expect anything like what you saw in Comedy, but instead this time he went for a dark and gritty setting set on top of the moon. The character-designs are full of style and incredibly imaginative, and the animation is incredibly quirky: it knows exactly how to capture the comedic tone of this series, it’s quirkish and made to make you laugh at the black humour of this short movie.

So yeah, in terms of story and symbolism this short doesn’t match up to the other parts in Genius Party and a few of the jokes are rather predictable or repetitive, but the rest of the jokes and quirky characters really make up for it. This is another reason why I’m such a big fan of these collection of short stories: you’ll never know what’s going to turn up next, and you’ll never know when a short is going to make you roll on the floor laughing.

Storytelling: 8/10
Characters: 8/10
Production-Values: 9/10
Setting: 7/10
Posted on 9 July 2009 with categories: Anime Reviews, Genius Party



Yeah, don’t mind about the order of these posts. I found out a bit too late about the real order of the shorts, so I’ll just label them accordingly and review the individual movies alphabetically… for as far as it’s possible. Gala was done by Mahiro Maida, the guy who founded Gonzo. This guy is basically a jack of all trades in the anime business: he animates, directs, designs, produces, draws mecha, writes screenplay, he’s tried out all sorts of stuff. The series he directed are also have no similarities at all, and range from incredibly bad (Final Fantasy Unlimited) to incredibly good (Gankutsuou, The Second Renaissance).

Yeah, that’s pretty much Studio Gonzo in a nutshell. ^^;

Anyway, Gala again is a great little movie of fifteen minutes long. It’s about a strange village with all kinds of weird and uniquely designed people living in it, where suddenly a giant seed drops from nowhere. First they want to destroy it, but gradually their attempts to destroy it turn into something completely different. For what happens next is something that you’re going to have to find out by watching it, but I’ll just say that there is a lot of symbolism in it, and leads up to a very good conclusion.

Music also plays a very big part in these fifteen minutes, but my one complaint is that the soundtrack nearly totally overshadows the music that’s played by the characters themselves. And don’t get me wrong, it really is a wonderful soundtrack, but this is a pitfall very common for anime, as it simply isn’t able to properly synchronize such complex moves as playing an instrument. Even a movie budget doesn’t turn out to be enough to get it right.

Storytelling: 9/10
Characters: 8/10
Production-Values: 8/10
Setting: 8/10
Posted on 8 July 2009 with categories: Anime Reviews, Genius Party



Sorry for the lateness, but I’m finally ready to review the second batch of Genius Party shorts. Dimension Bomb features an all-star cast: it’s directed by Koji Morimoto, animated by Jamie Vickers and voiced by Yoko Kanno. Now, if this isn’t a recipe for success, then I don’t know anymore. And indeed, Dimension Bomb is by far the best short of Genius Party I’ve seen so far. And also the weirdest one.

Dimension Bomb is a visual masterpiece. Not in the way that there’s an extreme amount of detail in everything like in Eden of the East, but instead it’s like every single shot kicks ass: every single scene speaks to your imagination and is visually stunning and creative. The character-designs are amazing, and just about everything is a gorgeous visual feast. The characters are incredibly expressive and just about everything in the art is made to provoke a reaction from the audience.

Don’t expect the story to make a lot of sense, though. There is a general storyline, but without looking it up you’re going to have no idea what the heck is going on in this short, and instead the stuff that happens is open to all sorts of interpretations, depending on whoever watches it. Dimension bomb makes excellent use of its limited time by not just showing a story from A to B, but instead it tells a vague story with lots of symbolism. In order to like this one, you’re obviously going to have to like experimental animation and storytelling, otherwise you’ll feel incredibly lost.

It’s because of things like this that I keep saying that Studio 4C should make another full-length television series (one that takes itself seriously, not a silly one like DMC). If they do, it’s going to be an incredible amount of kickassness. I’m not sure if that’s a word, but it should be.

Storytelling: 9/10
Characters: 8/10
Production-Values: 9/10
Setting: 8/10
Posted on 27 July 2008 with categories: Anime Reviews, Genius Party


It’s back to the surreal with Masaaki Yuasa (Kaiba, Kemonozume, Mind Game)’s addition to Genius Party. He probably wrote this before he started working on Kaiba, and it’s very apparent that he wrote this in a stage where his distinctive sense of style was maturing. Happy Machine can be very well seen as “Kaiba’s testing bed”, where Masaaki experimented a bit with different ideas and animation techniques (you can see his fascination with strange toilets here as well).

Happy Machine is the strangest addition to Genius Party so far, aside from perhaps the first movie Genius Party. It’s again a short story that knows its length and tries to play with it. What really stands out is the storytelling: it’s basically an adventure of a boy, of only two years old in a fantastic environment, and it’s very interesting to see the detailed ways that the creators come up with to keep this baby busy.

The problem with this movie is the titular character, because he doesn’t really feel like a two or three year old boy. He misses the feeling of loneliness and the hopelessness of being away from trusted people, even though throughout this short movie, he’s got more than enough reasons to feel lonely. Nevertheless, this movie has succeeded in creating an impact, which was exactly what I’m looking for with Genius Party’s short movies.

Storytelling: 9/10
Characters: 7/10
Production-Values: 8/10
Setting: 8/10
Posted on with categories: Anime Reviews, Genius Party


Call me crazy, but Baby Blue has been the best of the short movies from Genius Party for me so far, but then again, with such a stellar storyteller behind the direction (Shinichiro Watanabe, who directed Samurai Champloo and Cowboy Bebop; the guy really should release another series), this was to be expected. Watanabe also directed Detective Story and Kid’s Story in the Animatrix, so he knows what it takes to make a good short story, which he shows in these fifteen minutes.

Baby Blue is very much away from all of his other works, and it’s basically like Doorbell a tale about high-schoolers. This one went right where Doorbell failed, though, by providing adequate background for the two central characters, and at the same time there’s this continuous down-to-earth atmosphere. All movies of Genius Party have a message, and the message of this one works out really well when it gets revealed.

The characters really shine, despite the very quiet mood, backed up by some lovely guitar-solos. There is a small hint of romance, I guess, but it smartly stays away from being a Makoto Shinkai rip-off/wannabe with its daring storytelling, but the thing that really shines in this series is its characters.

Storytelling: 8/10
Characters: 9/10
Production-Values: 8/10
Setting: 8/10
Posted on 26 July 2008 with categories: Genius Party


Since the third episode of Genius Party isn’t out yet, I went on to number four: Doorbell. This one may seem like the odd one amongst the different movies, as it’s been directed by a manga-artist: Yoji Fukuyama. The only thing the guy is famous for is for doing the art of a part of the very first “nouvelle manga“. This guy could be the total opposite of Shoji Kawamori, in a way.

In any case, Doorbell is a very quiet movie, combining slice of life with a “what’s going on”-mystery type of story. There’s not a lot that happens, and the fifteen minutes in this movie will be over before you know it, but its message is an interesting one when it gets revealed in the end. The art style is very plain, which fits the movie perfectly.

The problem with this movie is that the Yoji Fukuyama tried a bit too much to make this guy look like your average Joe. Through the movie, I found no reason to care about the guy: we hardly lear anything about him or his life. Heck, it takes ages before we even get to hear his name. It’s rather hard to identify with someone like that.

There’s also a strange minute wasted on a random old lady who doesn’t add anything to the storyline. I guess that if this short would have had just a couple of more minutes to establish its characters properly, it would have been much better. There’s a huge contrast between Doorbell and the first two shots of Genius Party that I’ve seen so far, which is always a good thing. The quality has been surprisingly consistent so far: the three shorts I’ve seen so far have all been nothing special, with a few things missing here and there, but interesting in their own way. I’m interested to see how the rest of the shorts will turn out, because there still are lots of talented directors left.

Storytelling: 8/10
Characters: 7/10
Production-Values: 8/10
Setting: 7/10
CHANGE USERNAME
SuperMario
Finally pulling those reviews out. Guys, if you're expecting for Hinamatsuri and Masotan posts, the former will be done tomorrow and if I have more time I will do the second one too. Enjoy for now
Anonymous2037529
LWA academia is probably the only trigger project i've truly cared about. I haven't watched KlK to completion or luluco for that matter(i got to get around to that) but ive seen everything else and i just don't give a damn about any of em
Amagi
But to say something positive - I liked the second episode of Kamuy way better than the first one. Budget seems to be really bad but the rest makes up for it it seems.
Amagi
I think Luluco was the only one I enjoyed after KlK which already had a bunch of problems - but overall it was far too entertaining for me to seriously care about those.
Amagi
Guess the last 1/3 might be more interesting when they start with the actual world building for once, although they could probably slam the love stuff even more in our faces but who knows. Not fond of any of the latest Trigger anime to be honest.
Amagi
Also they're really overdoing it with all that obvious message stuff and the "love superpower" trope I always hated anyway. Still watching I mean at least it has a plot and tries.
Amagi
I still can't care about anyone or anything in this series I think it's really not made for me. I might have liked Goro but he's too unimportant and the sauros revelation was kind of a letdown since it's the most common twist for these kinds of things.
AidanAK47
Alright Franxx, you are forgiven for episode 14.
Kaiser-Eoghan
@Mario: Do you ever go to those surprise horror/thriller preview screenings? Where they don't tell you what film it is until it starts?
Kaiser-Eoghan
*worrying about
Kaiser-Eoghan
@Mario: Its saying something, when I haven't seen eternal sunshine since it came out, but even by re-watching the trailer, the feelings, the whole film comes back. At that point I'd grown out of Jim Carey's comedy, so seeing him play against type was refreshing.
Kaiser-Eoghan
@Mario: Ah, I'm more forgiving then, I'm likely to give higher points for sheer imagination that I'm not as bothered by worry about the story.
Kaiser-Eoghan
@Mario: Any negative argument against mood indigo by him can be countered by the fact it has Audrey Tatou in it.
Anonymous2035464
jhonrhean
SuperMario
and I just watched A Quiet Place. A solid indie horror one. It builds on atmosphere and it does the family chemistry right
SuperMario
I don't like The Science of Sleep to be honest. Tons of interesting ideas and visually creativeness but the story itself is a mess
Kaiser-Eoghan
@Mario: Gondry needs to avoid making any more commercial comedies, he also needs to start working with Kaufman again, they brought out the best in each other, although on his own, he can be playful and inventive with his films, such as mood indigo and science of sleep.
SuperMario
But check out his other movie Eternal sunshine of Spotless Mind. It has an inventive mind control/ mind altering concept in there
SuperMario
Jim Carrey is kind of mind controller himself. I couldn't take my eyes off him
SuperMario
@anon2028818: it was indeed season 5. SORRY FOR MY IGNORANCE :)
Vonter
The Jim Carrey movies.
Vonter
Dorei-ku seems like a Kakegurui. You see one episode you've seen all. It'll be better if it was crazier like Mirai Nikki. Mind control IMO could be a very creepy setup if it's watched through the perspective of the victim rather than the perpetrator. Losing notion or reality and control. Could liar liar and Yes man be considered mind controlled stories?
Vonter
Ore Mahou Shoujo, baffles me, since I had to skip another long musical off key number, which makes me wonder where the budget cut starts and where the trolling begins. Also makes me sad, there aren't a lot of female to male transformations since it'll be interesting watching that perspective. Maybe a love triangle from both genders could apply since females are more accepted to be bi, in media.
Vonter
Megalobox could be something really special, but I hope like with Ashita no Joe, the anime isn't solely boxing. Joe, had social commentary, had a personal struggle do to the protagonist origin, attitude and view of life, since he started very immature and rebellious.
Amagi
Megalo Box, Tiramisu (I find this genuinely funny), S;0, GGO which is so much better than SAO, Wotaku, Hinamatsuri, Cutie Honey, LotGH, Hisone to Masotan and so on
Amagi
I really love this season as well.
Lenlo
Also personally I am enjoying this current season a alot. But I also know/like a good bit of the reboots/sequels
Lenlo
Oh man... 2015 winter was good. Forgot thats when those came out
Anonymous2028818
@SuperMario: Wasn't that Natsume season 5?, pretty sure season 4 was several years earlier.
SuperMario
Another strong anime season for me was 2015 Winter, where we had YuriKuma Arashi, Maria the Virgin Witch, Death Parade, Durarara whatever season, second cour of Shirobako, Parasyte and Your Lie in April
SuperMario
Even so, with this season I'm still willing to give some shows another chance, like Caligula or Cutie Honey Universe(!)
SuperMario
For me, the best season in recent years was Fall 2016 when we had Flip Flappers, Sound Eupho 2, Yuri on Ice, Natsume 4, Fune wo Amu, Drifters and 3-gatsu no Lion. But I know that Aidan would disagree with me on this
SuperMario
@anon2028201: it's me who said this season is a mixed bag. It's like you said, this season is too heavily on sequels/ reboots and only some new anime stand out, the rest of the pack is just meh.
Anonymous2028201
To me this seems like a pretty good seasons, but judging some of the impressions, it's a bit more of a mixed bag for most. Just curious, what were the best seasons for recent anime? This one seems good to me, but to early to tell right now
Anonymous2028201
Lovin this season so far: a lot of reboots/reimaginings and sequels, but I'm enjoying them all. MHA S3, LOGH DNT, S;G 0, Megalobox, Golden Kamuy are what I'm watching right now. I hear Full Metal Panic is good as well, but I haven't gotten around to watching the original series.
Anonymous2028258
so i just recently rewatched fullmetal panic fumoffu and i gotta say that this is easily one of Kyo ani's best works. It's such a surprise that this was their first anime; it's a damn good romance comedy
Kaiser-Eoghan
@Anon: Lol I love B-movie type stuff, because the rules are off.
Kaiser-Eoghan
I was the only person who watched Mazinkaiser skl and shin mazinger and skullman.
Anonymous2026379
@Kaiser Takeshi Koike really wanted to really sell it as a grindhouse feature and I ate that shit up; I really dug the tone he was going for.
Kaiser-Eoghan
@Anon: It was strange seeing that Goemon short, much as I enjoyed it, thats the goriest I seen lupin get.
Anonymous2026379
Megalo box is pure retro while lupin is a mix of old and new...and you're right; people just think they can't jump right into it. But that's why more people should be talking about it; to let the masses know that you don't need a starting point to get into the Lupin franchise
Kaiser-Eoghan
I'm a massive fan of the devilman manga and I thought devilman crybaby was better than it.
Anonymous2026379
90's-esque throwback feeling shows like lupin and megalo box have been giving me
Anonymous2026379
Luoin part 5 is definitely mixing the best of new and old. Honestly, I've been having a blast with it as well as this generally 90
Kaiser-Eoghan
I think the problem is, people see lupin as this long thing they can't get into, when really its so episodic/standalone mostly you can pick up and watch.
Kaiser-Eoghan
And of course getting the best bits out of old and new.
Kaiser-Eoghan
*visual style
Kaiser-Eoghan
I'm a fan of this hybrid old and new style, megalobox does it too, mine fujiko aswell and casshern sins.
Kaiser-Eoghan
I was surprised by how well the Fujiko mine show came together in the end.
Kaiser-Eoghan
I'll be interested in picking up more facts about thrm.
Kaiser-Eoghan
Come think of it, Akira Kurosawa did some old western (eastern?) in Russian, that had an Ainu in it.
Anonymous2026379
Asirpa is sooooo adorable.....almost feels patronizing to say that about her due to how badass she is
Anonymous2026379
What makes Fujiko work so well as this sexy icon is that she isn't just sexy: she's smart as shit and uses that sexiness to dominate and control her opponents (similar to bayonetta) rather than be chained by the objectification of her opponents (and the viewers for that matter)
Anonymous2026379
I wonder what other obscure cameos we may get this season. And yea you're right about some of Lupin's potentially sexist traits being assuaged by his level of cool and the genuine respect he shows a good deal of the women he has encountered throughout the series
Kaiser-Eoghan
@Anon: Yet still a fun film at the same time.
Anonymous2026379
@Kaiser Yea, mamo was a pretty dark element introduced to the lupin franchise; and considering the tone of the gravestone of Jigen, it makes sense he would cameo there
Kaiser-Eoghan
@Mario: Help I want to kidnap Asirpa =<
Kaiser-Eoghan
@Anon: I'm probably as surprised as you, at finding someone to talk to about Lupin on here.
Kaiser-Eoghan
@Anon: And through comparing/contrasting the jigen grave stone and Fujiko mine, with some of the sillier older ones, it shows the Lupin characters are flexible enough to work both in a darker AND sillier context.
Kaiser-Eoghan
*character
Kaiser-Eoghan
@Anon: Fujiko is precisely how a fanservicey character should work and how built in/essential it is to her haracter, without becoming an irritant.
Kaiser-Eoghan
@Anon: By all means Lupin himself shouldn't be a character we like, much like Bond, but like Bond theres a coolness to the character that allows us to love him.
Kaiser-Eoghan
@Anon: Another great thing about Lupin is how it uses its 60s cool to get away with what would normally probably be considered fairly sexist.
Kaiser-Eoghan
@Anon: I had a big smile on my face when Mamo made a cameo appearance at the end of one of the recent ones and thats because I remember the Lupin Mamo movie was one of those first anime that I watched about 20 years aago.
Anonymous2026379
not to mention that its one of the few anime this season that actually knows how to utilize dialogue to explore flesh out its characters rather than exposition or contrivance: looking at you darling in the franxx
Anonymous2026379
@Kaiser-Eoghan Nice fun facts; but yea Lupin III is a series that has always had an amazing sense of pacing and adventure, traits that are definitely on display this season
Kaiser-Eoghan
@Anon: Its a huge franchise too so I'm often never sure where to go next.
Kaiser-Eoghan
@Anon: You may or may not know this, but the voice actor for solid snake voiced Lupin in one of the dubs.
Kaiser-Eoghan
@Anon: I watched a few episodes of the Italy set lupin show too .
Its a fun franchise due to its cast but its something I have to follow irregularly, lest it get repetitive.
Kaiser-Eoghan
@Anon: Fun fact, guy who directed the gold of babylon film was a famous B-movie noir director in the 60s.
Lenlo
Dont trust anything written by the original SAO author. Everything is his fault. Kirito is not in this series.
Lenlo
Even the original SAO author has little to do with it, which is why its actually good
Lenlo
So SAO Alt is basically completely removed from the rest of SAO
Kaiser-Eoghan
@Anon: Lupin is one of those things I dip in and out of, whatever part of the franchise it is. I've seen birdcage kingdom, Mamo, cagliostro, nostradamus, Jigens grave stone, mine fujiko and the recent Goemon centred special.
Anonymous2026379
it's a damn shame not a lot of ppl are talkig about/watching lupin the third this season
Kaiser-Eoghan
But for all I know with that team behind it, its an improvement, but theres probably not much point in me watching as I dropped the first season after less than 10 episodes.
Kaiser-Eoghan
See how he attempts to seduce me into watching something related to sword art.
Lenlo
Huh... I didnt know the writer for SAO Alt was written by the Kino's Journey creator and produced by the Flip Flappers people. Explains a lot
Lenlo
I wish I knew what you meant by shaman girls, and I cant wait
AidanAK47
@Lenlo, Oh I know Leskinen. May he find his Japanese Shaman girls one day. But seeing as I know the story I wanna experience it differently.
Kaiser-Eoghan
@Mario: Its even set in hokkaido, Korean/Japanese director, Japanese cast, Ken Watanabe is in it: https://letterboxd.com/film/unforgiven-2013/
Lenlo
Also, I love the ED. Really, 2 episodes in, I love S;G all over again.
SuperMario
@Kaiser: really? They remade Unforgiven in Japanese?
Lenlo
its*
Lenlo
Like... is good.
Lenlo
But your missing out on the cult of Leskinen. The engrish is actually one of my favorite parts
AidanAK47
@Lenlo, Meanwhile I am happily waiting for the dub.
Lenlo
Dangit... I have to wait another week for Steins;Gate 0 now. I cant do this.
Kaiser-Eoghan
@Mario: The Japanese remake of unforgiven had ainu people in it.
Anonymous2025797
Also I wonder if budget is distributed according to the director, some animes will spend more in the first episode. Some will spend more in the last ones. It's subjective, but if it's like all business it is looking for the better result at the minimum expense. Hence why I believe Berserk was made the way it did.
Anonymous2025797
@Kaiser-Eoghan - Ideally a story should be as long as it needs. But reality seems that a number of episodes is decided before production. And so you either have to stretch or cut material. Kinda like that 300 page manga of Les Miserables, is simply unfeasible translating that book into that few pages.
KTravlos
Oberstein was a great character.
KTravlos
I actually feel Aidan can do a good job on it. Sometimes been too exposed to the material may lead to clouded eyes.
Kaiser-Eoghan
Though I'm surprised by how I unexpectedly laughed at wotaku, I do wonder if later on it will include any slight drama elements to sustain interest.
Kaiser-Eoghan
OMO; OBERsteins; Gate =P
Kaiser-Eoghan
From watching episode 2 of golden kamuy, yeah, the source material definitely is lifting this.
Kaiser-Eoghan
I'm going to have to wait and see on steins; gate 0, it is encouraging to here this might be darker , at the same time I remember having to sit through too much goofy humour in the first one.
Kaiser-Eoghan
I was actually surprised, that, while rare, there were some moments of humour, that lightened it for me.
AidanAK47
Throughout the entire series I expected Oberstein to pull some inevitable double cross. And was shocked when he never did.
Amagi
@Kaiser: Agree with Oberstein. I think antagonists are es important as the mains in fiction and I loved this guy, he's perfect for series like these.
Kaiser-Eoghan
Galactic heroes was an example of where when watching it, when big death scenes occured, I would make noooooo and shouting noises at the screen while clenching my fist.
Kaiser-Eoghan
I love characters like Oberstein, shrewd, clever, but done right to where I can believe it, not characters like, say Lelouch .
Kaiser-Eoghan
I'd be concerned if the new galactic heroes series skimps on the violence, that kind of thing needs to be in there, in most shows/films and shown to be explicit, consequences need to be shown.
Amagi
*about, not with
Amagi
Sadly, most original 2+ cours series I know feel dragged whereas many 1 cours originals could have needed ~3 more episodes. Talking with series that have an actual plot of course.
Amagi
I really like the 13 episodes thingy for originals but I wish there would be more 26 episodes series, especially for adaptions.
Amagi
@Kaiser: I agree. Nothing kills my interest faster than formularic episodes and repetition.
Kaiser-Eoghan
In general I think 50 episodes would be the most I'd watch for an anime, 39 seems ideal.
Amagi
Or worse and the romance drama is the main plot and it's Kiznaiver all over again, while the rest is just flavor to make the romances more forced since they're the MCs are only teens and such. Dunno but I can never bring myself to care about this kind of stuff.
Kaiser-Eoghan
Though better 110 episodes of galactic heroes than a long shounen that just repeats itself.
Amagi
Speaking of recent episodes, I unironically thing that FranXX's world (building) is pretty interesting (although I hope those klaxxosaurusses will be more than just random cannon fodder) but I doubt the series will ever get to the main plot again the next time.
Amagi
Same here. It was really the only time I did this. I am usually exhausted by just thinking about marathoning long series. It's the reason why I won't get into FMP for the new series either. LotGH was an exception since I found it easily to watch for some reason.
SuperMario
Man, just image burning through 110 episodes of it and my spirit fades away
Amagi
Watched that whole series ages ago.
Amagi
Just watched the first three Neue These episodes and I surprinsingly liked it. Thought I would hate it due to being an OVA fan, and I still prefer the old designs by far but overall it's pretty good. I think I might even prefer this version of the first battle, but I have to rewatch the old one I guess.
Kaiser-Eoghan
Also while I can't remember which episode, Yang picks up a book with the author of the series' name on it.
Kaiser-Eoghan
Arslan feels so lightweight by contrast/comparison.
Kaiser-Eoghan
And I think, given your knowledge KTtravlos, that a series review of the new galactic heroes season would probably benefit from you writing it.
Kaiser-Eoghan
I bring up the music in my earlier comment, because I can understand your reservations regarding the music choice in the remake.
Kaiser-Eoghan
And certainly one of those shows, that going back to the first episode after finishing, gives a strong perspective just on how evolving the series was.
Kaiser-Eoghan
*despite me not
Kaiser-Eoghan
Despite not being monarchist , because the characters were human moreso than cartoon characters I couldn't hate on Reinhard.
Kaiser-Eoghan
@Travlos: I suppose by the time it got to Julian's arc, I was surprised they were still bothering to fight but the fact that they were essentially the last bastion of their beliefs made it special.
Kaiser-Eoghan
@Travlos: Sometimes when I just finish a show, its a case where I HAVE to jump online immediately after and excitedly ramble out an essay on it.
niello
ugh democracy
KTravlos
@Kaiser ultimately LOGH for me was a decisive point in my political life, as I think it made the best defense of democracy in any form I have seen. And it worked partly because the opponent was presented in the best possible incarnation (Rienhard). Yang's continued adherence to democracy, despite recongising its flaws, helped me avoid a personal descent into authoritarian politics.
KTravlos
@Kaiser. I am happy you had a good experience. I watched the prequels a while after the main show and I was happy because it was great getting back to those characters. The prequels were also great in fleshing the setting and the characters. So yes, take your time and a break. That way the prequels will be like visiting a place you liked again after a while.
Kaiser-Eoghan
@KTtravlos: I have some other stuff to get through before watching the galactic heroes prequel though =<
Kaiser-Eoghan
YES according to discord poster I'm not a millenial!
Kaiser-Eoghan
Sorry for overposting. I have always always being an incredibly verbose person.
Kaiser-Eoghan
@Vonter; Not that I oppose captilistically made for a buck cinema, it can be entertaining yes, but I set a standard.
Kaiser-Eoghan
@Vonter: As open as I am to trash cinema, I consider the resident evil films, like the superhero ones, anti-art.
Kaiser-Eoghan
I can understand why people don't like Villier, but he did I think work as a device to add extra tension.
Kaiser-Eoghan
I feel some release at finishing but at the same time sadness at saying goodbye to the show and its characters.
Kaiser-Eoghan
, showing its age.
But for something of this length, it kept itself up far better than most long shows and I feel the length its somewhat justified.

On another note….as corny as the third ending theme is, I got the feels listening to it.
Kaiser-Eoghan
But while the first 50 odd episodes were an easy job for me aswell as all of the 4th season and some of the late 3rd season made it difficult for me to pull myself away from it, the dialogue even though often well observed did become difficult to follow at times and somewhere in the middle theres a stretch of episodes, bar some moments that feel a bit of an endurance test and the animation is at
Kaiser-Eoghan
Its attention to detail I felt was at its strongest in the documentary and the series dedication to filling the view in on its world building/fictional history.
Kaiser-Eoghan
I admired the scope, ambition of this series and the battles eventually grew on me and I was surprised by just how visceral the melee combat got which suited me perfectly. At the same time for all the strategy and action, I found myself more in it for the story, characters and intrigue/politicking. Those battles, due in part to their music choices, had an epic feel to them
Kaiser-Eoghan
In the end the characters stood out for me the best were Reinhard, Oberstein (for being essentially the amazing man with the plan), Reuntal, Kircheis and Rubinsky, I warmed up to Julian, Yang and Schenkop. When important deaths occurred, they felt highly dramatic, in four cases emotionally effecting for me .
Kaiser-Eoghan
Also, KTtravlos, thank you for pushing me toward watching the original legend of the galactic heroes, my opinion on the series is largely a mixed one, but by the end I felt I’d watched something rewarding and I’m happy its crossed off my list and I should have gotten round to it sooner.
Kaiser-Eoghan
I'm probably the oldest here, being 32. Which apparently makes me around Yang-wenli's age, which according to someone means I'm middle aged .
Kaiser-Eoghan
To the discord guy who brought it up, its difficult not for me to be political, my father was an activist and is a Marxist , I ended up becoming a contradiction a semi-agnostic, but spiritually inclined/tolerant socialist with internationalist ideology.
Kaiser-Eoghan
@Aidan: Ends in very cliffhanger/abrupt indy way though and the things weakness/how to kill thems too easy.
Kaiser-Eoghan
@Aidan: I liked how it explains nothing also and the creature design and how it visual communicates to the audience.
Kaiser-Eoghan
@Aidan: While I won't say anything, a character death is handled in what I considered a schmaltzy manner. There is a particularly headscratching decision the characters make that you'll either rationalize or hate, but it leads to one of the tenser set pieces later on.
Kaiser-Eoghan
@Aidan: Quiet place has a good idea at its backbone, that they use sign language in the film to communicate and occassional whispers adds to it, it and the silence allows for a mood to be effectively communicated. It does have jump scares, I wasn't annoyed by them, but I never felt the film required them.
Kaiser-Eoghan
@Aidan: I read the discord, if you ever need to ask a question relating to film, come to me about it, I will without fail be able to answer 9 times out of 10.
Kaiser-Eoghan
I was adequately amused by the first episode of wotaku, but found the male lead funnier, which I'm attributing to him be more deadpan.
Lenlo
We found a convient weekend for everyone
Kaiser-Eoghan
*watching
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Featured Posts

Wotaku ni Koi wa Muzukashii – 02[Are We Now Dating?]

After a strong first episode I come back to this show and find a rather middling second episode. There is some good content here, namely the Evangelion references, one of which was butchered by the crunchyroll translators.(Narumi and Hanako were arguing over who was best girl in Evangelion with notes over their head about whose […]

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Darling in the Franxx – 14[Punishment and Confession]

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Megalo Box – 2 [The Man Only Dies Once]

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Darling in the Franxx – 13[The Beast and the Prince]

That was the best episode of Darling in the Franxx to date. Truly I am impressed with this though it may be perhaps because the fanservice aspects of the show were not present at all during this episode. Todays episode was spent entirely on the past of Hiro and Zero Two. When this episode is […]

Fate/Extra Last Encore – 08-10[No Second Strike ― Dead End ― /Golden Theater of the Deranged ― Aestus Domus Aurea ― /Unlimited――― ― Unlimited/ Raise・Dead ―]

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Latest Reviews

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A Place Further than the Universe (Winter 2018) Review – 77/100

Cute girls doing cute things is a genre that been done to death at this point. Even within this Winter 2018 we had been overloaded with big eyes fluffy face girls doing a lot of different things of interest. It takes a standout concept or a deeper narrative to make one stand out from this […]

After the Rain (2018 Winter) Review – 89/100

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Yuru Camp (Winter 2018) Review – 74/100

I admit that I underestimated Yuru Camp back in its first few episodes. I took it as a standard, run-on-the-mill slice of life show and I fully expected to give it 3 episodes at max before throwing it into the deep sea of forgotten anime. But as time pass, I can certainly see many good […]

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Devilman Crybaby – 83/100

It’s an exciting time to be an anime fan where new business models and players are making big waves within the animation industry. After debuting with the original and excellently-produced Neo Yokio, the juggernaut streaming service of Netflix has decided to revive the classic series of Devilman and gives it the full adaption treatment. By […]

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