Posted on 14 July 2009 with categories: Anime Reviews, Genius Party



Genius Party gathers many different people with many different talents to create shorts. With Limit Cycle, this is monologues. It’s basically 20 minutes of monologue about religious and philosophical topics. Its director is Hideki Futamura, who isn’t really a big name. He worked on a bunch of the Animatrix shorts, did key animation for movies as Junkers Come Here, Vampire Hunter D Bloodlust and Perfect Blue, and he directed Jojo’s Bizarre Adventure. He’s definitely someone with talent, and here he finally gets to prove again what he can do.

In these twenty minutes of nothing but talking however, he makes the classic mistake that you can do with these kinds of shorts: he forgets to put anything into context. What we have right now is some random guy who rambles on about life, death, immortality, religion, et cetera. I just had one question on my mind, though: “what’s the point?” Why is this guy delving into philosophy? What does he want to achieve?

You see, the thing is that right now you have a string of dialogue of a level that even I could have come up with. Just give me enough time to quote a bunch of famous philosophers who talked about life, immortality and religion, and voila! This isn’t intelligent, this is just plain random. I think that what the director should have done is that he should have looked more at good examples, in which endless strings of dialogues and monologues do work. Most notably, if he watched Mamoru Oshii’s short on Twillight Q, or Mouryou no Hako, he would have gotten a good idea of what he needed to do to put some meaning behind these words. And give them impact.

Still, a complete waste of time this isn’t, because thankfully the visuals are utterly gorgeous. Along with Dimension Bomb, Limit Cycle definitely has the best aesthetics of all the shorts of Genius Party, and that has to say something. The compositions, character-designs, use of colours, and filters, all come together wonderfully along with great character-designs. If anything, the images were much more thought-provoking than the dialogue!

Anyway, to wrap up Genius Party: it really was a great opportunity to see so many different talents and styles, together in one package. These compilation movies of different short stories have been there before, but never in this scale, with so many different movies and I can only hope that Studio 4C (or any other studio for that matter) is going to continue making more of these, because I really enjoyed sitting through even the lesser ones.

As for my favourite ones, my top three consists of Dimension Bomb, Toujin Kit and Baby Blue. These three are definite works of art and really succeeded in what they set out to do. The other shorts also all have their own merits in their own single way.

Storytelling: 7/10
Characters: 6/10
Production-Values: 9/10
Setting: 7/10
Posted on 13 July 2009 with categories: Anime Reviews, Genius Party



Most of Genius Party’s animation is hand drawn or animated with cells. Deathtic 4 instead is nearly entirely CG, and feels the most like a platform to try out new CGI techniques. On top of that, the characters are all zombies and talk in some strange kind of Scandinavian-ish language that nobody can understand. The director is Shinji Kimura, a guy who mostly is involved with background art for big hitting movies as Akira, Angel’s Egg, My Neighbor Totoro, Steam Boy, Tekkkon Kinkreet and Prime Rose, and he also took care of the art of the first short of the Gotham Knight movie.

So as expected, the background art is very good. I didn’t notice it at first, but the he designed a very original city that at the same time doesn’t distract from the real art in the foreground. You can see that a lot of time went in designing every single building. On the opposite side though, the story and characters feel among the dullest of what Genius Party has to offer. It’s straightforward, there’s no real symbolism or depth to the story. It just feels flat.

But this is really the power of Genius Party: because it has directors with so many different backgrounds, there’s lots of stuff that you can see. Baby Blue had a director who is excellent at characterization, and so that short had the best characters. Instead shorts like this one, Toujin Kit and Wanwa the Doggy that are directed by animators and background artists have a very distinctive visual style instead. This is why I’m a fan of these compilation movies, and I can only hope that in the future, more of them are going to be released.

On a side-note, anyone know what happened to Le Manchot melomane?

Storytelling: 7/10
Characters: 7/10
Production-Values: 9/10
Setting: 8/10
Posted on 12 July 2009 with categories: Anime Reviews, Genius Party



Well… what can I say…?

Wanwa the Doggy is… different. It’s… I’m still not sure what it is; all I know that it was really, really weird. The one who brought us this abomination was Shinwa Ohira, an animator. He worked on the animation of various big-hitting movies, but also on stuff like FLCL, Gosenzosama Banbanzai, Gundam and a few television series here and there. But none of it really matches up in terms of weirdness to… whatever the hell it was that I just watched.

The best way to describe these thirteen minutes are as a very bad acid trip. Shinwa Ohira just continues to throw weird stuff at the screen throughout the entire 13 minutes of this short, one scene more nonsensical than the other. I guess that it was about a kid’s worries as his mother is having a baby, but even children don’t have that kind of imagination.

The animation was as good as usual : there was a lot of movement, and you can see that the creators used lots of imagination for nearly all of the visuals here. Just don’t ask where the hell this inspiration came from…

Storytelling: 8/10
Characters: 7/10
Production-Values: 9/10
Setting: 7/10
Posted on 11 July 2009 with categories: Anime Reviews, Genius Party



While there are other quiet shorts in Genius Party, Toujin Kit definitely feels to be the most down-to-earth no-nonsense movie of the bunch. At the end of the thirteen minutes, there is no doubt what the story is about: there’s hardly any deep symbolism, there is no over top action, and instead Toujin Kit is what it is, and because of this it definitely has its merits.

The director for this one is Tatsuyuki Tanaka, who is one of the lesser known names to participate in Genius Party. He’s one of Studio 4C’s key animators, and also worked on a few random other series. In Toujin Kit however, he definitely demonstrates that he belongs among the big guys. I remember Anonymous’s comments on the animation of Eden of the East versus Dimension Bomb, and after Toujin Kit I’m really starting to understand what he meant. Because of the attention to detail in today’s animation, animators are forced to cut a lot of corners in animation.

Toujin Kit has none of this: here characters are animated: they move realistically, and hardly ever stand completely still. The frame-rate is incredibly smooth, and the rest of this short is on purpose kept very simple and down to earth, in order to not have any cheap distractions from the animation. In fact, there isn’t even a soundtrack: just some background noises.

The characters and story however aren’t dull in any way either. Because they’re so well animated, they’re easy to connect to and well likable, despite the fact that none of them are really nice people. Some of their motivations are well explained, the others are easy to guess or imagine and together they form a very complete little story.

Storytelling: 8/10
Characters: 8/10
Production-Values: 9/10
Setting: 8/10
Posted on 10 July 2009 with categories: Anime Reviews, Genius Party



Moondrive is the oddball of Genius Party. It’s a full fledged comedy, much more than Shanghai Dragon was. It is really silly, and I got a great laugh out of it. The director of this one is a genius of aesthetics: Kazuto Nakazawa, who people may remember as the director of Comedy, one of the biggest visual masterpieces of the past decade. He also did the key animation for the OP of Ergo Proxy and the second OP of Blood+, the character-designs for Ashita no Nadja and was the animation director of Samurai Champloo. This is one guy who knows how to make things look good.

And it shows in Moondrive as well. The visuals in these fifteen minutes were absolutely fantastic. Don’t expect anything like what you saw in Comedy, but instead this time he went for a dark and gritty setting set on top of the moon. The character-designs are full of style and incredibly imaginative, and the animation is incredibly quirky: it knows exactly how to capture the comedic tone of this series, it’s quirkish and made to make you laugh at the black humour of this short movie.

So yeah, in terms of story and symbolism this short doesn’t match up to the other parts in Genius Party and a few of the jokes are rather predictable or repetitive, but the rest of the jokes and quirky characters really make up for it. This is another reason why I’m such a big fan of these collection of short stories: you’ll never know what’s going to turn up next, and you’ll never know when a short is going to make you roll on the floor laughing.

Storytelling: 8/10
Characters: 8/10
Production-Values: 9/10
Setting: 7/10
Posted on 9 July 2009 with categories: Anime Reviews, Genius Party



Yeah, don’t mind about the order of these posts. I found out a bit too late about the real order of the shorts, so I’ll just label them accordingly and review the individual movies alphabetically… for as far as it’s possible. Gala was done by Mahiro Maida, the guy who founded Gonzo. This guy is basically a jack of all trades in the anime business: he animates, directs, designs, produces, draws mecha, writes screenplay, he’s tried out all sorts of stuff. The series he directed are also have no similarities at all, and range from incredibly bad (Final Fantasy Unlimited) to incredibly good (Gankutsuou, The Second Renaissance).

Yeah, that’s pretty much Studio Gonzo in a nutshell. ^^;

Anyway, Gala again is a great little movie of fifteen minutes long. It’s about a strange village with all kinds of weird and uniquely designed people living in it, where suddenly a giant seed drops from nowhere. First they want to destroy it, but gradually their attempts to destroy it turn into something completely different. For what happens next is something that you’re going to have to find out by watching it, but I’ll just say that there is a lot of symbolism in it, and leads up to a very good conclusion.

Music also plays a very big part in these fifteen minutes, but my one complaint is that the soundtrack nearly totally overshadows the music that’s played by the characters themselves. And don’t get me wrong, it really is a wonderful soundtrack, but this is a pitfall very common for anime, as it simply isn’t able to properly synchronize such complex moves as playing an instrument. Even a movie budget doesn’t turn out to be enough to get it right.

Storytelling: 9/10
Characters: 8/10
Production-Values: 8/10
Setting: 8/10
Posted on 8 July 2009 with categories: Anime Reviews, Genius Party



Sorry for the lateness, but I’m finally ready to review the second batch of Genius Party shorts. Dimension Bomb features an all-star cast: it’s directed by Koji Morimoto, animated by Jamie Vickers and voiced by Yoko Kanno. Now, if this isn’t a recipe for success, then I don’t know anymore. And indeed, Dimension Bomb is by far the best short of Genius Party I’ve seen so far. And also the weirdest one.

Dimension Bomb is a visual masterpiece. Not in the way that there’s an extreme amount of detail in everything like in Eden of the East, but instead it’s like every single shot kicks ass: every single scene speaks to your imagination and is visually stunning and creative. The character-designs are amazing, and just about everything is a gorgeous visual feast. The characters are incredibly expressive and just about everything in the art is made to provoke a reaction from the audience.

Don’t expect the story to make a lot of sense, though. There is a general storyline, but without looking it up you’re going to have no idea what the heck is going on in this short, and instead the stuff that happens is open to all sorts of interpretations, depending on whoever watches it. Dimension bomb makes excellent use of its limited time by not just showing a story from A to B, but instead it tells a vague story with lots of symbolism. In order to like this one, you’re obviously going to have to like experimental animation and storytelling, otherwise you’ll feel incredibly lost.

It’s because of things like this that I keep saying that Studio 4C should make another full-length television series (one that takes itself seriously, not a silly one like DMC). If they do, it’s going to be an incredible amount of kickassness. I’m not sure if that’s a word, but it should be.

Storytelling: 9/10
Characters: 8/10
Production-Values: 9/10
Setting: 8/10
Posted on 27 July 2008 with categories: Anime Reviews, Genius Party


It’s back to the surreal with Masaaki Yuasa (Kaiba, Kemonozume, Mind Game)’s addition to Genius Party. He probably wrote this before he started working on Kaiba, and it’s very apparent that he wrote this in a stage where his distinctive sense of style was maturing. Happy Machine can be very well seen as “Kaiba’s testing bed”, where Masaaki experimented a bit with different ideas and animation techniques (you can see his fascination with strange toilets here as well).

Happy Machine is the strangest addition to Genius Party so far, aside from perhaps the first movie Genius Party. It’s again a short story that knows its length and tries to play with it. What really stands out is the storytelling: it’s basically an adventure of a boy, of only two years old in a fantastic environment, and it’s very interesting to see the detailed ways that the creators come up with to keep this baby busy.

The problem with this movie is the titular character, because he doesn’t really feel like a two or three year old boy. He misses the feeling of loneliness and the hopelessness of being away from trusted people, even though throughout this short movie, he’s got more than enough reasons to feel lonely. Nevertheless, this movie has succeeded in creating an impact, which was exactly what I’m looking for with Genius Party’s short movies.

Storytelling: 9/10
Characters: 7/10
Production-Values: 8/10
Setting: 8/10
Posted on with categories: Anime Reviews, Genius Party


Call me crazy, but Baby Blue has been the best of the short movies from Genius Party for me so far, but then again, with such a stellar storyteller behind the direction (Shinichiro Watanabe, who directed Samurai Champloo and Cowboy Bebop; the guy really should release another series), this was to be expected. Watanabe also directed Detective Story and Kid’s Story in the Animatrix, so he knows what it takes to make a good short story, which he shows in these fifteen minutes.

Baby Blue is very much away from all of his other works, and it’s basically like Doorbell a tale about high-schoolers. This one went right where Doorbell failed, though, by providing adequate background for the two central characters, and at the same time there’s this continuous down-to-earth atmosphere. All movies of Genius Party have a message, and the message of this one works out really well when it gets revealed.

The characters really shine, despite the very quiet mood, backed up by some lovely guitar-solos. There is a small hint of romance, I guess, but it smartly stays away from being a Makoto Shinkai rip-off/wannabe with its daring storytelling, but the thing that really shines in this series is its characters.

Storytelling: 8/10
Characters: 9/10
Production-Values: 8/10
Setting: 8/10
Posted on 26 July 2008 with categories: Genius Party


Since the third episode of Genius Party isn’t out yet, I went on to number four: Doorbell. This one may seem like the odd one amongst the different movies, as it’s been directed by a manga-artist: Yoji Fukuyama. The only thing the guy is famous for is for doing the art of a part of the very first “nouvelle manga“. This guy could be the total opposite of Shoji Kawamori, in a way.

In any case, Doorbell is a very quiet movie, combining slice of life with a “what’s going on”-mystery type of story. There’s not a lot that happens, and the fifteen minutes in this movie will be over before you know it, but its message is an interesting one when it gets revealed in the end. The art style is very plain, which fits the movie perfectly.

The problem with this movie is that the Yoji Fukuyama tried a bit too much to make this guy look like your average Joe. Through the movie, I found no reason to care about the guy: we hardly lear anything about him or his life. Heck, it takes ages before we even get to hear his name. It’s rather hard to identify with someone like that.

There’s also a strange minute wasted on a random old lady who doesn’t add anything to the storyline. I guess that if this short would have had just a couple of more minutes to establish its characters properly, it would have been much better. There’s a huge contrast between Doorbell and the first two shots of Genius Party that I’ve seen so far, which is always a good thing. The quality has been surprisingly consistent so far: the three shorts I’ve seen so far have all been nothing special, with a few things missing here and there, but interesting in their own way. I’m interested to see how the rest of the shorts will turn out, because there still are lots of talented directors left.

Storytelling: 8/10
Characters: 7/10
Production-Values: 8/10
Setting: 7/10

Shoutbox

Name:
Email:
For:  
Mail will not be published
  • Emma
    (Monday, Jul 6. 2015 01:29 PM)
    Now now Don’t get me wrong, the work Aidan is doing here actually does help raise my motivation a bit.
    But its sometimes hard for me to just sit down a marathon something or it takes me longer to sit down and watch an episode. I kept putting of watching Charlotte’s premiere for hours for example.
  • Emma
    (Monday, Jul 6. 2015 01:26 PM)
    Being honest I find the condition of this site is at currently actually kind of demotivating, of course its not just here thats making me feel this way, fanboy mentality of some anime fans and a general air of negativity from the more cynical ones is a factor. It all feels so toxic and rubbing off on me. It probably doesn’t help I’ve been watching for so long myself.
  • AidanAK47
    (Monday, Jul 6. 2015 01:10 PM)
    @justwandering, I thought about quoting in the beginning because those impressions posts can really suck the time out of your day but now that I am the last one left here when I leave the site dies and I ain’t keen on that.
    If psgels closes the site well then that’s that.
  • ratsgnoF
    (Monday, Jul 6. 2015 11:17 AM)
    NOO! They’re going to take forever to release the novels.
  • Emma
    (Monday, Jul 6. 2015 11:11 AM)
    Well Aries you get your wish, Yen press has licensed the yahari novels.
  • Emma
    (Monday, Jul 6. 2015 10:49 AM)
    @K-off: I am concerned for the third season of yuruyuri now.
  • Emma
    (Monday, Jul 6. 2015 10:41 AM)
    @K-off: It was lucky enough to be a comedy anime that had a solid second season, I kind of thought/expected the third season to be pushing it and geared myself up for that.
  • k-off
    (Monday, Jul 6. 2015 09:19 AM)
    Well anyways, Working S3EP01 was a disappointing clusterfuck full of forced humor/situations in order to re-introduce the cast in 22 minutes. Pretty disappointing after the wait between season 2 and 3, and it’s not looking too good.
  • k-off
    (Monday, Jul 6. 2015 08:53 AM)
    @Bam He does have a somewhat broken/outdated copy on Bloglovin (besides the one that’s just a mirror of this site) interestingly enough. It was probably one of his failed attempts at moving the site a few years ago before I got here.
  • Bam
    (Monday, Jul 6. 2015 05:55 AM)
    Sometimes one rather pay few bucks a month than to go thru the hassle of backing up a whole site. Specially these archaic spreadsheets are a headache.

1 · 2 · 3 · 4 · 5 · »

Featured Posts

Knights of Sidonia S2: Battle for Planet Nine review – 73/100

The second season of Sidonia makes a number of mistakes that a lot of second seasons do. That namely being that the anime slows down and introduces characters and conflicts that are often resolved in a undetermined to exist, third season. A new antagonist is introduced, whom does very little in the season and only […]

Knights of Sidonia S2 – 12

Tanikaze’s rendezvous with Benizumie looks to have been cut short as Izana interrupted with some hacker magic. The entire sequence being as uncomfortable and disturbing as you could imagine. I still wonder just what was her goal in doing all this to Tanikaze. Was it some method of killing him or just some really kinky […]

Knights of Sidonia S2 – 11

It’s quite the coincidence that both shows I am covering have decided to use their last episodes to make up for the season’s shortcomings. This will be a short post as while action packed episodes are great to watch, they make it hard to bring up topics to talk about. Guana look to be imitating […]

Fate/Stay Night Unlimited Bladeworks – 24

Now this is more like it. Well as they say, better late than never and this was at least the best moment to bring back the quality. All I ask is where this was three episodes ago which it could have made all the difference in the world. Admittedly this episode has made me a […]

Knights of Sidonia S2 – 10

Unfortunately this wasn’t the time for Izana to become an ace pilot though she did at least show some ingenuity in her escape from gauna. Instead the spotlight falls once again to Tsugumi and Tanikaze. A lot of the fight scenes before the challenger appeared was to shown that Tsugumi and Tanikaze have great teamwork […]

Fate/Stay Night Unlimited Bladeworks – 23

Sometimes it’s hard being a veteran anime fan and a huge Fate Franchise fan. I sit down to watch the latest episode of this series and I want to shut up the cynical critic in the back of my brain pointing out everything that is wrong with this episode. But as events I adored from […]

Knights of Sidonia S2 – 9

Though the majority of the episode was of the same antics I have been complaining about in previous episodes, it’s nice to see Sidonia get back to what it does best. Dire situations and sci-fi mecha action. Izana being pushed into the role of scouting with a new weapon has to be the best path […]

Fate/Stay Night Unlimited Bladeworks – 22

A fairly uneventful episode this week.In some ways for me that’s good as it allows me to go into detail about the nature of the ever so popular CGI dolpins. But first let’s speak about what happened. Our three heroes had a strategy meeting discussing how to deal with Gilgamesh and the grail while all […]

Knights of Sidonia S2 – 8

I think something is wrong when I consider a protagonist from a movie these characters are watching a more compelling lead than our current one. I was surprised when starting the episode to see a sudden rise in visual quality only for it to turn out to be a movie within an anime. Actually I […]

Latest Reviews

Little Witch Academia The Enchanted Parade – 81/100

I wonder when it was that a film being childish became a flaw. As a medium grows it takes steps to aim to mature itself and seek a more intellectual level of presenting entertainment. Animation did it as Anime aimed to explore terrontry that cartoons refuse to explore and video games only recently broke away […]

Fate/Stay Night Unlimited Bladeworks Review – 85/100

For a long time now this adaption has been the dreams of many a Fate fan with many believing it would never come to pass, but now that it is here is it everything that we dreamed? Short answer to this is no, long answer is nearly. I feel this show will have many divided […]

Shirobako Review – 80/100

When you see a harem anime and sigh as the breasts of the female lead jiggle with every step and wind that can flip a skirt it’s easy to forget that somewhere in Japan a group of people worked hard to get that jiggle right and draw each frame of animation. The hardships of the […]

Clipboard06

Nerawareta Gakuen Review – 84/100

Let me talk a bit about Ryousuke Nakamura. For a long time, this guy was my hero. He started off as an assistant director to Monster, in my opinion a big reason why that series got such a ridiculously solid adaptation, and then in 2008 he came with the groundbreaking Mouryou no Hako. No TV-series […]

Clipboard03

Kick Heart

Okay, so I didn’t want to exit 2013 without having seen Masaaki Yuasa’s Kick Heart. It’s only twelve minutes anyway, and I consider him to be one of the best anime directors out there. The story here is pretty silly and mostly serves as a backdrop, so I mostly want to talk about the nature […]

Clipboard01

Kyousogiga Review – 90/100

Everyone’s taste is different, and that’s a wonderful thing because that allows us to have so many different forms of media that all aim toward their own niche. My blog is obviously written from the perspective of my own taste, and even when a show doesn’t cater to it (which is nearly always), I love […]

Clipboard04

Ore no Nounai Sentakushi ga, Gakuen Lovecome o Zenryoku de Jama Shiteiru Review – 80/100

Noucome! You do not want to know how long I have been waiting for a series like this. More than half a decade, at the very least. Finally a series comes along and puts the incredibly overused harem genre in its place. And it actually does it well. Thank you! So to elaborate: the harem […]

Clipboard01

Pokemon: The Origin Review – 75/100

Normally I try to avoid spoilers with these reviews, but screw it, it’s Pokemon. Pokemon The Origin is a bomb of nostalgia. If you haven’t played Pokemon Red, Blue or Green, then you will not enjoy this one slight bit. This really is made as pure undilluted fanservice for the fans of the first games. […]

Clipboard08

Tamayura – More Aggressive Review – 75/100

I’m not going to dedicate a post for my impression for the final three episodes of this series. It was just too boring to write much about. I guess that that gives a pretty accurate indication of what I think about this series. Right at the start of Tamayura’s second season, I asked one question: […]