Posted on 1 September 2006 with categories: Anime Reviews, The Animatrix



The Animatrix is a collection of nine short films, all around ten minutes in length. Kid’s Story, Matriculated, World Record, Detective’s Story, Final Flight of the Osiris, Program, Beyond, The Second Renaissance Part I and The Second Renaissance Part II. Each of these films gives an attempt to cover one part of The Matrix, a movie trilogy made a couple of years ago. The remarkable thing about this anime is the fact that both eastern as western producers and directors worked on it. If you haven’t seen the matrix yet, the story basically revolves around the future, in which machines have taken over the world. The sunlight has been blocked and the machines noticed that human bio-energy was an extremely useful source of energy. The machines then put humans in containers, while their minds are permanently captured in The Matrix, or a huge virtual world. There’s no way to tell that this world isn’t real. The Matrix stimulates each of the senses. Every human locked up just believes that that he’s living his daily life in a world similar to ours.

The Matrix itself was really though-provoking, and it’s unsurprising that most of the nine-shorts are so as well. They bring up interesting questions. Also, when you look at the graphical department, The Animatrix excels. Each of the different shorts offers a different art, background and animation style. And each of these styles, ranging from CGI to extremely messy and from black and white graphics to extremely smooth ones, works out great. A lot of budget went into the art and animation, and this clearly is visible, with some great effects.

About the different shorts. The thing is that there are some very good ones, but also some very bad ones. The best of the bunch is arguably The Second Renaissance. It features an extremely interesting, though very shocking explanation about how The Matrix originated. Beyond and World Record also are definitely worth the watch. Beyond features a huge amount of style and symbolism, with an interesting story as well. World Record is extremely intense, with a very interesting main character whose body and soul get the shock of their lives.

Then we’ve also got some slightly interesting shorts. Both Program and Kid’s Story provide some interesting issues with really make you think. They also have some interesting art styles (Program goes back to the old ninja-movies, but with fluid animation while Kid’s Story features extremely messy character art with beautiful background art). While they are interesting, and a good watch, they weren’t really as good as the three mentioned above.

And then we have the rather bad ones. Detective’s story leaves things rather unexplained and moves a bit too fast. While its film noir style was interesting, the negative parts bothered me a bit too much. Matriculated dragged on. Its art was psychedelic, though it took way too long. And the semi-3D art wasn’t really appealing for the eyes as well. The worst of the shorts was Final Flight of the Osiris. While it did provide realistic 3D-characters, it just consisted of people fighting and guns shooting without a purpose. Its failed attempts at drama by providing love interest also totally backfired.

Overall, The Animatrix has its ups and downs. Still, I’m really recommending it if you’ve seen the original movie. Because oft he different styles used, there’ll definitely be a movie which appeals to you.

Posted on with categories: The Animatrix



Okay. That was amazing.

The Second Renaissance Part II has definitely been the best of the nine shorts of The Animatrix. I think this is because of its highly disturbing material. In the previous part, we saw the humans abusing the machines, now we see the machines, taking everything away from the humans, killing most of them off and placing the rest into cocoon-like containers, in order to get their energy. But I never could have imagined that it was this gruesome and intimidating…

We continue where we left off. The robots began to wage war on humans, taking over human territories. Then, the humans came with their most desperate plan yet: sealing off the sky. They used a huge amount of planes, disposing huge amounts of a strange gas into the atmosphere, closing off the earth from all sunlight, the machines’ main source of power. Afterwards, the humans planned to wage one huge war against the weakened machine.

Still, they weren’t weakened enough. What follows is a number of horribly disturbing scenes, in which the machines gradually kill off human soldiers in some rather disturbing ways. Humans didn’t stand a chance. Hospitals became overly crowded. The machines seemed to have studied the humans bodies. After they had won the war, they started experimenting with the surviving humans in order to use the power from the human body. The final cities of the humans were destroyed, and each human was converted into The Matrix.

This short indeed was as awesome as it’s rumoured to be. It’s really been a while since I saw such huge shocking images in anime. Heck, even in regular movies and television. And just when I thought that Beyond was chockfull of symbols. As this is a documentary, the screen is so full of all kinds of references, symbols, analogies, et cetera. Awesomeness.

Posted on 31 August 2006 with categories: The Animatrix



Very interesting, a documentary. It’s the first time the art style isn’t easy to define. It’s a mix of CGI frames with rather common character designs. Most of the time we see robots doing their thing, and we don’t really see that many humans.

In any case, this documentary explains how The Matrix originated, why the robots took over control and more background information behind The Matrix. It’s a rather gruesome tale, which makes clear that humanity indeed got what it deserved. This film has been split in two, so the last remaining one will end this story.

In the beginning, humans constructed robots, and the robots fully obeyed the humans. The robot design was rather unrealistic, but it does bring over the point. The robots possessed AI, and they were treated rather badly. Still, entire armies of robots kept working for the humans, doing all of the hard, harsh and dirty jobs.

Then, one robot stood up against its master, and killed him and his entire family. Because of this, humans got scared, and tried to dispose of the robots. What followed was a huge war in which the robots were shamelessly killed off in huge masses. People became to hate the machines. With passion. What follows is a couple of scenes showing the graveyards for these robots. It’s not funny when you realize how many of these were dumped. Entire ocean floors were filled with their corpses.

The surviving machines fled, in order to start a nation of their own, somewhere in Arabia. They called their nation “Zero-One”, or 01. They began to live a life of their own, improving their own AI and equipment. They then attempted to coexist with humans, and participate in the world economy. However.

The leaders of the humans, with their power degrading, didn’t feel anything for cooperation with the robots, who still had good intentions at that time. The robots, attempting to be recognized were killed off. What happens afterwards, we learn in the second part of The Second Renaissance.

Yet again, we’ve got lots of symbolism in this movie. The robots have been given a uniform and human-like design, like in most ancient robot movies. It’s not really realistic when you look at today’s huge diversity of machines. But by giving these robots human characteristics, this film does manage to give them a uniformity. Because of this, things don’t get unnecessarily complicated. And it also provokes some sympathy for these robots, like Matriculated tried to do. I’d say that The Second Renaissance managed to do this better than Matriculated.

Huge exterminations, like shown here, have occurred more often in the history of humanity, at times, even more extreme than this one. Most mass murderers never really got their equal payback (Incans vs. Spain, anyone?). This time, however, payback in the most extreme form arrives. Still, the fact does remain that people uninvolved got their payback as well. I guess that’s inevitable.

The question remains whether what the robots did was the right thing. After all, they were heavily abused, and revenge is sweet. Apparently, even for robots. Still, both the humans and the robots were wrong in this case. The humans for abusing the robots, and the robots for going through the extreme measures of locking the humans up. What happened to love and peace, everyone?

Posted on 30 August 2006 with categories: The Animatrix



The best art style so far: Studio 4C style! When you combine this with 3D and a big budget, it works out great. Beyond really is a feast for the eyes. Most companies need to understand that there’s more than flashy graphics, 3D, lots of realism and lots of CGI in order to make great graphics. You need to add something special for that. Good Witch of the West understood this, Noein understood this and now Beyond also understands this.

The story this time is about a glitch in the matrix. Somewhere, in an old abandoned house, the laws of physics have been rather messed up. A group of kids and one teenager have discovered this, and are having the most fun they’ve ever had in their lives, playing with these laws. Unfortunately, the men in suits have tracked down this error. They rush into the site with a huge truck, close off the area, take the kids away and repair the error. The children return afterwards, but they find that their playground has been destroyed.

Lots of symbolism in this movie. Take for example, the kid’s playground which gets destroyed. That’s happening at more places in the world. At some places, children can have so much fun playing with each other, while adults can’t see this, and plan to use the playground to build, like, an office. But not only that, you can also link this to animals. At the end of the movie, you see rats, who’ve been living inside the haunted house, fleeing from the men in suits. At the moment, things like these still are a major news item with the rarer animals, like tigers and rhinos.

I also found it interesting that we’ve got a bunch of kids who know about the glitch, and they decide to tell our main character, a teenager, about this. In most stories like these, it’s something that the children only know about. It’s interesting to see someone have fun with children 8 years younger than her, like it’s nothing. Talk about symbolism.

Overall, along with World Record, this has been the best story so far. World record had its very intense plot and very interesting main character while Beyond has its incredibly imaginative visuals and deep symbolism. All that’s left now is The Second Renaissance, which is rumoured to be the best of the bunch (I’ve indeed been saving that one for last, in order to save the best for last. ^^)

Posted on 28 August 2006 with categories: The Animatrix



Program was very interesting. The art style this time resembles that of old japanese samurai-anime. If you combine this with the extremely fluent animation and choreography, the result turns out interesting.

We’ve got a woman, inside a mini-matrix. Another guy comes up, and challenges her for a spar. He then makes a confession to her, while he has blocked the signal so nobody can hear him. He plans to go back to the matrix. The woman doesn’t agree. She can’t turn back from the truth. The two make a small chase, after which the woman kills the guy. In the end, it appeared to be a test for her, to see whether she’d react in the right way. The woman isn’t really happy with it.

The interesting point of this film is the emotional effect the matrix can have on a person. The guy appeared to be a simulation, but when you’re in the matrix, or mini-matrix in this case, you won’t notice. A program was created so, that it would look like the guy she knew in every single way. If that’s the case, how ever can you recognize whether that guy is a fake? In normal anime, people often recognize this because they feel something different, or that their heart knows that they’re being deceived. But the fact remains that the matrix can create these feelings.

Program also had a few claustrophobic moments. The program tells the woman that he’s blocked the signal. When she starts screaming for help, nobody reacts because of this. It must be quite a scary feeling, when you always know that you can escape a “dream”-world because of your comrades. I think that that’s a reason for people to be calm in situations like these. It must be a huge shock to find out that you don’t have a means of returning to the real world. Especially if someone’s about to kill you.

Overall, it isn’t the best. It has yet to reach the brilliance of World Record. Still, it was an interesting watch. The fights also were well-coordinated and full of details, though I admit that they lacked a bit in creativity.

Posted on with categories: The Animatrix

Ah, CGI. Yet another style of animation, totally different from the others. This, however, doesn’t really mean that Final Flight of the Osiris is good. It’s actually the worst film so far.

See, the problem with Final Flight of the Osiris is that it has awesome graphics, but zero substance. Basically, what happens is a man and a woman are inside a mini-matrix, sparring with swords in sexy outfits when their ship suddenly gets attacked by robots. The rest of the film basically features lots of guns fired at these robots and the robots getting inside the ship and destroying it, causing as much explosions as possible in the process.

The action scenes it features also aren’t very exciting. The fight in the mini-matrix is basically two people stipping each other’s clothes off. The sound effects also made no sense at all. Swords cut way too easily through air. And even though the choreography looks interesting, it remains uninspired. The robots attacking the ship also aren’t very worthwile. Basically, we see lots of guns shooting and robots crawling, but nothing that looks impressive.

Also, sorry for the lack of screenshots. I played this one in a weird format which doesn’t support screenshots, and I only managed to take one of them before my computer started acting weird. And I’m not exactly motivated to spend time to this one.

Posted on 21 August 2006 with categories: The Animatrix



Yet another style: a film noir. Like any proper film noir, everything’s in black and white. The art style is the most realistic one yet. It isn’t as overly pointy as in Matriculated, or as overexaggerated as in World Record. And certainly not as messy as in Kid’s Story. Everything also seems to have gotten a noise filter.

The story is about a detective who accepts a case to look for Trinity. He gathers a bit of information, and then realizes that there’ve been more detectives on the same case. One killed himself, one went missing and one went crazy. The latter keeps claiming that Trinity isn’t real. The detective then continues to search through chatrooms and cafes, frequented by hackers. At one point, he finds a certain Red Queen, who happens to be Trinity.

Trinity sends the message to him that in order to meet her, he’ll have to jump the first of six brooks. This appears to be a train. Inside the train, he sees Trinity. She reckons that he might be able to make it. The entire assignment seems to have been a test for him, to see whether he would make it. She then puts some kind of machine on him, and extracts something out of his eye. It’s the same thing they tried to poison Neo with in the movie, I think.

Then a couple of men in suits appear, and chase after them. However, the detective himself begins to change into one of these men. Trinity then shoots him. Then the two of them talk a bit, and Trinity escapes.

To be honest, I didn’t really like this one. It felt like a bit too fast, and the references were all lost on me. First of six brooks? He talks about a certain Alice who jumps the second brook to get her into the woods. Alice jumps the first brook and then she boards a train. Who the heck is this Alice, why does she jump brooks, why are a number of streets highlighted on the map? How does he know which train to catch? In fact… what is a brook anyway?

I think that this film was a bit too short for its own good. I think it would be better if it borrowed some time from Matriculated. In the end, the case is interesting, though the other three films were thought-provoking. This one, however, wasn’t. I don’t seem to have any inspiration because of it.

Posted on 20 August 2006 with categories: The Animatrix



Whoa… this was actually quite interesting. Quite interesting indeed. It’s most definitely the best of the three films I saw so far. I’m impressed.

The art this time looks totally different once more. It seems like the overall picture had to endure a filter which darkened all of the colours, making it a grey world. Not quite like Matriculated, though. The backgrounds are a bit more simple than before. The faces of the characters aren’t pointy like in Matriculated, though neither as round as in Kid’s Story. It’s more like they’ve turned square. The animation is a combination of the smoothness in Marticulated and the distorted anatomy of Kid’s Story. The art remains fluid and crisp at all times, though.

The story’s another awakening. In Matriculated, an enemy machine got converted to join the human’s side by own will. In Kid’s Story, Neo sends messages to a kid, who awakens afterwards after seeing the truth. This time, we’ve got a case in which the main character awakens on his own strength. In mere eight minutes, the creators managed to deliver something extremely fascinating.

We see an athlete, getting for the world championships 100 metres while a narrator voice explains the background of the story. The runners stand ready, and the start shot is given. We then see a flashback, in which the same guy seems to have made the newspapers in breaking the world record in the preliminaries of the same contest. He managed to get right under 9 seconds (8.99 seconds, to be exact). However, gossip about him using dope are circulating around. Dan, the main character, claims that these are untrue in a phone call to his father.

Meanwhile, Dan lifts off. What follows is some scenes of him, running in slow-motion. This looked kind of creepy. Then, another flashback. This time with his coach. It seems that Dan has worked too much, causing his muscles to be at the limit of bursting. When this happens, his athlete-career is over. The coach is keen on stopping Dan, though Dan wants to run, no matter what. It seems that he wants a final chance to prove everyone wrong who’s been claiming that Dan’s old record was impossible to beat. The coach then abandons him. Or so it seems.

Back to the race, Dan begins to look more creepy by the minute as the animation keeps getting more and more distorted. We then see a journalist, looking at him. Another flashback: the night before the race. The journalist meets up with him, in an attempt for an interview. Dan claims that it releases you from your world. That you become totally free.

Back to the race, Dan’s leg is beginning to show signs that it can’t take much more. This is expressed quite graphically. While gross in one viewpoint, it did add up to the intensity of the scene at another viewpoint. Then, one of his legs gives up, and the muscles inside of it break, causing quite a graphical shock. He however, continues to run, even though his leg has given up. He actually continues running, and surpasses every other runner. This shows signs that he’s about to awaken.

Meanwhile, the men in suits have arrived yet again. They have to stop him from awakening at all costs, and some of the nearby runners also reveal to be men in suits, attempting to stop him. This however, fails. This is even more motivation for the guy to reach the finish line. In the end, right before he reaches it, he awakens in his cell. A robot sees this, and forcefully puts him back to sleep.

Back to the race, Dan crosses the finish line, falls and crashes. He managed to break the world record: 8.72 seconds. A quick shot of the matrix shows him fainting. We then switch to the hospital, in which Dan is in a wheelchair, being pushed by a nurse. He’s holding a couple of walnuts, though his face shows that he’s lost the motivation for everything.

Then, we hear the men in suits evaluate Dan’s case, as they see him in his wheelchair. It’s an interesting case, though they reckon it’s nothing to be concerned about. He’ll live in his shell for the rest of his life, not doing anything. His memory has been erased and he’s got quite a souvenir left from it, a world record nobody will be able to beat.

Dan then surprises everyone when he suddenly utters the word “free”. He then stands up, continuing to utter the word “free”. The walnuts he dropped begin to move on their own. Dan attempts to float a bit, until he collapses and the film ends.

It’s quite shocking that World Record features a guy, being treated in a way like this. His body and mind get destroyed throughout this film, though I think that that’s the reason it works. Especially when, after all the hardships his mind endured by both the machines as the men in suits, he still continues remembering what he saw. This just shows how complex a human mind is. When humans are ignorant, they’re easy to control. Though something goes wrong in this when they’ve set their minds to something. Especially the stubborn people. I guess that it isn’t easy to just forget “the truth” after you saw it with your own eyes.

I also liked the shortness of this movie. Both Kid’s Story as Matriculated dragged on a bit. World Record, however, felt like it had fully utilised every second of it. This makes Dan even more intriguing. We know almost nothing about him. Right now, I feel like I want to know more about him. And that’s actually in a good way. I think that, because the creators decided to focus on this case, and this case alone that it worked so well.

The audio-department also was a major plus. Matriculated did this below average. I can’t even remember whether they actually had sounds at this point. Kid’s Story featured interesting background music, especially during the chase. It contributed to the scenes, though it wasn’t anything special. World Record, however, made excellent use of the available background tunes. Changing from fast-beat techno for the race itself to psychedelic, apocalyptic tunes for the moments at which Dan saw the truth, they fitted perfectly.

The only point at which World Record looked clearly inferior to the other two? The background art. Especially Kid’s Story features high-quality background art, which are quite stunning to see. Matriculated also played with this in an interesting way. Not to mention the psychedelic surroundings. In World Record, however, the backgrounds are kept simple. Very simple.

Posted on 18 August 2006 with categories: The Animatrix



Matriculated is entirely different from Kid’s Story. Especially in terms of art, animation and style. While Kid’s Story had really messy animation, everything is moves extremely fluid n Matriculated. The extremely messy drawings have made way for a strange, futuristic-like look on one side, and very colourful, psychedelic CG-scenes on the other side. In this case, literally.

The story takes place outside of the Matrix. It deals with a group of rebels, one woman in particular. The overall air is dark, making the drawings fit quite well in their surroundings. The woman runs into a couple of robots: runners. They’ve got quite original designs, moving with extremely thin legs. In any case, after a small chase, the woman takes out both of the runners, and one of them gets taken to the camp of the rebels.

The goal of these rebels is to attempt to convert this machine to their side. Not by reprogramming it, but making it join their forces out of its own will. They do this by connecting both themselves as the runner to a Mini-Matrix (how did they call these again?). They get brought into a psychedelic world, in which an illusion is given to the runner that it can rely on the rebels. It’s quite interesting to see how they managed to do it. Slowly, the machine changes from machine into a humanoid-shape. We follow the runner, as it tries to make sense out of the virtual world. In the end, it gets converted.

Though then, it seems that reinforcements have arrived. It seems that the runner, before it was defeated, called for backup. This backup now has found the rebels’ main quarter, and are starting to destroy everything and everyone. In the end, the intruders get destroyed, but the price for this is high. The runner aids in fighting the intruders. When all is finished, the runner is the only one left standing, with the woman badly hurt, as the only survivor. The runner plugs the two of them back in the Mini-Matrix, in the hope of saving her. Inside, however, the woman is terrified when she sees the runner. So terrified, that she flees, and dies.

It’s indeed quite sad to see the woman who tried to convert you, the woman you believed was nice and embraced you, scaring herself to death by seeing you, only minutes later. Also, the fact that AI can actually be converted by toying with their morals also is quite intriguing. It’s shown something fake, though its AI isn’t able to determine that it’s fake. That’s why it works. The style of this film also was quite appealing. Both the colourful, psychedelic scenes, as well as the dark, futuristic scenes looked stunning. Especially the fluid animation was quite impressive.

Still, the voice-acting was once again a problem. I don’t know whether it was my version of the video, or it was meant to be like that, but the voices sounded really vague, which didn’t really work. I also feel that this film dragged on a bit too much. Currently, its length is 16 minutes. It could easily have been brought back to just ten of these. I also only began to like the ending when I watched it for the second time. Dunno what caused that.

Overall, it was quite an interesting watch. I think I liked Kid’s Story a bit more, though. But that’s mostly because of the themes which were more appealing, and the interesting art style.

Posted on 17 August 2006 with categories: The Animatrix



I’ve been taking a look at the shows which are to air during the Fall-Season, and I doubt that that will be an overall good season. Seriously, eight bishoujo-anime. Isn’t that getting a bit too much!? Apart from that, another majority of the shows seem to be either boring, or tasteless shounen stuff. That probably only leaves a few gems, which will probably be blogged. I’ll probably do a full preview of the fall-season at the August-Summary. In any case, most of the shows I’m blogging will be ending as the fall-season begins, which means more time to blog about some interesting anime which aired in the past. Not only Ayatsuri Sakon and Popolocrois, but also the interesting-sounding shows which I have yet to see and some more unknown gems. I’m also going to check out some of Studio 4°C. They’ve already proved that they can do awesome stuff by producing Mahou Shoujotai, and I’ve also noticed that they’ve got a certain unique art and animation style.

So I ran into the Animatrix. It’s a collection of nine short movies, regarding the Matrix. They’re all playing in the world of the Matrix. The interesting part is that it’s partially been written by american directors. Studio 4°C handled the animation, along with Madhouse and apart from that, several big names in the japanese anime-industry wrote/directed parts of it. I’ve only seen the first one of the Matrix-movies, but then again, it never stopped me from watching before. I also have no idea whether there’s any order at which you have to see the stories, so I decided to just randomly pick ones. The first is “Kid’s Story”.

The story’s like this: it follows the teenager named Michael Popper. He’s been having dreams, in which he fell from a height. Strangely enough, the dream feels more real that the life he’s currently living. Neo also seems to be sending messages to him. He then goes to school, and then it shows that he wants Neo to take him to the Matrix, as he keeps writing suggestive lines in his notebook (eg. “get me out of here”).

Then, his mobile phone goes off, in the middle of class. Needless to say that his teacher doesn’t like this, especially when Michael seems to be doing rather bad in his classes. When the phone goes off for the second time, even though Michael’s sure he turned it off, the teacher has had enough of it, and attempts to take away the phone. Michael picks up, and hears Neo. Apparently, dangerous men in black suits have come to get him, as he knows about the Matrix. Neo urges him to run away.

Michael then loses it, and runs away like crazy, making use of his skateboard, inside school, hurting countless of people and objects in the process. He eventually flees in the girl’s bathroom, and climbs outside a window. He then makes it to the top of the school building, though the men in black suits have already been waiting for him. He then drops himself from the same roof, with the message to Neo that he believes in the things he said. He then relives the dream he had, and hits the floor.

Everyone around him thinks he died, and he’s buried. People blame the fact that he was mentally unstable. That reality can be quite difficult to take for some people. This world must have been cold and alienating for such a boy. Meanwhile, outside of the Matrix, we hear Trinity’s voice. Michael begins to awaken. Trinity can’t believe that self-substantiation was possible like that. I think it means something like getting loose from the matrix without having to use the red pill.

The first thing noticable about this film is the unique art it features. It’s by no means pretty. It’s actually very messy. Some scenes really have look as if they were drawn by a pencil, and then colored. Overall, it does fit the mood, which is dark, grey and light at the same time. The action scene, in which Michael flees from everyone especially looked good. I really like action scenes in which the animation drops all boundaries, and continues with really messy art, and this was a great example of it.

The fact remains, however, that this anime is one of the few who has actually been made in english. This made the voices rather annoying, except for Neo and Trinity, perhaps. But that could be because they were voiced by their original actors.

The most interesting part of this short film was the reaction of the adults, at the end of the movie. They’re wrong, in a sense. They’re talking about reality, and how Michael couldn’t accept it. However, they’re the ones away from reality. Michael was the one who was trying to reach it. But the fact remains that they don’t know they’re in this fake reality. They’ve been told that the world they live in is real for their entire lifes. They never heard about anything close to the Matrix. The untruth, is truth for them.

Overall, this was an interesting watch. It’s also short, so I can’t say I was bored.

CHANGE USERNAME
AidanAK47
Heard of it, don't know anything of it.
Anonymous2043546
anyone know OpenGL
Kaiser-Eoghan
Rather nice inclusion that they had the voice actors actually speaking Ainu in Kamuy's third episode.
Anonymous2040262
its almost like he could be an antagonist
SuperMario
For me I don't mind if I have to pay to watch the series/ films, but damn it don't restrict me to access it. Entertainment medium is meant to be an exposure (for the lack of better terms), it's supposed to be available to the mass and nobody care for a series that isn't available for streaming. We have way too many other options out there
SuperMario
"Piracy is almost always a service problem and not a pricing problem". Someone said that and I couldn't say it better
SuperMario
@Amagi: which part of Firework that you stopped? It's the movie that make less and less sense as the story goes on so I feel you on that
Amagi
I really wonder what's up with this guy. Considering the hype and VN screens he gets he seems to be more than just random side-protagonist. Looking forward to the rest of this series.
Anonymous2039704
One of my favorite OPs this season
Amagi
Now I textwalled again and feel bad.
Amagi
In short: be it indie-products or official series or papers, just upload everything on a virtual plattform and you'll get a bigger audience, many of them even willing to pay as long as they get what they want in high quality.
Amagi
Something might only become popular 4 weeks later but it doesn't matter because it's still there and people can watch it whenever they want and the other series don't matter since it isn't a classical rivalry as we know it from tv.
Amagi
"Less people watched the first episode than the 1000th iteration of [insert some "classic" movie old people watch for the sake if it]. With streaming plattforms like Netflix and others series just get dumped and are always accesible.
Amagi
Another reason for why I prefer streams and stuff: TV and quotes are a horror. They often cancelled series after one or two episodes because the quotes didn't live up to what they wanted. Instead of giving a new series some time. It needs time to get a fanbase and people often need weeks to even know about a new series, but nope.
Amagi
In the end such things are usually screened in ~3 places around the country for a day or two. So if you aren't living nearby or have work to do on that day: good luck.
Amagi
Sometimes it isn't their fault though, like when there is an anime or some indie guy from my country is making a movie - and nobody wants to show them.
Amagi
Same here. I really want to give small companies or indie/artists a chance, but it's not always easy.
Kaiser-Eoghan
What baffled me was the British film institute blocking Irish users using their legal streams.
Kaiser-Eoghan
Believe it or not I actually WANT to support.
Kaiser-Eoghan
While I do pirate alot, in cases where an obscure film actually gets a cinema release I make sure to pay to see it at the cinema, I support all the rare anime screenings too.
Amagi
There is so much stuff I had to pirate or I would have had to relinquish it completely. Even with non-fiction books for my university studies.
Amagi
lmao. But I 100% agree. Maybe you're lucky if you live in the US but otherwise you are often enough f*ed. Bad marketing.
Kaiser-Eoghan
Point I was trying to make is that, region blocking is only encouraging piracy more.
Amagi
narf~ couldn't manage to finish that Firework movie, do I miss much? It seems like something that might have a bunch of good ideas for the later part but the first half just bored me and I couldn't get into it for some reason.
Kaiser-Eoghan
Release your damn indie project on a reputable site or at least offer a paypal option and if its something off-colour in content, send the bloody thing digitally and not as a dvd.
Kaiser-Eoghan
Oh look, funimation releases eng dub trailer...think I'll...wat....oh wait this video is not available in your region"
Kaiser-Eoghan
"This video cannot be streamed outside of"
"Sorry we do not deliver to Ireland"
"Sorry this film from less than a decade is out of print"
Yeah, fuck legal streaming, just for that I'm pirating you.
Kaiser-Eoghan
@Mario: Truly you have become the most super of Marios.
SuperMario
Finally pulling those reviews out. Guys, if you're expecting for Hinamatsuri and Masotan posts, the former will be done tomorrow and if I have more time I will do the second one too. Enjoy for now
Anonymous2037529
LWA academia is probably the only trigger project i've truly cared about. I haven't watched KlK to completion or luluco for that matter(i got to get around to that) but ive seen everything else and i just don't give a damn about any of em
Amagi
But to say something positive - I liked the second episode of Kamuy way better than the first one. Budget seems to be really bad but the rest makes up for it it seems.
Amagi
I think Luluco was the only one I enjoyed after KlK which already had a bunch of problems - but overall it was far too entertaining for me to seriously care about those.
Amagi
Guess the last 1/3 might be more interesting when they start with the actual world building for once, although they could probably slam the love stuff even more in our faces but who knows. Not fond of any of the latest Trigger anime to be honest.
Amagi
Also they're really overdoing it with all that obvious message stuff and the "love superpower" trope I always hated anyway. Still watching I mean at least it has a plot and tries.
Amagi
I still can't care about anyone or anything in this series I think it's really not made for me. I might have liked Goro but he's too unimportant and the sauros revelation was kind of a letdown since it's the most common twist for these kinds of things.
AidanAK47
Alright Franxx, you are forgiven for episode 14.
Kaiser-Eoghan
@Mario: Do you ever go to those surprise horror/thriller preview screenings? Where they don't tell you what film it is until it starts?
Kaiser-Eoghan
*worrying about
Kaiser-Eoghan
@Mario: Its saying something, when I haven't seen eternal sunshine since it came out, but even by re-watching the trailer, the feelings, the whole film comes back. At that point I'd grown out of Jim Carey's comedy, so seeing him play against type was refreshing.
Kaiser-Eoghan
@Mario: Ah, I'm more forgiving then, I'm likely to give higher points for sheer imagination that I'm not as bothered by worry about the story.
Kaiser-Eoghan
@Mario: Any negative argument against mood indigo by him can be countered by the fact it has Audrey Tatou in it.
Anonymous2035464
jhonrhean
SuperMario
and I just watched A Quiet Place. A solid indie horror one. It builds on atmosphere and it does the family chemistry right
SuperMario
I don't like The Science of Sleep to be honest. Tons of interesting ideas and visually creativeness but the story itself is a mess
Kaiser-Eoghan
@Mario: Gondry needs to avoid making any more commercial comedies, he also needs to start working with Kaufman again, they brought out the best in each other, although on his own, he can be playful and inventive with his films, such as mood indigo and science of sleep.
SuperMario
But check out his other movie Eternal sunshine of Spotless Mind. It has an inventive mind control/ mind altering concept in there
SuperMario
Jim Carrey is kind of mind controller himself. I couldn't take my eyes off him
SuperMario
@anon2028818: it was indeed season 5. SORRY FOR MY IGNORANCE :)
Vonter
The Jim Carrey movies.
Vonter
Dorei-ku seems like a Kakegurui. You see one episode you've seen all. It'll be better if it was crazier like Mirai Nikki. Mind control IMO could be a very creepy setup if it's watched through the perspective of the victim rather than the perpetrator. Losing notion or reality and control. Could liar liar and Yes man be considered mind controlled stories?
Vonter
Ore Mahou Shoujo, baffles me, since I had to skip another long musical off key number, which makes me wonder where the budget cut starts and where the trolling begins. Also makes me sad, there aren't a lot of female to male transformations since it'll be interesting watching that perspective. Maybe a love triangle from both genders could apply since females are more accepted to be bi, in media.
Vonter
Megalobox could be something really special, but I hope like with Ashita no Joe, the anime isn't solely boxing. Joe, had social commentary, had a personal struggle do to the protagonist origin, attitude and view of life, since he started very immature and rebellious.
Amagi
Megalo Box, Tiramisu (I find this genuinely funny), S;0, GGO which is so much better than SAO, Wotaku, Hinamatsuri, Cutie Honey, LotGH, Hisone to Masotan and so on
Amagi
I really love this season as well.
Lenlo
Also personally I am enjoying this current season a alot. But I also know/like a good bit of the reboots/sequels
Lenlo
Oh man... 2015 winter was good. Forgot thats when those came out
Anonymous2028818
@SuperMario: Wasn't that Natsume season 5?, pretty sure season 4 was several years earlier.
SuperMario
Another strong anime season for me was 2015 Winter, where we had YuriKuma Arashi, Maria the Virgin Witch, Death Parade, Durarara whatever season, second cour of Shirobako, Parasyte and Your Lie in April
SuperMario
Even so, with this season I'm still willing to give some shows another chance, like Caligula or Cutie Honey Universe(!)
SuperMario
For me, the best season in recent years was Fall 2016 when we had Flip Flappers, Sound Eupho 2, Yuri on Ice, Natsume 4, Fune wo Amu, Drifters and 3-gatsu no Lion. But I know that Aidan would disagree with me on this
SuperMario
@anon2028201: it's me who said this season is a mixed bag. It's like you said, this season is too heavily on sequels/ reboots and only some new anime stand out, the rest of the pack is just meh.
Anonymous2028201
To me this seems like a pretty good seasons, but judging some of the impressions, it's a bit more of a mixed bag for most. Just curious, what were the best seasons for recent anime? This one seems good to me, but to early to tell right now
Anonymous2028201
Lovin this season so far: a lot of reboots/reimaginings and sequels, but I'm enjoying them all. MHA S3, LOGH DNT, S;G 0, Megalobox, Golden Kamuy are what I'm watching right now. I hear Full Metal Panic is good as well, but I haven't gotten around to watching the original series.
Anonymous2028258
so i just recently rewatched fullmetal panic fumoffu and i gotta say that this is easily one of Kyo ani's best works. It's such a surprise that this was their first anime; it's a damn good romance comedy
Kaiser-Eoghan
@Anon: Lol I love B-movie type stuff, because the rules are off.
Kaiser-Eoghan
I was the only person who watched Mazinkaiser skl and shin mazinger and skullman.
Anonymous2026379
@Kaiser Takeshi Koike really wanted to really sell it as a grindhouse feature and I ate that shit up; I really dug the tone he was going for.
Kaiser-Eoghan
@Anon: It was strange seeing that Goemon short, much as I enjoyed it, thats the goriest I seen lupin get.
Anonymous2026379
Megalo box is pure retro while lupin is a mix of old and new...and you're right; people just think they can't jump right into it. But that's why more people should be talking about it; to let the masses know that you don't need a starting point to get into the Lupin franchise
Kaiser-Eoghan
I'm a massive fan of the devilman manga and I thought devilman crybaby was better than it.
Anonymous2026379
90's-esque throwback feeling shows like lupin and megalo box have been giving me
Anonymous2026379
Luoin part 5 is definitely mixing the best of new and old. Honestly, I've been having a blast with it as well as this generally 90
Kaiser-Eoghan
I think the problem is, people see lupin as this long thing they can't get into, when really its so episodic/standalone mostly you can pick up and watch.
Kaiser-Eoghan
And of course getting the best bits out of old and new.
Kaiser-Eoghan
*visual style
Kaiser-Eoghan
I'm a fan of this hybrid old and new style, megalobox does it too, mine fujiko aswell and casshern sins.
Kaiser-Eoghan
I was surprised by how well the Fujiko mine show came together in the end.
Kaiser-Eoghan
I'll be interested in picking up more facts about thrm.
Kaiser-Eoghan
Come think of it, Akira Kurosawa did some old western (eastern?) in Russian, that had an Ainu in it.
Anonymous2026379
Asirpa is sooooo adorable.....almost feels patronizing to say that about her due to how badass she is
Anonymous2026379
What makes Fujiko work so well as this sexy icon is that she isn't just sexy: she's smart as shit and uses that sexiness to dominate and control her opponents (similar to bayonetta) rather than be chained by the objectification of her opponents (and the viewers for that matter)
Anonymous2026379
I wonder what other obscure cameos we may get this season. And yea you're right about some of Lupin's potentially sexist traits being assuaged by his level of cool and the genuine respect he shows a good deal of the women he has encountered throughout the series
Kaiser-Eoghan
@Anon: Yet still a fun film at the same time.
Anonymous2026379
@Kaiser Yea, mamo was a pretty dark element introduced to the lupin franchise; and considering the tone of the gravestone of Jigen, it makes sense he would cameo there
Kaiser-Eoghan
@Mario: Help I want to kidnap Asirpa =<
Kaiser-Eoghan
@Anon: I'm probably as surprised as you, at finding someone to talk to about Lupin on here.
Kaiser-Eoghan
@Anon: And through comparing/contrasting the jigen grave stone and Fujiko mine, with some of the sillier older ones, it shows the Lupin characters are flexible enough to work both in a darker AND sillier context.
Kaiser-Eoghan
*character
Kaiser-Eoghan
@Anon: Fujiko is precisely how a fanservicey character should work and how built in/essential it is to her haracter, without becoming an irritant.
Kaiser-Eoghan
@Anon: By all means Lupin himself shouldn't be a character we like, much like Bond, but like Bond theres a coolness to the character that allows us to love him.
Kaiser-Eoghan
@Anon: Another great thing about Lupin is how it uses its 60s cool to get away with what would normally probably be considered fairly sexist.
Kaiser-Eoghan
@Anon: I had a big smile on my face when Mamo made a cameo appearance at the end of one of the recent ones and thats because I remember the Lupin Mamo movie was one of those first anime that I watched about 20 years aago.
Anonymous2026379
not to mention that its one of the few anime this season that actually knows how to utilize dialogue to explore flesh out its characters rather than exposition or contrivance: looking at you darling in the franxx
Anonymous2026379
@Kaiser-Eoghan Nice fun facts; but yea Lupin III is a series that has always had an amazing sense of pacing and adventure, traits that are definitely on display this season
Kaiser-Eoghan
@Anon: Its a huge franchise too so I'm often never sure where to go next.
Kaiser-Eoghan
@Anon: You may or may not know this, but the voice actor for solid snake voiced Lupin in one of the dubs.
Kaiser-Eoghan
@Anon: I watched a few episodes of the Italy set lupin show too .
Its a fun franchise due to its cast but its something I have to follow irregularly, lest it get repetitive.
Kaiser-Eoghan
@Anon: Fun fact, guy who directed the gold of babylon film was a famous B-movie noir director in the 60s.
Lenlo
Dont trust anything written by the original SAO author. Everything is his fault. Kirito is not in this series.
Lenlo
Even the original SAO author has little to do with it, which is why its actually good
Lenlo
So SAO Alt is basically completely removed from the rest of SAO
Kaiser-Eoghan
@Anon: Lupin is one of those things I dip in and out of, whatever part of the franchise it is. I've seen birdcage kingdom, Mamo, cagliostro, nostradamus, Jigens grave stone, mine fujiko and the recent Goemon centred special.
Anonymous2026379
it's a damn shame not a lot of ppl are talkig about/watching lupin the third this season
Kaiser-Eoghan
But for all I know with that team behind it, its an improvement, but theres probably not much point in me watching as I dropped the first season after less than 10 episodes.
Kaiser-Eoghan
See how he attempts to seduce me into watching something related to sword art.
Lenlo
Huh... I didnt know the writer for SAO Alt was written by the Kino's Journey creator and produced by the Flip Flappers people. Explains a lot
Lenlo
I wish I knew what you meant by shaman girls, and I cant wait
AidanAK47
@Lenlo, Oh I know Leskinen. May he find his Japanese Shaman girls one day. But seeing as I know the story I wanna experience it differently.
Kaiser-Eoghan
@Mario: Its even set in hokkaido, Korean/Japanese director, Japanese cast, Ken Watanabe is in it: https://letterboxd.com/film/unforgiven-2013/
Lenlo
Also, I love the ED. Really, 2 episodes in, I love S;G all over again.
SuperMario
@Kaiser: really? They remade Unforgiven in Japanese?
Lenlo
its*
Lenlo
Like... is good.
Lenlo
But your missing out on the cult of Leskinen. The engrish is actually one of my favorite parts
AidanAK47
@Lenlo, Meanwhile I am happily waiting for the dub.
Lenlo
Dangit... I have to wait another week for Steins;Gate 0 now. I cant do this.
Kaiser-Eoghan
@Mario: The Japanese remake of unforgiven had ainu people in it.
Anonymous2025797
Also I wonder if budget is distributed according to the director, some animes will spend more in the first episode. Some will spend more in the last ones. It's subjective, but if it's like all business it is looking for the better result at the minimum expense. Hence why I believe Berserk was made the way it did.
Anonymous2025797
@Kaiser-Eoghan - Ideally a story should be as long as it needs. But reality seems that a number of episodes is decided before production. And so you either have to stretch or cut material. Kinda like that 300 page manga of Les Miserables, is simply unfeasible translating that book into that few pages.
KTravlos
Oberstein was a great character.
KTravlos
I actually feel Aidan can do a good job on it. Sometimes been too exposed to the material may lead to clouded eyes.
Kaiser-Eoghan
Though I'm surprised by how I unexpectedly laughed at wotaku, I do wonder if later on it will include any slight drama elements to sustain interest.
Kaiser-Eoghan
OMO; OBERsteins; Gate =P
Kaiser-Eoghan
From watching episode 2 of golden kamuy, yeah, the source material definitely is lifting this.
Kaiser-Eoghan
I'm going to have to wait and see on steins; gate 0, it is encouraging to here this might be darker , at the same time I remember having to sit through too much goofy humour in the first one.
Kaiser-Eoghan
I was actually surprised, that, while rare, there were some moments of humour, that lightened it for me.
AidanAK47
Throughout the entire series I expected Oberstein to pull some inevitable double cross. And was shocked when he never did.
Amagi
@Kaiser: Agree with Oberstein. I think antagonists are es important as the mains in fiction and I loved this guy, he's perfect for series like these.
Kaiser-Eoghan
Galactic heroes was an example of where when watching it, when big death scenes occured, I would make noooooo and shouting noises at the screen while clenching my fist.
Kaiser-Eoghan
I love characters like Oberstein, shrewd, clever, but done right to where I can believe it, not characters like, say Lelouch .
Kaiser-Eoghan
I'd be concerned if the new galactic heroes series skimps on the violence, that kind of thing needs to be in there, in most shows/films and shown to be explicit, consequences need to be shown.
Amagi
*about, not with
Amagi
Sadly, most original 2+ cours series I know feel dragged whereas many 1 cours originals could have needed ~3 more episodes. Talking with series that have an actual plot of course.
Amagi
I really like the 13 episodes thingy for originals but I wish there would be more 26 episodes series, especially for adaptions.
Amagi
@Kaiser: I agree. Nothing kills my interest faster than formularic episodes and repetition.
Kaiser-Eoghan
In general I think 50 episodes would be the most I'd watch for an anime, 39 seems ideal.
Amagi
Or worse and the romance drama is the main plot and it's Kiznaiver all over again, while the rest is just flavor to make the romances more forced since they're the MCs are only teens and such. Dunno but I can never bring myself to care about this kind of stuff.
Kaiser-Eoghan
Though better 110 episodes of galactic heroes than a long shounen that just repeats itself.
Amagi
Speaking of recent episodes, I unironically thing that FranXX's world (building) is pretty interesting (although I hope those klaxxosaurusses will be more than just random cannon fodder) but I doubt the series will ever get to the main plot again the next time.
Amagi
Same here. It was really the only time I did this. I am usually exhausted by just thinking about marathoning long series. It's the reason why I won't get into FMP for the new series either. LotGH was an exception since I found it easily to watch for some reason.
SuperMario
Man, just image burning through 110 episodes of it and my spirit fades away
Amagi
Watched that whole series ages ago.
Amagi
Just watched the first three Neue These episodes and I surprinsingly liked it. Thought I would hate it due to being an OVA fan, and I still prefer the old designs by far but overall it's pretty good. I think I might even prefer this version of the first battle, but I have to rewatch the old one I guess.
Kaiser-Eoghan
Also while I can't remember which episode, Yang picks up a book with the author of the series' name on it.
Kaiser-Eoghan
Arslan feels so lightweight by contrast/comparison.
Kaiser-Eoghan
And I think, given your knowledge KTtravlos, that a series review of the new galactic heroes season would probably benefit from you writing it.
Kaiser-Eoghan
I bring up the music in my earlier comment, because I can understand your reservations regarding the music choice in the remake.
Kaiser-Eoghan
And certainly one of those shows, that going back to the first episode after finishing, gives a strong perspective just on how evolving the series was.
Kaiser-Eoghan
*despite me not
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Megalo Box – 3 [Gear Is Dead]

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Darling in the Franxx – 14[Punishment and Confession]

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Megalo Box – 2 [The Man Only Dies Once]

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