Posted on 1 September 2006 with categories: Anime Reviews, The Animatrix



The Animatrix is a collection of nine short films, all around ten minutes in length. Kid’s Story, Matriculated, World Record, Detective’s Story, Final Flight of the Osiris, Program, Beyond, The Second Renaissance Part I and The Second Renaissance Part II. Each of these films gives an attempt to cover one part of The Matrix, a movie trilogy made a couple of years ago. The remarkable thing about this anime is the fact that both eastern as western producers and directors worked on it. If you haven’t seen the matrix yet, the story basically revolves around the future, in which machines have taken over the world. The sunlight has been blocked and the machines noticed that human bio-energy was an extremely useful source of energy. The machines then put humans in containers, while their minds are permanently captured in The Matrix, or a huge virtual world. There’s no way to tell that this world isn’t real. The Matrix stimulates each of the senses. Every human locked up just believes that that he’s living his daily life in a world similar to ours.

The Matrix itself was really though-provoking, and it’s unsurprising that most of the nine-shorts are so as well. They bring up interesting questions. Also, when you look at the graphical department, The Animatrix excels. Each of the different shorts offers a different art, background and animation style. And each of these styles, ranging from CGI to extremely messy and from black and white graphics to extremely smooth ones, works out great. A lot of budget went into the art and animation, and this clearly is visible, with some great effects.

About the different shorts. The thing is that there are some very good ones, but also some very bad ones. The best of the bunch is arguably The Second Renaissance. It features an extremely interesting, though very shocking explanation about how The Matrix originated. Beyond and World Record also are definitely worth the watch. Beyond features a huge amount of style and symbolism, with an interesting story as well. World Record is extremely intense, with a very interesting main character whose body and soul get the shock of their lives.

Then we’ve also got some slightly interesting shorts. Both Program and Kid’s Story provide some interesting issues with really make you think. They also have some interesting art styles (Program goes back to the old ninja-movies, but with fluid animation while Kid’s Story features extremely messy character art with beautiful background art). While they are interesting, and a good watch, they weren’t really as good as the three mentioned above.

And then we have the rather bad ones. Detective’s story leaves things rather unexplained and moves a bit too fast. While its film noir style was interesting, the negative parts bothered me a bit too much. Matriculated dragged on. Its art was psychedelic, though it took way too long. And the semi-3D art wasn’t really appealing for the eyes as well. The worst of the shorts was Final Flight of the Osiris. While it did provide realistic 3D-characters, it just consisted of people fighting and guns shooting without a purpose. Its failed attempts at drama by providing love interest also totally backfired.

Overall, The Animatrix has its ups and downs. Still, I’m really recommending it if you’ve seen the original movie. Because oft he different styles used, there’ll definitely be a movie which appeals to you.

Posted on with categories: The Animatrix



Okay. That was amazing.

The Second Renaissance Part II has definitely been the best of the nine shorts of The Animatrix. I think this is because of its highly disturbing material. In the previous part, we saw the humans abusing the machines, now we see the machines, taking everything away from the humans, killing most of them off and placing the rest into cocoon-like containers, in order to get their energy. But I never could have imagined that it was this gruesome and intimidating…

We continue where we left off. The robots began to wage war on humans, taking over human territories. Then, the humans came with their most desperate plan yet: sealing off the sky. They used a huge amount of planes, disposing huge amounts of a strange gas into the atmosphere, closing off the earth from all sunlight, the machines’ main source of power. Afterwards, the humans planned to wage one huge war against the weakened machine.

Still, they weren’t weakened enough. What follows is a number of horribly disturbing scenes, in which the machines gradually kill off human soldiers in some rather disturbing ways. Humans didn’t stand a chance. Hospitals became overly crowded. The machines seemed to have studied the humans bodies. After they had won the war, they started experimenting with the surviving humans in order to use the power from the human body. The final cities of the humans were destroyed, and each human was converted into The Matrix.

This short indeed was as awesome as it’s rumoured to be. It’s really been a while since I saw such huge shocking images in anime. Heck, even in regular movies and television. And just when I thought that Beyond was chockfull of symbols. As this is a documentary, the screen is so full of all kinds of references, symbols, analogies, et cetera. Awesomeness.

Posted on 31 August 2006 with categories: The Animatrix



Very interesting, a documentary. It’s the first time the art style isn’t easy to define. It’s a mix of CGI frames with rather common character designs. Most of the time we see robots doing their thing, and we don’t really see that many humans.

In any case, this documentary explains how The Matrix originated, why the robots took over control and more background information behind The Matrix. It’s a rather gruesome tale, which makes clear that humanity indeed got what it deserved. This film has been split in two, so the last remaining one will end this story.

In the beginning, humans constructed robots, and the robots fully obeyed the humans. The robot design was rather unrealistic, but it does bring over the point. The robots possessed AI, and they were treated rather badly. Still, entire armies of robots kept working for the humans, doing all of the hard, harsh and dirty jobs.

Then, one robot stood up against its master, and killed him and his entire family. Because of this, humans got scared, and tried to dispose of the robots. What followed was a huge war in which the robots were shamelessly killed off in huge masses. People became to hate the machines. With passion. What follows is a couple of scenes showing the graveyards for these robots. It’s not funny when you realize how many of these were dumped. Entire ocean floors were filled with their corpses.

The surviving machines fled, in order to start a nation of their own, somewhere in Arabia. They called their nation “Zero-One”, or 01. They began to live a life of their own, improving their own AI and equipment. They then attempted to coexist with humans, and participate in the world economy. However.

The leaders of the humans, with their power degrading, didn’t feel anything for cooperation with the robots, who still had good intentions at that time. The robots, attempting to be recognized were killed off. What happens afterwards, we learn in the second part of The Second Renaissance.

Yet again, we’ve got lots of symbolism in this movie. The robots have been given a uniform and human-like design, like in most ancient robot movies. It’s not really realistic when you look at today’s huge diversity of machines. But by giving these robots human characteristics, this film does manage to give them a uniformity. Because of this, things don’t get unnecessarily complicated. And it also provokes some sympathy for these robots, like Matriculated tried to do. I’d say that The Second Renaissance managed to do this better than Matriculated.

Huge exterminations, like shown here, have occurred more often in the history of humanity, at times, even more extreme than this one. Most mass murderers never really got their equal payback (Incans vs. Spain, anyone?). This time, however, payback in the most extreme form arrives. Still, the fact does remain that people uninvolved got their payback as well. I guess that’s inevitable.

The question remains whether what the robots did was the right thing. After all, they were heavily abused, and revenge is sweet. Apparently, even for robots. Still, both the humans and the robots were wrong in this case. The humans for abusing the robots, and the robots for going through the extreme measures of locking the humans up. What happened to love and peace, everyone?

Posted on 30 August 2006 with categories: The Animatrix



The best art style so far: Studio 4C style! When you combine this with 3D and a big budget, it works out great. Beyond really is a feast for the eyes. Most companies need to understand that there’s more than flashy graphics, 3D, lots of realism and lots of CGI in order to make great graphics. You need to add something special for that. Good Witch of the West understood this, Noein understood this and now Beyond also understands this.

The story this time is about a glitch in the matrix. Somewhere, in an old abandoned house, the laws of physics have been rather messed up. A group of kids and one teenager have discovered this, and are having the most fun they’ve ever had in their lives, playing with these laws. Unfortunately, the men in suits have tracked down this error. They rush into the site with a huge truck, close off the area, take the kids away and repair the error. The children return afterwards, but they find that their playground has been destroyed.

Lots of symbolism in this movie. Take for example, the kid’s playground which gets destroyed. That’s happening at more places in the world. At some places, children can have so much fun playing with each other, while adults can’t see this, and plan to use the playground to build, like, an office. But not only that, you can also link this to animals. At the end of the movie, you see rats, who’ve been living inside the haunted house, fleeing from the men in suits. At the moment, things like these still are a major news item with the rarer animals, like tigers and rhinos.

I also found it interesting that we’ve got a bunch of kids who know about the glitch, and they decide to tell our main character, a teenager, about this. In most stories like these, it’s something that the children only know about. It’s interesting to see someone have fun with children 8 years younger than her, like it’s nothing. Talk about symbolism.

Overall, along with World Record, this has been the best story so far. World record had its very intense plot and very interesting main character while Beyond has its incredibly imaginative visuals and deep symbolism. All that’s left now is The Second Renaissance, which is rumoured to be the best of the bunch (I’ve indeed been saving that one for last, in order to save the best for last. ^^)

Posted on 28 August 2006 with categories: The Animatrix



Program was very interesting. The art style this time resembles that of old japanese samurai-anime. If you combine this with the extremely fluent animation and choreography, the result turns out interesting.

We’ve got a woman, inside a mini-matrix. Another guy comes up, and challenges her for a spar. He then makes a confession to her, while he has blocked the signal so nobody can hear him. He plans to go back to the matrix. The woman doesn’t agree. She can’t turn back from the truth. The two make a small chase, after which the woman kills the guy. In the end, it appeared to be a test for her, to see whether she’d react in the right way. The woman isn’t really happy with it.

The interesting point of this film is the emotional effect the matrix can have on a person. The guy appeared to be a simulation, but when you’re in the matrix, or mini-matrix in this case, you won’t notice. A program was created so, that it would look like the guy she knew in every single way. If that’s the case, how ever can you recognize whether that guy is a fake? In normal anime, people often recognize this because they feel something different, or that their heart knows that they’re being deceived. But the fact remains that the matrix can create these feelings.

Program also had a few claustrophobic moments. The program tells the woman that he’s blocked the signal. When she starts screaming for help, nobody reacts because of this. It must be quite a scary feeling, when you always know that you can escape a “dream”-world because of your comrades. I think that that’s a reason for people to be calm in situations like these. It must be a huge shock to find out that you don’t have a means of returning to the real world. Especially if someone’s about to kill you.

Overall, it isn’t the best. It has yet to reach the brilliance of World Record. Still, it was an interesting watch. The fights also were well-coordinated and full of details, though I admit that they lacked a bit in creativity.

Posted on with categories: The Animatrix

Ah, CGI. Yet another style of animation, totally different from the others. This, however, doesn’t really mean that Final Flight of the Osiris is good. It’s actually the worst film so far.

See, the problem with Final Flight of the Osiris is that it has awesome graphics, but zero substance. Basically, what happens is a man and a woman are inside a mini-matrix, sparring with swords in sexy outfits when their ship suddenly gets attacked by robots. The rest of the film basically features lots of guns fired at these robots and the robots getting inside the ship and destroying it, causing as much explosions as possible in the process.

The action scenes it features also aren’t very exciting. The fight in the mini-matrix is basically two people stipping each other’s clothes off. The sound effects also made no sense at all. Swords cut way too easily through air. And even though the choreography looks interesting, it remains uninspired. The robots attacking the ship also aren’t very worthwile. Basically, we see lots of guns shooting and robots crawling, but nothing that looks impressive.

Also, sorry for the lack of screenshots. I played this one in a weird format which doesn’t support screenshots, and I only managed to take one of them before my computer started acting weird. And I’m not exactly motivated to spend time to this one.

Posted on 21 August 2006 with categories: The Animatrix



Yet another style: a film noir. Like any proper film noir, everything’s in black and white. The art style is the most realistic one yet. It isn’t as overly pointy as in Matriculated, or as overexaggerated as in World Record. And certainly not as messy as in Kid’s Story. Everything also seems to have gotten a noise filter.

The story is about a detective who accepts a case to look for Trinity. He gathers a bit of information, and then realizes that there’ve been more detectives on the same case. One killed himself, one went missing and one went crazy. The latter keeps claiming that Trinity isn’t real. The detective then continues to search through chatrooms and cafes, frequented by hackers. At one point, he finds a certain Red Queen, who happens to be Trinity.

Trinity sends the message to him that in order to meet her, he’ll have to jump the first of six brooks. This appears to be a train. Inside the train, he sees Trinity. She reckons that he might be able to make it. The entire assignment seems to have been a test for him, to see whether he would make it. She then puts some kind of machine on him, and extracts something out of his eye. It’s the same thing they tried to poison Neo with in the movie, I think.

Then a couple of men in suits appear, and chase after them. However, the detective himself begins to change into one of these men. Trinity then shoots him. Then the two of them talk a bit, and Trinity escapes.

To be honest, I didn’t really like this one. It felt like a bit too fast, and the references were all lost on me. First of six brooks? He talks about a certain Alice who jumps the second brook to get her into the woods. Alice jumps the first brook and then she boards a train. Who the heck is this Alice, why does she jump brooks, why are a number of streets highlighted on the map? How does he know which train to catch? In fact… what is a brook anyway?

I think that this film was a bit too short for its own good. I think it would be better if it borrowed some time from Matriculated. In the end, the case is interesting, though the other three films were thought-provoking. This one, however, wasn’t. I don’t seem to have any inspiration because of it.

Posted on 20 August 2006 with categories: The Animatrix



Whoa… this was actually quite interesting. Quite interesting indeed. It’s most definitely the best of the three films I saw so far. I’m impressed.

The art this time looks totally different once more. It seems like the overall picture had to endure a filter which darkened all of the colours, making it a grey world. Not quite like Matriculated, though. The backgrounds are a bit more simple than before. The faces of the characters aren’t pointy like in Matriculated, though neither as round as in Kid’s Story. It’s more like they’ve turned square. The animation is a combination of the smoothness in Marticulated and the distorted anatomy of Kid’s Story. The art remains fluid and crisp at all times, though.

The story’s another awakening. In Matriculated, an enemy machine got converted to join the human’s side by own will. In Kid’s Story, Neo sends messages to a kid, who awakens afterwards after seeing the truth. This time, we’ve got a case in which the main character awakens on his own strength. In mere eight minutes, the creators managed to deliver something extremely fascinating.

We see an athlete, getting for the world championships 100 metres while a narrator voice explains the background of the story. The runners stand ready, and the start shot is given. We then see a flashback, in which the same guy seems to have made the newspapers in breaking the world record in the preliminaries of the same contest. He managed to get right under 9 seconds (8.99 seconds, to be exact). However, gossip about him using dope are circulating around. Dan, the main character, claims that these are untrue in a phone call to his father.

Meanwhile, Dan lifts off. What follows is some scenes of him, running in slow-motion. This looked kind of creepy. Then, another flashback. This time with his coach. It seems that Dan has worked too much, causing his muscles to be at the limit of bursting. When this happens, his athlete-career is over. The coach is keen on stopping Dan, though Dan wants to run, no matter what. It seems that he wants a final chance to prove everyone wrong who’s been claiming that Dan’s old record was impossible to beat. The coach then abandons him. Or so it seems.

Back to the race, Dan begins to look more creepy by the minute as the animation keeps getting more and more distorted. We then see a journalist, looking at him. Another flashback: the night before the race. The journalist meets up with him, in an attempt for an interview. Dan claims that it releases you from your world. That you become totally free.

Back to the race, Dan’s leg is beginning to show signs that it can’t take much more. This is expressed quite graphically. While gross in one viewpoint, it did add up to the intensity of the scene at another viewpoint. Then, one of his legs gives up, and the muscles inside of it break, causing quite a graphical shock. He however, continues to run, even though his leg has given up. He actually continues running, and surpasses every other runner. This shows signs that he’s about to awaken.

Meanwhile, the men in suits have arrived yet again. They have to stop him from awakening at all costs, and some of the nearby runners also reveal to be men in suits, attempting to stop him. This however, fails. This is even more motivation for the guy to reach the finish line. In the end, right before he reaches it, he awakens in his cell. A robot sees this, and forcefully puts him back to sleep.

Back to the race, Dan crosses the finish line, falls and crashes. He managed to break the world record: 8.72 seconds. A quick shot of the matrix shows him fainting. We then switch to the hospital, in which Dan is in a wheelchair, being pushed by a nurse. He’s holding a couple of walnuts, though his face shows that he’s lost the motivation for everything.

Then, we hear the men in suits evaluate Dan’s case, as they see him in his wheelchair. It’s an interesting case, though they reckon it’s nothing to be concerned about. He’ll live in his shell for the rest of his life, not doing anything. His memory has been erased and he’s got quite a souvenir left from it, a world record nobody will be able to beat.

Dan then surprises everyone when he suddenly utters the word “free”. He then stands up, continuing to utter the word “free”. The walnuts he dropped begin to move on their own. Dan attempts to float a bit, until he collapses and the film ends.

It’s quite shocking that World Record features a guy, being treated in a way like this. His body and mind get destroyed throughout this film, though I think that that’s the reason it works. Especially when, after all the hardships his mind endured by both the machines as the men in suits, he still continues remembering what he saw. This just shows how complex a human mind is. When humans are ignorant, they’re easy to control. Though something goes wrong in this when they’ve set their minds to something. Especially the stubborn people. I guess that it isn’t easy to just forget “the truth” after you saw it with your own eyes.

I also liked the shortness of this movie. Both Kid’s Story as Matriculated dragged on a bit. World Record, however, felt like it had fully utilised every second of it. This makes Dan even more intriguing. We know almost nothing about him. Right now, I feel like I want to know more about him. And that’s actually in a good way. I think that, because the creators decided to focus on this case, and this case alone that it worked so well.

The audio-department also was a major plus. Matriculated did this below average. I can’t even remember whether they actually had sounds at this point. Kid’s Story featured interesting background music, especially during the chase. It contributed to the scenes, though it wasn’t anything special. World Record, however, made excellent use of the available background tunes. Changing from fast-beat techno for the race itself to psychedelic, apocalyptic tunes for the moments at which Dan saw the truth, they fitted perfectly.

The only point at which World Record looked clearly inferior to the other two? The background art. Especially Kid’s Story features high-quality background art, which are quite stunning to see. Matriculated also played with this in an interesting way. Not to mention the psychedelic surroundings. In World Record, however, the backgrounds are kept simple. Very simple.

Posted on 18 August 2006 with categories: The Animatrix



Matriculated is entirely different from Kid’s Story. Especially in terms of art, animation and style. While Kid’s Story had really messy animation, everything is moves extremely fluid n Matriculated. The extremely messy drawings have made way for a strange, futuristic-like look on one side, and very colourful, psychedelic CG-scenes on the other side. In this case, literally.

The story takes place outside of the Matrix. It deals with a group of rebels, one woman in particular. The overall air is dark, making the drawings fit quite well in their surroundings. The woman runs into a couple of robots: runners. They’ve got quite original designs, moving with extremely thin legs. In any case, after a small chase, the woman takes out both of the runners, and one of them gets taken to the camp of the rebels.

The goal of these rebels is to attempt to convert this machine to their side. Not by reprogramming it, but making it join their forces out of its own will. They do this by connecting both themselves as the runner to a Mini-Matrix (how did they call these again?). They get brought into a psychedelic world, in which an illusion is given to the runner that it can rely on the rebels. It’s quite interesting to see how they managed to do it. Slowly, the machine changes from machine into a humanoid-shape. We follow the runner, as it tries to make sense out of the virtual world. In the end, it gets converted.

Though then, it seems that reinforcements have arrived. It seems that the runner, before it was defeated, called for backup. This backup now has found the rebels’ main quarter, and are starting to destroy everything and everyone. In the end, the intruders get destroyed, but the price for this is high. The runner aids in fighting the intruders. When all is finished, the runner is the only one left standing, with the woman badly hurt, as the only survivor. The runner plugs the two of them back in the Mini-Matrix, in the hope of saving her. Inside, however, the woman is terrified when she sees the runner. So terrified, that she flees, and dies.

It’s indeed quite sad to see the woman who tried to convert you, the woman you believed was nice and embraced you, scaring herself to death by seeing you, only minutes later. Also, the fact that AI can actually be converted by toying with their morals also is quite intriguing. It’s shown something fake, though its AI isn’t able to determine that it’s fake. That’s why it works. The style of this film also was quite appealing. Both the colourful, psychedelic scenes, as well as the dark, futuristic scenes looked stunning. Especially the fluid animation was quite impressive.

Still, the voice-acting was once again a problem. I don’t know whether it was my version of the video, or it was meant to be like that, but the voices sounded really vague, which didn’t really work. I also feel that this film dragged on a bit too much. Currently, its length is 16 minutes. It could easily have been brought back to just ten of these. I also only began to like the ending when I watched it for the second time. Dunno what caused that.

Overall, it was quite an interesting watch. I think I liked Kid’s Story a bit more, though. But that’s mostly because of the themes which were more appealing, and the interesting art style.

Posted on 17 August 2006 with categories: The Animatrix



I’ve been taking a look at the shows which are to air during the Fall-Season, and I doubt that that will be an overall good season. Seriously, eight bishoujo-anime. Isn’t that getting a bit too much!? Apart from that, another majority of the shows seem to be either boring, or tasteless shounen stuff. That probably only leaves a few gems, which will probably be blogged. I’ll probably do a full preview of the fall-season at the August-Summary. In any case, most of the shows I’m blogging will be ending as the fall-season begins, which means more time to blog about some interesting anime which aired in the past. Not only Ayatsuri Sakon and Popolocrois, but also the interesting-sounding shows which I have yet to see and some more unknown gems. I’m also going to check out some of Studio 4°C. They’ve already proved that they can do awesome stuff by producing Mahou Shoujotai, and I’ve also noticed that they’ve got a certain unique art and animation style.

So I ran into the Animatrix. It’s a collection of nine short movies, regarding the Matrix. They’re all playing in the world of the Matrix. The interesting part is that it’s partially been written by american directors. Studio 4°C handled the animation, along with Madhouse and apart from that, several big names in the japanese anime-industry wrote/directed parts of it. I’ve only seen the first one of the Matrix-movies, but then again, it never stopped me from watching before. I also have no idea whether there’s any order at which you have to see the stories, so I decided to just randomly pick ones. The first is “Kid’s Story”.

The story’s like this: it follows the teenager named Michael Popper. He’s been having dreams, in which he fell from a height. Strangely enough, the dream feels more real that the life he’s currently living. Neo also seems to be sending messages to him. He then goes to school, and then it shows that he wants Neo to take him to the Matrix, as he keeps writing suggestive lines in his notebook (eg. “get me out of here”).

Then, his mobile phone goes off, in the middle of class. Needless to say that his teacher doesn’t like this, especially when Michael seems to be doing rather bad in his classes. When the phone goes off for the second time, even though Michael’s sure he turned it off, the teacher has had enough of it, and attempts to take away the phone. Michael picks up, and hears Neo. Apparently, dangerous men in black suits have come to get him, as he knows about the Matrix. Neo urges him to run away.

Michael then loses it, and runs away like crazy, making use of his skateboard, inside school, hurting countless of people and objects in the process. He eventually flees in the girl’s bathroom, and climbs outside a window. He then makes it to the top of the school building, though the men in black suits have already been waiting for him. He then drops himself from the same roof, with the message to Neo that he believes in the things he said. He then relives the dream he had, and hits the floor.

Everyone around him thinks he died, and he’s buried. People blame the fact that he was mentally unstable. That reality can be quite difficult to take for some people. This world must have been cold and alienating for such a boy. Meanwhile, outside of the Matrix, we hear Trinity’s voice. Michael begins to awaken. Trinity can’t believe that self-substantiation was possible like that. I think it means something like getting loose from the matrix without having to use the red pill.

The first thing noticable about this film is the unique art it features. It’s by no means pretty. It’s actually very messy. Some scenes really have look as if they were drawn by a pencil, and then colored. Overall, it does fit the mood, which is dark, grey and light at the same time. The action scene, in which Michael flees from everyone especially looked good. I really like action scenes in which the animation drops all boundaries, and continues with really messy art, and this was a great example of it.

The fact remains, however, that this anime is one of the few who has actually been made in english. This made the voices rather annoying, except for Neo and Trinity, perhaps. But that could be because they were voiced by their original actors.

The most interesting part of this short film was the reaction of the adults, at the end of the movie. They’re wrong, in a sense. They’re talking about reality, and how Michael couldn’t accept it. However, they’re the ones away from reality. Michael was the one who was trying to reach it. But the fact remains that they don’t know they’re in this fake reality. They’ve been told that the world they live in is real for their entire lifes. They never heard about anything close to the Matrix. The untruth, is truth for them.

Overall, this was an interesting watch. It’s also short, so I can’t say I was bored.

CHANGE USERNAME
Anonymous1829447
Well, one last thing. I understand that anime like games or movies are a refuge for people who want to escape from politics for a second. But when mangakas bring those topics up themselves with stupid yaoi, gender bender, or yuri fan service, they're the ones politicizing anime and manga, not people like me. If they'd treat it with respect, then there would be no need for outcry.
Kaiser-Eoghan
@Lenlo: Eh sorry about that, I almost launched into a rant about tumblr.
Lenlo
Yeah, id prefer not to get to political in this chat, but I agree with Aidan. Theres a limit, and I strike that limit at the + of LGBTQ+. There comes a point where your just making things up to be special
Kaiser-Eoghan
Looking back I probably read hourou musuko initially to get a better understanding of the topic it covered.
Kaiser-Eoghan
Not looking for cares/attention/fellating/self promoting, just felt a moment to pseudo-intellectualize because it was related to the identity topic.
Kaiser-Eoghan
From a psychological standpoint, apparently this is linked in with autism to some level.
Kaiser-Eoghan
The idea of cosplay as a thing is fascinating honestly as an escapist thing.
Kaiser-Eoghan
And I imagine it would probably be easier to interact in a relationship as someone else, of course with them being aware of that.
Kaiser-Eoghan
More in a religious/spiritual sense however and having a greater sense of identity/feeling through temporarily taking on the role of someone else.
Kaiser-Eoghan
but the person themselves.
Kaiser-Eoghan
I did have ideas after hourou musuko and also finding out someone was trans that that might have applied to me and I still use female names in some sites but I really just came to realize it wasn't about trying the female clothes thing numerous times, wasn't trans(vestite or sexual), really pretty much found out I temporarily can take on roles of what/who I dress as, not due to gender
Kaiser-Eoghan
Oh, tumblr sjws are a parody of leftism /activism .
AidanAK47
People have the right to be whatever they want to be. That said there is a line when it comes to respecting peoples choices. For example, I don't think we need Tumblrs 40 different Genders.
Kaiser-Eoghan
@Anon: I haven't read the lesbian experience one.
Kaiser-Eoghan
Love my life was another good one, a serious shoujo-ai manga.
Anonymous1829213
That's unfortunate. TvT
Anonymous1829200
no thanks
Anonymous1829213
In the future though, I'd like to see something exploring sexuality as a whole even further. Even LGBT in and of itself implies a gender/sexuality binary. Let's get into the gender neutral/fluid, pansexuality, and so on as well. :.D
Anonymous1829200
and i like the
Anonymous1829200
i have one
Anonymous1829213
And I definitely agree - those manga exist and are excellent. ^_^
Anonymous1829213
*Shimanami
Anonymous1829213
And in regards to the celebrities themselves acting flamboyant or playing into stereotypes, why do you think those are the ones who are famous? They are allowed to be, because they paint a comical picture that is more easily accepted by the public. This is why Hourou Musuko and manga like Shiranami Tasogare/My Lesbian Experience with Loneliness are so amazing by painting people as actual humans
Kaiser-Eoghan
There ARE good shoujo-ai manga of course, girlfriends, aoi hana and yaoi like haru wo deiteita.
Kaiser-Eoghan
@CoolerAnon: I notice that bisexuality isn't much addressed in these things , the coming out thing doesn't often come into it.
Anonymous1829213
@Other Anon: You might add that a lot of those shows also perpetuate some pretty extreme stereotypes and male light of other of serious issues (i.e. the perception others have of LGBT people and that LGBT people have towards themselves, the experience of coming out, etc. etc.)
Kaiser-Eoghan
By lol coincidence he seems to have also voiced a pokemon character too.
Kaiser-Eoghan
*re-incarnation of, not evolved
Kaiser-Eoghan
Totally based, hilarious guy to, once claimed jokingly in an interview he was the evolved form of pikachu.
Kaiser-Eoghan
@Anon: There is a view of the transvestite as a "silly joke character" even in live action media there thats connected to homosexuallity but I'd say in most cases the person themselves is into it, Akihiro Miwa, famous Japanese gay actor played up that flamboyant drag act since the 60s.
Kaiser-Eoghan
@Anon: That is well known to me. Also its seen as anti-conform and I heard that the teachers don't know what to do when people are bullied over it, some of them think its down to mental illness.
Anonymous1829154
How japanese media portray lgbtq issues is a problem to this day. Sure shoujo, gender bender, and yaoi genres are mainstream, but at the end of the day people are expected to eventually "grow out of it" and find heterosexual partners in the end. Pretty patronizing
SuperMario
Oh shit, I didn't realize I put Wandering Children instead of Wandering Son in the title. Thanks for pointing that out Kaiser
Kaiser-Eoghan
@Mario: Shuu, mai precious lil' Babbu *hugs*
Kaiser-Eoghan
lol Okadas best anime work cause she didn't really write it lol
SuperMario
I will read on the manga to see how these kids growing up. Boy do i love this cast
Kaiser-Eoghan
@Mario: I suppose thats fair enough.
SuperMario
@Aidan: yeah, I know I stretched that image a bit but for some reasons I was goddamn hard to find an image for Wandering Son that I liked. Will make a slideshow later today to see if it looks better
SuperMario
@Kaiser: yeah I call them by their physical gender because at that stage, they haven't come out yet, right? If I remember correctly, Shuu still regards himself as "boku" rather than "watashi"
Kaiser-Eoghan
I guess this amuses me mostly because theres a jokey line later on in the manga where the girl with shu says "Ha, guess this makes me a lesbian"
Kaiser-Eoghan
There has been some theory/suggestion that Doi is attracted to shuu seeing shuu's femininty, seeing shuu as a woman .
Kaiser-Eoghan
Later in the manga Takatsuki stops having these feelings toward masculinity, which is addressing adolescent confusion.
Kaiser-Eoghan
Sorry about this really hope I don't come off as trying to start anything/an arguement/coming off as an asshole here.
Kaiser-Eoghan
Whats really interesting about hourou musuko is that in addition to Takako Shimura being a Lesbian , by choosing a mtf character as the protaganist and with shuu's relationship with a biological woman later in the manga, she is dealing with an even more interesting issue of whats called by Lesbians as Trans-lesbianism.
Kaiser-Eoghan
Transexual, mtf or ftm are probably the more accurate words to use as transgender also includes transvestite which is a different thing.
Kaiser-Eoghan
Its a very good review though, you don't have to change anything I'm probably being overly anal about it.
Kaiser-Eoghan
Was wandering Children chosen instead of wandering son to avoid suggesting pronouns in the title? But then the text of the review uses shuus physical rather than psychological gender. I'm not preaching or asking for changes or complaining, I just found this somewhat contradictory.
AidanAK47
Oh Tomogui Kyoushitsu? That is a weird death game manga.
Kaiser-Eoghan
*Checks manga cover* Goes in expecting bondage manga *its a cannibalism horror manga instead*
Kaiser-Eoghan
Probably just me, but I feel the top two pictures should have a gap between them.
AidanAK47
I would recommend replacing the top image of wandering son. Cause you killed the quality of it by stretching it. Never stretch an image.
Lenlo
Id recommend some kind of slideshow or something Mario. For me, its a big sudden blob of images. But thats just me.
Kaiser-Eoghan
I wouldn't deny a single criticism of the Junji Ito adaptation, and yet despite it all it works for me , I forgive it because the imagination goes such a long way with me, I don't even mind that some of them aren't fully developed either, don't need things to be too tidy or explain everything.
Kaiser-Eoghan
@Mario: Eh, Maverick was a fairly rubbish, thrown in villain but I liked Lunatics backstory how it linked in with the twist his father was that big hero guy mentioned at the start who ended up becoming a washed up mess.
SuperMario
And I won't take "No, you don't need these pics at all" for an answer
SuperMario
Guys, should I put the 2 arts back-to-back at the begin of the post like this, or should I use slideshow?
Anonymous1828545
Travlos here: 91 Days was not too bad.
Anonymous1828545
Travlos here: Thanks for those two historical manga's head-up.
Anonymous1828434
Akumestu soo satisfying to read
Anonymous1828321
Thank you
Lenlo
A shame. Kokkoku had the first truly dull episode this week. Suppose one had to come eventually, but this one was mostly an info dump.
AidanAK47
Like lightning, I strike. Junji Ito is basically interesting ideas with deeply flawed execution. It's not scary, doesn't really capture Ito's style and the animation is bare bones. While the stories themselves can have there interesting points, they are often not fleshed out enough. Honestly I am getting rather bored with it.
Lenlo
Holy bejesus Aidan. Nice triple post. :P

So overall how is Junji Ito? From what ive read so far, it seems pretty hit or miss on the horror/gore front. Failing to live up to the manga. I havnt read it though, so im curious what ya think
AidanAK47
Akumetsu?
Anonymous1828142
Wearing a mask
Anonymous1828142
What was the name of the manga where the main character is some superhuman high school student who goes around fighting Japanese politicians
Lenlo
On a side note, I should really start Violet Evergarden at some point...
Lenlo
"Anime is dying" is just a meme that gets thrown around because of Miyazaki.
Lenlo
Maybe. I dont think average score per year is a good metric though, as the cash ins are increasing, but I doubt the passion projects are decreasing. For instance we had /alot/ of duds this year, but people only really remember/care about the good ones of which there was a fair number. It wasnt a bad year for decent/good anime.
AidanAK47
Well yeah, but they didn't have as many Animation studios back then as we do right now. So it's not so much that we lost artistic merit but rather the number of studios cashing in on popular trends for a quick buck have increased. Even then, I am willing to put money on there being just as much harem anime in yesteryear as we have cute girls shows in present.
Lenlo
Perhaps, but I would argue those were on smaller scales, and even then, thats not so different from Western animation or movies. Just look at Warner Bros and their DC push after the success of Marvel. Every industry has those who chase successful trends, yet they arnt failing
AidanAK47
@lenlo, the thing is though that before Moe crap there was eva copy crap and before eva copy crap you had space opera crap and before space opera crap you had hyperviolet OVA crap. The industry has always tried to cash in on a popular trend.
Kaiser-Eoghan
I feel people went apeshit over, say highschool of the dead because they never saw a bunch of old B/exploitation films, thus that show was never special to me and even failed at an imitation of such.
Kaiser-Eoghan
I think people getting to excited for it being unique to a single medium or for, its setting themselve up for disappointment.
Kaiser-Eoghan
I just think its incredibly limited thinking to base it all on just ONE medium, you CAN hold up anime to film when anaylzing anime.
Kaiser-Eoghan
Why should 91 days get a free pass just because its an anime about gangsters? Go watch a film about it instead which theres probably many of, joker game fail you as the mature spy thriller it ended up not being, who cares, Tinker tailor soldier spy exists.
Kaiser-Eoghan
I dislike this "Its unique for an anime/manga to do this, so instantly lets latch on to it, despite fact that same something is already extremely prevalent in other mediums "
Kaiser-Eoghan
Case in point 91 days and Joker game "It has adults, lets pre-rejoice before the show even came out"
Kaiser-Eoghan
I feel though because of the level of dissatisfaction with said moe shows that people are going to leap far too quickly on anything just slightly different, getting their hopes up too high and end up feeling let down.
Lenlo
That, or it all comes crashing down around our ears. With stuff like Houseki no Kuni and Made in Abyss from last year however, I think its going to be ok. We are just getting inundated with crap right now.
Lenlo
I do think that some of the artistic part of it has been lost, its gotten diluted in the never ending river of Moe crap. But that doesnt mean its gone. Just harder to find. Eventually all the random moe shows no one cares about will fail and stop getting made. But the anime audience will still be around, to enjoy the better stuff thats left.
Lenlo
Same thing happened in the mid/late 90's and early 00's to American cartoons.
Lenlo
Eh, I dont think anime is dying. Changing no doubt. Its going through a rough growth stage right now. It has a bigger audience than ever and people are trying to cash in on that with lots of shows that are basically the same
Kaiser-Eoghan
@Mario: Tank you and damn you for posting screencap of loli-tachibana, I now have cuteness overload a diabeetus =<
Kaiser-Eoghan
I realize thats a very minor detail to focus on though.
Kaiser-Eoghan
Thats why I can really really get into a history manga if the art is top quality, the costume designs.
Kaiser-Eoghan
On the historical thing, I have a massive I repeat massive thing for full body medieval armoured characters hacking the shit into things or just the armour in general , especially templar armour designs. I also have an little obsession with male aristocratic army uniforms from the Prussian era and world war 2.
Kaiser-Eoghan
That recent Urasawa manga Travlos mentioned is ending also
@Mario: We might get a complete adaptation of after the rain, the manga is ending.
Kaiser-Eoghan
More historical manga I found, haven't read the second one however, I didn't hear those two mentioned on here either before.
Kaiser-Eoghan
[link src="http://kissmanga.com/Manga/Hawkwood
http://kissmanga.com/Manga/Ad-Astra-Scipio-to-Hannibal"]
AidanAK47
@Anon, yes clearly you know better than everyone else on the planet despite having no evidence whatsoever to back up you claims. Thank you nameless Stranger, we owe you a debt for telling us the same thing we hear every year. Let me congratulate you by kicking you out the door.
Kaiser-Eoghan
I can generally come up with an opinion for what I follow/watch/read , but I don't really have one on kokkuu.
KTravlos
Well we watched the first episode of Kokkuku. Interesting. The ED theme is quite the fanservice.
SuperMario
@Ktravlos: If your like to check out some other shows this season then I'd definitely recommend After the Rain.
SuperMario
@KTravlos: at least Kino is thought-provoking. I can't say the same for Violet Evergarden. In fact I remain skeptical with VE
KTravlos
I am quite enjoying both Violet Evergarden and Mahoutsukai. Violet gives me similar vibes to the first Kio series, though obviously Kino was a better series.
SuperWooper
EPIC post, anon!
Anonymous1825128
Of course, as ardent fans of anime, the writers of this site would not deign to agree or even entertain the idea that their passion is no longer the same artisanal endeavor it once was.
AidanAK47
@Anon, Oh. Actually surprised I forgot about that. Yeah, when it comes to something being described as edgy I think Goblin Slayer fits that definition perfectly.
AidanAK47
@Lenlo, You can still throw down your take if you want.
Anonymous1824209
AidanAK47 - Or the women shields.
Lenlo
You know, sometimes I dont regret forgetting about this chatbox. Missing the "anime is dying" conversation? One of those times
AidanAK47
Oh, Goblin Slayer is getting an anime adaption. I was rather lukewarm on it but I wonder how the anime is going to handle the rather unsavoury aspects. Like the rape. Lots and lots of rape.
AidanAK47
I remember the last guy said he would make a chart and I thought it was a brillent idea as at least something useful could come out of this old dead horse. Then his chart turned out to be a useless jpeg with series thrown to the left or right.
AidanAK47
It does stir up conversation but it's really just the same conversation repeated. I remember stating the exact same points Nayrael and Bokusen are saying around a year ago when this last came up.
AidanAK47
@Anon, Indeed Ratings are subjective but it would at least be a general mainstream consensus of the quality of anime over the years. Not final but at least it's better evidence than one persons general assumption. And other factors are impossible to quaitify.
Nayrael
A good parody of the "Anime back then and now - what happened? meme (if the links are not blocked here): https://i.imgur.com/JZqxz6f.jpg
Nayrael
Not to mention that back in the olden days you didn't see every Anime that aired. Official translators and fansubbers selected the best stuff, which resulted in you seeing the best shows and never even knowing about the shit-tier shows.
Bokusen
I think that people who say "anime is dying" are just getting too nostalgic. It's easy to remember the hit series from earlier seasons. It's less easy to remember all the forgettable generic series that you dropped after 1 episode, and so anime tends to "seem better" back then because of people's tendency towards selective memory.
Anonymous1820731
Why are there more bad anime? Because there are more anime being made. That means the good ones are buried under the lots of bad ones. But saying "anime is dying" from that is like saying "music is dead because I don't like Britney Spears." Why does this conversation always come up, its obvious conversation bait.
Anonymous1820589
@Aidan: You are the first to obsess over the fact that reviews are subjective. And since they're subjective, looking at anime 'ratings' over time does nothing to gauge the measure of effort and artistic talent that goes into making anime.
Kaiser-Eoghan
Which I got my answer by the way.
SuperWooper
>average review scores
What do those have to do with whether anime is "dying" or not? You'd need to look at the money.
Kaiser-Eoghan
Want to add that I agree with both you and Aidan, only brought up those two topics back there because I wanted to know what shows now will be popular in the future.
SuperMario
I'm on the side of Aidan regarding to this. For me it's not neccessary means the anime industry has become "better" or "worse", it's just that it takes new shape and trends and based on the number of anime produced, the industry isn't going down soon
AidanAK47
Am I really going to draft up a chart gathering average review scores of the past 25 years just t shut up this talk of anime dying?
But even if I did that won't toss aside this nonsense.
Kaiser-Eoghan
I know this is complete guesswork.
AidanAK47
Plus the industry is dying? Bloody hell, we got major companies FUNDING anime. Streaming services and more anime coming out that ever before. You can argue that this new anime is weaker but honestly it's just misguided. It takes time but great shows are still coming out. Just like back then.
Kaiser-Eoghan
Well thats kind of what I meant, what, when passage of time comes into it are going to end up being classic based on that, speculatively speaking.
Kaiser-Eoghan
Thats probably a much better way of phrasing it, inheriting mantles. I'm going to say that promised neverland is presently along with Titan a BIG modern shounen.
AidanAK47
Anyway my point is that the shows of the past, the so called classics, are just as flawed as the shows of today. It is only through the passage of time that they become classics. When Stein;Gate finished airing, I seen no one call it a classic. Same goes for Madoka and Fate/Zero. Now, you have people putting up the pedestals.
AidanAK47
Though if anything has inherited the Shounen mantle, it's likely Boku no hero.
AidanAK47
There is no big three Shounen and that's honestly for the best. Because in generally the declining aspect of Naruto and Bleach was mainly due to the pressure on the mangaka to put out chapters on a weekly basis. In fact it's pretty much the primary factor in Bleachs decline.
AidanAK47
Bebop is great but even it is hit and miss by nature. Doubt many remember much about the casino episode and the Alien spoof episode is likely not anyone's favorite. Eva is massively flawed but no one wants to admit it due to the massive amount of praise it receives and influence it has on the industry.
Kaiser-Eoghan
But what is the new big three shounen?
AidanAK47
If we go further back to DBZ, that has tons of issues with filler, dragging out episodes, animation shortcuts, and even complaints of it doing the same thing over and over again with it's story. No to mention the underutilised cast and the everlasting act up putting Goku on a greater pedestal.
AidanAK47
But let us dissect this viewpoint of yours. You claim the Shouen-jump canon as a great, guessing that refers to the shounen big three. But aside from One piece, the other two are emmensily flawed. Naruto is 50% filler and Bleach drops seriously in quality after soul society.
AidanAK47
Also Fate series is trash? That definitely seems aimed at me. What first series are you referring to? Fate/Zero, Fate/Stay Night 2006? Fate/UTW? The same thing over and over again? Sure each series has a holy grail war, but none of them every turned out the same. I am more than willing to admit that the spinoff series outside of the main canon are lesser. Calling them trash however is hyperbole.
AidanAK47
@Anon, Not this crap again. The old "Anime isn't as good as it used to be", how many times have I heard that over the years, and each and every time it proves more untrue.
Kaiser-Eoghan
One point I'm trying to get at is, I don't get throwing the word bad taste around when I know I was probably in the same position as that other fan years ago.
Kaiser-Eoghan
Another thing, for shows we talk up and obviously I've been just as guilty of this, how many of these am I going to be able to recite off by heart years down the line?
Kaiser-Eoghan
I don't like Madoka but thats a good example of a modern classic that'll keep in peoples minds, people still care.
Kaiser-Eoghan
*its a
Kaiser-Eoghan
@Anon: The reason I want to see a new show become a modern classic is because I'm tired of this "fleeting masterpiece" way of thinking, where I a show is super popular during the season and gets talked up as if it'll stick in the mind years on, then weeks later it disappears from memory.
Anonymous1819907
And anime watchers tend to be attracted to series that are just plain boring. The Fate franchise is case and point. The same thing over and over again. It really is a disgrace, to be honest--in my opinion. The first series was great, and I look forward to the movie. But everything in between is trash. But they still get the views, since people are sheep.
Anonymous1819907
The shonen-jump canon, shows like bebop and eva were huge in their time. The industry is just not the same--it's really dying. There isn't the same desire to blow shows up like there used to be. Shonen jump is still at it, but those shows are rarely worth watching, even if they're popular
Anonymous1819907
its a good anime, but it doesn't have the same staying power since it was not an entire industry
Kaiser-Eoghan
Sorry for the long post, I want to get people talking again here.
Kaiser-Eoghan
I would love for this to happen with, say, made in Abyss, that becoming a show that we remember decades from now and still talk about.
Kaiser-Eoghan
Something else I want to bring up, what shows do you all REALLY believe will still be talked about in the future . Bebop and Eva still come up regularly to this day, what new shows do you think will become big classics.
Kaiser-Eoghan
To base taste on things you watched ages ago doesn't really work.
Kaiser-Eoghan
I bring that up because I remember a comment somewhere I read that said, the people who trashed guilty crown, forget geass was 10 years ago and if guilty crown had came out back then instead of geass they would have embraced it instead at the time.
Kaiser-Eoghan
On the bad taste thing, I could easily say Mahouka or sword art are terrible, but back when I watched and loved code geass people where probably bashing it as overhyped shit in the same way people like to do with sword art/mahouka now.
Kaiser-Eoghan
I sure years ago I would have been all over violet evergarden.
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