Posted on 9 March 2017 with categories: Currently Watching:, OVAs and Movies:, Zaregoto Series

Zaregoto is back to its intriguing premise. This episode brings out many of the show’s best strengths. While still follow the investigation, it shifts its main focus on the characters, especially fleshing out again the relationship between Il-chan and Tomoe (to be more exact, what Il-chan thinks about his relationship with Tomoe), and the visual presentations are in overall impressive across the board. Overall this episode is a clear step up from its previous episode.

Let first start with the locked room mystery. In this episode the majority of our cast have already figured out that bit, many of them intend to hide that they know to keep the situation things from escalating. The mystery turns out to be quite simple, in that the murderer made a river of paints AFTER the earthquake, which leave all guests and host and servants a possible suspects. One other interesting development is that Akane and Kanami had met before 6 months ago. And then Akane bring up the topic of letting someone kill yourself, which make me wonder if this Kanami case is the same. So far, there is actually no motive from the cast (and by the look of it I don’t think any of them have any real motive whatsoever, maybe except for Sasaki), so what if this is some plan carried by Nanami and the killer to kill her, but for exactly what reasons? Is it because of Sasaki? Then, why capturing the head?

A good chunk of time was dedicated to explore Il-chan and Tomoe intrigued chemistry, and I believe this is where the show shines the best. One constant theme that NisiOisin keep addressing throughout his writing career is the conflicts by the main lead between two opposing thoughts of “better left alone” and “rely on others’ support”. His protagonists are always a lone-wolf, with the belief that they have to deal with their own issues in order to grow, and having friends will carry an unnecessary burden that weighed them down (a statement in which Koyomi Araragi clearly expressed in his Monogatari series). In this case though, il -chan takes care of Tomoe not out of love or kindness, but with destruction in mind. He wants her to choose him and him alone, the feeling that he’s actually special to someone. For now it’s hard to say if it’s pure dark intention from our main lead to the blue-hair girl, as we still don’t know about their relationship previously and even what Tomoe truly thinks about Il-chan but man, I’m digging this kind of ambiguous relationship.

And for me another highlight of this episode was the surreal settings right in front of Akame’s room. Shaft sure takes a lot of liberty here with its dark background, the only lights were the colorful reflection of window’s glass, and red butterflies hovering around. While I enjoy most of the conversion between our MC with Akame, and with Maki the fortune teller (she clearly knows more than what she spilled here, and her enjoyment out of tormenting Il-chan is priceless), but sadly the other genius, Yayoi the cook is really plain and ordinary right now. I would love it if the show can flesh out her more in next episode. And finally, oops, apparently our main leads don’t know about Ilia’s curse before heading to this island, so expect them to get it in the next events as well. As of now, although the show is getting better, I suspect that the monthly release really killed off the vibe it has and it’s hard to get excited for something that you have to wait too long (and then delay, really Shaft??) you just better forget it all together. For people still hanging around with it like myself, well, at least those posts will be your companions. For others, I strongly suggest you to wait for all of this come out and then watch them all at once. Will be a much more engaging experience.

And I still think the issue with the painting is his watch.

Posted on 16 February 2017 with categories: Currently Watching:, OVAs and Movies:, Zaregoto Series

After nearly two months of patiently waiting (and actually forgetting that this series even existed at all), the third episode is finally out reminding us that Il-chan and Tomoe are still there and it was investigation-heavy that hardly had anytime for characters development. Anyone who is familiar with nisiOisin writing will know that his styles are heavily influenced by detective works, in particular he is fond of “perfect murder” concept (which I personally don’t find it at all appealing) – meaning that the crimes are so well-staged that it cut off all the leads to the real murderer. This episode is a textbook example of this kind of murder: locked room (sort of, anyways), many uncertain clues, and the utterly lack of motive from other characters. Akagami the host steps up to open an investigation, and all eyes are squarely on Akame, the only with no real alibi and has some kind of motive for killing the artist. But both Il-chan and Tomoe clearly see that the investigation is nothing more than a blame game and only leads to people suspecting each other. They instead provide an alternative, keep Akame in one room while waiting for Jun Aikawa (I presumed is the person he spoke at the beginning of the series) in six days to crack the murder case.

One of the most fascinating factor about this case is of course the painting on the ground. It hadn’t dry yet when the cast appeared, indicated that the murder had to happen before the earthquake, since there is no way a normal person could escape that huge chunk of paint without leaving any trace behind. But then Sasaki called her right after the earthquake and Kanami was still alive then. So what was the trick to escape the room then? Curiously the painting of Il-chan was still standing there. As I said last episode, and even as the show right out acknowledged in this episode, decapitated murder often used to swap the bodies, but since the remain cast is all there, then what is the point of chopping her head? It takes much more effort to kill, and then hide the head to somewhere safe. Remember they said that she was blind before she became a painter, and that her style is not a fixed style, right? Maybe those eyes are some legendary items (might as well be The All-seeing eyes) so the murderer wants to take those so they have to cut her head off.

I do have a theory on how Il-chan can break the case after all. He told Tomoe to take picture of the painting of his, claiming that something was off in the painting. Now remember that on that day his watch actually didn’t work, so I’d say that Kanami left some kind of clues in his clock, thus can direct us to whom might involve to this case (well, they literally took few minutes last episode to inform us about how the dinner table was set up like a clock). Let see how he pick up this details in the next few episodes.

Well, not much else really to say about this episode. This is a mystery episode through and through so besides those clues and the motive from each character, they don’t have much time to focus on anything else. NisiOisin writing is famous for its snappy dialogues and memorable characters, even when he tends to get to mystery mode in other stories, the mystery often ties directly to the psychodrama of those characters, but as far as this episode goes this episode offers none of that. This is easily their worst Zaregoto episode to date and hopefully this murder case serves as a catalyst for more characters development in the future.

Posted on 27 December 2016 with categories: Currently Watching:, OVAs and Movies:, Zaregoto Series

The bomb has finally dropped as the murder everyone waiting for eventually come, but we still aren’t clear who the victim is. If there is one cliché about murders involving beheading, it’s that you can never be sure about the identity of the headless victim. The one you think is dead will return to the story near the end somehow, not only with his head intact, but with his evil grin as well. It appears for now that the body is Kanami’s, a genius painter, since the body is in her room and worn the exact outfit; in addition, based on the info I read somewhere her name is a wordplay that if you read her name in reverse it means: no head now. But it could be one of the maids. As of this moment we don’t get to know any of the maid so the main focus is still squarely on those geniuses.

One of the most important clue that we gained right now is how the table set up like a clock, with the host is at 12.00 o’clock and Tomoe is right opposite her at 6.00. We simply don’t have any clue to work with at this moment but I figure that in the future development this clue is going to be relevant. Another strange occurrent that happen on the night of the murder is the earthquake which resulted in the messy room we see at the end, or was it not? How the earthquake relevant to the murder is unclear, but for now I suspect that because the earthquake happened so randomly that the true culprit didn’t plan on this and thus left some evidences behind. Lastly, there were a mystery on this island that occurred before that caught Tomoe’s curiosity but for now we know nothing about it.

We got introduced to the last genius in this island: Yayoi the genius chief. Although she claimed that she has no natural talent, she can actually smell and sense a huge lot different tastes. Apart from having that absolute taste and absolute pitch, she appears to be the most normal out of all geniuses. Just really wonder why there is no one who commend about the foods that they eat, after all it’s Yayoi who cook all of them, right? Oh we also get to see the host Akagami, but apart from being a fulltime event manager and bragging about the new character to come, she’s just plain like a rice cake.

Not much actually happen beside all the chitchatting of course, but this episode sheds a new angle about Il chan relationship towards Tomoe. Maki (A genius fortune teller who know the past, the future, people and the world) really likes to scrub Il-chan the wrong way, but she seems to see through this guy. And because she understands his character she despites the way he’s doing things. She also digs a little too deep about his and Tomoe’s strange “friendship”. She’s something that he wishes he could’ve been and seeing her- despite all that- unhappy make him feel good. Those scenes in which he’s inside a TV-like box that Maki can see through him perfectly elevate the sense of discomfort of Il-chan towards Maki’s words. There’s still much more oil that needed to pump from their relationship of course, like what she thinks about MC and why she needs him to come to this isolated island in the first place.

Even with this once-a-month format Shaft still manages to stays behind schedule and and pushes back the next episode until January next year. As of now, things are moving so slowly and there is simply not much material to work with, but starting the next episode the plot might get a little more entertaining with the investigation now that the murder kicked in. In the mean time I might try to eat by using two pairs of chopsticks Tomoe-style, by the time the next episode begins I might have mastered that skill already.

Posted on 9 November 2016 with categories: Currently Watching:, OVAs and Movies:, Zaregoto Series

Another NisiOisiN’s light novel series adapted by Shaft?

Count me in as I admit that Monogatari series is one of my beloved shows. Well, certainly one of the shows that I spend the most time with. I always love the writing of NisiOisiN, and I understand that many of his trademarks are not for everyone: his long, rather meaningless chatter banter; his sexual overtones and his rather oblivious main boy protagonist could easily turn readers off; but the things I love the most about his writing is that he cares for his characters, they are flawed people but they’re always growing, and his arcs have a tendency to end strong, indicate that he understands his stories well (something quite frankly I have my doubts on the majority of anime out there). Zaregoto appears to be his first writing efforts back when he was… 21 years of age and we already encounter many of his usual quirks here. Shaft adapting this anime meaning that we have a lot of impressionist backgrounds, scenes that call attention to itself and the visual switches freely depending on the mood of the scenes and most noticeable of all heaps of frantic editing. To say all that I’m not here to compare this one with Monogatari series (even if they have the same overall feeling and that male protagonist is so far another version of Araragi-kun), so I will try my best to shut any of the comparison from now on and just talk about Zaregoto. Now, let’s begin:

Zaregoto presents the many settings in which an unnamed protagonist (I, or li-chan) has to encounter and the mysteries he eventually has to resolve. This OVA will focus on the first book of the LN series, titled The Beheading Cycle: The Blue Savant and the Nonsense Bearer which take place in an isolated island, owned by the lady Akagami (who is cursed with a disease that cause people want to kill; as a result she was exiled to that island). If I have to comment on the characters of Zaregoto in this first episode, I’d say that they are completely over the top. After all, they are all geniuses to begin with. And of course, genius people all talk like their heads are in the clouds. The show followed our MC interact with each of them through a one-on-one fashion. Through his eyes, we have encountered 4 of them so far and each of them have their own voices. With this episode’s main focus is to introduce the cast members, they already add something to the overall picture. But like one of the character already addressed, what they appear so far isn’t their true self, or rather, what his current impressions about them are all wrong.

I’m rather curious on the notion of “genius” because firstly the cast members are exceptional in varying fields: one is an engineer, the others range from academic, chief, artist to fortune teller. They don’t really have anything in common except they’re extraordinary in what they do. In relation to others, they don’t really see eyes to eyes in most of things as the academic girl and the artist girl hated each other guts (and I love the irony in naming as of course the 7 chosen people among the chosen have to be named The Seven Fools, right?). Another interesting point around that notion of genius is in many instances, the blue hair girl Tomo is addressed as Blue savant. Now, in contrast to prodigy, savant is actually a developmental disability and most of people who have savant syndrome suffer brain damages. The most distinguished features between those two often are by their IQ. People who have savant syndrome has low IQ overall but they possess exceptional skills in other areas. Also, the first part of our MC talking with some strange woman is about that very theme of being genius: because they are a prodigy, they unintentionally trample others without knowing the consequences of those actions. The theme of genius is set up nicely so far so I’m eager to see how they make use of its theme in later episodes.

Shaft’s styles in this anime have been solid as expected. I actually like the wide ranges of worlds/ territories settings in Zaregoto and this setting of an isolated mansion is overall impressive. In some parts of this episode, Shaft uses panning shots to both keep the conversations as its main focus, but slowly shifts our attention to other characters. For symbolisms though, while I’m pleased to see each female characters have their own coloring (you can see for yourself in those screenshots), I’m not so sure the use of variations of chess in this episode. We know that the academic girl talks about shogi, but in the beginning scene the boy and that strange woman are sitting in a ordinary chessboard. Hmmm. Maybe our MC’s just meant to be a pawn in that chess? His clock was stopped at one time by someone and I think it could be an important detail for later episodes. Anyway, the big event (the murder) is yet to come so this episode mainly introduces the cast to us. In that vein, I’m quite satisfied with the execution of this episode. The only downside would be we have to wait for another month to catch up, but I have my fingers crossed that the wait is worth it.

CHANGE USERNAME
Lenlo
That was an interesting comparison. Cool to see how far anime has come.
Lenlo
I cant wait to watch Kaze Fui tonight to answer those questions Kazier!
Kaiser-Eoghan
@Lenlo: Someone has done a comparison video for Dororo for a scene in the new one, comparing it with the old one: https://www.youtube.com/watch?v=j38anJY3BtA
Kaiser-Eoghan
Maybe some people found the flashback scenes too dramatic, but I didn't mind, they worked for me.
Kaiser-Eoghan
@Lenlo:One thing that has come to mind, how would it go if he encountered the coach again, but in the present?
Kaiser-Eoghan
@Lenlo:I also liked how the flashback was done in a grainy looking style.
If I found someone who was finding it hard to get into this show, I think that this episode would win them over and it’s the episode I found myself feeling the most.
Kaiser-Eoghan
@Lenlo: Episode 13 of Kaze ga tsuyoku is the fitting and perfect culmination of what has come before it and all is now essentially out on the table dramatically and all the better for it because of how well this series has built itself up.
Animosh
In essence it is still a battle shounen though: even if the fights always have narrative weight (it's not just fighting for the sake of fighting), the characters are to a significant extent developed through fights. So if that's not your thing it might be a hard sell even with its amazing animation and sympathetic cast.
Animosh
@Lenlo/Kaiser: the problem with Mob though is that its first two episodes are by far the worst of the series. So if you give it a try you should watch at least until the third episode, and possibly even episode 4/5 (since it's the first really good arc of the series imo).
Animosh
Yeah, it must be tough to blog three shows in the span of two days, especially with how long your posts tend to be. I find it hard enough already just to keep up with everything!
Lenlo
Ugh. Didnt get to Kaze Fui tonight. A shame. This whole Dororo/MobPsycho then Kaze Fui air schedule is gonna be a pain. You can expect Kaze Fui's maybe... Thurs? Not sure yet. Busy night
Kaiser-Eoghan
*newer not old
Kaiser-Eoghan
Some additional things I always notice in certain things, sometimes in these old medieval films or shows, in the American ones the characters occassionally don't look earthy enough.
Kaiser-Eoghan
Koyomi from clannad i mean
Kaiser-Eoghan
Somewhere in my head Koyomi is this weird anime take on an autist.
Amagi
All she did what stupid, but everyone was saying that she was a genius that would probably soon develope the theory of eversthing so it must be real even if she's only ever smart when the plots needs her to do some sudden computer hack or something.
Amagi
Smart characters can only be written by smart writers. So sometimes writers just tell that the characters are smart but you don't actually witness it. It's either shown by using such wise one liners or just because someone else is telling the audience they're smart. Reminds me of that one Kyoani genius girl.
Kaiser-Eoghan
Can't do the walk, don't do the talk.
Kaiser-Eoghan
I can buy it more for a tough old dude.
Kaiser-Eoghan
On more thought, alot of it has to do with who is saying them. Men who look like children with no charisma.
Amagi
I absolutely hate these one liners too. Especially when you can already hear them in the trailer.
Kaiser-Eoghan
I hate it when scripts coverup for awful characters by spamming quips at you.
Amagi
It's why I dislike so much stuff that gets released today. All these run-of-the-mills, copies, clones, alternative universes, sequels and so on.
Kaiser-Eoghan
But, beyond cgi, its the modern take wise-ass stuff that drives me nuts.
Amagi
Even if you're just drawing a landscape you need creativity. Where are the shadows, the lighting, what atmosphere should it trigger and so on. Maybe even a hidden motif.
Kaiser-Eoghan
ANARCHY KINO-MACHE!
Amagi
Yeah creativity is, well, should be among the most important things out there. I mean movies, anime, etc are actual art, art is meaningless without creativity. At least the narrating type of art.
Amagi
Kinda miss these anime. They're rare to begin with but I can't imagine anyone creating such a thing nowadays. Like Blame/Ergo/Texhno, even Lain. They never sold though, so I can even kind of understand it.
Kaiser-Eoghan
Ergo worked for me up until the ending.
Kaiser-Eoghan
I think clever is too often a miused word by people when they describe things. They reduce it to being "Just a smart storyline", when really it is more suited a word to something in tune with its creative side.
Amagi
Ergo Proxy even had a dense/heavy plot that was developing while you're busy figuring the setting out. And many things were shown indirectly. It was one of the rare anime I had to watch twice to get it. Texhnolyze is also such a thing but more bizarre in my opinion, less logical than Ergo, but still great.
Kaiser-Eoghan
@Amagi: Its really really nice knowing that I can talk to someone like you about this on my level .
Amagi
It's why I love series with strong settings so much. See Blame for example. Even Made in Abyss. You never know what kind of landscape you will see next and in Blame everything is fucked to behin with.
Amagi
Yeah. Well we do watch movies to feel excitement, and you can't really feel that if you can guess what happens next.
Kaiser-Eoghan
Now obviously these types of things can end up a coin toss of it either works or it doesn't, but I appreciate the risk taken.
Amagi
I tolerate it for games because whereas I still don't like it there, at least the game as an additional value which is the gameplay. So even with weak atmosphere I am still enjoying it for being a good game. But when I watch a movie I want get sucked in to some degree instead of being aware that I am just the audience (or the player).
Kaiser-Eoghan
I like that feeling of I don't know whats going to happen next.
Kaiser-Eoghan
I like the idea of a madman getting to do a movie and running with his imagination.
Amagi
It's like dreaming and suddently hearing your real life cat meowing and realising that it's just a dream, you're in the bed and about to wake up. And yes this is exactly why I dislike CGI
Kaiser-Eoghan
But sometimes people cry pretentious wrongly, when there wasn't really any intended thing to get.
Amagi
It's why I am so easily angered over little errors or writing problems. Because they destroy the atmosphere more than anything else.
Kaiser-Eoghan
I mean, I do like themes, characters etc, but my favourite experience is nightmare/dreamscapes.
Amagi
If the atmosphere is missing it doesn't matter what story you are telling, everything feels kinda hollow. Doesn't mean that show with weak atmo and great plot is bad, but it would be ten times better with the proper atmosphere.
Kaiser-Eoghan
I hate this modern idea of "It HAS to be coherent or mean something or follow some kind of linear or logical thing or some kind of rules"
Amagi
@Kaiser: Yeah it's why I often say that atmosphere is the most important part of a story, actually.
Kaiser-Eoghan
With cgi I am constantly reminded I am watching a film.
Amagi
Don't know all of the titles you mentioned, will probably look into a few of those I don't know.
Kaiser-Eoghan
What I love about these old slavic art films, is no longer being aware of the world around me when I watch them. They use actual crafted cinematography so they can still feel like you're living it, despite being so unreal.
Amagi
Technobabylon and Gemini Rue are my favorites. These games capture this fucked up feeling of noir-punk and dark cyberpunk perfectly and have a bunch of great twists and character arcs.
Amagi
I like this type of darkness somehow, as well as trash punk and noir stuff. I do enjoy the Wadjet Eyes games for that reason.
Kaiser-Eoghan
Naturally I loved both
Kaiser-Eoghan
Hard to be God and On the silver globe are insane, there's this sense of what the utter hell am I watching? But you feel like you've been transported someone else entirely.
Amagi
"We" (Мы) is also a Russian dystopia novel, it shared a bunch of similarities with 1984 but was written long before Orwell had had even started with 1984.
Amagi
STALKER has also made me check out a bunch of Russian/Ukrainian novels. I love their ideas. Their dystopias and everything.
Amagi
Slavs are doing good games right now. Looking forward playing this Russia Fallout clone.
Kaiser-Eoghan
I can't remember the name of the Soviet animation with the robot that keeps on working after everyone's dead.
Kaiser-Eoghan
But crappy puns aside. Dead mans letters, letters never sent, Ivan's child hood, Andreii Rublev, Cranes are flying and I am Cuba have amazing cinematography.
Kaiser-Eoghan
I wanna b a Potemkin master....
....like no-one ever was =P
Kaiser-Eoghan
Dead mans letters is up there with Threads as being one of the best apocalypse films.
Kaiser-Eoghan
*evangelion
Kaiser-Eoghan
Or would that be Nyguen genesis Evagelion =)
Kaiser-Eoghan
@Mario: You'll always be my ho chi main man minh Mario =)
SuperMario
I love Soviet cinema. Yeah the Mirror has that monochrome part. And they aren’t that big as they used to be but Soviet animation has great history
Kaiser-Eoghan
Stalker is an excellent science fiction film and not neccesarily because of need to anaylze it, but because it works of a visual-psychic level.
Kaiser-Eoghan
@Amagi: Zerkalo/mirror is a great example of this, just a stream of the directors thoughts, all visual impressionism, there might be a scene where I couldn't tell you the why or the what, but it'd make me feel something.
Kaiser-Eoghan
@Amagi: Basically where to understand, is simply to feel.
Kaiser-Eoghan
@Amagi: Its always fascinating that some filmakers have the ability to just let the film wash over you and move you with intricately crafted arthouse visuals. That they can do that, without character arcs/intellectual message/monologues.
Amagi
Speaking of soviet stuff I kinda want another movie or maybe even a cartoon like some of these old soviet movies that were partly monochrome and partly colored during important scenes. Didn't solaris have that too? - I know the monochrome parts were done to save money, but it was kinda impressive seeing colorless movies turning colorful ones during emotional scenes.
Kaiser-Eoghan
@Lenlo: Definately something that would appeal to me in terms of alternate style of animation. I'm actually quite a fan of different, out there animation styles.
Lenlo
Heres the ED
Lenlo
Yup, paint on glass. The entire ED for the first season was done in that style. Mob loves to use obscure or generally unusual art styles to sell the other worldlyness of its spirits.
Kaiser-Eoghan
That sounds pretty cool.
Kaiser-Eoghan
Excuse me....paint on glass effects in Mob? There was a Soviet animator that used that style.
Kaiser-Eoghan
*earlier
Kaiser-Eoghan
@Amagi: Again you psychically read my mind =P I was just thinking that about Farnese arlier.
Kaiser-Eoghan
@Amagi: I think I've accepted there are some manga I need to wait until they're finished before go back to them either due to slow scans or because they've gone on so long or go on hiatus.
Amagi
I think the later half as well as the hiatus killed it for me. Can't deal with that two chapters per year policy.
Lenlo
I, however, am still a rabid Berserk fanboy. :D
Amagi
I am also never a fan of characters completely changing personalities once they're redeemed. Farnese was an interesting villain and while I agree that she needed to overcome her trauma the current Farnese is just some soulless helpful big sister type. She only exists to care for Cjaskar and at some point even Cjaskar's eternal problem was starting to get on my nerves.
Amagi
@Kaiser: Same opinion on Berserk again. The arc before that with the inquisition tower was one of the highpoints of the manga, everything went downhill once Schierke had joined which is kinda sad since it was one of my favorite series before that.
Lenlo
Mob is much more character focused than OPM. OPM riffs on Shounen, while Mob is a much more character driven drama kinda series, with shounen elements. I would give it a shot for an episode or two.
Kaiser-Eoghan
@Amagi: Berserk started losing me when he started travelling around with those kids.
@Amagi/Animosh: Do you believe that Mob has better choreography than onepunch?
Kaiser-Eoghan
@Amagi:I will give exceptions to magical elements if a show can produce an adventure narrative worthwhile or if it’s a magical girl show.
If magic is featured in an occult horror fashion or in an exploitative way, I will also lean toward allowing it.
Kaiser-Eoghan
@Amagi: While I very much doubt Mob would be my thing, given how I generally felt indifferent to onepunch man and bias against shounen action, yes the art for Mob, when elevated by an anime adaptation lends itself to something unique looking and I can praise that.
Lenlo
I think ONE's style fits Mob better, and Murata's style fits OPM better. So yeah, Bones chose well on that front
Amagi
Not only are overdesigned characters really bad for movement which is actually needed to make a series and their characters feel alive but they also often look really bad in my opinion and there is a limit on how overdesigned a character can be until I stop taking them seriously at all.
Amagi
Yeah. I also honestly think that many anime are suffering from overdesigning.
Animosh
And I like Mob's artstyle a lot as well. It gives the series a unique look, and it gives the animators all the freedom they could wish for to play around with the characters (and basically everything else) as they see fit. Add Bones to the mix, and you have one of the best-looking series out there.
Animosh
I prefer the full ONE experience too. It's part of the reason why I slightly prefer Mob Psycho. OPM looks great and all, but there's way too much meaningless fighting going on in the manga lately. I prefer the tighter and more consistently subversive storytelling of the webcomic, although I still enjoy the manga a lot as well (and the story climaxes in particular tend to look freaking amazing).
Amagi
Different example since this is actual fantasy but I also prefered the early Berserk series over the later parts. When the supernatural horror stuff was more of a hidden thing appearing around Guts and otherwise just on special occasions, while most people didn't even believe such things exist. I prefer that over the high (dark) fantasy we have now although I get what Miura is aiming at.
Amagi
I guess I just have a thing for this secret-club mentality. I prefer it over worlds with blatan magical powers everyone uses and knows about.
Amagi
It's weird but I almost always hate anime with and about magic, the more fantasy it is the less I like it (usually, not always), but then again occult stuff is always totally my thing.
Amagi
I am quite happy they stick with the original Mob Psycho designs from ONE for this series. The OPM manga is probably one of the best looking things out there but ONE's artstyle has a lot of charme and makes characters more unique, especially if looks as polished as in the anime adaption.
Lenlo
Mmm cant wait to watch it. Kaze Fui, still great
Anonymous3309336
I really like how Kurahana admitted that he let his emotions get to him when he threw that punch at the coach back then. Now he feels remorseful about that day and how he made enemies from his former teammates.
Anonymous3309336
Meanwhile, looks like the next episode will focus on Prince again and his attempts to further improve his time.
Anonymous3309336
Meanwhile, his new teammates understand the pain he's been going through and want him to move on from that. Definitely as some of the best writing of this season.
Anonymous3309336
That punch he threw at the coach was certainly well-deserved, but I can see why the other teammates including Sakaki would come to despise him.
Anonymous3309336
This episode of Kaze ga... was great as always, as we see more of Kurahana's past and how his awful coach made Sakaki and the rest of his former team turn on him.
Kaiser-Eoghan
I wouldn't have minded reading several volumes of seeing Satou on the run.
Animosh
Thanks! That's good to know. An alternate ending could have been fun, but I suppose the ending of the anime was fitting, and if it ain't broke don't fix it.
Amagi
Looks like it's going to end. I guess it ends the same but we can't say for sure yet.
Animosh
For those of you still reading Happy Sugar Life: is the manga continuing past the anime? Or does it look like it's going to end in the same way? If it takes a different path it might be worth checking it out.
Anonymous3307077
children of the whales
Lenlo
Holy crap. Mob Psycho 100 is the best thing since sliced bread. BONES thank you.

And thanks Kaiser!
Amagi
well we have a döner kebab ship at least.
Amagi
I am from Frankfurt, another one of the biggest German cities but there isn't much to see here aside from skyscrapers and banks.
Kaiser-Eoghan
*had **taught
Kaiser-Eoghan
I hah had some notion that the Japanese didn't really know English or it wasn't well thought over there?
Kaiser-Eoghan
Lenlo's taste continues to be impeccably based.
Kaiser-Eoghan
lol I thought coolass47 was covering Kaguya.
Kaiser-Eoghan
Germany, both Koln and Berlin, especially Koln felt like a home to me and felt the less alienating/foreign.
Kaiser-Eoghan
.....probably embarassing but, I think I'd be put off sleeping on the floor in a futon or using one of those weird Japanese toilets.
Kaiser-Eoghan
Truly I am the Kaiser Eoghan.
Kaiser-Eoghan
Beyond that I've been to Belgium, Spain, France, Italy, Northern Ireland and Wales.
Kaiser-Eoghan
I've never been outside of Europe. I didn't have problems getting around Germany though when I went because my then girlfriend was from there and I knew enough to cope on a Holiday.
Amagi
also no matter which country I visited till now people were always friendly
Amagi
Yeah, now thinking about it, I could even find everything in Iran so I guess Japan should work too. Most people knew enough random English or German words to somehow lead you to the place and you want to visit unless it's some really weird relief or a small town that's difficult to reach but tourists usually stick with the big stuff.
SuperMario
... years ago and Japan is pretty safe and the signs are easy to follow in general. Even the locals who don’t speak English they are pretty friendly and help you the best they can. You don’t need to be worry on that front
SuperMario
I did it alone few
Amagi
Not sure how he did it (he went completely alone too) but it seems to be possible somehow. Not sure if I would make it though.
Amagi
Someone I know managed it alone and he isn't even that good in English.
Lenlo
I think I can manage. Lots of English signage in places like the rail systems and such. That plus the small amount I am learning in preparation and how much english they teach them over there, I should be ok
Kaiser-Eoghan
@Lenlo: Do you feel you'd be able to get by in Japan? As far as I know you don't speak any Japanese.
Animosh
Mob was great again too. The adaptation is really knocking it out of the park. And looks like we'll be getting one of my favorite side stories next week.
Animosh
I love how upbeat Slime continues to be. If only all wars were resolved like this. And then he goes on to improve everyone's lives by building homes, infrastructure, and coalitions based on common interests? Rimuru for president!
Anonymous3303364
I retired from the force in middle school enjoying my retirement, I still see the faces of the comrades we lost when we defeated the big bad and saved the world, I haven't seen my cute marketable mascot in 3 years, but I like this new life I'm living, I thought I found peace but the battlefield always calls out to me, why? Because war never changes.
Anonymous3303364
I love this comment since it's more well put on what this dark magical girls show really is:
Vonter
Perhaps in ten years when the next trope comes. I wonder if some will look back to the tropes from now with different eyes. Like they say, you don't know what you have until you lose it.
Vonter
Yeah, maybe I could watch some of that schlock. In a way some of it has become more endearing over time. Since times have changed.
Kaiser-Eoghan
Vampire wars was fantastic though, used shitfuck as a word from what I remember.
Kaiser-Eoghan
Yes! Finally they're saying it.
Kaiser-Eoghan
Watching a compiliation of dub cursings for angel cop, not enough F-bombs yet.
Kaiser-Eoghan
I always wish some of these old ovas got to go on for longer, especially AD police and bubblegum crisis. I'd have loved a full gunsmith cats or riding bean show.
Kaiser-Eoghan
I have to watch Angel cop some day I really do.
Kaiser-Eoghan
And I think vonter, if magical girl ops can't achieve the exploi angle then it has failed all the further. We'll have to see.
Kaiser-Eoghan
@Vonter: I was disappointed when I saw the more modern anime! Because it didn't have the art I liked in the ovas.
Vonter
I do remember now. Did you watched the Birdy The Mighty OVA (not the series, the OVA). That one I remember liking because it was cheesy, visceral, had IMO better designs for the aliens than the ones in the TV series and I digged the dynamic of the two leads. However it was cut short. Perhaps it was too derivative for the time.
Kaiser-Eoghan
Sometimes I can actually take ridiculousness much better when its a live action exploitation thing if it happens to fail in animated form. That Jeanne d'arc anime and maybe magical girl spec ops would have made hilarious 60s/70s Eurotrash films.
Kaiser-Eoghan
One of the only modern anime to do the exploitation angle right was Freezing.
Vonter
I want to believe there's something like that already out. But I'm blocked. I can only mention that I now want to rewatch some of Devilman Lady. It does have a female lead battling monsters with an 80s sci fi horror vibe, I don't know it reminds me for some reason to movies like Godzilla 1985 or King Kong Lives.
Kaiser-Eoghan
@Vonter: Or go mental.
Kaiser-Eoghan
@Vonter: Thats one I still need to get around to. If I have to have a darker magical thing, it either has to be camp and goofy enough while taking itself dead seriously or keep some of the fun .
Vonter
@Kaiser-Eoghan - If you haven't check a couple of episodes of Lady Devilman. Despite being formulaic, the monsters on that anime are really well made and feel creative, morbid and creepy.
Kaiser-Eoghan
@Vonter: lol Damn, now I want to see Go Nagai's take of Magical girl ops.
Kaiser-Eoghan
And I love how some old ovas would sometimes take place in America, but in this IDEA of it, getting it wrong.
Kaiser-Eoghan
@Vonter: I love how they added in those stupid curse words every few minutes aswell, wonderfully incompotent.
Kaiser-Eoghan
@Vonter: Mad bull 34 was lovingly perverse , like a Japanese equivalent to those wonderful Italian police things.
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Featured Posts

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