Posted on 16 January 2019 with categories: Anime Reviews, Goblin Slayer, Reviews by AidanAK47

The controversial nature of this shows opening episode may have many turning away from it due to believing it’s nothing but shock value but that truly isn’t what Goblin Slayer is. I will say that the manga may hold some truth to that statement but thanks to some tasteful censoring(Yes, sometimes censoring can be a good thing) this story could at least be something more closer to a fantasy adventure series. In truth Goblin Slayer is more a love letter to low level Dungeons and Dragons so for those who happen to have a nostalgia for such a thing, this series could have a big appeal. However for the average anime watcher I can say this, this show is called Goblin Slayer and you can bet that’s exactly what you are gonna get.

Goblin Slayer slays goblins. It’s what he does in the first episode and you can bet it’s what he does in the last. This is essentially a series where you watch the equivalent of goblin slaying Batman go about his business of killing as many goblins as humanly possible. For some watching him do this is enough and I admit that his single minded obsession can be a source of some pretty good comedy. However if you find that isn’t enough and are looking for this series to maybe provide something deeper in regards to world building or characterisation then you will be sorely disappointed. The Goblin Slayers party of adventures are staple D&D archetypes with little in the way of interesting traits of backstory. The worldbuilding pretty much borrows a lot of it’s lore from other more notable works and not much is really expanded upon besides the small detail of goblins being the worst despite being regarded as a minor pest by adventurers. There is quite of number of light novel tropes such as Goblin Slayer having a whole harem of girls after him despite never taking off his helmet and never talking about anything other than killing goblins.

This is essentially a anime with a limited appeal and a simple objective which can be entertaining but not something you would hold in high regard. White Fox did an excellent job in adapting it for the most part in how they toned down the less unsavory aspects but there are times where the animation for action scenes is on the unimpressive side. The plot doesn’t really move beyond killing Goblins and Goblin Slayer slowly warming up to other people. Some moments have fanservice that is just ridiculously inappropriate and unnecessary. But get past that and the rather grimdark first episode and you have a show that makes for a decent watch for some.

Posted on 15 January 2019 with categories: Anime Reviews, Currently Watching:, Reviews by AidanAK47, Zombieland Saga

Zombieland Saga was a show that came out of the gate guns blazing, no one expected it nor did anyone predict it but it left a strong impression when it first aired it’s starting episodes. Originally considered to be another zombie apocalypse anime, it overthrew expectations by turning out to be a zombie idol anime. Outlandish though it may be this actually worked as the idol shows ranged from death metal to Rap and the comedy hit all the right notes with special mention to the manager who is equal parts ridiculous and bombastic. It looked like this was the series to take a look at the idol anime genre and poke fun at it’s ever so tiresome tropes.

But ultimately the greatest failing of Zombieland Saga was becoming that which it originally parodied. The end result isn’t something that I would consider a trainwreck like Kado as while Zombieland becomes something lesser, it’s still at least a decently enjoyable watch. The problem is that it’s opening episodes promised something greater and could have potentially been the anime to point out and mock the very nature of idol anime itself for it is something that has been long overdue such a scathing. Sadly the case is that once episode three hits the story gears more towards traditional idol anime and the fact that the idols are in themselves zombies becomes less and less relevant. What at once was a great surprising anime just became another idol anime.

There is fun to be had with the show and sometimes it can bump up from being alright to pretty good. The opening is quite excellent and the comedy has some great highlights with Yugiri’s mistimed slaps and Yamada Tae just being the legendary Yamada Tae. Though when the series aims to hit a more emotional tone this often contrasts far too greatly with the general slapstick nature of the show itself, often not making its mind up on whether it wants to make you cry or laugh. Episodes become more formulaic as well with each often starting that a pep talk session with the manager so he can ham it up for comedic effect. Coupled with an ending which acts more as a midpoint finish rather than a finale and you have a show that’s rather half baked in nature. Overall this show can be a fun watch but it once held the potential to be greater but then went for something more more marketable but more generic as a result.

Posted on 30 December 2018 with categories: Anime Reviews, Reviews by AidanAK47

In the wake of many a school based light novel show this may be the small bits of fresh air was can savor out of this overdone setting. Rascal does not dream of Bunny Girl(Or by its japanese title above) is a series not about rascals or bunny girls but instead about contextualising common high school student problems with a supernatural twist. The story mainly follows a guy called Sakuto who encounters various girls afflicted by some supernatural disorder ranging from invisibility to body switching. Generally caused by some mental problem or trauma the girl is dealing with which the supernatural disorder is forcing her to face. There is some rather weak attempts to explain said phenomena with quantum physics but believe me when I say you really shouldn’t take that into account as this show basically gives up on that idea as it continues.

The series works in an arc format with each ranging from three to four episodes dealing with a certain girls story arc. However while each arc does deal with Sakuto helping girls, this does not lead to the typical situation of Sakuto building up a harem of girls infatuated with him as he helps them. Instead there is more of a focus on Sakuto building a relationship with one girl as he helps others which really does progress well as the two have fantastic chemistry. Indeed the strongest aspect of the show itself is the interactions between the characters which do have fine comedic banter but also feel more grounded and real than most shows.

The opening theme song is a massive earworm set to have you repeating it throughout the day and the ending works well as it changes based on who is the focus of that particular arc. There are some negatives in that some arcs are weaker than others and with each arc(Aka Light novel Volume) being covered in three/four episodes instead of a standard six which results in the pacing speeding up at times and lots of time jumps. As it is by the author of Sakuraso it also has a tendency to delve a little too deeply into overdramatic territory which can ruin some moments. Other than that it is a highly solid show bound to keep anyone watching with it’s episodic cliffhangers and engaging narrative. For those whom have watched the likes of Haruhi, Snafu or likewise then this would make for a good show to put next on your list.

Posted on 12 October 2018 with categories: Anime Reviews, Planet With, Reviews by AidanAK47

Planet With is an anime that likely leaves many unimpressed when they look at the cover and makes for a solid proof that you cannot judge a book by it’s cover or even by it’s first episode. Many have overlooked this show in it’s season but for those that did give it chance it went above and beyond expectations. It is the first original anime work of Satoshi Mizukami, who is most well known for Lucifer and the Biscuit Hammer and Spirit Circle which are both highly lauded manga and personal favorites of myself. The story is twelve episodes long and yet tells a tale that could very well have been two cours in it’s small span of time. Now in many cases that would be disastrous and result in a rushed mess of an anime but Planet With beats all odds and not only manages to make it work, but provide a masterclass in using a single cour to its fullest potential. It’s writing is top notch, this show never wastes your time and things are always escalating and subverting your expectations, making you never truly know just what is coming next.

The story involves a boy with amnesia who is dragged into a war between humans and aliens. Indeed the setup seems rather rote but by the first episodes end things start getting changed up. The boy isn’t fighting the Aliens but instead the humans and the agendas of each faction become a lot more than simple world domination. The characters can at first be trope heavy but end up with a depth to them that you wouldn’t expect. Eventually the stories scale grows grander that it resembles the escalation of Gurren Lagann. In fact as far as similarities go, Gurren Lagann and it’s old school mecha contemporaries make an apt comparison. The is a hot bloodedness to the action but also a playfulness to character interaction that lets things flow naturally. It’s a show that knows when to buckle down and get serious while spotting times it needs to take itself less seriously. So you never quite question yourself on why you are so invested in a show with a giant mascot cat fighting a dragon while an alien dog watches with his secretary. While there are aspects of animation, art and music which could be more polished, the writing is something I have a hard time criticizing. Any nits i could pick could be attributed to the shows one cour length but a lesser writer would have caused it all to fall apart.

There are negatives to this in that it takes a few episodes for this show to truly start, the mecha battles are done with awkward CGI which while watchable is still jarring and can’t match animation, the music can get a bit too cheesy as it goes for traditional hot blooded mecha style, the name of the show is hard to google and the ending could have used a bit more of a epilogue. But the more critical negative is that much like the rest of Satoshi’s work, this will likely remain a anime gem not getting the popularity it deserves. Still I implore those willing to listen to at least give it a chance as it deserves that much. With enough time perhaps people can look back on this and come to appreciate everything this show did.

Posted on 12 August 2018 with categories: Anime Reviews, Fate/Extra Last Encore, Reviews by AidanAK47

To many the Fate series is daunting with its numerous incarnations and spinoffs and here in the year of many a Fate adaption we get another one by Studio Shaft which was first thought to adapt the story of the PSP game Fate/Extra. Fate/Extra could basically be considered Fate with a sci-fi twist as this entire series takes place in a virtual reality where a massive Holy Grail War is taking place. The protagonist Hakuno and his Saber Servant must advance up seven Floors while defeating the servant and master that guards each floor to reach the Holy Grail at the top. The scenario itself certainly feels like that of a video game but this anime is not actually an adaption of the PSP game but instead an alternate retelling/sequel to that game. Despite claims from the writer that this anime could be experienced blind, the story itself does require context from the game to understand the story as a whole.

I will say that the story of this anime does sound good on paper and I am sure if you read summaries on each episode you would find yourself interested as the events of this anime do sound exciting, at least on paper. However the execution is botched heavily as the story was essentially a novel written by the author and handed over to be adapted into a anime screenplay. It’s source trappings remain in the show as Fate/Extra is an anime that prefers to tell you it’s story rather than show you it. There is an unforgivable amount of exposition and characters are not developed enough to make such copious amount of exposition interesting. The main character is essentially characterised as having no personality besides a vague anger which makes him a poor foil to the heroine of the series who mainly acts as fanservice. The massive amount of dialogue and Shaft being the animation studio has had people referring to this anime as Fatemonogatari which certainly seems like an apt comparison. The show is mainly dialogue and the battles between servants and masters on each floor all feel uninvolving and anticlimactic. Not helped when each fight either boils down to the protagonists trying harder or pulling out some previously unmentioned dues ex machina. I will say that Shaft make the show quite visually striking and there is some legitimately beautiful aspects like the illustration of the servant master duos in the episode endings. However the animation isn’t as strong as some other Fate entries and this series can take a bit too many of Shafts quirks as an anime studio.

The show follows a fairly formulaic pattern which makes the show feel vacuous as it continues to progress but the characters on screen remain machines for exposition or meaningless dialogue. What is likely intended to be the driving force of the series is the mystery behind what is actually happening as the story itself is very stingy on the details of what is actually happening causing many a viewer to just think “What?” which is the intention of the author but sadly backfired. Anytime you feel you are beginning to understand just what is happening in this show, it throws another curve ball and leaves you trying to figure it out all over again. Once pieced together the story becomes more straightforward but instead of being a rewarding experience to puzzle out it just becomes a reason why the viewer becomes so disconnected to the events on screen as we can’t engage if we are too busy trying to get to grips with what the plot even is. Upon its conclusion it just feels empty and meaningless, providing nothing of worth nor entertainment. Music didn’t leave much of an impression either. Overall there does feel to be a story under all this which could have made for a pretty good anime but the execution of it’s ideas where botched to the point that it just feels soulless and vacant , lacking anything which makes it recommendable besides finding out where that girl who looks exactly like Saber but in a red dress came from. Even then playing the Fate/Extra game would be a better experience even if that too isn’t perfect. So I pray…for Fate/Extra CCC to be localised for that certainly seems like it would beat out both the previous game and the anime. So get on it Marvelous or Xseed.

Posted on 17 July 2018 with categories: Anime Reviews, Reviews by AidanAK47

In following anime seasons it can be quite an experience to follow a show as it airs as the hype and rollercoaster of reactions can be entertainment in its own right. In that regard Darling in the Franxx was a hell of a ride as week by week peoples feelings for it ran hot and cold. An odd aspect of this show which I found troublesome is that I was never quite sure how to evaluate it. For example, if you were to ask me if I enjoyed Darling in the Franxx I would have to say yes, week by week it certainly was an enjoyable watch at least up until it’s final four episodes. But at any point of this series if you asked me if I recommended it then that would be met with a solid “Hmm..I wonder”. Because this show is a mess. There are sudden tonal shifts as it jolts from lighthearted comedy to dead serious drama. At times it can be a grim as Evangelion and at others it can be as ludicrous as Kill La Kill. Sometimes it can have a great episode and other times it can have a trainwreck of an episode. Sometimes it decides to take it’s time and others it moves the plot along at lightspeed.

Developments can be forced and others can be decently thought out. Suddenly stakes are raised only to be negated on episode later. Interesting Ideas can be brought to the board only to be thrown aside. It even starts with joking double entendres with stupid fanservice while portraying a tale about child soldiers in a dystopian regime. This is a confused mess of a series that didn’t know where it was going nor what it was trying to accomplish which results in a storyline which feels like it’s reaching for the stars with the right hand while attaching weights with the left. Do I like Darling in the Franxx? Honestly with the bad taste the final few episodes left me which I would be inclined to say no but there was a point where I legitimately thought this series could turn itself around and become something to be remembered.

The story would be familiar to who’s familiar about the Mecha Genre as it is about a bunch of teenagers who pilot giant robots to fight off some unknown monsters. What made Franxx stand out initially was its focus on sexuality with the male and female pairings to control robots and on the dark insinuations of the dystopian society that these children lived in. However as the series continued it eventually scrapped all this and became a derivative of many a Trigger/Gainax anime before it. The characters can be enjoyable and likeable provided the plot doesn’t force them into a hateable position for the sake of drama with the titular character Zero Two acting as poster girl for the series. If there is one thing that likely carried the series in its weaker moments it’s likely this cast of characters as while not particularly deep, they still proved likeable and relatable enough to care about their circumstances.

The opening is alright with the general soundtrack being passable. Animation wise it could be quite impressive with the show forgoing CGI mecha and instead having 2D drawn mecha. The action set pieces can be a spectacle. Ultimately this is a show that some might enjoy up until it’s final few episodes wherein I would find it could leave them disappointed or disgruntled. It’s a series that shouts a lot but says nothing. One which is a rollercoaster of emotions that when it ends makes you question if you really had fun with it. A deeply flawed series which I cannot completely dismiss as garbage yet cannot praise as well. When all is said and done, Darling in the Franxx just left me empty, apathetic as the finale unfolded and I was left watching credits. I would say the best metaphor for this series is that it is like scoffing down junk food. While eating it’s tasty and satisfying but as you run out you find yourself sick of it and feeling the pains of your digestive system. Left wondering why you bothered eating it in the first place.

Posted on 28 June 2018 with categories: Anime Reviews, Reviews by AidanAK47

This is a remake of a series made way back when which is one of the most highly acclaimed anime in the medium. It is of legendary status but you would be hard pressed to recommend it as to many the barrier of entry is too high to consider. A 110 episode OVA with dated animation and art is hardly an appealing show looking from the outside. Thus we have Die Neue These, a remake which takes the story of LOGH and sticks closer to the original source material of the novels. Acting as a small offering of what makes this series so highly regarded. LOGH is a story set in the future that plays out like actual history, for the stage is grand and the cast is huge. It is about a war between the Free Planets Alliance and the Goldenbaum Dynasty, one being a democracy while the other a autocracy. The series explores these two systems exposing the ideals and flaws of both as while there are large space battles, the true worth of this series is the great amount of politics that surround this war. Even though the story was made over thirty years ago, it’s messages still ring true today making it excellent food for thought.

The series mainly follows the two heroes representing each side, with Yang Wenli being the believer of democracy and a man who seeks a easier life but is pulled time and time again into historic battles due to his talent for strategic combat. Reinhard is the young upstart of the empire who wishes to rise through the ranks to reform the heavily corrupt society of the class system of the empire. The story can be a bit erratic as it jumps forward in time and it can be hard keeping track of the large cast of character which just seems to expand infinitely. The space battle remain the weaker aspect of the series and from word of mouth it appears the strategy employed is only base level tactics. There is also a common factor of highly incompetent people in high positions that gets reused time and time again as justification for the actions of the plot though not necessarily unrealistic. Also is the factor this is very much only a tenth of the full story of LOGH and when this show reaches its final minutes you may not even realize that it has concluded for the story just cuts off like someone slamming a book shut while you were in the middle of a chapter. There is plans for movies to continue the story but you will be left hanging quite a bit if you don’t intend to watch the original OVA.

Presentation wise aside from some rather odd character designs this series is leaps and bounds over it’s older counterpart. Thus I can conclude that this series is the prefect means to recommend this series to a newer fan of anime to encourage them to check out some of the older greats the medium has to offer. Even after all this time this series remains a standout tale within animation and one anime fans should at least attempt to watch in their lifetime. It loses points for being only a part of a story which has barely begun but for those seeking something that’s away from high schools and teenagers with more mature themes then LOGH is right up your alley. Perhaps even sparking an interest in shows of a bygone era.

Posted on 11 May 2018 with categories: Anime Reviews, Reviews by AidanAK47

We have seen an influx of Fate adaptations over the last year and sadly each has proven to be disappointing except for a cooking slice of life short series which is weirdly better than it has any right to be. This movie was the last of the Fate adaptations that I needed to see but sadly remained out of my reach due to screenings being nowhere near where I live. So I waited and now with the Blu-ray release I can finally experience it and by god it’s perfect. This is only the first of three movies covering the Heaven’s Feel route of the original visual novel. As for what that means to the uninformed, the original first visual novel of Fate/Stay night was a choose your own adventure style game where the story could turn out one of three completely different ways. The first path where Saber is the main heroine is called Fate, was adapted by Studio Deen in 2006 but while the only adaption of this route it is considered lackluster. The second route is called Unlimited Bladeworks where Rin is the main heroine and has been adapted by Deen into a movie and again by Ufotable into a TV series. This movie is the very first adaption of the previously unadapted third route called Heaven’s Feel where Sakura is the main heroine and more or less is the grand finale of the original game. When compared to the other two routes Heaven’s Feel is generally considered darker in tone and quite a few consider it the closest thing to a true sequel to Fate/Zero. Take that statement with a grain of salt however as it certainly isn’t intended to be a sequel but rather a conclusion to the original game. As a long time fan of the series I was curious as to how Ufotable would handle the adaptation and if this first movie is an example of what the full trilogy will be I would consider it a prefect adaption. Not only did this first movie cover the important points of the beginning of the route but actually improved the pacing and story with extra scenes.

In the visual novel it was briefly mentioned how Sakura started to come to Shirou’s house to help out but Ufotable actually shows it right from the start which I feel was a great introduction for her. The expanded action scenes and original scenes of things that happened outside of Shirou’s perspective really added much needed context to the story while giving justice to characters whom in the visual novel were sent off less ceremoniously. If there is a character that truly benefited from the animated adaptation it’s most definitely true Assassin. It’s nice to see a master who uses an Assassin class servant as they were intended to be used and despite being an antagonist you could always see how under powered he was when compared the powerhouses that are other servants. The animation really shows Assassins fighting style of avoiding direct confrontation and relying on traps and tricks to catch servants off guard. Even Shinji was given more context which made him more understandable though obviously still not likeable. The small nods to Fate/Zero help continuity better than the original story did as of course Zero was originally made after it. Animation of course was fantastic as this is indeed Ufotable with a movie budget and clearly no expenses were spared in making this thing as gorgeous as humanly possible. The fight scenes are absolute works of art and exhilarating to behold. Soundtrack was also quite excellent and despite my misgivings with Yuki Kajura I found this soundtrack quite effective and only remembered it was Yuki’s work when the choir jumped in at the opening credits. Through admittedly I wasn’t quite paying attention to the soundtrack but that in itself is a sign of grown from Kajura as her soundtracks had a tendency of stealing attention away from a scene whereas here the soundtrack worked more in tandem with the visuals.

Out of the original three routes, Heaven’s Feel is considered the darkest story and for good reason. As dark as Fate/Zero? Not certain if it’s that level but we are dealing with some pretty heavy stuff here. For one it’s clear that this version of the Holy Grail war has far more collateral damage than any other. It was said in the background that accidents where happening and people were dying in the background of other series but here it’s gotten to the level of being a massive concern. The people of Fuyuki know that something is going on and more and more incidents are happening. Shirou’s friends are no exception to this as even they are victims of the war. On top of which we got this mysterious creature floating around draining people into comas and the movie certainly shows how eerie this thing is as well as how dangerous. With Sakura being the main heroine as well we glimpse the abuse she has to endure at her home. This is a pretty heavy story for both the servants and the masters with bleak prospects to come.

The movie of course isn’t without flaw. It assumes you have at least seen the Unlimited Bladeworks adaptation and makes no effort to ease in newcomers as it quickly montages things previously covered. Small references to Fate/Zero have been added by Ufotable too so some knowledge of that can help. Despite efforts to improve the pacing of the story there are points of this movie which feel rather slow and rely on it’s atmosphere and soundtrack to carry it. The CGI while well done can be distractingly noticeable at times such as the scene between Lancer and Assassin on the truck. I would even go so far to say that maybe Ufotable over polished it. Also indeed this is a film for Fate fans so those who couldn’t get invested in previous iterations most likely won’t find anything here to change their mind. Naturally as well this film is only one third of a story so it doesn’t end conclusively and only is one part of a story. But for a Fate fan such as myself I loved it and thought it was the best it could ever be. If the other two movies are as good as this we could very well see the Fate anime to call Fate/Zero’s undisputed position of best Fate Adaption into question.

Posted on 7 April 2018 with categories: Anime Reviews, Junji Ito Collection, Reviews by AidanAK47

In the realm of manga there is a man whose name is inescapable when the genre of horror is brought up. That man is Junji Ito and his work is considered legendary for its artistic detail, mastery of manga paneling and it’s outlandish imaginative concepts. Up till now his work has yet to have an adaptation that fits his legacy despite a number of attempts to do so. And now with completion of the Junji Ito Collection anime I can sadly say that fact still remains. This animes greatest failing is the lack of effort to truly adaption Junji Ito’s work to animation with the animation being bare bones to truly awful and the art not even coming close to his iconic style. This anime at least can be watchable due to the creativeness of the material but having passable animation, voice acting and music isn’t a good enough trade for the quality of the source itself.

The stories all have a problem with endings where many of them just cut off abruptly and move on to the next tale without much breathing room. Few have conclusive ends to the story being told and can feel like they were cut off in the middle of the tale. Some stories also are questionable choices with the main examples being the Souichi stories when are more black comedy than horror and stick out awkwardly when compared to the other content. The horror stories themselves fail to be scary though some do have some disturbing ideas while others prove to be far too silly to be taken seriously. Otherwise Ito’s general weakness with characterisation can have people acting in awkward or idiotic ways.

Horror anime is unfortunately a rarity and it was a solemn hope of mine that this could be something special despite skepticism. Sadly be it due to staff or studio there felt like no real heart put into this production. A meer attempt to cash in on the legacy of some who puts tremendous effort and time into his craft. A man that deserved better than this.The soundtrack has no notable tracks, the opening is a questionable rock song and the presentation weakens the content that while not making a terrible show, unfortunately turns it into a mediocre one. I do not recommend this be your first introduction to the works of Junji Ito and this isn’t really an anime worth watching, nor remembering.

Posted on 3 January 2018 with categories: Anime Reviews, Fate/Apocrypha, Reviews by AidanAK47

I was quite excited for Apocrypha and in the so called year of Fate adaptations, it looked to be the crown jewel. Sadly, partly due to lacking adaption and the source lacking in areas, this anime turned out to be not quite the jewel I thought it would be. It’s hard to call this a bad anime, mainly because it lacks consistency it it’s quality. Much like it’s animation, Apocrypha goes from highs and lows, from boring mediocre scenes to scenes that range from mildly entertaining to genuinely great. Unfortunately to get the most out of it you need to read up on the mythological of the characters in it as the series itself does a very poor job of fleshing them out. Fate/Apocrypha details a war between fourteen servants with one extra servant acting as referee. As such it boasts a pretty massive cast of characters which proves to be to its detriment. There isn’t enough screen time to flesh all these characters out and sadly a lot of potential with some genuinely interesting characters gets wasted. There are a number of servants in Apocrypha that deserved better than the story they got, such as Sisgou and Mordred, the people who originally appeared to be our main protagonists. Excellent chemistry, fun master servant relationship and despite Mordred being a saberface she gives enough personality to the design that she makes it her own. And all of this is absolutely wasted when they are pushed to the wayside for their screen time to be robbed by the actual protagonist of the story.

At episode three a homunculus called Sieg is introduced and from his very introduction comes the greatest flaw of Apocrypha. Sieg is a mistake. He is a character with no personality who goes from wondering about his existence to archetypical hero. The plot of Apocrypha bends over backward to give Sieg all the screen time and plot devices he needs to steal the spotlight. he is cardboard, a literally one dimensional plank with a sign that says “Your face here” and comes with his own romance subplot that is given far too much time and effort. Sieg sucks the fun out of any scene he’s in that I honestly believe that the times I was most bored watching this show where when he was on screen. Take note that Sieg is not an annoying character nor does he have a personality that irks the viewer. The problem is that he’s nothing and steals precious screen time from servants most desperately needing development. All the characters of Apocrypha suffer due to his presence and that’s a damn shame as this story does indeed have potential. But it’s clear that while the writer set up a grand epic battle, he didn’t quite think of how he was to close it out. Some servants feel like unnecessary time wasters like Jack and Avicebron. Also while the battle starts as shades of grey with no one technically in the right, it slowly changes into a strictly black and white affair.

The music of the series is fantastic which Masaru Yokoyama succeeds in giving Fate/Apocrypha its own distinctive identity through melody. There are plenty of scenes elevated by his OST alone and I truly think they deserved a better show. Though there are some medolics which play a bit too often. The animation, while shaky and nowhere near Ufotables level, does showcase some impressive fight scenes which are exhilarating enough to push away Apocryphas problems temporarily. Ultimately Fate/Apocrypha is wasted potential that made for a mediocre anime with some patches of entertainment and some small moments of greatness. Not to be recommended as your first Fate anime and most likely more for those that are deep into the series. It is a immensely flawed series that could have been better than the sum of its parts but as it there is at least some meat here to give a Fate fan reason to check it out. Provided you keep your expectations low and do a bit of reading on the servants histories. Though if the Light novel ever gets fully translated, that’s the better alternative.

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Welcome to another week of Kimetsu no Yaiba. This week we take a break as our trio get to know each other, have some dinner and meet best sister Nezuko. Let’s get into it! Right off the bat, I am rather split on this episode. Both in terms of production/animation and the actual narrative of […]

Kimetsu no Yaiba – 13 [Something More Important Than Life]

Another week, another episode of Kimetsu no Yaiba, though not a great one. Zenitsu gets less annoying, and the fights are fun, but the pacing is off and the narrative is questionable. That said, let’s get into some details and jump in! Starting off, like always, production. Animation wise, Yaiba was fine. The rotating room […]

Mix – 12/13 [Aren’t You Taking Him Lightly?/Because We’re Brothers]

I missed last week’s post due to a temporary Hearthstone addiction, so here’s a doubleheader for you. These episodes stepped away from the show’s recent focus on romance and character building, opting to broaden the cast in preparation for the East Tokyo summer tournament. Episode 13 actually covers the opening innings of Meisei’s first game, […]

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