Posted by k-off on 4 November 2014 with categories: Gugure! Kokkuri-San

This. This is what I was asking for, and it delivered. This episode finally starts to create a distinct voice for itself by not adding to the hodgepodge of comedic styles this show already had, opting for a slow, drawn-out humor rather than the experimentation this show seemed to be doing with these past four episodes. It’s finally good to see this show starting to show some consistency, at least in the style of comedy it’s trying to go for.

Besides that, the part about the bully in Kohina’s school was mind-numbingly dull. I don’t see the jokes about the flower working for a Westerner with no prior knowledge of the context behind Japanese flowers, so the first half of this episode was very painful to sit through. However, I wouldn’t fault this on the show by any means, and I’m sure I would have appreciated it far better than I did had I known.

Let me talk about gender-bending real quick. Often, it’s over-used as fan service of the lowest degree and is one of the worst things a writer can do without giving the proper context. In addition, the explanations given for such gender-swaps are usually so contrived and idiotic that I can’t help but wonder who these shows were supposed to pander to. Even if one has a gender-bend fetish, wouldn’t they want their material being handled with all proper respect? Just like fan service, even gender-bending stories are proper in the right context- and in this spectrum, Gugugure! Kokkuri-San handles gender-bending excellently. Not only is the reason for sex-changes perfect for this story (they’re all spirits/gods, so they’re genderless), it’s handled in such a way that the fan service is covert/almost entirely nonexistent. Chiefly, Inugami. He may only be a side character, but he remains one of the most interesting character next to Shigaraki thanks to this ability. The character interactions change dynamically with Shigaraki when Inugami turns into a female this episode, and this was easily the second highlight of this episode, which was pretty damn funny.

I really started to enjoy this episode after the first half of the episode, as Kokkuri-San and Inugami enroll in Kohina’s school under cover, allowing for more character development for Kohina whilst getting some genuinely good laughs in.The school setting this episode seems to introduce dynamicism  to the plot by expanding the scope of the character interactions- now, not only do we get to see Kohina interact with the spirits, we also get to see how Kohina, the spirits, and the classmates all mingle simultaneously.

If this show keeps going at this pace, it can finally polish itself to become a really great series, possibly better than Barakamon.

Posted by ninjarealist on 4 November 2014 with categories: Currently Watching:, Psycho Pass 2

Episodes 3 and 4 of Pyscho Pass are difficult to talk about. This show has been extremely consistent so far. The staff have handled this sequel with an understated confidence that’s hard to dislike. I still don’t find the show to be as atmospheric as the original, and I still like the dialogue less, but the narrative continues to be engaging. I think where the narrative has really succeeded is in avoiding extraneous clutter that would detract from the major themes of the show.

However, this is both a strength and a weakness. While Psycho Pass 2 doesn’t waste time, the direct style of writing can be a bit predictable at times. I’m sure I wasn’t the only one who saw the drinking scene between Aoyanagi and Ginoza as a clear death flag. And one episode later, sure enough, Aoyanagi gets turned into red pudding . This show is clearly trying to shock the viewer and I think it would do a better job at this if the plot was a little more surprising. But that’s a minor quip.

I think a bigger quip would be that if they were trying to shock the viewer with the violence in episode 4, they didn’t do a great job. The hand-to-hand combat shown in the first part of the episode was quite disturbing, and really succeeded at unnerving me. But this effect was sort of ruined with the gratuitous dominator shootout at the end, which honestly felt kind of cartoony to me.

And then there’s Mika Shimotsuki. As much as I hate to admit it, she’s really become the wild card in this series. Her ethically questionable decision-making raises some interesting questions, questions that don’t have easy answers. Chiefly, was her inaction simply malicious or does it speak to more undestandable flaws in her in character? And is her rage against Akane simply the result of a bad attitude or is her anger rooted in the trauma that was inflicted upon her in season 1? Is Mika just a testament to the failure of SYBIL to produce a healthy society? These are tough questions and I’m excited to see how they get resolved.

Posted by AidanAK47 on 2 November 2014 with categories: Currently Watching:, Fate/Stay Night Unlimited Bladeworks

So after last weeks action packed episode it’s only natural that this week takes things easy. Though thankfully not by talking exposition. There was a scene with Saber explaining the class system but it was passed by fast and unlike the other infodumps so far, Shirou had a lot of input to help move things along. What surprised me is the addition of even more new material not present in the original visual novel. At the beginning we had a new scene with Illya explaining her actions to her maid which is welcome as I am sure many were asking the same questions her maid was asking. To have Illya explain herself was fine and all but I really question why this had to take place while she was taking a bath. I find it funny that this series only begins to show great faults when it starts to pander towards the fanbase. We also have a new action scene with Rin facing off against Casters dragon teeth minions in a office building. I do like the new different variations of the skeletons as opposed to the one design they had in the visual novel. But I think this scene was just to put in a little excitement to the episode as plotwise it was relatively pointless. However it does add a little more action to stop the slice of life aspects from becoming too prominent.

Otherwise the episode was about Shirou taking Saber to school and introducing Saber to Sakura and Taiga. With the episode ending on the setup for the next, that being Rin’s declaration that she will kill Shirou if he approaches her without understanding his position as a master. Does that mean this episode was uneventful? Hardly. To those who pay attention you are bound to notice foreshadowing. My personal favourite point was the archery club captain Ayaka’s talk with Shirou. She was good at probing the things that make Shirou who he is without being overly expository about it or spelling it out. I also like that they are toning down Shirou’s affection for Saber. No heavy blushes or exaggerated moves. Here’s to hoping things are kept strictly professional this time between them. He does display these actions towards Rin now but unlike with Saber it’s not in irritating love struck puppy kind of way.

From what I heard these new scenes are written by Kinoko Nasu himself so that may be a reason as to why they don’t feel like filler. But that also means that the new information at the beginning of the episode has now officially become canon. That information being that Berserker gains back one of his lives after three days. Overpowering a character who is already overpowered, yeah that does sound like Nasu’s work. It’s one of his nasty habits that tends to corner him later on in his stories, but well moving on. The new scenes have only added to the series as a whole, helping keep the pacing to a speed more suitable for an anime adaption. It also provides insight into the other masters actions when previously we only seen this from Shirous perspective. My only worry is that they may take time away from the main plot which is already a rather sizeable length. I don’t mind trimming out the more slice of life scenes from the visual novel to make way for new content. But if it cuts time away from the main story we could start having issues. However I still say, just keep doing what you are doing UFOtable, cause so far so good.

Posted by k-off on 31 October 2014 with categories: Shingeki no Bahamut

By now, I have a general idea of where this story is going. Our characters finally face the main villains of the story and starting next episode, I reckon that we’ll get some real story progression because frankly, the past few episodes did almost nothing to get me to care much for the characters, no matter how charming they may have been.

The problem with the show thus far, is that it uses character tropes borrowed from various Westerns to the detriment of interest on the viewer’s part. This is where the slow pacing is actually hurting character development, an ironic condition owing to the fact that we’ve come to expect slow-paced anime (like Space Brothers) to have too much emphasis on its characters, which usually bores everyone. Even with the slow pacing, Kenichi Sato decides to place fast-action in every episode, and while those scenes are very fun to watch, there is such thing as too much of a good thing. By placing action in a story that is barely progressing, you force the viewers to miss the subtle character expositions you want them to pick up. Sato is clearly much more concerned with the action over exposition, and  I’m concerned where this anime will end up . Take more time to focus on Favaro and Leone’s pasts longer than the forced-in exposition we got in this episode, because the “twist” we get in this episode was way too rushed.

I also worry that Amira might permanently devolve into a vessel for moe, because her character literally did nothing this episode besides acting “cute” and fighting. I much preferred the Amira we got in the first episode, because although that one was very generic and without nuance, she at least had intrigue built into her personality. She’s a badass demon. If you’re going to show a human side to her true form, make the audience become invested in her character with some character development rather than an abrupt shift in personality. Other than that, the only character I find interesting so far is the necromancer, because she’s pleasantly gruesome. If there are to be any highlights in this episode, they are the scenes that involve her. The voice actor does a fantastic job portraying her personality, and I look forward to seeing more of her character.

Ultimately, this episode was not a bad episode so much as it was a red flag.

Posted by AidanAK47 on 30 October 2014 with categories: Currently Watching:

Sorry for not giving this a first impression but I felt that to do so at this point would be redundant. So Nanatsu no Taizai, or Seven Deadly Sins if you prefer. An anime that certainly does nothing new. Every ounce of which filled with standard shounen battle manga tropes. Yes this anime does nothing new, instead it brings back something old. Seven Deadly Sins is reminiscent of old school shounen such as dragonball, Slayers and Fist of the North Star. Even the artstyle of the manga had a similar feel to that of Akira Toriyama. And in the age where mainstream shounen is that of blatant wish fulfilment such as Sword art online and Mahouka, this is most certainly welcome. To those who grew up on the likes of Dragonball Z, this will hit the nostalgia buttons.

The story is of a kingdom being terrorised by the holy knights, where a young princess Elizabeth seeks out the legendary Seven Deadly Sins. A group of exiled Knights who may be the last hope for the saving the kingdom. On her search she runs into a mysterious boy who owns a pub who could be connected to the ones she seeks. The story is simple but effective and wastes no time in getting started. It’s not long before we are introduced to our first Sin, Meliodas. Being our main protagonist, Meliodas is rather happy go lucky though not with the sense of idiotic naivety like Monkey D Luffy. More in the sense of a powerful warrior with a heap of confidence. The one aspect I am not fond of is his constant sexual harassment of Elizabeth, which is played for laughs. This is not out of righteous indignation mind you, but rather that it gets old fast. Elizabeth is a character chained by her role as a princess. Therefore you can likely guess her personality. She serves the needs of the plot but it doesn’t remedy the fact that she is rather boring. Daine the second sin, on the other hand is a great character. It’s so rare to have a giant as a main character and her method of fighting with brute force is one I love to watch. I also find her concern for her size and how others view her interesting. Such a pity she is crippled with a lovestruck fascination with Meliodas. Again used for comedic effect. The talking pig is a typical mascot character but well at least doesn’t grate on the nerves.

The animation seems fairly good with fight scenes having the necessary thrill. The art didn’t quite capture the style of the manga but it’s close enough to not warrant complaint. I do find fault with the fanservice but in comparison with the standard as of late this is very tame. And so far the story has been adapted perfectly. To those missing the glory days of Naruto and Bleach or looking for a nostalgic fix I do recommend this show. As both the manga and the anime have yet to suffer the curse of long running Shounen battle manga. I only hope it can stay that way. One last thing, the new third Sin in the fourth episode should have kept the beard. He looked much better with it.

Posted by k-off on 28 October 2014 with categories: Gugure! Kokkuri-San

By now, I have a general idea of how the writers are going to go forward with this show. This show continues to jump the gun without setting up a clear voice for itself while pulling off some genuinely fun comedy, creating this weird combination that is somewhat off-putting yet fairly enticing.

However, this episode has its share of very dull/odd moments, which just serves to prove my point about this show’s lack of consistency in both humor and voice. When Kokkuri-san follows Kohina to school, we’re introduced (no spoilers) to a particular character we would never expect to see in a story based around Japanese folklore- this was something one would expect out of Nichijou. While the show is self-aware and points that out itself, it doesn’t change the fact that up to this point, it did not do a single thing to lead us to believe that this show was anything like a surreal comedy. While the previous episodes certainly did contain a lot of absurd humor, it was within the confines of its limited comedic spectra and therefore had zero buildup to what we got. If they’d only played with surrealist humor from the beginning, I’m sure that I could have fully appreciated parts of this episode a lot better.

The inconsistencies aside, that scene and the other parts of the episode were pretty damn funny for what they were. They introduce us to two brand new characters this episode, and Shigaraki in particular is a welcome addition to the mix. He brings a much more believable serious tone to the show, and this episode puts much effort into his character development by putting a spin on his personality that doesn’t shy away from adding a touch of dark humor through his “philanthropist” work. I really appreciate how the writers caught me by surprise just when I began rolling my eyes- because for a moment, the show looked like it was approaching the typical “mischievous person who is actually a good person” route with the character near the middle of the show.

Outside the main highlights of the episode, it was also nice to actually get some insight into Kohina’s character besides her usual static personality by showing how she behaves in her school environment. This show doesn’t take enough time to develop Kohina’s character, which isn’t a problem as long as it makes the interpersonal relationships interesting, which it does very well: That’s where this show excels in, and it’s been solid so far solely based on that- almost to a fault, since the writers are ignoring important elements of writing and comedy.

On a tangent, it’s a bit too late to mention this, but the soundtrack is very nice to listen to and complements the show very well. The opening song is still terribly annoying to listen to, but the ending is pretty nice and an overall pleasant listen. If anything, this show has charm. They played the opening of this show as the ending song in the first episode, but oh well.

If you like chibi animal mascots and something to kill time with (because face it, every season has a day in the week with crappy anime), I reckon that this show is perfect for it so far.

 

Posted by AidanAK47 on 28 October 2014 with categories: Currently Watching:

That’s it. I give up. I concede. I throw in the towel. I surrender. This is just a travesty, an unsalvageable mess. I have given this more patience than it deserves and it has rewarded me with tedium. The editing is schizophrenic and distracting. The dialogue and events passing by too fast for emotional impact. The animation and art barely passable. The presentation of the source material utterly baffling and without context. I can safely say that if you had not read the visual novel you would be completely lost on the story of this episode. And when an anime requires you to read it in another medium to understand it, then you have failed as an adaption. The music has been ripped straight from the visual novel and quite frankly you can tell. For a reading experience these tunes are fine but in this they are very out of place. Being more intrusive than anything. If I had to guess I say the producers of the anime struggled to search the game OST for suitable tracks, only to just try and force in whatever tune they landed on.

This episode has introduced us into one of the routes of the visual novel. Unfortunately the route of my least liked heroine, the blond fake tsundere Michiru. I previously stated in my last Grisaia review that to jump into the plot of one of the heroines without establishing an emotional attachment first is a mistake. The remedy the producers seemed to think would fix this was to just chuck a bunch of random skits to do with the heroine for the first half of the episode and hope for the best. It didn’t work. The skits passed by too fast and were too lazily done to be funny. The jump into her arc was vexing at best. Switching from a cheap philosophical conversation about life after death to low brow slapstick humor. I am rather confused at what the intent is here. Am I supposed to consider how “deep” that talk was and then after laugh because the girl put her hand on dog poo? Which target audience are we trying to hit here? And the end of the episode was a poor attempt at tragedy. Again this is something that needs an attachment to the characters to work, an attachment we cannot possibly have from some tiny little skits. We barely know anything about these characters. How can we feel for characters troubles when we do not even know the character herself?

So with high confidence I can declare that this can join the ranks of the many failed visual novel adaptions to be thrown into the animated medium. Unless there is some major development like a complete studio change I can safely say this is a lost cause. With my previous review, I stated that Fate/stay night UBW was how to adapt correctly. Well this is how not to adapt. Grisaia no Kajitsu is an adaption in the same way that M. Night Shyamalan’s “The Last Airbender” is an adaption. The characters may have the names and the story events may be present, but presented without soul and crushed down till it retains none of the quality. A shallow imitation with no charm or meaning. It’s only purpose to prevent the story from being handled by more capable hands and dissuade others from picking up the visual novel. I said before that this story was by no means a masterpiece. But to see it get degraded down to this is a sad sight. So with a heavy heart, I will drop this anime and see if I can find something more worth my time.

Posted by LightningBolt on 28 October 2014 with categories: Currently Watching:, Your Lie in April

Your Lie in April has emerged as a bit of a nice surprise in this young season. The fairly popular noitaminA programming block has been pretty hit-and-miss of late, with some very good shows here and there but a much higher rate of complete duds compared to the block’s past. For this reason I approached Your Lie in April not so convinced that I was going to be a fan, despite a decent (though hardly groundbreaking) premise. Thankfully, through three episodes, the show has settled into a nice groove and has brought some pretty good drama and music to the table each week.

In episodes 2 and 3 of Your Lie in April we’ve gotten through character introductions and have seen beginnings of the various relationships present in the show. Our two leads, Kousei and Kaori, have gotten over their initial but shortlived hostility towards one another that stemmed from their meeting and have begun interacting on more friendly and deeper grounds. The writers didn’t waste much time in addressing Kousei’s trauma related to his piano playing and have faced it head-on in these episodes, ending with episode 3 having Kousei ready to accompany Kaori in her next performance. While there’s not much reason to believe Kousei’s over his trauma, it is refreshing that it hasn’t been dragged out as long as it could have (and as long as I was personally expecting) and that, whether things go smoothly during this performance or not, some kind of progress should be made in the next episode on this front, just as there was progress made in this latest episode. Perhaps this is one of the better aspects of Your Lie in April – there’s been consistent progress made in the story over all three episodes so far without a lot of the dragging out that plagues many stories, especially ones that touch on romance.

Not all is good in Your Lie in April, unfortunately. The main thing that sticks out to me as not being particularly well done is the comedy. While comedy is wildly subjective and difficult to critique without going to vague points, I do think the show’s comedy fails on most levels. In most comedic moments, the art style resorts to a more crude and simple style which tends to clash pretty strongly with the show’s normal highly detailed and well-done presentation. Most of the comedy also seems to be of the slapstick variety, which has never been a favorite of mine on a personal level. In episode 3 we had such moments like Kaori throwing a shoe at Kousei and giving him a heel drop at the end. Our female lead is quite the violent one. There are also a few other problems, though they aren’t very numerous and don’t detract too much from the experience. One such problem was the unnecessary “Friend A” thing thrown around so far. I immediately related it to the all-too-common character trope anime uses with lead characters who are super ordinary and live super normal lives. The thing is that Kousei isn’t that character. He’s already been through a lot as a person, he has a remarkable and outstanding talent, and, as mentioned in episode 3, he’s seen as a bit of a celebrity among musicians from his age group. I just don’t really understand where that whole “Friend A” thing came from that paints him as some forgettable background character.

Overall, Your Lie in April has been a pretty good watch through three weeks. I wouldn’t recommend it to the whole anime-watching world as of now, but I’m sure a lot of people would enjoy it so far. If you’re into drama/romance anime, then you might want to pick it up.

Posted by AidanAK47 on 26 October 2014 with categories: Currently Watching:, Fate/Stay Night Unlimited Bladeworks

Well what can I say besides, I told you so. But even though I knew what was coming this is still remarkable. Not only is this episode excellent but it may in fact have topped it’s source material. It is at times like these that it is difficult to be both a Fate fan and a reviewer, as I fear I may just gush about this episode and give a gleeful ten out of ten. So bare with me as I try to appear objective. The episode was essentially one big fight scene between Saber, Archer and Berserker. Viewers of Fate/kaleid liner Prisma Illya may be surprised to see the former magical girl who learned about the importance of love and friendship, tell a giant behemoth to kill the people in front of her with nonchalant innocence. But to those of us who happened to see Fate/Zero we might have an idea as to why she might be full of murderous intent.

The stand outs of this episode was…the entire thing. Quite frankly the battle was phenomenal and never let up. This was a fight that would make the shounen big three green with envy. Positively jaw dropping animation with great choreography. But throughout the episode where small breathers. Those being a talk between Kirei and the blonde stranger, a small Shirou character moment and a battle between Rin and Ilya. The final of which I have confirmed to be brand new content not present in the original visual novel. This would normally be a negative point for fans but this actually managed to improve the story as a whole.

One of the biggest negative factors of Fate/stay night when compared to Fate/zero is that the masters of Zero actually got involved with the battle. In Fate/Stay night however in many cases the masters just stood at the sidelines and let the servants duke it out. Partly this was due to the inexperience of the masters of the fifth holy grail war. Here however we see Ilya putting up a fight as a master and showing that she’s more than Berserkers battery. It was a projectile based battle different from the close quarters combat of the servants and made the episode all the richer for it. Another new scene was Saber managing to cut berserker in half. I am a bit sceptical that she actually has the power to do this, however seeing as Sabers win record is rather disheartening I am willing to wave it off. Shirou’s moment was great as well, when seeing the battle between servants he is scared stiff and cursing his own powerlessness. But unlike a standard shounen protagonist who would spend a day angsting about this, Shirou quickly shakes it off and gets himself together. In the visual novel this was conveyed entirely through monologue but here it is done through a few spoken lines of dialogue and his actions. This my friends is the difference between simply shoving a story unaltered into another medium and adapting it for another medium. When you have the power to show, do not continue to tell.

If i was to truly nitpick as hard as i could I would say that some of the movement was exaggerated. In particular midair movement seems to disregard the laws of physics completely, with characters somersaulting and rolling through the air often pointlessly. But any one of you can tell me that doesn’t matter and I would gladly toss it aside as nothing. Because when the end result looks this good, who cares? UFOtable has done so far a amazing job in adapting fate/stay night. My only concern is whether they can keep up the pace. I would be solemnly worried that they wasted the budget on these first episodes. But if they can keep this level of quality…well this may be the best animated TV anime of all time.

Posted by ninjarealist on 23 October 2014 with categories: Akatsuki no Yona

Hak and Yona flee Soo-Won’s men, but Yona’s mental and physical condition continue to deteriorate. Yona and Hak are both haunted by memories from the past. This was easily the best episode in the series so far. Whereas the first two episodes primarily took place in the present or the future, this episode is mostly spent in the past and it’s a great choice. A lot has happened already and I was concerned that the characters might start to wear thin if the action continued unabated for another episode. Thankfully, the staff realize this, and have devoted an entire episode to fleshing out Hak and Yona.

For example, in the first two episodes, it’s implied that Hak has romantic feelings for Yona. The flashback in this episode made it abundantly clear that this is absolutely the case, and raises bigger questions about the nature of their relationship. For example, how does Hak feel about the fact that his hands are clearly tied both by duty and friendship? We also get hints at the true nature of King Il and Soo-Won’s father, suggesting that the picture might indeed be more complicated than either Yona or Hak appreciate.

As a backdrop to this, we get Yona and Hak’s travails as they flee through the woods. It’s an interesting juxtaposition. Yona’s idyllic memories of childhood are contrasted with her haggard and borderline-catatonic appearance in the present. This contrast helps reinforce how emotionally devastating all of this is for Yona. In one memorable scene, Yona is covered in leeches while bathing. She reacts feebly and is too weary to even remove them from her body. Hak is forced to do it for her. It’s a sad moment that conveys how drastically Yona has changed from the happy-go-lucky character in the first episode.

I’m really excited to see where this series goes if it continues to be this good.

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  • Rinegar
    (Sunday, Nov 23. 2014 04:43 PM)
    Hey, nice reviews, I began to make my own reviews as well, so check them out if you are interested! https://www.animetier.blogspot.com
  • Emma
    (Sunday, Nov 23. 2014 03:40 PM)
    Okay, Cossette no shouzou rewatched now too. This was on the high end of Shinbou’s cinematography and pretty much the best he’s outputted even if it has its choppiness/stiltedness in parts. It remains a creepy, surreal, trippy and grim, forboding, gruesome and immersive atmospheric ghost story that feels like it could have gone on a bit long and bar the three main focused characters could have had a little bit more depth.
  • Emma
    (Sunday, Nov 23. 2014 12:16 PM)
    It was only really entertaining for how nuts it got.
  • Emma
    (Sunday, Nov 23. 2014 12:15 PM)
    Aku no hana’s manga never really felt like much more than “crazy shit happening and femdom” = guilty pleasure to me.
  • Bam
    (Sunday, Nov 23. 2014 12:07 PM)
    @Emma: Gankutsou was fine in my opinion tho, as it was so out there that I never saw it as a real attempt at adaptation.
  • Emma
    (Sunday, Nov 23. 2014 12:06 PM)
    I don’t have much exposure to Cumberbatch beyond seeing him talk on film programs and also his role in that Star Trek movie, kind of want to see him in imitation game.
  • Bam
    (Sunday, Nov 23. 2014 12:06 PM)
    @K-off: Don’t give ‘em ideas m8, that actually sounds like a pitch that they would pick up.
  • Emma
    (Sunday, Nov 23. 2014 12:04 PM)
    There is a shoujo manga adaptation/rework of King Richard, there is also a romeo and juliet anime, it was one of the worst thing Gonzo produced, still didn’t dislike it as much a gankutsuou though.
  • k-off
    (Sunday, Nov 23. 2014 11:58 AM)
    @Bam He’d probably find some dumbass way to make it into shonen. Maybe Raskolnikov battles Alyona Ivanovna before he kills her.
  • Bam
    (Sunday, Nov 23. 2014 11:55 AM)
    Whoever made Aku no Hana should totally make a Catcher in the Rye adaptation tho, as they’re both fittingly pretentious and empty.

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Nerawareta Gakuen Review – 84/100

Let me talk a bit about Ryousuke Nakamura. For a long time, this guy was my hero. He started off as an assistant director to Monster, in my opinion a big reason why that series got such a ridiculously solid adaptation, and then in 2008 he came with the groundbreaking Mouryou no Hako. No TV-series […]

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Kick Heart

Okay, so I didn’t want to exit 2013 without having seen Masaaki Yuasa’s Kick Heart. It’s only twelve minutes anyway, and I consider him to be one of the best anime directors out there. The story here is pretty silly and mostly serves as a backdrop, so I mostly want to talk about the nature […]

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Kyousogiga Review – 90/100

Everyone’s taste is different, and that’s a wonderful thing because that allows us to have so many different forms of media that all aim toward their own niche. My blog is obviously written from the perspective of my own taste, and even when a show doesn’t cater to it (which is nearly always), I love […]

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Ore no Nounai Sentakushi ga, Gakuen Lovecome o Zenryoku de Jama Shiteiru Review – 80/100

Noucome! You do not want to know how long I have been waiting for a series like this. More than half a decade, at the very least. Finally a series comes along and puts the incredibly overused harem genre in its place. And it actually does it well. Thank you! So to elaborate: the harem […]

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Pokemon: The Origin Review – 75/100

Normally I try to avoid spoilers with these reviews, but screw it, it’s Pokemon. Pokemon The Origin is a bomb of nostalgia. If you haven’t played Pokemon Red, Blue or Green, then you will not enjoy this one slight bit. This really is made as pure undilluted fanservice for the fans of the first games. […]

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Tamayura – More Aggressive Review – 75/100

I’m not going to dedicate a post for my impression for the final three episodes of this series. It was just too boring to write much about. I guess that that gives a pretty accurate indication of what I think about this series. Right at the start of Tamayura’s second season, I asked one question: […]

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Silver Spoon Review – 86/100

When Noitamina started airing two series per season, it was amazing. It’s a timeslot that on average tends to be aimed at a much older audience than usual, and having two series with the same mentality definitely helped to bring more diversity to anime overall. Unfortunately it’s a schedule that could not be kept up […]

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Yondemasuyo, Azazel-San Z Review – 82,5/100

Reviewing a comedy sequel usually is quite simple: in most cases it just drops the bomb and runs out of inspiration, and in rare cases it actually manages to stay hilarious. The tricky thing with these kinds of series is that you need to remain funny, and you need to have the inspiration for that. […]

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Gargantia on the Verdurous Planet Review – 81/100

Gargantia on the Verdurous Planet tells the storyline of a planet that is completely submerged, with only giant ships residing on the surface, while one of those ships gets visited by this guy and his AI-mecha from this very technologically advanced civilization. Yes, this show is about world building. What this show managed to do […]