Posted by Lenlo on 7 December 2017 with categories: Currently Watching:, Mahoutsukai no Yome

Hello and welcome to another week of Mahoutsukai! Lets hop right into it.

First and foremost, let’s talk about Chise. As the main heroine of the show, naturally it’s going to focus on her a lot. This week zooms in on her relationship with Elias and what it actually is. Characters and situations comment on it throughout the whole episode. From Simon the Priest mentioning Elias is rubbing off on her, to Angelica calling out her Stockholm Syndrome. Even the little side story about the Leannan Sidhe, which I will talk about later, is a commentary her relationship. Usually, I would applaud this sort of commentary, making the characters think about their lives. But with Chise, while I like how she has grown, we know based on previous experiences she won’t question anything. Its not that it’s bad writing, that’s far from the case, I just find it uninteresting to watch.
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Posted by SuperMario on 6 December 2017 with categories: Currently Watching:, Juuni Taisen

Juuni Taisen again expands a huge flashback in the middle of the current story, but this one hits all the right notes because naturally its heart is in the right place. It’s episode like this that I am glad I’m still sticking with Juuni Taisen and regain my faith to the overall quality of this show. Forget my slam on the representative of women warriors in Juuni Taisen few weeks ago, because with this episode, Tiger becomes one of my favorite character and the whole female cast is up there as the show’s best written characters (3 out of 4 if you ask me with Monkey, Tiger and Chicken are all spectacular, only Boar isn’t that developed but since she was out after the first episode, I can get behind that). Continued right the last episode left off, the long-awaited duel between Bull and Tiger is permanently interrupted by the Zombie Rabbit – a typical move from Nisio’s writing. Despite the fact that I can forgive the carelessness of both warriors, given they didn’t know that Rabbit was a necromantis (something we learned right at the first episode), hence aren’t prepared for his sneaky, underhanded attack; I still don’t get why Rabbit bites his tongue could activate his self-control zombie mode ability. Self-sacrifice by biting off his tongue? Listen, the main reason you die from biting your own tongue is due to the amount of blood loss (bleeding to death), so it doesn’t make any goddamn sense here, technically. Only reason I can come up is that Rabbit was a zombie from the very beginning (look at his red eyes and his unpredictably moves), but then why does he think it’s a good idea to get his body chopped off like this? He can’t regenerate his body, can he?

I must admit I wasn’t ready for another flashback of Tiger, and I certainly didn’t anticipate that flashback to be this poignant and bittersweet. Snake and Dragon’s 2 part-er, take note. This flashback not only builds from the previous one about Tiger who eventually lost herself to drinking and killing because of the mad world, but also adds another dimension to her character development, with charming dynamic between Bull and Tiger to boost. Like I mentioned last week, in many ways, Bull and Tiger share the same fighting styles, but not necessary the same mentality. Tiger kills enemy recklessly because she’s lost and suffering, so to see Bull killing them with a calm demeanour, she can’t help but think Bull knows exactly what he’s doing – a warrior who always does the right thing. When confront with that question himself, Bull comes up with an answer: first, you choose to do it, then do it (the way he demonstrates the idea is priceless by the way). The moral here is the intention. That encounter eventually leaves a big impact to Tiger that she finally has a goal in her life: to meet him again and get him to acknowledge her.

Life is always a little bit more beautiful when you have something to look forward to, so naturally seeing Tiger having her personal goal is already a joy to watch. And I won’t lie when I say I’m eager for her sobering up and doing everything in her power to get into the Zodiac Wars just to meet the person who changed her path of life. She saves Bull without even thinking – her very act of doing the right thing. This episode also sells me on the warm chemistry between Bull and Tiger as we can see the spark of their relationship not only from Tiger’s, but from Bull’s perspective as well. Bull is the man of action, which is to say he doesn’t talk much or think much because his resolve is always clear as the sky. Yet within his time spent with Tiger he talks the most, he isn’t willing to let her die because he has never been saved by anyone before, not knowing that it was the debt she’s repaying him. In addition, Bull never has any intention to kill Tiger as far as I concern, and that makes their final conclusion: he has to finish her off (as Tiger requested) before she turns into a zombie, the more bittersweet and heartbreaking. Bull finally acknowledges Tiger as a warrior just as she wished, and I as well acknowledge her for having such a compelling and moving character arc. The race is now a three-way battle between Bull, Bunny and Rat, and with Rat’s nowhere to be found it’s not a good sign. With only two episodes left, I expect Rat teaming up with Bull to kill an annoying zombie plague and maybe put my beloved Monkey into an eternal rest. At the same time, I am content with Juuni Taisen for now because we’ll always have Paris this episode to linger on.

Posted by AidanAK47 on 6 December 2017 with categories: Currently Watching:, Kino’s Journey -The Beautiful World-

I will likely be spending most of this post talking about one segment of this episode as just as the title suggests, these are a series of stories involving different countries. But before I get into that I must truly question why these particular stories were chosen. I have stated before that I love Kino for it’s introspective parables and how they make you think but today’s episode was mainly comedy for some reason. None of the stories are put together with any kind of cohesion and some I question the point of animating at all. For example, at one point this episode went from a serious dark story to complete slapstick at the drop of a hat as a story about a cooking country was introduced. A country gets Kino to cook something for them and it is revealed that Kino is a terrible cook whose meals are nearly fatal. My how hilarious, the cute girl who has confidence in cooking but all her cooking is lethal. That’s a joke so unique that I have only seen it a couple of hundred times. I mean i just finished playing through the third game in the Blazblue series(Story is still god awful but I made i this far for the gameplay) and that has this very same joke.

Why was this deemed animation worthy? It’s a story setup for a single joke that’s already been done to death, not to mention it doesn’t make much sense that Kino can’t cook. She can survive on her own and has fed others before, it’s makes no sense that she can’t cook The beginning segment is also equally pointless as it just sets up that Kino’s master has traumatised bandits enough to be very selective of who they attack. There are so many other stories that could make the cut, why this? For example, I know a short Kino story where she journeys to a land that is burning all the toys, magazines and playthings of the children on the grounds that without they will grow into pure and good adults. But whent hey let the kids ask Kino a question, one of the children asks her how to burn alive all the adults of the country. That’s the story, short but undeniable Kino. The moral may be a bit too blatant but I much prefer this to having a story about Ti hanging a wish on a statue.(Again, why choose to animate this?) The story about Kino visiting a country that she wasn’t allowed to remember is a good way of doing humor in this series as if provides a philosophical angle while entertaining a humorous one.

Not every story in Kino’s Journey is a gem which is to be expected considering it’s episodic nature but I feel there should have been far more scrutiny on choosing which stories get animated. I am fairly certain that three quarters of this episode didn’t need to be animated and could have been replaced with superior stories. There are just some odd choices going on here, such as having the author’s afterward in the credits of this episode. It gave the episode a weird finality which had me concerned whether this would only be a nine episode cour but luckily that appears to not be the case. Now onto my favorite part of the episode, a land where everything is awarded virtue points and doing good deeds gives you leeway in the country. This is a fascinating concept because the system has it’s ups and downs. Namely that it encourages people to perform good deeds but makes the act somewhat disingenuous as everyone is only after points rather than displaying genuine goodwill. But what makes this concept most interesting is that your virtue points can cancel out any wrongdoing that you commit. Under the grounds that it’s unfair for a man of many good deeds to be condemned because of one wrongdoing and a bad man being absolved due to one good deed. The man whom Kino talks to in this story had accomplished great deeds but he soon reveals that the only reason he did all of it was because he wanted to earn enough points to kill a single person.

Now I actually find the system genius for this as it appears that it takes a massive amount of points to cancel out murder and here a murderer spends his life performing good deeds for the sake of killing someone. And when he finally has what he needs, he’s old enough to see the folly of it and has no one he wishes to kill. This is absolute genius, for a evil man is made into a benefit for society and when the time comes when he can do evil, he no longer has the will to. But the big question of this story is do we judge a man by his character or do we judge him by what he has accomplished? For this man was evil but still accomplished great things worthy of respect. Does it matter if his motives for doing so where unsavory? I feel this message hits harder at the recent news of the author of Rurouni Kenshin, a well loved shounen series, was revealed to be a pedophile who had a large amount of child porngraphy. For now and forever that series will have the authors sin staining it but again the question remains. Can we respect that this man created a well loved franchise despite how rancid his character is? Do we judge a person in history by what he accomplished or by who he really was?

For there were many horrible people who accomplished great things that we benefit from even in this age. The Fate Franchise has built itself on taking the legends of people and building characters around them, characters which are likely nothing like their real life counterparts and yet to some like myself, have completely replaced their image. I wish that Alexander the great was like that of Rider from Fate/Zero but in truth he was likely a much worse person and I would not like him at all. So in truth is the form of immortality that is records is not truly a record of people, but rather of accomplishment? For what they people thought, felt and even who they truly were has been lost to the ravages of time. Cutting this off bluntly but I think this post is long enough, next episode appears to be another remake of an old story and again I feel like we could just get a new story instead of this. The kind land made for a great closing episode to the original series and having it be in the middle of the series like this is just odd.

Posted by SuperMario on 4 December 2017 with categories: Currently Watching:, Houseki no Kuni

Houseki approaches summertime this episode and this week feels like a breather after the intensity from the last few weeks, by that I mean Phos didn’t get into any real trouble by the end of this week. Not to say this episode is anything less amazing compared to last several weeks. One of the factor that I still regarded Grimgar quite highly despite its shaky overall production is that they nailed the feeling of grief admirably, something that the anime medium usually glosses over too quickly. The loss of someone close/ dear to you usually leaves a lasting, permanent impact, so naturally I found myself tuning out whenever the main protagonist overcomes that loss just several episodes like nothing ever happen. Here in Houseki, the loss of Antarc still lingering over Phos, and although Phos doesn’t have any significant alteration in their physical body, this week marks a tremendous change in Phos’ personality. At the beginning of this episode, we see the more collected, no-nonsense Phos and they still mourn over the loss of Antarc, whom they feel their capture was entirely their fault. The nightmare/hallucination of Phos about Antarc, in particular, is a powerful and realistic moment about people gem who experienced post-traumatic stress disorder.

Back to spring, when all the gems wake up from hibernation with a new job, and new pairs of spring uniform. Phos receives unanimous popular for their new alloy arms, which can stretch, turn, attack and making a wall at will. The other gems, behave exactly like children who receive new toys, at first scare of Phos’ arms, but then the curiosity takes a better of them. With the old Phos, the sudden popularity and recognition from their peers are all they could ask for, but now that Phos actually has all the attention, they don’t know how to deal with it. “Not a single good thing has come from it”. This line nails perfectly how the current Phos feel. Phos is now strong at battle, can single-handed hold off the Lunarians’ attacks, just like what they wished right at the beginning of the series. But everything else is off. They still can’t fulfil what they promised to Cinnabar, they lost what they consider their best comrade. My favorite moment of this episode has to be when Phos cries their gold tears, in which Kongou sensei calmly responses “This is merely a defect found in ancient organism and nothing to fault yourself for”. Somehow this line really sums up Houseki’s eye-opening world flawlessly.

One thing I didn’t pick up on my last coverages is how the Lunarians have several different types attacking the Gems. I guess the different in types all depending on the Jewel materials they used to attack the Gems. My take is that the old, classic type is the type that has none of such material. Which comes to a fascinating scenario: Imagine how Phos would react when the Lunarians use Antarc’s fragments as their core materials. Granted, Antarc is fragile in nature so there is a low chance that would happen. One more interesting factor in this episode is how Phos slowly lost their memories as well. Not sure when they response to Rutile that they don’t remember Cinnabar is just a total scam or the truth, but with Phos slowly losing their memory (due to their loss of fragments), changing both in their personality and appearance, what’s left to the original Phos except their gorgeous Tomoko Kurosawa’s voice? Are they considered the same gem then? As this is the episode dedicated to the new personality of Phos, the background visual appropriately has more colourful setting with the yellow reflection from the sun. The visual motif changes as well, as previous episodes we often see Phos lying on the grass, this time though they’re standing on it, but still feel lost and directionless. The visual and the music is as dead on as ever. This might be a slow episode, but Houseki again successfully establishes Phos as a compelling protagonist, and I really hope in the last 3 episodes, we gonna have a powerful arc that close up this magnificent, unique anime in a satisfying manner.

Posted by Lenlo on 4 December 2017 with categories: Currently Watching:, Inuyashiki

Hello and welcome to another week of Inuyashiki. We are approaching the end, with only 3 episodes left. The end-game has been revealed, Hiro returns to his roots and Inuyashiki gets found out by someone close to him. Lets jump in!

To start off, Inuyashiki tipped its hand this week as to the ultimate ending. A news report mentioned a 50 km wide meteor hurtling towards the planet. This is something far beyond any human technology to stop, but luckily we have two alien cyborgs to save the day. The only real question is which of the two is going to inevitably sacrifice themselves to stop it. On one hand we have Inuyashiki, the old man dedicated to helping people. Its completely in his character to save people, yet he has much more to lose than Hiro. On the other hand, Hiro sacrificing himself would complete the “redemption” arc/theme Inuyashiki seems to be going for. I am not sure which I would prefer, or how both of them sacrificing themselves would fit in. Regardless, the general ending is now obvious, we need only wait and see how it’s done.

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Posted by SuperMario on 3 December 2017 with categories: Currently Watching:, Girls' Last Tour

Leave it to Girls’ Last Tour to not only address the meaning of life in their lifeless world, but also what does life itself even mean. “What is life?”, that question is asked several times during the episode, and the girls can only come up with the most direct, simplest answer to this grand question. We are the life form, robot sure isn’t. Even us, the viewers, in this age and day, don’t even consider robot as a lifeform, do we? Since life is organic, including the capacity for growth, reproduction, functional activity, something that a mere robot doesn’t have. Girls’ Last Tour challenges that notion, as the show follows our girls into the one of the remaining fishery. The place is still automated functioned by a giant robot, and further inside is another robot who takes care of the last remaining fish in this fishery (if you noticed we’ve seen a lot of “last” in this series: the last flying airplane, the last potato few episodes back). The girls argue robots don’t have consciousness, yet their coding POV pretty much suggests that they process a consciousness of their own. The girls argue they can’t think on their own, yet in this episode they manage to do just that: talking to the girls, managing to keep on going even though the human race is gone. The girls argue that they don’t have feeling, yet they share a level of empathy that eventually touch them. Don’t those make the robot, then, a fully animated being?

And in fact, the concept of life that the robot explains is far beyond the life-concept of human being. The living things, organic and non-organic being include, inside the world forms a wholly giant organism. That world used to be “alive”, but now all we see is the remains of this death world. One of the main takeaway from the girls about “life” at the end, is that “maybe “life” means something that has an end”. That takeaway again aligns so well with Girls’ Last Tour main theme’s and its outlook of life. Throughout this episode, Chi-chan experiences herself in a brink of death by nearly get drowned in the fish pool. The plot soon thickens as the big robot decides to demolish the building, meaning the little robot and the last living fish will be soon dying as well. As soon as the girls acknowledge that the robots have life, they have to end the life of the big robot in order to save other lives. Killing it so to speak. This sequence won’t be as affecting without the moment when the big robot looks back, right before the Chi-chan pulls the trigger. That moment is an acknowledgement about the life the big robot has, as well as the acceptance that eventually everything will have to die, so the best way to die is to live on and hang in there (to borrow the lines from Kino’s Journey few episodes back).

The sense of empathy is another theme Girls’ Last Tour successful raises this week. Just look at how Yuu changes her attitude towards the fish: at first, she just wanted to eat the goddamn fish, then she is allowed to feed the fish, later on when she knows the fish is in danger, she decides to step in to save it. Empathy also plays a significant role in small robot part, as it sounds and behaves the most humane out of anyone in the cast so far and to the big robot, as I can see the empathy level of the robot towards the girls: it knows Yuu tries to kill it yet it seems to understand the reason behind it and gives in. It’s when you are truly alive that you can feel empathy. Girls’ Last Tour, once again, says so much by showing so little, asks so much about the deeper meaning of life with its low-key yet sometimes ambiguous approach. Another real winner episode for me.

Posted by SuperWooper on 3 December 2017 with categories: 3-gatsu no Lion, Currently Watching:

Look at me, posting this review just hours after episode 30 showed up online! This must be the start of a new chapter in my blogging career, and my reward is a pretty good episode of 3-gatsu. I say “pretty good” rather than “great” because, as is often the case with this show, one of the manga chapters it covered was much better than the other. Thankfully, the team at Shaft seemed to recognize this, because they devoted a lot more time to Nikaidou’s story than to the dialogue between Rei and Hayashida-sensei. This is the second of these student-teacher chats that we’ve seen this season, and while they’re important for establishing Hayashida as a fatherly presence in Rei’s life, this one wasn’t as strong as the original. The close-ups, head tilts, and repetition of past jokes (countering “monster parents” with other monsters) were particularly distracting this week. Really, the only thing I gleaned from this scene was the way in which the Kawamotos’ father disappeared – he found a new girlfriend, abandoned his family, and started a new one somewhere else, just like that.

There’s more that could be said about “Midday Moon,” but the Kawamoto family wasn’t the real focus of this episode. That honor belongs to Nikaidou, who some 3-gatsu fans cite as their least favorite character due to his role as a loud, hotheaded rival character. If there were ever an episode capable of changing their minds, though, it would be this one, which explored his history as a shogi player, his struggle with chronic illness, and his fierce competitive mentality. Shimada is the perfect conductor for these flashbacks due to his status as Nikaidou’s shogi “brother” and his recent mentorship of Rei. Even more than his present relationship to their characters, however, his initial dislike of Nikaidou is what sells “Adventures” as a complete story. Shimada first dismisses him as a rich kid looking for kicks, resenting his wealth because of the poverty in which he himself grew up. But after perusing his semifinal match records, he realizes Nikaidou is an obsessive student of shogi, and that his sickness must have created the conditions where he’d be able to fully devote himself to the game.

Knowing this about Nikaidou, it’s easier than ever to draw a parallel between him and Kiriyama, his arch rival. Rei was essentially forced into shogi in both his biological and adoptive families, and continued to use it as an unhealthy mode of escape even after becoming independent. For both boys, the game functions as something of a curse, but it’s also a life preserver in an ocean of pain both psychological and, in Nikaidou’s case, physical. He can’t bear the thought of anyone going easy on him, because for him, shogi is the only contest in the world where he’s on a level playing field with everyone else. That’s why he begs Shimada not to tell Rei about his illness – not only does he want to avoid burdening his friend, but he also wants to maintain their rivalry as a means of personal growth. As I watched this scene, I remembered Kyouko’s past strategy of telling Rei about the strained family life of another shogi player, hoping to sabotage her stepbrother by generating sympathy for his opponent. The hurt that Rei experienced in childhood makes him scared of hurting others, so it seems Nikaidou was on the right track by concealing his condition from his best friend.

The question of whether Rei can still treat Nikaidou as a rival is left unresolved here. Shimada reveals that his opponent in the semifinals forced a second game after a threefold repetition, which has a direct equivalent in chess. In that game, such deadlocked board states are typically avoided, but can be intentionally pursued to manipulate the game clock, which appears to be what Nikaidou’s opponent had in mind. Whether he purposely took advantage of the boy’s poor health isn’t clear to us yet, but either way, Rei has an opportunity to avenge his friend in the finals. That match will function as a landmark moment in Rei’s shogi career, but Shimada is more interested in whether he can still be merciless Nikaidou, as his opponent was. And although Rei is determined to win his next match, he dodges Shimada’s question, which signals to me that he now sees Nikaidou in a totally different light. Even if the finals end in victory for Kiriyama, it’s going to take a lot more than a trophy and a promise of vengeance to bridge the gap that has formed between them.

Posted by AidanAK47 on 2 December 2017 with categories: Currently Watching:, Fate/Apocrypha

We return to what I feel Apocrypha does best, action, and what an episode to kick off the final confrontation. We have the black team approaching the hanging Gardens of Babylon in a group of airplanes. This kicks off a fights between Atalanta and Joan, as well as Achilles and Chiron. This fight is great, thrilling and for once the animation and sound design don’t ruin it. It’s an explosive confrontation between these servants as they jump from plane to plane trying to take each other out. Quite frankly this is what I came to this show for, to see historical figures duke it out in the more over the top ways possible. Of course learning about these figures and seeing how they interact and are characterised is a personal draw in this franchise for me but it’s clear we won’t have time for that. Still I do lament its absence even if signs of deeper characterisation are present. For example, we know that Achilles cares a lot for Atalanta but as a matter of fact the reason for this is because Atalanta was his first crush. When he was trained, Chiron used to tell Achilles stories about Atalanta which caused Achilles to gain a schoolboy crush on her. His caring for her in this series is actually his leftover feelings from that period. Though this requires clarification as while I seen it mentioned, I cannot find anything referencing it. There is also the nice detail that Achilles deeply regretted killing an Amazon Queen during his life and because of that he swore to never unleash the power of his spear on a female opponent. I really do wish that little details like this were included and utilised in the anime. Likewise i can’t really find anything about Chiron having a degree of precognition but hey, Achilles never had a flying chariot and it makes the fight more interesting.

It’s nice to have a little Shakespeare and amusing as hell that Shirou knew that Shakespeare would prefer to write the ending of this story as a tragedy rather than allow a happy ending. In other words Shakespeare actually wants Shirou to fail cause the tragedy of it would be far more interesting. So why does Shirou have to force Shakespeare to not turn his recount of this story into a tragedy? That is because Shakespeare’s writings have power, in fact he can pick up a pebble off the ground and turn it into a E rank Noble Phantasm. He can create up to C rank noble Phantasms just by writing about the object. As such there is a very real possibility that what Shakespeare writes about Shirou’s plan could affect it and Shirou cannot take that chance. Thus like a forceful editor, he must order Shakespeare to not write such an ending. It’s funny that in a way Shakespeare could have saved the world from Shirou’s plan but only done so because it would be more interesting to him. I really do love his character and the way in which he manages to get Semiramis to reveal more of her character goes to show how much more of a boon he could have been to the story if he was given more screentime. Just having Shakespeare running around inquiring into the servants characters could have given so much development to them.

So time for Nasuverse 101. In the Nasuverse there is magecraft and there is true magic. Magecraft is the kind that mages in this series use and it is magic but it has it’s limitations. True magic on the other hand, has no limitations. Bring back the dead, time travel to the past, enter alternative dimensions, even achieve true immortality. These are the things possible for true magic. There are five known true Magic’s but for simplicity sake we shall only talk about the one that is relevant here, that being the third magic, Heaven’s Feel. Heaven’s Feel is materialisation of the soul, essentially removing the soul from the body and allowing it to interact with the real world. What this would accomplish would be to give a kind of immortality as souls would never die and live forever. In fact the manner in which servants are summoned into the real world is a kind of third magic. This magic is actually the main goal of the Holy Grail War for the Einzberns as well as Zoukens main goal. This is also the reason that the Holy Grail War can be alternatively called “Heaven’s Feel”, in case this wasn’t confusing enough. Thus in the after credits scene of this episode we have Shirou’s goal be to use third magic on all humanity, hereby making humanity immortal and rendering death obsolete. In truth this isn’t the best solution as while it may work in theory, i believe there are Nasu works in which humanity has obtained immortality and it lead to the problem of humanity stagnating. It’s unlikely that he will succeed giving the current narrative but I hope we see some good fights till then.

Posted by AidanAK47 on 2 December 2017 with categories: Currently Watching:, Dies Irae

After the episode we had last time, it’s only fitting that this episode is more down to earth. Don’t want to burn out the staff animating action scenes like that every week. So this week we have our protagonist and antagonist sitting at a table to have a little chat. In that regard it’s nice to get to know Reinhard and his general demeanour of arrogance. But unlike Gilgamesh, he doesn’t belittle his opponents. Frankly Reinhard wants Ren to put up a fight, to push him to use his full power so that he can feel alive. For Reinhard is suffering from the same thing that Shirou is suffering from, a constant sense of deja vu.(Or foreknowledge if you prefer. People get huffy about them not being the same but the general rundown is people feeling like they have been through something before and thus it feels trivial and routine.) It’s amusing to see Reinhard have the complete upper hand and yet just give back Marie after Ren declares he will kill him. From this talk we learn a few things. That Reinhard is looking to remodel the world into something fulfilling to concur and he requires eight swastika’s to be released around the city. A city which was apparently constructed for the sole purpose of being sacrificed to Reinhard. And that Mercurius is the being who gave Reinhard the power and drive to do all of this.

Now to address the line likely to have raised a few eyebrows which is where Rea asks Ren to either rape her or kill her. So first off you cannot ask someone to rape you, because asking them to do it is giving consent and it’s not rape if you consent to it. If he was assaulting you against your will, then it’s rape. Basically you are asking him to sleep with you, not rape you. Secondly, this out of nowhere request actually has some logic behind it, flimsy though it may be. Basically in order for Reinhard’s plans to succeed, Rea needs to be alive and a virgin. Though the second aspect, unknown to Rea, isn’t really needed. Now i will need to go on a tangent here to explain this scene better but let me begin by stating that it is a common misconception among the anime community to consider Visual Novels, eroge and Dating sims to be different words for the same thing. This is not the case as Dating Sims are more stat focused games about dating girls. Eroge stands for erotic game and pretty much stands for any game featuring erotic content. Visual novels can sometimes fall into this category though the level of erotic content varies between games. For example, DangonRonpa qualifies as a visual Novel but it isn’t a eroge. Whereas Huniepop qualifies as a dating sim and a eroge but not a visual novel. It can get murky due to the terms vagueness but the terms are not mutually exclusive. Now where Dies Irae comes into this is that the game is technically an Eroge but primarily a Visual Novel. But the only reason it can be considered a Eroge is because sex scenes were crowbarred into the story because of a strange obligation in the VN industry.

This is something somewhat influenced by Fate/Stay Night which originally wasn’t going to have erotic content but Type Moon thought that the game wouldn’t sell unless it had erotic content. It was a huge success and thus from that point forward all visual novels crowbarred sex scenes into their narratives. You can always tell when these scenes come in because they are jarring and sudden. Often bringing with it a serious downgrade in writing quality. So with this we finally get to Rea’s abrupt “Bang me or kill me” request. Here’s the thing, this part featured a sex scene, or at least I assume as I played the all ages version of Dies Irae.(Some of you may call blasphemy on that but hey, I ain’t waiting months for a adult patch to come out. Besides I don’t even care about sex scenes and truly didn’t feel like I was missing out on anything) As such the script demands sex, so sex must happen. Logic or proper timing be damned. And it is these things that makes it awkward to recommend visual novels to others. Well line aside i felt the whole heart to heart here was falling a bit flat, with Rea and Ren relating their similar feeling that they somehow both knew that this event would happen, and lament the loss of their ordinary life. It’s just…I don’t really care about these two. I have said it before but I find the protagonist side of this story to be quite underwhelming. As a last note, Marie is back and after getting stabbed in the chest she had upgraded her emotional range from innocent puppy to moeblob waifu. Sigh…such a pity that a lackluster character should have such an appealing design.

Posted by Lenlo on 30 November 2017 with categories: Currently Watching:, Mahoutsukai no Yome

Hello and welcome to another week of Mahoutsukai. This week, as predicted, Chise gets a new friend, our evil Sorcerer gets a name, and Chibi art ruins scenes. Lets jump in.

To start off, lets talk about Chise. Its a good week for her. She shows off her own magic power and smarts with the Tarantula Hawks, a wasp species that hunts spiders. She shows to have potential equal to or above Elias’s, with devouring his hand accidentally, and she binds a familiar. Who, by the way, I am looking forward to seeing more of. Our pair needed a third person to bounce off of. For Chise, I am glad she is standing out more and more, as this is her story.  Shes no longer the cowering new slave from episode one. However, there are still some things that bother me.

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CHANGE USERNAME
Kaiser-Eoghan
I believe it works better in hellsing and drifters moreso to both being goofball action shows.
KTravlos
A point on the chibi in AMB. I was thinking about shows were the chibi did not bother me, and Hellsing Ultimate and Drifters (newest episodes coming out), both had deformed/chibi segments. For some reason they did not bother me. I think ABM directors have bad timing with them.
KTravlos
I have to say Ichirou Inuyashiki is very cool. Like he is really a cool character. Also I am saddened to say it but watching AMB together with Inuyashuki does not work well for AMB
Kaiser-Eoghan
@Silver: There are sad moments certainly but plenty of humour.
Anonymous1639132
Man, I sure hope Ichirou Inuyashiki and Hiro Shishigami make out, everything is just building up to that
silver
I actually have only watched one or two episodes of this season of 3-gatsu, but its rising scores and rave reviews are making me really excited! I've only put it off because it's somewhat emotionally tiring for me
SuperMario
@Kaiser: Well, after the first season of 3-gatsu ended, I did skim ahead to this bullying arc so I already know this is going to be powerful, yet the anime still wow me over and over
Anonymous1637770
Also it can be tricky selecting a season sequel since some old series had like 50 to 100 episodes, what counted as a season then?
Anonymous1637770
@Kaiser-Eoghan - It's more common in videogames (especially Capcom) than in other mediums. Megaman 2, RE 2, Street Fighter 2, Dino Crisis 2, Marvel vs. Capcom 2, etc.
Kaiser-Eoghan
Actually in a rarity, a sequel season is better than the first.
Kaiser-Eoghan
Which makes my enjoyment of sangatsu so strange.
Kaiser-Eoghan
And I generally do not like game/sports orientated shows.
Kaiser-Eoghan
That you slightlySuper-erMario and superwooper!
Kaiser-Eoghan
And my reaction to the show is such, that I enjoyed it enough to make such a huge pot about it.
Kaiser-Eoghan
Also I want Akari to be my mom and Hina is adorable without being annoyingly so and Kana Hanazawa is doing a good job voicing her.

And whoever said it is right, the op/ed songs are worth listening to, for once I’m not skipping them.
Kaiser-Eoghan
At this point it feels as if by the end of the series I’ll come off it thinking that I don’t want to say goodbye to these characters.
I don’t think as of just yet it complete lives up to honey and clovers legacy though.
Kaiser-Eoghan
I never cared about Harunobu initially, but recent episodes have changed this.
Dull parts of the manga are easier to get through for me in the anime due to Shaft elevating the material with one of the better uses of their visual gimmicks.
Giving the series another chance, even though I won’t fully embrace the humour, it does now and then manage to make me laugh a little.
Kaiser-Eoghan
The bullying arc centering on Hina and the shows treatment of it is better than most anime bullying stories and has provided the most emotionally rewarding aspect of the show.
Characters that are assholes like Kyouko’s boyfriend, Kyouko herself I’m finding somewhat more sympathetic and want to see more to their personal drama.
Kaiser-Eoghan
However I do genuinely think that the series does a good job of allowing dramatic moments to creep up on the viewer, that early scene of Hina crying over her mother, Rei’s family flashbacks, Akari’s concerns about Hina/the stuff with her dad, all the scenes with Kyouko do carry an effective and solid dramatic weight to them.
Kaiser-Eoghan
I feel it starts very strong, making a great first impression, then kind of has these dull moments that make it sort of a slog at times to get through, unfortunately I have no interest in chess/shougi and no knowledge the show tries to give me is going to stick or allow me to embrace that.
Kaiser-Eoghan
Through jumping back and forth between the anime and manga, I can say I have no caught up to where I will now watch March comes like a lion on a weekly basis.
Anonymous1636224
The blood of the innocent will flow without end, mmmmmm this is why I love Inuyashiki
Anonymous1636224
Mmmmmm the suffering of all those innocent people feeding his God boner, this is why I love Inuyashiki
Lenlo
Oh yeah, thats not a knock against it. Just noting they dont *need* much animation
SuperMario
Well, the nature of Mahoutsukai is slow-burned, so it makes sense they focus more on static, quiet moments
Lenlo
Was that blade 2022 thing supposed to be an example? Because I wasnt a fan. It was stylish sure, but difficult to follow.
Lenlo
Maho is a good looking show, I wouldnt call it a great animated show.
Lenlo
The issue for me is, theres just not alot being animated most of the time. Usually its a pretty slow moving anime, so most of its time is talking and still shots. It doesnt need alot of animation, so it doesnt have it.
Lenlo
@Niel, I think Mahoutsukai can have good animation when it wants to. Like the water viel in episode 10 looked good (Though im not sure how much of that was after effects)
Anonymous1635607
uhhh creepy
Anonymous1635589
the blood of the innocent will flow without end, mmmm this is why I love Inuyashiki so much
Amagi
I think the security is the same as here, it's just that Japanese people are less likely to rip stuff (correct me if I am wrong). It seems like ripped anime, manga and so on are basically always uploaded by Americans, Chinese people or someone else.
Kaiser-Eoghan
I was surprised heavens feel was camripped I thought security in japanese theatres was stronger.
Amagi
Yeah it's also screening in Germany, I will watch it in February, together with Heaven's Feel, Mutafukaz, Kimikoe and a few others.
Kaiser-Eoghan
*on Europa cinema
Kaiser-Eoghan
Nanoha new film to screen next February in the US, come in Europa license it for over here dammit....
Kaiser-Eoghan
Did have some down moments though.
Kaiser-Eoghan
And I guess contrasting Luke with his old self goes some way.
Kaiser-Eoghan
Saw the preview screening of the new star wars, still feel the new trilogy stands inbetween the originals and prequels, fufills its duty as a *** star blockbuster , some genuinely hilarious high camp moments, awful tokenism, Snoke is a shit villain, but two scenes with Luke actually have a pathos to them and I liked the chase/action scenes when they happened. Nobody cares about the acting/dialogue
AidanAK47
But there are times when it goes way too far and you can barely make out what is even supposed to be happening. Or characters go so off model that they are unrecognizable. It can be immersion breaking. Much like uncanny CGI.
AidanAK47
@Niel, I do agree that it's annoying to see people complain about animation when they clearly have no idea what they are talking about. Like those inbetween frame screenshot people. But I will say I appreciate on model characters more so than chaotic movement. When the off model stuff suits the tone of the scene like that blade runner part, then it's fine.
niel
I also don't want to see someone imply visual=animation for the hundredth time. Are people really that ignorant of the technical/artistic aspect of the media they consumed?
niel
It just depends on what works best in given scene and the aesthetic they want to go for. People can complain all they want about off-model stuff, but if they really only want that the they won't be getting nearly as much of those impactful scenes as there are now. So many of the ways people complain about it is really irking to me.
niel
normal/low action scenes is different from being on-model during the action sequences and just the ones that need some extra impact in general. https://youtu.be/rrZk9sSgRyQ?t=6m45s
niel
But that depends on the situation though. And I'd argue that being consistent and on-model during
Kaiser-Eoghan
@Vonter/Niello/Mario: Ideally I want it both ways, fluid animation AND consistent model visuals, all the while never sacrificing choreography.
SuperMario
But really, who am I to say. I'm the dude who prefer beautiful shot composition myself
SuperMario
The same can be said with Shinkai's movies since he always prefers static, beautiful shot that people tend to overlook that his animation is quite poorly handled
Vonter
You're right, but art direction does alleviate limited animation, I mean the old Berserk anime, kinda has a lot of slideshow moments. MahoYome has nice backgrounds, and despite the samey faces, at the very least doesn't come from the same mold as other series. Still cutting corners with chibi segments is was a mistake.
SuperWooper
Is it any wonder that people prefer things to be static/on-model? They want to see characters who look consistent and familiar so they can relate to them.
Nie
MahoYome being the biggest offender of people getting triggered to any kind of statement about the show's animation not being good. And it's absurd because the show's animation really isn't great at all. It's good with distracting people with pretty pictures, but animation-wise it's still mediocre.
Nie
@SuperMario: Not much. Just stuff like "Art is part of the animation weather it's beautiful backgrounds or just amazing looking characters. It's not all about how they move. If it was, CG would be considered great animation" multiple times. I've just been finding myself being replied with these kinds of comment non-stop since the start of the season.
SuperMario
@Niello: What happened exactly, if you don't me asking?
Nielllo
If I hear someone says AMB has good animation one more tie I might actually lose it. It's amazing how people who apparently know nothing about it try to defend this and other people who don't know anything are actually supporting the guy.
Niello
So with Fate Apocrypha episode 22 out, I'm just now learning that people think webgen style is horrible and they prefer static scenes with pretty visual over actual quality animation. WTF. I can't comprehend this. Are casual people who watch animation in general really that oblivious to the art they have been watching?
Lenlo
Berserks Dynasty Warriors style game looked better. Also, Mahoutsukai should be up tonight/tomorrow. Turns out, Christmas is a busy time of year at this job.
Amagi
*worse
Amagi
Especially when you consider how good CGI can be by now, look at Houseki or Kado. But Berserk was the worst thing I saw in years, many scenes felt worst than sequences of PSX games
Amagi
@SuperMario: Same. I love Kon and also consider Paprika's OST as the best. @Lenlo: Me too. I honestly even enjoyed the movies but the new series was atrocious
Lenlo
HIRASAWAAAA! HAAAAAI YOOOOO.
I miss the 90s Berserk.
Kaiser-Eoghan
I was also quite fond of his soundtracks for Berserk. AIIIIIYE FORCES : https://www.youtube.com/watch?v=NkYYYew8CUI
SuperMario
@Amagi: I'm a big fan of Kon so I've watched everything from his. Even bought a book about his works. About the soundtrack, I listened to them as well but not regularly, compare to pprika OST which I downloaded and listen to a lot
Kaiser-Eoghan
Although not completely a manga, Usagi yojimbo also has an anthro character.
Kaiser-Eoghan
Millennium actress is partially inspired by the actress Setsuko Hara.
Amagi
@Kaiser-Eoghan: The anthro-animal manga is even a topseller as far as I know. Haven't looked into it yet, though. Maybe I will do so.
Amagi
Speaking of it, I am still hoping Dream Machine will happen some day. Kon died believing it would happen
Amagi
@SuperMario: Have you tried the other Kon movies like Millennium Actress once? Thought they were really good and Hirasawa is responsible for the OST there too. Or Paranoia Agent which was (IMO) very good as well https://www.youtube.com/watch?v=0nttSKBJ38k (OP)
Niello
Eoghan: Enjoy... ;)
Kaiser-Eoghan
While I haven't read this, its very strange to see a manga about full anthro animal characters: http://kissmanga.com/Manga/Beastars
Kaiser-Eoghan
@Vonter: So based on that I will try devil lady. Thanks.
Kaiser-Eoghan
@Vonter: That'd be me who made that post. I thought dororon enma-kun was wonderfully ridiculous and Devilman gorishly entertaining, Shin Mazinger Z was probably some of the most fun I had with an anime, but violence jack took it way too far though so I guess I'm aquainted with nagai's work
Vonter
I don't remember who was looking for something noir in anime. I was looking among several series from Go Nagai. And watched some Devil Lady. I don't remember if noir is exclusively detective stories, but this anime, has those high contrast shadows, eerie music and is shot like some japanese horror movies I've seen. I don't know if it changes along the road but so far it's very suspenseful.
SuperMario
I only know him through his works in Berserk and Paprika but his music never fails to amaze me
Anonymous1626471
@Amagi: Ghost Bridge is my favourite. I just find it very calming. https://www.youtube.com/watch?v=aeh5aJsxlbw
Amagi
Susumu Hirasawa is one of my favorite musicians/composers. I don't even know what kind of subgenre this is. There aren't any other music groups I know who do similar stuff
Nielllo
@Mario, Already saw that video before.
SuperMario
Check this out... I don't even know what the freaking instrument he's playing, but it's spellbound https://www.youtube.com/watch?v=PjalQjAomH0
Niello
Just when I thought Houseki no Kuni took the prize for best animation I was treated with Apocrypha. This week is amazing.
Niello
Big name animators all over. They really threw everything they've got here.
Niello
Woooooah! OMG Apocrypha ep 22 animation is sick! So that's why the animation in the first half of the show is so lackluster and basically just darn awful.
Kaiser-Eoghan
Its not entirely odd to bring up Heydrich in relation to the occult either, apparently he was said to be part of some whackjob order.
Kaiser-Eoghan
Hmmm, that girl from Dies irae, Anna Schwegln is aptly named, also shares her name with the last executed person for witchcraft, who was Bavarian German, which i'm told by an Austrian friend were particular right-est leaning politically.
Kaiser-Eoghan
Of course unfortunately its often the opposite that happens, nothing is worse than an ending that ruins everything.
Kaiser-Eoghan
Ah, how I love being surprised by something. That feeling where you''re watching something shakily held together, simply okay or good, then suddenly in the second half or last stretch your score of it goes massively up.
Kaiser-Eoghan
I can kind of understand the wanting to go home and watch something easy mentality instead of challenging but even though I'm guilty of escapism, I'm tired somewhat of "sillier" stuff, its often enjoyable but its get overly reptitive and I wish I could find more philosophical/political/imaginative things.
Amagi
Yeah the show is great because of its theme, the setting and chemistry girls have as well as their (lack of) knowledge about basic human things. Each episode thematizes this in a different way but there isn't much you can talk or say about it when you already explained the topic in detail.
SuperMario
On the other hand, I don't have much to talk about Girls' Last Tour this week. It's still good, but with this episode I feel that I'm running out of concrete thig to say about the show
SuperMario
Haha both Houseki and 3-gatsu have a good showing this week. I have a lot of things to talk about Houseki in particular
Amagi
This week's Houseki is jurassic park
Amagi
*-ati - I think Netflix and so are at least giving a few new impulses which isn't too bad. I don't think the typical anime series will disappear because of that.
Amagi
At least in comparisation
Amagi
I think it's just sad how often I see wonderful series selling 500 BD/DVD or maybe even less. Most series don't sell more than 1500 or so and the rest is usually at ~3000-5000 which is still pretty low.
Amagi
Yeah, it's one of my pro-Netflix arguments as well. Another problem is that anime (not counting manga) only make money through dvd/bd sales since they air at night, whereas Netflix or daytime tv series don't depend on the latter so much and since anime BDs are so expensive the only ones who buy them are the more extreme fans.
AidanAK47
Might be in part due to the workaholic nature of their society that makes escapist fantasy and empty entertainment more appealing than usual. Ultimately these are the people anime is made for so opening up the markets gives more deserving shows a fighting chance.
Though that isn't to say that western taste is perfect either.
AidanAK47
@Amagi, That's part of the reason I think some westernation might be a good thing as from what I seen the Japanese have truly terrible taste in anime. Sales charts from Japan just make me shake my head.
Amagi
God, the preorder anime lists are atricious. The only one that seems to sell acceptable (around 6k) is Mahoyome. Series like Inuyashiki have 80 pre-orders so far, Shuumatsu Shoujo 977. Idol shows sell good of course, including that male/bishounen Idolmaster
AidanAK47
@Anon, I read it but kinda fell out due to it's releases being slow.
Kaiser-Eoghan
@Anon: Actually if you check the manga recommendations section, you'll see there is a post about it here.
Kaiser-Eoghan
@Anon: Yes, it was interesting to follow a story that dealt with a characters homosexuallity that was outside of the yaoi/yuri mould.
Anonymous1620968
Out of curiosity, has anyone on here read Shimanami Tasogare?
Niello
Where are we up to with Inuyashiki?
Lenlo
Well alright then. Episode 9 out of 11 and that happens. Was not expecting that
Lenlo
Ooo something happen this week? Im about to watch it
Kaiser-Eoghan
It feels just as rushed and awkward in the manga.
Amagi
I noticed this too
AidanAK47
Inuyashiki has balls of steel to pull that in this particular episode number.
Nielllo
Finally got around to reading Helck, and it looks like it's going to go into that pile of good-shounen-that-won't-ever-get-animated right alongside Psyren.
Kaiser-Eoghan
@Aidan: Imagine trying to buy the dvds of the show in public.
Kaiser-Eoghan
@Aidan: Gentle remind that the prism ilya movie is out and subbed.
AidanAK47
Still surprised the second and third seasons got dubbed.
AidanAK47
@Angel, I replied to one of your comments before but the rundown is no official word yet but maybe next year.
Angel
Or no? Someone please tell me!!
Angel
Going to happen?
Angel
Is fate/kaleid liner prisma☆illya 3rei dub
Amagi
I dislike it when manga bait me into reading due to the first chapter and end up being some very generic stuff afterwards. Nobody stays for B if he started something for A, authours should expect that.
Lenlo
Really, Juuni should stick with the 3D. That fight in ep 9 looked pretty good. 3D is clearly what they are good at
AidanAK47
@Niello, It's not Chatango. It's a plugin for wordpress called Wisechat.
SuperMario
@Niello: yeah, Juuni caught me off guard this week. The production of Juuni is unfortunately shaky, but well, strong writing can save the day
Niello
Btw is this chat still Chatango?
Niello
This week episode of Juini is surprisingly good compared to how the show usually is with its backstory. Although the part where Ox tries to explain to Tiger could definitely use some visual buff.
SuperWooper
in the future*
SuperWooper
Pretty cool that Juuni Taisen had that kind of emotional heft this week, though. Might be one of the 2017 shows I sample the in the future.
SuperWooper
I think the occasional comments with an episode title and nothing more come from people who mistake the shoutbox for a search bar.
SuperMario
@Anon1614688: juuni taisen... made me tearing up this week. Honestly didn't expect that. Damn you, Tiger
Anonymous1614688
juuni taisen
Amagi
Had some complaints regarding Children of Whales but the latest two episodes were pretty good.
Amagi
@Anon: You explained it better than me.
Anonymous1614307
Kaiser: I actually have the exact same opinion of Natsume and Mushishi. Both are excellent, but Natsume just does a great job with a small core cast and a very simple premise
Anonymous1614456
who likes naruto
Kaiser-Eoghan
Mushishi does have good stories, but it was always a manga I'd dip in and out of, on and off for years, never marathoning it, wheras Natsume was easier to read several chapters of in one go.
Kaiser-Eoghan
I think its because Natsume has more pathos.
Kaiser-Eoghan
*more than
Natsume weirdly ended up becoming this comfort manga for me with a higher consistency rate .
Kaiser-Eoghan
I will state that I hold the terrible opinion that I like Natsume Yujinchou than Mushishi but at the same time completely recognize that Mushishi is probably the more ambitious, better show.
Niello
So it becomes a cycle of "this is an interesting set up" (except that the new Kino isn't even good at that) and then they fucked up or Kino/Shizu fucked them up even more, then move on. Without the emphasis on philosophical nature of the set up they present like in the original Kino, there really isn't that much point to it.
Niello
With the new Kino it's more about messing people up, occassionally observing and hardly ever improving. The anwsers or solutions to the problem they present is never really talked about in a rational way.
SuperMario
@Anon1614318: maybe you should give the old Kino a try. What I don't like most about the new version of Kino is that both Kino and the new guy are sketched as hero. The old Kino manages the tone right as well. There were some really dark tales and most of them thought-provoking. Can't say the same for say...Country of Cooking
Anonymous1614318
I don't know, it might be interesting to actually dig deep into the differences between episodic series with this kind of style to see what works and what doesn't.
Anonymous1614318
I guess it's a matter of the chapter they chose to adapt were not really the better ones but the ones where the protagonist is more of an active role. Not totally against that, but it feels like the protagonist is just OP all the time. At least with Mushishi Ginko isn't able to save everyone all the time.
Anonymous1614318
I guess it's supposed to be more allegorical, but most of the time the allegory is not really meaningful enough. I thought it would be more along the lines of Mushishi, which is kind of similar in setup, but better in most other ways.
Anonymous1614318
What keeps me sticking around are some of the nice background arts and generally pleasant use of color, but admittedly most of the episodes aren't really engaging in a meaningful way. Most of the time its just Kino/Shizu show up, find out town's gimmick, then save the day. I prefer the episodes where the townspeople are more than just flat background characters.
Anonymous1614318
It's interesting to see how this new Kino season is being received from folks who've already watched the original. This is my first real exposure to Kino, and I kind of like it, but even without watching the original, I share many of the same complaints Aidan and most of the others have.
Amagi
I am also kinda sad he's just some 2* servant in fgo, but his power is special and he's physically weak, so it's understandable.
Amagi
And again, Shakespeare is just great but the character is, sadly, kinda wasted here considering how much screentime he has.
Amagi
@Aidan: Yes. Plus, maybe more characterization or background for some servants. The anime would have that time without Sieg and his romance sub plot.
AidanAK47
@Amagi, Those being remove Sieg and more Shakespeare?
Amagi
And man Apocrypha is pretty good but it would be twice as good if it had those two changes Aidan always mentions in the reviews..
Amagi
@Kaiser: I think the male in Kino was a mistake. Having two PoV sounds good, but he's basically just a male Kino, he even looks like her. Someone vastly different would have been way more interesting.
Kaiser-Eoghan
I'd guarantee that sangatsu no lion would be high up, but FINALLY this weekend I'll be catching up.
Niello
@Kaiser, Ugh my phone gitched. What I meant to say was that background was unexpected. Now I see why you're enjoying CotW though.
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Featured Posts

Juuni Taisen – 11 [To Treat a Man to Beef From His Own Cow]

To the surprise of no one, Rat wins the race by breaking in the right place at the right time with the right weapon. This is by no mean a coincidence, because later on we learn about Rat’s real power: “Hundred Paths of Nezumi-chan”, in which he can see 100 various outcomes and thus picking […]

Mahoutsukai no Yome – 10 [We Live and Learn]

Welcome to week 10 of Mahoutsukai! Finally, oh so finally, we have are given some backstory on Elias! Our mysterious male(?) lead gets some explanation. We also get the start of a Chise only arc and finally some more information on Lindel. Lets jump in! As the main focus of this weeks episode, naturally I […]

Dies Irae – 09[A Mother’s Sins]

DIes Irae isn’t making this easy for the anime only watcher, as we get confused montages of Lisa’s backstory and oddly of a character whose relevance doesn’t come till a much later date. I would say it’s rather spoiler-ish if the info wasn’t presented in such a haphazard way that no one could really decode […]

Girls’ Last Tour – 10 [Train – Wavelength – Capture]

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Kino’s Journey -The Beautiful World- – 10[Kind Country]

Another remake of a story from the old series and while this one is adapted quite well, maybe even arguably better than the old version, it unfortunately lacks the same impact. The main problem comes back to the thing which ultimately holds back this season as a whole, story choice. For you see in the […]

Houseki no Kuni – 10 [Shiro]

This week proves to be the most action-packed episode Houseki has been offering so far and unconventionally, it’s Dia who takes the central stage at facing the most ridiculously overpowered Lunarian Titan to date. Well, I said “unconventionally”, but when the narration and the execution (the camera work, in particular) come together in such neat […]

Fate/Apocrypha – 22[Reunion and Farewell]

Breaking my usual routine today just to give an opinion on this episode but this episode made me feel compelled to get out my opinion. We have another action packed episode with three contestants out of the war and boy did they go out with a bang. Many will notice that the animation for this […]

Inuyashiki – 9 [Shihjuku People]

Welcome to another week of Inuyashiki! This week we have incredible sequences of terror, fearless Directors and death flags! Lets jump in. Obviously, the first thing we need to talk about this week is Hiro. A lot has happened in the few hours since Hiro attacked the Station. Interestingly, yet weirdly, Hiro has garnered a […]

Fate/Apocrypha – 21[Antares Snipe]

When Apocrypha slows down, it’s story shows it’s cracks. But when it’s an action showcase it actually becomes quite entertaining. The characters don’t have the time to be developed but they shine in combat when they clash, sometimes showing parts of themselves the series otherwise doesn’t allow for. Astolfo for one was actually useful for […]

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The superhero genre has been undergoing a surge in popularity in recent years. From the Marvel movies in the West to anime series like My Hero Academia in the East, super heroes are everywhere.  As such, for good or ill, it was inevitable that we would get a merging of the two. The Reflection is […]

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Every Anime season we the viewers are shown a number of adaptations, often made after Light or Visual Novels. It’s an already written story with an established base, a smart business decision. In recent years studios have also begun pulling from the Video Game market for their shows. Pieces like the Idolmaster series, Kantai Collection […]

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